The Treatment’s Debut LP Keeps Pace Solidly With Rock’s Big Dogs

Courtesy:  Spinefarm Records

Courtesy: Spinefarm Records

The 1980s is one of the most important decades in the history of the music industry.  Disco evolved into New Wave during that decade.  Rap and Hip-Hop started burgeoning during those years, too.  And in the world of rock, audiences were presented with both the New Wave of Heavy Metal (NWOHM), and the rise and fall of the hair metal movement.  While the age of big hair and big rock came and went seemingly in the blink of an eye, it also produced some of the biggest names in the history of rock and metal.  Def Leppard, Poison, Motley Crue, Dokken and others of that ilk dominated radio stations and arenas across the country in that ten-year span.  Motley Crue is officially calling it a career.  The others called it a career years ago.  And while they may be gone, many bands since have shown that they are hardly forgotten, producing record after record that pays homage to said forebears.  Now another act has added its name to that long list of bands keeping the age of big guitar riffs and equally big hair alive in the form of The Treatment.  The five piece from Cambridge, England released its full length deut record Running With The Dogs on indie label Spinefarm Records back in February of this year.  It is a fittingly titled record, too.  That’s because the band, whose members are each in no more than their late teens, stays right with the rest of the pack on its debut.  The band keeps up with other bands of its genre (E.g. Buckcherry, Airbourne) in its debut.  That’s thanks both to its full-throttle, no nonsense rock and roll sound, and its equally old school lyrics.  The combination of the two makes this record a must hear for anyone that  wants a break from the seemingly constant barrage of cookie monster growls and poppy rock songs dominating so much of the rock world today.  Right off the top, front man Matt Jones and his band mates–Dee Dammers (guitar), Tagore Grey (Guitar), Dhani Mansworth (drums), and Rick “Swoggle” Newman (bass)–show that they mean business in the album’s opener ‘I Bleed Rock N’ Roll.’  This song is classic rock and roll all the way around and will have audiences instantly rocking and singing along.  By and large, the band keeps things moving throughout the record, slowing only once in the album’s penultimate acoustic opus ‘Unchain My World.’  Even being an acoustic piece, it harkens back to the acoustic ballads of Poison and other big hair bands from the 80s.  And what rock record is complete without an up-tempo piece about a female figure that all the guys want?  It’s there, too in the form of ‘She’s Too Much.’    These three songs are each enjoyable in their own right for anyone nostalgic for real  rock and roll.  Along with the other ten songs that make up this album, the whole thing proves to be a record that any old school rock and roll fan will enjoy.

The Treatment’s debut album Running With The Dogs is an aptly titled collection of songs.  The band’s members show exactly why right off the top in the album’s high-energy opener ‘I Bleed Rock and Roll.’  Musically speaking, this song instantly shows influences from veteran rock acts the likes of AC/DC and Motley Crue.  Drummer Dhani Mansworth’s solid 4/4 time set against the dual guitar attack of Dee Dammers and Tagore Grey instantly gets the body and the blood moving.  The duo’s old school shredding and harmonies will transport audiences back to rock’s era of big riffs and even bigger hair.  Front man Matt Jones’ vocal styling adds to that musical trip back in time even more.  It’s incredible how much Jones’ vocal style soudns so much like Motley Crue front man Vince Neil.  Lyrically, the song is just as much of an homage to rock’s “biggest” era with the band singing in the song’s chorus, “I live rock and roll/It’s my destiny/All I bleed is rock and roll.  the message is clear and simple not just here but in the song’s verses, too.  That simplicity and clarity of the song’s lyrics couple with its musical side to make this song the perfect opener for the band.  To another extent, that it finishes in such bombastic fashion makes it an equally fitting closer both on the album and in a live setting.  It’s just one of so many of the album’s opuses that shows what makes it a pure rock record well worth the listen.

It goes without saying that The Treatment chose the right song in ‘I Bleed Rock and Roll’ to open its debut full-length record.  Interestingly enough, that same song would work just as much as a closer for the band as the album’s closer and even as a show closer in a live setting.  The energy exuded by the band in this song is carried throughout every one of the songs that follow it right up to the album’s penultimate piece ‘Unchain My World.’  This acoustic ballad is just as much a throwback to the 80s as the album’s opener and any other song on this record.  Stylistically, listeners will instantly be able to make comparisons between this song and the ballads churned out by veteran rock bands such as Motley Crue, Poison, and even Mr. Big just to name a few.  This applies to the song both musically and lyrically.  The comparison to Mr. Big comes especially in the song’s chorus as the band sings “Unchain my world/Cause you’re all I’ve really got.”  Musically, one could even mistake the song for one of Mr. Big’s biggest hits of all time if one were listening to this song not knowing it was said band.  The song’s verses highlight that comparison, too with Jones singing how much a certain love interest has changed the subject’s life.  He sings of said subject’s view of the love interest, “I’m still fascinated/How deep inside I feel so incomplete/Indiscreet.”  Just as with the album’s opener, that mix of music and lyrics is just as certain to take audiences back to what is perhaps one of rock’s most underrated eras.

