“Sounds…” Re-Issue Offers Audiences Even More Enjoyable Sounds

Courtesy: Eagle Records/E.A.R. Music

Courtesy: Eagle Records/E.A.R. Music

Veteran British progressive rock band Marillion released its seventeenth full length studio release in 2012. The album, Sounds That Can’t Be Made, was met largely with positive reviews from fans and critics alike. A little over a year later, Eagle Records and E.A.R. Music re-issued Sounds That Can’t Be Made with an extra bonus. That bonus is an extra disc that boasts variants of songs from the original album. Those variants include a handful of live and in-studio performances, a demo of another song, and a previously unreleased song that kicks off the whole thing. That song is an incredibly emotional piece titled ‘Wrapped Up In This.’

‘Wrapped Up In Time’ was a fitting way to open the bonus companion disc to Sounds That Can’t Be Made. This deeply emotional piece is a perfect opener for the album’s bonus disc. The song’s introspective, almost mournful lyrics will leave anyone with a heartbeat in tears. Front man Steve Hogarth sings in this previously unreleased song, “Things got wrapped up in time/Like the past and the present/Or the perfect line/In a song/They take their time/And when they’re gone/They take their time/You can’t have them back/For the time for them has gone/Their time has gone.” Hogarth perfectly catches the emotion of someone remembering lost loved ones here. This is especially true when he hits the high notes in the song’s chorus. The control he exhibits over his voice is incredible. His use of vibrato even better illustrates the pain in the song. The addition keyboardist Mark Kelly’s performance only serves to add to the song’s emotional depth.  Anyone left dry-eyed by the song’s end simply isn’t human.

‘Wrapped Up In Time’ is a fitting opener to the bonus disc included in the new re-issue of Sounds That Can’t Be Made. That’s because it is so beautiful yet heart wrenching at the same time.  On the completely opposite end of the spectrum, the band’s original take on its song ‘Lucky Man’ is just as interesting to hear as the final product.  The final product that is on the originally released album is a joyous piece celebrating happiness with what one has in life.  Hogarth sings in this song, “Some of us want diamonds and trinkets and gold/The perfect body and the perfect skin/Witnesses to their good deeds/Willing accomplices to their sin/Some of us pray for absolution/Some want sex and call it love/But freedom  to cheat’s not something I need tonight.”  He goes on to sing in the chorus, “I truly am/A lucky man/I have everything that I want.”  His words ring loud and clear.  We as people are never truly happy.  We should be happy with what we have, where we are, and who we are.  The final take on the song is a full on rock song.  One can close one’s eyes, take in the music and lyrics and see all of the images of which Hogarth sings being book ended by a camera spinning, pointed up at a shining blue sky.  The original demo take on the song is noticeably different from the final product.  It starts off much softer and doesn’t have the full on rock feel of what’s on the album.  It’s more piano driven.  When the choir comes in, its effect against Hogarth’s piano playing is just as powerful as what is presented in the album take of the song.  It definitely is one of the highest of points on the re-issue’s bonus disc.

Both ‘Wrapped Up In Time’ and the original demo take of ‘Lucky Man’ are wonderful additions to Marillion’s newly re-issued album.  There is at least one more addition to the re-issue’s bonus disc that merits noting.  That song is the band’s live performance of the title track from its recent release.  This nearly eight-minute performance taken from the band’s 2013 performance in Holland is a prime example of what makes Marillion such an extraordinary band in a live setting.  Hogarth’s vocals soar as he sings, “Aurora Borealis/Shimmering green and blue/Indigo and violent/Like phantoms half-imagined/Something unreal/But realer than everything/Seeing all the planet’s love floating in the air/Caressing you every day.”  The semi-psychedelic sounding lyrics gain even more power in the song’s live performance.  That’s thanks not just to Hogarth, but to the talents of his band mates, too.  Guitarist Steve Rothery is right up there with the likes of Dream Theater’s John Petrucci as he makes his way through the song.  And drummer Ian Mosley keeps the whole band together with this less-is-more style playing.  There are no major flashes or fills from Mosley.  He keeps a solid beat and adds a little musical spice where need be for lack of better wording.  Put simply, the band’s performance of the album’s title track is something that audiences must hear for themselves in order to fully appreciate it.  The same applies to each of the songs included on the bonus disc of Sounds That Can’t Be Made (Special Edition).  Audiences that give these variants a chance will agree at just how impressive each one is.  They will agree that the songs collectively make this record a solid re-issue and a re-issue worth hearing.  It is available now in stores and online.  More information on this and other releases from Marillion, as well as all of the latest news from Marillion is available online at http://www.marillion.com, http://www.facebook.com/MarillionOfficial and http://twitter.com/marilliononline.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Concert For Ronnie Montrose Is As Good As Any Major Label’s Live Recordings

