Eagle Rock’s Reputation Holds True, Strong With Its New Deep Purple Archived Live Recording

Courtesy:   Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment and Deep Purple are set to release the band’s latest live recording today.  Deep PurpleWith Orchestra Live in Verona is not the band’s first archived live recording released this year via Eagle Rock Entertainment.  It is however the best of the band’s live recordings released this year.  The performance, recorded three years ago, is highlighted by a set list that focuses largely on its older, more well-known songs.  The concert is also not the first time that Deep Purple has performed live with an orchestra.  The band also performed live with an orchestra when it performed at the famed Montreux Jazz Festival in 2011.  The two performances being recorded in the same year, were likely part of the same tour.  That fact is in itself another major positive to this brand new archived release.  As if these two factors are not enough for audiences, the audio and video mix collectively make the concert even more enjoyable for audiences.  Audiences will be hugely impressed at the camera work in this show and the balance of the band and its backing orchestra.  That factor along with everything already noted makes this latest live recording from Deep Purple even more enjoyable for audiences.  And that is not to discount the concert’s bonus liner notes, either.  The liner notes included in the recording add even more insight into the concert while noting all the parties involved.  Whether for its companion booklet, its outstanding audio and video mix, or even the set list included in this recording, all of the work that went into bringing this concert to audiences paid off.  That’s because it collectively makes Deep Purple: With Orchestra Live in Verona another example of why Eagle Rock Entertainment remains the leader in live recordings today.

Deep Purple: With Orchestra Live in Verona is a wonderful addition to the home collection of any Deep Purple fan.  It is another example of why Eagle Rock more than deservedly still maintains the label of the leader in live recordings.    The central reason for this is the concert’s set list.  Audiences will note that this concert, much as the band’s 2011 show in Montreux, focuses primarily on the band’s older material, going all the way back to its 1968 debut record Shades of Deep Purple.  The band’s landmark 1972 album Machine Head is very well represented in this recording, too.  Almost all of the songs from that album are included in this concert, including the rare b-side When A Blind Man CriesFireball is well represented as is Perfect Strangers and other.  The most recent work included in this performance is the band’s 2005 album Rapture of the Deep.  While not every one of the band’s albums are featured in this near two hour performance, the band does choose a relatively large swath of material for its audiences.  And it is that relatively wide array of songs from the band’s catalogue that sets the tone for this recording.  The tone in question is a positive one made even more positive when considering that this concert would appear to be one more from the band’s 2011 tour, which also included a recording of the band’s performance that year at the famed Montreux Jazz Festival.

The set list that makes up Deep Purple’s latest live recording is especially impressive as it covers largely the band’s older material instead of its more recent songs.  That set list is much the set list included in the band’s other 2011 Eagle Rock Entertainment recording from its performance at the famed Montreux Jazz Festival.  Simply put, audiences that don’t already own the recording of the band’s performance from that year’s Montreux Jazz Festival won’t be left out in this recording.  Odds are that this concert was part of the band’s larger tour that just so happened to include a show at Montreux.  This factor makes this recording even more a plus for any Deep Purple fans out there.  It shows that Eagle Rock Entertainment’s people were really thinking about the band’s fans.  It’s just one more way that Eagle Rock maintains the mantle of the industry’s leader in live recordings and one more reason that Deep Purple’s fans will appreciate this latest recording.

The set list included in Deep Purple’s new live recording goes a long way toward making this latest recording enjoyable for audiences.  The fact that it directly mirrors the band’s 2011 performance from Montreux, which was released that same year, is even more of a bonus for audiences.  As difficult as it may be to find the band’s Montreux performance, this recording can now take the place of that performance.  That makes this recording even more enjoyable and a bonus for fans in and of itself.  It still isn’t all that makes the recording such a great addition to any Deep Purple fan’s collection.  The audio and video mix that went into the recording is one more of so many positives that makes the recording enjoyable.  David Richards’ work balancing the levels throughout the show paid off in spades.  The orchestra—the Neue Philharmonie Frankfurt—blends right in with the band to the point that it sounds like the orchestra isn’t even there.  That is a true sign of expertise.  Richards and his crew compensated for the venue’s acoustics just as expertly.  Being a venue of its size, it had to have been a challenge for Richards and company to keep the band and orchestra from overpowering one another and to keep the sound from overpowering the group in whole, washing out everything.  The end result is a performance from all involved that proves once again why Eagle Rock is the leader in live recordings.  Eagle Rock releases nothing but the finest especially in terms of the concert’s most important elements (I.E. audio and video).  The audio in this case is no different.  The same can be said of director Chris Cowey, editor Kyle Smart’s work, and that of the entire camera crew responsible for capturing the concert on camera.  The camera angles used throughout the show take audiences right up on stage with the band and out into the audiences. There are wonderful sweeping pans that show the sheer immensity of the venue.  Kyle Smart’s post-production work reveals the expert work of Cowey and his camera crew just as well.  All involved make the final product just as enjoyable as if audiences were there in person.

