ZZ Top Live @ Montreux Is One Of 2014’s Top New Live Recordings

Courtesy:  Eagle Rock Entertainment/Eagle Vision

Courtesy: Eagle Rock Entertainment/Eagle Vision

Eagle Rock Entertainment has, over the years, earned the title from this critic of being the “Leader in Live Recordings.” Eagle Rock has long been the gold standard for live recordings with releases from the likes of Paul McCartney, The Raconteurs, Elton John, Stone Temple Pilots, Slipknot, and so many others across the board. Now yet again, Eagle Rock has proven yet again why it is that gold standard thanks to the brand new release of ZZ Top Live at Montreux 2013. This latest release in Eagle Rock’s ongoing partnership with Montreux Sounds is one more of this year’s top live recordings. It offers audiences a concert loaded with all of the Texas-based trio’s greatest hits and some lesser-known pieces, among which is a fitting tribute to the famed festival’s late founder Claude nobs. The concert’s combined audio and video mix make taking in each of those songs even more of a joy for audiences of all ages. And rounding out the whole thing is a pair of interviews that while relatively short, provide so much insight into the band’s respect for the Montreux festival, music in general and more. All three of these factors together show once again why Eagle Rock remains to this day, the “Leader in Live Recordings,” and why every classic rock and rock fan in general, will enjoy this concert.

The central point of enjoyment in ZZ Top Live at Montreux 2013 is the show’s set list, point blank. The veteran trio—Dusty Hill (bass), Billy Gibbons (guitar), and Frank Beard (drums)—churns out hit after hit throughout the course of the concert’s seventeen-song, eighty-minute show. Among those hits are the likes of ‘Sharp Dressed Man,’ ‘Gimme All your Lovin’,’ and ‘Tush’ just to name a few. As much as audiences will enjoy those favorites, they will also enjoy the band’s cover of Jimi Hendrix’s ‘Foxey Lady’ and the trio’s tribute to late Montreux Jazz Festival founder Claude Knobs in the bluesy/jazzy ‘Kiko.’ The band even brings in a pair of special guest musicians to join in on this number and one other song. The band’s live take of ‘I Gotsta Get Paid’ is another wonderful highlight from this concert. Throughout it all, the trio’s unassuming demeanor set against such solid, driving songs makes for such an interesting experience. It goes to show that a band doesn’t need pyro and loads of special effects and more to make a concert memorable. As long as the band can get the audience moving with its music, that’s the most important factor to the show. And that’s exactly what the members of ZZ Top do in this case. That factor alone makes this recording more than worth the watch.

The set list that makes up ZZ Top’s by itself more than makes this recording worth the watch. It makes it well worth buying for the band’s fans of all ages. Just as worth noting is the concert’s combined audio and video mix. The sound and video are both crystal clear throughout the show’s roughly eighty-minute run time. This is one of those standards that has for the longest time, made Eagle Rock the gold standard in live recordings. Those with home theater systems will especially appreciate the painstaking efforts that went in to bringing this concert to audiences. From the soaring shots above the crowd to the close ups of the band to those of the audience happily singing along, the camerawork in this concert is on par with every concert that Eagle Rock has released in recent years. And the audio mix is just as solid. Again, those with a home theater system will hear this for themselves. That expert audio and visual work together with the show’s set list pushes this recording even more to the top. Putting the recording at the top is the addition of a pair of interviews with Billy Gibbons and Dusty Hill in which the pair discuss what the Montreux Festival means to them, their thoughts on Claude Nobs and more.

The finishing touch to ZZ Top’s new live recording is the inclusion of a pair of backstage interviews with Billy Gibbons and Dusty Hill. The interviews are short. They run about three minutes or a little more each. But even within their short run times, the thoughts shared by the pair speak volumes. They discuss the festival itself and its history and how much it meant to have been invited to perform. They also discuss their relationship with the festival’s late founder Claude Nobs. They spoke very fondly of nobs and how those positive vibes led to the band’s musical tribute to the man. Just as eye and ear opening is the pair’s discussion on how the festival really brought together so many people of different musical backgrounds. It shows a love for music and respect for all different kinds of people. And that sentiment, as short as it may be, makes one look back through the concert once again, gaining a whole new appreciation not just for this recording, but for the members of ZZ Top as people. All things considered, this latest live recording from Eagle Rock Entertainment proves to be one more in this critic’s list of the year’s best new live recordings. It will be the favorite of any other music lover, too when they purchase the Blu-ray or DVD for themselves.

More information on this and other releases from Eagle Rock Entertainment is available online at http://www.facebook.com/EagleRockEnt and http://www.eagle-rock.com. And for the latest on ZZ Top’s updated tour schedule and more, fans can follow the band online at http://www.facebook.com/ZZTop and http://www.zztop.com. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Saxon’s Latest Live LP Shows Why It’s Still One Of Heavy Metal’s Elite Acts

Courtesy:  UDR/Militia Guard Music

Courtesy: UDR/Militia Guard Music

British heavy metal band Saxon released its latest live recording St. George’s DaySacrifice Live in Manchester this past April. The band’s first live release since 2012’s Heavy Metal ThunderLive: Eagles Over Wacken and its ninth live recording overall, this live recording presents a band that is just as strong today as it was in its earliest days. There is plenty for Saxon’s fans to appreciate in this album beginning with the set list itself. While it obviously doesn’t cover every single one of the band’s now twenty (yes, twenty) albums, the concert presented here covers quite a wide swath of the band’s career. The band’s stage presence also plays a role in the overall enjoyment of the concert. Needless to say the band’s impresses in this arena, too. And last but not least is the concert’s audio mix. The audio mix starts out a little choppy. But it improves rather quickly, making the overall concert experience presented here enjoyable. All things considered the only downside to the whole presentation is that Saxon didn’t provide this concert in either a DVD or Blu-ray presentation. Perhaps the band and its label will take that into consideration and release the show’s video side for fans before 2014 winds down. Regardless, of whether or not that happens, it still remains that St. George’s DaySacrifice Live in Manchester is a must hear for any Saxon fan.

The central point of the success behind St. George’s DaySacrifice Live in Manchester is easily its expansive set list. It goes without saying that there’s no way the band could have possibly covered its entire catalogue of now twenty albums within the span of time allotted for this concert. However, the band does cover quite a bit of that catalogue. It goes so far as to go back thirty years to the band’s earliest days and as recently as the band’s latest full length studio album and all points in between throughout the course of the concert. The concert’s full run time barely tops the two hour mark. And every single second of that time is well spent by both the audience in attendance and the band. Much like film great Martin Scorsese can take a two-plus hour movie breeze by, so does Saxon make this concert full so much fuller without leaving audiences feel exhausted at the same time. It’s because of that factor and the show’s set list alongside that the band’s more seasoned fans will enjoy this record just as much as those being introduced to the veteran metal act for the first time.

