Symmetry In Black Is A Welcome Return From Crowbar

Courtesy:  eOne Music

Courtesy: eOne Music

2014 has been quite the year for hard rock and metal.  New releases from the likes of Anti-Mortem, Fozzy, and Wovenwar have already highlighted an already busy year.  And new releases on the way from Machine Head, Exodus, and Slipknot before the year lets out are giving metalheads the world over even more reason to be excited.  If that’s not enough reason for the metal masses to be happy this year, then perhaps the latest full length studio release from Crowbar will excite some members of the metal nation.  The band released Symmetry in Black late this spring via eOne Music.  This latest record, the band’s ninth, presents some of the band’s best material to date.  One reason for the quality and heaviness of the songs on this record is the full focus of guitarist Kirk Windstein.  Having put his other projects on the side so as to give full focus to Crowbar, he sounds at the top of his game.  And along with his band mates—Matt Brunson (guitar), Tommy Buckley (drums), and Jeff Golden (bass)—the work of the New Orleans-based four-piece presents a band that is at the top of its collective game.  The songs on this album are impressive not just for their heaviness, but for their lyrical content.  The album’s opener ‘Walk With Knowledge Wisely’ is proof of that.  The same can be said of ‘Teach The Blind To See,’ which comes late in the album’s run.  ‘A Wealth of Empathy’ offers its own interesting lyrical content set against some rather heavy riffs, too.  The combination of this trio of just these three works shows how much Crowbar still has to offer audiences even today.  There are nine other songs on this record from which audiences can choose their own favorite(s).  In listening through those tracks and the songs noted here, audiences new and old alike will agree again that Symmetry in Black proves to be Crowbar’s best full length studio release to date.

Crowbar’s ninth full length studio release is some of the band’s best work to date as already noted. That is evident right off the top in the album’s opener ‘Walk With Knowledge Wisely.’ This song is a pure, heavy slab of southern sludge metal. Vocalist/guitarist Kirk Windstein is at the top of his game here, having put his other projects on the back burner for the time being. That pure, heavy sound set against the song’s thought provoking lyrics make it a hard-hitting return for the band. Windstein writes in this song, “My will cannot be broken/Cause when I rot I crawl back from the dead/I am the living proof/That you can right what is wrong in your head/The weak can always overcome/But only if they burn with desire.” Those few lines alone are empowering to say the very least. Their juxtaposition against the song’s dark, heavy sound makes them even more impactful. They become two polar opposites that together make a clear statement of determination and its payoff. As if that wasn’t enough of an example of the song’s message, Windstein goes on to write, “I am the living proof/That a soul can burn a thousand times/Accept what God has given you/And you’ll find the answer all around.” Don’t mistake that lien for Crowbar being a “Christian Band.” That’s hardly the case. It is simply Windstein and his band mates hammering home the fully positive message that it is possible to overcome so much of life’s negativity and difficulty. What better way to return after three years than with such a powerful musical and lyrical statement?

‘Walk With Knowledge Wisely’ is a powerful first statement from Crowbar on its new release. That’s because of the mix of its heavy sound and empowering lyrics. On the other side of things, a song such as ‘Teach The Blind To See’ will raise just as much conversation. That is thanks in large part to its lyrical content. Windstein writes in this song, “So many years so many words/Bringing honesty to you/Just follow me/You won’t regret/It’s what I do/I don’t forget/I’ll lead you to the truth.” One the one hand, one could argue that this is meant to be a social commentary of sorts. It could potentially be aimed at religious leaders whether they come from organized religion or from cults. The message would pretty much be the same regardless in that case. Making for even more conversation, Windstein goes on to write, “Know I’m not the enemy/I can teach the blind to see/Too many tears too many wounds/Bringing healing to the ill/Just follow me/You won’t regress/I’m giving life, I’m giving breath/At times it’s hard, at times I’m blind/But I bring new life to you/And in the end/That’s what is real/Cause agony will make you feel/Into freedom I lead you.” It goes without saying that this makes for even more discussion. It would be interesting to know for certain the inspiration for this song. Regardless, the fact that it has the potential to create so much discussion combined with its pummeling musical heaviness makes it one more of the best pieces on this album.