The audio and video mixes that make up Deep Purple: With Orchestra Live in Verona were handled with the utmost expertise from all involved.  Together with the concert’s set list and the fact that it serves as a companion to the band’s 2011 performance at Montreux, all three factors together show why this recording is another wonderful addition to the home library of any Deep Purple fan.  Collectively, they show why Eagle Rock remains today the leader in live recordings.  It releases what are only the best possible recordings from one to the next, from the shows’ set lists to their production values.  Even something as minute as the recording’s companion booklet plays its own part in the overall presentation and its success.  The companion booklet included here adds even more enjoyment to the recordings as it offers extra insight into the concert from the vantage point of writer Malcom Dome.  Dome writes of the 12,000 people in attendance and how the band and orchestra worked so well together on its tour that year among much more.  While brief, it adds its own element of enjoyment to the whole; an element that along with the set list and production values makes Deep Purple: With Orchestra Live in Verona another hugely successful recording from Eagle Rock Entertainment.

Deep Purple: With Orchestra Live in Verona is available now in stores and online.  More information on this and other releases from Eagle Rock Entertainment is available online at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Psychedelic Resurrection Is A Welcome Return From A Cult Favorite Band

Courtesy:  Kayos Productions

Courtesy: Kayos Productions

The Blues Magoos are back! It’s been some four decades since audiences last heard from this cult favorite garage rock band.  And now the wait is over thanks to the release of the band’s new album Psychedelic Resurrection.  The album’s title is slightly deceiving as few of the songs that make up its track listing are necessarily psychedelic per se.  That’s not to say that the songs (both new and re-worked alike) aren’t enjoyable.  That should not be misinterpreted.  They are each interesting works in their own right, though.  And altogether all ten of the songs included on this record make Psychedelic Resurrection a great re-introduction for one of the best of the least-known bands of the 60s. One track on this record that does live up to the album’s title is its closer ‘Tobacco Road.’  This bluesy piece conjures thoughts of both The Doors and Deep Purple believe it or not.  ‘I’m Still Playing’ also presents a little bit of that old school rock sound.  And then there is the equally bluesy ‘Gotta Get Away.’  One can’t help but think about a smoky nightclub in listening to this openly classic rock style piece.  This song is the equivalent of a musical time capsule that has been pried open.  It brings to the 21st century a sound that so many have tried and failed to emulate.  Together with the likes of ‘Tobacco Road’ and ‘I’m Still Playing’ ‘Gotta Get Away’ serves as more proof of why every rock and roll purist should hear Psychedelic Resurrection at least once.  That is not to discount the other songs on this record.  Every track on this record offers its own enjoyment and value.  And in listening to each of the songs that make up this record, audiences of all ages will agree that The Blues Magoos deserves to be more than the cult favorite that it was so many years ago.  It could well be more than that cult favorite when audiences and programmers nationwide give Psychedelic Resurrection at least one listen.

