Pound Puppies Mission: Adoption Offers Audiences Five More Episodes Of Fun And Lessons

Courtesy:  Shout! Factory/Hub

Courtesy: Shout! Factory/Hub

The latest release from the Hub network’s Pound Puppies series is just as fun as the previous pair of DVDs.  This new release offers audiences five more episodes filled with entertainment and important lessons for both kids and their parents.  Also included in this new collection of episodes is an adoption certificate that kids can print out and fill out for their very own.  Just as impressive as the set’s episodes is the continued original artwork used throughout the series.  Anyone that remembers Cartoon Network’s Foster’s Home For Imaginary Friends, will recognize the animation used for this series once again.  Altogether, these factors make Pound Puppies Mission: Adoption just as fun as the previous collections of episodes from this update of the classic 80s series.

This latest release is so much enjoyable first and foremost because of the mix of entertainment and life lessons in each of its five episodes.  Of course the inclusion of some well-known voice actors doesn’t hurt, either.  This time out, audiences learn that even the smallest dog…er…person can accomplish great feats.  This lesson is taught in the episode, “Snow Problem.”  When a young husky puppy named Tundra ends up with the Pound Puppies, he and the others take on a group of bigger, tougher dogs in a sled race that ends up with the young pup winning the heart of one of the racers and being adopted.  The spoof of the famed song, ‘Chariots of Fire’ is a nice addition to this episode.  Viewers also learn that superstitions are superstitions for a reason in “Taboo.”  When they meet the puppy named Taboo, the Pound Puppies discover why it is that he’s had such a hard time finding his person.  Viewers will have to find out the truth behind his adoption problems for themselves when they pick up this new release.  Viewers will especially enjoy the Wizard of Oz reference in this episode.  In the disc’s opener, “King of the Heap”, one of the Pound Puppies is adopted by Junkyard Jim, instead of the newest additions to the pound named Elvis (voiced by Clancy Brown—Mr. Krabs from Spongebob Squarepants).  This episode teaches viewers that it’s best to be themselves, rather than something that they’re not.  Being one’s own self is what people admire most.  The show’s writers are to be commended for these lessons, and the others included here along with its more fun moments.  On a side note, voice actor John DiMaggio is back again as the voice of Niblet.  Considering that Futurama is coming to an end yet again, hopefully Hub will keep this show around as he does quite the job as Niblet’s voice.

The collection of fun moments and lessons culled for the episodes in this latest set make it fun for the whole family.  Older audiences will appreciate this set for more than just those factors, though.  They will also enjoy the animation style used throughout the series.  It’s quite similar to Cartoon Network’s former cartoon, Foster’s Home for Imaginary Friends.  What makes this animation style so impressive is that even if it was done via computer, its quality is such that it’s difficult to tell if it was done by hand, by computer, or a combination of both.  If it was done by both computer and by hand, then it proves that the two animation styles can exist side by side.  And that both styles can exist side by side, one can only hope that audiences will get much more of this style of animation and mix of fun and lessons in even more volumes of Pound Puppies episodes.  Pound Puppies Mission: Adoption is available now in stores and online.  It can be purchased online direct via the Shout! Factory store at http://www.shoutfactory.com/?q=node/216951.

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Tom And Jerry Kids Show Season One Another Blast From The Past From Warner Home Video

Courtesy:  Warner Home Vide/Hanna-Barbera

Courtesy: Warner Home Vide/Hanna-Barbera

The 1990s was one of the greatest decades in the history of television broadcasting.  NCB and ABC were at the top of their game with their “Must See Thursday” and “TGIF” programming blocks.  And CBS and Fox each had afternoon cartoons for kids to watch after a long day at school.  Sadly, those days are gone.  Thankfully though, Warner Home Video has given audiences that grew up in those days of quality programming yet another piece of their childhood with the release of Tom and Jerry Kids Show: The Complete Season One.  This two disc set is one more part of what has been a small wave of welcome releases from WHV this year that includes:  Tiny Toon Adventures Vol. 3, Animaniacs Vol. 4, the brand new release of Taz-Mania: Season 1 Vol. 1, and the upcoming releases of Tiny Toon Adventures Vol. 4, and Taz-Mania: Season 1 Vol. 2 just to name a handful of releases.

Tom and Jerry Kids Show: The Complete Season One includes the first thirteen episodes from this show that some considered part of the “kiddie-fication” of cartoons.  The term in general was in reference to certain cartoons being reduced in quality in order to make them more kid friendly.  The cartoons in question included: Looney Tunes, The Flintstones, and Scooby Doo Where Are You?  The term “kiddie-fication” was generally used in a negative connotation in regards to their kid friendly spinoffs.  Those that used that term couldn’t have been more wrong in using such a label especially in the case of Tom and Jerry Kids Show.  That’s because a show such as Tom and Jerry Kids Show was (like Tiny Toon Adventures) less a “kiddie-fication” of its more adult base show than a way to indoctrinate young viewers into the world of said show slowly.  And there is nothing at all wrong with doing this.  If anything, it helps to keep alive the legacy of Hanna-Barbera’s classic cartoons. 

The transfers from the original tapes look outstanding.  The quality of the footage could not have been better.  Little to nothing was lost in the transfer from the original tapes to DVD.  Even when viewed on an HDTV, it still looks quite impressive.  That’s a testament to the work done by the show’s artistic staff.  Even when viewed via a computer’s DVD drive or on a home DVD player, the video quality still shows that it has stood the test of time.  The same can be said of the show’s audio side.  Fans of HB’s classic cartoons will recognize the company’s recycling of its music.  Much of the music used in this more modern take on Tom and Jerry was also used in The Jetsons and to a lesser extent, more modern Flintstones direct-to-DVD features and certain episodes of A Pup Named Scooby Doo.  This trademark of Hanna-Barbera’s cartoons is another welcome addition to Tom and Jerry Kids Show.  Having that familiar older music back once again makes older audiences’ sense of nostalgia even stronger in watching this modern classic.

The high quality of the show’s transfers alone makes Tom and Jerry Kids Show: The Complete Season One worth the money for fans that grew up with this cartoon.  The double-disc set’s packaging is another positive to the overall presentation.  As with multi-disc sets from other companies, this set follows what is quickly becoming the standard by placing one disc on its own place on a plastic insert inside the case.  The second disc is placed comfortably on the back portion of the box also in its own spot.  This manner of packaging is both smart in terms of protecting the set’s discs and in terms of ergonomics.  It keeps the case for the DVD’s the same size as that of a regular single-disc DVD package.  So it saves space on audiences’ DVD/Blu-ray racks, and protects the product inside.

