Tin Man Just As Good As Before In Its Re-Issue

Courtesy:  Mill Creek Entertainment/Syfy

Courtesy: Mill Creek Entertainment/Syfy

Walt Disney Studios Home Entertainment is preparing to launch the latest release in the legendary Oz franchise onto BD/DVD combo pack on June 11th.  Just in time for the home video release of this latest installment of L. Frank Baum’s, Mill Creek Entertainment has also re-issued Syfy’s Tin Man on Blu-ray and DVD.  This re-imagining of the 1939 fantasy classic was originally released to double-disc Blu-ray and DVD on July 20th, 2010.  This latest Blu-ray re-issue has taken that double-disc presentation and compressed it down to a single disc.  What’s interesting is that while the original double-disc presentation has been reduced to just one disc, little—if anything—has been lost in translation.

For those who perhaps have never seen it, Tin Man takes the classic 1939 big screen adaptation of L. Frank Baum’s classic fantasy story and turns it completely on its ear.  Though, in doing so, it actually manages somehow to maintain more than a fleeting connection to the 1939 original.  If anything, fans of the original will be thrilled to know that it actually maintains the connections quite well in its re-imagining.  The Scarecrow has become a character known as Glitch.  Imagine if you will an updated half-human take on the Scarecrow that looks like a cross between Tim Burton and Martin Short.  What’s more, while he has a brain, he does in fact have a little bit of a glitch in his brain, thus the name.  That glitch makes for a fun running gag throughout the story.  The Tin Man is no longer tin, but human.  Even the Tin Man name itself has been relegated to little more than a derogatory term used for the Wicked Witch’s (In this case, the Sorceress’) enforcers.  It’s explained in more depth within the context of the mini-series.  And don’t expect to see someone dressed up in a lion costume like Bert Lahr.  Even Toto has been somewhat re-imagined.  There’s even more that’s been changed, including the Yellow Brick Road, the Emerald City and so much more.  But viewers will have to check out this eye opening mini-series for themselves to see how much has been re-imagined.  This includes the very story, including the origin story of Dorothy/D.G (Zooey Deschanel).  It is one more element of the whole that is somehow actually believable enough to make the whole story believable and thus fully worth more than just one watch.

While so many elements of Baum’s classic tale have been re-imagined in Tin Man, it’s not such a bad thing.  As a matter of fact, being that this story debuted in 2007, one can’t help but wonder if it played at least a slightly influential role in the creation of Oz The Great and Powerful.  That’s because in comparing the two stories, there are at least some fleeting similarities between the pair in terms of origin stories.  This is about the extent of the similarities.  For that matter, with the mini-series’ success in its original run on Syfy (then Sci-Fi Channel), one can’t help but wonder if it was the success of Tin Man that led to the rise of fantasy based shows on NBC (Grimm), ABC (Once Upon a Time), and Fox (Sleepy Hollow).  It could be argued that it did in fact have an influence on their rise especially since little else was on TV or in theaters before these shows started becoming such hits.

Understanding and appreciating the influence (perceived or real) of Tin Man on other more recent movies and TV shows plays an important role in the enjoyment of this mini-series.  The story will keep viewers engaged throughout all three segments of the program.  It’s not all that will keep viewers engaged throughout the program.  Its special effects will, too.  Unlike so many of the really bad below-B grade movies that Syfy generally churns out, the special effects used throughout this mini-series are actually far less over the top than the aforementioned flicks.  It’s obvious that there is some CG work that was done with the special effects.  But it isn’t as sickly obvious as it is movies such as say, Sharktopus or other equally bad flicks.  In fact, the special effects used in Tin Man are just enough to serve as just enough extra spice to make this story that much more worth watching for anyone that is a fan of The Wizard of Oz.       

All of the work that went into making Tin Man resulted in a feature that stands out among the masses of movies, series, and mini-series churned out by Syfy.  And in the annals of works that have adapted and re-adapted L. Frank Baum’s classic fantasy tale, it stands out just as much.  Having taken into account the work that went into bringing this re-imagining to life, there is one more factor to be examined.  That factor is the packaging of the newly re-issued Blu-ray and DVD.  Viewers will be pleased to discover that with this latest re-issue of Tin Man, each segment of the mini-series is separated out into three separate segments.  This will allow audiences to watch each segment by itself or back to back without stopping.  Just as impressive concerning the overall presentation of the new re-issue is the packaging.  Those that purchase the Blu-ray will be happy to discover that instead of the standard envelope packaging used in most Mill Creek releases, the BD is actually placed in its own spot inside the case.  Mill Creek does this sometimes with its releases.  But it more commonly uses single disc envelopes for packaging.  So it’s nice to see this form of packaging once more from Mill Creek.  And it is that packaging in conjunction with everything else that went into the Tin Man mini-series that makes it a presentation that any fantasy and science fiction fan will appreciate.  It is available now on Blu-ray and DVD.

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Tom And Jerry Kids Show Season One Another Blast From The Past From Warner Home Video

Courtesy:  Warner Home Vide/Hanna-Barbera

Courtesy: Warner Home Vide/Hanna-Barbera

The 1990s was one of the greatest decades in the history of television broadcasting.  NCB and ABC were at the top of their game with their “Must See Thursday” and “TGIF” programming blocks.  And CBS and Fox each had afternoon cartoons for kids to watch after a long day at school.  Sadly, those days are gone.  Thankfully though, Warner Home Video has given audiences that grew up in those days of quality programming yet another piece of their childhood with the release of Tom and Jerry Kids Show: The Complete Season One.  This two disc set is one more part of what has been a small wave of welcome releases from WHV this year that includes:  Tiny Toon Adventures Vol. 3, Animaniacs Vol. 4, the brand new release of Taz-Mania: Season 1 Vol. 1, and the upcoming releases of Tiny Toon Adventures Vol. 4, and Taz-Mania: Season 1 Vol. 2 just to name a handful of releases.

Tom and Jerry Kids Show: The Complete Season One includes the first thirteen episodes from this show that some considered part of the “kiddie-fication” of cartoons.  The term in general was in reference to certain cartoons being reduced in quality in order to make them more kid friendly.  The cartoons in question included: Looney Tunes, The Flintstones, and Scooby Doo Where Are You?  The term “kiddie-fication” was generally used in a negative connotation in regards to their kid friendly spinoffs.  Those that used that term couldn’t have been more wrong in using such a label especially in the case of Tom and Jerry Kids Show.  That’s because a show such as Tom and Jerry Kids Show was (like Tiny Toon Adventures) less a “kiddie-fication” of its more adult base show than a way to indoctrinate young viewers into the world of said show slowly.  And there is nothing at all wrong with doing this.  If anything, it helps to keep alive the legacy of Hanna-Barbera’s classic cartoons. 