The Blues Magoos was never one of the biggest names in the music industry.  It was thanks to the band’s one major hit ‘(We Ain’t Got) Nothin’ Yet’ in the 1960s.  After that one song, the band never really was able to attain the same level of success earned thanks to that single song.  It has still managed to maintain its place in the rock pantheon, though, remaining one of the rock world’s best known unknown bands.  Confused yet? Ok.  Now thanks to its brand new release Psychedelic Resurrection, the Blues Magoos is set to make a name for itself again.  Thanks to the songs included on this record include both new songs and some revamped pieces, too.  One of the best of the songs included in this record is its closing number ‘Tobacco Road.’  The song’s bluesy sound instantly conjures thoughts of both The Grateful Dead and to a slightly lesser degree Deep Purple.  And while it runs just over five and a half minutes, the richness of the song makes it feel like it runs much longer.  That is meant in the best manner possible.  Front man “Peppy” Castro sings of a young man growing up in a difficult situation against the twelve-bar blues sound established by himself and lead guitarist Dennis LePore. Thielhelm sings of the young man’s upbringing, “I was born/In a dump/Momma died/And my daddy got drunk/They left me here/To die alone/In the middle of Tobacco Road/I grew up in/A rusty shack/All I had/Was what was hanging on my back/Only you know/How low/This place called Tobacco Road.”  Anyone that is a fan of The Doors will be able to catch a similarity to that band’s hit song ‘Roadhouse Blues’ in listening to this composition.  It is slight.  But it is there.  And it’s a nice touch, too.  Even Castro sounds a little like The Doors’ legendary front man Jim Morrison as he sings.  That makes this song even more of a joy for any purist rock and roll purists out there.  There are certain elements in the song that conjure thoughts of Deep Purple, too.  Such combination is certain to make this song a favorite among audiences regardless of their familiarity with The Blues Magoos.  Whether they are hearing the band for the first time or the first time in a long time, it is one of the best moments on this record.  It isn’t the record’s only positive moment, either.

‘Tobacco Road’ proves to be one of the best of Psychedelic Resurrection’s moments thanks to its direct link back to fellow greats of rock’s golden age such as The Doors, Deep Purple, and to a lesser extent The Grateful Dead.  ‘I’m Still Playing’ is another of the best moments from The Blues Magoos’ new album.  Unlike the album’s closer, this song is a much more straight-forward rock tune.  Its straight 4/4 time is driven largely by the band’s original drummer Geoff Daking.  His work on the kit alongside Castro’s vocals and work on the guitar may lead some to make a comparison to The Knack.  The song’s infectious chorus of “I’m still playin’/And you’re still hanging around” alone make this song another fun addition to the album.  Castro’s catchy riffs and Daking’s impeccable time keeping make the song even more enjoyable for audiences. The end result is one more song that given the opportunity will make The Blues Magoos more than just a one-hit wonder this time around.

Both ‘Tobacco Road’ and ‘I’m Still Playing’ are great additions to The Blues Magoos’ new record.  They serve as only a tiny cross section of the album’s enjoyable whole, though.  ‘Gotta Get Away’ is perhaps one of the best additions of all to this record.  The reason for that is the seeming musical bridge between music’s golden era and its more modern era.  Castro sounds a little bit like fellow veteran vocalist Elvis Costello in this song, while the song’s musical side bears resemblance to the likes of Neil Young during the verses.  The song’s chorus sections sound are throwbacks to the golden era of rock.  As with the previously noted songs Daking’s drumming and Castro’s guitar work serves as the song’s backbone.  It is one of those musical hybrids that absolutely must be heard to be fully understood and appreciated.   Audiences that give this song a chance and any of the others included in this album will agree that while The Blues Magoos was little more than a cult favorite way back in the 1960s, it could be far more than that today thanks to this album.  Given the chance by audiences and programmers alike, Psychedelic Resurrection will prove that despite the comments of the likes of Gene Simmons, rock is not dead, but alive and well.

Psychedelic Resurrection is available now in stores and online.  In celebration of the album’s release, The Blues Magoos will perform live tomorrow, October 16th at The Bowery Electric in New York City.  Audiences can also pick up the band’s album at that concert, too tomorrow.  More information on Psychedelic Resurrection and all of the latest updates and live dates from The Blues Magoos is available online at:

Website: http://www.thebluesmagoos.com

Facebook: http://www.facebook.com/pages/Blues-Magoos-Psychedelic-Resurrection/136384816418734

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Celebrating Jon Lord Pays Proper Homage To One Of The Music World’s Great Minds And Musicians