As one should be able to tell by now, Tom and Jerry Kids Show: The Complete Season One is an enjoyable nostalgic trip down memory lane for long-time fans of the Tom and Jerry franchise.  It’s just as much a welcome introduction to this generation’s younger viewers.  For all the positives to this set, it isn’t without one minor flaw.  That flaw is not in the art, the transfers, or even the packaging.  The flaw in question comes from the discs themselves.  Rather than actually coloring in the designs on the discs, they were painted over with a single, flat color, leaving just enough open space to make a wild guess as to the design on each disc.  Consumers would have to put each disc up to the light and tilted each one in order to get an idea of the designs.  The same thing was done with Animaniacs: Volume Four and with Tiny Toon Adventures Vol. 3.  It’s a minor flaw with this set (and the other sets mentioned).  So luckily, it doesn’t take away too much from the overall presentation, even though it would have been nice for WHV’s people to have taken care of this aspect.  Had that been done, this might have found itself at the top of this critic’s list of the year’s best new children’s DVD and Blu-ray releases.  Regardless, it still has found a place on the list in question.  It is available now in stores and online.  It can be ordered online direct via the WB Shop at http://www.wbshop.com/product/tom+and+jerry+kids+show+the+complete+first+season+1000348871.do?sortby=ourPicks&from=Search.  Fans of all things WB can keep up with all the latest WB home releases on the WB Shop website at http://www.wbshop.com/home.do

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Shout! Factory Offers More 90′s Nostalgia With VR Troopers Season 2 Vol. 1

Courtesy:  Saban/Shout! Factory

Courtesy: Saban/Shout! Factory

Saban and Shout! Factory release the first half of VR Troopers Season Two next Tuesday, May 14th.  The little brother to the more popular Mighty Morphin’ Power Rangers, this show never enjoyed the success of its fellow fantasy action/adventure show.  It only lasted two seasons.  But even in those two short seasons, it still managed to offer plenty of campy fun and action, just like MMPR.  While VR Troopers only lasted two seasons, it’s pretty obvious that even with such a short lived, show, Shout! Factory wanted to give proper respect to the show and its fans.  Shout! Factory and all involved are to be highly commended for such a level of respect.  The show’s shooting style is much like that of MMPR, too, even in the show’s second season.  Now thanks to Shout! Factory and Saban, audiences can enjoy the latest set of episodes from this short-lived series beginning next week. 

VR Troopers Season Two, Volume One offers audiences twenty more episodes including the five part event, ‘Quest for Power’ and the two part evil twin story arc, ‘Kaitlin Through The Looking Glass.’  And just as in MMPR, each episode offers not only plenty of action and comedy, but also valuable lessons.  A prime example would be the season opener, ‘Mutant Mutiny.’  The lesson taught through this lesson is of loyalty.  A mutiny attempting to overthrow the evil mutant leader Grimlord takes place in this episode.  Meanwhile, Ryan’s friends show their loyalty to the team when Ryan is injured.  Their loyalty to the Troopers makes his loyalty even stronger, and together, the trio overcomes the attempted Mutiny.  It’s just one of many lessons taught.  Speaking of which, another part of what makes this show so interesting for first timers is that each episode’s lesson is explained by Ryan at the end of each episode.  Ryan narrates, as he is seen practicing.  It helps to illustrate the moment of clarity of mind.  The show’s writers did a good job in setting each episode in this fashion. 

The lessons taught through the latest collection of episodes from VR Troopers continue what started in the show’s first season.  The action sequences, gadgets, and high tech vehicles will take anyone pining for better times back in time to when they were children.  And being adults themselves now, those same audiences that watched this show as kids can now pass it on to their own children, maintaining the show’s own legacy.  Of course of all this is just positive to this new set of episodes.  Audiences will also appreciate the triple-disc set’s packaging.  Shout! Factory made itself a leader among multimedia companies thanks to maintaining its “tradition” of slim packaging for multi-disc sets.  VR Troopers Season Two Volume One is no exception.  All three discs in this set each have their own spot inside the case, which is small enough to hold a single disc.  The first two discs sit back to back without touching one another thanks to dual disc insert that gives each one it’s very own spot.  As with all of Shout! Factory’s previous multi-disc releases, this protects the discs, thus allowing them to be enjoyed over and over again; much longer than discs included in less conventional methods.  So yet again, everyone at Shout! Factory is to be commended for maintaining this packaging format.  That combined with simply bringing this retro classic back to life for the generation that grew up with it makes Shout! Factory that much more worthy of respect.  While VR Troopers only lasted two seasons, it’s pretty obvious that even with such a short lived, show, Shout! Factory wanted to give proper respect to the show and its fans.  And it’s just as obvious that when the final installment of this rollicking retro show that same level of professionalism and respect will be maintained for fans of all ages. 

VR Troopers Season Two Volume One will be available in stores and online beginning Tuesday, May 14th.  It can be ordered online at the Shout! Factory store at http://www.shoutfactory.com/?q=node/216942.

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AI Finalist Signs Motion Picture Deal

Chris Medina first came to national attention during his time on the hit Fox singing competition, American Idol.  Now the singer is taking the next step in his career.  He has officially signed a major motion picture deal with MCS41 (Metropolitan Creative Studio) to star in a movie about himself and his fiancée, Julianna.  For those who don’t know, Medina was a contestant on the tenth season of AI.  His story was one of the more moving of that season.  He revealed to the judges that before coming to audition, Juliana had been in a wreck and had been left with brain damage as a result of the accident. 

The planned movie, What Are Words? is taken from the song of the same name, which Medina had written for Juliana after the accident.  Medina explains the signing in his own words in a video posted to YouTube.  Medina is visibly moved by this new development in his career.  Audiences can view it now at http://www.youtube.com/watch?v=llS0hICCUQA.  After checking out his announcement, fans can also pick up his new EP, Letters to Juliet now on iTunes.  Just go to http://itunes.apple.com/us/artists/chris-medina/id422369479.