The transfers from the original tapes look outstanding.  The quality of the footage could not have been better.  Little to nothing was lost in the transfer from the original tapes to DVD.  Even when viewed on an HDTV, it still looks quite impressive.  That’s a testament to the work done by the show’s artistic staff.  Even when viewed via a computer’s DVD drive or on a home DVD player, the video quality still shows that it has stood the test of time.  The same can be said of the show’s audio side.  Fans of HB’s classic cartoons will recognize the company’s recycling of its music.  Much of the music used in this more modern take on Tom and Jerry was also used in The Jetsons and to a lesser extent, more modern Flintstones direct-to-DVD features and certain episodes of A Pup Named Scooby Doo.  This trademark of Hanna-Barbera’s cartoons is another welcome addition to Tom and Jerry Kids Show.  Having that familiar older music back once again makes older audiences’ sense of nostalgia even stronger in watching this modern classic.

The high quality of the show’s transfers alone makes Tom and Jerry Kids Show: The Complete Season One worth the money for fans that grew up with this cartoon.  The double-disc set’s packaging is another positive to the overall presentation.  As with multi-disc sets from other companies, this set follows what is quickly becoming the standard by placing one disc on its own place on a plastic insert inside the case.  The second disc is placed comfortably on the back portion of the box also in its own spot.  This manner of packaging is both smart in terms of protecting the set’s discs and in terms of ergonomics.  It keeps the case for the DVD’s the same size as that of a regular single-disc DVD package.  So it saves space on audiences’ DVD/Blu-ray racks, and protects the product inside.

As one should be able to tell by now, Tom and Jerry Kids Show: The Complete Season One is an enjoyable nostalgic trip down memory lane for long-time fans of the Tom and Jerry franchise.  It’s just as much a welcome introduction to this generation’s younger viewers.  For all the positives to this set, it isn’t without one minor flaw.  That flaw is not in the art, the transfers, or even the packaging.  The flaw in question comes from the discs themselves.  Rather than actually coloring in the designs on the discs, they were painted over with a single, flat color, leaving just enough open space to make a wild guess as to the design on each disc.  Consumers would have to put each disc up to the light and tilted each one in order to get an idea of the designs.  The same thing was done with Animaniacs: Volume Four and with Tiny Toon Adventures Vol. 3.  It’s a minor flaw with this set (and the other sets mentioned).  So luckily, it doesn’t take away too much from the overall presentation, even though it would have been nice for WHV’s people to have taken care of this aspect.  Had that been done, this might have found itself at the top of this critic’s list of the year’s best new children’s DVD and Blu-ray releases.  Regardless, it still has found a place on the list in question.  It is available now in stores and online.  It can be ordered online direct via the WB Shop at
http://www.wbshop.com/product/tom+and+jerry+kids+show+the+complete+first+season+1000348871.do?sortby=ourPicks&from=Search
.  Fans of all things WB can keep up with all the latest WB home releases on the WB Shop website at
http://www.wbshop.com/home.do

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3rd Rock Reclaims Its Spot In TV’s Upper Realms With Complete Set

Courtesy:  Mill Creek Entertainment/carsey werner Distribution

Courtesy: Mill Creek Entertainment/carsey werner Distribution

Mill Creek Entertainment will release tomorrow, the full collection of what is one of the greatest sitcoms of the 1990s.  That sitcom is the one and only 3rd Rock From The Sun.  The one of a kind show ran on NBC from January of 1996 to October of 2000.  Since the show’s original run, few shows—if any—have managed to live up to the level of 3rd Rock.  The show’s writers and the now all-star cast proved throughout its six-season run that comedy could (and can) be fun without being too blue.  Thanks to Mill Creek Entertainment, the show’s original fans and a whole new generation of audiences can see exactly that even over a decade after it ended its original run on NBC.

A big part of the success behind 3rd Rock From The Sun is the show’s writing.  In some bizarre way, the show’s writers were able to take what would have otherwise been mere observational humor and made it into a format that is as funny today as it was in its original run.  It would be safe to say that a big reason for the show’s writing being so timeless is its balance of being edgy, but not too edgy.  Simply put, there were comic elements that only older audiences would get, and then there were elements that some younger viewers would get.  The more adult comic elements weren’t so overt as to make parents want to usher their kids out of the room.  And the show’s tamer elements were still edgy enough to be proper for younger audiences, but still just as entertaining for the parents of said audiences.  Take a pick from any episode of this show’s six seasons on air.  Any of them exhibit that.  One good example of this comes from the show’s fifth season.  “Dial M For Dick” sees the Solomons going to a Murder Mystery playhouse, not knowing that everything that happens was an act.  Needless to say, plenty of laughs ensure, including plenty from the show’s final minutes.  Audiences will have to see for themselves what that means when they pick up this complete collection of the show’s six seasons.

The writing behind 3rd Rock From The Sun is a big part of the success behind the show’s continued success even more than ten years after it ended.  It wasn’t the only part of the show’s success, though.  The acting of the show’s cast also played a big part in its success.  There was an obvious chemistry between the cast—veteran John Lithgow, Kristen Johnston, Joseph Gordon-Levitt, and French Stewart—throughout every episode.  The cast’s ability to interpret the comic elements of each script was expert.  And it makes for nonstop laughs from one episode to the next in every season.  If the chemistry between the cast isn’t enough for audiences, then the physical comedy from every member of the cast will push the show over the top.  This too is an element that today’s sitcoms have lost.  The physical comedy in this show harkened back to television’s golden age.  It just heightened each episode’s writing that much more, and made it that much more enjoyable for both adults and some younger viewers.

As one can already tell by this point, 3rd Rock From The Sun had so much to offer audiences.  It still offers every bit of that same comedy and heart to this day.  There is one more factor in this new complete set that audiences will appreciate.  That factor is the inclusion of the same bonus features from the original single season sets released over the past couple of years.  Now audiences who perhaps were unable to pick up previous seasons have the chance to have the complete series exactly as it appeared from Mill Creek’s previous releases.  Mill Creek Entertainment is to be applauded for this inclusion.  Considering everything that this show still offers today, one can only wonder if Mill Creek, or perhaps even another company, will one day give it the re-mastering it deserves and re-issue it to blu-ray.  Until then, audiences now have the entire series in one complete box set that they can enjoy over and over again.  It will be available in stores and online tomorrow, Tuesday, May 14th

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The Hunchback of Notre Dame Is One Of Disney’s Modern Classics

Courtesy:  Walt Disney Studios Home Entertainment

Courtesy: Walt Disney Studios Home Entertainment

Walt Disney Studios has largely made its fame on taking classic literary stories and adapting them for the big screen.  For the most part, doing so has led to great success for Disney.  So it goes without saying that when Disney’s heads decided to bring Victor Hugo’s literary classic, The Hunchback of Notre Dame to audiences in animated form doing so was a pretty big risk.  That is because this is hardly the happiest of stories.  Somehow though, Disney managed to pull off the job and craft what should be considered to be one of the company’s modern classics.  Whereas its renditions of The Jungle Book, Peter Pan, Cinderella and others are considered the company’s original classics, its take on Hugo’s literary masterpiece fits nicely into the category of modern classics.  This is the case for a variety of reasons. In watching this rendition, one can’t help but be taken back to Disney’s golden era.  From the subtlety of the mix of hand drawn and digital animation, to the big song cues to the animation, one actually feels as if one is actually watching a stage presentation made into an animated film.  And while it may be a little bit scary for younger audiences with its darker elements, it still stands as one of the better works in Disney’s modern era.