‘I Bleed Rock and Roll’ and ‘Unchain My World’ are both prime examples of the old school 80s influence presented on The Treatment’s debut full-length album.  Any old school rock and roll aficionado will appreciate thanks to that direct influence.  They aren’t the only good examples of that influence and enjoyment on this record, either.  The blues-based rocker that is ‘She’s Too Much’ is another great example of that influence and enjoyment.  It’s not as up-tempo as some of the album’s other songs.  But it leaves no one guessing in regards to its lyrical content.  It is presented very much in the vein of AC/DC’s ‘Whole Lotta Rosie.’  Jones sings over the bluesy riffs of his band mates, “She’s too much/Everything is not enough/She’s too much/Better load your gun boys/Take aim/Now fire.”  The song is thankfully not a direct mirror image of ‘Whole Lotta Rosie.’  But the blues-based rock sound churned out by Dammers and Grey definitely makes the comparison easy and not in a bad way, either.  Again in a time when so much of the rock and even hard rock world is dominated by cookie monster growls and crunching, down-tuned guitars, such a comparison is especially welcome considering that The Treatment has taken an influence as respected as AC/DC and crafted its own equally fun rock song.  It’s just one more of the thirteen total songs on this record that classic rock buffs will enjoy.

The songs noted here are each good examples of just what makes The Treatment’s debut album Running WithThe Dogs one more album released this year proving that contrary to Gene Simmons’ own views, rock and roll is not dead.  Nor is it even in the hospital so to speak.  It proves that rock and roll is alive and well.  It takes audiences back to an era when rock and roll was indeed rock and roll; an era when rock and roll was truly fun.  European audiences will agree with that sentiment when they see the band live on its current European tour.  Audiences will get to hear the band live when it rolls into Rotterdam, Netherlands next Thursday, November 27th, Paris, France next Friday, and Brussels, Belgium next Saturday, November 29th.  Audiences can pick up the band’s CD at those shows and each show after.  Whether in Europe or in the United States, audiences can pick up Running With The Dogs in stores or online now.  Fans can keep up with the band’s current tour schedule and all of its latest updates online now at:

Facebook: http://www.facebook.com/TheTreatmentOfficial

Twitter: http://twitter.com/TheTreatmentUK

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Him Debuts Video For Latest Single, Announces Tour Dates

Courtesy:  Razor & Tie Records

Courtesy: Razor & Tie Records

Finnish rock band HIM has released the video for the latest single from its most recent full length album, Tears on Tape.  The video for the song ‘Into The Night’ can be viewed online now at http://www.youtube.com/watch?v=c6xaurYbY6c.  The video incorporates footage of the band performing edited in with shots of people in hooded robes bringing bricks to a spot in a forest that would eventually form the band’s well known “Heartagram” logo at the song’s end.  The song itself is quite the upbeat tune.  The album as a whole is available to be downloaded now online at https://itunes.apple.com/us/album/id617192862.

HIM’s legions of fans can catch the band as it tours in support of Tears On Tape.  The band is currently making its way across America on the annual “Monster Energy Rock Allegiance Tour” alongside All That Remains, Volbeat, and Airbourne.  The bands will make a stop in North Carolina on Monday, September 23rd at the Greensboro Coliseum Complex as part of their tour.  Tickets can be purchased for the concert at http://coliseum-nc.com/Tickets-Active.php?eventID=2095181&venueID=274.  Fans of HIM can keep up with all of the latest tour updates and more on HIM’s official Facebook page, http://www.facebook.com/theheartagram and its official website, http://www.heartagram.com.

The most current list of HIM’s tour dates is available below.

