Adage Could Be North Carolina’s Next Big Name In Music

Courtesy:  Pavement Entertainment

Courtesy: Pavement Entertainment

Austin, Texas.  Seattle, Washington.  Los Angeles, California. Atlanta, Georgia.  New York, New York.  Most people reading this right now are likely scratching their heads where this is going.  The answer is simple.  The cities noted here are some of America’s biggest hotbeds in the music industry.  They aren’t the industry’s only major hotbeds, though. Most people might not know it, but North Carolina as a whole state is a music hotbed within itself.  As a matter of fact, North Carolina could be argued to be one of the biggest musical hotbeds in America.  That’s because of the variety of major name acts that have called North Carolina home throughout the ages.  Jazz pioneers such as Thelonious Monk, John Coltrane, and Max Roach all called North Carolina home as did fellow jazz great Billy Taylor. Taylor hailed from Greenville, North Carolina while Monk and Coletrane came from Rocky Mount and High Point respectively.  The Fabulous Corsairs, which featured famed singer-songwriter James Taylor called Chapel Hill home.  In terms of the world of rock, the world renowned Corrosion of Conformity is still performing and recording today.  As a matter of fact, COC released its latest album earlier this year.  The band calls The Old North State’s capital city Raleigh home.  Delta Rae, which is one of the biggest of North Carolina’s biggest acts today calls Durham home as does indie band Bombadil.  Of course one can’t forget the likes of The Avett Brothers, Parmalee, Between The Buried and Me, or Trioscapes among so many others.  Now another young up and coming band has added its name to that list of bands and artists that have made North Carolina the rich musical hotbed that it is for so many decades thanks to its new EP Defined.  The band’s debut for Pavement Entertainment presents great potential for the Winston-Salem based band even with only a total of five songs.  The songs included on this record exhibit influence from bands such as Breaking Benjamin, Three Days Grace, and to a lesser extent Trapt.  What’s more any of the songs included on this disc could easily be used as a single to promote the band.  That is obvious right off the top in the EP’s opening number ‘Anymore.’  It is just as obvious on the EP’s third and final songs, ‘Hold On’ and ‘By Myself’ respectively.’  ‘Best Of’ and ‘Growing Colder’ are also excellent examples of what audiences can expect from Adage’s new EP.  Collectively, the songs included on this record show Adage as a band that is on the brink of adding its name to the list of North Carolina’s biggest bands and artists.

The members of Adage show why the band is close to becoming another of North Carolina’s most well-known and talked about acts right from the outset of its new EP in the song ‘Anymore’  The song’s agro-rock stlye sound hints at influences both from the likes of Trapt and even Taproot to a slightly lesser extent.  Drummer Alex Hough’s timekeeping in this piece is exception especially considering the polyrhythmic patterns that he handles while keeping time for the band.  And the 1-2 punch of guitarist Luke and vocalist Justin Doyle heightens the song’s energy and emotion as well.  There is a certain furiousness in Doyle’s voice as he sings over the equally driving guitar line, “Everytime you look in my eyes you lie/And tell me everything’s alright/I know you don’t feel it anymore…I hate you/For all you’ve done to me/Some things you never see/And I don’t care.”  Songs about breakups are nothing new to the music industry.  They go back as far as the industry’s own beginnings it would seem.  But those songs that take the high road instead of the depression oh-woe-is-me angle are rather few and far between.  So when angrier, more aggressive pieces such as this one come along, they are a welcome change of pace.  That more aggressive lyrical and musical style that collectively make up this song makes it an instant radio ready song and a good representation of the band’s work on Defined.

As with ‘Anymore,’ ‘Hold On’ is also centered in the standard lyrical theme of relationships.  It also boasts the same agro-rock style that made so many bands in the late 90s and early 2000s fan favorites.  This song absolutely cries “LIVE” because of that sound.  Doyle sings Sorry that I’m not perfect/One day I will be worth it/To you/So hold on/I can’t ever find the right words/For saying nothing is so much worse to you/Hold on/All of this will come together/And I promise you/I promise you/Say goodbye for you.”  This song comes across as the polar opposite to the EP’s opener in that it seems more like his subject here is pleading for a woman to stay around versus the self-assured figure in ‘Anymore.’  He is trying his hardest to convince her to stay.  The musical comparison to the band’s bigger named counterparts only serves to make the song even more entertaining for audiences.  It goes to show the caliber of material the band is presenting here.  And that caliber is high, needless to say.  Together with ‘Anymore’ it makes for even more reason for fans to check out this EP when it drops August 19th.

