IFC Films’ “Premature” Is As Good As Any Big Screen Teen Flick

Courtesy:  IFC FIlms

Courtesy: IFC FIlms

IFC Films’ teen comedy Premature is not only one of the best indie flicks of 2014, but it is one of the best movies of the year overall.  In comparison to the endless stream of prequels, sequels, and remakes churned out by Hollywood’s “Power 5″ studios, this movie is a complete breath of fresh air.  It balances just enough bawdiness and raunch with an equal amount of depth and heart to make it a surprisingly entertaining work.  The central reason for that is the movie’s script.  It isn’t just another standard, formulaic teen romp.  It actually teaches some important lessons; lessons that both male and female audiences will appreciate.  The movie’s script is at the heart of its enjoyment.  Another reason that audiences will enjoy this movie is its bonus material.  Included as bonus material on the DVD are a number of interviews with the cast and crew, a fun little behind-the-scenes featurette, and even an alternate ending that proves to be just as good as the ending presented in the final product.  The last aspect of the movie that makes it enjoyable for audiences is the acting on the part of the cast.  The cast isn’t exactly A-listers just yet.  But its members already have quite the chops under their belts thanks to roles on some big movies and TV shows.  It shows quite well in this presentation, too.  It rounds out a movie that while being an indie flick, is one of this year’s best indie flicks and one of the year’s best movies overall.

At first glance, many critics have automatically panned IFC Films’ new teen comedy Premature.  Elizabeth Weitzman, of the New York Daily News, said of the movie that it is “a retreat of every lousy 80s high school comedy you never bothered watching.”  And Variety’s Joe Leydon had one of the harshest comments, attacking not only the movie but those that actually showed any appreciation of the movie.  He noted of the movie and its audiences that “only undiscriminating audiences with a pronounced taste for crotch-centric tomfoolery will sample this goulash.”  Really, Joe?  There was an equally scathing commentary from New York Times writer Nicolas Rapold, equating co-writers Dan Beers and Mathew Harawitz’s script to work from Family Guy head Seth McFarlane.  That is an insult of the highest degree. For all of its naysayers, Premature has also gotten positive marks, too.  Though, even those positive remarks have been tepid at best.  This means that most audiences and critics that saw this movie completely missed the mark in analyzing it.  The script itself does throw back to the teen romps of the 80s.  There’s no denying that.  But it throws back to more than just those movies.  Its script balances the crudeness of those movies with the heart–believe it or not–of Ferris Bueller’s Day Off.  To a lesser extent, those that are old enough to remember will see a comparison to the likes of Fox’s classic series Parker Lewis Can’t Lose, too.  That’s thanks in large part to the work of lead actor John Karna, who plays Rob Crabbe.  The movie sees Rob learn some valuable lessons about both life and love as the story progresses.  He learns about doing what makes him happy versus what makes his father happy through his interactions with his Georgetown recruiter and his father.  The lesson about love just happens to be tied in to Rob’s own full-throttle sex drive.  Audiences need to remember that in our adolescence, the human sex drive is actually much like what is portrayed here.  Hormones are going crazy in the adolescent brain and body.  Beer and Harawitz have just taken that fact and made humorous light of it as part of the bigger picture.  Keeping that in mind makes that aspect of the movie less crude and much funnier.  If audiences can accept that fact and enjoy it for what it is, they will enjoy Premature much more.  They will also enjoy the lessons incorporated into the script, too thus leading to a realization that this movie is far more enjoyable than what some would have others believe.

The script used for Premature is by itself more than enough reason to give this underrated indie flick worth at least one watch.  By itself, it makes Premature one of this year’s best new indie flicks and one of the year’s best new movies overall.  The script is just part of what makes the movie worth watching.  The bonus material included with the movie makes the presentation in whole even more enjoyable.  There are interviews with the cast and crew that will inform and entertain audiences.  There is also a bonus alternate ending that proves to be just as entertaining as the ending presented in the final product if not more so.  And the bonus behind-the-scenes featurette will have audiences just as much in stitches.  [John] Karna takes audiences through the movie’s sets during this segment.  Throughout the featurette, Karna stays somewhat in character holding the same personality as Rob Crabbe without actually trying to portray Rob.  He playfully hits on every female that he finds as if he were Rob.  It really is fun and funny to watch.  Together with the bonus interviews and alternate ending, it shows even more what makes the movie’s bonus features even more important to the presentation in whole. They collectively make Premature that much more of a joy to watch.  They still aren’t the last of the factors that make Premature so enjoyable, either.  The acting on the part of the movie’s cast is just as important to the movie.  It rounds out the whole that is this surprisingly entertaining indie flick.