The combined set list and run time of said concert in St. George’s DaySacrifice Live in Manchester together are collectively a solid foundation for this latest live recording from Saxon. Just as important to the enjoyment of any live performance by any musical act is the stage presence of the given act. In the case of Saxon, front man Biff Byford and company prove to be just as full of life and energy as when the band first performed live decades ago. The band shreds through numbers such as: ‘Rock N Roll Gypsies,’ ‘Crusader,’ and ‘Wheels of Steel’ just to name a few. And even in between songs, the energy is there as Byford interacts with the audience. He tells audiences brief histories of the songs, joking about some of those histories along the way. Audiences even get the chance to decide which songs they want to hear at least at one point in the show. Byford repay the audience’s enthusiasm with one of the best performances to date of ‘And The Bands Played On.’ These are only some examples of how the band’s stage performance in this concert makes the recording so enjoyable for audiences. There are far more examples than can be noted in one sitting. Audiences will get the full impact of that presence when they purchase this recording for themselves. It still isn’t all that makes this recording enjoyable for Saxon’s legions of fans, either. There is still one more factor to consider in the recording’s enjoyment. That factor is the show’s audio mix.

The last but hardly least important factor to consider in the enjoyment of St. George’s DaySacrifice Live in Manchester is the show’s audio mix. One has to think that what must have been an outdoor arena was rather large. That is because of the slight trouble at first in the balance of the recording’s audio mix. Byford’s vocals are muddled early on and covered by his band mates. But luckily, that is rapidly handled with the levels being more equaled as the first half of the first disc progresses. Since it would appear that there is no DVD or Blu-ray presentation to accompany the audio only portion of the concert, it is difficult to figure the size of the venue. One can only assume that the venue’s size must have been relatively large. If that is indeed the case, then those charged with the recording’s final product are to be applauded for the work put in to balance everything and in turn make St. George’s DaySacrifice Live in Manchester one of the best of Saxon’s live recordings to date.

George’s DaySacrifice Live in Manchester is available now in stores and online. That means that fans worldwide can enjoy the band’s live show even if it has already come and gone. Saxon is currently on tour in Europe in support of both this release and Sacrifice, its most recent full length studio effort. The band’s current tour schedule is available online now via the band’s official website, http://www.saxon747.com. All of the latest news and more from Saxon is available online at the band’s official website and its official Facebook page, http://www.facebook.com/saxon. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Marillion’s “A Sunday Night…” Is A Great Listen For Any Night Or Day

Courtesy:  E.A.R. Music/Eagle Records

Courtesy: E.A.R. Music/Eagle Records

Marillion’s new live recording A Sunday Night Above the Rain was released in North America this week.  The double-disc recording is a piece that any fan of the veteran progressive rock band will want to add to their personal music library now that it is available to the masses.  The primary reason that audiences will want to add this new live recording to their personal music library is the band’s performance of its most recent album in its entirety along with a handful of other songs to complement the performance.  The second reason that Marillion’s fans will want to add this recording to their personal music libraries is its total run time.  Between its two discs, ASNATR offers audiences just over two hours of music.  The audio quality of those two-plus hours (technically two hours, two point four minutes) is expert.  All three factors together make Marillion’s new live recording well worth the money for any fan of this well-established band.

The central point of the success of A Sunday Night Above the Rain is the fact that the band’s set list in this show is comprised almost entirely of the band’s hit 2012 album Sounds That Can’t Be Made.  That album’s eight total tracks are spread across the record’s two discs.  They are accompanied by a handful of extremely rare songs from the band.  In the case of Marillion, the use of the term rare is not just thrown around.  Rather only perhaps two of those remaining five songs come directly from the band’s previous releases.  And those songs themselves have very rarely been performed live by Marillion.  The others are even rarer.  This makes the recording’s five remaining performances more than just part of the whole.  They become collectively a bonus in and of themselves.  Though, together with the other eight tracks from Sounds That Can’t Be Made, they become bonus material, too.  And that only serves to make this live recording even more enjoyable.

The songs included in Marillion’s set list are on the surface, great additions to the show.  On a deeper level, the very fact that the band would perform one of its albums in its entirety and do so for a live recording is even more important in itself.  That’s because while not entirely unheard of for a band to perform one of its albums in full, a band of such high regard doing so and for so many years as Marillion is less common.  It helps A Sunday Night Above the Rain stand out and establish its own identity even more.  That in turn makes this an even more special record for Marillion’s fans to add to their own home music libraries. All together, the performance of Sounds That Can’t Be Made alongside the rarer songs equals out to a performance time of just over two hours. To be more precise, it equals out to approximately two hours and two point four minutes. That is a lot of music for audiences to enjoy. And along with the last of this recording’s positives—the audio mix—those two factors and the set list together make ASNATR even more a great listen or Marillion’s fans.

The last factor worth noting in the release of ASNATR is the concert’s audio mix. Every concert venue around the world presents its own challenges when it comes to recording concerts.   Whether it be an American venue or one such as Center Parcs in Port Zealande, where this concert was recorded, balancing audio levels both for those in attendance and for potential home release takes painstaking and expert work. And that work paid off in the case of ASNATR. Neither front man Steve Hogarth’s vocals nor the music of his band mates covers the other at any point. Recording/Mix specialist Michael Hunter deserves his share of applause for maintaining that balance even in the recording’s softer moments. He shows that he can handle every moment from beginning to end. The end result is a recording that will allow listeners to capture so many nuances with each listen. The very fact that not every nuance can be caught in just one listen is in itself a testament to Hunter’s talents. Those talents are the finishing touch to a live recording that is one of this year’s best live CD recordings.

The CD side of ASNATR is available now in stores and online alongside its DVD and Blu-ray presentation. Each can be ordered online direct from Marillion’s website at http://www.marillion.com/shop/. They can also be purchased at the band’s upcoming live dates, the next of which will be Friday and Saturday, August 8th and 9th at the Cropredy Convention in Oxford, UK. The band’s latest tour dates are listed online at the band’s official website and Facebook page, http://www.marillion.com and http://www.facebook.com/MarillionOfficial. Fans can also go to either site or to the band’s Twitter page, http://twitter.com/marilliononline to keep up with the latest news from the band. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Scream Factory, Anchor Bay Announce Bonus Features, Specs For Halloween Box Set

Courtesy:  Shout! Factory/Scream! Factory

Courtesy: Shout! Factory/Scream! Factory

Anchor Bay Entertainment and Scream Factory announced Monday the latest chapter on the upcoming box set re-issues of the horror classic Halloween.