Viewers that closely watch the newly re-issued Hunchback of Notre Dame I/II combo pack will catch a subtlety that others might not that harkens back to Disney’s golden era.  That subtlety is a mix of animation styles.  There are a handful of scenes throughout this movie that show on one side, the rougher, less “streamlined” animation style sitting side by side.  This is explained briefly in the original “Making of featurette” that was included in the movie’s previous release.  Actor Jason Alexander (Seinfeld) explains the reality behind the misconception that all animation done for Disney movies—at the time—was done by computer.  The difference between the hand drawn animation and digital animation is pretty clear.  And the very fact that animators tried to duplicate the animation of Disney’s famed “Nine Old Men” even in the slightest in this feature makes it worthy of at least a little bit of respect.

If the attempt by animators to replicate the animation of Disney’s most famed animators isn’t enough for viewers, then perhaps the story’s musical numbers will help win over audiences.  Composer Alan Menken returned for this movie after having massive success nearly a decade prior on another of Disney’s biggest modern classics in The Little Mermaid.  The animation works in tandem with the big musical numbers to really leave viewers feeling like they are watching a stage presentation in animated form.  That’s even more the case now that the movie has been re-issued on Blu-ray.  There is just a certain quality on which one can’t put one’s finger that pulls audiences in and makes the story believable.  That’s the sign of a quality work.

If the song cues and the animation aren’t enough, then the movie’s more comical moments will entertain audiences.  Even in some of the movie’s darker moments, the story’s writers come up with some pretty funny moments to help lighten the mood.  A prime example of this comes late in the movie, in the final showdown sequence.  As Quasimodo and Frollo face off in the cathedral’s tower, soldiers are below, trying to break in.  Laverne (voiced by the late Mary Wickers) helps in the fight by calling on a large group of birds.  This moment is a tribute not just to the classic Warner Brothers movie, The Wizard of Oz, but also to Alfred Hitchcock’s horror classic, The Birds.  While the latter tribute may have been unintentional, it is there.  It’s just one of so many moments that will have viewers laughing.  Add in Jason Alexander’s comedic timing and viewers get more than enough laughs to offset the movie’s darker moments.  Those darker moments being offset and the movie’s enjoyable musical numbers and hybrid animation together make The Hunchback of Notre Dame one of the better movies from Disney’s modern era.  One might even go so far as to call it one of Disney’s modern classics.  It is available now on Blu-ray/DVD combo pack in stores and online.  It can be ordered direct from the Disney store at
http://www.disneystore.com/the-hunchback-of-notre-dame-blu-ray-and-dvd-combo-pack/mp/1331583/1000316/
and at the Disney DVD store at
http://disneydvd.disney.go.com/the-hunchback-of-notre-dame-two-movie-collection.html

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Czarniak Tapped To Lead 2013 Indy 500 Broadcast

Courtesy:  ESPN

Courtesy: ESPN

ESPN’s Lindsay Czarniak will host this year’s Indy 500.  The SportsCenter co-host’s appointment to the broadcast marks the first time ever that the race broadcast has ever been helmed by a female broadcaster.  Czarniak co-hosts ESPN’s SportsCenter alongside John Anderson.  Before taking on co-hosting duties with Anderson was a pit reporter and feature reporter for broadcasts of NASCAR Sprint Cup Series races on TNT and NBC.  She also hosted ESPN’s NASCAR Now previously. 

Lindsay got her start in broadcasting at WRC-TV (NBC 4) in Washington, D.C.  She worked at WRC-TV from 2005 – 2011.  During her time there, she covered the 2006 Winter and 2008 Summer Olympic Games as well as NASCAR broadcasts. 

Courtesy:  ESPN/ABC

Courtesy: ESPN/ABC

The Indy 500 pre-race show is scheduled to run from 11am – 12pm on Sunday, May 26th.  Czarniak will head the pre-race broadcast from the IMS’ famed Pagoda.  She will also help contribute to the race broadcast itself.  Former Indy 500 winner Eddie Cheever will also take part in calling the race.  He will serve as an in-race analyst in the broadcast booth for the race, and for the remaining five races that ABC will carry.

Cheever is a former Formula One racer who won the Indy 500 in 1998.  He made 132 starts in Formula One from 1978 to 1989.  That is the most by any American driver in the history of Formula One racing.  He returned to the U.S. and joined the former CART Series in 1990 and then the IndyCar Series in 1996.  He claimed five wins in his time in the IRL, including his win in 1998.  Cheever last raced in the IndyCar series in 2006.   He will be joined by lap-by-lap announcer Marty Reid and fellow analyst Scott Goodyear to call all six Izod IndyCar Series races broadcast on ABC this season.  Also on hand for the broadcasts will be pit reporters: Rick DeBruhl, Jamie Little, and Vince Welch.  Dr. Jerry Punch will join the broadcast team in the pits for the Indy 500. 

The Indy 500 is the first of six races that will be broadcast on ABC this year.  Each race will be produced by ESPN and broadcast on ABC.  ABC’s other races include: a doubleheader from Detroit’s Belle Island on June 1st and 2nd, a primetime broadcast from Texas Motor Speedway on June 8th, the series’ race from Iowa Speedway on June 23rd, and its return to the hills of Pocono, PA on July 7th at Pocono Raceway. 

To get all the latest news from the Izod Indycar Series on ABC and ESPN, viewers can “Like” the ESPN Facebook page at
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http://www.facebook.com/ABCNetwork
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To keep up with all the latest news from the Izod Indycar Series, fans can “Like” the official Izod Indycar Series Facebook page at
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Stone Soup Is One More Excellent Addition To Any Classroom Or Family’s Living Room

Courtesy:  Scholastic/New Video/New Kideo/Weston Woods

Courtesy: Scholastic/New Video/New Kideo/Weston Woods

Scholastic has made a tradition of releasing some of the best programming available to children throughout its history.  It has proven that with releases teach reading skills through some of the most entertaining children’s stories written in modern history and by celebrating the ethnic diversity of the world.  Just last month, it maintained that reputation with the release of its triple-disc set centered on the people and literature that have made African American culture as rich as it is.  Scholastic has cemented its reputation even more with the release of a collection of stories celebrating Asian history and culture.   The DVD in question is Stone Soup and Other Stories from the Asian Tradition.

