Shout! Factory released the sixth season of ABC’s crime drama NYPD Blue today. NYPD Blue was one of the most polarizing series on television over the course of its run on ABC from beginning to end. The series’ sixth season is no less powerful than the seasons that had come before. That’s not only because of the drama surrounding the cases in each episode, either. The writing has shown a different side of the characters this season, especially in one particular story arc. And that growth in the series’ writing is just part of what makes Season Six enjoyable for the show’s fans. The acting on the part of the series’ cast ties directly in to the writing. The cast expertly interprets the scripts for each episode, adding even more depth to the series this time out. The acting and writing that bring Season Six together are of equal importance to its success. On another level, the show’s overall production values—its gritty look, its cinematography, and music—round out the whole package, making NYPD Blue: Season Six another win for fans of this landmark series and for Shout! Factory.
One of the major reasons that NYPD Blue managed to remain on the air for so long was its writing staff. While Dick Wolf’s Law & Order franchises relied largely on the headlines for storylines, the storylines that ran through NYPD Blue were far more hard hitting. They showed that it was possible to craft a solid story without just re-enacting the weekly news headlines. And that expert writing continued well into this season. The season-opening story arc is proof positive of this. Season Six opens with Simone (Jimmy Smitts) ending up in the hospital due to a heart problem. It is that heart problem that eventually leads to a very difficult decision for his wife and to a very deep reaction from Sipowicz along the way. It’s definitely one of the series’ most moving and powerful story arcs as it shows that Sipowicz is human after all. Add in the discussion on the right-to-life and audiences get what is simply put a very powerful story arc; one of the best that the series had seen to date. This is just one example of the talents of the series’ writers this season. There are equally deep stories included in this season such as racism within the police force, and even the announcement of a new life coming into the world among much more. Audiences, again, will find out all of this for themselves when they purchase Season Six. Every story written for Season Six is proof of why this series was able to continue as a fan favorite for six more seasons after this one.
The writing that went into making NYPD Blue: Season Six was some of the best for any drama on television at its time. Just as key to this season’s success was the acting on the part of the cast. Dennis Franz’s acting in the season-opening story ac is some of the most powerful that any of the cast members had presented to that point. Franz presented a far more vulnerable and human side to Sipowicz as Sipwicz tried to maintain his hard-nosed façade, albeit unsuccessfully. It was, in an odd way, heart wrenching to see Sipowicz break down. Yet it was moving to see that he had that side. It makes him an even deeper character. The reaction of all of Bobby’s fellow officers was just as moving. It showed that for everything that they had to deal with, even the strongest people have to mourn. Anyone left dry-eyed after seeing this simply isn’t human. Of course, there were also the reactions in the much happier announcement in the season of a new life coming into the world late in this season. After everything that the force had dealt with since the season’s opener, the acting here proved to be just as powerful and moving. Those moments all together made Season Six all the more worth watching by any of the series’ original fans.
The writing and acting that went into bringing NYPD Blue: Season Six to life exhibited exactly why the series was still so successful this far into its run. One would be remiss to ignore one more factor that made Season Six a success. That final factor would be the show’s production values. The collective production values—its cinematography, music, and its overall gritty look—set the series apart from Dick Wolf’s Law & Order franchises from early on. The rapid fire camera work, the original music and gritty look were the antithesis of Wolf’s series. Those series always had more of a spit-shined look. Their music and the use of cameras gave those series too perfect of a look. By comparison, the collective production values used even in the sixth season of NYPD Blue made watching the series like seeing the late Robert B. Parker’s novels on television, just without Jessie Stone as the lead. That is truly something special. It really feels like a hard-boiled detective novel put to the small screen. And together with the writing and acting, it makes NYPD Blue: Season Six a completely welcome addition to the library of any fan of this series.
NYPD Blue: Season Six is available now in stores and online. It can be ordered online now direct from Shout! Factory’s online store at http://www.shoutfactory.com/product/nypd-blue-season-six. More information on this and other releases from Shout! Factory is available online now at http://www.shoutfactory.com and http://www.facebook.com/shoutfactoryofficial. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.