Olive Films To Release Cagney, Marx Brothers Classics May 6th

Courtesy: Olive Films

Courtesy: Olive Films

Olive Films has announced that it will release two Hollywood classics on DVD and Blu-ray next month.

Olive Films will release Jimmy Cagney’s 1943 film Johnny Come Lately and The Marx Brothers’ 1949 film Love Happy on May 6th. Cagney stars as ex-newspaperman Tom Richards opposite Grace George’s Vinnie McLeod in Johnny Come Lately. After McLeod–who is himself the editor of a failing newspaper–saves Richards from serving a jail sentence for vagrancy, the pair teams up to expose political corruption in a small town. Richards and McLeod have to face their evil rival, corrupt newspaper owner Big Boss Dougherty (Edward McNamara) as they attempt to uncover all of the corruption going on in the town. The role was the first for Cagney since his Academy Award ® winning role the previous year in the beloved film Yankee Doodle Dandy. Cagney won the Oscar for Best Actor thanks to the movie.

Marjorie Main (Ma and P Kettle), Marjorie Lord (Make Room For Daddy), and Hattie McDaniel (Gone With The Wind) serve as supporting cast in Johnny Come Lately. William K. Howard directed and composer Leigh Harline (Snow White and the Seven Dwarfs, Pinocchio) handled the movie’s score. Harline would go on to receive an Oscar ® nomination for this movie’s score. Johnny Come Lately will be available on DVD and Blu-ray May6th for SRP of $24.95(DVD) and $29.95 (Blu-ray).

Also on May 6th, Olive Films will release the Marx Brothers’ classic film Love Happy on DVD and Blu-ray. This movie was the last for the famed brothers. Harpo leads his brothers in this movie in which he plays a Robin Hood type of character.   He is trying to help a group of struggling actors that are trying to open a new musical without any financial backing. When he accidentally takes some smuggled diamonds in a shoplifting heist, Harpo and his friends come face to face with Madame Egelichi (Ilona Massey). Unbeknownst to them, Madame Egelichi has tracked her smuggled diamonds back to the theater where the acting troupe is trying to put on its musical. She hatches a plan to be the sole financial backer for the theater and for the musical so that she can get her diamonds back. The result is plenty of laughs for audiences. Harpo’s brothers Groucho and Chico are along for the ride in Love Happy as are fellow co-stars Vera-Ellen, Raymond Burr, and Marilyn Monroe.

Love Actually will be available in stores and online May 6th on DVD and Blu-ray. It will retail for $24.95 (DVD) and $29.95 (Blu-ray). More information on these and other releases from Olive Films is available online at http://www.olivefilms.com, http://www.facebook.com/olivefilms, and http://twitter.com/olivefilms. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Anchor Bay Announces Home Release Date, Details For ‘At Middleton’

Courtesy:  Anchor Bay Entertainment

Courtesy: Anchor Bay Entertainment

Anchor Bay Entertainment will release its new romantic comedy At Middleton this Spring.

At Middleton will be released on Blu-ray and DVD Tuesday, April 1st.  It features an all-star cast headed by Vera Farmiga (Bates Motel, Up in the Air) and Andy Garcia (Ocean’s Eleven, City Island).  It also stars Taissa Farmiga (American Horror Story), Spencer Lofranco (Jamesy Boy), Peter Riegert (Dads), and Tom Skerritt (Picket Fences).  The story follows George (Andy Garcia) and Edith (Vera Farmiga) as they meet while joining their children on a tour of the campus of Middleton College.  The pair meet thanks to a divide between themselves and their children.  Their meeting leads to a reminiscing of their own college years.  That reminiscing leads to personal revelations for both figures.

At Middleton has been praised by both audiences and critics alike.  New York Times writer Neil Genzlinger wrote of the movie, that it is “delicate and restrained” and “a surprise of a film.”  Rex Reed writes for The New York Observer.  He wrote of Farmiga’s performance that it was her “best role since she tamed George Clooney in Up in the Air.  Kudos have come in from other major media outlets including: NPR, The Huffington Post and many others; each one as complimentary as the last.

Audiences are treated to a number of bonus features in the home release of At Middleton.  There is an audio commentary with director/co-writer Adam Rogers, producer/co-Glenn German, and producer/actor Andy Garcia.  Also included as bonuses are: a gag reel and bonus music track of ‘There Was A Day.’  Andy Garcia wrote the song’s lyrics and sang the song and partnered with Arturo Sandoval to write the song’s music.  Sandoval arranged the song.