Stone Soup and Other Stories continues Scholastic’s long held tradition of both entertaining young audiences and teaching valuable life lessons at the same time.  This is exemplified by all four of the stories included in this set anchored by the title story.  Stone Soup is taken from the story of the same name.  It teaches the importance of community and generosity as a group of villagers come together to make soup when a trio of monks comes to a small village.  The story is read by veteran actor B.D. Wong (Law & Order SVU).  Parents will appreciate the lessons of community and generosity.  Equally impressive in this short story is the artwork of the pictures that go along with the story.  The artwork of the pictures is rough.  It looks almost like watercolors or even chalk drawings.  Despite that richness, the pictures are so rich and vibrant in their colors.  As minor as this seems, it too plays a role in keeping young viewers engaged.  Together with the story itself and its morals, the story’s pictures bring the story together as a whole, solid anchor to this set.

The lessons of community and generosity are sure to impress parents as they are very valuable lessons that both adults and children should remember.  It’s just one of the many lessons taught through this collection of stories.  Just as important as those lessons is the lesson of being appreciative of what one has and who one is.  This lesson is taught in the collection’s final story, The Stonecutter.  Audiences meet a man named Tasaku in this story.  Tasaku is a lowly stonecutter who wishes for more.  And he gets more.  The problem is that in wishing he had more and was more than he was, he gets more than he bargained for.  He learns this lesson in a very interesting fashion.  That’s something which audiences will have to find out for themselves if they have never heard or read this story.  It’s definitely a story that makes for a wonderful starting point for discussions both in the classroom and at home.  American folk literature has its own take on the story.  But in hearing the story from a different cultural standpoint makes the story that much more interesting.  It’s interesting in that this is obviously a universal lesson.  It isn’t necessarily a lesson that is relegated to one culture and people or another.  It is that likeness of cultures that makes this set that much more enjoyable for audiences.

If the stories and lessons already noted aren’t enough, then how about the inclusions of an Asian take on the classic tale of Little Red Riding Hood and a slightly supernatural tale with a moral?  Those are here too, in Lon Po Po and The Five Chinese Brothers.  Both stories add their own touch to this new set, which is available now on DVD.  IT can be ordered online at
http://www.newkideo.com/scholastic/stone-soup-and-other-stories-from-the-asian-tradition/
.  Regardless of whether one is studying Asian culture or simply wants to take in some enjoyable stories with equally important lessons, this is another wonderful set from Scholastic that is a good fit in the classroom or in a family’s living room.

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TV Renewals and Cancellations Start For 2013

The television industry is in one of its key moments right now.  As the calendar turns from Winter and closer to Spring, network execs at the “Big 4” (and CW) are starting to do some early planning for each network’s Fall schedule.  Typically the Fall schedules are released in Spring; May to be exact.  And if the latest numbers are any sign, things could be very interesting for television this coming Fall as the Winter/Spring season nears its end and we move into the annual filler season.  While things are still uncertain for many shows, the picture for all of the “Big 4” (and CW) has become increasingly clear already.  While there are still a lot of uncertain, it looks like when the dust settles, NBC will have the most to lose, while CBS will end up the big winner with FOX and ABC battling it out for second place.  Of course, let’s not forget the massive slate of pilots set to air very soon across the networks.  Considering the way the schedules look for the “Big 4” (and CW), CBS may still end up the big winner, even with networks such as Syfy and A&E having two of the most anticipated shows of the year.  Let’s take a look at everything.

So far, it looks like NBC has the most to lose.  The network proves to be the biggest loser (yes, that pun is intended) with no fewer than ten of the shows in its schedule being on the chopping block.  This means that at the time of this posting, their fate is up in the air.  Those shows include the likes of Community, Parks & Rec, and 1600 Penn just to name a few.  The network has officially renewed five of its shows at the time of this posting and brought four to an end.  In NBC’s defense, two of those shows ending (The Office and 30 Rock) simply came to the end of their run whereas Animal Practice and Do No Harm were cancelled due to poor ratings.  CBS on the other hand looks to have come out the big winner in everything, and likely will even after the summer filler season ends.  As of this time, CBS’ schedule looks to be largely intact with at least fifteen shows from its schedule set to return, one cancelled, and six still on the hook. 

Perhaps the most interesting trend to note of all the announcements released so far is that audiences seem to be drawing more towards dramas than anything else.  This includes reality television.  Considering the glut of reality TV shows out there on the majors, ABC, CBS, NBC, Fox and The CW have combined so far for a total of ten total reality shows officially confirmed as being safe so far.  Dramas from the five networks on the other hand, combined for a total of twenty-one shows that have been confirmed as being back so far.  Comedies accounted for only fourteen total shows that will definitely be back as of yet.  On the other side of the coin, comedies topped the list of shows that have been cancelled during the Winter/Spring schedule.  ABC lost the most dramas, with five total.  None of the 5 majors reported cancellation of their reality TV programming.  It really makes for an interesting trend to note.

In terms of the most anticipated shows coming this year are A&E’s Bates Motel, ABC’s much talked about small screen take from the Marvel Comics universe in S.H.I.E.L.D. and Syfy’s long awaited return to actual science fiction programming in Defiance.    Syfy has had at least some science fiction based shows in the likes of the previous Battlestar Galactica re-incarnation as well as Eureka and the now short lived Alphas.  So there’s a lot of talk around this one, especially after the leap of faith that was Battlestar Galactica: Blood & Chrome.  After the much maligned Caprica ended, there was a lot of speculation around the fate of this property.  And considering that Alphas has ended so abruptly and that Eureka only lasted four seasons, one can only wonder if Defiance will be able to revive science fiction programming on Syfy.  Should it survive, sci-fi fans could finally see the network finally return to its roots.  One can only hope.  Supernatural shows seem to have been all the rage on that network in recent memory.  Though it too, has added its own slate of reality shows just like so many of the cable networks.  One thing fans can cheer about is that USA has brought back Psych.  The show’s new episodes started airing this week.  This little show that could has really proven to be a surprise hit for the network and a great replacement for the equally entertaining Monk.  For fans of other cable shows, FX has renewed Archer and American Horror Story.  AMC is said to be bringing back its hit Western saga, Hell on Wheels.  Simply put, this year is going to be another interesting one for television as it competes for eyes over theaters.  That’s a whole other story in itself for another time.

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ESPN NASCAR Coverage Continues With Special Interview

Courtesy:  ESPN

Courtesy: ESPN

ESPN’s team of Dale Jarrett, Andy Petree, and Allen Bestwick sat down with Julie Sobieski (ESPN VP – Programming & Acquisitions) and Rich Feinberg (ESPN VP – Motorsports, Production) during Wednesday’s media Day at Daytona International Speedway to discuss ESPN’s past, present and future with NASCAR, as well as other topics.  Included here is a full transcript of the group’s discussion courtesy of ESPN and NASCAR.  Thank you to both companies for allowing this transcript to be posted.  Enjoy!

