WWII From Space An Excellent Introduction To The History Of World War II

Courtesy:  History Channel/A&E Home Video

Courtesy: History Channel/A&E Home Video

History Channel’s latest WWII documentary, WWII From Space is a good jumping off point for anyone that has ever had any interest in the…well…history of World War II.  Much like last year’s release of History of the World in Two Hours, this documentary is not intended to go into the massively in-depth discussions of perhaps Vietnam in HD or WWII in HD just to name a couple of other History Channel war documentaries.  Rather, this feature scratches the surface in the war’s history.  It does so over the course of roughly an hour and a half.  And it does so largely thanks to its mass of CG based visual aids employed throughout the presentation.

Some audiences have criticized WWII From Space because of its use of CG based visual aids.  The reality is that this is not such a bad thing.  Rather, it along with the feature’s relatively short run time that is solidly segmented makes it a wonderful addition for any high school and entry level college history course.  The CG based maps of the earth present the movement of both the Allied and Axis forces throughout WWII.  It also employs the use of what would be the equivalent today of military spy tech to present the different movements and weaponry of forces on both sides of the war.  It’s like something out of the recent Iron Man movies.  And keeping this in mind, it is sure to entertain not just younger audiences, but older audiences, too that are enamored by the ever changing scape of technology.

The CG based maps make for excellent visual aids in following the course of the war.  Adding even more interest to this feature is the use of CG based graphics to illustrate the battles both on the land and in the air.  One good example of this would be the comparison of U.S. forces killed in Pearl Harbor as compared to Japanese forces that were killed.  Audiences learn the massively wide ratio of U.S. forces killed in comparison to Japanese dead.  It uses helmets highlighted to show each side’s dead and points out the ratio clearly on screen.  This is just one time that this strategy is used.  It is used throughout the course of the program.  Again, there is nothing wrong with such a method being used.  Instead of simply filling people’s ears and minds with facts and figures, these illustrations help to drive home the sheer magnitude of the seemingly overwhelming odds that Allied forces faced over the course of the war.

The CG based graphics are the biggest part of this introductory level WWII documentary.  Those behind its creation should also be applauded for touching on more than just the facts and figures of the war’s numbers in terms of casualties and force sizes, etc.  Throughout the feature, audiences will notice the constant subtle note that the war was largely economic both in the Pacific and European theater.  It takes the time to note that it was in fact an embargo on Japan that eventually led to the island nation’s military forces to attack American forces in Pearl Harbor.  Anyone that has any interest in this side of the war would be well recommended to read author Evan Thomas’ book, Sea of Thunder: Four Commanders and the Last Great Naval Campaign 1941 – 1945.  This book clearly notes the effect of the embargo on Japan and how it led to the decision by the Japanese government to attack U.S. forces in Hawaii.  Even more interesting to learn in reading this book is something echoed by actor/director Clint Eastwood’s 2006 WWII foreign language movie, Letters From Iwo Jima.  This movie, much like the aforementioned book actually points out that not all Japanese citizens wanted to go to war with the United States, nor did certain members of the Japanese government and military.  Again these much more in depth discussions are all started by History Channel’s WWII From Space.  So it proves just how valuable this documentary is even at an introductory level.

While the program and those behind it are to be applauded for their work providing introductory information concerning the economic influences of the war, there are other factors that are left untouched.  For instance, the late mention of Truman making the call to drop the atomic bombs on Japan was more than merely Truman making the call.  As anyone that has seen any of History Channel’s other documentaries will recall, Truman didn’t merely make the call.  He offered Japan more than one opportunity to surrender before making the call.  What’s more Truman took over during the course of the war after Roosevelt died.  History Channel’s multi-disc set focusing on some of our nation’s most well-known presidents goes into depth about this very subject.  Again, this goes back to the importance of this feature as an introductory level feature.