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TV Renewals and Cancellations Start For 2013

The television industry is in one of its key moments right now.  As the calendar turns from Winter and closer to Spring, network execs at the “Big 4” (and CW) are starting to do some early planning for each network’s Fall schedule.  Typically the Fall schedules are released in Spring; May to be exact.  And if the latest numbers are any sign, things could be very interesting for television this coming Fall as the Winter/Spring season nears its end and we move into the annual filler season.  While things are still uncertain for many shows, the picture for all of the “Big 4” (and CW) has become increasingly clear already.  While there are still a lot of uncertain, it looks like when the dust settles, NBC will have the most to lose, while CBS will end up the big winner with FOX and ABC battling it out for second place.  Of course, let’s not forget the massive slate of pilots set to air very soon across the networks.  Considering the way the schedules look for the “Big 4” (and CW), CBS may still end up the big winner, even with networks such as Syfy and A&E having two of the most anticipated shows of the year.  Let’s take a look at everything.

So far, it looks like NBC has the most to lose.  The network proves to be the biggest loser (yes, that pun is intended) with no fewer than ten of the shows in its schedule being on the chopping block.  This means that at the time of this posting, their fate is up in the air.  Those shows include the likes of Community, Parks & Rec, and 1600 Penn just to name a few.  The network has officially renewed five of its shows at the time of this posting and brought four to an end.  In NBC’s defense, two of those shows ending (The Office and 30 Rock) simply came to the end of their run whereas Animal Practice and Do No Harm were cancelled due to poor ratings.  CBS on the other hand looks to have come out the big winner in everything, and likely will even after the summer filler season ends.  As of this time, CBS’ schedule looks to be largely intact with at least fifteen shows from its schedule set to return, one cancelled, and six still on the hook. 

Perhaps the most interesting trend to note of all the announcements released so far is that audiences seem to be drawing more towards dramas than anything else.  This includes reality television.  Considering the glut of reality TV shows out there on the majors, ABC, CBS, NBC, Fox and The CW have combined so far for a total of ten total reality shows officially confirmed as being safe so far.  Dramas from the five networks on the other hand, combined for a total of twenty-one shows that have been confirmed as being back so far.  Comedies accounted for only fourteen total shows that will definitely be back as of yet.  On the other side of the coin, comedies topped the list of shows that have been cancelled during the Winter/Spring schedule.  ABC lost the most dramas, with five total.  None of the 5 majors reported cancellation of their reality TV programming.  It really makes for an interesting trend to note.

In terms of the most anticipated shows coming this year are A&E’s Bates Motel, ABC’s much talked about small screen take from the Marvel Comics universe in S.H.I.E.L.D. and Syfy’s long awaited return to actual science fiction programming in Defiance.    Syfy has had at least some science fiction based shows in the likes of the previous Battlestar Galactica re-incarnation as well as Eureka and the now short lived Alphas.  So there’s a lot of talk around this one, especially after the leap of faith that was Battlestar Galactica: Blood & Chrome.  After the much maligned Caprica ended, there was a lot of speculation around the fate of this property.  And considering that Alphas has ended so abruptly and that Eureka only lasted four seasons, one can only wonder if Defiance will be able to revive science fiction programming on Syfy.  Should it survive, sci-fi fans could finally see the network finally return to its roots.  One can only hope.  Supernatural shows seem to have been all the rage on that network in recent memory.  Though it too, has added its own slate of reality shows just like so many of the cable networks.  One thing fans can cheer about is that USA has brought back Psych.  The show’s new episodes started airing this week.  This little show that could has really proven to be a surprise hit for the network and a great replacement for the equally entertaining Monk.  For fans of other cable shows, FX has renewed Archer and American Horror Story.  AMC is said to be bringing back its hit Western saga, Hell on Wheels.  Simply put, this year is going to be another interesting one for television as it competes for eyes over theaters.  That’s a whole other story in itself for another time.

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ESPN NASCAR Coverage Continues With Special Interview

Courtesy:  ESPN

Courtesy: ESPN

ESPN’s team of Dale Jarrett, Andy Petree, and Allen Bestwick sat down with Julie Sobieski (ESPN VP – Programming & Acquisitions) and Rich Feinberg (ESPN VP – Motorsports, Production) during Wednesday’s media Day at Daytona International Speedway to discuss ESPN’s past, present and future with NASCAR, as well as other topics.  Included here is a full transcript of the group’s discussion courtesy of ESPN and NASCAR.  Thank you to both companies for allowing this transcript to be posted.  Enjoy!

 

JULIE SOBIESKI: There’s a tremendous buzz and excitement for the start of the season and for ESPN, we’re really thrilled to be a part of it this year, as we were six years ago, getting back into the sport, and as we’ve been for over the last 20 plus years as an integral part of the NASCAR sport.

 

The value to ESPN still starts with the great racing on the track and the drivers themselves, but as a media company, for us it now extends far beyond the telecast of the races themselves, across our multitude of platforms, from news and information to ESPN.com and ESPN Mobile, ESPN W initiative that we have.  The new women’s initiative is now actively following the story with Danica and also with Johanna Long, ESPN Radio and ESPN Magazine.  We’re just thrilled with all the buzz and excitement heading into this weekend and happy to be here.

 

RICH FEINBERG:  As always, it’s a privilege for our production team to be here in Daytona.  It’s a special place for a lot of people, and that includes every one of us.

 

Really it’s been a short 13 week off season for us as it has been for many of you, where Brad K won his first championship in Homestead, as well as Roger Penske winning his first Sprint Cup championship, that was an exciting time for us and our team to broadcast to all race fans and ESPN fans.

 

Over the past 13 weeks, our team has been working hard to make all our plans for the 2013 season.  Delighted that our entire talent group will be returning again this year, the same group that we’ve had last year, and that includes Carl Edwards will be joining us as a booth analyst for several Nationwide races throughout the season.  We’re delighted to have Carl with us.

 

NASCAR and ESPN continues to be an important partnership for our company and our weekly productions of both the Nationwide Series and the Sprint Cup Series are by far the largest technical productions our company does on any sport that we cover.  We’re proud to take on that challenge, and we think that our efforts manifest itself on the air quite well.

 

We kick it all off this Saturday at noon with ESPN coverage of the Nationwide race.  As many of you know, last year’s Nationwide race here at Daytona was a great start to our season, and in fact it was the most viewed Nationwide race ever on cable television, delivering over 4.4 million viewers, so we hope that we will continue that energy going into 2013. We’re really looking forward to the season, and thank you all for being here.