 

JULIE SOBIESKI: There’s a tremendous buzz and excitement for the start of the season and for ESPN, we’re really thrilled to be a part of it this year, as we were six years ago, getting back into the sport, and as we’ve been for over the last 20 plus years as an integral part of the NASCAR sport.

 

The value to ESPN still starts with the great racing on the track and the drivers themselves, but as a media company, for us it now extends far beyond the telecast of the races themselves, across our multitude of platforms, from news and information to ESPN.com and ESPN Mobile, ESPN W initiative that we have.  The new women’s initiative is now actively following the story with Danica and also with Johanna Long, ESPN Radio and ESPN Magazine.  We’re just thrilled with all the buzz and excitement heading into this weekend and happy to be here.

 

RICH FEINBERG:  As always, it’s a privilege for our production team to be here in Daytona.  It’s a special place for a lot of people, and that includes every one of us.

 

Really it’s been a short 13 week off season for us as it has been for many of you, where Brad K won his first championship in Homestead, as well as Roger Penske winning his first Sprint Cup championship, that was an exciting time for us and our team to broadcast to all race fans and ESPN fans.

 

Over the past 13 weeks, our team has been working hard to make all our plans for the 2013 season.  Delighted that our entire talent group will be returning again this year, the same group that we’ve had last year, and that includes Carl Edwards will be joining us as a booth analyst for several Nationwide races throughout the season.  We’re delighted to have Carl with us.

 

NASCAR and ESPN continues to be an important partnership for our company and our weekly productions of both the Nationwide Series and the Sprint Cup Series are by far the largest technical productions our company does on any sport that we cover.  We’re proud to take on that challenge, and we think that our efforts manifest itself on the air quite well.

 

We kick it all off this Saturday at noon with ESPN coverage of the Nationwide race.  As many of you know, last year’s Nationwide race here at Daytona was a great start to our season, and in fact it was the most viewed Nationwide race ever on cable television, delivering over 4.4 million viewers, so we hope that we will continue that energy going into 2013. We’re really looking forward to the season, and thank you all for being here.

 

Q. Allen Bestwick, there’s been a lot of talk during the winter with all the announcements about who’s competing in the Nationwide Series, about what a stacked field it is, what are your thoughts on that?

 

ALLEN BESTWICK:  I know everyone’s attention has been focused on the Gen 6 car and everything that’s been going on in the Sprint Cup Series, but we had a conversation on Tuesday as we got ready to come down here thinking about the Nationwide Series and what are the stories.  And my two partners here, one of them, Andy (Petree), said, you know, really this is shaping up to be the best season ever for the Nationwide Series, and Dale (Jarrett) jumped in and said, and I think this is shaping up to be the best ever Nationwide race at Daytona.

 

Now, think about their history at this race and in this sport, and they’re not prone to overstatement.  So for them to say this could be the best season ever for the Nationwide Series ever, and this could be the best Daytona race ever for the Nationwide Series, in my admittedly somewhat sleepy mode with our morning conference call, I sat up and said, whoa, that’s a big deal, and I look forward to seeing how it all plays out.

 

Q. For Andy, along those lines, the rules differences between the Nationwide Series and the Sprint Cup Series.  Can you talk a little bit about how the races are going to be so different?

 

ANDY PETREE:  Yeah, this race here at Daytona I think for the Nationwide Series is going to be a lot different than what we’re going to see on Sunday.  I think it’s going to be a lot like what we saw last year with the Nationwide cars, a lot of pushing, a lot of tandem drafting, the finish was incredible last year, let’s hope it’s not quite that incredible with so many cars getting tore up.  But that’s what you’re going to see in the Nationwide race, you’re going to see a lot of that, and I think you’re going to see a whole different style of drafting on Sunday with the new Gen 6 car, so I think the fans are going to be a lot of variety this weekend, a lot of different style of racing.

 

This is my seventh season now with ESPN, and like Allen said, I think it really does have the potential to be the best Nationwide season we’ve ever seen, and I’m really excited to cover it.  I always get excited for Daytona, and I can’t wait for Saturday.

 

MODERATOR: Both Andy and Dale Jarrett have 20 year anniversaries going on.  This is the 20th anniversary of Dale’s first of three Daytona 500 wins.  He won the ’93 race for Joe Gibbs Racing and Andy was the crew chief of the car that he passed right at the end with Dale Earnhardt, and he’s still sore about that.  And also this is the 20th anniversary of the first Sprint Cup championship that Andy won as a crew chief with Dale Earnhardt.  And one more for Dale Jarrett, this is five years since he drove his last Daytona 500 in ’08, so a lot going on for you, Dale.

 

DALE JARRETT:  Yeah, there is a lot going on, but just glad to be back here and a lot of exciting things happening and going on.  We are excited about the Nationwide Series.  As you look at the lineup, it’s just incredible to think what it could come down to whenever we get back to Florida in November as to the championship battle that we may be seeing.  But it’s all going to start here Saturday, and I do believe that we have potential to see something maybe that we haven’t seen before.  We kind of saw that last year, and I don’t know what you do to top that with the guy running 11th coming out of Turn 4 wins the race, but I think the potential is there to be even more exciting, so really looking forward to that, and it’s been nice, kind of reliving that 20 years ago that it happened with Joe Gibbs Racing, Andy not so much maybe, but it was a very, very special day, and this has been tremendously successful place and proud place for the Jarrett family over the years, and just glad to be back here.

 

 

Q.  For Rich, how many races do you think Carl is going to be doing, and what makes Carl what do you like about him in the booth?

 

RICH FEINBERG:  Right now looks to be about three.  We’re still kind of finalizing the schedule, and it’s one of those things that evolves as the season goes on.  Obviously his priority is competition.  What I like about him is the currency.  He’s currently racing in the series and is a competitor on the track, and the ability to speak to that in real time to our viewers as a driver as well as the charisma that I think he brings to the screen is something that we value in our telecast.

 

Q.  But you don’t know which three yet?

 

RICH FEINBERG:  We’re still working on that.

 

Q.  And for Andy or Dale or anybody, what’s going to make this Nationwide season so good?  What guys are you looking at?

 

ANDY PETREE:  Well, I think the championship battle in particular you’ve got Regan Smith that’s coming over to JR Motorsports.  We saw what he could do in the last racer at Homestead.  I expect him to be a really tough competitor for the championship.  We’ve got Travis Pastrana that’s going to run.  We’ve got so many different storylines.  I just think we’ve got a lot of strength out there.  You’ve got Elliott Sadler now with Gibbs, still hungry to win that championship.  I just think we’re going to see a really great championship battle.