Both ‘Walk With Knowledge Wisely’ and ‘Teach The Blind To See’ are important in their own right to Symmetry in Black in terms of its overall presentation. Musically, both songs are extremely heavy. Lyrically speaking, they couldn’t be more opposite from one another. One is empowering. The other seems something of a commentary. So both songs present their own value to the album in whole. They just do so in their own way. The same can be said of ‘A Wealth of Empathy.’ Much like the album’s opener, this song presents a rather positive message of hope set against a rather heavy musical side that directly contrasts its lyrical side. Windstein writes in this song of overcoming all of the negativity thrown out in life. One could actually argue in the case of this song that it is in its own right a companion to ‘Walk With Knowledge Wisely’ as that song discussed trying to overcome said difficulties and negativity in life. This piece goes more in an introspective direction, with Windstein looking back on those difficulties and negativity, declaring that he has overcome them. He writes here, “I can’t explain my suffering/But I have lived through misery/My faith will pull me through/And bring to me new life/No need for sympathy/I’ve overcome/My strife/No longer feeling cold/The mind grows wise as we grow old.” That is quite the hopeful statement. And as with the album’s opener, such statement set against the song’s foreboding musical element, it makes for an even more powerful statement of personal emotional strength. That overall impact makes this song one of the highest of points on this record. Together with ‘Walk With Knowledge Wisely,’ ‘Teach The Blind To See,’ and the album’s remaining nine tracks, they make up an album that is one that any long-time fan of Crowbar will thoroughly enjoy.

Whether it be for the album’s more inspirational songs such as the pair mentioned here or for others that make up this record, every fan of Crowbar will find their own reason to enjoy this new record. It is available now in stores and online. Fans can get more info on this and other releases from Crowbar as well as the latest updates from the band online at:

Facebook: http://www.facebook.com/crowbarmusic

Twitter: http://twitter.com/crowbarrules

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Rocklahoma Organizers Announce New Ticket Package

Courtesy:  Ashton Magnuson Media

Courtesy: Ashton Magnuson Media

Organizers of the annual Rocklahoma concert festival announced this week that they will make available a new ticket package for audiences.

The new Zippo Encore Fan Package For Two will be available beginning next Tuesday, March 18th at 1pm ET/12pm CT.  The package includes:

  • Two (2) Weekend General Admission Tickets (inclusive of all service charges and fees)
  • Meal vouchers (two per day)
  • Two (2) Official Festival Zippo Lighters
  • One (1) one-year subscription to Revolver Magazine.

Tickets can be ordered online at the official Rocklahoma website, http://www.rocklahoma.com.

Also on March 18th, ticket prices both for general admission tickets and general admission 4-packs will increase.  General admission tickets currently are available for a price of $109 plus fees.  Beginning March 18th, that price will increase to $129 plus fees.  Weekend 4-pack General Admission packs will increase from $349 plus fees to $399 plus fees.  This takes effect beginning at 1pm ET/12pm CT.

Members of the military can get discounted tickets for the Rocklahoma festival online at http://www.govx.com.  Prices for those tickets will also increase March 18th at 1pm ET/12pm CT.

The new ticket package and price increases are not all that organizers announced this week for the annual festival.  Organizers also announced the return of the “Miss Rocklahoma” contest.  The contest runs through April 18th.  Ten finalists will be announced in late April online at http://www.rocklahoma.com.  Contestants and fans can register and vote online at http://www.rocklahoma.com.

The complete lineup for this year’s edition of the Rocklahoma Festival is:  Kid Rock, Five Finger Death Punch, Staind, Twisted Sister, Deftones, Seether, Motörhead, Jackyl, Filter, Black Label Society, Theory of a Deadman, Killswitch Engage, Skid Row, Tom Keifer of Cinderella, Hellyeah, Kix, Down, Pop Evil, Adelitas Way, Black Stone Cherry, Trivium, Texas Hippie Coalition, The Pretty Reckless, Thousand Foot Krutch, Redlight King, Skindred, KYNG, We As Human, Nothing More, Devour the Day, Heaven’s Basement, Gemini Syndrome, Butcher Babies, Eve to Adam, Truckfighters, Scorpion Child, Twelve Foot Ninja, Kill Devil Hill, Killer Dwarfs, Mandy Lion, Bai Bang, Lynam, ASKA, Black Tora, Firstryke, Mystery, Nasty Habit, Sleepy Hollow, Wicked, Down & Dirty, Loveblast, Ruff Justice, Ratchet Dolls, Ragdoll, Dellacoma, Chaotic Resemblance, Scattered Hamlet, Siren, Mach22, Tempt, London’s Dungeon, Mine Enemies Fall, Station, The Chimpz, Sleepwalking Home, Well Hung Heart, Framing The Red, Blackwater Rebellion, Dryvr, Jet West and Dirty Crush.