 

Q. Allen Bestwick, there’s been a lot of talk during the winter with all the announcements about who’s competing in the Nationwide Series, about what a stacked field it is, what are your thoughts on that?

 

ALLEN BESTWICK:  I know everyone’s attention has been focused on the Gen 6 car and everything that’s been going on in the Sprint Cup Series, but we had a conversation on Tuesday as we got ready to come down here thinking about the Nationwide Series and what are the stories.  And my two partners here, one of them, Andy (Petree), said, you know, really this is shaping up to be the best season ever for the Nationwide Series, and Dale (Jarrett) jumped in and said, and I think this is shaping up to be the best ever Nationwide race at Daytona.

 

Now, think about their history at this race and in this sport, and they’re not prone to overstatement.  So for them to say this could be the best season ever for the Nationwide Series ever, and this could be the best Daytona race ever for the Nationwide Series, in my admittedly somewhat sleepy mode with our morning conference call, I sat up and said, whoa, that’s a big deal, and I look forward to seeing how it all plays out.

 

Q. For Andy, along those lines, the rules differences between the Nationwide Series and the Sprint Cup Series.  Can you talk a little bit about how the races are going to be so different?

 

ANDY PETREE:  Yeah, this race here at Daytona I think for the Nationwide Series is going to be a lot different than what we’re going to see on Sunday.  I think it’s going to be a lot like what we saw last year with the Nationwide cars, a lot of pushing, a lot of tandem drafting, the finish was incredible last year, let’s hope it’s not quite that incredible with so many cars getting tore up.  But that’s what you’re going to see in the Nationwide race, you’re going to see a lot of that, and I think you’re going to see a whole different style of drafting on Sunday with the new Gen 6 car, so I think the fans are going to be a lot of variety this weekend, a lot of different style of racing.

 

This is my seventh season now with ESPN, and like Allen said, I think it really does have the potential to be the best Nationwide season we’ve ever seen, and I’m really excited to cover it.  I always get excited for Daytona, and I can’t wait for Saturday.

 

MODERATOR: Both Andy and Dale Jarrett have 20 year anniversaries going on.  This is the 20th anniversary of Dale’s first of three Daytona 500 wins.  He won the ’93 race for Joe Gibbs Racing and Andy was the crew chief of the car that he passed right at the end with Dale Earnhardt, and he’s still sore about that.  And also this is the 20th anniversary of the first Sprint Cup championship that Andy won as a crew chief with Dale Earnhardt.  And one more for Dale Jarrett, this is five years since he drove his last Daytona 500 in ’08, so a lot going on for you, Dale.

 

DALE JARRETT:  Yeah, there is a lot going on, but just glad to be back here and a lot of exciting things happening and going on.  We are excited about the Nationwide Series.  As you look at the lineup, it’s just incredible to think what it could come down to whenever we get back to Florida in November as to the championship battle that we may be seeing.  But it’s all going to start here Saturday, and I do believe that we have potential to see something maybe that we haven’t seen before.  We kind of saw that last year, and I don’t know what you do to top that with the guy running 11th coming out of Turn 4 wins the race, but I think the potential is there to be even more exciting, so really looking forward to that, and it’s been nice, kind of reliving that 20 years ago that it happened with Joe Gibbs Racing, Andy not so much maybe, but it was a very, very special day, and this has been tremendously successful place and proud place for the Jarrett family over the years, and just glad to be back here.

 

 

Q.  For Rich, how many races do you think Carl is going to be doing, and what makes Carl what do you like about him in the booth?

 

RICH FEINBERG:  Right now looks to be about three.  We’re still kind of finalizing the schedule, and it’s one of those things that evolves as the season goes on.  Obviously his priority is competition.  What I like about him is the currency.  He’s currently racing in the series and is a competitor on the track, and the ability to speak to that in real time to our viewers as a driver as well as the charisma that I think he brings to the screen is something that we value in our telecast.

 

Q.  But you don’t know which three yet?

 

RICH FEINBERG:  We’re still working on that.

 

Q.  And for Andy or Dale or anybody, what’s going to make this Nationwide season so good?  What guys are you looking at?

 

ANDY PETREE:  Well, I think the championship battle in particular you’ve got Regan Smith that’s coming over to JR Motorsports.  We saw what he could do in the last racer at Homestead.  I expect him to be a really tough competitor for the championship.  We’ve got Travis Pastrana that’s going to run.  We’ve got so many different storylines.  I just think we’ve got a lot of strength out there.  You’ve got Elliott Sadler now with Gibbs, still hungry to win that championship.  I just think we’re going to see a really great championship battle.

 

DALE JARRETT:  You’ve got Vickers over there at Gibbs.  You’ve got Austin Dillon obviously last year showed he could be a part of that championship battle.  Kyle Larson is coming in and nothing but good things being said about him, really looking forward to watching him move along here and seeing that progress.

 

The last few years the championship battle has been good between Stenhouse and Sadler, but I think we’re going to see a lot more company up front, and that always is more exciting.

 

Q.  Dale, I’m sure you’re aware that all three winners over here crashed somebody on the last lap without penalty.  Does that send a message to Nationwide drivers and Cup drivers and Truck drivers that last lap, white flag, anything goes, if they can do it over there, why can’t we do it?

 

DALE JARRETT:  Well, I don’t know about how NASCAR will view that, and as a driver, I don’t know that you just take something that you see out there and say    I think it’s kind of how you grew up and the situation that you’re in.  Trying to do that on the two and a half mile racetrack here obviously creates a lot more danger than doing it back there on four tenths of a mile track at the speeds that they were running.  I think you have to pick and choose that.

 

But I think NASCAR over the last few years has kind of opened that up.  I’m not going to steal Robin’s line, let the boys have at it or whatever, but I think that they’ve opened it up to where they like that aggression.  That’s what got this sport where it is.  I’m not saying that what took place back there was all okay.  And I think that sometimes there’s ways of doing it without it being so noticeable, but I think that it’s    that that opportunity is out there, but you’re putting yourself in a position.

 

I think that there’s a lot that NASCAR will let go by, but you’re also putting yourself in a position for them to make a call, and sometimes that call will go for you and you have to be willing to accept the penalty if it does come down.

 

Q.  For Rich, how closely are you watching this track drying apparatus be developed, and how big a deal is it for TV to get back to racing quicker?

