Anchor Bay’s In Fear Is One Of 2014′s Top Indie Flicks

Courtesy: Anchor Bay Entertainment

Courtesy: Anchor Bay Entertainment

Independent movie studio Anchor Bay has crafted some of the industry’s most surprising and underrated movies since the start of the twenty-first century. Most recently, Anchor Bay was behind the moving human drama that is Unfinished Song and the more lighthearted romantic comedy Shanghai Calling. It was also behind the release of the equally under appreciated 6 Souls and Dark Skies. Now in 2014, Anchor Bay has released yet another impressive yet under appreciated movie to its ever growing stable in the form of In Fear. While it is an indie flick, In Fear proves to be yet another piece from Anchor Bay that holds its own against any of the major horror flicks and thriller features out there today. The primary reason for that is the movie’s writing. This includes its plot. Another reason for its success is the acting on the part of Iain De Caestecker (Marvel’s Agents of S.H.I.E.L.D.), Alice Englert (Beautiful Creatures) and Allen Leech (Downton Abbey). And last but not least, In Fear works because of its cinematography and associated editing. All three of these factors together prove In Fear a work that will leave any open minded horror and thriller fan in happiness.

In Fear is not a major, big budget horror or thriller flick, obviously. What it is though, is a movie that any open-minded fan of both genres will enjoy. The main reason for this is the movie’s writing. The general plot starts out as one that has been done so many times before. Here, audiences see a young couple off on what is supposed to be a romantic weekend at a secluded hotel. But obviously, things eventually start to turn to the negative side of the needle for lack of better wording. This is where writer/director Jeremy Lovering takes the *ahem* high road (bad pun fully intended). It would have been so easy for Lovering to simply allow In Fear to descend to the dumbed down, overly violent level of so many major horror and thriller flicks from here. Instead, he kept the overt violence to a minimum by comparison. Where far too many major horror and thriller flicks fill their run times with unnecessary violence, blood and gore, Lovering has virtually eliminated those elements, using only what was absolutely necessary to help maintain the story’s grip on viewers. And the standard exploitative sexual content thrown in to those major motion pictures is totally nonexistent here. For that reason alone, Lovering deserves a lot of credit.

The minimized use of blood, gore and general violence and the complete lack of exploitive sexual content is just one part of what makes this movie’s writing work so well. Lovering keeps viewers wondering even after Tom and Lucy let Max into their car. Audiences have to admit that had they been in Tom and Lucy’s position, they too would be uncertain as to whether or not Max was good or bad. So any viewer that might like to claim the movie was predictable is proven wrong through this avenue alone. That unpredictability is heightened through the use of certain elements that also lead to some “a-ha” moments by the story’s end, too. Those “a-ha” moments illustrate even more the depth of Lovering’s writing in his script and in turn its enjoyment.

Jeremy Lovering’s script for In Fear is the cornerstone of the movie’s success. The acting on the part of Iain De Caestecker, Alice Englert, and Allen Leech serves to strengthen the movie even more. The trio is entirely believable in its acting. Caestecker and Englert expertly exhibit the growing tension and fear felt by any normal person lost in unknown territory. Given, the odds of being lost and hunted by an unseen predator of sorts are slim to nil in reality. But the fear caused simply by being lost in unknown territory is very real as is the general fear of the unknown. And Caestecker and Englert have made that fear all the more real through their acting. Any viewer will be able to relate to them as they watch the pair try to reach the Kilairney Hotel thanks to the seriousness with which the pair took its roles. Together with the script, this aspect of In Fear makes the movie all the more gripping and enjoyable for viewers.

The acting and writing behind In Fear both are pivotal to the success of the movie. There is still one more aspect of the movie that adds to its enjoyment. That factor is the movie’s collective cinematography and editing. Some of the best shots of the entire movie come as Lucy is looking out of the car, waiting for she and Tom to reach the hotel. Audiences see trees hanging ominously overhead as the sky slowly darkens. These are such subtle shots. But they are so powerful because they are so powerful. It adds to the feeling of tension and being trapped in an enclosed environment for extended periods of time. The way that editor Jonathan Amos (A.C.E.) transitioned the two shots adds so much by doing so little. Those behind the cameras are just as worthy of applause for the solid yet short shots of the figure that seems to be hunting Tom and Lucy. Audiences get just enough of a glimpse to know that there is something outside that car that doesn’t want the pair around. And the shots are just plentiful enough to add to the movie’s fear factor, too. Again, it shows the expert work of Amos and his co-workers behind the cameras. There are far more examples of how the cinematography and editing make In Fear a horror/thriller worth seeing. Audiences will find even more examples when they purchase or rent the movie for themselves on DVD and Blu-ray.