Courtesy:  Shout! Factory/Scream! Factory/Anchor Bay Entertainment

Courtesy: Shout! Factory/Scream! Factory/Anchor Bay Entertainment

The companies announced Monday, the bonus features and specs for the upcoming Halloween: Complete Collection 15-disc Blu-ray box set. The box set includes: Seven brand new featurettes, three new commentaries, and four new interviews, new transfers and audio specs and much more. The full details on all of those additions are listed below.

Disc 1 – John Carpenter’s Halloween (1978)

Bonus Features:

  • HD transfer supervised and approved by cinematographer Dean Cundey
  • NEW Audio Commentary With Director Of Photography Dean Cundey, Editor Tommy Lee Wallace And The Shape, Nick Castle
  • Audio Commentary with Co-Writer/Director John Carpenter and Actress Jamie Lee Curtis.
  • “The Night She Came Home” Featurette
  • “On Location: 25 Years Later” Featurette
  • TV Version Footage
  • Television Spots
  • Theatrical Trailer
  • TV and Radio Spots

 

Tech Specs:

1080p Anamorphic Widescreen (2.35:1); Dolby TrueHD 7.1; Original 1978 Audio in Dolby TrueHD Mono

Subtitles: English SDH, Spanish

 

Disc 2 – John Carpenter’s Halloween (1978) (Exclusive to Deluxe Edition)

Bonus Features:

  • Audio Commentary With Co-Writer/Director John Carpenter, Actress Jamie Lee Curtis and Co-Writer/Producer Debra Hill
  • Featurette: Halloween: A Cut Above The Rest
  • Theatrical Trailer
  • TV and Radio Spots

 

Tech Specs:

1080p Anamorphic Widescreen (2.35:1); Dolby Surround 5.1; PCM 5.1; Original 1978 Mono Audio

Subtitles: English SDH, Spanish

 

Disc 3 – Halloween II (1981)

Theatrical Version

Bonus Features:

  • Audio commentary with director Rick Rosenthal and actor Leo Rossi (Theatrical version)
  • Audio commentary with stunt co-ordinator/actor Dick Warlock (Theatrical version)
  • “The Nightmare Isn’t Over: The Making Of Halloween II” Featuring Rick Rosenthal, Lance Guest, Dick Warlock, Alan Howarth, Dean Cundey, Leo Rossi and Moore…
  • “Horror’s Hallowed Grounds: The Locations of Halloween II” – Host Sean Clark revisits the original shooting locations of the film
  • Deleted Scenes with Optional Audio Commentary from director Rick Rosenthal
  • Alternate Ending with Optional Audio Commentary from director Rick Rosenthal
  • Theatrical Trailer
  • TV and Radio Spots
  • Still Gallery

 

Tech Specs:

1080p Anamorphic Widescreen (2.35:1); DTS-HD MA 5.1

 

Disc 4 – Halloween II TV Cut (1981) DVD (Exclusive to Deluxe Edition)

Television Cut With Added Footage Not Seen In The Theatrical Version

 

Tech Specs:

Standard Definition Full-frame 1.33:1; Dolby Digital Mono

 

Disc 5 – Halloween III: Season of The Witch (1982)

Bonus Features:

  • Audio Commentary with director Tommy Lee Wallace
  • “Stand Alone: The Making Of Halloween III: Season Of The Witch” featuring Tommy Lee Wallace, Tom Atkins, Stacey Nelkin, Dick Warlock, Dean Cundey and more
  • “Horror’s Hallowed Grounds” – Revisiting the original shooting locations
  • Still Gallery
  • Theatrical Trailers
  • TV Spots

 

Tech Specs:

1080p Anamorphic Widescreen (2.35:1); DTS-HD MA 5.1; Dolby Digital Stereo 2.0

 

Disc 6Halloween 4: The Return of Michael Myers (1988)

Bonus Features:

  • Audio Commentary with Actors Ellie Cornell and Danielle Harris
  • Audio Commentary with Director Dwight H. Little and Author Justin Beahm
  • Theatrical Trailer

 

Tech Specs:

1080p Anamorphic Widescreen (1.85:1); Dolby TrueHD 5.1

Subtitles: English SDH, Spanish

 

Disc 7 — Halloween 5: The Revenge of Michael Myers (1989)

Bonus Features:

  • Audio Commentary with Actor Don Shanks and Jeffrey Landman
  • Audio Commentary with Director Dominique Othenin-Girard and Actors Danielle Harris And Jeffrey Landman
  • Halloween 5: On The Set
  • Halloween 5: Original Promo
  • Theatrical Trailer

 

Tech Specs:

1080p Anamorphic Widescreen (1.85:1); Dolby TrueHD 5.1

Subtitles: English SDH, Spanish

 

Disc 8 — Halloween: The Curse of Michael Myers (1995) Theatrical Cut

Bonus Features:

  • Theatrical Trailer
  • TV Spots
  • Still Gallery

 

Tech Specs:

1080p Anamorphic Widescreen (1.78:1); Dolby Digital 5.1

Subtitles: English

 

Disc 9 – Halloween: The Curse of Michael Myers (1995) Producer’s Cut (Exclusive to Deluxe Edition)

Bonus Features:

  • NEW High Definition Master from the original inter-negative
  • NEW Audio Commentary with Screenwriter Daniel Farrands and Composer Alan Howarth (Producer’s Cut)
  • NEW “Jamie’s Story” – An Interview With The Original “Jamie” Actress Danielle Harris
  • NEW “The Cursed ‘Curse’” – An Interview With Producers Malek Akkad And Paul Freeman
  • NEW “Acting Scared “– A Look At The Film’s Cast With Actresses Mariah O’Brien And J.C. Brandy
  • NEW “The Shape Of Things” – A Look At Michael Myers’ Murders And Mayhem With Special Make-Up Effects Artists John Carl Buechler And Brad Hardin And Actor George P. Wilbur (Michael Myers)
  • NEW “Haddonfield’s Horrors” – The Sights of Halloween The Curse of Michael Myers With Director of Photography Billy Dickson And Production Designer Brad Ryman And Director of Photography (Additional Scenes) Thomas Callaway
  • NEW “Full Circle” – An Interview With Composer Alan Howarth
  • NEW Cast And Crew Tribute to Donald Pleasance
  • Archival Interviews And Behind-The-Scenes Footage
  • Behind-The-Scenes Footage (approx. 30 Minutes)
  • Alternate And Deleted Scenes (Not Present In Either Cut Of The Film)
  • Teaser Trailer: Halloween 666: The Origin Of Michael Myers