The DVD presentation of At Middleton will be available Tuesday April 1st for SRP of $22.98 and on Blu-ray for SRP of $26.98.  More information on this and other releases from Anchor Bay is available online at http://www.anchorbayentertainment.com and http://www.facebook.com/AnchorBay.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Starz Announces Release Date For The White Queen Home Release

Courtesy:  Starz Entertainment

Courtesy: Starz Entertainment

Starz Entertainment has officially announced the release date for the home release of its hit mini-series, The White Queen.  The ten-episode mini-series will be released Tuesday, February 4th.  The story re-tells the infamous “War of the Roses” from the standpoint of the women involved in the feud.  Those women were Elizabeth Woodville, Margaret Beaufort, and Anne Neville.  They were part of the feud between the House of York and the House of Lancaster that took place in 1464.  The feud in question was centered on who was the rightful King of England.  After Edward IV is crowned king and falls in love with Lancastrian commoner Elizabeth Woodville, a conflict arises between her and her rivals, Margaret Beaufort and Anne Neville.  Each one will do whatever it takes to gain the power of the crown.

The White Queen will be released on DVD and Blu-ray/UV combo pack on Tuesday, February 4th, 2014, just in time for Valentines Day.  Both sets will come with plenty of bonus features.  The features in question are listed below.

Bonus Features:

  • The Making Of THE WHITE QUEEN
  • Series Overview
  • Book To Series
  • The History Behind THE WHITE QUEEN
  • THE WHITE QUEEN: Set Tour
  • Queen Elizabeth
  • The King
  • The Heir Apparent
  • Woman In A Man’s World
  • Conjuring Up The Queen/Magic
  • Dressing The Queen/Wardrobe

 

MSRP for the DVD and Blu-ray/UV sets are $49.98 and $59.98 respectively.  More information on these and other releases from Starz Entertainment is available online at http://www.starz.com, http://www.facebook.com/Starz, and http://twitter.com/starz_channel.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Win “Life of Pi” On BD/DVD/Vudu Combo Pack

Courtesy:  20th Century Fox/20th Century Fox Home Entertainment

Courtesy: 20th Century Fox/20th Century Fox Home Entertainment

Life of Pi is one of the biggest movies from 2012.  Now it has finally been released to multiple formats.  Thanks to 20th Century Fox and 20th Century Fox Home Entertainment, the Phil’s Picks blog has three copies of the movie to give away on Blu-ray/DVD/Vudu combo pack. 

Next Monday – Wednesday, I’ll be giving away one copy each day on the Phil’s Picks Facebook page at http://www.facebook.com/philspicks.  But I’m not just going to do any drawing.  Those of you who have already “Liked” my FB page have to recruit more people to “Like” it in order to win.  It will start Monday, March 18th.   Here’s how it’ll go down.  The first person to get just five (5) people to “Like” my page each day will win that day’s copy of “Life of Pi” on Blu-ray/DVD/Vudu.  The people that you get to “Like” my page have to post to my timeline noting that you got them to “Like” my page.  That way I can count each person’s recruits under your name.  Make sense?  Let me know if it doesn’t and I’ll try to explain it in simpler terms.  I’ll announce the winner of each copy each afternoon at 4pm.  Again, that’s the first person Monday – Wednesday to get 5 people to “Like” my page.  And it doesn’t start until Monday.  So that means that you need to get out there and spread the word about the Phil’s Picks FB page if you really want to win!  I’m going to run the contest for these copies of “Hitchcock” the same way the following week

And if you’re not one of the people to enter, you can pick up your copy in store or online now.  It can be ordered online at http://www.foxconnect.com.

To keep up with all the latest sports and entertainment news and the latest giveaways, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews, as well as giveaways at the Phil’s Picks blog at http://philspicks.wordpress.com.

Anne Hathaway Talks Oscars In New Issue Of Us Weekly

Courtesy:  Us Weekly Magazine

Courtesy: Us Weekly Magazine

Anne Hathaway has been all over the news ever since Oscar night.  It’s largely been for her much talked about awards night attire.  But Us Weekly has a new feature focusing not only on her dress, but also on her acceptance speech.  In a brand new interview with Us Weekly, Hathaway showed a more vulnerable side, admitting that comments about her previous acceptance speeches had upset her.  “It does get to me,” the 30 year-old actress noted.  “But you have to remember in life that there’s a positive to every negative and a negative to every positive.”  A source close to Hathaway added in the article that “She was very aware that she had been the butt of everyone’s jokes.”  The result was that Hathaway practiced her Oscar speech very hard so she would be more likeable. 