Whether for the cinematography, the editing, the acting or for the general writing, any open-minded fan of the thriller and horror genres will find plenty of reasons to check out this latest underrated and under appreciated release from Anchor Bay Entertainment. The movie is available now in stores and online. It can be ordered direct from Anchor Bay Entertainment’s website at http://www.anchorbayent.com/detail.aspx?projectID=2545b3bd-9d4b-e311-bba7-d4ae527c3b65. More information on this and other releases from Anchor Bay Entertainment is available online at http://www.anchorbayent.com, http://www.facebook.com/AnchorBay, and http://twitter.com/Anchor_Bay. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Superheroes: A Never-Ending Battle Is A SUper Documentary

Courtesy:  PBS

Courtesy: PBS

Comic books are big business today.  One look across the TV spectrum and through theaters in recent years shows just how massive a money maker it has become.  The problem is that so many people today still think that comic books past and present are just that.  Thankfully, PBS recently released a new documentary centered on comic books that proves that commonly held belief is completely wrong.  It reveals just how closely comic books and everyday life have been ever since the first comic heroes hit the printed page way back in the 1930s.  Superheroes: A Never-Ending Battle follows the history of not just superheroes, but the comic industry from its earliest days in newspapers to its current era.  It splits the history of the business into three separate segments beginning with its earliest days in 1938 to the present.  Each of the three segments clearly explains how the comics industry and American society affected one another.  Interviews with those that created some of the greatest superheroes to those charged with bringing those characters to life help to illustrate these stories, as does the inclusion of vintage video and audio showing the impact of the pair on each other.  The interview segments included with the main feature are collectively a real bonus to the presentation.  That is because audiences get to hear from great names such as Stan Lee, Linda Carter, and even Adam West as they expand on the topics raised in the main feature.  Their thoughts are quite enlightening and make the documentary’s overall presentation all the more worth watching whether one is a comic book fan or not.

Superheroes: A Never-Ending Battle is quite the documentary.  Whether or not one is a comic book fan, audiences will appreciate it as it shows one more way in which art and real life can and do affect one another.  It dispels the beliefs about the comics industry that have been held for far too long by those that are less knowledgeable about the industry.  The entire documentary comes in at a total run time of roughly three hours.  Those three hours are split in three separate roughly hour-long presentations.  The first takes audiences from 1938 – 1958.  The second takes viewers through some of America’s most turbulent years from 1959 – 1977.  And the last of the three segments runs from 1978 up to the present.  Over the course of each segment, viewers get an in-depth look at just how closely world culture and the comics industry are connected.  One of the most interesting facts that audiences will learn is the uphill battle the comics industry has faced against the government from early on.  Even as late as the late 1970s, the comics industry remained under fire from government bodies.  Just as interesting is the seeming up and down trend that the comics industry has experienced from its earliest days.  There is much more that audiences will be able to take away from each of the documentary’s three segments.  Each viewer will find something for himself or herself when they order the DVD direct from PBS’ online store.

The information shared through each of the documentary’s three segments is in-depth and at times eye opening.  But it would be nothing with the vintage video and photos to help illustrate the many subjects discussed within the course of each segment.  Audiences actually get to see and hear former President Jimmy Carter voicing his negative opinion of the comic book industry.  There is also footage of the classic Batman TV series starring none other than Adam West and Burt Ward as part of a discussion on its connection to the era in which it aired.  There’s even a discussion on the most beloved of the Superman movies complete with footage from said movie, and footage of soldiers reading comic books during World War II.  It shows collectively just how important the comic industry has been to America throughout the ages even in its lower points.    It’s one more aspect of this documentary that viewers will appreciate regardless of whether or not they are comic book aficionados.