That WWII largely takes an introductory level is a very good thing for audiences of all levels despite what some might want to believe or say.  It doesn’t attempt to go into too much depth.  And yes it does move at a relatively fast pace.  But it also is segmented as if it was a televised feature.  There are breaks throughout the course of the documentary that will allow for audiences to stop, take breaks, and come back to the show at their own pace.  This is especially helpful both in the living room and in the classroom as teachers won’t be forced to decide where to stop for the sake of class time.  And home viewers can simply take the program at their own casual pace.  What’s more, the Blu-ray presentation of WWII From Space will allow viewers to stop the program, take it from one Blu-ray player to another and bring it back to the original player, and pick it up from where it was stopped on said Blu-ray player if so desired.  This is a minor detail on the surface.  But in the grand scheme of things, it proves to be one more nice addition to the overall presentation.  It prevents audiences from having to go through the scene selection menu on the main menu or from even having to search through the program to get back to where they originally stopped.  Again, this is subtle but impressive.  And combined with everything else already noted concerning this feature—from its CG based visual aids, to its introductory level information about the war, and its segmented presentation—it proves to be a great feature both for teachers and home viewers at any level and an enjoyable watch for anyone that has ever had any interest in the history of one of the world’s biggest conflicts.  It is available now in stores and online.  It can be ordered direct online from the History Channel store at http://shop.history.com/detail.php?p=450976&SESSID=30040cc7fc45da7ca4832f41ee690e27&v=history.

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New Iron Man DVD A Solid Season Closer, Lead-In To Iron Man 3 Movie

Courtesy:  Marvel Animation

Courtesy: Marvel Animation

Marvel Animation releases the latest in its “animated” series, Iron Man: Armored Adventures next Tuesday, April 23rdIron Man: Armored Adventures Season 2 Volume 4 follows the continuing journey of the teenage Tony Stark and his friends as they face the forces of evil.  This time out, Tony finally discovers that his father is actually alive only to have to save his life again.  Also in this finale to the show’s second season, Iron Man and his friends also have to face off against the evil Dr. Doom, and Pepper Potts even gets her own suit of armor.  And what action series would be complete without an alien invasion?  The season closes out with an epic battle against the Makluans.  All of this and more spans eight episodes in one more disc that finishes off the second season of Iron Man: Armored Adventures.  The show’s cg-based “animation” continues to stand out from the rest of the crop of CG-based kids’ shows, continuing to help maintain its identity.  This is especially the case considering that the recent Hot Wheels animated series and Stormhawks have gone by the wayside.  Both of those shows used very similar cg based animation.  Together with the packaging and the action packed episodes, audiences get another set of episodes that makes for a nice lead-in to the upcoming theatrical debut of Iron Man 3.

Iron Man Armored:  Adventures Season 2 Vol. 4 succeeds as a continuation of the season’s previous volumes and as a lead in to the upcoming theatrical release of Iron Man 3 thanks to its writing.  This final portion of Season Two leads up to an epic faceoff with the Makluans.  The faceoff in question is a result of actions by the teenage Mandarin in his search for the tenth ring.  Viewers get an origin story not of just The Mandarin, but also of the rings.  According to the legend presented here, the rings are actual alien in descent, and were used by an evil alien warlord to enslave other alien beings.  In the process of everything, Pepper plays a role and is introduced as “Rescue” having gotten her own armor in the buildup to the battle with the Makluan.  Keeping this in mind, the writing of the episodes included in this set, and the timing of its release will really help to build hype for the latest upcoming big screen feature.  All involved with the series and its release are definitely to be commended for all of this.

The writing and the timing of this set’s release make it a success.  This goes without saying.  Its form of CG-based “animation” adds to its success.  There have been few modern “animated shows” that have used and use the form of CG-based art that this show uses.  Two that come to mind immediately are: Stormhawks and Hot Wheels battle Force 5.  Both shows have gone by the wayside.  By comparison, the current success level of Marvel’s properties would seem to suggest that this program still has some life left in itself.  And if that truly is the case, then fans can expect even more adventures from Tony, Pepper and Roady set against this largely unique CG-based animation style art.  Until then, fans can check out all the adventures from this final quarter of the show’s second season when it hits stores next Tuesday alongside, Iron Man: Armored Adventures: The Complete Season 2.  And for all things Iron Man and Marvel, fans can get all the latest when they “Like” Marvel on Facebook at http://www.facebook.com/Marvel or check in at the official Marvel website at http://www.marvel.com.