 

Tech Specs:

1080p Anamorphic Widescreen (1:78:1); DTS-HD Master Audio 5.1

Subtitles: English

 

Disc 10 — Halloween H20: 20 Years Later (1998)

Bonus Features:

  • Presented in the correct 2.35:1 Aspect Ratio
  • NEW Commentary With Director Steve Miner And Jamie Lee Curtis, Moderated By Sean Clark
  • NEW “The Making of Halloween H20” Featuring Jamie Lee Curtis, Josh Hartnett, Jodi Lyn O’Keefe, Nancy Stephens, Adam Hann-Byrd, Tom Kane, Editor Patrick Lussier, Producer Malek Akkad, Producer Paul Freeman, Composer John Ottman, Chris Durand (Michael Myers), Writer Robert Zappia, Stunt Co-Ordinator Donna Keegan, Make-Up Brad Hardin And Cinematographer Daryn Okada
  • Vintage Interviews And Behind-The-Scenes Footage
  • Theatrical Trailer

 

Tech Specs:

1080p Anamorphic Widescreen (2.35:1); DTS-HD Master Audio 5.1

 

Disc 11 — Halloween: Resurrection (2002)

Bonus Features:

  • Audio Commentary With Director Rick Rosenthal And Editor Robert A. Ferretti
  • Alternate Endings
  • Deleted Scenes
  • Featurette: “Head Cam”
  • Storyboard Analysis
  • Set Tour With Production Designer Troy Hansen
  • Set Interview With Jamie Lee Curtis
  • Vintage Interviews And Behind-The-Scenes Footage
  • Theatrical Trailer
  • Home Video TV Spots

 

Tech Specs:

1080p Anamorphic Widescreen (2.35:1); DTS-HD Master Audio 5.1

Subtitles: English

 

Disc 12 – Rob Zombie’s Halloween (2007)

Bonus Features:

  • Unrated Director’s Cut With Audio Commentary By Writer/Director Rob Zombie
  • Deleted Scenes With Optional Commentary
  • Alternate Ending With Optional Commentary
  • Bloopers
  • Featurette: “The Many Faces Of Michael Myers”
  • Re-Imagining Halloween
  • Meet The Cast
  • Casting Sessions
  • Scout Taylor-Compton Screen Test
  • Theatrical Trailer

 

Tech Specs:

1080p Anamorphic Widescreen (2.35:1); DTS-HD Master Audio 5.1; Dolby Digital 5.1

Subtitles: English, Spanish

 

Disc 13 – Rob Zombie’s Halloween (2007) Bonus Disc (Exclusive to Deluxe Edition)

Bonus Features:

  • Documentary: “Michael Lives: The Making of Halloween (4 ½ hours)

 

Tech Specs:

Dolby Stereo

Subtitles: English

 

Disc 14 – Rob Zombie’s Halloween 2 (2009)

Bonus Features:

  • Audio Commentary With Writer/Director Rob Zombie
  • Deleted And Alternate Scenes
  • Audition Footage
  • Make-Up Test Footage
  • Blooper Reel
  • Captain Clegg And The Night Creatures Music Videos
  • Uncle Seymour Coffins’ Stand-Up Routines

 

Tech Specs:

1080p Anamorphic Widescreen (1.85:1); DTS-HD Master Audio 5.1;

Subtitles: English

 

Disc 15 – Bonus Features (Exclusive to Deluxe Edition)

  • John Carpenter’s HALLOWEEN – The Extended Version (In HD – TV Inserts Are In Standard Definition)
  • Interview with Moustapha Akkad about origin of HALLOWEEN
  • Featurette: HALLOWEEN UNMASKED 2000

·         Featurette: The Making Of HALLOWEEN 4: FINAL CUT

  • NEW The Making Of HALLOWEEN 4 Featuring Actors Danielle Harris, Ellie Cornell, Kathleen Kinmont, Beau Starr, Raymond O’Connor, Erik Preston and Sasha Jensen, Stuntmen Tom Morga (Michael Myers) And George P. Wilbur (Michael Myers), Composer Alan Howarth, Writer Alan B. McElroy, Producers Malek Akkad And Paul Freeman, Special Make-Up Effects Artists John Carl Buechler And Ken Horn
  • Featurette: Inside HALLOWEEN 5
  • NEW The Making Of HALLOWEEN 5 Featuring Interviews With Actors Danielle Harris, Ellie Cornell, Wendy Kaplan, Jeffrey Landman, Jonathan Chapin, Frankie Como, Tamara Glynn, Matthew Walker, Don Shanks (Michael Myers), Producer Malek Akkad, Line Producer Rick Nathanson And Composer Alan Howarth
  • NEW Interview With Make-Up Effects Artist Tom Burman On HALLOWEEN III: SEASON OF THE WITCH
  • HALLOWEEN III: SEASON OF THE WITCH Radio Spots
  • TV Spots – HALLOWEEN 4, HALLOWEEN 5, HALLOWEEN (2007) and HALLOWEEN II (2009)
  • Photo Galleries — HALLOWEEN, HALLOWEEN 4 and HALLOWEEN 5

Tech Specs:

1080p, 520p Full Frame, Anamorphic Widescreen 1:85:1, 2.35:1;

DTS-HD Master Audio 5.1, Stereo, Mono

 

Halloween: The Complete Collection will be available on DVD and Blu-ray Tuesday, September 23rd. According to Shout! Factory’s online store website, this box set has already sold out as only 500 copies were available. It will be available primarily in stores on September 23rd. More information on this and other releases from Scream Factory and Anchor Bay Entertainment is available online now at http://www.screamfactoryDVD.com, http://www.facebook.com/screafactoryDVD, http://www.facebook.com/AnchorBay, http://twitter.com/Anchor_Bay, and http://www.anchorbayent.com. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Yes, Eagle Rock Partner To Release New Live Recording

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Legendary progressive rock band Yes will release a brand new live recording this fall.

Songs From Tsongas The 35th Anniversary Concert will be released via Eagle Rock Entertainment Tuesday, September 23rd. The recording will be released in a variety of presentations including: Blu-ray, double-disc DVD, triple-disc CD, and digital formats. This upcoming recording is a truly special recording for the band’s fans. That is because the special edition release contains not one but two concerts. Both shows were recorded during the band’s 35th Anniversary tour in 2004. The tour in question was the last to feature Yes’ classic lineup of Jon Anderson, Steve Howe, Chris Squire, Rick Wakeman, and Alan White. The secondary concert included features seventy minutes of never-before-released footage from Lugano.