The annual Rocklahoma Festival is sponsored by Bud Light, U.S. Cellular, Jagermeister, Monster Energy, Hard Rock Casino, Route 66 RVs, and Jack Daniels.

More information on the annual Rocklahoma Festival is available online at http://www.rocklahoma.com, http://www.facebook.com/rocklahoma and http://twitter.com/rocklahoma.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

ROTR Organizers Announce Early Details For 2014 Festival

Rock on the Range 2014 Logo

Courtesy: MSO PR

The 2013 edition of the annual Rock on the Range festival was one of the biggest that organizers of the annual event have ever experienced.  2013 saw the annual event completely sell out.  Seeing the success that the festival had in 2013, festival organizers have announced that the festival will now expand to three full days this year. The festival, which will run from May 16th – May 18th this year, will be headlined by three very big name acts.  Those acts are Guns N’ Roses, Avenged Sevenfold, and Kid Rock.

While the trio of aforementioned bands will headline the once again expanded festival (last year saw the festival expand to three nights) are big names in themselves, they won’t be the only bands to perform at this year’s show.  Also scheduled to perform this year are: Seether, Five Finger Death Punch, Slayer, Staind, Motorhead, Chevelle, Alter Bridge, Mastodon, Black Label Society and Killswitch Engage among many others.  The complete lineup of bands scheduled to perform at this year’s ROTR Festival is listed below.

2014 ROCK ON THE RANGE BAND LINEUP

Guns N’ Roses, Avenged Sevenfold, Kid Rock, Five Finger Death Punch, Slayer, Staind, Motorhead, Seether, Chevelle, Alter Bridge, Mastodon, Black Label Society, Killswitch Engage, Bring Me The Horizon, Theory of a Deadman, Down, Black Stone Cherry, Jason Bonham’s Led Zeppelin Experience, Pop Evil, Of Mice & Men, Adelitas Way, Trivium, Gojira, Suicidal Tendencies, The Pretty Reckless, We Came as Romans, Fuel, Redlight King, Miss May I, Reignwolf, Thousand Foot Krutch, Texas Hippie Coalition, Rev Theory, Skindred, Kyng, Fozzy, Heaven’s Basement, Butcher Babies, Nothing More, Exodus, King 810, Devour the Day, We As Human, We Are Harlot, Kvelertak, Jim Breuer Band, One OK Rock, Twelve Foot Ninja, Avatar, WERM, Monster Truck, Wilson, Crobot and Truckfighters with comedians Jim Breuer, Jim Florentine and more.

Audiences will note that along with the lineup up some of the biggest names in the rock world, this year’s festival also boasts the return of the ROTR Comedy Tent.  Jim Breuer, Jim Florentine, and a number of up-and-coming comedians will perform at the ROTR Comedy Tent.

Weekend passes including Field General Admission, Stadium General Admission, hotel and VIP packages and a stadium four-pack go on sale Friday, January 24th at 10am ET.  More ticket information is available online at http://www.RockOnTheRange.com.  Additional information and updates on this year’s festival is available online at http://www.facebook.com/rockontherange and http://twitter.com/rockontherange.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Hard Rock Supergroup’s Sophomore Record A Solid Second Effort

Courtesy: Century Media Records

Courtesy: Century Media Records

Kill Devil Hill released in its second full length album last year, what proved to be one of 2013’s best Hard Rock/Metal albums.  The hard rock supergroup’s sophomore album is, as the old adage states, all killer and no filler.  What really makes this album so enjoyable for any purist metal head and hard rocker is that it is another of those albums that both new audiences and those that are more familiar with the band’s music will enjoy.  It is one of those albums that eventually will lead listeners to find their own favorite songs over time.  And over time, none of the eleven tracks from which listeners are offered ever lose their luster.  This is obvious right from the album’s opener, ‘No Way Out,’