The acting on the part of Premature’s cast is one of the most important parts of this movie’s enjoyment.  Most audiences probably don’t know the cast’s names.  But Karna and his cast mates–Katie Findlay (How To Get Away With Murder, The Carrie Diaries, After The Dark), Alan Tudyk (Frozen, Wreck-it-Ralph ,i-Robot) Craig Roberts (Neighbors, 22 Jump Street, Jane Eyre), Steve Coulter (The Hunger Games, Insidious: Chapter 2, The Conjuring) , and Carlson Young (True Blood, The Dog Who Saved Christmas, Pretty Little Liars)–are each fully believable in their roles.  And that is thanks to their work on some rather well-known movies and TV series.  Katie Findlay plays Rob’s best friend Gabrielle.  She does quite the job in her role, although most audiences can tell as the story progresses what will happen between them.  It’s a classic partnering that has been used before.  But it still works quite well even in this case.  Alan tudyk plays the part of Rob’s Georgetown recruiter.  Tudyk is a laugh riot as he breaks down, crying like a little child as he interviews Rob.  His acting will by itself leave audiences laughing uproariously.  Craig Roberts plays Rob’s sex-crazed friend Stanley.  Even in the side-kick role, Roberts offers his own share of laughs.  One could really compare him to Stiffler from the famed American Pie franchise, only younger. Steve Coulter plays a minimal role as Rob’s dad Jim.  But he’s still entertaining as the standard subtly controlling father figure.  And Carlson Young is spot on as the stereotypical blonde sex kitten Angela Yearwood.  Her role is understated as it plays an important part in Rob’s personal development and self-realization.  But just as with her co-stars, Young pulls off her role expertly as do the rest of the cast members.  Their collective experience makes their portrayals here so enjoyable in their own right.  It makes suspension of disbelief so simple in this case.  The end result is a story that will keep audiences fully engaged from start to finish, laughing the whole way through.

Whether it be the movie’s script, the bonus features included as part of the whole, or the acting on the part of the cast, Premature proves in the end to have plenty of positives.  It proves to have far more positives than its critics would lead audiences to believe.  It proves to be one of this year’s best new indie flicks and one of the year’s best new movies overall.  It is available in stores and online now.  More information on this and other titles from IFC Films is available online at:

Website: http://www.ifcfilms.com

Facebook: http://www.facebook.com/IFCFilmsOfficial

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Jimmy P. Not Just Another Movie Based On Actual Events

Courtesy:  IFC Films

Courtesy: IFC Films

IFC Films’ newly released drama Jimmy P. is one of the more intriguing movies that has been released so far in 2014.  On the surface, it could very easily be argued that the film is just one more piece to toss into the ever-growing pile of movies that are “based on actual events.”  But as audiences will see in watching this story, the script proves it to be more than just another one of those movies.  That is the most important aspect of the whole thing.  Equally important to the movie’s overall success is the acting on the part of both Benicio Del Toro (Pan’s Labyrinth, Snatch, Traffic) and Mathieu Almaric (The Diving Bell and the Butterfly, Quantum of Solace, The Grand Budapest Hotel).  And last but not least, the bonus material included with the DVD brings everything full circle with interviews and discussions centered on the movie’s creation.  All of these noted aspects of Jimmy P. make IFC Films’ latest drama one more work that proves indie flicks are becoming increasingly more worth watching than the glut of prequels, sequels, and remakes that are polluting this nation’s theaters.