Courtesy: Eagle Rock Entertainment/Universal Music Group

Courtesy: Eagle Rock Entertainment/Universal Music Group

The music world lost one of its greatest figures two years ago when Deep Purple keyboardist and founding member Jon Lord passed away.  Lord may be gone but his legacy as a member of one of rock’s greatest bands lives on today thanks to songs such ‘Smoke on the Water,’ ‘Soldier of Fortune,’ ‘Burn’ and so many others.  His legacy as a composer lives on to as he crafted his own modern classical works including the now famous ‘Concerto for Group and Orchestra’ among others.  Earlier this year, Lord’s former Deep Purple band mates and his fellow musicians came together to celebrate his rich legacy at London’s famed Royal Albert Hall at the annual Sunflower Jam.  And now fans of Deep Purple and of Jon Lord alike get to experience that celebration for themselves thanks to Eagle Rock Entertainment and Universal Music Group in the form of the triple-disc CD set Celebrating Jon LordCelebrating Jon Lord is a wonderful tribute to one of the great musical minds of the modern era.  The primary reason that it is such a wonderful tribute in its CD form is that the celebrations of Lord’s contributions to the rock world and the classical world are separated into two stand-alone collections.  Another reason that audiences will enjoy this collection is its collective set list.  And last worth noting is the audio mix on this recording in whole.  All three factors together make Celebrating Jon Lord a wonderful celebration of a great man and a great musical mind and one more welcome addition to the library of any Deep Purple fan or classic rock fan in general.

Courtesy:  Eagle Rock Entertainment/Universal Music Group

Courtesy: Eagle Rock Entertainment/Universal Music Group

Eagle Rock Entertainment’s new live recording Celebrating Jon Lord is not the first feature to focus on the late founding member of Deep Purple.  The leader in live recordings, Eagle Rock released Jon Lord: Concerto for Group and Orchestra on both CD and DVD last year in separate packages.  The recording focused primarily on what is considered one of his greatest non-rock compositions.  Celebrating Jon Lord does not include this work on either half of the recording.  While it doesn’t include that composition, Celebrating Jon Lord: The Composer presents even more of Lord’s non-rock compositions.  It stands alone from the other half of the concert recorded earlier this spring, “Celebrating Jon Lord: The Rock Legend.  This separation of the show into two packages is the central point of the concert’s CD presentation.  Audiences that want to hear only Lord’s work with Deep Purple can pick up the second half of the performance Celebrating Jon Lord: The Rock Legend.  Those that prefer hearing Lord’s personal non-rock compositions can pick up Celebrating Jon Lord: The Composer .  Sure, it’s a little problematic for those wanting the full concert experience on CD as it means having to purchase both sets.  But it’s money well-spent regardless.  And now that the concert has been released onto a companion Blu-ray, those same audiences can see the entire concert in one single package in place of having to purchase both CDs if they don’t want to have to pay that much for two separate sets. Regardless, both of the CDs offer their own share of enjoyment from start to finish.

The separation of the Sunflower Jam concert celebrating the legacy of Jon Lord is among the most important factors in the success of this triple-disc live recording.  Just as important of note is the recording’s overall set list.  On the rock side, audiences are treated to a number of classic Deep Purple tunes which Lord helped bring to life.   Some of the best of those classics include the bluesy ‘I’m Gonna Stop Drinking,’ the full-on rocker that is ‘Burn’ and the much easier-going almost funk-style ‘Things Get Better.’  On the classical side, anyone that has any familiarity with the world of classical music will most certainly appreciate that collection’s first two songs.  ‘Fantasia,’ which opens the classical portion of the concert, bears very clear influence from Aaron Copland and to a lesser extent, Eric Osterling.  And its Indian-influenced opening measures aside, ‘Durham Awakes’ feels like something that came right out of the Broadway rendition of author Arthur Laurents’ book West Side Story with its complex, multi-part arrangement.  It’s the type of thing that would make Leonard Bernstein proud if he were alive today to hear it.  It’s one more example of what makes the collective set list of these two collections such a joy.  There are plenty of other songs from which listeners will find their favorite(s).  Simply put, there is not one back performance throughout the concert regardless of which side of the show one prefers.  Altogether, it’s one more reason that fans of Deep Purple and of classical music and classic rock alike will enjoy this recording in whole.