Courtesy:  RoMoCo

Courtesy: RoMoCo

2013 has seen quite the surplus of live concert recordings.  Bands the likes of Jane’s Addiction, The Rolling Stones, Black Sabbath and so many others have been released to the masses.  Each of those live recordings has proven to be exceptional in its own way.  These recordings will be seen by countless audiences thanks to being released via some of the music industry’s biggest labels. It doesn’t mean that they’re the only live recordings to hit the market this year.  One independently recorded and released live concert event that deserves just as much coverage as those aforementioned recordings is the Concert for Ronnie Montrose.  Recorded April 27th, 2012 at the Regency Ballroom in San Francisco, California, this live concert event will impress anyone that is a fan of true, pure, guitar-driven rock and roll.  This applies to even those that might not be so familiar with the work of Ronnie Montrose.  There is much to like about this new live recording.  The most obvious of factors is the concert’s audio and video mix.  For a show that was independently recorded and released, it looks and sounds surprisingly good.  The show’s set list and guest lineup collectively make up another of the reasons to check out this concert.  And while it is something relatively subtle, those charged with finalizing the concert included names and titles for each artist on each song.  For those that might be unfamiliar with the artists, this inclusion will help to introduce the artists to said new audiences when they look up each name.  In turn, it could open audiences’ eyes and ears to a whole new world of music.  Together with the aforementioned factors, the Concert For Ronnie Montrose proves to be just as enjoyable as any live recording released by the industry’s major labels.

The Concert for Ronnie Montrose is an independently recorded and released live concert event.  The automatic thought that might be raised in some audiences’ minds upon reading this is that it probably doesn’t match up with the live recordings released by the record industry’s major labels.  That belief could not be any more wrong.  The reality of this concert recording is that it looks and sounds just as good as any of the countless other live recordings released on said labels already in 2013. The camera crews charged with capturing the concert expertly carried out their duties.  Home viewers get the best seat in the house.  They are taken right on stage with the musicians and even above the crowd to see the full extent of the audience in attendance.  Seeing how packed the house was on the night of April 27th, 2012 just goes to show that while Ronnie Montrose might never have been one of the biggest names in the industry, he was and still is one of the most respected individuals to pick up a guitar. It is truly a telling statement, and one that any Ronnie Montrose fan will appreciate when they watch this concert for themselves.

The Concert for Ronnie Montrose was captured just as expertly on video as any live recording released via the industry’s major labels.  It is crystal clear.  And the camera work itself is just as impressive.  Having examined the recording’s high-quality video, the next logical step is to examine its audio mix.  Having been recorded in the semi-intimate setting of San Francisco’s Regency Ballroom, it goes without saying that it was extremely important that the audio be perfect.  Those that are more familiar with the science of acoustics will appreciate the painstaking efforts taken to ensure that the concert’s sound was on par with any major live recording.     Not one of the guitarists overpowered the other at any point throughout the evening.  And none of the musicians overpowered their fellow guest vocalists, either.  That set alongside the equally top notch camera work and video editing serve as the foundation for a concert recording that proves in the long run to be just as good as any of the year’s major concert recordings.

The audio and video mixes in the Concert for Ronnie Montrose collectively make for a solid foundation for this recording.  Having examined both, the next logical step in examining the presentation is to look at the collective set list and the guest lineup.  The set list that comprises this tribute concert spans the late guitarist’s rich career before his passing.  From his days with the Edgar Winter Group to his work with the band that bore his name to his solo career, this concert is front loaded with more than its share of great music.  Even audiences that might perhaps be less familiar with Montrose’s work will likely recognize the Edgar Winter Group’s hit songs ‘Frankenstein’ and ‘Free Ride’ and the cover of The Rolling Stones’ ‘Connection.’  What’s more, those that might be fans of Dream Theater will hear quite the similarity between the concert’s opener, ‘Overture’ and certain work by Dream Theater guitarist John Petrucci on the first of Liquid Tension Experiment’s two records.  Petrucci wasn’t one of the artists on hand at the Concert for Ronnie Montrose.  However, some equally big names were in attendance. And their presence is sure to impress audiences just as much as the show’s set list.