The very first shot of IFC Films’ new drama Jimmy P. superimposes the words “This is a true story” over the shot.  Those five words would make it so easy to immediately toss this movie into the ever-growing pile of works that are “based on actual events.”  But those that give the movie a chance will see that it is in fact not just another of that genre of films.  So many movies within that genre are little more than overly embellished tear jerkers about underdog figures overcoming great odds.  Jimmy P. is the polar opposite of those stories.  It is a completely unadorned film that is centered on the relationship between Dr. Georges Devereux and his patient Jimmy Picard, played respectively by Almaric and Del Toro.  It follows Devereux’s personal growth from a man largely considered a quack to a far more respected figure in the psychiatric community thanks to his psychoanalysis of Picard.  At the same time, it also follows Picard’s own personal growth and recovery from what proves to be a lifetime of emotional trauma due to some rather eye opening events. What’s more interesting about the movie is that much of the movie was taken directly from Devereux’s own personal notes from his sessions with Picard. Was there some embellishment with the story? More than likely. But odds are if there were, it would be safe to say that they were far fewer than most movies that are “based on actual events.” And that is always a good thing especially in the case of movies within that genre.

Jimmy P. doesn’t fit nicely into the standard mold of movies that are “based on actual events” is a good starting point for the movie’s script. It isn’t the only positive to note regarding this rather deep story. The acting on the part of co-stars Benicio Dle Toro and Mathieu Almaric is just as impressive. There’s almost something hypnotic about Del Toro’s acting for lack of better wording. His portrayal of Jimmy is so subtle that one can’t help but watch him. And Almaric’s portrayal of Dr. Devereux is just as impressive. It would have been so easy for either of the men to ham it up in their roles. But it’s obvious just how seriously both men took their roles just by watching their acting. This is especially evident late in the story when Devereux confronts the head of the hospital about requesting specific information regarding Jimmy and it being denied. That is one of those moments that could have so easily been pushed over the top. But Almaric didn’t go that route. He showed such depth of emotion in this scene. It’s but one of a number of moments that could serve as examples of the seriousness with which the pair took its roles. That solid acting served to make this latest offering from IFC even more worth the watch.

Both the acting on the part of Del Toro and Almaric, and the story’s relatively original script play equally important roles in the overall success of Jimmy P. As integral as those factors prove to be to the movie’s success, there is still one more factor to the overall presentation that makes it worth checking out. That final factor is the collective bonus material included on the DVD. The DVD’s bonus material is comprised mainly of interviews with the movie’s cast and director. The truly interesting thing of the bonus interviews included with this DVD is that considering the depth of the story, one would actually be encouraged to watch the bonus interviews before watching the movie. It will actually be beneficial in that it will better help to outline exactly the point of the story. That understanding will make for more appreciation of the story in the long run. That being the case, the interviews are less bonus material than necessary additions to the overall presentation. They bring everything full circle and make the presentation that is Jimmy P. complete and completely worth watching at least once.

Jimmy P. is available now in stores and online. More information on this and other titles from IFC Films is available online at http://www.facebook.com/IFCFilmsOfficial and http://www.IFCFilms.com. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

The Best Offer Is One Of 2014’s Best New Movies

Courtesy:  IFC Films

Courtesy: IFC Films

IFC Films’ new drama The Best Offer is one of the most original stories to be released this year. The movie, which stars Geoffrey Rush (The Pirates of the Caribbean Trilogy, The King’s Speech) and Donald Sutherland (The Hunger Games, The Dirty Dozen, Backdraft) sees Rush as a devious art appraiser and auctioneer. The film, which was written and directed by legendary director Giuseppe Tornatore, is another masterful work from a master filmmaker. In an era in which Hollywwood’s major studios are relying almost one hundred percent on prequels, sequels and remakes to bring audiences into theaters, Tornatore has crafted a work that is original. That is the foundation of why any true movie buff should take the time to see this movie at least once. The original script is the foundation of this film’s success. Resting comfortably on that originality is the story’s pacing…at least to a point. Rounding things out for the reasons for the movie’s overall success is the acting on the part of the cast. Rush is the true star of the story. Though co-star Sylvia Hoeks deserves her own kudos for a job well done, too. The pair’s acting will keep viewers mesmerized through the course of the movie’s near two and a half hour run time. All things considered, this drama proves to be one of the year’s most original works and one of the year’s best movies overall.