The separation of Celebrating Jon Lord into two separate halves and the set list of each half of the concert together make this recording a true joy for any Deep Purple fan and any fan of classical music and classic rock.  Neither of these factors would mean anything on the recording’s CD packaging however without one all-important aspect.  That aspect is the recording’s audio mix.  It is noted in the booklet included with Celebrating Jon Lord: The Rock Legend that Iron Maiden front man Bruce Dickinson and Lord’s former Deep Purple band mate Glenn Hughes actually “endangered the Albert Hall Architecture with ultra-passionate and furiously energetic versions of two Mark 3 Deep Purple classics, ‘You Keep On Moving’ and ‘Burn.’  That’s saying something, especially considering Albert Hall’s massive size from ceiling to floor and stage to doors.  Luckily, as powerful as Dickinson and Hughes were on these pieces, those charged with balancing the levels handled their duties expertly.  Though, that power does still show through at least to a certain extent whether in a car or on a radio.  That in itself is a tribute to the work of said individuals.  Much the same can be said of their work balancing the levels when powerhouse singer Steve Balsamo took the stage to perform on Lord’s composition ‘All Those Years Ago.’  Balsamo exhibits such control over his instrument.  He soars when it’s time to really hit those key moments.  He holds back just enough in the more reserved moments, too.  The audio engineers make those moments come out even more with their work here.  They exhibit just as much talent and expertise throughout the remainder of the concert.  Audiences will hear that expertise for themselves when they pick up either or both of these recordings for themselves.  The concert’s high quality audio mix, coupled with the show’s set list and its separation into two halves, leads to one more live recording that adds to Eagle Rock’s reputation as the leader in live recordings. It also adds even more to the reputation of Deep Purple and Jon Lord as one of the music world’s best bands and best musical minds.  Altogether, it proves Celebrating Jon Lord to be a wonderful celebration that any true music lover will appreciate.

Celebrating Jon Lord is a wonderful musical celebration of a wonderful musical mind.  The separation of the concert’s audio side into two halves lets audiences choose which half they prefer more should they prefer one half of the show to another.  The set list itself proves that both sides of the concert are well worth the purchase in its audio side.  The work of the concert’s audio engineers balancing the concert’s audio levels is nothing short of expert.  All three factors together make the audio portion of Celebrating Jon Lord a welcome addition to the library of any Deep Purple fan and lover of music in whole.  That is not to discount the booklets that come with each half of the concert.  The booklets that come with the CDs offer their own additional insight and enjoyment to the experience, making it even more worth hearing.  Those wanting to hear the concert’s audio side can pick up either collection now or both as they are available in stores and online.  The CDs’ companion Blu-ray presentation is also available now.  More information on these releases and others from Eagle Rock Entertainment is available online at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Eagle Rock Releasing Another New Archived Deep Purple Concert Next Month

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment will release another new archived live recording from Deep Purple.

Deep Purple With Orchestra Live in Verona will be released Tuesday, October 21st.  The concert was recorded in 2011 at the Area di Verona.  The Arena di Verona is a Roman amphitheatre that was originally constructed in 30 A.D.  The concert features the lineup of Ian Gillan (vocals), Ian Paice (drums), Roger Glover (bass), Steve Morse (guitar), and Don Airey (keyboards).  The band was joined by the Neue Philharmonie Frankfurt for the concert, which includes performances of some of Deep Purple’s greatest hits.  Those hits include: ‘Smoke on the Water,’ ‘Lazy,’ ‘Strange Kind of Woman,’ Perfect Strangers,’ ‘Highway Star,’ ‘Woman From Tokyo’ and many others.  The concert’s complete set list is included below.

TRACK LISTING

1) Deep Purple Overture

2) Highway Star

3) Hard Lovin’ Man

4) Maybe I’m A Leo

5) Strange Kind Of Woman

6) Rapture Of The Deep

7) Woman From Tokyo

8) Contact Lost

9) When A Blind Man Cries

10) The Well Dressed Guitar

11) Knocking At Your Back Door

12) Lazy

13) No One Came

14) Don Airey Solo

15) Perfect Strangers

16) Space Truckin’

17) Smoke On The Water

 

Along with the concert’s primary set list, two extra tracks—‘Hush’ and ‘Black Night’—are included as bonuses in the concert’s upcoming release.  Both songs were part of the night’s set list.

Deep Purple With Orchestra Live in Verona will be released both on DVD and Blu-ray on Tuesday, October 21st.  The DVD will retail for MSRP of $14.98 and the Blu-ray for $19.98.  More information on this and other releases from Eagle Rock Entertainment is available online at

Facebook: http://www.facebook.com/EagleRockEnt
Twitter: http://twitter.com/EagleRockNews

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Eagle Rock, E.A.R. Music To Release New Archived Deep Purple Concert

Courtesy:  Eagle Rock Entertainment/E.A.R. Music

Courtesy: Eagle Rock Entertainment/E.A.R. Music

Eagle Rock Entertainment and E.A.R. Music will release another archived live Deep Purple this summer.