Both ‘Anymore’ and ‘Hold On’ are good examples of what makes Defined an impressive new release from Adage.  Of the EP’s five songs, though there is still one more example of what makes this release the work that could potentially make Adage North Carolina’s next big name.  That song is the EP’s closer ‘By Myself.’  This song is a good way for the band to have closed out Defined.  It was such a good choice for a closer in that it shows the band’s softer side.  It’s a more melodic piece.  And among the EP’s five songs, it is perhaps the strongest candidate of all for the song that really breaks out the band.  Doyle sings in this song, “I’m crying out/Out for help/I just can’t be by myself/Remember how/How I felt/I just can’t see/By myself/I hear it from all sides/On how I should love you/I can’t make up my mind/On anything I do/Why am I here/Why won’t you just take me home/Why am I here/Why won’t you just leave me alone.”  The guitar breaks that follow the chorus are right up there with the likes of Mark Tremonti (Alter Bridge) and other top named guitarists.  That along with the power in Doyle’s vocals make this song just as fitting a closer as ‘Anymore’ is the opener for the record.  Such a powerful final statement along with the EP’s other noted songs (and the pair not mentioned) seals the deal for Adage and for Defined.  It is the final piece of musical evidence proving why Adage is on the verge of becoming North Carolina’s next big name.

Defined will be available in stores and online Tuesday, August 19th via Pavement Entertainment.  Audiences can check out the songs from Defined online now via Adage’s ReverbNation website at http://www.reverbnation.com/adageband while they wait for the EP to drop.  They can also keep up with the band’s latest tour dates through that website and the band’s official Facebook page at http://www.facebook.com/adageband1.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

No Kidding, Destrage’s New Album Is A Metal Masterpiece

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Metal Blade Records has never been a label to rest easy on its laurels.  Every year, it proves to be one of the leaders in the world of hard rock and metal.  The only other label that measures up to Metal Blade is its counterpart, Century Media Records.  Metal Blade has consistently released some of the music industry’s best hard rock and metal albums in recent years.  This year is no different.  And that is especially evident with the release of the new album from the Italian experimental metal act Destrage.  Are You Kidding Me? No is the band’s Metal Blade debut.  And it is quite the aptly titled record, too.  That’s because every single track will leave listeners asking those words.  For those that have yet to hear Destrage’s music, the best comparison that can be made is a hybrid of Between The Buried and Me, Slayer, and Mr. Bungle.  Front man Paolo Colavolpe even sounds like Slayer front man Tom Array at more than one point throughout the course of the album’s nine tracks.

Destrage—Paolo Colavolpe (Vocals), Matteo Di Dioia (guitar), Gabriel Pignata (bass), Ralph Salati (guitar), and Federico Paulovich (drums)—exhibits so much creativity right from the album’s opener, ‘Destroy Create Transform Sublimate.’ The only term that can best describe this song is controlled chaos. The song goes from full throttle, shredding guitars to a more jazz-influenced sound a la its Metal Blade label mates Trioscapes to an almost symphonic metal sound complete with a slight dubstep finale. Colavolpe’s vocal style changes from one movement to the next to match each portion of the song, too. He switches between his seemingly Tom Arraya style vocals to something more akin to Hellyeah/Mudvayne front man Chad Gray and back again over the course of the song’s near six-minute run time. Add in the song’s lyrical side and audiences get in this piece an even more complex song. Colavolpe sings and screams through this song, “We are all here to witness the indomitable power of creation/As creative energy spreads like a relentless force/infecting every single atom/Art in all its manifestation conducts us close to God/And the struggle of our thinking/into uncontaminated imagination/Pure imagination.” Yes, this is rather metaphysical thinking. And that’s why it works so well with the songs musical side. Those words are a direct mirror image of what the band presents with the song’s music. And together, the two sides make the song title all the clearer and the song itself all the more enjoyable.