The Best Offer is more than deserving of being called not just one of the most original works, but also one of the best movies of the year. The very first reason for this is the story’s originality. It is not a prequel. It is not a sequel. And it is not a remake. On another level, it isn’t even another of the seemingly countless overly embellished movies based on actual events. It is an original drama centered on an art appraiser and auctioneer named Virgil Oldman (Rush) who has spent the better part of his life secretly deceiving others. Writer/director Giuseppe Tornatore deserves a standing ovation for having crafted the story. That’s because every time that viewers think they have everything figured out, Tornatore throws in a twist that leaves them guessing in the best way possible. Not to reveal too much for the sake of those who have yet to see this masterwork, but by the story’s final minutes, audiences will find themselves torn as to how to feel about what happens to Virgil. The only downside to the entire story is that (again not to reveal too much) it could easily have been shortened. And that leads to the next aspect of The Best Offer worth discussing. That aspect is the story’s pacing.

The run time on The Best Offer just barely tops the two hour mark. To be more precise, it comes in at roughly two hours and eleven minutes long. Over the course of that two-hour plus mark, Tornatore manages to keep the story’s pace relatively solid. At least that is to a point. It would have been so easy to let this story drag considering everything that occurs throughout the story in terms of character development and relationships. But much as with fellow legendary director Martin Scorsese, Tornatore manages to make that run time pass by almost effortlessly. The only time that the pacing suffers is the movie’s final act. It suffers because again as audiences will see, that final sequence is unnecessary. Other than that though, the movie’s overall pacing is spot on and will keep viewers fully engaged. To that extent, the story’s overall pacing becomes another positive to the presentation. It’s flanked by one final positive—the acting on the part of the entire cast.

Writer/director Giuseppe Tornatore’s original script and the story’s pacing both play important roles in the overall success of The Best Offer. The very fact that this movie is neither a prequel nor a sequel, and not even a remake or a piece based on actual events is a major plus. That instantly pulls in any viewer looking for something original. The story’s pacing helps keep viewers engaged. The acting on the part of the cast—specifically that of co-stars Geoffrey Rush and Sylvia Hoeks—makes this work even more worth the watch. Rush breezes through the story. He makes viewers believe in Virgil’s growth, thus leading viewers to be so torn at his final outcome. On the other hand, Hoeks is just as believable as the rather emotionally unstable Claire. There is such chemistry between the pair. It’s obvious considering the believability of the character development between the pair as its relationship grows. That development is another part of what makes the story’s final outcome so surprising in turn leaving viewers torn in the absolutely best way. That feeling of being torn will lead to quite a bit of discussion. And that it could generate more discussion than any major motion picture just goes to prove once more why The Best Offer is one of the best independent movies of 2014 and one of the best movies of 2014 overall.

The Best Offer is available now on DVD in stores and online. It can be ordered online via Amazon at http://www.amazon.com/Best-Offer-Geoffrey-Rush/dp/B00GS08Y3Q/ref=sr_1_2?s=movies-tv&ie=UTF8&qid=1400892448&sr=1-2&keywords=The+Best+Offer. More information on this and other releases from IFC Films is available online at http://www.facebook.com/IFCFilmsOfficial and http://www.IFCFilms.com. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Breslin’s Latest Just As Enjoyable As Any Big Budget Paranormal Flick

Courtesy:  MPI Home Video/MPI Media Group/IFC Films/IFC Midnight

Courtesy: MPI Home Video/MPI Media Group/IFC Films/IFC Midnight

IFC Midnight (a division of IFC Films) and its partner MPI Media Group will release their latest paranormal thriller next week.  Haunter will be released on Blu-ray and DVD next Tuesday, February 11th.  The movie, starring Abigail Breslin (Zombieland, Ender’s Game) is quite a surprise for anyone that is a fan of movies in the paranormal genre.  It’s a surprise first and foremost because as audiences will discover of the movie, it is not so much a horror movie as it is a thriller of sorts.  It could even be argued to be a mystery,too.  By direct connection, the script behind the story makes it the thriller that it is.  That is another element of this piece that makes it well worth the watch.  One more factor to be taken into consideration with Haunter is its pacing.  The story’s pacing is factor that audiences will appreciate about it.  Its run time barely tops the ninety-minute mark.  But even with that relatively short run time, it doesn’t move too fast or too slow at any one given point.  It gets right to the point, instead of wasting unnecessary time building backstory or any unnecessary elements.  That factor is among the most important.  And along with the other mentioned factors, it makes Haunter a movie that any fan of the paranormal genre a must see.