Eagle Rock Entertainment and E.A.R. Music will release Deep Purple: Graz 1975 on Tuesday, September 23rd. The recording, which is part of Deep Purple’s “(Overseas) Live Series,” was recorded at the Liebenauer ice rink. The rink is located just outside of the city of Graz, Austria. Graz is the second-largest city in Austria just behind Vienna. The concert features the classic MK III lineup of Richie Blackmore (guitar), David Coverdale (vocals), Glenn Hughes (bass/vocals), Jon Lord (keyboards), and Ian Paice (drums). He show was dubbed by the local press as being the “rock event of the year” at the time of the event.

The band’s eight-song performance opens with a rousing performance of its hit song ‘Burn.’ The show’s set list consists largely of songs from the band’s earlier days in which Ian Gillan handled vocal duties and Roger Glover played bass. It includes iconic songs such as ‘Smoke on the Water’ and ‘Space Truckin.’ After the band’s performance in Graz, it would go on to perform only two more shows together before guitarist Richie Blackmore would leave the band. He would later go on to form the equally iconic rock band Rainbow. American guitarist Tommy Bolin took over guitar duties after Blackmore’s departure from the band.

Deep Purple: Graz 1975 has never before been released in its entirety in any form. Its release later this month will mark the first time ever that the recording has been released in its entirety. It will be available on CD, two-disc gatefold LP, and digital audio. The show’s set list is noted below.

Track Listing:

  1. Burn
  2. Stormbringer
  3. The Gypsy
  4. Lady Double Dealer
  5. Mistreated
  6. Smoke On The Water
  7. You Fool No One
  8. Space Truckin’

 

More information on this and other releases from Eagle Rock Entertainment is available online at http://www.facebook.com/EagleRockEnt and http://twitter.com/EagleRockNews. More information on this and other releases from E.A.R. Music is available online at http://ear-music.net and http://www.facebook.com/earmusicofficial. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Deep Purple Announces North American Summer Tour

Courtesy:  E-A-R Music

Courtesy: E-A-R Music

Deep Purple will make its way back to the U.S. this summer.

Deep Purple released its 19th full length studio album NOW What?! in April 2013. Since then, the band has made its way around the world in support of that album. Now the band’s global tour brings it back to the United States. Deep Purple will kick off the North American leg of its tour Monday, August 4th in Scottsdale, AZ. As the band prepares for its upcoming North American tour, it will release the latest single, ‘All The Time in the World’ to radio stations nationwide. The band’s current schedule of tour dates is listed below.

Deep Purple US / CANADA Dates:

08/04/14    Scottsdale, AZ                  Talking Stick Casino         8:00pm

08/05/14     Ventura, CA                      Ventura County Fair       8:00pm

08/06/14    Costa Mesa, CA               Orange County Fair          8:00pm

08/08/14    Lincoln, CA                       Thunder Valley Casino Amphitheatre          8:00pm

08/09/14    Roseburg, OR                   Douglas County Fair          8:00pm

08/10/14     Snoqualmie, WA             Snoqualmie Casino             8:00pm

08/13/14     Saratoga, CA                     Mountain Winery               8:00pm

08/14/14     Valley Center, CA             Harrah’s Rincon Casino Event Center           8:00pm

08/15/14     Las Vegas, NV                  Fremont St. Downtown    8:00pm

08/16/14     Wendover, NV                   Peppermill Casino Concert Hall           8:00pm

08/20/14    Elgin, IL                             Festival Park                       8:00pm

08/21/14     Windsor, ON                     Caesars Casino                    8:00pm

08/22/14    Rama, ON                          Casino Rama                       8:00pm

08/24/14    Morristown, NJ                  Mayo PAC                            8:00pm

08/25/14     Englewood, NJ                  Bergen PAC                         8:00pm

08/26/14    Westbury, NY                     NYCB Theatre at Westbury           8:00pm

08/29/14    Biloxi, MS                          Hard Rock Casino              8:00pm

08/30/14    Orlando, FL                        Hard Rock Live                    8:00pm

08/31/14     Hollywood, FL                  Seminole Hard Rock Live Arena 8:00PM

More information on Deep Purple’s upcoming North American tour, its latest full length album and all of the latest news from the band is available online at http://www.facebook.com/officialdeeppurple and http://www.deeppurple-nowwhat.com. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