For all of the frenetic energy exuded by the band in the first half of its Metal Blade Records debut, the band actually does slow things down in a manner of speaking at the beginning of the album’s second half. Where The Things Have No Colour,’ is the band’s most radio friendly single. Interestingly enough, as much as this song is pulled back and more radio friendly, the band doesn’t sacrifice too much. That’s evident in the song’s lyrical side. Colavolpe sings in this song, “You won’t take this moment away from me/And make me a silent slave of yours/You won’t put me down on my knees/I will make this time as I always meant it to be.” If properly interpreted, Colavolpe’s words come across as being rather defiant. If they are meant to be interpreted in such fashion, one must admit that it is one of the most original lyrically defiant statements ever made. The guitar work of Matteo Di Dioia and Ralph Salati adds so much more depth to the song. The pair shines and soars alongside drummer Federico Paulovich and bassist Gabriel Pignata to complete what is easily one of this album’s most powerful pieces.

‘Where The Things Have No Colour’ isn’t the only radio ready song that Destrage boasts on its new album. ‘Before, After and All Around’ This song comes across as a song based in the topic of relationships. That interpretation is made through lines such as “Speechless, smileless/Smilesless, hopeless/Haven’t got you yet/Maybe you understand me better than I know/I’ve got this feeling we are going nowhere/Stupid, don’t you see/Why the f&*% do you deny it/I feel wrapped up in pain/Because we are going nowhere.” However, as Colavolpe writes, “At this point/A girl lives in a dream/In a little fairy house/At the following point/She lives surrounded by sweet things/Hers. Mine./At the same point/A few months ahead/she looks forward/She realizes she wanted a man/But was a boy/I should have built a fairy house/In the same time a few miles away/But what would I have missed?” he leaves the song wide open to interpretation. The ability of Colavolpe to generate so much discussion from this song is another sign of the importance of this album. He writes so cryptically and metaphorically that his writing creates discussion without even trying. It makes the song—much like the album’s other works—more than just a song. It makes it a true musical and lyrical work of art. It becomes something to discuss and truly appreciate, again much like the other songs noted here and those not noted here.

All of the songs noted here each play an important part in the overall enjoyment and success of Destrage’s new album. That isn’t to take anything away from those songs not mentioned. The album’s remaining seven songs each play their own part in the album’s success, too. Regardless of which song one chooses, one thing remains true about this album. That one thing is that there is no kidding that this is one of the best hard rock/metal records of 2014.

Destrage will perform live May 10th in Legano, Italy in support of its new album and then in Moncalieri, Italy at the Audiodrome on June 1st. Audiences can find out about Destrage’s upcoming tour dates and general information online now at http://www.facebook.com/Destrage, http://www.destrage.com, and http://twitter.com/destrage. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

BTBAM Releases Details For Upcoming DVD, Tour

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

The members of Between The Buried and Me announced on Friday that the band will record a brand new live DVD next month.  The as yet untitled recording will be for the band’s album The Future Sequence.  As front man Tommy Rogers notes of the upcoming DVD, “We are very happy to announce that we are finally doing a DVD for The Future Sequence. In this age we live in you can watch us play any of our songs live online. So we wanted to give our fans something a little different… an intimate live performance of us playing in a studio. It will be a wonderful experience and I hope you all enjoy it as much as we enjoy playing these songs.”

The upcoming live DVD will be recorded at the Fidelitorium in Winston-Salem, North Carolina and will be directed by Justin Reich.  Jamie King, who has worked with BTBAM for a number of years, will handle mixing and mastering the recording’s audio.  The completed package is expected to be released Fall 2014.

Before the band sits down to record its new DVD, it will hit the road once again in support of Future Sequence beginning this Wednesday, February 20th.  The band’s latest North American tour kicks off at the Empire in West Springfield, VA and runs through March 23rd in Charlotte, North Carolina.  Between the Buried and Me will be joined by Deafhaven, Intronaut, and The Kindred on its upcoming tour.  The band is scheduled to perform at Charlotte’s famed Tremont Music Hall on the closing date of its North American tour.  The band’s complete North American tour schedule is listed below.