From the information shared throughout the whole of Superheroes: A Never-Ending Battle to the accompanying video and audio footage, this documentary is another success from PBS.  But no documentary would be complete without at least some bonus content.  And this DVD more than offers that.  It offers as bonus content, interviews with the likes of Adam West, Stan Lee, Linda Carter and others within the comics industry.  Stan Lee shares his thoughts on how his characters came to be.  One of the funniest moments is his anecdote about how students in a college level course were discussing the Silver Surfer at a deep philosophical level.  Carter discusses the role of Wonder Woman in feminism.  And West discusses the role that his Batman played in the country’s nuclear age and how that led to its campiness.  As with the in-depth information shared throughout each of the documentary’s three segments, there is even more to discover from the bonus interviews.  There is even a remembrance of sorts for animation legend Jack Kirby.  That and so much more is contained on one disc that audiences can order now online from PBS’ online store at http://www.shoppbs.org/product/index.jsp?productId=23148226&cp=&sr=1&kw=superheroes&origkw=Superheroes&parentPage=search.  More information on this and other releases from PBS is available online at http://www.facebook.com/pbs and http://www.pbs.org.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Sapphire And Steel Proves To Be One Of TV’s Most Underrated Sci-Fi Dramas

Courtesy:  Shout! Factory/itv

Courtesy: Shout! Factory/itv

Shout! Factory has made quite the name for itself in recent years by releasing some of the twentieth century’s greatest TV shows and movies.  Partnerships with variety of companies have resulted in the release of classic 90s Nicktoons and some equally beloved older movies including: The Producers, Swamp Thing, and They Live just to name a few.  While many of Shout! Factory’s releases in recent years have been relatively well known to American audiences, there have been those releases that are far more obscure.  Earlier this year, Shout! Factory partnered up with an Australian company to release the Dr. Who spinoff, -9: The Complete Series.  Now as the year winds down, Shout! Factory has partnered with British network itv to release another more obscure classic series in the form of Sapphire and SteelSapphire and Steel was a show well ahead of its time.  An examination of its writing and production values proves this.  A side-by-side comparison with the likes of Fox’s hit sci-fi series The X-Files and Fringe shows just how far ahead of time Sapphire and Steel was in its original run from the late 70s into the 80s.    That comparison will prove in the grand scheme of things just how important Sapphire and Steel is today, despite its original short, roughly four-year run.

Sapphire and Steel was in its original run, one of very serials on the air at its time.  Other than soap operas, most networks during the 70s ran very few primetime serials.  This applies even with British television.  That aspect alone puts Sapphire and Steel far ahead of its time.  Putting it even far more ahead of its time is that despite audiences’ desire to compare the two, this series is nothing like its fellow British sci-fi series, Dr. Who.  The only concrete similarity that the two share is the fact that Sapphire and Steel are able to travel through time with ease as they investigate various cases.  Other than that, there are no similarities between the pair.  If anything Sapphire and Steel can be more easily compared to Fox’s The X-Files and Fringe.  All three shows see their main characters investigating experiences that defy any logical explanation.  In the case of Sapphire and Steel, audiences see its two main characters investigating most notable the case of a man who had the ability to trap people in photographs in one episode.  Another saw them investigating a haunted train station that was already being investigated by a self-proclaimed ghost hunter.  And in one of the most interesting of the short-lived series’ episodes, Sapphire and Steel have to deal with a pair of time travelers from the future.  The dialogue between the characters is simple enough for any viewer to follow.  And the music written in as a bed for each scene helps make each one even more gripping.  One must not forget the manner in which each episode ends, too.  The show’s writing staff made no bones about the fact that this show was a serial.  The semi-cliffhanger episode endings were expertly written.  They kept viewers really wanting to know what will happen next.  This is a tribute to the work put into each episode by the show’s writers even with each episode being split into so many episodes.  That writing made having so many episodes per story enjoyable, rather than annoying as some critics would like to believe.

