Worst Friends Is One Of This Year’s Best New Indie Flicks

Courtesy:  Level 33 Entertainment

Courtesy: Level 33 Entertainment

Level 33 Entertainment’s new dramedy Worst Enemies is one of this year’s best new indie flicks. This movie is a surprisingly entertaining work. It is more proof that when the dust settles from Hollywood’s downfall (thanks to its insatiable desire for prequels, sequels, and remakes), the indie movie industry will still be standing strong. The main way in which it proves that is through its original script. The story behind this movie isn’t just another buddy comedy. It’s a story that is just as entertaining as it is moving. What’s more, in comparison to other buddy comedies released by other indie flicks and even other major studios, this story stands well apart from those works as its own creation. And that’s just part of what makes it work as well as it does. The story’s overall simplicity makes it even more enjoyable. There are no big sets, no unnecessary sexually driven jokes, and not even an annoying poppy song to be heard at least until the story’s final scene. The movie’s cast is one more reason that it works as well as it does. Save for actresses Kathryn Erbe and Sara Chase, most of the movie’s cast is made up of unknown actors and actresses. Even as little experience as they might have, they come across just as professional as any more seasoned actors, Erbe and Chase included. Together with the story’s overall simplicity and its largely original script, all three factors show in full once again why Worst Friends is one of this years best indie flicks and a work that anyone thirsting for a real story should see at least once.

Level 33 Entertainment has released in recent years some of the best movies that most audiences have never seen. The Wedding Video, The Formula, and The Moleman of Belmont Avenue are each examples of what makes this studio one of the best in the world of indie flicks. Every one of those movies stands out from the other in its own special way. Now with Worst Enemies, Level 33 has proven once more why it is deserving of that honor. One would think in looking at the movie’s synopsis that it is something of a buddy comedy, especially in partner with the movie’s box art. But the reality of the movie is that it is more drama than comedy. The movie’s original script is one that stands out not only from other movies released by Level 33 but from so many movies released by Hollywood’s “Power 5″ studios–Paramount, Universal, Warner Brothers, 20th Century Fox, and Disney. It is a deep, thoughtful story that reminds us that BFF is not always the case for friends. We live, we grow, and sometimes we grow apart. Audiences will especially appreciate that writer/director Ralph Arend and his writing partners Noah Barrow and Richard Tanne don’t waste any time waxing poetic about this message. They don’t waste any time trying to set up a back story, explaining what caused the original fallout between Jake (Richard Tanne) and Sam (Noah Barrow). The trio keeps the story simple but still manages to send the story’s central message in an original manner, but not so much that it goes over the heads of its audiences. It alone makes for plenty of reason to see this movie, even if only once. It’s not the only reason to check out this movie, either. Another audiences should give this surprisingly entertaining drama is its overall simplicity.

The script behind Worst Friends is the central point of the movie’s success and enjoyment. It presents a very deep story and some very deep themes in a fashion that avoids any stereotypical artsy indie indulgences. At the same time it isn’t presented in such fashion as to feel over simplified, either. It balances that serious approach with a delivery that is just simple enough to be taken seriously without feeling overly done. In other words, it isn’t so serious or simple as to make it seem stereotypically sappy or hammy. Speaking of that simplicity, the general simplicity of the movie’s other elements help to make it even more enjoyable. The sets are simple. The camera work is just as simple. There are no unnecessary sexually driven jokes. And unlike so many other movies of its ilk, this piece doesn’t torture audiences with a constant barrage of annoying pop and emo songs throughout the course of the movie. The movie’s final scene won’t be given away here. But that scene is the only one in which audiences are exposed to said musical backing. It is all kept to such a minimum that it keeps the story at the center of the movie. Arend, Tanne, and Barrow (as well as the rest of those behind the cameras) are to be highly commended for this. It makes the movie in whole that much more enjoyable for audiences. It still isn’t all that is worth considering in the movie’s success, either. One more aspect worth noting in the movie’s success is its cast.