BETWEEN THE BURIED AND ME
Tour w/ Deafheaven, Intronaut, The Kindred

02/20 West Springfield, VA Empire
02/21 Huntington, NY Paramount Theater
02/22 Clifton Park, NY Upstate Concert Hall
02/23 Boston, MA Royale Nightclub
02/24 Burlington, VT Higher Ground
02/26 Montreal, QC Corona Theater
02/27 Quebec City, QC Imperial De Quebec
02/28 Toronto, ON Phoenix Concert Theatre
03/01 London, ON London Music Hall
03/02 Syracuse, NY Lost Horizon
03/04 Grand Rapids, MI Intersection
03/05 Palatine, IL Durty Nellie’s
03/06 Milwaukee, WI The Rave
03/07 Lawrence, KS Granada Theatre
03/08 Omaha, NE The Waiting Room
03/10 Reno, NV The Knitting Factory
03/11 Oakland, CA Oakland Metro
03/12 Pomona, CA Glasshouse
03/14 Lubbock, TX Jake’s Sports Café
03/15 San Antonio, TX White Rabbit
03/16 Grand Prairie, TX South By So What?! Festival
03/18 Sauget, IL Pop’s
03/20 Ybor City, FL The Ritz Ybor
03/21 Ft. Lauderdale, FL Revolution
03/22 Athens, GA 40 Watt
03/23 Charlotte, NC Tremont Music Hall

More information on the new DVD from Between The Buried and Me, The Future Sequence and the band’s upcoming tour is available online at http://www.facebook.com/BTBAMofficial, http://twitter.com/btbamofficial, and http://www.betweentheburiedandme.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

The Safety Fire Streaming Sophomore LP For Free Ahead Of Album’s Release

Courtesy;  Inside Out Music

Courtesy; Inside Out Music

UK based five-piece prog-rock band The Safety Fire will release its sophomore album next month.  The band’s new album, Mouth of Swords, is scheduled to be released overseas next Monday, September 2nd.  Pre-orders for the album’s U.S. release can be made now for the album, which was self-produced by the band’s guitarist Derya “Dez” Nagle.  It follows up the band’s 2012 debut release, Grind The Ocean.

The band is offering audiences a special treat to build excitement for its sophomore release.  It can be streamed in its entirety online at YouTube at http://www.youtube.com/watch?v=ogsAP4qMChA. The complete track listing for the album is available below.

Mouth of Swords

Glass Crush

Yellowism

Beware The Leopard (Jagwar)

Red Hatchet

Wise Hands

The Ghosts That Wait For Spring

I Am Time, The Destroyer

Old Souls

 

In coordination with the upcoming release of the album, the band will also join North Carolina based prog-metal band, Between The Buried and Me, later in September as it tours in support of its new album, The Parallax II: Future Sequence.  In the meantime, The Safety Fire is touring overseas.  It will be at The Garage in London on Wednesday, September 4th.  The most current list of the band’s tour dates is available on its official Facebook page, http://www.facebook.com/thesafetyfire.  More updates and news from the band is also available on its official website, http://www.thesafetyfire.com and via Twitter at http://twitter.com/thesafetyfire.

Courtesy:  InsideOut Music

Courtesy: InsideOut Music

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Between The Buried And Me Announce Details For Upcoming Fall Tour

Courtesy: Metal Blade Records

Courtesy: Metal Blade Records

Courtesy:  Metal Blade Records/Entertainment One

Courtesy: Metal Blade Records/Entertainment One

North Carolina’s own and recent Metal Blade signees, Between the Buried and Me, will hit the road this Fall.  The band will be touring in support of its most recent release, The Parallax II and will perform the whole of both Part I and II at each stop on its upcoming tour.  It won’t be touring alone once it hits the road beginning Friday, September 13th.  Also coming along for the tour will be The Contortionist, which will be touring in support of its most recent album, Intrinsic.  Also along for the ride this Fall will be The Faceless and The Safety Fire.

Fans of BTBAM in North Carolina will get two chances to see the band on its upcoming tour.  The very first date on the tour will be at Ziggy’s in Winston-Salem.  The band’s only other North Carolina tour date will be the penultimate performance of the tour on October 24th.  The band is scheduled to perform at The Orange Peel in Asheville, NC.

Tickets for the tour are available for purchase now online at http://www.SHOWstubs.com.  General admission tickets will go on sale at local outlets beginning Friday, July 12th.  VIP packages are being offered to the shows via http://www.SHOWstubs.com.  The VIP packages include the choice of a general admission ticket or deluxe bundle featuring an exclusive t-shirt, necklace, button pack, poster, loaded flash drive, or a flexi-disc with the live version of ‘Astral Body.’  The video for ‘Astral Body’ is available for viewing online now at http://www.betweentheburiedandme.com.