The concert’s DVD presentation contains the band’s entire concert from the Tsongas Arena in Lowell, MA. Previously this concert had been spread across two discs. The career-spanning performance includes an extensive acoustic set which encompasses the concert’s eleventh through eighteenth songs. It also includes some songs that the band had very rarely performed live in previous live engagements. The concert is also presented in its entirety in its triple-disc CD format.

The bonus second disc in the DVD presentation takes audiences to the band’s performance at Estival in Lugano, Switzerland. The crowd in attendance proved that not even the rain would stop it from seeing Yes perform as audiences will see for themselves. The band’s performance at this venue includes full on rock versions of the acoustic songs from the Tsongas Arena show as well as an acoustic stage. As an added bonus, fans area also treated to a performance of the song ‘Ritual,’ which was recorded during the band’s performance at the Tsongas Arena and an interview with legendary designer and Yes collaborator Roger Dean. Dean was the man responsible for creating the stage for Yes’ concerts on its 35th Anniversary tour.

The track listing for the Blu-ray, Special Edition double-disc DVD and triple-disc CD presentation of Yes’ Songs from Tsongas The 35th Anniversary Concert is listed below.

TRACK LISTING:

Special Edition DVD, Blu-ray:

Disc 1 – Songs From Tsongas

1) Intro/Firebird Suite

2) Going For The One

3) Sweet Dreams

4) Your Move / All Good People

5) Mind Drive Parts 1 & 2

6) South Side Of The Sky

7) Turn Of The Century

8) My Eyes

9) Mind Drive Part 3

10) Yours Is No Disgrace

11) The Meeting (Piano Solo)

12) Long Distance Runaround

13) Wonderous Stories

14) Time Is Time

15) Roundabout

16) Show Me

17) Owner Of A Lonely Heart

18) Second Initial (Guitar Solo)

19) Rhythm Of Love

20) And You And I

21) Every Little Thing

22) Starship Trooper

Disc 2 – Live In Lugano

1) Intro/Firebird Suite

2) Going For The One

3) Sweet Dreams

4) Your Move / All Good People

5) Long Distance Runaround

6) The Fish

7) Owner Of A Lonely Heart

8) And You And I

9) Starship Trooper

10) Roundabout

3CD:

Disc One:

1) Intro / Firebird Suite

2) Going For The One

3) Sweet Dreams

4) Your Move/All Good People

5) Mind Drive Parts 1 & 2

6) South Side Of The Sky

7) Turn Of The Century

8) My Eyes

9) Mind Drive Part 3

10) Yours Is No Disgrace

Disc Two:

1) The Meeting (piano solo)

2) Long Distance Runaround

3) Wonderous Stories

4) Time Is Time

5) Roundabout

6) Show Me

7) Owner Of A Lonely Heart

8) Second Initial (guitar solo)

9) Rhythm Of Love

Disc Three:

1) And You And I

2) Ritual

3) Every Little Thing

4) Starship Trooper

 The special edition double-disc DVD will retail for SRP of $24.98 while the Blu-ray will retail for SRP of $19.98. No price has been announced yet for the triple-disc CD set. Updates on that, and all of the latest entertainment news and reviews is available online at http://www.facebook.com/philspicks. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

All of the latest news and more from Yes is available online via the band’s official Facebook page, http://www.facebook.com/yestheband and the band’s official website, http://yesworld.com.

Rolling Stones’ “Clearly Classic” Vinyls Are Among 2014’s Best Re-Issues

Courtesy:  ABKCO

Courtesy: ABKCO

Early this Spring, ABKCO re-issued to audiences around the world three more of The Rolling Stones’ most beloved albums.  The albums in question are: Get Yer Ya-Yas Out: The Rolling Stones in Concert, 12 X 5, and the band’s hits collection Through The Past, Darkly (Big Hits Vol. 2).  All three titles were re-issued as part of ABKCO’s ongoing “Clearly Classic” series.  And for audiences that prefer the vintage sound of vinyl to the more spit-shined sound of music on a CD or an MP3, these three latest re-issues are the perfect fit.  That sound is only part of what audiences will appreciate in these latest re-issues.  That they have been re-issued with their original artwork makes each vinyl even more enjoyable for fans of The Rolling Stones.  Last but definitely not least of all, each of these re-issues can be purchased by themselves or collectively depending on whether or not one already owns the original vinyls.  All three factors together make these vinyls the year’s top three music re-issues of 2014.

The central point in the enjoyment of ABKCO’s recently re-issued Rolling Stones titles is of course its sound. And it goes without saying that the sound on these re-issues could not be better. The sound is just as wonderful as it was in the vinyls’ original releases.  Only in the case of these “Clearly Classic” re-issues, it actually sounds even better as if it was on CD.  It sounds especially impressive on the band’s live release Get Yer Ya-Yas Out: The Rolling Stones in Concert.  Considering how many years ago that concert was originally recorded, it’s incredible that it sounds as good today as it did then.  Those charged with re-mastering the sound on that concert recording or this new re-issue are to be applauded for their efforts.  Much the same can be said of the sound on both 12 X 5 and Through The Past, Darkly (Big Hits Vol. 2).  In the case of the songs on the latter of that pair, they have been added to nearly every one of the Stones’ many hits collections released over the years.  So it’s nice to hear them in one of their earlier hits collections.  There’s just a different quality that can’t be fully put into words.  It is something that must be heard first hand to be fully appreciated.

Audiences will appreciate the sound of the songs on these three latest Rolling Stones re-issues.  The sound on all three vinyls is just as impressive as that of the songs in their CD re-issues. Audiences will also appreciate in these re-issues the fact that they have been presented with their original artwork. There are so many labels out there today that try to revamp albums all the way down to their cover art as a means to market the albums. ABKCO didn’t take that route with these re-issues. It proves once more just how much the company wanted to honor both the historical significance of the albums and the band itself. Even more, it also shows a certain level of respect for the audiences, too. Older audiences will appreciate this as it will add to the sense of nostalgia established through the albums’ re-issues. Younger audiences that might be hearing these releases for the first time will appreciate them more for their historical significance. A comparison of such artwork to that of so many of today’s albums shows a vast stylistic difference. Unlike so many of today’s releases, there is nothing sexy or controversial about these releases’ artwork. That means that the attention will largely be on the music. The end result is a deeper appreciation for music that is plain and simple, real.