The actors and actresses that make up Worst Friends’ cast are largely unknowns. Perhaps the most well-known of the movie’s cast are actresses Kathryn Erbe (Law & Order: CI, The Mighty Ducks, What About Bob) and Sara Chase (The Other Guys, Arthur, The Little Black Book). Fellow cast mate Larry Fessenden is known for his work in the world of horror movies. But by and large the movie’s cast is made up of unknown actors and actresses. Even while most of the cast might not be known for major TV series or movies, the cast is collectively just as convincing any more well-known actors and actresses. They come across as being just as seasoned as said individuals. Audiences will see this when they watch Worst Enemies for themselves.   Together with the movie’s overall simplicity and the script’s originality, this last aspect shows in full once more why Worst Friends is one of this year’s best new indie flicks. It shows why it is a good watch for anyone that is tired of the seemingly endless Stream of prequels, sequels, and remakes being churned out year after year by Hollywood’s “Power 5″ studios.

The aspects noted here each play an important role in their own right in the success and enjoyment of Worst Friends. Given, they are important in their own right. That is not to take away from the importance of the movie’s run time. The movie runs roughly an hour and fifteen minutes. That is far below the norm of most of the big name movies churned out by Hollywood’s “Power 5″ each year. Yet with such a short run time, the movie still accomplishes so much. It plays its own important role in the movie’s success and enjoyment, too. That aspect taken into account with everything else previously noted pushes Worst Friends over the top and makes this movie not just one of the year’s best new indie flicks, but potentially one of this year’s best new movies overall, too.

Worst Friends is available now in stores and online. More information on this and other releases from Level 33 Entertainment is available online at:

Website: http://level33entertainment.com

Facebook: http://www.facebook.com/Level33Entertainment

Twitter: http://twitter.com/Level33_ent

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eOne’s “Cell 213″ Is An Interesting Theological Thriller

Courtesy:  eOne

Courtesy: eOne

Paramount.  Disney.  MGM.  20th Century Fox.  Warner Brothers.  For the longest time, these studios were what made Hollywood and the movie industry great.  But somewhere along the way, something changed.  Something very bad happened.  Somewhere in the late 1990s and early 2000s, these five major studios went from churning out some of the greatest titles that audiences have ever seen to churning out nothing but prequels, sequels, and remakes.  Now in 2014, there seems to be no end in sight for this trend from Hollywood’s own “Power 5″ (only sports fans will get that reference).  Thankfully, independent studios such as IFC Films, Level 33 Entertainment, Anchor Bay Entertainment, and eOne Entertainment have picked up the slack, releasing some of the most original and entertaining movies that audiences have seen in years.  One example of that originality lies in eOne’s recently released thriller Cell 213.  The movie’s box art and description leads one to believe that it is a horror movie of sorts.  The reality is that it is in fact a rather deep and surprisingly original story.  The story behind Cell 213 is by itself more than enough reason for audiences to watch it at least once.  Veteran actor Michael Rooker’s (Guardians of the Galaxy, Days of Thunder, Cliffhanger) acting as the vile prison guard Ray Clement is another positive to the movie.  While the movie centers on Michael Grey (Eric Balfour), Rooker is the real star of this story.  And last but not least of all worth noting here is the movie’s run time versus its pacing.  At a time when it seems like Hollywood’s major studios are continuing to battle one another to see who can cram the most material into their movies within a given time span (more often than not that time span is about 2 1/2 hours or a little more), this roughly hour and forty-nine minute movie does plenty without even reaching the two-hour mark.    Each of these aspects by themselves play their own important role in the overall success of this interesting indie thriller.  Collectively, they make Cell 213 worth at least one watch and prove once more why indie movies are just as worth the watch as all of the prequels, sequels, and remakes being currently churned out by Hollywood’s “Power 5″ if not more so.

At first glance, eOne and Alliance Films’ recently released thriller Cell 213 looks like another run-of-the-mill horror flick.  But as the old adage states, never judge a book (or in this case a DVD) by its cover.  The movie is in fact far more than just another one of the overly gory and violence laden flicks that Hollywood’s “Power 5″ call a horror.  Rather, it proves to be more a thriller than a horror.  What’s more, it’s not just another thriller, either.  The movie’s script, which was crafted by Maninda Chana, combines traditional thriller elements with some rather deep theological discussions for a movie that will ultimately leave open-minded audiences really thinking.  As audiences learn, young up-and-coming lawyer Michael Grey himself ends up in jail after one of his clients kills himself, essentially framing Michael for his murder.  It is at this point that the movie’s biggest plot hole emerges.  The plot hole is big enough to drive a handful of semis through it.  Thankfully though, the theological discussions that make up the remainder of the movie more than make up for that glaring issue.  The discussions in question center on the battle between good and evil and on making the right choices in life before we die.  A close look at the story reveals these discussions and really makes the movie a lot more interesting than one might have originally thought at first glance.  The end result is a script that makes this indie thriller worth at least one watch.