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TV Renewals and Cancellations Start For 2013

The television industry is in one of its key moments right now.  As the calendar turns from Winter and closer to Spring, network execs at the “Big 4” (and CW) are starting to do some early planning for each network’s Fall schedule.  Typically the Fall schedules are released in Spring; May to be exact.  And if the latest numbers are any sign, things could be very interesting for television this coming Fall as the Winter/Spring season nears its end and we move into the annual filler season.  While things are still uncertain for many shows, the picture for all of the “Big 4” (and CW) has become increasingly clear already.  While there are still a lot of uncertain, it looks like when the dust settles, NBC will have the most to lose, while CBS will end up the big winner with FOX and ABC battling it out for second place.  Of course, let’s not forget the massive slate of pilots set to air very soon across the networks.  Considering the way the schedules look for the “Big 4” (and CW), CBS may still end up the big winner, even with networks such as Syfy and A&E having two of the most anticipated shows of the year.  Let’s take a look at everything.

So far, it looks like NBC has the most to lose.  The network proves to be the biggest loser (yes, that pun is intended) with no fewer than ten of the shows in its schedule being on the chopping block.  This means that at the time of this posting, their fate is up in the air.  Those shows include the likes of Community, Parks & Rec, and 1600 Penn just to name a few.  The network has officially renewed five of its shows at the time of this posting and brought four to an end.  In NBC’s defense, two of those shows ending (The Office and 30 Rock) simply came to the end of their run whereas Animal Practice and Do No Harm were cancelled due to poor ratings.  CBS on the other hand looks to have come out the big winner in everything, and likely will even after the summer filler season ends.  As of this time, CBS’ schedule looks to be largely intact with at least fifteen shows from its schedule set to return, one cancelled, and six still on the hook. 

Perhaps the most interesting trend to note of all the announcements released so far is that audiences seem to be drawing more towards dramas than anything else.  This includes reality television.  Considering the glut of reality TV shows out there on the majors, ABC, CBS, NBC, Fox and The CW have combined so far for a total of ten total reality shows officially confirmed as being safe so far.  Dramas from the five networks on the other hand, combined for a total of twenty-one shows that have been confirmed as being back so far.  Comedies accounted for only fourteen total shows that will definitely be back as of yet.  On the other side of the coin, comedies topped the list of shows that have been cancelled during the Winter/Spring schedule.  ABC lost the most dramas, with five total.  None of the 5 majors reported cancellation of their reality TV programming.  It really makes for an interesting trend to note.

In terms of the most anticipated shows coming this year are A&E’s Bates Motel, ABC’s much talked about small screen take from the Marvel Comics universe in S.H.I.E.L.D. and Syfy’s long awaited return to actual science fiction programming in Defiance.    Syfy has had at least some science fiction based shows in the likes of the previous Battlestar Galactica re-incarnation as well as Eureka and the now short lived Alphas.  So there’s a lot of talk around this one, especially after the leap of faith that was Battlestar Galactica: Blood & Chrome.  After the much maligned Caprica ended, there was a lot of speculation around the fate of this property.  And considering that Alphas has ended so abruptly and that Eureka only lasted four seasons, one can only wonder if Defiance will be able to revive science fiction programming on Syfy.  Should it survive, sci-fi fans could finally see the network finally return to its roots.  One can only hope.  Supernatural shows seem to have been all the rage on that network in recent memory.  Though it too, has added its own slate of reality shows just like so many of the cable networks.  One thing fans can cheer about is that USA has brought back Psych.  The show’s new episodes started airing this week.  This little show that could has really proven to be a surprise hit for the network and a great replacement for the equally entertaining Monk.  For fans of other cable shows, FX has renewed Archer and American Horror Story.  AMC is said to be bringing back its hit Western saga, Hell on Wheels.  Simply put, this year is going to be another interesting one for television as it competes for eyes over theaters.  That’s a whole other story in itself for another time.

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Fleischer’s Superman Flies Higher Than Ever In New Blu-Ray Re-Issue

Courtesy: Gaiam

Superman is flying again.  And this time it’s thanks not to DC, but to a little company called Gaiam.  Thanks to Gaiam, Max Fleischer’s classic Superman cartoons have been restored and made available once again to the public.  These classic cartoons are an example of everything that was once right with animation.  And now not only can the generation that grew up with these classics enjoy them once more, but so can a whole new generation.  At a time when DC and Marvel are increasingly going toe to toe with one another, churning out feature after feature (both on the big and small screen), this double disc collection is a welcome breath of fresh air for comic book fans the world over.