The lineup of artists on hand to pay tribute to Ronnie Montrose is just as eye-opening as the show’s set list.  Classic rock fans will recognize former Journey band mates Steve Smith and Neal Schon and Tesla front man Jeff Keith.  Also on hand were two equally big names in the form of Montrose’s former band mate and friend Sammy Hagar (Montrose, Van Halen, Chickenfoot) and world renowned guitarist Joe Satriani (Chickenfoot).  Hagar and Montrose’s fellow former band mates were on hand for the concert, too.  Anyone that was a fan of the band in its heyday will appreciate seeing its members back together if only for a one off show.  If the set list that makes up the show isn’t enough for audiences, then this megastar lineup of artists is certain to convince audiences to check out this recording.

So much has already been noted as to what makes the Concert for Ronnie Montrose such a joy of a live recording, even having been recorded and released independently.  There is still one factor in the recording to examine.  It is a subtle, yet important factor to examine.  It is the inclusion of what is called “supers” (or superimposed images) highlighting the names and titles of each musician to take the stage throughout the concert.  Their inclusion is important for those that might happen to be new to each musician.  The names and titles are placed right in front of each musician.  This allows audiences to directly link a name with a face.  Audiences that are less familiar with said artists can in turn link the names and faces when looking up information on each one online or otherwise.  The latent effect of all of this is the potential introduction of a whole new world of music to new audiences.  For that alone, those charged with making sure the supers matched with each artist deserve their own round of applause.  And together with the camera crews, sound editors, and performers themselves, it all comes together to make the Concert for Ronnie Montrose a concert that any purist rock and roll fan will appreciate no less with each watch.  It is available now and can be ordered online at http://www.ronniemontrose.com/merchandise/index.php?main_page=product_info&cPath=65&products_id=238.  More information on this and all things Ronnie Montrose is available via the official Ronnie Montrose website, http://www.ronniemontrose.com.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Dream Theater At Its Peak In Its New Live Recording

Courtesy:  Eagle Rock Entertainment/Eagle Vision

Courtesy: Eagle Rock Entertainment/Eagle Vision

New York based veteran prog-rock band Dream Theater has been creating music for well over two decades.  To be more exact, almost twenty-five years have passed since the band’s debut album When Dream and Day Unite was originally released.  That release saw Charlie Dominici on vocals, with then drummer and keyboardist Mike Portnoy and Kevin Moore and founding members John Petrucci and John Myung on guitar and bass.  Dream Theater has seen a number of lineup changes since then.  Dominici was replaced with James LaBrie, who still fronts the band today.  Kevin Moore was replaced by Derek Sherinian and then later by current keyboardist Jordan Rudess.  And Mike Portnoy has also since left for greener pastures and been replaced by Mike Mangini, giving audiences the band’s current lineup.  What does this have to do with anything one might ask.  It has everything to do with everything.  As audiences will see in the band’s brand new live recording, Live at Luna Park, DT has never sounded better than it does with its most current lineup.  This latest live release is Dream Theater at its peak.  That is the first thing that audiences and fans will take away from LALP (as it will henceforth be known).  Longtime fans will also appreciate that while the term “career-spanning” isn’t bandied about for this recording, it is a justified term in this case.  This is the case despite the fact that not all of the band’s albums are represented in this concert.  And those with HDTVs and home theater surround sound systems will appreciate the overall sound and video mix throughout the concert.  They are the icing on the cake of this recording and together with the aforementioned elements, make LALP one more example of why Eagle Rock Entertainment continues to lead the pack in the world of live recordings.