The writing behind Sapphire and Steel is the series’ key point of success.  The show’s writers crafted stories that were largely unlike anything that other British, and even American dramas of the time were doing.  Also to be factored into the show’s importance is its production values.  The general production values of Sapphire and Steel are by today’s standards rather low grade.  However, when one looks at the production values in a larger picture, those behind the show used what they had at the time.  The result is that it led the show to rely on its writing and acting for its success.  That’s not to say that in hindsight the special effects are low budget.  There is something about the show’s production values that in comparison to so many of today’s TV shows and movies that makes one appreciate them.  Today’s movies and TV shows are so over the top in terms of their production values that it makes them feel boring.  Classics such as this show though, have more substance.  It uses the production values as a companion tool to the writing, thus giving audiences a truly full viewing experience.  Whether one is familiar with Sapphire and Steel or not, it proves with its combination of solid writing and its production values that it’s a show that any sci-fi fan should see at least once.  Perhaps in doing so, said viewers will gain a new appreciation for not just the one show, but classic science fiction television and film making as a whole.  Sapphire and Steel is available now on DVD in stores and online.  It can be ordered direct from the Shout! Factory online store at http://www.shoutfactory.com/catalog/search/?uc_search_word=Sapphire%20and%20Steel.  More information on this and other titles from Shout! Factory is available online at http://www.shoutfactory.com and http://www.facebook.com/shoutfactoryofficial.

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New Iron Man DVD A Solid Season Closer, Lead-In To Iron Man 3 Movie

Courtesy:  Marvel Animation

Courtesy: Marvel Animation

Marvel Animation releases the latest in its “animated” series, Iron Man: Armored Adventures next Tuesday, April 23rdIron Man: Armored Adventures Season 2 Volume 4 follows the continuing journey of the teenage Tony Stark and his friends as they face the forces of evil.  This time out, Tony finally discovers that his father is actually alive only to have to save his life again.  Also in this finale to the show’s second season, Iron Man and his friends also have to face off against the evil Dr. Doom, and Pepper Potts even gets her own suit of armor.  And what action series would be complete without an alien invasion?  The season closes out with an epic battle against the Makluans.  All of this and more spans eight episodes in one more disc that finishes off the second season of Iron Man: Armored Adventures.  The show’s cg-based “animation” continues to stand out from the rest of the crop of CG-based kids’ shows, continuing to help maintain its identity.  This is especially the case considering that the recent Hot Wheels animated series and Stormhawks have gone by the wayside.  Both of those shows used very similar cg based animation.  Together with the packaging and the action packed episodes, audiences get another set of episodes that makes for a nice lead-in to the upcoming theatrical debut of Iron Man 3.

Iron Man Armored:  Adventures Season 2 Vol. 4 succeeds as a continuation of the season’s previous volumes and as a lead in to the upcoming theatrical release of Iron Man 3 thanks to its writing.  This final portion of Season Two leads up to an epic faceoff with the Makluans.  The faceoff in question is a result of actions by the teenage Mandarin in his search for the tenth ring.  Viewers get an origin story not of just The Mandarin, but also of the rings.  According to the legend presented here, the rings are actual alien in descent, and were used by an evil alien warlord to enslave other alien beings.  In the process of everything, Pepper plays a role and is introduced as “Rescue” having gotten her own armor in the buildup to the battle with the Makluan.  Keeping this in mind, the writing of the episodes included in this set, and the timing of its release will really help to build hype for the latest upcoming big screen feature.  All involved with the series and its release are definitely to be commended for all of this.

The writing and the timing of this set’s release make it a success.  This goes without saying.  Its form of CG-based “animation” adds to its success.  There have been few modern “animated shows” that have used and use the form of CG-based art that this show uses.  Two that come to mind immediately are: Stormhawks and Hot Wheels battle Force 5.  Both shows have gone by the wayside.  By comparison, the current success level of Marvel’s properties would seem to suggest that this program still has some life left in itself.  And if that truly is the case, then fans can expect even more adventures from Tony, Pepper and Roady set against this largely unique CG-based animation style art.  Until then, fans can check out all the adventures from this final quarter of the show’s second season when it hits stores next Tuesday alongside, Iron Man: Armored Adventures: The Complete Season 2.  And for all things Iron Man and Marvel, fans can get all the latest when they “Like” Marvel on Facebook at http://www.facebook.com/Marvel or check in at the official Marvel website at http://www.marvel.com.