The theologically based story behind Cell 213 is a big surprise.  By itself, the discussion raised on judgment of one’s soul, etc. is more than reason enough for audiences to check out this movie.  Another reason that Cell 213 is worth at least one watch is the acting on the part of Michael Rooker.  Rooker is most well-known for his work on the NASCAR-based drama Days of Thunder.  He has also worked on Marvel Studios’ latest hit blockbuster Guardians of the Galaxy, too.  So this movie is obviously not the first time that he has played the role of a villain. And he shows his experience as a villain quite well. Between showing no mercy to the inmates at the prison to putting a chokehold on another officer (a female no less) to showing something of a troubling, almost Norman Bates sort of personality at another point, Rooker makes Ray Clement an absolutely disturbed character that will disturb audiences and make them love to hate him at the same time. If for no other reason, audiences should watch this movie at least once to see just how diabolical and disturbed Rooker makes Clement. That portrayal together with the movie’s deep, theological themes, makes for even more reason for audiences to give it at least one watch.

The theological themes that make up most of Cell 213’s story and the work of veteran actor Michael Rooker are both key to making this movie worth at least one watch. That still leaves one more aspect worth noting—the movie’s run time. Anyone that has been to the theater in the past couple years or so has noticed that Hollywood’s major studios have been seemingly caught up in a competition to see who can shove the most amount of material into a roughly two and a half-hour movie without making it too mediocre. The problem is that movies like The Dark Knight Rises, Pirates of the Caribbean 3, and even the recent Spiderman and Superman movies have been mostly mediocre. That’s because the people behind the cameras and the scripts have in fact crammed so much into each one of those movies that they have overpowered audiences. That’s hardly the case with Cell 213. The movie clocks in at just under the two-hour mark. Within the confines of that roughly hour and forty-nine minutes, writer Maninder Chana and director Stephen Kay waste no time ruminating on personal drama or any such related topics. The entire time is well-spent, focusing on the battle being waged for Michael’s soul and how he was essentially being tested, thus tying back in to the story’s theological themes. What’s more, at no point do those themes ever get so deep as to lose audiences. Viewers are kept engaged from start to finish thanks to that well-balanced mix of the movie’s run time and its overall content. That, coupled with Michael Rooker’s acting and the themes incorporated into the story, makes this movie complete. They collectively make Cell 213 a story well worth at least one watch whether one is a fan of the horror genre or has any interest in Christian theology. It all makes for a movie that is actually quite surprisingly interesting.

Cell 213 is available now in stores and online. It can be ordered direct online from Amazon at http://www.amazon.com/Cell-213-Michael-Rooker/dp/B00K2OBSI2/ref=sr_1_2?s=movies-tv&ie=UTF8&qid=1416580052&sr=1-2&keywords=cell+213. More information on this and other titles from Alliance and eOne is available online at:

 

Website: http://ca.eonefilms.com

Facebook: http://www.facebook.com/eOneFilms

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Step Up: All In Will Have Dance Fans All In

Courtesy:  Lionsgate/Summit Pictures

Courtesy: Lionsgate/Summit Pictures

Lionsgate and Summit Pictures releases the latest installment of the popular Step Up franchise tomorrow in stores and online.  This latest installment, the series’ sixth, is another fun little romp for anyone that is a fan of all things dance.  Those that are fans of the Step Up franchise will enjoy primarily the movie’s script.  The script is simple enough and doesn’t really require much thought.  It also lifts somewhat liberally from certain other flicks that have come before.  The movie’s overly abundant number of dance numbers will impress fans of the franchise, too.  On a completely separate note, there is the movie’s rating.  Yes, the movie’s rating.  This must be noted as part of the movie’s whole.  The movie received a PG-13 rating.  But in its defense, it really was not deserving of that rating.  That will be discussed later.  The undeserved rating aside, the combination of the story and the dance numbers together will impress any fan of the Step Up franchise and prove it to be a fitting finale for the series should it be the series’ last installment.