 

RICH FEINBERG:  I’ve seen the equipment, but I haven’t really been involved or been asked my opinion about it.  From a broadcasting and production point of view, it’s really amazing how long NASCAR fans will stay with a telecast during a rain delay.  Obviously less rain delays and more competition on the track is what fans want to see.

 

But it’s always amazed me, I think back maybe 15, 16 years ago when there were extensive rain delays, our network would go to standby programming, perhaps a race from the week before or the race from the year before, and what we hear from the audiences these days is they don’t want that, they want continuing live coverage.  We get tremendous cooperation from the teams, the drivers, from NASCAR, and the access is unbelievable in this sport.  So it does give us a chance to sort of dive deeper into stories and talk to the drivers more and offer their thoughts.  But at the end of the day, if the track drying process can be expedited and we can get back to competition quicker, we know that’s what the fans want to see.

 

DALE JARRETT:  I think our pit reporters and probably pit studio will be glad that it’s going to happen a little quicker, although they do a terrific job.

 

Q.  Dale and Andy, as former driver, former crew chief, former car owner, what’s the conversation like tomorrow, the gamble versus going all out and try to win the thing?

 

ANDY PETREE:  Well, I’ll speak from a crew chief/car owner’s point of view, I’ve never put a car on the racetrack that I didn’t want to go win, no matter what.  That would be my mindset is to go win that 150 mile race, and everything else takes care of itself.  Now, there is going to be some risk to do that it looks like.  I still want to go win.  There’s good cars in the truck; I’m sure you can win from the back, and starting on the front row is kind of nice.  You don’t lose the prestige of actually qualifying on the front by having to go to a backup car, but it does make your job Sunday a little tougher, but I’ve never put a car out there that I didn’t go try to win.

DALE JARRETT:  The great thing is for Danica and that team for three days they’ve had the wonderful opportunity to talk about being the fastest car here and her the fastest driver.  It’s been a great thing for our sport.  Now comes the issues with that very same thing that got you there and got you all of this attention is how do you handle this.  It would be a real letdown if something were to happen.  But these cars are difficult to drive here, and the drivers that I’ve talked to    but with the limited experience that she has, she needs to be out there practicing today, and she needs to run in the race on Thursday as much as she can, and if something should happen, then they’ll just have to deal with that.  They still know they won the pole and they had the fastest car.  She needs the experience out there in race conditions as much as she possibly can to get herself ready for Sunday, to get the best finish and opportunity to get herself in the best position.

 

As much drafting as she probably, she has a lot of experience in stock cars here and was really showing a lot of potential here, but these cars drive so differently by what these drivers are telling me that there’s a lot more for her to kind of learn now, unlearn some of the things that she did learn there, and get with what it takes to drive this Gen 6 car and be fast.  They’ve just got to throw that aside.  They won the pole, they were the fastest car, they built the fastest car, now they’ve got to get her ready to race on Sunday.

 

Q.  For Andy, as a former car owner, years ago the Nationwide Series financially, the teams were in a lot of trouble, but as you said, you pointed out the number of drivers, the number of farm teams for the Cup teams, the standalone teams, what’s changed, and especially in a time of economic distress for the Cup teams?  Why is this field so full from an economic standpoint?

 

ANDY PETREE:  Well, you’re probably digging into it a little deeper than I have.  I don’t really know.  I don’t have a good answer for that.  But I know the economics are different in the Nationwide Series than they are in the Cup Series.  There might be some sponsors out there, a lot of sponsors that maybe can participate at that level, and it’s a high level in the Nationwide Series where it wouldn’t necessarily be gnat Sprint Cup Series.

 

Maybe that’s some of it.  We’ve got great talent that has kind of found themselves out in the Sprint Cup garage, like Regan Smith.  He’s a great talent.  Now he’s over here in the Nationwide Series.  That’s good for the Nationwide Series.  I don’t really have a good answer for the economics of it.  Maybe it’s a sign of good times to come.

 

Q.  Julie, what’s ESPN’s position on renegotiating the television contracts with NASCAR?

 

JULIE SOBIESKI:  Well, I said in my opening statement, we have a long history with this sport.  We’re certainly interested in continuing our relationship with NASCAR.  There’s no secret we want to continue that conversation with these guys.  We still have two years left of the deal that we’re in now.  Our negotiating window doesn’t begin until later this year.  So right now we’re excited about the start of the season and we’re putting all of our efforts toward that.

 

Q.  I know there’s three television partners.  Would you want to pick up that middle section of six races?

 

JULIE SOBIESKI:  I think right now our opportunity is to look at the package that we have now, and that’s the conversation that’s looking in front of us.  Depending on how that conversation goes, there’s certainly lots of different ways to have discussions.  We don’t know what NASCAR’s interests are, but right now we’re looking at that for the first conversation that we have.

 

Q.  And then the second question is about the ratings, particularly the Chase ratings.  I figure that finale probably was disappointing considering it was a good championship race, so the ratings effort was disappointing considering it was a great race and you had a great new champion.  What does ESPN want to see happen coming off the year before when you had the big impressive number and the great Chase?

 

JULIE SOBIESKI:  I mean, certainly back in 2011, that was a huge number for us, and the stars perfectly aligned for that number to sort of come together.  I think we all want the ratings to be bigger and better on any sport, on any given occasion.  We’re never satisfied, and I don’t think NASCAR ever is, either.  But the ratings are still extremely strong week in and week out, particularly at that time of year with a tremendous amount of competition.  Brad is a great champion, and we think he’s going to continue to serve in that role all year.  We think there’s going to be another great championship battle, but there’s been several great battles now over the last few years.  We’re looking forward to that continuing.  Competition on the track ultimately is what gets people interested and star power and storylines that transcend sport, and we’re looking at one of those right now with Danica leading CNN and The Today Show and others.  I mean, we couldn’t be asking for more now.  We just have to hope for a fantastic race on Sunday, and the season will take care of itself.

 

Q.  Julie, you guys have not started negotiations with NASCAR yet; is that fair?

 

JULIE SOBIESKI:  Yeah, we’re always in conversations with NASCAR.  We’ve been in conversations with them since the day we started our relationship, but our formal window has not begun.

 

Q.  The scuttlebutt is that you and NBC are kind of the ones being talked about for the remainder of the schedule after the FOX block.  Would it make sense for ESPN maybe to move up a little bit and do like the midseason range versus the late season range because you guys have so much stuff in late season, and do you feel as if the Nationwide Series and the job you’ve done there, does that give you some leverage with NASCAR to say, hey, you can keep that platform there and we’ll take whatever chunk you want to give us for Cup?