A full list of the bands’ upcoming tour is available below.

BETWEEN THE BURIED AND ME
Tour w/ The Faceless, The Contortionist, The Safety Fire
09/13 Winston-Salem, NC Ziggy’s
09/14 Knoxville, TN NV
09/15 Atlanta, GA The Masquerade
09/16 Jacksonville, FL Brewster’s Roc Bar
09/17 Orlando, FL The Plaza Live
09/19 Houston, TX House of Blues
09/20 Austin, TX The Mohawk
09/21 Dallas, TX House of Blues
09/23 Denver, CO Summit Music Hall
09/24 Salt Lake City, UT Murray Theater
09/26 Mesa, AZ The Nile
09/27 W. Hollywood, CA House of Blues
09/28 San Diego, CA House of Blues
09/29 Santa Ana, CA The Observatory
09/30 San Francisco, CA Regency Ballroom
10/01 Sacramento, CA Ace of Spades
10/03 Portland, OR Hawthorne Theatre
10/04 Seattle, WA El Corazon
10/05 Vancouver, BC Commodore Ballroom
10/07 Calgary, AB The Republik
10/08 Edmonton, AB Starlite Room
10/09 Winnipeg, MB Garrick Centre
10/11 Minneapolis, MN Varsity Theater
10/12 Chicago, IL Metro
10/13 Detroit, MI Majestic Theatre
10/14 Louisville, KY Headliner’s Music Hall
10/16 New York City, NY Best Buy Theatre
10/17 Worcester, MA The Palladium
10/18 Sayreville, NJ Starland Ballroom
10/19 Philadelphia, PA Theatre of Living Arts
10/20 Cleveland, OH Peabody’s Downunder
10/21 Pittsburgh, PA Mr. Small’s Theatre
10/23 Baltimore, MD Sound Stage
10/24 Asheville, NC The Orange Peel
10/25 Nashville, TN Cannery Ballroom

All the latest tour news and more on BTBAM is available online at http://www.betweentheburiedandme.com, http://www.metalblade.com/btbam, http://www.facebook.com/BTBAMofficial, http://www.youtube.com/btbamofficial, and http://twitter.com/btbamofficial.

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Scale The Summit Impresses Once Again On Its New LP

Courtesy:  Prosthetic Records

Courtesy: Prosthetic Records

Metal Blade Records was a powerhouse of a record label in 2012.  It led this critic’s lists of the year’s best rock records, best Hard Rock/Metal albums, and Best Albums overall with releases from Horisont, O.S.I., Gypsyhawk, and Trioscapes, just to name a handful.  But with 2013 now halfway over, this critic’s list of the year’s best Hard Rock and Metal albums at least is being controlled by a different label.  This year, Prosthetic Records leads the way in the world of Hard Rock and Metal.  Holy Grail, which is being touted as the second coming of Judas Priest tops the list of the year’s best metal records with its sophomore album, Ride the Void.  And now with the upcoming release of its brand new album, The Migration, Scale the Summit becomes the second band signed to Prosthetic Records to make this critic’s list of the year’s best Hard Rock and Metal albums.

The Migration is an impressive introduction to this Houston, Texas based band for first-time listeners.  It’s just as welcome a return for long-time fans.  The band wastes no time getting right into the swing of things with this album.  Its opener, ‘Odyssey’ is a fittingly titled piece.  In its roughly five-minute plus run-time, the band—Chris Letchford (7 & 8-String guitars), Travis Levrier (7-String Guitars), Mark Michell (6-string bass), and Pat Skeffington (drums, percussion)—takes listeners on a three movement opus that boasts three completely different musical emotions.  Most interesting about this is that those listeners that are open minded enough will be able to close their eyes and truly take in all three movements and understand the emotion being presented in each one.  It is a song that more than makes for a solid re-introduction for the band after having spent the past couple years touring in support of its previous release, 2011’s The Collective.