“Every step has led to this.”  That is the line used on the front of the box for Step Up: All In.  It hints that perhaps this installment is the finale for the hugely popular dance-centric franchise.  If it is the last of the series’ movies, then the series has gone out on a positive note….er….step.  Yes, that bad pun was fully intended.  The movie, which will be released in stores and online tomorrow, November 4th, is an interesting work.  The central reason for its interest is its script.  The movie’s script focuses on Sean (Ryan Guzman) in his attempts to break out of his work-a-day world and put his talents as a dancer to use in a huge dance competition in Las Vegas called “The Vortex.”  The ultimate reveal as to his intentions is what makes the story interesting.  Unlike so many cookie cutter movies of its ilk, this story’s central character isn’t out to become a major celebrity.  Rather, as he explains to his new crew late in the movie, he just wants to make something of himself.  He wants something better for himself and the rest of his crew.  He tells them he doesn’t care about being a TV star or anything like that.  He just wants to dance and use dance for a living.  It’s a nice change of pace from the movies that fill out this movie’s genre.  Speaking of those movies, audiences can easily see hints of movies such as Universal’s Pitch Perfect and Blues Brothers 2000 and Disney’s High School Musical franchise.  That is thanks to the story’s execution.  That includes the numerous dance sequences, which will be discussed later.

The surprise twist added to the story by the writing team of John Swetnam and Duane Adler makes the movie an interesting watch in itself.  Of course, the requisite romance subplot is there.  Swetnam and Adler have also included the mandatory inner conflict for Sean as he is forced to face off against an old friend when his new dance crew has to take on his old crew.  That crew just happens to be headed up by Sean’s old friend.  Luckily that latter element is kept to an extreme minimum so as to not overpower this movie’s central plot.  Had that happened, it would have made the movie unbearable even for those that are familiar with its predecessors and who enjoyed said movies.  Even the mandatory romance subplot is kept to a minimum.  It’s good to see that Swetnam and Adler balanced the story’s various elements as well as they did.  The end result is a story that actually allows audiences to suspend their disbelief, turn off their brains for about an hour and a half (actually just over that) and enjoy some talented dancing and its associated beats.

John Swetnam and Duane Adler’s script for Step Up: All In is the core of the movie’s ability to keep audiences engaged throughout the course of the movie’s almost two hour run time.  While Adler and Swetnam are to be commended for their script, the story itself is only part of the whole that makes the movie work.  It goes without saying that the Step Up franchise in whole is very much a niche franchise.  It won’t reach everybody.  But those that are into the dance arts will enjoy the dance sequences that are included throughout the movie.  There aren’t just a couple dance sequences, either.  This critic specifically stopped counting at five sequences.  There is no denying the talents of the dancers, either.  Even if one is not exactly a fan of dance, one must admit that the dancers themselves are quite talented.  The choreography of the sequences in whole is just as impressive.  It had to have taken endless hours for the choreographers and dancers to perfect each of the movie’s multitudes of sequences.  Taking that into account the dance sequences, which are essentially the collective core of the movie, prove to be another key part of why audiences will want to give Step Up: All In at least once.

The dance sequences and the script that make up Step Up: All In are collectively more than enough reason for any fan of the long-running franchise to check out its latest installment.  This is the case regardless of whether or not is proves to be the series’ finale.  Getting on a different path for a moment, the movie’s rating is perhaps a bit undeserved.  The movie received a PG-13 rating from the MPAA.  The reason given was “some language and suggestive material.”  There are perhaps only two instances throughout the course of the movie in which any foul language is used.  There is no nudity anywhere throughout any scene.  Given the outfits on both the side of the men and women are a bit skimpy.  But they are not to the level of being overly revealing.  The dancing is dancing.  Sure some of it may be a little bit risqué.  But compared to numbers in the likes of Cabaret and other works, it can hardly be considered suggestive at every point.  The only time that a PG-13 rating might be considered worthy is a dance sequence in “The Vortex” competition.  The sequence in question involves members of Sean’s crew simulating urinating on their opponent.  That would be the only time that a PG-13 rating would truly be justified.  Other than that one moment, very little of the material in this question would be considered overly questionable by today’s standards.  It’s one more reason that Step Up: All In proves in the end to be worth at least one watch. This is regardless of one’s own familiarity with the moves that came before this one.