The very first thing that audiences will notice about LALP is that this recording presents Dream Theater at its collective best.  Longtime fans of the band will agree with this sentiment, too.  No disrespect is meant to any of the band’s now former members.  But there is a certain something about the band in this concert that feels different from any of the band’s previous live recordings. It feels like the band has a whole new energy about it.  There’s no denying the talents of the band’s former (and founding) member, Mike Portnoy.  He is still one of the best drummers in the industry today.  But watching Mike Mangini behind his kit, there’s also no denying that Mangini is right up there with Portnoy in terms of his abilities.  Watching him perform his crossover maneuvers and reach up above himself to play his rototoms without missing a beat is breathtaking to say the least.  Getting to see him perform from so many angles makes that experience even more awe-inspiring.  It’s enough to make one question could Mangini in fact be even better than Portnoy?  That’s a topic for another time.  Getting back on topic, keyboardist Jordan Rudess more than lives up to the moniker of being a keyboard wizard, as audiences will both see and hear throughout the concert.  Just as much awe is felt watching bassist John Myung as he works his way through each of the numbers in this performance.  It’s obvious in watching this recording why Mynug has maintained the nickname of “The Octopus” throughout his career with Dream Theater.  One would be remiss to omit any mention of guitarist and vocalist John Petrucci and James LaBrie.  They too prove that they still have plenty left in the tank.  LaBrie is still a vocal powerhouse to this day.  And Petrucci can still shred with the best of them.  What’s more, he looks like he has seriously bulked up.  Put a mask on him, and he could be mistaken for Slipknot guitarist Mick Thompson.

It’s obvious in watching LALP that Dream Theater is at the top of its game right now.  If the band were to call it a career right now, then the musicianship of the band’s members alone would be a fitting immortalization of the band in this recording.  It’s not the only aspect of the recording to which audiences have to look forward.  Fans will also appreciate the extensive set list.  While this performance doesn’t necessarily cover the band’s entire catalogue, it does quite the job of representing most of the band’s albums.  That being the case, it’s safe to use the term career-spanning here.  Audiences will each have their own favorite moments from this concert.  This critic personally recommends the band’s original take on ‘The Silent Man’ for starters, off of the band’s 1994 album Awake as a starting point.  The string accompanists make the song even richer than the already impressive take included on the album.  On the heavier side, ‘Pull Me Under’ was the perfect choice to close the show.  This is the song that broke Dream Theater out and truly introduced the band to the masses in 1992.  And ‘Caught in a Web’ is a good middle ground piece for audiences to take in.  This song also came from the band’s 1994 album, Awake.  It’s not too hard or light.  It’s a good, solid driving rock song.  And experiencing it being performed with the band’s current  shows once again that Dream Theater hasn’t lost any steam over the course of nearly twenty-five years.  It’s just one more aspect of a recording that is the perfect starting point for the band’s new fans and just as impressive for those that have followed the band from its earliest days.

The set list and the talent displayed by the band throughout this performance are incredible, to say the least.  Just as incredible and noteworthy are the audio and video mixes.  Home viewers are taken into even more depth with this recording than those in attendance got.  Thanks to the work of the camera crew and director Mike Leonard, viewers are taken up close and personal so to speak with the band.  They get to be the proverbial fly on the wall, watching keyboardist Jordan Rudess work his magic and drummer Mike Mangini do things with his two hands that don’t even seem humanly possible at every turn.  Mangini’s talents behind the kit will assuredly blow away every viewer, drummer or not.  That is thanks to his talents being so effectively captured by the show’s camera crew and director Leonard.  The side-by-side shots of Petrucci and Rudess are just as impressive.  They serve together to add even more to the overall amazing effect of the performance itself.  Not one shot is wasted.  Nor is any mic.  Those with HDTVs and surround sound home theater systems will get the most immersive experience of all with the show’s Blu-ray recording.  And even if one doesn’t own a surround sound system, the audio and video mix alongside the show’s set list and the amazing display of talent by the band will still impress audiences, regardless of how long they have been listening to the band.  And should the band put out another live recording in the future, it goes without saying that it is this same mix of elements that will make it tough for Dream Theater to top this recording.  It is definitely the band at its best.  And it’s available now in stores and online.  More information on this and other releases from Eagle Rock Entertainment is available online at http://www.eaglerockent.com and http://www.facebook.com/EagleRockEnt.  More information on this and other releases from Dream Theater as well as the band’s latest tour news and more is available online at http://www.facebook.com/dreamtheaterofficial and http://www.dreamtheater.net.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Dream Theater Launches New Translated Websites, Preps New Live Release

Courtesy:  MSO PR

Courtesy: MSO PR

Internationally renowned progressive rock band Dream Theater has launched brand new translated websites for its fans in four more countries.  The band has launched translated websites for fans in Argentina, Israel, Italy, and Venezuela.  Fans in each nation are the first of likely many more nations in bringing fans closer to the band by translating its news page into their own language.  The push for broadening the fans’ inclusion started during the band’s tour in South America.  Guitarist John Petrucci notes that many of the fans across the continent voiced the need for websites translated into their own language.  “Our efforts to further unite our online international community have only just begun,” he said.  “We are very fortunate to have so much incredible support and devotion from fans in many different countries around the world, and we hope that more and more fan communities will participate in this ongoing endeavor.  We look forward to hearing from fans interested in having the news page translated for their countries.”  Jordan Rudess (keyboards) added to Petrucci’s sentiment noting, “We are excited to be working with these first four fan sites, and can’t wait for others from around the world to reach out to us on Facebook.”