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Fleischer’s Superman Flies Higher Than Ever In New Blu-Ray Re-Issue

Courtesy: Gaiam

Superman is flying again.  And this time it’s thanks not to DC, but to a little company called Gaiam.  Thanks to Gaiam, Max Fleischer’s classic Superman cartoons have been restored and made available once again to the public.  These classic cartoons are an example of everything that was once right with animation.  And now not only can the generation that grew up with these classics enjoy them once more, but so can a whole new generation.  At a time when DC and Marvel are increasingly going toe to toe with one another, churning out feature after feature (both on the big and small screen), this double disc collection is a welcome breath of fresh air for comic book fans the world over.

While there may have been only a grand total of seventeen episodes of Superman created by Max Fleischer between 1941 and 1942, those seventeen episodes are some of the finest animation to ever grace any television screen.  As with so many early pieces of animation, Fleischer and his team of nearly six hundred (yes, nearly six hundred) animators gave Superman its own identity through their work.  This is something that has so sadly been lost in today’s “animated” features.  Being that so many “cartoons” are created via computer, they all look alike.  They’re sterile.  They have no real identity, compared to the likes of Superman.  Sure, older cartoons such as these took massive amounts of time, money, and staff.  But the end result is well worth it.  That is evidenced here.

One might ask how it’s known that Fleischer used nearly six hundred animators and large amounts of money to create Superman.  The answer to that is simple.  The commemorative booklet included in this double disc set gives a full in-depth history lesson on how Fleischer came to ring one of the greatest superheroes of all time to the small screen.  Dr. Thomas R. Reich, Ph.D. explains in the culled information that the shorts collected in this set were the result of discussions between Paramount and Fleischer Studios over a Superman movie.  Because of the costs that the movie would have incurred, the two sides agreed that instead of a Superman movie, Fleischer would break up its movie proposal into what is now one of the earliest of the Superman TV series.  Dr. Reich explains with excruciating detail how the series eventually came to life, and just as soon came to its end.  There are also discussions on Fleischer Studios’ early days creating the likes of Gulliver’s Travels, Betty Boop, and even Popeye.  The bonus booklet even includes a full episode listing with equally in-depth synopsis for each episode.

The bonus booklet included in this new Superman Set offers loads and loads of trivia for audiences.  The story of how these seventeen shorts came to be is enlightening to say the least.  Just as enlightening is the revelation that it’s Fleischer and company who are to be credited with the now famous lines, “Faster than a speeding bullet” and “able to leap tall buildings in a single bound.”  This is just one more example of the value of this set to audiences.  Valuable information such as this, along with the equally impressive animation and storylines make this Blu-ray re-issue of Max Fleischer’s one of the best kids’ releases of the year.  It also makes it one of the year’s best in the category of general DVD’s and Blu-rays.  It will be available in stores and online on Tuesday, October 30th.

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Leguizamo’s New PBS Special Will Entertain And Move Audiences

Courtesy: PBS

John Leguizamo has become one of Hollywood’s big names thanks to his time as the voice of the loveable Sid the Sloth from the Ice Age movie franchise.  What a lot of people don’t know though is that Leguizamo has been making audiences laugh for years.  Thanks to the new documentary from PBS, Tales from a Ghetto Klown, audiences will get to learn about Leguizamo’s comedy roots, and about everything that went into bringing his latest project, “Ghetto Klown” to life.

Tales from a Ghetto Klown profiles Leguizamo’s rise to stardom, from his early days up to his most recent one-man show.  Viewers see how far he’s come through interviews with his family and friends, including other comedians.  Archived footage of his previous work adds even more depth to his story.  In watching this documentary, audiences may be somewhat surprised to see a man with two very different sides.  On stage, audiences see a man who is entirely in control and self confident.  But on the other side, Leguizamo admits himself that he’s nervous just trying out his material in a rehearsal with a very small invited audience.  It shows just how serious Leguizamo takes his craft.  Understanding that makes for that much more appreciation for him both as a person and an entertainer.  On another note, viewers will note that perhaps Leguizamo is a comic book geek.  In some of his interviews and even in his on-stage performances, he’s seen wearing comic book based shirts.  He’s got both an X-Men shirt and a Batman shirt.  Audiences who are fans of both DC Comics and Marvel will appreciate the shout outs even if they are just coincidental.