The very first thing that viewers will notice about Haunter is that it is more paranormal thriller than a horror story per se.  One could even argue to a point that it is a paranormal mystery movie because Lisa (Breslin) is left to figure out the mystery of what is happening with her family and what happened to them for that matter.  It leads to an even bigger mystery that will be left for viewers to find out for themselves.  The trail that Lisa follows will have viewers literally on the edge of their seat, trying to figure out the mystery with her.  It’s nice to see that this movie is so easily able to walk that line of paranormal and mystery, all while keeping the blood and gore to a minimum.  This is just the first aspect of Haunter that makes it so enjoyable for any fan of the paranormal genre.  By direct connection, script writer Brian King’s script for this movie is just as impressive.

Writer Brian King’s script for Haunter is an important piece of the whole that makes the indie-paranormal thriller so enjoyable.  King’s script combines elements of The Lovely Bones and The Others to bring this story to life.  On the surface, the fact that he has combined those movies’ elements seems like a bad thing.  But in combining them, he was able to craft a wholly new story that turns the paranormal genre on its ear.  It is essentially a battle of good and bad that takes place in the spirit realm.  He throws in just enough twists and turns throughout the script to keep audiences engaged, but not confused.  The catch is that in order to not be confused, audiences must be completely engaged in the movie, and not otherwise distracted by anything.  Anyone that allows themselves to become distracted will become distracted and in turn, confused.  This will lead to less appreciation for King’s script.  It goes to show how well King balanced all of his script’s elements and eventually developed this impressive final product.

King’s script is definitely impressive, even having used elements of at least two other paranormal thrillers.  He was able to craft a balanced script that keeps viewers engaged straight to its end.  The script’s balance of elements is just part of what makes it a success.  Along with that balance, King is to be applauded for his script’s pacing.  He wastes no time getting right to the story.  It launches right from its outset.  There’s no overloaded backstory slowing things down.  And the twists and turns peppered throughout the story are placed at just the right points so as to not overwhelm viewers.  The same can be said of Lisa’s transitions between the spirit world and the human world as she tries to solve the mystery that she uncovers.  He sets the pacing so well that as with the writing, it requires audiences to engage themselves entirely in the story, and not let themselves be distracted by anything else.  THAT is the truest sign of this story’s success.  It requires audiences to pay attention.  Few movies do that today, either indie or mainstream.  And those that do pay full attention will agree that it is a paranormal thriller that is just as enjoyable–if not more so–than any major mainstream movie in the paranormal genre.  It will be available in stores and online next Tuesday, February 11th.

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

A Case Of You A Quirky, Fun Rom-Com For Today’s Thirty-Something Audiences

A Case of You Blu-ray

Courtesy: MPI Home Video/IFC Films

IFC’s new rom-com A Case of You is the first fun story of its type in 2014.  The story is one that has been told countless times.  But in the case of A Case of You, co-writers Justin and Christian Long have teamed up with Keir O’Donnell to craft a story that is more than just the standard boy meets girl-loses her-gets her back in the end story.  Sure that standard story line is there.  But the execution of the story is what makes it worth the watch.  The writing is just one part of this roughly ninety-minute plus story.  Actor/writer Justin Long (Going The Distance, Live Free Or Die Hard, He’s Just Not The Into You) is fully believable as a desperate character looking for love.  His personal development over the course of the movie will keep viewers completely engaged.  And while it is usually not the most noticeable portion of any movie, the soundtrack used for the story gives it even more charm.  These three factors together make A Case of You a rom-com that any of today’s thirty-something audiences will enjoy.