Anyone that is interested in working with Dream Theater to have the band’s news page translated for their country can contact the band online at http://www.facebook.com/dreamtheaterofficial.  The band’s new translated news pages are just part of the band’s busy schedule.  Dream Theater’s new live release, Live at Luna Park is set to be released May 2013.  It will be released on a double-disc DVD set, Blu-ray, Digital Video, 2DVD/3CD set, Blu-ray/3CD set, and deluxe 2DVD/Blu-ray/3CD set.  Fans can check out the trailer for the upcoming live release online now at http://www.youtube.com/watch?v=NndiL9seZSI

Live at Luna Park was recorded over the course of two nights from the band’s South American tour.  Petrucci shared his thoughts on the upcoming release, exclaiming how excited he and the others in the band are about this live recording.  “This is without a doubt the closest a viewer at home will come to experiencing a live Dream Theater concert,” he said.  “Between the hi-def and 3D video, the huge audio mix and the documentary style behind the scenes footage, you are truly transported to the arena and completely immersed in the entire live experience.” 

To keep up with the latest news and more from Dream Theater, fans can go online to http://www.dreamtheater.net, http://www.facebook.com/dreamtheaterofficial, and http://twitter.com/dreamtheaternet

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Friedman Proves Again To Be One Of Rock’s Elite With New LP

Courtesy:  Prosthetic Records

Courtesy: Prosthetic Records

Prosthetic Records recently re-issued famed guitarist Marty Friedman’s 2009 and 2011 records, Tokyo Jukebox I and II in a double disc set for his fans.  The recent release marked the first time that these two albums had ever been released stateside.  Fans know of Friedman’s work with the likes of Megadeth.  But how many know of his abilities on his own?  That question is answered loud and clear with this recently released double disc set.  The aptly titled album presents quite a bit of material that sounds like it came right from a Japanese Anime feature film.  Though, it does also offer heavier material such as its relentless opener, ‘Tsume Tsume Tsume.’  What’s so interesting about this song is that rather than just being one song, it actually splits itself into two separate movements within its near five and a half minute run time.  It goes from being a thrashing, speed metal opus to a slower, heavier work that will leave listeners breathless by the song’s end before moving into the first of the album’s more anime favoring songs in ‘Gift.’

‘Gift’ sounds just like a work that could have come right out of the likes of Dragonball Z or a similar anime work.  Any listener who has any knowledge of Japanese features will be able to hear it, too.  Even those who are less initiated into the world of anime will be able to hear it simply by closing their eyes and taking in the song.  The album continues in this fashion in the album’s next handful of songs before finally leaning more towards a mainstream sound in the much more subdued acoustic song, ‘Romance No Kamisama.’  Friedman truly shows his talents here proving that just as he can shred with the best of the industry’s guitarists, he can play just as amazingly with a slower song.  As the old adage states, anyone can play fast.  But it takes a true musician to be able to play slow.  That being the case, Friedman shows here that he definitely is a true musician.  The addition of some very gentle piano runs and what sounds like a flute add so much more emotion to the song right up to its fading final moments.

The second half of Tokyo Jukebox Vol. 1 & 2 movies back in the direction of Friedman’s heavier side through all five of its tracks.  The opener, ‘Yeah! Mecha Holiday’ does lean more toward the vein of something from an anime feature.  But it somehow manages to walk the line, balancing that side of the music with a more mainstream sound.  Even more interesting about the song is the guitar break late in the song.  Instead of being metal, Friedman tosses in his own take on a jazz/fusion sound, believe it or not.  It really makes for an interesting listen. 