 

JULIE SOBIESKI:  I’m going to let you do the speculating.  Like I said, we’re happy with the relationship that we have with NASCAR.  We want to continue those conversations.  Carving up a package is not necessarily our role.  We’re going to have discussions with NASCAR over the year and as we get closer, Nationwide is a fantastic property.  It’s very strong.  The ratings have been strong since the moment we got it and it continues to get stronger, and everything that our great hosts and analysts here have said about this season continues to make it that much stronger, but so is the Cup Series.  And so we’re going to look at this as one large discussion that extends across all of our platforms, and we’ll have that discussion with NASCAR outside of the press.

 

Q.  Andy, Danica obviously has a lot to learn here over the next week or so, but she’s got a team made up of a lot of guys who have won a lot of races, guys who have won Daytona 500s.  In terms of being one thing she doesn’t have to worry about, how big of a comfort do you think that is?

 

ANDY PETREE:  I think that’s a comfort, that she’s got a great team and team owner, all those good people around her, and I think every driver in the garage is trying to help her.  But she’s got more experience here than any other track that she’s raced at in a stock car.  I think it’s going to serve her well.  Nobody has more experience in this Gen 6 car than she does, and everybody has got to learn how to handle it, and this next practice is going to tell a lot about that.

 

But I think she’s got a big advantage here.  I think this is one of her best tracks to really shine and to have a legitimate shot at winning.  I think to say she’s a favorite, I wouldn’t say that, but she is on the pole, she’s got a chance to win.  And I think she’s got a chance just like anybody, but I think this is probably her best track to do that.

 

Q.  Julie, as far as the Nationwide Series goes, what is the challenge of trying to juggle schedules with a series on four networks throughout the year, and then Andy, can you talk about Tony Gibson and where you think his strengths are and why you think he might be successful with Danica?

 

JULIE SOBIESKI:  I think to start with the juggling, we’re fortunate enough at ESPN to have multiple platforms to carry our programming.  I don’t look at that as a disadvantage, I look at that as a strong advantage for us to be able to do that.

 

ANDY PETREE:  You’re talking about Tony Gibson, and I’m a big fan of his.  He’s a real seat of the pants type crew chief, a lot like I was.  I think he’s a great people motivator.  I think he’s got a lot of confidence in Danica’s ability.  He’s had a lot of experience with different drivers, and I think he’s got a lot to bring to the table.  He’s very good technically and just has a way of getting a car right, and I think he’ll do a really good job for Danica.

 

Q.  Andy and Dale, is it difficult for you guys as you become further removed from the car and it has continued to evolve?  How do you stay up on what you would assume the car is doing or what guys are having to do to the cars to make them competitive today?

 

ANDY PETREE:  Well, it’s just the relationships that we have in the garage area.  I’ve got a lot of good friends in there, a lot of guys that have been crew chiefs for a long time and actually a lot of the new guys.  And I’ve tried to stay very involved technically in the cars.

 

In my retirement, after I was a team owner and crew chief, I was building these suspension test rigs for all the Cup teams and Nationwide teams, and almost all of them now have it.  So I’ve been in these shops a lot.  I deal with a lot of the engineering staffs, a lot of the crew chiefs.  I talk to them on a technical level when I’m in the garage area.  It’s my passion.  I really enjoy the cars, so I really stay up on it.

 

I mean, just last year I built one of these modified cars because I wanted to build one.  Never driven one.  I built one, tried to go race it a time or two, and then sold it.  That’s the way I do it.  I really like to be hands on, so I do that some.  But I do stay very connected in the garage.

 

DALE JARRETT:  Yeah, my way is just fortunately I’ve made more friends than enemies from the driver standpoint through my career.  So I can go and call these guys, go to their bus, talk to them.  I try not to bother them too much in the garage area because they’re working there.  But they give me a lot of information there.  And even though the race cars have changed certainly now with this new car in particular, I can understand when they’re telling me something about the cars and get that.  As they’ve changed some of these racetracks, they’re very good to sit down with me and tell me about what used to be the feel and what used to happen at these tracks.  So yeah, I’ve been removed now a little over five years from actually being inside these race cars and these tracks, I still drive my school car some just to have an idea of that.  But that doesn’t give me the idea of what they’re going through, but it is those relationships and friendships that I think help me keep kind of current with that so I can undertand what they’re talking about.  So fortunately these drivers are very good at giving me information and those friendships mean a lot to Andy and I both.

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Tiny Toon Adventures Vol. 3 Another Wonderful Piece Of TV Nostalgia

Courtesy:  Amblin Entertainment/Warner Brothers Home Entertainment

Courtesy: Amblin Entertainment/Warner Brothers Home Entertainment

The long wait is finally over, Toonsters.  Nearly four years have passed since audiences were offered their last dose of Tiny Toon Adventures episodes.  This past Tuesday, Warner Home Video released the long awaited third volume of shorts in its own two-disc set loaded with enough laughs, puns, sight gags, and pop culture references to make any classic cartoon fan happy.  Would it have been nice to have a full thirty to thirty-five episode collection as with the previous pair of collections?  Yes.  But something’s better than nothing, considering how long audiences have waited.  And this new set is something.  It boasts some of the show’s best episodes.  The episodes are just one part of what makes this collection so enjoyable.  The original hand-drawn animation will bring back that sense of nostalgia for lovers of classic cartoons, too.  And the use of some of the top voice talent in the industry then and now make for even more enjoyment.  Altogether, it makes for one more must have for any original Tiny Toon fan and even for any of today’s younger viewers.