The script behind Lionsgate’s new addition to the Step Up franchise and the movie’s multitude of dance sequences are both important factors to consider in the movie’s success. Audiences will find enjoyment out of both factors. Considering the fact that perhaps at only one point is there anything truly questionable (besides occasionally the dancers’ outfits), it all makes the movie’s PG-13 rating hold even less water. Could that one questionable dance move have been removed? Yes. It could have. But it really proves to be the only truly questionable moment in the entire movie. That being the case, it takes away very little from the rest of the movie and keeps it still worth at least one watch. It will be available tomorrow, Tuesday, November 4th on DVD +Digital HD combo pack and Blu-ray+Digital HD combo pack. More information on this and other releases from Lionsgate is available online at:

Lionsgate’s Latest Family Friendly CG Centerpiece Will Entertain The Whole Family

Courtesy:  Lionsgate

Courtesy: Lionsgate

Lionsgate’s latest CG animated feature Jungle Master is one of the year’s more welcome family features to come along so far in 2014.  Unlike so many of the movies released in recent years by Dreamworks and Disney/Pixar, Jungle Master actually takes the road less travelled.  The movie’s animation is the most obvious way in which it takes that road less travelled.  Despite being a CG presentation, it doesn’t bare that cookie cutter appearance of the movies released by Dreamworks and Disney/Pixar.  Another reason that it stands out is its run time.  The movie’s run time comes in at just under the ninety-minute mark.  That’s a very good thing and will be discussed later.  Last but not least of all that makes this movie stand out is its script.  The story lifts lightly from The Wizard of Oz believe it or not and adds in a touch of Avatar for good measure as well as other sci-fi flicks.  The end result is a story that the while it may never be as big as anything from Dreamworks or Disney/Pixar, is still enjoyable in its own right.  It proves to be a movie that the whole family should watch together and will enjoy together when they do watch it together.

Jungle Master is not one of the most well-known family flicks to be released by any of Hollywood’s major studios this year.  That aside, it still proves in the long run to be one of the year’s more welcome family friendly flicks.  One reason for that is the movie’s “animation.”  Lionsgate’s CG features are completely unlike those of Dreamworks and Disney/Pixar in the realm of animation.  It’s almost impossible to tell Dreamworks’ CG movies from Disney/Pixar’s because they all look alike.  The only way to really differentiate the two studios’ works is by the studio names.  That speaks volumes.  Lionsgate on the other hand has strived to keep itself separate from the mold used by those studios in terms of its animation.  The look of Lionsgate’s CG movies is rawer for lack of better wording.  But it isn’t raw to the point of looking like some pieces from perhaps independent studio Engine 15 Media Group and others.  There is actually some attention paid to detail with Lionsgate’s CG movies, including this one.  That attention to detail helps Jungle Master maintain its own identity separate from its bigger name counterparts from Dreamworks and Disney/Pixar.  It even helps the movie to maintain its own identity from Lionsgate’s previously released CG features.  That mostly original look is just one of a number of positives that surround Jungle Master and make it stand out among this year’s crop of CG movies.

The largely original look of Jungle Master plays a key role in the movie’s ability to keep audiences engaged through its entire eighty-two minute run time.  That run time is another reason that families will enjoy this movie.  It doesn’t even reach the ninety-minute mark.  That relatively short run time drastically increases the chances of keeping audiences engaged from start to finish.  This is especially the case with the movie’s target younger audiences.  Most of the CG movies released since 1995—which is when Pixar broke the mold and released Toy Story—have averaged about ninety minutes.  There have been a small number of movies that have come in just under that time.  But most either reach the ninety-minute mark or go well over it as was the case with Toy Story 3.  That movie came in at almost forty-five minutes.  Luckily its story worked well enough that it still succeeded and quite well at that.  Speaking of story Jungle Master’s story works wonderfully with its run time.  Its story combines elements of a number of other movies to make a story that somehow actually works.  It’s one more way in which Jungle Master works and makes itself one of this year’s more welcome family films.