 

DALE JARRETT:  You’ve got Vickers over there at Gibbs.  You’ve got Austin Dillon obviously last year showed he could be a part of that championship battle.  Kyle Larson is coming in and nothing but good things being said about him, really looking forward to watching him move along here and seeing that progress.

 

The last few years the championship battle has been good between Stenhouse and Sadler, but I think we’re going to see a lot more company up front, and that always is more exciting.

 

Q.  Dale, I’m sure you’re aware that all three winners over here crashed somebody on the last lap without penalty.  Does that send a message to Nationwide drivers and Cup drivers and Truck drivers that last lap, white flag, anything goes, if they can do it over there, why can’t we do it?

 

DALE JARRETT:  Well, I don’t know about how NASCAR will view that, and as a driver, I don’t know that you just take something that you see out there and say    I think it’s kind of how you grew up and the situation that you’re in.  Trying to do that on the two and a half mile racetrack here obviously creates a lot more danger than doing it back there on four tenths of a mile track at the speeds that they were running.  I think you have to pick and choose that.

 

But I think NASCAR over the last few years has kind of opened that up.  I’m not going to steal Robin’s line, let the boys have at it or whatever, but I think that they’ve opened it up to where they like that aggression.  That’s what got this sport where it is.  I’m not saying that what took place back there was all okay.  And I think that sometimes there’s ways of doing it without it being so noticeable, but I think that it’s    that that opportunity is out there, but you’re putting yourself in a position.

 

I think that there’s a lot that NASCAR will let go by, but you’re also putting yourself in a position for them to make a call, and sometimes that call will go for you and you have to be willing to accept the penalty if it does come down.

 

Q.  For Rich, how closely are you watching this track drying apparatus be developed, and how big a deal is it for TV to get back to racing quicker?

 

RICH FEINBERG:  I’ve seen the equipment, but I haven’t really been involved or been asked my opinion about it.  From a broadcasting and production point of view, it’s really amazing how long NASCAR fans will stay with a telecast during a rain delay.  Obviously less rain delays and more competition on the track is what fans want to see.

 

But it’s always amazed me, I think back maybe 15, 16 years ago when there were extensive rain delays, our network would go to standby programming, perhaps a race from the week before or the race from the year before, and what we hear from the audiences these days is they don’t want that, they want continuing live coverage.  We get tremendous cooperation from the teams, the drivers, from NASCAR, and the access is unbelievable in this sport.  So it does give us a chance to sort of dive deeper into stories and talk to the drivers more and offer their thoughts.  But at the end of the day, if the track drying process can be expedited and we can get back to competition quicker, we know that’s what the fans want to see.

 

DALE JARRETT:  I think our pit reporters and probably pit studio will be glad that it’s going to happen a little quicker, although they do a terrific job.

 

Q.  Dale and Andy, as former driver, former crew chief, former car owner, what’s the conversation like tomorrow, the gamble versus going all out and try to win the thing?

 

ANDY PETREE:  Well, I’ll speak from a crew chief/car owner’s point of view, I’ve never put a car on the racetrack that I didn’t want to go win, no matter what.  That would be my mindset is to go win that 150 mile race, and everything else takes care of itself.  Now, there is going to be some risk to do that it looks like.  I still want to go win.  There’s good cars in the truck; I’m sure you can win from the back, and starting on the front row is kind of nice.  You don’t lose the prestige of actually qualifying on the front by having to go to a backup car, but it does make your job Sunday a little tougher, but I’ve never put a car out there that I didn’t go try to win.

DALE JARRETT:  The great thing is for Danica and that team for three days they’ve had the wonderful opportunity to talk about being the fastest car here and her the fastest driver.  It’s been a great thing for our sport.  Now comes the issues with that very same thing that got you there and got you all of this attention is how do you handle this.  It would be a real letdown if something were to happen.  But these cars are difficult to drive here, and the drivers that I’ve talked to    but with the limited experience that she has, she needs to be out there practicing today, and she needs to run in the race on Thursday as much as she can, and if something should happen, then they’ll just have to deal with that.  They still know they won the pole and they had the fastest car.  She needs the experience out there in race conditions as much as she possibly can to get herself ready for Sunday, to get the best finish and opportunity to get herself in the best position.

 

As much drafting as she probably, she has a lot of experience in stock cars here and was really showing a lot of potential here, but these cars drive so differently by what these drivers are telling me that there’s a lot more for her to kind of learn now, unlearn some of the things that she did learn there, and get with what it takes to drive this Gen 6 car and be fast.  They’ve just got to throw that aside.  They won the pole, they were the fastest car, they built the fastest car, now they’ve got to get her ready to race on Sunday.

 

Q.  For Andy, as a former car owner, years ago the Nationwide Series financially, the teams were in a lot of trouble, but as you said, you pointed out the number of drivers, the number of farm teams for the Cup teams, the standalone teams, what’s changed, and especially in a time of economic distress for the Cup teams?  Why is this field so full from an economic standpoint?

 

ANDY PETREE:  Well, you’re probably digging into it a little deeper than I have.  I don’t really know.  I don’t have a good answer for that.  But I know the economics are different in the Nationwide Series than they are in the Cup Series.  There might be some sponsors out there, a lot of sponsors that maybe can participate at that level, and it’s a high level in the Nationwide Series where it wouldn’t necessarily be gnat Sprint Cup Series.

 

Maybe that’s some of it.  We’ve got great talent that has kind of found themselves out in the Sprint Cup garage, like Regan Smith.  He’s a great talent.  Now he’s over here in the Nationwide Series.  That’s good for the Nationwide Series.  I don’t really have a good answer for the economics of it.  Maybe it’s a sign of good times to come.

 

Q.  Julie, what’s ESPN’s position on renegotiating the television contracts with NASCAR?

 

JULIE SOBIESKI:  Well, I said in my opening statement, we have a long history with this sport.  We’re certainly interested in continuing our relationship with NASCAR.  There’s no secret we want to continue that conversation with these guys.  We still have two years left of the deal that we’re in now.  Our negotiating window doesn’t begin until later this year.  So right now we’re excited about the start of the season and we’re putting all of our efforts toward that.

 

Q.  I know there’s three television partners.  Would you want to pick up that middle section of six races?

 

JULIE SOBIESKI:  I think right now our opportunity is to look at the package that we have now, and that’s the conversation that’s looking in front of us.  Depending on how that conversation goes, there’s certainly lots of different ways to have discussions.  We don’t know what NASCAR’s interests are, but right now we’re looking at that for the first conversation that we have.

 

Q.  And then the second question is about the ratings, particularly the Chase ratings.  I figure that finale probably was disappointing considering it was a good championship race, so the ratings effort was disappointing considering it was a great race and you had a great new champion.  What does ESPN want to see happen coming off the year before when you had the big impressive number and the great Chase?