Just as much of an interesting listen is Friedman’s take on Pachelbel’s Canon in D in ‘Canon A La Koto.’  The introduction of an Asian element and Friedman’s guitar work makes this a piece that would amaze even the members of Trans-Siberian Orchestra.  It doesn’t even run a full two minutes.  It comes up just shy of that.  But in that time, it proves to be one of the shining gems of this combo release as does the powerhouse ballad style song that follows, ‘I Love You.’  Friedman expertly captures the emotion of someone newly in the bonds of love in this opus.  To make another comparison, anyone who is familiar with Dream Theater guitarist John Petrucci will appreciate this song as the similarity to Petrucci’s guitar work is evident here.  It makes for yet another high point to an album that is one of the best examples to date of Marty Friedman’s talents.  Tokyo Jukebox Vol. 1 & 2 is available now in stores and online.  It can be ordered online direct via the Prosthetic Records store at http://www.indiemerch.com/prostheticrecords/item/16661.

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Dream Theater Re-Signs With Roadrunner Records

Photo Credit:  Roadrunner Records

Photo Credit: Roadrunner Records

The members of veteran prog-rock band Dream Theater have re-signed with Roadrunner Records.  The announcement comes fresh off the heels of the band’s 2011 release, A Dramatic Turn of Events and supporting world tour—James Labrie (Vocals), Mike Mangini (drums), John Petrucci (guitars), John Myung (Bass) and Jordan Rudess (keyboards).  The band released a statement regarding the re-signing.  “We are all very excited to be re-signing with Roadrunner Records!  Over the past 5 years, from the release of Systematic Chaos to our latest, A Dramatic Turn of Events, we’ve developed strong creative and professional bonds with everyone at Roadrunner as well as many great friendships along the way”, the band collectively noted. 

The band expanded on those relationships with Roadrunner Records, stating, “Roadrunner’s commitment and dedication to Dream Theater has been evident to all of us from the very beginning, and is consistent in all departments and on all levels, right on through to the top.  Roadrunner is a record label that is not only great at what they do but who truly understand what Dream theater is all about as well as the amazing people who support us all around the world whom we proudly call our fans.  They are a record company we relate to as an organization firmly rooted in its ideals and mission, while always pushing the envelope in an effort to keep things moving ever forward.  We’ve reached many career defining milestones while at Roadrunner and are all incredibly pumped in anticipation of our continued future together.”

Having re-signed with Roadrunner, Dream Theater is set to begin recording its new album in 2013.  While the band gets ready to record its new album, fans can follow the latest developments from the band online at http://.www.dreamtheater.net, http://www.facebook.com/pages/Dream-Theater/7677942180, http://twitter.com/DreamTheaterNet, and http://www.myspace.com/dreamtheater

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Marty Friedman Re-Issue Is A Must Have For All Guitarists

Courtesy: Prosthetic Records

Thank goodness for Prosthetic Records and for guitarist Marty Friedman.  Thanks to Prosthetic Records, three of Friedman’s classic records have been re-issued for American audiences to enjoy once again.  The best of that new trio of re-issues is his 2006 instrumental prog-metal album, “Loudspeaker.”  “Loudspeaker” is a true musical experience and not just a rock record.  Anyone who is a fan of fellow guitar experts John Petrucci, Steve Vai, and Joe Satriani will appreciate the talent exhibited by Friedman on this record.

Friedman shows that his talent is right up there with Petrucci, Vai, and Satriani on “Loudspeaker.”  And having both Petrucci and Vai as guests on the record allows him even more opportunity to do just that.  The album opens with the pounding four minute plus Megadeth style song ‘Elixir.’  From the speed metal guitar work to the hundred mile an hour drumming, this song oozes classic metal.  As if that isn’t enough, he follows that up with an equally adrenaline pumping piece in ‘Speed Demon.’  One can actually kind of see someone behind the wheel of an all black classic car a la Steve McQueen in Bullit in listening to this song.  If a person listens to it in one’s car, said person may even become a speed demon, too.  It’s a great showing of Friedman’s technical expertise as a guitarist.

Friedman barely lets up after the first two tracks on “Loudspeaker.”  When he moves into ‘Black Orchid’, he kicks into more of a Misfits meets Motorhead style meets prog-rock.  It’s just one more of the many high points that are all across this record.  ‘Sekai Ni Hitotsudake No Hana’ has its own semi-punk style, too.  It will have any self-respecting metalhead’s hair flying while they rock out to it.  Friedman’s technical expertise continues on throughout the remainder of this record without fail.  As impressive as this record is, had it been a brand new record rather than a re-issue, it would have made it on to the list of the year’s best rock records that much easier.  That aside, it is still a record that any and every guitarist at every level should have in his or her own library as it shows exactly why Marty Friedman is one of rock’s greatest guitarists hands down.

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.