Both the look of Jungle Master and its run time are important to the movie’s overall success.  They each play their own important role to the overall presentation as they both have an impact on whether or not audiences are kept engaged.  Luckily, both factors succeed by themselves and together.  As much as they succeeded, the look of Jungle Master and its run time are not all that made this direct-to-DVD feature work.  One would be remiss to ignore the movie’s script as an equally important part of the whole.  The movie’s script centers on a twelve year-old girl named Rainie (pronounced rainy) who runs away from home ater her mother forgot about her birthday.  It is assumed by the fact that Rainie was upset enough to run away that her mother (who remains nameless throughout the movie) has probably left Rainie alone more than once.  Her decision to run away ends up taking her to al alien planet  and a much biger adventure that is directly linked to the company for which her mother works.  It’s thanks to her adventure that Rainie realizes her mom hasn’t intentionally ignored her, obviously leading to an eventual reconciliation between mother and daughter.  The central story of the parent/child relationship is obviously anything but new.  It’s been done more times than a person can count on his or her own two hands.  However, the story’s execution is what makes this plot work.  Screen writer Steve Kramer lifted liberally from the likes of The Wizard of Oz and Avatar to make this story.  While he obviously lifted from the noted movies, Kramer didn’t try to just remake them and mix them together.  He used them more as influences for his story about family.  What’s more he balanced said elements quite well; well enough in fact that audiences will be moved to overlook the references to said movies and enjoy the presented story.

Kramer’s re-telling of original writer/director Xu Kerr’s story is one of the most important of this movie’s aspects in considering its level of success.  He obviously used at least a couple of rather well-known movies that have come before as both influences and elements of this movie.  But he also didn’t try to just rip off either work.  He balanced them together to make a largely original story that centers on family.  That creativity and homage still is not all that makes this movie work.  One should also take into account the movie’s cast and even its bonus shorts.  Victoria Justice (Victorious, Victoria Justice, iCarly), Jane Lynch (Glee, Hollywood Game Night, Wreck-It-Ralph), David Spade (Just Shoot Me, The Benchwarmers, Tommy Boy), Josh Peck (Drake & Josh, Ultimate Spiderman, Ice Age: Continental Drift), Christopher Lloyd (Cyberchase, Back to the Future 1 - 3), and John Lovitz (Saturday Night Live, The Critic, Gorwn-Ups 1 & 2) make up the movie’s cast.  Lovitz proves to be the real star of the story with his comical antics voicing Mulla.  The fact that so many well-known names overall would feel confident enough about such a movie makes it even more worth the watch.  And the bonus shorts included with the movie will entertain children for a little while after the movie ends.  These extra positives combined with the positivews already noted make Jungle Master a movie well worth at least one watch together by any family.  It is available now in stores and online.  More information on this and other releases from Lionsgate is available online at:

Website: http://www.lionsgate.com

Facebook: http://www.facebook.com/lionsgate

Twitter: http://twitter.com/lionsgatemovies

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Shout! Factory Gets “Weird” This Fall

Courtesy:  Shout! Factory

Courtesy: Shout! Factory

A little more than twenty-five years ago, a little comedy by the name of UHF took the world by storm. The movie starred famed quirky comedian and satirist Weird Al Yankovic and a then unknown Michael Richards (Seinfeld). Just over a quarter of a century later, that cult hit flick will see the light of day again when Shout! Factory re-issues the movie on Blu-ray next month.

Shout! Factory will re-issue UHF on Tuesday, November 11th. As bizarre as the movie is, its premise is actually a relatively solid sticking point. It centers on a small time TV station facing off against a corporate giant in its attempts to keep from being bought out and shut down. In his attempt keep the station from being shut down, George Newman (Weird Al) enlists the help of his friends to put on a giant fundraiser that involves some of the wildest programming that anyone has ever seen. Among those friends is Stanley Spadowski (Michael Richards).

UHF will be available on DVD Tuesday, November 11th. It can be pre-ordered online now via Shout! Factory’s website at https://www.shoutfactory.com/film/film-comedy/uhf-25th-anniversary-edition. More information on this and other releases from Shout! Factory is available online at:

Website: http://www.shoutfactory.com

Facebook: http://www.facebook.com/shoutfactoryofficial

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

MST3K Vol. XXXI Is An Early Thanksgiving Treat For Classic Film Fans

Courtesy:  Shout! Factory

Courtesy: Shout! Factory

Shout! Factory is bringing audiences quite a tasty treat of a classic series next month.