The transfer of the Rolling Stones’ original albums from CD back to vinyl on these re-issues is impressive to say the least. The sound quality is just as wonderful as ever. The use of the releases’ original artwork makes the overall listening experience even more enjoyable whether one is new to the world of The Rolling Stones or a far more seasoned fan. There is still one last aspect of these re-issues worth noting in their success. That final aspect in the success of these albums is the ease of purchasing them. They can each be purchased now via Amazon. And all three albums are below the thirty-dollar mark. So they are also affordable for audiences. Considering that many markets lack an indie store where fans could potentially pick up these vinyl re-issues, this ease of ordering becomes an even more important aspect to their overall enjoyment and success. Get Yer Ya-Yas Out can be ordered directly via Amazon at http://smarturl.it/YaYasLP, while 12 X 5 and Through The Past, Darkly (Big Hits Vol. 2) can be ordered at http://smarturl.it/12x5LP and http://smarturl.it/TTPDVinyl respectively. That cost effectiveness and ease of ordering along with the releases’ artwork and quality sound transfer back to vinyl each partners together in the overall presentation of these releases to make them absolute must haves for any true-blooded Rolling Stones fan. It also makes them three of this year’s top new re-issues.

More information on The Rolling Stones is available online at http://www.facebook.com/therollingstones,http://www.rollingstones.com and http://twitter.com/rollingstones.To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Cowabunga Classics Is A Must See For Any Teenage Mutant Ninja Turtles Fan

Courtesy:  Fred Wolf Films/Lionsgate

Courtesy: Fred Wolf Films/Lionsgate

Excitement is building around the upcoming Teenage Mutant Ninja Turtles reboot. Those heroes in a half-shell will return to the big screen for the first time since 1993’s Teenage Mutant Ninja Turtles III this summer.  It will be under the watch of Transformers director Michael Bay. In anticipation of the upcoming big screen live action reboot, Lionsgate and Fred Wolf Films have announced the upcoming release of a new compilation of episodes from the original Teenage Mutant Ninja Turtles animated series titled Teenage Mutant Ninja Turtles: Cowabunga Classics. The single-disc compilation will be released Tuesday, July 29th. This latest compilation is a must for any hardcore fan of the series that started it all for those heroes in a half shell. It is a must have first and foremost because of the episodes collected for the set. Another reason that audiences will appreciate this set is its bonus material. Last but not least that audiences will appreciate is the compilation’s relatively affordable price. All three factors together make Teenage Mutant Ninja Turtles: Cowabunga Classics a compilation that more than deserves a spot on any critic’s list of the year’s best new releases in the Family & Children category.

The episodes culled for Teenage Mutant Ninja Turtles: Cowabunga Classics collectively make up the primary reason that audiences will appreciate this latest release from Lionsgate and Fred Wolf Films. While not every season of the show’s ten total seasons is represented in this set, audiences that are familiar with the show will appreciate that the series’ first seven seasons are represented. And even on this presentation, each of the episodes included looks just as bright as they did in their original broadcasts. It all starts with Season 5’s “Planet of the Turtleoids” in which the guys are taken to a planet of nothing but turtles to help save some of its inhabitants. One of the best parts of the episode in whole is the turtleoid’s ship. It is shaped like a very familiar building. And then in “Night of the Rogues,” audiences are treated to a scenario very similar to that of both Marvel and DC. Leo, Raph, Donnie, and Mikey have to face Shredder’s “Rogue’s Gallery” of villains in his attempt to defeat them once and for all (yet again). Tempestra, The Rat King, Leatherhead, Scumbug, Antrax, Chrome Dome, and Slash are assembled in the series’ own version of Marvel’s Sinister Six or DC’s Legion of Doom. It all winds down with Season 1’s “Shreddered and Splintered.” This episode sees Splinter going after a retromutagen gun that could turn him back into a human. There’s just one problem—Krang and his new body.   It’s up to the guys to take him down and defeat both Krang and Shredder. These are just a few of the episodes that were collected for Cowabunga Classics. There are seven other episodes that span the series’ first seven seasons from which audiences will be able to choose their favorite(s) when they buy this DVD for themselves on July 29th.

The episodes that were collected for this latest compilation are the centerpiece in the DVD’s success and overall enjoyment. Audiences should also take into account with this DVD the bonus material chosen for the presentation. The bonus material collected for this DVD includes interviews with the men that original voiced the Teenage Mutant Ninja Turtles in “The Turtles: A Ninjatastic Look Back.” It also includes discussions with three of the artists that worked on TMNT over the course of its run. And it closes out with a special bonus presentation that focuses on the fans. That presentation in question was produced in 2009 for the series’ 25th Anniversary. It wasn’t included on the 3-movie DVD set, either. This critic could be wrong, but it might not have been included in the Blu-ray set, either. So that makes it even more of a welcome addition to this compilation. Much like Saban’sPower Rangers franchise is a worldwide phenomenon, so does this feature prove just how popular Teenage Mutant Ninja Turtles are to audiences even today. One of the most interesting sentiments echoed through this feature AND through the interviews with the original voices is of the show’s impact on people of all ages. It obviously is important for more than just being a show. The show’s cultural importance shines through each feature. Audiences will be moved as the original voices of the turtles discuss how moved fans were and are to this day by the series. There are stories of how it helped someone whose parents had gotten divorced at the time and of how it uplifted a young child and said child’s parents as the child sat in the hospital among so much more. It all goes to show the importance of this series to not just television history but to America as a people. That understanding makes the enjoyment of this DVD even more. And along with the episodes, it makes the DVD even more a must see for any true TMNT fans.

The bonus material included on Teenage Mutant Ninja Turtles: Cowabunga Classics is collectively an important addition to this DVD. It is just as important as the episodes chosen for inclusion on the DVD. Considering the breadth of material presented in this compilation, its $14.99 SRP is a rather reasonable price. Just because that is the suggested retail price (SRP) doesn’t even mean that it will be that expensive when it hits store shelves later this month. Odds are though, that it won’t be any more expensive than that SRP. Because it could actually retail for less depending on the store, that relatively inexpensive starting point is the finishing touch to this compilation. Together with the bonus features and the episodes chosen to be featured, all three of these factors make Teenage Mutant Ninja Turtles: Cowbunga Classics a must see and even a must have for any true-blooded fan of what is one of the greatest children’s series of the late 20th Century.