‘No Way Out’ opens Kill Devil Hill’s second full length studio effort.  This song is a straight forward radio-ready rock song that any open-minded radio programmer will appreciate.  Guitarist Mark Zavon and drummer Vinny Appice (Black Sabbath, Dio, Heaven & Hell) drive the song with their full throttle attack.  And bassist Rex Brown’s (Down, Pantera) grinding bass line late in the song gives the song even more depth.  It gives it more of a punch for lack of better wording.  Vocalist Dewey Bragg (Pissing Razors) can’t be ignored here, either.   His vocal style could easily be compared to a number of other well-known rock vocalists as he sings, “Infected by the power of corruption/Put out your fires with gasoline/No respect for the trust you’ve betrayed/You’re headed for the end of the line/Step by step…Justice will be served/The house of cards comes crashing down/Salvation at the end of the line.”  Bragg and company make no bones as to the message being sent here.  Here, audiences get a song about those that let power get the better of themselves.  This is made increasingly clear as Bragg sings in the song’s first verse, “Blinded by the fog of deception/Can’t you see that they’re selling you lies/Getting rich off the profits of others/Freedom’s well runs dry.”  This illustrates even more the topic covered in this song.  And it’s only the beginning from Kill Devil Hill on this album, too.

Another of the interesting points of Revolution Rise comes in the form of ‘Long Way From Home.’  This semi-acoustic song bears quite the Black Label Society.  As a matter of fact, it sounds like it could have come from the recording sessions for Hangover Music Vol. VI.  It obviously didn’t.  But its more reserved sound and introspective lyrics make for a welcome momentary break from the rest of the high octane songs that precede it on this record.  Bragg sings on this song, “Seems like only yesterday/How did I drift so far away/A prisoner of the distant sands of time/The damage done from days gone by/A tangled knot/We can’t untie/Memories we left so far behind/I’m a long way from home now/I’ve been gone so long/Will I ever find a way back to where I belong.” The song crafted here is obviously one of looking back on the past.  This is increasingly obvious in the song’s second verse as he sings, “Would the past forgive me now/If I could travel back somehow/Across the miles/Down that old familiar road/Chasing the stars with no regret/A darkened heart I still can’t forget/The little things we loved so long ago.”  There are those that might instantly say of this song that it’s just a standard song of self-loathing.  But the reality is that everybody has had a moment quite similar to the one (or ones) portrayed in this song.  Some will deny it.  But we have all had at least one such moment.  That ability of the song to reach so many listeners makes it one more of the many great songs that make up Revolution Rise.

Kill Devil Hill offers its fans plenty of reasons to be happy on its new album.  That has already been evidenced in just two examples of the album’s tracks.  For all of its commentary and personal, even Kill Devil Hill isn’t exempt from the standard songs based in issues of personal relationships.  In ‘Endless Static’, Bragg seemingly sings about the kind of lying backstabber that so many listeners have encountered at one point or another in life.  Again, here audiences get another song to which they can easily relate.  And the song’s energy only makes it that much more hard-hitting.  He sings, “Lately I’ve been hearing/You’ve been talkin’ smack/And smilin’ to my face all the while/You’re tellin’ stories like a common crook/As if it all rings true/But I see right through it/Screaming is so dramatic/Dreaming is in the static/All this make-believing makes me laugh out loud/Hiding behind your smile/Drowning in sweet denial…Why can’t you find the guts to say it to my face/Instead of hiding out behind the lies/The truth is I don’t even give a damn/The face of your deception/It’s your reflection.”  No one can deny that they have ever encountered such a person as the one described here.  And everyone can agree that they, too have felt the same kind of anger and aggression toward said person that is presented here.  It’s one more of so many songs that make Revolution Rise a record that any purist hard rock fan will appreciate.

Kill Devil Hill recently finished off a busy tour to finish off 2013.  But fans can always keep up with the latest tour announcements, news, and more from the band on its official website, http://www.killdevilhillmusic.com.  Fans can also go here to order the band’s new album while they wait on the next announcement of new tour dates from the band.  Fans can also get the latest tour dates, news, and more from the band on its official Facebook page, http://www.facebook.com/killdevilhillmusic.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.comm.

Kill Devil Hill Announce First Wave Of Dates For Fall/Winter Tour

Courtesy:  Century Media/Century Media Records

Courtesy: Century Media/Century Media Records

Hard rock supergroup Kill Devil Hill is hitting the road in support of its second full length studio release, Revolution Rise.  The band—Rex Brown (bass), Vinny Appice (drums), Dewey Bragg (vocals), Mark Zavon (guitar)–kicks off its Fall/Winter tour Saturday, October 26th in Ramona, California.  The kickoff comes only three days before the official release of the band’s new record, which will be released via Century Media Records.  The majority of the band’s tour will take the band down the west coast and into the Southwest.  However, the last six current dates on the band’s itinerary will take the band into the Midwest.  A full listing of the band’s most current tour dates is available below.