Shout! Factory will release Mystery Science Theater 3000 Volume XXXIThe Turkey Day Collection on Tuesday, November 25th. The box set’s release is a doubly good thing since it won’t interfere with the annual traditions of watching football and eating lots of food. Though, it could start its own tradition of taking in some of the movie industry’s biggest turkeys each year around Thanksgiving. Speaking of those cinematic turkeys, the movies included in this year’s Thanksgiving special are: Jungle Goddess, The Painted Hills, The Screaming Skull, and Squirm.

Just as with every previous MST3K, the movies included in the box are just part of the whole that audiences will appreciate. It also includes a number of bonus features. Those features include all-new Turkey Day episode introductions by star Joel Hodges, and an interview with Squirm star Don Scardino. There are also featurettes and bonus “movie posters” crafted by artist Steve Vance. The bonus featurettes included in this box set are: “Undercooked & Overstuffed: Inside the Turkey Day Marathon,” “Bumper To Bumper: Turkey Day Through The Years,” “This Film May Kill You: Making ‘The Screaming Skull’” and “Gumby & Clokey.”

Mystery Science Theater 3000 Volume XXXIThe Turkey Day Collection will be available Tuesday, November 25th on DVD. It will retail for MSRP of $64.99. It can be pre-ordered online direct via Shout! Factory’s online store at https://www.shoutfactory.com/film/action-adventure/mst3k-volume-xxxi-the-turkey-day-collection-collector-s-edition-tin. More information on this and other releases from Shout! Factory is available online at:

Website: http://www.shoutfactory.com

Facebook: http://www.facebook.com/shoutfactoryofficial

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Timeless Media To Re-Issue Classic Crime Drama Next Month

Courtesy:  Timeless MEdia Group/Shout! Factory

Courtesy: Timeless MEdia Group/Shout! Factory

Timeless Media will release one of television’s most beloved classic crime dramas next month.

Timeless Media, in partnership with Shout! Factory, will release M Squad: The Complete Series on Tuesday, November 4th. The series stars famed actor Lee Marvin (The Dirty Dozen, The Man Who Shot Liberty Valance, Shout at the Devil). It ran for three seasons on NBC from 1957 to 1960. Over the course of those three seasons, the series produced a total of 117 episodes. Marvin starred as the series’ lead character Detective Lt. Frank Ballinger, a rather straight forward type of figure among the force’s officers. Marvin’s background made him a perfect choice for the role of Ballinger. Marvin was a highly decorated Marine veteran who served in the South Pacific during WWII. He earned the Purple Heart after the Battle of Saipan.

While Marvin was the star of the show, he was joined over the course of the show’s run by a handful of actors that would go on to be just as well-known in their own right. Dick Wilson and John Hoyt both make appearances in a handful of episodes. Both would go on to star in the hit WWII-based sitcom Hogan’s Heroes after starring in M Squad. And Star Trek co-stars Leonard Nimoy and DeForrest Kelley also made appearances in M Squad. They’re just some of the big names that made appearances throughout M Squad’s run on NBC. There are many others that audiences familiar with classic television and movies will recognize throughout the series’ episodes in its latest re-issue.

The upcoming release of M Squad: The Complete Television Series (Special Edition) is not the first time that the series has been released. Shout! Factory also released the series in a complete series box set in 2008. This latest re-issue includes a bonus disc featuring episodes of Wagon Train, Checkmate, The Virginian, and Lawbreaker. Marvin guest starred in the first three series and served as host of the latter. M Squad: The Complete Television Series (Special Edition) will be available on DVD box set Tuesday, November 4th. It can be pre-ordered now via Timeless Media Group’s online store at https://www.shoutfactory.com/tv/crime/m-squad-the-complete-series-special-edition. More information on this and other releases from Timeless Media Group is available online at:

Website: https://www.shoutfactory.com/tentpoles/timeless-media-group

Facebook: https://www.facebook.com/pages/Timeless-Media-Group/358391474233364

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