Identity Thief A Mere Shadow Of Hughes’ Classic Road Trip Comedy

Courtesy:  Universal Studios

Courtesy: Universal Studios

Universal Studios’ latest attempt at a buddy comedy comes up far short of the John Hughes classic which it tries to emulate. This road trip buddy comedy is a mere shadow of Hughes’ 1987 classic, Planes, Trains, and Automobiles. Where Hughes did everything right with his movie, writer and director Steve Conrad and Seth Gordon have combined to make a movie in Identity Thief that struggles at best to come across as an update of what is a much better story. Thank goodness for veteran actor Jason Bateman (Arrested Development, Extract, etc.). If not for his acting chops, this movie might have completely sunk. He manages throughout the story to pick up the slack left by co-star Melissa McCarthy whose character is annoying in herself, while she as an actress falls flat in her attempt to be funny. It would be interesting to find out if other actresses had been considered for the role or even another actor before the higher ups decided on her. Even the inclusion of guest stars Robert Patrick (T2, The Unit) and rapper T.I. didn’t do a lot to help the movie.

Identity Thief has more than its share of problems. But for all of its negatives, it would be unfair to ignore the few funny and at least semi-heartfelt moments that are peppered throughout the story (as few as they are). The story does offer at least a tiny amount of heart in that McCarthy’s Diana does reach a point where she begins to realize how she is and begins to change ever so slowly. Audiences see hints of Diana’s change when she decides not to take Sandy’s (Bateman) car one night at a hotel. Eventually her own growth leads Sandy to his own point of self-discovery and realization. That realization leads to his own personal growth. The personal growth of both Sandy and Diana does help move the story. And thankfully there are some equally enjoyable moments of physical comedy that help move the story along. Sadly though, those moments aren’t enough to make up for the mass of slower moments that bog down this near two hour movie. Those slower moments leave a movie that clocks in at just under two hours feel more like a near two and a half hour movie. Needless to say that considering this, it’s the final nail in the coffin for this failed attempt at an update of a classic. It’s one more movie that proves there’s nothing better than the original.

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