Teenage Mutant Ninja Turtles: Cowabunga Classics will be available Tuesday, July 29th. It can be ordered direct from Lionsgate’s online store at http://www.lionsgateshop.com/search_results.asp?Search=Cowabunga%20Classics. More information on this and other releases from Lionsgate is available online at http://www.facebook.com/lionsgate and http://www.lionsgate.com. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

 

Jefferson Grizzard’s Sophmore LP Another Solid “Modern Classic Rock” Record

Courtesy:  Back Porch Syndicate Records

Courtesy: Back Porch Syndicate Records

Singer/songwriter Jefferson Grizzard has released in his sophomore album Learning How To Lie a record that any fan of the “modern classic rock” genre will appreciate. The dozen tracks that make up his latest album instantly conjure thoughts of Bob Seeger, Joe Cocker, George Thorogood, and even Bruce Springsteen to a lesser extent. That’s thanks to the combination of his own vocal style set alongside From social commentary of sorts to songs of lost love and what would seem to be personal experiences, the songs on this album cover any number of topics. And the songs’ companion musical side serves to make each one all the better. One of the best examples of that social commentary comes in the form of the album’s title. The mournful yet powerful ballad ‘Lorelei’ is one of the best songs centered on a broken relationship. And ‘New Location’ comes across as a song that illustrates a personal experience. It would be interesting to hear from Grizzard himself on this infectious piece. Of course it and the other noted songs are but part of what makes Learning How To Lie a fit for any “modern classic rock” fan. There are nine other songs not noted here from which audiences will be able to choose their favorite(s). In hearing those other songs, those same listeners will agree that whether it be their first time hearing Grizzard’s music or not, this album is a solid work from start to finish.

One of the best examples of what makes Jefferson Grizzard’s latest record such a joy is its title track, which comes roughly halfway through the album. Grizzard writes in this bluesy rocker, “Lovers spasm up the stairs/Through cries of pleasure and despair/The pauper and the millionaire/Their fates are slowly fusing/Golems hide ‘neath plastic shields/Throw tear gas full of sex appeal/While riots make commercial reels/The cobbler slays the general/And the planet keeps on turning.” These musings come across as personal thoughts on the state of the world around us. “While riots make commercial reels” could be referencing the spots made by news agencies that tease the daily nightly newscasts. More often than not, those spots tend to feature violent stories such as riots. One look at the nightly newscasts across the “Big 4” networks proves that. He writes also that “Golems hide ‘neath plastic shields.” Anyone with any knowledge of the Lord of the Rings trilogy will get this reference. It would seem that he’s speaking metaphorically, saying that something ugly lies beneath a weak façade. Of course this could be wrong being that it is just this critic’s own interpretation. Regardless, the fact that Grizzard could create such thoughts (and likely discussions) centered on this song just goes to prove its importance on this record. Audiences can make their own decisions when they check out the song’s official video online via YouTube at http://www.youtube.com/watch?v=D9cEtilwnn4.

‘Learning How To Lie’ is a prime example of why “modern classic rock” fans will appreciate and enjoy Jefferson Grizzard’s sophomore CD by the same name. It’s just one of so many songs on the record that boasts a solid groove sure to have audiences singing along. And its seeming social commentary only serves to make it even more enjoyable. On the exact opposite side of that musical coin, Grizzard exhibits his softer side on the ballad of lost love, ‘Lorelei.’ The words themselves are only part of what makes this song so hard hitting. The addition of gentle piano runs, alongside a chorus backing Grizzard and his band mates, and an orchestral arrangement make this song a solid tearjerker. Grizzard sings overtop of those additions, “Hear the engine roar/She’s got me running/From my own sweet home/She’s got me feeling all alone/With shots of shattered bones/That leave me stranded/Crash landed in a field/Where her voice, it never yields/You’ve got centuries to fill/With all these words you’ve crafted.” He paints a picture of a relationship that did not exactly end well. Again, with the addition of the orchestration and choir, it becomes all the more impactful for any listener.

Both ‘Learning How To Lie’ and ‘Lorelei’ are excellent examples of what Grizzard offers audiences on his latest full length release. If they aren’t enough for listeners to give this album a chance, then ‘New Location’ most definitely will be enough. Grizzard gets pretty descriptive here, writing about a person living in a situation that is less than even substandard for lack of better wording. He writes in this song, “All my books are burning/The carpet’s stained with tar/There’s Raptors rippin’ all the second strings off my guitars/Outside on my deck/The dogs are howlin’ at the moon/Jackie’s in the basement/Puttin’ fire to a spoon/I aint tryin’ to make no accusations/But I can’t lie/I need a new location.” The imagery only gets more disturbing from here. And it’s no better early on. That’s not a bad thing. As a matter of fact, the picture that he and his fellow musicians paint with their combination of lyrics and music make this one of the absolute highest of points. Audiences can download that song, the others noted here or any of the album’s other tracks now online via Amazon at http://www.amazon.com/Learning-How-Explicit-Jefferson-Grizzard/dp/B00JRE0R6M/ref=sr_1_2?s=music&ie=UTF8&qid=1405712208&sr=1-2&keywords=jefferson+grizzard.

Jefferson Grizzard currently has no tour dates scheduled. However, after downloading the songs from his new album, audiences can keep up to date with all of the latest tour updates, news and more online at http://jeffersongrizzard.com and http://www.facebook.com/jeffersongrizzard. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Antboy Is Small, But Has The Heart Of Its Blockbuter Brethren

Courtesy:  Cinedigm

Courtesy: Cinedigm

Cinedigm’s Danish import Antboy is a surprisingly entertaining movie for anyone that is a fan of the superhero genre.  There is plenty to be said of this mostly family friendly flick beginning with the fact that it is indeed family friendly.  This ties directly in to the movie’s script, which will be discussed momentarily.  Just as noteworthy is the work put in to dub the movie’s originally Danish language into English.  Unlike other foreign films that have been dubbed for English audiences, this one actually impresses to a point.  And last but not least, the movie’s comic book on-screen look puts the finishing touch to the presentation.  The combination of all three of these factors together makes Antboy a movie that while hardly a blockbuster caliber work, one worth watching as a family at least once.

The most noticeable aspect of Antboy that audiences will appreciate is that unlike so many of its major blockbuster counterparts, it is actually a family friendly movie.  It seems an increasing trend nowadays for both Marvel and DC to make their movies dark and gritty.  Why?  If not that, then they are being rebooted with an eye specifically towards teen audiences.  The upcoming reboot of Marvel’s Fantastic Four movie and DC’s upcoming The Flash series are prime examples of that trend.  On the avenue of dark and gritty, one look at DC’s Man of Steel and Dark Knight Trilogy are proof of the trend towards darker and grittier movies.  They aren’t the only ones that are following that path, either.  Considering all of this, it’s nice to see a movie like Antboy come along.  It isn’t dark and gritty.  What’s more, it presents some wonderful themes of friendship and believing in one’s own self.  Even better is that the movie’s hero, Pelle, isn’t the standard brooding anti-hero figure that has become so popular among its big brothers in theaters and on television.  This factor alone makes Antboy well worth at least one watch by audiences of any age.