Tiny Toon Adventures Vol. 3: Crazy Crew Rescues boasts some of the best episodes from this modern classic cartoon.  The show’s original audiences will love seeing classic episodes such as “Kon-Ducki” (which pays a little tribute to The Wizard of Oz and even The Bee Gees), “The Potty Years”, and its own take on the film noir classic, Sunset Boulevard in the episode, “Sepulveda Boulevard.”  There is also a fun episode titled, “Toon Physics” which explains the differences between real physical science and that of cartoons.  It isn’t the first cartoon to ever poke fun at the incredibility of cartoon physics.  But it’s still just as funny as others of its sort.  This episode features revered voice talent Maurice LaMarche (Futurama, The Simpsons, Animaniacs, Pinky & The Brain) as a spoof of legendary actor Orson Welles.  Instead of Welles, his character here is a whale named—you guessed it—Orson Whales (ba-dump-bump-bump).  This set also includes the “controversial” episode, “One Beer” in which Buster, Plucky, and Hampton show young audiences the dangers of drinking and driving.  Along those same lines, there is even an episode that teaches the importance of childhood literacy in “Why Dizzy Can’t Read.”  These are all just a handful of examples of what Tiny Toon Adventures Vol. 3: Crazy Crew Rescues has to offer both its original fans and their own kids.  Everybody will undoubtedly have their own favorites from this set.  And even with just two discs, this set boasts more than its share of great shorts.

The episodes alone make for loads of enjoyment for both the show’s now grown-up audience and for their own children.  Adding to the enjoyment of this set is the continued original hand drawn animation.  So much children’s programming today is not true animation.  It is in large part CG-based programming.  So unearthing this collection provides yet another reminder for older audiences of what real animation looks like. And it serves as an example for today’s younger audiences the importance of maintaining the classic art of actually drawing animation, rather than relying on technology for everything.  The only downside to the animation here is that it isn’t as clear as with the show’s previous releases.  It looks like the quality of the transfers with this set weren’t as solid as with the previous releases.  But it’s not that bad.  So while it does leave at least a little bit to be desired, it’s still nice to have this relic of a bygone era given new life.

The show’s original animation and its equally entertaining episodes make for so much enjoyment for audiences of all ages.  The cherry on top for not just this set but also the show as a whole is the inclusion of some of the top voice actors in the industry.  As already noted, veteran voice actor Maurice LaMarche is among the show’s ranks of well known actors.  Also in the cast are the likes of: Frank Welker (The Real Ghostbusters, Scooby Doo, etc.), Charlie Adler (Aaahh!!! Real Monsters, The Superhero Squad Show, etc.), Tress MacNeille (The Simpsons, Futurama), Cree Summer (The Cosby Show, A Different World, Codename: Kids Next Door) and Don Messick (Garfield & Friends, A Pup Named Scooby Doo, The Flintstones, etc.).  The chemistry between the cast was obvious throughout this new set of episodes, just as with the previous releases.  Whether for the general comedic timing or the interactions with each other, the voice cast of Tiny Toon Adventures was the perfect choice.  It was their interpretations of their characters that put the final touch on what was and still is today one of the best cartoons of the twentieth century.  Tiny Toon Adventures Vol. 3: Crazy Crew Rescues is available in stores and online now.  It can be ordered online via the Warner Brothers store at http://www.wbshop.com/product/steven+spielberg+presents+tiny+toon+adventures+volume+3+1000311856.do?sortby=ourPicks&from=Search.

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Modern Family A Modern Television Hit

Courtesy:  20th Century Fox

Courtesy: 20th Century Fox

ABC’s Modern Family is one of the funniest sitcoms in television today, if not the funniest.  It goes without saying that it is a modern day classic  It will make audiences who have yet to see it laugh out loud.  The show’s first three seasons are available now on DVD and Blu-ray.  Part of what has made this show such a hit is that unlike so many shows on television today, it isn’t a serial.  Its episodes are largely stand-alone episodes.  And while the humor may not be entirely family friendly, it’s not as bad as so much of what’s out there today.  That has been evident from the show’s first two seasons.

A big part of the success of Modern Family in its first two seasons is its casting.  The casting expertly mirrors modern society in that it shows how much the family dynamic has changed today.  It takes the sociological studies on the changing nuclear family and puts an entirely hilarious spin on it with the combination of the Pritchett and Dunphy families.  The Pritchett family by itself is beyond hilarious.  On the surface, it’s a multi-racial family, with Jay (Ed O’Neill) and his wife Gloria (Sofia Vergara) as the heads of the households.  Their relationship in itself puts the entire husband/wife/mother/father dynamic used in previous sitcoms completely on its ear.  Add in their son, Manny (Rico Rodriguez II) who is advanced far beyond his years, and a younger sister, and audiences get a family that more than offers its share of laughs.

Courtesy:  20th Century Fox

Courtesy: 20th Century Fox

The Pritchett family is a laugh riot in itself.  The addition of the Dunphy family, which is related to the Pritchett family through marriage, gives the Pritchett family plenty of comedic relief.  The attempts by Claire and Phil to balance their relationship with raising three kids are something to which so many parents today can relate.   Add in the interactions with the Pritchett’s and audiences get even more laughs.  The two families’ interactions within themselves and with each other make up another positive to not just the show’s third season, but its first two seasons, too.  That positive is the show’s writing.  The show’s writers have crafted a show that stands above every other sitcom on the air today.  Not since Fox’s Malcolm in the Middle have audiences been presented with such a hilarious family based sitcom.

Those who have yet to see this show might be asking at this point, it’s really that funny?  Yes it is.  Season One both on DVD and Blu-ray offer audiences a glimpse at the cast sitting down for a read through of one episode’s script.  The entire cast is cracking up throughout the read.  There is no doubt that there is chemistry both on screen and off through this.  It goes to show how close knit the family is.  Yet again, this goes to exhibit the expert level of writing behind Modern Family. Of course, the chemistry between the cast is also exhibited through the bonus cast interviews.

The cast interviews and read through are just a pair of the bonuses that make Modern Family Season One and Two so much fun.  Fans also get the standard deleted and extended scenes.  There is even a fun flash mob video led by Mitch (Jesse Tyler Ferguson) included as a bonus feature, too.  It shows just who zany Mitch is as a character, and makes his character that much funnier to watch.   There is so much more that could be discussed.  But doing so would lead to aimless rambling.  But it goes without saying that this feature and the others combined with the cast’s expert comedic timing and the writers’ equally expert scripting are solid evidence of why Modern Family is one of the best sitcoms on television today, if not the best.  The show’s first two seasons are available now in stores and online on DVD and Blu-ray.

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Glee Seasons One And Two Will Leave Fans “Singing” Show’s Praises

Courtesy:  20th Century Fox

Courtesy: 20th Century Fox

Fox’s Glee is hitting all the right notes and running on all cylinders now in its fourth season.  And even since its very first season, it’s been pulling audiences of all ages both because of its storylines and because of its musical selections.  With the fourth season pretty much wrapped up and Christmas right around the corner, some audiences might be interested in catching up with this hit show from the beginning.  Luckily for those individuals, the show’s first two seasons are available now on DVD and Blu-ray. 