KILL DEVIL HILL 

(with EYES SET TO KILL, GIRL ON FIRE & BLACK WATER RISING):

OCTOBER:

26: Ramona, CA – Ramona Mainstage * / **

27: Fullerton, CA – Slidebar **

28: Chico, CA – Lost On Main **

29: West Hollywood, CA – Roxy Theatre **

31: Tucson, AZ – The Rock **

NOVEMBER

01: Tempe, AZ – Club Red * / **

02: Las Vegas, NV – LVCS ***

03: Salt Lake City, UT – In The Venue

05: Seattle, WA – El Corazon

06: Portland, OR – Hawthorne Theater

07: Walnut Creek, CA – Red House Live ***

10: Flagstaff, AZ – Orpheum Theatre ***

11: Gallup, NM – Gallup Community Center ***

13: Austin, TX – Dirty Dog ***

14: Houston, TX – Scout Bar

17: Oklahoma City, OK – The Chameleon Room ***

19: Minneapolis, MN – Skyway Theater ***

20: Appleton, WI – Luna Lounge ***

21: Battle Creek, MI – Planet Rock ***

22: Mentor On The Lake, OH – Tequila Jaxx ***

23: Steger, IL – Another Hole In The Wall

 

* no EYES SET TO KILL

** no GIRL ON FIRE

*** no BLACK WATER RISING

 

More tour dates will be announced as the tour progresses.  Fans can keep up with those tour dates and all the latest from the band online at http://www.killdevilhillmusic.com/tourdates, http://www.killdevilhillmusic, http://www.facebook.com/killdevilhillmusic, and http://twitter.com/klldvlhll.

Exclusive VIP packages are available now.  The packages include early admission to soundcheck, the show, a meet and greet with the band, a VIP laminate, t-shirt and autographed 8X10 of the band.

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Anselmo’s Solo Debut One Of 2013’s Most Brutal Metal Records

Courtesy:  Housecore Records

Courtesy: Housecore Records

Philip H. Anselmo has returned.  And along with his band mates in The Illegals, he has never sounded more intense.  There are those that upon hearing this album have instantly tried to compare this record to Anselmo’s work with Pantera, Down, and Superjoint Ritual.  Here’s the thing.  Anselmo’s solo debut is nothing like the work that he did with those bands.  He even noted in an interview concerning the record that he wanted to do something completely different.  Go figure, the opening number on this record is titled, ‘Music Media Is My Whore.’  And the very fact that the album’s title is Walk Through Exits Only should tell listeners right off the bat that he intended to do something completely different than he had previously done on this record.  That would seem to be the point of the album’s title at least.

Those that can let themselves get past the expectations of this album being more of what he has done before will appreciate it for what it is.  It is a record that mixes elements of death metal and grindcore to make a work that simply put, is brutal.  While it only consists of eight tracks, all eight songs on this album are sure to impress those that are open minded enough to accept them.  Drummer Jose Manuel Gonzalez manages his duties with the power and precision of a jackhammer.  And guitarist Marzi Montazeri is just as sharp whether soloing or playing his role as guitarist.  The only comparison that can possibly be made to that of Montazeri here is Slipknot guitarist Mick Thompson (#6).  On a side note, it would be interesting to hear the two perform or record together.  Along with bassist Bennett Bartley, the quartet’s metal onslaught is complete throughout the course of the album’s eight tracks.

The musical side of Walk Through Exits Only is certain to impress those that are open minded enough to accept Anselmo’s new project for the departure that it is.  The time signatures are all over the map.  There are straight speed metal songs placed alongside more technical pieces.  A prime example of this is the placement of ‘Usurper Bastard’s Rant’ being bookended by ‘Betrayed’ and the album’s title track.  ‘Usurper Bastard’s Rant’ is one of the album’s more technical songs.  It helps to break up the momentum of the other pairing of songs, keeping listeners’ ears much more easily. The other songs have more of a thrash/speed metal vibe that is certain to make any purist metal head proud.  This is just one of a handful of examples that runs through the album’s sequencing.  Audiences will find even more examples of that balance on their own in picking up this record.  Speaking of balance, credit where credit is due.  The balance of the music and vocals add to the album’s brutality. 