By direct relation to Antboy’s family friendly nature is its script.  It takes a cue from Marvel’s Spiderman.  But it doesn’t go so far as to directly rip off said franchise.  Instead, Pelle is bitten by a genetically modified ant, and ends up developing the powers of an ant.  And fittingly, his arch nemesis is a baddie by the name of “The Flea.”  “The Flea” is a former scientist whose research on ants had been cut by the head of his place of employment.  The story presented by “The Flea” on his origin is actually interesting in that it makes him something of a sympathetic character strangely enough.  He was just a good guy who had been poorly treated by those over him and was pushed too far, thus leading to becoming the villain that he was.  It’s just another part of the script that makes the whole story easier to believe.  Pelle’s eventual realization that it’s okay to not be popular through it all makes the script even better.  It’s another example of how this story at least strives to set itself apart from its big budget brethren.  Those movies see their main characters struggle with their dual identities and lives.  In the case of this story, the main figure embraces his two separate roles.  Having so much difference from all of the major superhero blockbuster is a big plus to this movie.  Add in the fact that it is family friendly and it gains even more footing.  There’s still more worth noting in the movie’s overall success, too.  Another factor to note in the movie’s success is its dubbing.

Audiences will note in watching Antboy that this movie is not originally American.  There are subtitles used in certain scenes.  That’s the first hint.  And watching the actors speak, audiences will note a discrepancy between the movement of the cast’s mouth movements and the actual words being heard.  At first one might think that it’s just a sync issue.  But a closer watch reveals that it’s actually dubbing.  This movie is Danish in origin.  So obviously the actors spoke in their native language.  To the credit of those charged with dubbing it into English, they did quite the impressive job of carrying out their duties.  As noted, the difference in the dubbing and original speaking parts is difficult to notice if one isn’t looking closely.  That is a tribute to the painstaking efforts of those responsible for translating the movie into English.  It’s yet another positive to a movie that while it will likely never be as big as its blockbuster counterparts, is just as good.

The translation of the original speaking parts from Danish to English was done with the utmost expertise. The same care as taken to separate Antboy from bigger name blockbusters. From making it family friendly to giving it its own identity, Cinedigm and all of the other companies responsible for bringing this story to American audiences are to be applauded for their efforts. There is still one more factor involved in this movie for which those companies deserve respect and applause. That final factor is the movie’s look. It was actually made to look like a comic book that had jumped right off the printed page. The animated panels and the movie’s very look together give this movie the truest feel of a real life comic book since 2002’s Sam Raimi helmed Spiderman ironically enough. That look combined with every factor previously noted becomes the final touch on this movie. It rounds out the entire presentation and makes it a movie that every family will enjoy even with just a single watch.

In the end, Antboy will never be as big as the films being churned out by Marvel and DC. But the reailty of the movie is that regardless of this, it is still a largely family friendly film. At the same time, it maintains its own place in the pantheon of superhero flicks. And in the arena of independently released superhero movies, it is one that any audience will appreciate whether it be in one watch or more.

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

History Channel’s New WWI Program A Must See For Any Military, History Buff

Courtesy:  History Channel/Lionsgate

Courtesy: History Channel/Lionsgate

History Channel released this week its new military documentary 100 Years of World War I.  The documentary is a perfect fit for any high school and college level history course.  It is just as fitting for a class at any military academy.  The in-depth program spans two discs and eight separate segments.  The first four segments are the meat and potatoes of the program and are contained entirely on the set’s first disc.  That separation of material is the second part of this set that audiences will appreciate.  And rounding out the whole presentation is the incorporation of vintage footage and pictures, actual writings from those involved in combat, and computer simulations to help illustrate each segment’s topic.  These extras alongside the set’s organization and its expansive information collectively make 100 years Of WWI a viable candidate for a slot on this critic’s list of the year’s best new documentaries.

The primary factor that audiences will appreciate about this new documentary “series” is the depth of material included across each of its segments.  Audiences are treated to a history lesson primarily on the military tech that was first developed for use in World War I.  It all starts with a lesson of sorts on the evolution of a British farm tractor into the first tanks.  Audiences will be interested to see just how tight things were inside the tanks and the dangers that tank crews faced in those earliest versions of tanks.  What’s more, audiences will be interested to see just how imperfect they were despite their strengths.  From tanks, the main feature moves on to the development of the first chemical warfare and to the advent of aerial and submersible technology.  The program’s narrator explains that things weren’t perfect with any of this tech at first.  For instance, the gas used actually would blow back into the faces of the soldiers, leading many to be killed by accident.  And even the use of submarines was largely ineffective at first for British forces.  Even more interesting, audiences will learn that for the longest time, the U.S. actually stayed out of the war, until the German forces didn’t keep their word about not sinking American ships.  If all of this isn’t enough for audiences, there is even a history lesson of sorts on some of the most integral air battles in the history of World War I in the set’s bonus second disc.  These are just some examples of the extent of the in-depth information shared throughout the course of this program’s two discs.  The history shared throughout the course of this set’s two discs is central to its overall enjoyment.  The manner in which the overall program was separated is another reason that audiences will appreciate this set.

The organization of 100 Years of WWI is another important aspect of this set’s overall enjoyment.  Each of the four primary segments that comprise the main feature is presented in and of itself rather than all of them being jumbled together as one big program. This applies to the features included on the bonus second disc, too. The end result of this full separation of features is that viewers will be more apt to actually sit and watch through each one’s roughly forty plus minute run time. The only real connection per se that each of the features have to one another is the opening sequence. It tells audiences what the program covers in each part. The overall impact of this organization alongside the depth of material presented makes both aspects equally important. Together, they make this box set even more enjoyable for any history buff or military history buff.

The organization of 100 Years of WWI and the information included within each of the set’s eight total features together make this set well worth the purchase by any military history buff and history buff in general. There is one more factor to consider in this set’s enjoyment. That factor is its collective interviews, vintage footage and pictures, and computer simulations. Each one helps in its own way to make each discussion more accessible for viewers. There are computer generated clips showing how the blimps crafted by the German forces bombed England. There are also computer simulations used in the features centered on WWI’s most well-known dogfights. And the footage and pictures of the men fighting on the front lines drives home just how horrible it must have been to have been in those trenches. This is merely some of what audiences can expect from this program. Audiences will see much more when they order 100 Years of WWI for themselves. It can be ordered direct from History Channel’s online store at http://shop.history.com/detail.php?p=562013. More information on this and other releases from History Channel is available online at http://www.history.com, http://shop.history.com, and http://www.facebook.com/History. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.