A Case of You is a fun rom-com for today’s thirty-something audiences.  That is primarily thanks to the writing of Justin Long (who also stars in the movie), his brother Christian Long, and Keir O’Donnell.  Sitcom and movie writers have touched on the oft times ludicrous lengths to which men and women will go in order to attract the opposite sex.  But basing an entire movie on this concept is in its own right original.  That’s because few of said writers have ever actually taken the risk of doing so.  The primary update on the classic rom-com formula isn’t all in the writing that audiences will appreciate. O’Donnell and the brothers Long also collectively impress audiences in that they have taken the rom-com and turned it on its ear by mixing in elements of a stoner flick, too.  One wouldn’t think that a rom-com and a stoner flick would work.  But thanks to the teamwork of O’Donnell and the Long brothers, the stoner elements don’t manage to overpower the central story.  The end result is a story that is quirky but has enough charm to make it endearing at the same time.

The writing and the manner in which it was balanced is the biggest part of what makes A Case of You as enjoyable as it is.  In direct relation, Justin Long shows his ability to interpret his character quite well through his acting.  Many won’t want to publicly admit to it, but there are audiences that will say they too have used Facebook to try and land their love interest.  It’s a sign of the times.  But that’s a commentary for another time.  Sam’s personal growth as he gets to know Birdie even more is relatable to any viewer male or female.  Sam’s sudden fear of commitment when Birdie finally expresses her feelings for him is a classic rom-com and even romantic dramedy element. It’s been used time and again throughout the history of both genres.  But that moment, in relation to his attempts to woo Birdie, makes it an even more impactful moment.  It proves to be the pinnacle of his personal growth.  And it makes the movie’s final minutes all the more heartwarming.  On a side note, the Long brothers and their writing partner deserve even more kudos for not having gone the formulaic route and used the all too clichéd final airport scene that every other rom-com and romantic dramedy uses.  Rather, they actually pay tribute to Dustin Hoffman’s 1967 classic The Graduate.  Whether that was intentional is anyone’s guess.  There is no commentary allowing for such insight.  But it is there regardless.  And it’s one more bonus that classic movie buffs will appreciate.  The positives don’t end here, either.

The writing and acting on the part of lead Justin Long go a long way toward making A Case of You a quirky yet fun flick for today’s thirty-something viewers. There is still one aspect of the story that is deserving of note here that makes everything complete.  That aspect is the movie’s soundtrack.  The music that makes up the movie’s soundtrack is just as quirky as the movie itself.  Included in the movie’s soundtrack are the likes of Spin Doctors, Joan Baez, Johnny Mathis, Fitz and the Tantrums, and so many other artists.  The musical spectrum that makes up the movie’s soundtrack runs the gamut.  As wide as that swath is, each song was a perfect fit for its companion scene.  And each song works just as well on its own on a soundtrack.  It’s the final touch on a movie that is a great fit for any younger couple this Valentine’s Day or another.  It will be available Tuesday, February 4th on DVD and Blu-ray. More information on this and other releases from IFC Films is available online at http://www.facebook.com/IFCFilmsOfficial and http://www.IFCFilms.com. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

MPI, IFC Announce Details For New Paranormal Thriller

Courtesy:  MPI Home Video/IFM Midnight/IFC Films/MPI Media Group

Courtesy: MPI Home Video/IFM Midnight/IFC Films/MPI Media Group

Abigail Breslin (Little Miss Sunshine, Signs, Rango) returns this Winter with her latest film.  She stars in IFC Midnight’s new horror story, Haunter in which she plays the part of a spirit of a girl named Lisa.  The film co-stars veteran actor and director Stephen McHattie (300, Watchmen, The Fountain) Eleanor Zichy (Skins), Peter Outerbridge (Silent Hill: Revelation), Michelle Nolden (RED) and David Hewlett (Rise of the Planet of the Apes).

In this new “reverse ghost story”, Breslin plays the spirit of a teen girl named Lisa whose family was killed by a mysterious figure in 1986.  Now over three decades after Lisa and her family were killed, Lisa must convince her family that they are no longer among the living.  Making things even more interesting, a new family has moved into the house that was once home to Lisa and her family.  Now this new family faces the same danger that led to the death of Lisa and her family.  So Lisa must do whatever she can to protect the new family living in the house.  Directed by Vincenzo Natali (Splice, The ABCs of Death 2, Cube)  and co-written by Brian King and Matthew Brian King, this movie is sure to impress fans of movies the likes of: The Lovely Bones, The Others, and Insidious).