Sep 04 Las Vegas, NV @ The Joint
Sep 08 Abbotsford, BC @ Abbotsford Entertainment & Sports Center**
Sep 09 Calgary, AB @ Big 4 Building
Sep 10 Edmonton, AB @ Rexall Place**
Sep 15 Sacramento, CA @ Aftershock Music Festival
Sep 16 Los Angeles, CA @ Hollywood Palladium
Sep 18 Grand Prairie, TX @ Verizon Theatre**
Sep 19 Houston, TX @ Bayou Music Center
Sep 21 Gulfport, MS @ Jones Park CPR Fest**
Sep 22 Atlanta, GA @ Tabernacle**
Sep 23 Greensboro, NC @ Greensboro Coliseum Special Events Center
Sep 25 Sayreville, NJ @ Starland Ballroom**
Sep 26 Philadelphia, PA @ Skyline Stage @ The Mann
Sep 27 Lowell, MA @ Tsongas Center**
Sep 28 Brooklyn, NY @ Brooklyn Waterfront

European Tour Dates
with Caspian

Oct 06 Hamburg, Germany @ Grosse Freiheit
Oct 07 Berlin, Germany @ Huxley’s Neue Welt
Oct 08 Wiesbaden, Germany @ Schlachthof
Oct 09 Amsterdam, Netherlands @ Paradiso
Oct 11 Leipzig, Germany @ Haus Auensee
Oct 12 Prague, Czech Republic @ Lucerna
Oct 13 Vienna, Austria @ Gasometer
Oct 15 Milan, Italy @ Alcatraz
Oct 16 Zurich, Switzerland @ Komplex 457
Oct 17 Munchen, Germany @ Kesselhaus
Oct 18 Koln, Germany @ E-Werk
Oct 19 Paris, France @ Le Bataclan
Oct 21 Wolverhampton, UK @ Wolverhampton Civic Hall
Oct 22 Newcastle, UK @ O2 Academy
Oct 23 Glasgow, UK @ Barrowland
Oct 24 Manchester, UK @ Manchester Academy
Oct 26 Nottingham, UK @ Rock City
Oct 27 Blackweir, UK @ Great Hall
Oct 28 Southampton, UK @ Guildhall
Oct 29 Norwich, UK @ UEA
Oct 31 London, UK @ KOKO (SOLD OUT)
Nov 01 London, UK @ KOKO

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Gypsyhawk’s Sophomore LP Another Hit For Metal Blade

Courtesy: Metal Blade Records

Guitars, bass, drums, and vocals.  That’s really all rock and roll needs.  And that’s what Pasadena, California’s own Gypsyhawk has brought to the game once again with its new album, “Revelry and Resilience.”  This album is a straight forward hard rocking work that will have every warm blooded rocker out there banging his or her heard, and putting his or her horns high with pride.  “Revelry and Resilience” is an example of everything that is and ever has been right with rock music.

The whole rock party kicks off with fittingly with the song, ‘Overdrive.’   To quote the line, this song is all killer, no filler.  From the killer guitar solos from Andrew Packer and Erik Kluiber, to front man Eric Harris’ Lemmy Kilmister-like vocals, to drummer Ian Brown’s driving beat, this song is a perfect start to the record in every way.  The band barely lets up from here, kicking right into ‘The Fields’ with equal adrenaline.  ‘Hedgeking’ follows in similar fashion, keeping the adrenaline and the blood flowing in its listeners’ veins from start to finish. 

There’s little letting up from there on throughout the remainder of this record.  Gypsyhawk’s sound has obviously evolved from its first album, “Patience and Perseverance.”  The band had a solid old school rock and roll sound on that record.  But the band’s sound seems even more honed this time out.  The band is right up there with the likes of Fireball Ministry, Airbourne, and others of that ilk on this album.  What makes Gypsyhawk better than those bands though, is its ability to cross the rock and roll spectrum, rather than stick to one style.  Airbourne is more closely linked to AC/DC and Fireball Ministry is compared more to classic Ozzy.  In the case of Gypsyhawk, this band has guitar work that pays homage to Lynyrd Skynyrd, Judas Priest, and even Iron Maiden just to name a few.  And as already noted front man Eric Harris’ vocals are weirdly similar to that of Lemmy Kilmister.  All of that being noted, Gypsyhawk’s new album, “Revelry and Resilience” will be a favorite among the fans of true old school guitar driven rock and roll, this reviewer included.  In fact, there is little doubt that by the end of the year, it will find itself on this reviewer’s list of the year’s best hard rock and metal albums.

“Revelry and Resilience” will be available in stores and online next Tuesday, August 28th.  It can be ordered direct through Metal Blade’s website at http://www.indiemerch.com/metalbladerecords/band/gypsyhawk.  The band will be performing a handful of live dates this Fall and Winter to support the album.  Fans can check out those dates and all the latest from the band online at http://www.facebook.com/Gypsyhawkusa, http://gyspsyhawk.bandcamp.com, and http://gypsyhawkusa.blogspot.com.  

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