Audiences will enjoy the first two seasons both for their storylines and music.  They will also enjoy them for their extrinsic value, too.  Right off the bat, audiences will note that the packaging for both Season One and Season Two is a positive.  The sets’ discs are placed on their own spot on “leaves” inside the case opposite one another.  In other words, one disc is on one spot of the “leaf” while the other is on the other side.  This is increasingly becoming the norm for both DVD and Blu-ray box sets.  And it’s a very smart method of packaging said box sets, too.  It saves space on DVD and Blu-ray racks and protects the discs at the same time.

Courtesy:  20th Century Fox

Courtesy: 20th Century Fox

Getting into a deeper level, audiences will enjoy and appreciate the first two seasons of Glee right from the show’s pilot episode.  The show’s pilot episode sets the stage for what has become a pop culture phenomenon.  Teacher Will Schuester (Matthew Morrison) takes on the glee club, “New Directions” at his new school to prove himself to the school.  The whole high school “caste” system is there, complete with the belief that the glee club is the school’s “untouchables.”  This actually becomes somewhat funny as Will goes to the length of blackmailing a student with marijuana in order to get said student to join the glee club.  One can’t help but laugh at how Will handles this situation.  While there’s lots of laughs offered throughout this and every episode, Glee also presents today’s harsh realities of high school.  It presents the realities of high school life today in a way in which both young audiences and older audiences alike can relate.  As the old adage states, the more things chance, the more they stay the same.  And older audiences will be able to vouch for that in watching Glee’s first two seasons.

The realities of high school life are directly tackled in the first two seasons of Glee.  They make it entirely relatable for all of its audiences.  Those realities aren’t all that are tackled though.  Anyone who hasn’t been living underneath a rock knows of the increasingly tough financial situation facing so many schools across the country today.  That challenge, too is presented in the show’s second season.  In the show’s second season, New Directions has just lost at Regionals.  And because of budget cuts, the glee club has to prove that it’s worth keeping on at the school.  The music yet again takes center stage, as it serves to impressively illustrate the emotions felt by all involved.

The show’s music and its storylines and presentation of high school life make it a huge hit from the current season, all the way back to its groundbreaking first two seasons.  In picking up the show’s first two seasons, audiences will enjoy them not just for their storylines and music.  They’ll also enjoy the bounty of bonus features included in each set.  Viewers can tune into a jukebox that features songs from the show’s second season.  They can even see everything that went into making the Glee auditorium.  There’s even a hilarious feature with star Brittany S. Pierce that shows the person behind the show.  Fans will get to see the process of getting ready for the show, from her trailer to make-up and more.  Fans will be left laughing out loud with this bonus feature.  It’s just one of so many more from both of the show’s first two seasons that will make them worth the watch both on DVD and Blu-ray.  Both Season One and Two are available now in store and online.  They can be ordered online direct at Fox’s online store, http://www.foxconnect.com

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Giants Blu-ray, DVD Set A Solid Year Ender For All Baseball Fans

Courtesy:  MLB Productions/A&E Home Video

Courtesy: MLB Productions/A&E Home Video

The 2012 Major League Baseball season is in the books, and the champs have officially been crowned.  But fear not baseball fans.  The 2013 season is right around the corner.  December’s nearly over.  With the end of the year, baseball fans will start hearing more news as teams start prepping for the first pitch of Spring training 2013.  As fans await that first pitch, A&E Home Video and MLB Productions have partnered once again for what is truly a “giant” of a release both for fans of the World Series champs and of baseball in general.  The release in question is the San Francisco Giants 2012 World Series Collector’s Edition

The San Francisco Giants 2012 World Series Collector’s Edition is offered both on DVD and Blu-ray format, so as to not leave out anyone.  This is a bonus right off the top for all baseball fans.  Now there are those who have had their say about this new set, complaining about one game being omitted from the set, but what those people need to understand is that the inclusion of Game 5 of the team’s NLDS and NLCS were included in the set as each was the pivotal game in each series on the way to the team’s incredible sweep of the Tigers in the World Series.  Keeping this in mind, both MLB Productions and A&E have done the right thing in assembling the set in its present setup.  The inclusion of those two games makes for a nice setup to the team’s sweep of Detroit, which is profiled in its entirety in the set’s first four discs.  And as has been the case with every previous MLB Productions release this year, these four games are just as exceptional as previous releases.

The collection of games included in this brand new set is exceptional in that complaints from others aside, both the World Series games and the NLDS and NLCS games are presented with the same standard set by both companies with previous releases.  The games are contained within their own slimcases inside a larger box.  Each slimcase contains all the information needed to easily follow the game.  It is a program in itself for all intensive purposes.  The inning by inning rundown is on the front of each game, while the inside of each case offers a full box score unlike anything that any newspaper or even sports broadcast could offer.  True baseball fans will appreciate that the companies have maintained this standard.

That MLB Productions and A&E have maintained the high level of product quality is just one part of what makes its latest release so impressive for fans.  Also making this set impressive for fans is the inclusion of the previously released single disc presentation of the team’s inclusion into the Baseball’s Greatest Games series in the form of its “First Perfect Game” presentation.  Maybe someone already owns this on DVD.  That’s fine.  Having it in duplicate is just as good.  That’s because God forbid something happens to one copy, having this in duplicate means that fans will have a backup copy of it.  And for those who don’t already own this landmark game, then it’s all the more of a bonus to an already impressive baseball box set.

The bonus Baseball’s Greatest Games disc included in this set is just one of the bonuses that put the set over the top.  It also includes a bonus disc with some of the team’s best moments.  It includes highlights of some team members’ twenty-game hit streaks, and the moment in which it claimed this year’s NL West title, just to name a few highlights.  Even presented in standard definition, it looks good.  For those who own HDTV’s and Blu-ray players, it looks even better as the Blu-ray player will automatically up-convert this stand-alone DVD.  Yet again, audiences are presented with a disc that’s more than just another disc.  It is in its own way, one more true bonus to a set that’s already well worth the price.  And combined with the remaining seven discs, it makes the entire eight-disc set one big out of the park home run to finish off the year for both MLB Productions and A&E Home Video and A&E Entertainment.

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.