Leguizamo really comes across as something of an underdog in this presentation.  So when it begins to follow the journey to bring his latest show to life, audiences will find themselves rooting for him.  First there was an issue with having lost a contract for a theater in which to perform his show.  And then his prep show in Chicago was nearly shut down thanks to a massive snow storm.  Luckily though, he does finally see the fruits of his labor.  And even despite negative reviews from some critics, his show was obviously a hit among audiences.  It was such a hit that when it closed in the U.S., he ended up even going a Spanish language version of his show in Colombia.  The road to making that show happen was just as interesting.  Audiences can find out for themselves everything that he went through to make that show happen.  There are moments here that will amaze some audiences.  Those moments will also move audiences as they show Leguizamo getting back in touch with his roots.

The journey from dream to stage will keep audiences’ eyes and attention through the near hour long presentation contained on this documentary’s single disc.  Audiences will also laugh at the snippets of his act included as bonus features.  And for those who want even more depth to the presentation, there are even more interviews with those involved with the show’s birth and life included as bonus features.  They all come together with the main presentation to both move and entertain audiences.

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Superhero Squad’s Latest (And Last?) Release Is More Kid Friendly Comic Based Fun

Courtesy: Shout! Factory

Comic books today aren’t meant for younger readers.  Being a grown up comic book geek, I’ve seen the content in comic books change dramatically over the years.  Perhaps it’s a product of the time, but even the movies on which the comics are based are anything but kid friendly.  Thankfully, Marvel has crated a line of comics that is kid friendly.  And in accordance, there’s even a comics based cartoon called The Superhero Squad Show that is great for young comics fans.

The Superhero Squad Show is great for kids because while it has all the great adventures that have made the characters great over the ages, the general content of those adventures is entirely kid friendly.  It doesn’t have any harsh language, sexuality, etc.  Add in bright, vivid, hand drawn animation, and audiences get another positive in an era when so many “cartoons” are really just a bunch of CG based visuals.   On top of the great artwork and the kid friendly content is a fun comedy element that both kids and parents alike will love, including constantly breaking down the fourth wall.  There are even pop culture references tossed in throughout the show that parents will love, including a reference to The Hitchhiker’s Guide to the Galaxy in what seems to be the series finale.

Yes, Season Two Volume Four seems to be the finale volume from this family and kid friendly comic based series.  All research done on the show seems to point out that the show has ended.  If that’s the case, then it has been wrapped up nicely in this volume.  Volume Four picks up where Volume three left off.  Captain America, Mr. Fantastic, and Ms. Marvel are trying to bring the rest of the squaddies back after being captured.  But it’s not as easy as it seems, as they have to face Baron Mordo, when he breaks into the Squad’s base and captures Captain America.  Eventually, the evil Baron is beaten, and Mr. Fantastic gets the base’s satellite dish fixed and brings back the rest of the squad.

Once the whole team’s reassembled, everything eventually leads up to the final confrontation between the Dark Surfer and the squaddies.  And who would have thought, even Dr. Doom inadvertently helps out, though only for his own benefit.  When both Dr. Doom and the squaddies face off against the Dark Surfer, the Squad is able to get each of the stones away from the Surfer’s duplicates and defeat him…or so they think.  Everything comes down to one final battle between Iron man and Dr. Doom over the Infinity Sword.  The conflict leads them to accidentally destroy the sword.  It’s that destruction that finishes off the Surfer once and for all, and returns him to the form of the Silver Surfer.  And while Surfer admits guilt for what he’d done and the Squad still backs him, knowing he was under a spell, he is still taken away by Ronan (voiced by Michael Dorn).  The squad goes back to Earth, where everything is finally back to normal, and the Scarlet Witch is even accepted as a member of the squad.

The Superhero Squad Show is a great kid friendly introduction to the world of comics.  Given, it may upset some hardcore fan boys as it has no link to the comics in general.  But in an age when so many comics are anything but kid friendly, this seemingly final volume from The Superhero Squad Show makes for one more great introduction for young fans to the world of comics.  It’s action packed without being too edgy.  It has lots of bright hand drawn colors, which is equally appealing.  And the comedy and pop culture references are enough for young and old comics fans alike.  Season two Volume Four is available in stores and online now.  It can be ordered direct from Shout! Factory online at http://www.shoutfactorystore.com.

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