 The production values on this record deserve their credit, too.  Anselmo co-produced the record alongside Mike Thompson.  And the partnership between the pair played a major role in the album’s success.  There is a certain power about the record all the way around.  Anselmo’s vocals and the output from his band mates are balanced quite well, allowing all involved to really come through.  The total output is a sound that while it carries influences from other bands, is still its own.  And it is that identity that will ultimately show through and make this a record that any metal head and any devoted Phil Anselmo fan will appreciate in the end.  It is available now in stores and online.  Fans will get their chance to see the band perform songs from the album live, too.  The band will perform Wednesday, July 31st at Cain’s Ballroom in Tulsa, Oklahoma.  That performance will be followed up by a performance at Wooly’s in Des Moines, Iowa this Friday, August 2nd.  All of the latest tour dates from Philip H. Anselmo and The Illegals are available now online at http://www.facebook.com/phillipillegals and Anselmo’s official website, http://www.philanselmo.com

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

KingShifter’s Debut LP Takes The Top Spot As 2013’s Top New Hard Rock Record

Courtesy:  Pavement Entertainment/Pavement Music

Courtesy: Pavement Entertainment/Pavement Music

2013 has been a good year for hard rock and metal.  New releases from the likes of Holy Grail, Black Sabbath, and Sevendust have made this a great year for the metal masses the world over.  Now with the release of its debut full length LP via Pavement Entertainment, Wichita, Kansas based KingShifter has just made the hard rock landscape that much more interesting.

KingShifter’s debut full length release, 26 Tons is an aptly titled record.  This eleven-track record is a heavy-hitting wrecking ball of hard rock.  From start to finish the album’s energy lets up only once.  That one time is in the near minute and a half acoustic piece, ‘.00125 lbs. (The Year of the Rat).  Other than that single moment, every other song on this record makes it one of the best debut records from a rock band (either mainstream or indie) in a very long time.  Its combination of hard hitting guitar licks, drums, and equally scathing lyrics make it a record that any purist metal head will appreciate.  And it all starts early on in the form of, ‘Revolution Generation.’  Front man Sprout sings about what’s happening to the country today.  From the epidemic of companies and doctors working together to sell their drugs, to the issue of school violence, Sprout runs the gamut.  Along the way he and his band mates wave a defiant musical flag declaring, “If we don’t do anything now/We’re soon to be doomed/We’ve got to stand strong/We shall not be moved/We are Americans/And we have proof/That we survived/The taxes, fiscal cliffs, and all of the wars/We’re here to tell you now/We won’t take it anymore!”  The song’s declaration of pride and self-empowerment is a call to arms and an anthem for a whole new generation.  And given the right support, could very well be the opening salvo in what breaks this band into the mainstream.

If ‘Revolution Generation’ isn’t enough example of what makes this a solid debut from KingShifter, then perhaps the equally hard rocking and defiant (yet far shorter) ‘STFU (& Die Already)’ will.  This punk styled piece comes in at just under two minutes long.  In that short time, this song hits just as hard as ‘Revolution Generation’ and any of the album’s other songs.  It is an intense song that goes after the news media—Sprout sings, “Television/I wanna burn it down”—and all of the negativity that clots television today.  In connection, he notes in no uncertain terms the effect that television has on people and his displeasure on the matter.

KingShifter’s debut record has plenty of social commentary and hard rock.  For all the commentary that it offers, there is some lighter material on this record, too.  Case in point, ‘Downin’ Booze – Raisin’ Hell.’  This song is a party song.  It’s an anthem for the blue collar workers across the country.  The influence from hard rock supergroup HellYeah is quite obvious both lyrically and musically in this song.  This is clear in the song’s second verse as Sprout sings, “I’ve been inside/Of this dirty cage/Locked inside for five whole days/I’ve gotta ease my mind/And leave that bulls*** behind/This ******’s gonna go on a rage!”  With such high energy lyrics and equally high energy music, this song is more than certain to become just one of so many fan favorites and fan anthems both on KingShifter’s record and at its live shows. 

The songs noted here are just a few examples of what listeners can expect from Kingshifter’s upcoming debut record.  There is much more that audiences will appreciate throughout the album.  So much more could be written of 26 Tons.  But to do so would require more time and space than is available.  Simply put, given the chance by radio programmers and by Pavement Entertainment, 26 Tons could make Kingshifter one of the next big names in hard rock.  The album will be available in stores and online Tuesday, September 3rd.  Fans can hear just some of the band’s music now online at the band’s official Reverb Nation page, http://www.reverbnation.com/kingshifter.  There’s even a music video from the band on its page, too.  Audiences can also check out the band’s music on its official MySpace page, http://www.myspace.com/kingshifter.  And to keep up with all of the latest news from the band, fans can follow the band on Facebook at http://www.facebook.com/KingShifterRock and on its official website, http://www.kingshifter.com

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.