 

JULIE SOBIESKI:  I mean, certainly back in 2011, that was a huge number for us, and the stars perfectly aligned for that number to sort of come together.  I think we all want the ratings to be bigger and better on any sport, on any given occasion.  We’re never satisfied, and I don’t think NASCAR ever is, either.  But the ratings are still extremely strong week in and week out, particularly at that time of year with a tremendous amount of competition.  Brad is a great champion, and we think he’s going to continue to serve in that role all year.  We think there’s going to be another great championship battle, but there’s been several great battles now over the last few years.  We’re looking forward to that continuing.  Competition on the track ultimately is what gets people interested and star power and storylines that transcend sport, and we’re looking at one of those right now with Danica leading CNN and The Today Show and others.  I mean, we couldn’t be asking for more now.  We just have to hope for a fantastic race on Sunday, and the season will take care of itself.

 

Q.  Julie, you guys have not started negotiations with NASCAR yet; is that fair?

 

JULIE SOBIESKI:  Yeah, we’re always in conversations with NASCAR.  We’ve been in conversations with them since the day we started our relationship, but our formal window has not begun.

 

Q.  The scuttlebutt is that you and NBC are kind of the ones being talked about for the remainder of the schedule after the FOX block.  Would it make sense for ESPN maybe to move up a little bit and do like the midseason range versus the late season range because you guys have so much stuff in late season, and do you feel as if the Nationwide Series and the job you’ve done there, does that give you some leverage with NASCAR to say, hey, you can keep that platform there and we’ll take whatever chunk you want to give us for Cup?

 

JULIE SOBIESKI:  I’m going to let you do the speculating.  Like I said, we’re happy with the relationship that we have with NASCAR.  We want to continue those conversations.  Carving up a package is not necessarily our role.  We’re going to have discussions with NASCAR over the year and as we get closer, Nationwide is a fantastic property.  It’s very strong.  The ratings have been strong since the moment we got it and it continues to get stronger, and everything that our great hosts and analysts here have said about this season continues to make it that much stronger, but so is the Cup Series.  And so we’re going to look at this as one large discussion that extends across all of our platforms, and we’ll have that discussion with NASCAR outside of the press.

 

Q.  Andy, Danica obviously has a lot to learn here over the next week or so, but she’s got a team made up of a lot of guys who have won a lot of races, guys who have won Daytona 500s.  In terms of being one thing she doesn’t have to worry about, how big of a comfort do you think that is?

 

ANDY PETREE:  I think that’s a comfort, that she’s got a great team and team owner, all those good people around her, and I think every driver in the garage is trying to help her.  But she’s got more experience here than any other track that she’s raced at in a stock car.  I think it’s going to serve her well.  Nobody has more experience in this Gen 6 car than she does, and everybody has got to learn how to handle it, and this next practice is going to tell a lot about that.

 

But I think she’s got a big advantage here.  I think this is one of her best tracks to really shine and to have a legitimate shot at winning.  I think to say she’s a favorite, I wouldn’t say that, but she is on the pole, she’s got a chance to win.  And I think she’s got a chance just like anybody, but I think this is probably her best track to do that.

 

Q.  Julie, as far as the Nationwide Series goes, what is the challenge of trying to juggle schedules with a series on four networks throughout the year, and then Andy, can you talk about Tony Gibson and where you think his strengths are and why you think he might be successful with Danica?

 

JULIE SOBIESKI:  I think to start with the juggling, we’re fortunate enough at ESPN to have multiple platforms to carry our programming.  I don’t look at that as a disadvantage, I look at that as a strong advantage for us to be able to do that.

 

ANDY PETREE:  You’re talking about Tony Gibson, and I’m a big fan of his.  He’s a real seat of the pants type crew chief, a lot like I was.  I think he’s a great people motivator.  I think he’s got a lot of confidence in Danica’s ability.  He’s had a lot of experience with different drivers, and I think he’s got a lot to bring to the table.  He’s very good technically and just has a way of getting a car right, and I think he’ll do a really good job for Danica.

 

Q.  Andy and Dale, is it difficult for you guys as you become further removed from the car and it has continued to evolve?  How do you stay up on what you would assume the car is doing or what guys are having to do to the cars to make them competitive today?

 

ANDY PETREE:  Well, it’s just the relationships that we have in the garage area.  I’ve got a lot of good friends in there, a lot of guys that have been crew chiefs for a long time and actually a lot of the new guys.  And I’ve tried to stay very involved technically in the cars.

 

In my retirement, after I was a team owner and crew chief, I was building these suspension test rigs for all the Cup teams and Nationwide teams, and almost all of them now have it.  So I’ve been in these shops a lot.  I deal with a lot of the engineering staffs, a lot of the crew chiefs.  I talk to them on a technical level when I’m in the garage area.  It’s my passion.  I really enjoy the cars, so I really stay up on it.

 

I mean, just last year I built one of these modified cars because I wanted to build one.  Never driven one.  I built one, tried to go race it a time or two, and then sold it.  That’s the way I do it.  I really like to be hands on, so I do that some.  But I do stay very connected in the garage.

 

DALE JARRETT:  Yeah, my way is just fortunately I’ve made more friends than enemies from the driver standpoint through my career.  So I can go and call these guys, go to their bus, talk to them.  I try not to bother them too much in the garage area because they’re working there.  But they give me a lot of information there.  And even though the race cars have changed certainly now with this new car in particular, I can understand when they’re telling me something about the cars and get that.  As they’ve changed some of these racetracks, they’re very good to sit down with me and tell me about what used to be the feel and what used to happen at these tracks.  So yeah, I’ve been removed now a little over five years from actually being inside these race cars and these tracks, I still drive my school car some just to have an idea of that.  But that doesn’t give me the idea of what they’re going through, but it is those relationships and friendships that I think help me keep kind of current with that so I can undertand what they’re talking about.  So fortunately these drivers are very good at giving me information and those friendships mean a lot to Andy and I both.

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3rd Rock At Its Best In Its Fifth Season

Courtesy:  Mill Creek Entertainment/NBCUniversal

Courtesy: Mill Creek Entertainment/NBCUniversal

NBC’s hit sitcom 3rd Rock From The Sun was one of the greatest sitcoms of the 90s.  Now nearly twenty years after it first debuted, it still stands as one of the funniest sitcoms to have ever been created, despite what some critics might want audiences to believe.  And thanks to Mill Creek Entertainment, fans can now own all six seasons of this laugh riot comedy.  Audiences who remember the series in its original airings will each have their own favorite season(s) and episode(s).  But there’s no denying that of the series’ six seasons, its fifth season marks one of the series major high points.  From the general writing to the guest spots, 3rd Rock From The Sun Season Five is an example of everything that used to make sitcoms great in television’s modern era.