Haunter will be available on DVD and Blu-ray via MPI Media Group and IFC Midnight on Tuesday February 11th.  The DVD will be available for SRP of $$29.98.  The Blu-ray presentation will be available for SRP of $24.98.  The trailer for the movie can be viewed online at http://www.ifcfilms.com/uncategorized/haunter-trailer.  The DVD and Blu-ray can be ordered online via Amazon at http://www.amazon.com/Haunter-Blu-ray-Abigail-Breslin/dp/B00FYV7W9W/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1390420977&sr=1-1&keywords=Haunter.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Garlin’s New Movie Is Twisted, Awkward, And Completely Hilarious

Courtesy: IFC Films

Courtesy: IFC Films

Writer/comedian/director Jeff Garlin’s (Curb Your Enthusiasm) new indie comedy Dealin’ With Idiots is twisted. It’s awkward. And it’s absolutely hilarious.  The near ninety-minute comedy sees Garlin’s Max Morris living in an upper middle-class city.  There’s just one problem. He’s surrounded by some of the most peculiar individuals that one could even begin to imagine at his son’s little league baseball games. The team’s coach is a nobody, working in a dead job. He has a severe Napoleon complex of sorts as a result. The parents of the players are just as bad. They’re completely outlandish characters. Yet the irony of these parents is that there is a certain modicum of truth about their character styles. This is one of the keys to the success of this movie.  Just as important to the movie’s success is the ability of its cast to interpret the movie’s script effectively.  The case is made up of some of the most respected names in comedy today.  These two factors alone are enough to make this movie one of the year’s funniest comedies, indie or otherwise.

The story behind Dealin’ With Idiots is a simple one. It puts Garlin’s Max Morris among a group of stereotypical sports parents in the world of little league baseball.  Audiences will laugh out loud watching the behavior of Max’s fellow parents as they sit on the bleachers, watching their kids play, basically doing what so many parents do.  Any viewer that denies the reality of what’s portrayed in this story is probably in fact one of the very parent types spoofed in the story’s script.  Bob Odenkirk’s Coach Jimbo and Richard Kind’s (Spin City) Harold are two of the funniest of the story’s characters. That’s because of their realism and their portrayal by their respective actors. Far too many people can say that they know of someone like Coach Jimbo.  He’s a jobber who is trying to make up for his own lack of an exciting life by taking on coaching duties of a children’s sports team. It’s also to make up for his own shortcomings earlier in life, just as Coach Jimbo points out having had himself.  And Harold is the stereotypical neighborhood man that shows off in public as a means to cover up his less than stellar personal life. When they are put alongside their fellow rogue’s gallery of characters, Coach Jimbo, Harold, and the rest of the characters make for more than their share of laughs as Max observes their contradictory lifestyles on and off of the bleachers. Simply put, it’s something that absolutely must be seen to be appreciated.  Audiences should take into account that this is not a movie for everyone.  Not everyone will get the humor incorporated into the script.  But those that do get the story will appreciate it and find themselves laughing nonstop from beginning to end.

Garlin’s script for his movie is smart, witty, and humorously twisted in its own way.  This critic should reiterate here that it is not for everyone.  But those that do get Garlin’s humor will love it each time they watch the story.  Viewers that get his brand of comedy will enjoy just as much the cast chosen to fill out the story.  Some of the top names in comedy fill out the movie’s cast.  Steve Agee, Fred Willard, J.B. Smoove, Jami Gertz, and Gina Gershon join Bob Odenkirk and Richard Kind to make one of the most hilariously bizarre comedy troupes assembled in recent memory.  A big part of what makes the cast’s interpretation of its characters is its experience with improve comedy.  Allegedly, a large amount of the cast’s on-screen interaction if not all, was improv.  That would explain quite a bit.  It would especially at its core, explain why Dealin’ With Idiots is such a hilarious movie, indie flick or not.  It’s a movie that any comedy lover should watch at least once.  More information on this and other releases from IFC Films is available online at http://www.facebook.com/IFCFilmsOfficial and http://www.IFCFilms.com.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.