The Dagger’s CM Debut Is Pure Rock At Its Finest

Courtesy:  Century Media Records

Courtesy: Century Media Records

The self-titled debut record from The Dagger is a solid first effort for the Stockholm, Sweden-based four-piece. The Dagger isn’t the first band to ever take listeners back to rock’s golden era. But it still has done something special on its debut that other bands of its ilk (E.g. Horisont, The Sword, Gypsyhawk) have not done. What it has done on its first full effort for Century Media Records is crafted an album that exhibits one of the widest swaths of influences to date from any band of its kind. That’s one part of what makes this record one that purist metal heads will appreciate about this album. Also noteworthy about the album is its overall production values. That, too will be discussed shortly. And last but far from least are the lyrical themes that run through the album. All three factors together make The Dagger an album that any purist rocker and metal head will enjoy just as much with each listen.

The Dagger’s debut record is a good addition to the library of anyone that is a fan of The Sword, Horisont and Gypsyhawk. Much like those bands, The Dagger takes listeners back to the golden era of rock on its Century Media Records debut. As much as it carries a sound similar to those bands, it actually takes things a step further on its self-titled debut. Instead of focusing primarily on one specific classic rock sound, the members of The Dagger—Jani Kataja (vocals), Fred Estby (drums), David Blomqvist (guitar), and Tobias Cristiansson (bass)—exhibit influences from a rather wide swatch of veteran bands. Those bands include the likes of Judas Priest, Rainbow, Black Sabbath, and even Deep Purple among others. Such a wide array of influences having been exhibited here, it makes the album one of those rare albums that is actually worth listening through without skipping a single song. That’s truly saying something, especially in an era when audiences seem to be increasingly downloading single tracks from the likes of iTunes instead of purchasing entire albums. Taking this into consideration, it shows that The Dagger’s debut record could very well be one that older audiences will appreciate just as much as younger audiences. To that extent, it shows great potential for this record.

The sound crafted by the members of The Dagger on the band’s self-titled debut is the most important factor in the overall enjoyment of this record. The band doesn’t stick to just one influence, even in taking listeners on a trip back in time to the golden age of rock. It exhibits all of its many classic rock influences. Just as important to the album’s success as its sound is the album’s production. The separation that was formed between The Dagger and other “modern classic rock” bands thanks to The Dagger’s extensive background of influences is made even wider thanks to the album’s production values. Painstaking efforts were made to not only bring out the band’s veteran influences, but to make the band’s album sound like it was itself a product of rock’s golden era. From Blomqvist’s powerhouse guitar playing to the almost hollow sound of the drums made popular in the 1960s and 70s to Kataja’s own vocals, and even Cristiansson’s bass work, each part was given special attention. When all four parts came together, those behind the glass exhibited expert talent, crafting an album that sounded like it came right from the era of so many great garage rock style bands. Credit is most definitely to be given in that area. It wonderfully compliments a sound from the band that is already impressive on its own.

The songs that make up The Dagger and the production values that make the album even richer are both integral parts of the album’s success and enjoyment. They are but part of the whole, though. There is still one more factor to consider in the album’s enjoyment. That factor is the variety of lyrical themes that run through the album. As [Fred] Estby noted in an interview with Terrorizer magazine, the influences behind the songs’ lyrical themes come from a number of sources. Those sources include the news, novels, and even lyrics from contemporaries such as Ronnie James Dio, Geezer Butler, and Blue Oyster Cult. That means that unlike so many rock bands out there, The Dagger tries its best to avoid the standard themes of relationships. Rather the themes on this album vary just as widely as the band’s musical influences. It’s a breath of fresh air, considering just how many bands even in today’s world of hard rock and heavy metal base their songs on that standard fare. That factor, alongside the album’s overall sound and production values make this record, once again, one that any purist rocker and metal head will enjoy just as much the fiftieth time around as the fifth.

The Dagger will be available in the U.S. Tuesday, July 22nd and June 30th in Europe.  It will be released both domestically and internationally via Century Media Records. The Dagger is currently scheduled to perform live September 18th and 19th in Stockholm Sweden as part of Close-Up Magazine’s Close-Up Baten Festival. Until then, audiences can keep up with the latest news and more from The Dagger through its official Facebook page at http://www.facebook.com/daggerofficial. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.