While there may have been only a grand total of seventeen episodes of Superman created by Max Fleischer between 1941 and 1942, those seventeen episodes are some of the finest animation to ever grace any television screen.  As with so many early pieces of animation, Fleischer and his team of nearly six hundred (yes, nearly six hundred) animators gave Superman its own identity through their work.  This is something that has so sadly been lost in today’s “animated” features.  Being that so many “cartoons” are created via computer, they all look alike.  They’re sterile.  They have no real identity, compared to the likes of Superman.  Sure, older cartoons such as these took massive amounts of time, money, and staff.  But the end result is well worth it.  That is evidenced here.

One might ask how it’s known that Fleischer used nearly six hundred animators and large amounts of money to create Superman.  The answer to that is simple.  The commemorative booklet included in this double disc set gives a full in-depth history lesson on how Fleischer came to ring one of the greatest superheroes of all time to the small screen.  Dr. Thomas R. Reich, Ph.D. explains in the culled information that the shorts collected in this set were the result of discussions between Paramount and Fleischer Studios over a Superman movie.  Because of the costs that the movie would have incurred, the two sides agreed that instead of a Superman movie, Fleischer would break up its movie proposal into what is now one of the earliest of the Superman TV series.  Dr. Reich explains with excruciating detail how the series eventually came to life, and just as soon came to its end.  There are also discussions on Fleischer Studios’ early days creating the likes of Gulliver’s Travels, Betty Boop, and even Popeye.  The bonus booklet even includes a full episode listing with equally in-depth synopsis for each episode.

The bonus booklet included in this new Superman Set offers loads and loads of trivia for audiences.  The story of how these seventeen shorts came to be is enlightening to say the least.  Just as enlightening is the revelation that it’s Fleischer and company who are to be credited with the now famous lines, “Faster than a speeding bullet” and “able to leap tall buildings in a single bound.”  This is just one more example of the value of this set to audiences.  Valuable information such as this, along with the equally impressive animation and storylines make this Blu-ray re-issue of Max Fleischer’s one of the best kids’ releases of the year.  It also makes it one of the year’s best in the category of general DVD’s and Blu-rays.  It will be available in stores and online on Tuesday, October 30th.

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The Avengers gets an “A” for effort

Marvel’s The Avengers is a good start to the Summer movie season this year.  The build up for the movie has been nearly as immense as that for the finale of DC’s current Batman franchise.  And the end result definitely lives up to all the hype.  It’s translated to the big screen as if it were actually a live action comic book.  Some comic books over history haven’t translated to the big screen so well.  But this one did.  However, for all the greatness that was this highly anticiapted seasonal opener, it wasn’t without its flaws.

Anticipation has been growing over the newest of Marvel’s comics-to-film franchise, The Avengers.  From toys to promos to everything in between, The Avengers have been everywhere.  And it’s paid off with over $200 million in its opening weekend.  This movie is everything that a Summer blockbuster should be.  It has all the requisite explosions and action that audiences look for in their attempts to escape the mundacity of the every day world.  Thanks to writer/director Joss Whedon and co-writer Zak Penn, they’ve somehow managed to bring the action from the pages of the famed comic series and make it feel like audiences are actually seeing the comic book itself on the big screen, without going the Joel Schumacher route a la DC’s Batman & Robin and Batman Forever.  The chemistry between the cast was obvious too.  It was funny to see Tony Stark and Dr. Banner interacting.  The banter between the two was worth its share of laughs in and of itself.  The same applies even more so when the full Avengers team is together in one room.  The one-liners from each team member make for plenty of laughs throughout.

For all the laughs and great action, The Avengers is not without its faults.  The sexual innundo that is typical of Tony Stark is there.  And one can’t help but wonder if his subtle joke about Banner potentially using marijuana to stay calm was entirely necessary.  What’s more, do audiences really need preachiness about military buildup?  Audiences are bombarded with such stories every day on the news.  Having the Avengers quarreling with Director Fury over S.H.I.E.L.D.’s real intentions takes a certain amount of escapism from the movie.  It’s not the first movie to go that route, either.  What’s more, that the movie is an ensemble piece, it does tend to drag on a little bit too long.  Whether it’s telling backstory of each member of the Avengers team, or from other areas, Whedon and Penn could have found a way to shave off twenty to thirty minutes from this roughly two and a half hour movie.  Keeping that in consideration, one can only hope that when the already anticipated Avengers 2 makes its debut, whomever writes and helms that movie will have taken the good and bad from this one to make a sequel that defies common logic of sequels.