‘Odyssey’ as a whole is an impressive opener to the Migration.  Looking deeper into the song, the transition from the song’s slower, more subdued third movement into ‘Atlas Novus’ is another factor to note in the success of the upcoming album.  The transition itself is notable as it’s not the only time on this album that this happens.  It is just one of so many transitions that make The Migration one of those rare albums this year, which audiences will enjoy taking in from start to finish without skipping songs.  That’s not to say that The Migration is some instrumental concept album.  It’s anything but.  It’s just that the sequencing (along with the equally impressive production and mixing) has made this album so easy on the ears.

Getting back to the songs as a whole, ‘Atlas Novus’ is more subdued than ‘Odyssey’ by and large.  But it also has its own kick.  Fans of fellow experimental rock band Animals as Leaders will appreciate this piece with its controlled guitar and bass runs throughout its run time that also comes in at just over five minutes.  In an odd way, it proves the old adage that less truly is more.  That’s because as impressive as the song’s runs are, Letchford and company prove in the song, that some of the best riffs are ones that are not loud, shredding riffs, but softer, more controlled pieces.  Drummer Pat Skeffington gets his own opportunity to shine here, too.  Skeffington shows that he’s just as good as Mike Portnoy (Adrenaline Mob, ex-Dream Theater) or any other far more experienced drummer here and throughout the album.  He shows that he can handle some extremely tough polyrhythmic patterns without missing a beat and even some simpler rhythms, too.    

So much was done right with this album that one could ramble on for some time on everything right with this record.  As already noted, it’s not just the songs, but the album’s sequencing and its general production that makes it one more record that the band’s long-time fans will enjoy just as much as new listeners.  The variety of musical styles from harder edged prog-metal to a slightly progressive jazz sound to something a little softer make this album worth more than just one listen, too.  It will prove with each listen to be an album that grows on listeners more each time.  Considering all of this, it may end up even on this critic’s list of the year’s best albums overall.  The Migration will be available in stores and online Tuesday, June 11th.  It can be ordered online via the Prosthetic Records store at http://www.indiemerch.com/prostheticrecords/item/19303.

The band is currently on tour in support of its new album.  Fans in North Carolina will get to see the band live in Charlotte on Saturday, June 22nd at the Tremont Music Hall.  It will be joined by Intronaut and Mouth of the Architect.  The show is slated to start at 9:00pm.  Tickets range from $13 – $15.  They can be purchased online at http://www.ticketfly.com/purchase/event/244625?skinName=tfly&utm_medium=api&wrKey=AF9450BAA81C7D8C2DAA1CA5ED7CAC4F

For the most current list of tour dates, all the latest news and more from the band, fans can “Like” the band on Facebook at http://www.facebook.com/scalethesummit.  Fans can also keep up with the band online at http://www.scalethesummit.com

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

As I Lay Dying, BTBAM Making Tour Stops In NC

Metal Blade Records’ bands As I Lay Dying and Between the Buried and Me will be coming to North Carolina in support of each band’s new releases.  As I Lay Dying recently released its sixth full length studio album, titled, Awakened in 2012.  Between the Buried and Me released its new album, The Parallax II: Future Sequence last year, too.  The album became the band’s highest charting album yet, peaking at #22 on the Billboard Top 200.  It also marked the biggest one week sale for the band in its near ten year long history. 

 

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

As part of its current tour, As I Lay Dying will make a stop at Amos Southend in Charlotte, North Carolina on Wednesday, March 13th.  The band will be performing with The Devil Wears Prada and special guests The Chariot and For Today.  This performance will be an all ages show.  Doors open at 6:30pm.  And there will be an extra $3.00 surcharge for guests under the age of 21.  For more information on the show, AILD’s fans can go online to http://www.amossouthend.com/pages/calendar.html, http://www.asilaydying.com, or http://www.facebook.com/asilaydying.

 

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

While As I Lay Dying will be in Charlotte on March 13th, Between the Buried and Me will be in town three days ahead of that show as part of its first stateside tour in support of The Parallax II: Future Sequence since the album’s release.  The North Carolina based band will be at The Fillmore on Sunday March 10th.   It will be joined by Coheed and Cambria.  Doors for the band’s show at The Fillmore open at 7:00p.m.  Fans of BTBAM can get more information on this show online at http://www.betweentheburiedandme.com, http://fillmorecharlottenc.com, http://www.facebook.com/BTBAMofficial, and http://twitter.com/btbamofficial

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.