3rd Rock’s fifth season is an exemplar of great comedic writing and timing right from the get-go.  The triple-disc set’s first disc offers what are two of the series’ best episodes in “Dial M For Dick” and “Sex and the Sally.”  In the first of the pair of episodes Dick and the others attend a mystery dinner theater.  Obviously being aliens from another world, they have no idea that the murders in question are just an act.  That is, they don’t know until something quite unexpected happens.  Audiences will have to find out what exactly that is for themselves.  Along the way, Dick thinks himself a sleuth and tries to pin the blame for the murders on one of his own group.  This alone will leave audiences laughing no less with each watch.  Speaking of laughing, audiences might find themselves laughing so hard that they’re crying in “Sex and the Sally.”  Sally discovers the dangers of sex and ways to keep from getting pregnant.  Along the way, the side effects of her using birth control will undoubtedly leave audiences laughing uncontrollably.

The set’s first disc offers more than its share of laughs, as is already noted.  But the laughs don’t end there.  The second and third discs are also front-loaded with more than enough comedy for audiences to enjoy over and over.  The return of guest star William Shatner as The Big Giant Head in “The Big Giant Head Returns” leads to a love triangle as Harry admits to Mamie that he loves her.  At the same time, Tommy tries to hypnotize Sally in order to get her to stop buying shoes.  It doesn’t work.  But it does work on Harry, resulting in some hilarious physical comedy on his part. 

If the solid writing and the physical comedy aren’t enough to keep audiences engaged, then maybe the bevy of guest stars will.  William Shatner returns not once, but twice this season.  Also Star Trek TNG star Jonathan Frakes makes an appearance along with then WWF/WWE wrestler Chyna, Larisa Oleynick (The Secret World of Alex Mack), “The Hoff” himself, David Hasselhoff (Baywatch, America’s Got Talent, The Spongebob Squarepants Movie, Pirana 3DD), and many others.  The continued revolving door of guest stars proves just how popular the show was.  Though, Shatner shined brighter than any others with both appearances this season.  Audiences will love seeing Shatner poke fun at himself when he brings Dick (John Lithgow) to a club and The Big Giant Head decides to do some “singing.”  This is just one of so many moments that will stick with both long-time audiences and newer audiences.

Whether for this moment or the loads of others peppered throughout all three discs of Season Five, 3rd Rock From The Sun has proven once more that it is still one of the greatest sitcoms in modern television history.  It’s available now in stores and online.  It can be ordered online via Mill Creek Entertainment’s online store at
https://www.millcreekdirect.com/3rd-rock-from-the-sun-season-5.html

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Audiences Will “Love” Dreamworks’ New Madagascar Special

Courtesy:  Dreamworks Home Entertainment/Dreamworks Animation SKG/20th Century Fox/ 20th Century Fox Home Entertainment

Courtesy: Dreamworks Home Entertainment/Dreamworks Animation SKG/20th Century Fox/ 20th Century Fox Home Entertainment

Dreamworks Animations’ Madagascar movies comprise one of the company’s most successful franchises.  It’s so successful in fact that it has even spawned a holiday special titled, Merry Madagascar.  Now the Madagascar gang is back again for yet another holiday special.  This time, love is in the air for the gang as Valentine’s Day nears.  Ironically enough King Julian (once again voiced by Sacha Baron Cohen) gets his hands on a perfume called “Love Potion #9” that makes anyone that wears it irresistible.  When the “love potion” is used on Marty, it leads to an unintended effect, which ends up in Marty and the rest of Alex’s friends learning a very valuable lesson about friendship and love.  The moral lesson and the laughs together will keep audiences engaged throughout the course of the special’s near half-hour run time.  To be exact, Madly Madagascar’s run time is closer to twenty-five minutes than thirty.  Though chances are if it is ever run on television, it will reach the half-hour mark thanks to commercials. 

The run-time aside, much of the reason for the enjoyment in this special comes from the special’s writing staff and the voice cast’s ability to interpret the script.  The entire cast from the previous Madagascar movies is back once more, with one more addition.  Phil LaMarr (Futurama) joins the cast as the voice of a wildlife official at a Safari camp who has to chase after the infamous penguins of Madagascar.  That’s right, even the penguins are back, creating their own mischief as the love bug has hit their leader, too.  The original voice actors behind the penguins have returned, too.  Keeping all of this in mind, it’s no wonder that interpreting the script for this special was so simple for the cast as it had to have been old hat for everybody. 

The cast’s interpretation of the writers’ script plays its own role (no pun intended) in the success of this latest special.  Audiences will also appreciate that the CG-based “animation” used in all of the previous Madagascar installments was used in this special, too.  That familiarity of sorts—as minor as it may be—will help make this new installment a welcome return for audiences of all ages.  The pop culture references to Lynyrd Skynyrd, Robert Palmer, The Black Eyed Peas, and The Clovers also make for their own laughs.  All of this combined with the script writing and voice acting will make Madly Madagascar a Valentines special that the whole family will enjoy year after year.

The main feature included in this new DVD release is enjoyable enough for the whole family.  It’s only part of the overall enjoyment that families will get from this new release.  Just as enjoyable are the bonus shorts included with it.  Two bonus shorts are included on the disc.  The first of the pair is a touching Pixar style piece titled, “First Flight” in which a rather unhappy man learns the meaning of happiness when a baby bird falls from its nest and he ends up teaching the young avian how to fly.  It truly is a moving story as short as it is.  And it will leave both kids and adults smiling and shedding at least some tears of joy.  Being that the only dialogue here so to speak is the man and bird “talking” to each other through bird song, the music played a big role in the success of the story.  It came through in a big way, too.  It added so much emotion to the entire story.  It goes to prove that Pixar just might have some competition next awards season if Dreamworks continues to try its hand with more animated shorts.  And from the viewpoint of this critic, if this short is any indication, more shorts from Dreamworks would be welcome.

The second short of the pair is far less emotional.  Instead it’s on the exact opposite end of the spectrum.  It’s taken from Dreamworks’ Over The Hedge movie franchise.  The short, titled, “Hammy’s Boomerang Adventure” is a laugh-a-minute short that follows Hammy and his friends in their discovery of a video camera.  Hammy’s friends use it to play a prank on Hammy.  The writing for this short harkens back to the days of the old Warner Brothers Looney Tunes shorts with its physical comedy between Hammy and the Boomerang.  And as with the short’s companion Madagascar feature, the original voice actors from Over The Hedge have returned here adding to the hilarity.  Adding even more enjoyment to the short is a little musical number from pop star Ben Folds.  Folds performs a song titled, ‘Heist’ for the short’s end credits.  It’s not that long, obviously.  But it’s still a catchy little tune that will have viewers tapping their toes.  It might even be enough to get audiences interested in hearing more of his music.  His music combined with the equally enjoyable shorts and main feature from the Madagascar gang come together to make for a DVD that any audience will want to check out when it hits store shelves next Tuesday, January 29th.  It will also be available online.  It can be ordered direct online via the 20th Century Fox store at
http://www.foxconnect.com/madly-madagascar.html
.

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