In discussing the now infamous Oscar dress, the same source close to Hathaway noted that she actually had four dresses in the running, including one by Valentino, who had also designed the dress for her 2012 wedding to Adam Shulman.  The entire article is available online now at http://www.usmagazine.com/celebrity-news/news/anne-hathaway-practiced-her-oscar-speech-a-lot-to-be-more-likable-2013262#ixzz2M18a9xrI.  To get even more celebrity news from Us Weekly, just go online to http://www.facebook.com/UsWeekly or http://www.UsMagazine.com

To get the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Gere Shines in Jarecki’s Latest Screenplay

Courtesy:  Lionsgate

Courtesy: Lionsgate

Richard Gere’s latest starring vehicle is not the first thriller ever centered on the business world.  But it is a well written and equally well acted performance.  Writer/director Nicholas Jarecki’s script moves at a pace that is just enough to keep the attention of his intended audiences throughout the near two hour course of the story.  Jarecki makes things even better both for himself and for audiences as his script doesn’t allow itself to get bogged down in a bunch of technical business jargon and unnecessary extraneous drama that would have otherwise caused audiences to want to fast forward through its near two-hour run time.  A look at any other movie based in the business world shows how far too many movies within this sub genre get too serious about themselves, and thus lose their audiences as a result.  Jarecki hasn’t done that here.  Rather he’s made a movie that’s both believable and accessible to audiences because he has managed to find the just right balance between story and acting.  Speaking of acting, veteran actor Richard Gere shines in the story’s lead role of high powered businessman, Robert Miller.    

Gere’s acting goes a long way toward making Arbitrage a success.  He shows his veteran chops yet again here, expertly interpreting the script as he worked with Jarecki.  The script’s strong writing and equally strong acting both on the part of Gere and his co-stars help the near two-hour movie proceed smoothly without slipping up save perhaps for the story’s final moments.  It is the final moments of the story that might leave some audiences scratching their heads as it ends somewhat abruptly.  That aside, the rest of the story keeps audiences fully engaged.  Getting back to the acting, in what seems like a career comprised mainly of rom-coms and romantic dramas, it’s nice to see Gere step up to the plate and take on a more serious role again.  He both has the look and the persona to have taken on Miller’s role.  His take on Miller really does its part to pull viewers in and make the story believable. This is especially the case as co-star Susan Sarandon does very little to help move the story, despite her star status.  In her defense though, she isn’t really utilized very much in the course of the story.     

The crux of Arbitrage rests in what happens to high powered businessman Robert Miller (Richard Gere) after a series of events is set in motion that nearly push him to the brink.  After accidentally causing the death of his mistress in a wreck, he is pursued by the police.  Given, this is a tried and true plot.  It’s been used in different fashions time and again.  But it still manages to work in this case.  To make matters worse for Miller, his unethical and somewhat illegal financial dealings lead to even more problems for him.  Though it seems like that element becomes secondary to the investigation surrounding the death of Miller’s mistress.  Miller’s story is not the first of its kind brought to the big screen.  But there’s no denying that despite the story’s abrupt ending and other minor issues, it makes for one of Gere’s best performances in ages next to perhaps that of his work in The Mothman Prophecies.  It’s no surprise that it has garnered Gere a Golden Globe nomination for his acting.  The only question left is will he take home the trophy.  And for that matter will it be enough to garner him an Oscar nod, too?  That’s all anyone’s guess.  Nonetheless, his acting alone is enough to make Arbitrage a movie worth at least one watch from 2012.

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Les Miserables Not 2012’s Best, But Close To It

Courtesy:  Universal Pictures

Courtesy: Universal Pictures

Adapting classical literature for the big screen is one of Hollywood’s most time honored traditions.  Countless books have been adapted for the silver screen since the industry’s Golden Era.  Just as common for movie studios to do is to adapt stage plays that have themselves been adapted from books.  So as common as this practice is even now in Hollywood’s modern era, it takes a lot to make a movie of this fashion stand out in today’s overly crowded movie market.  Enter the newest big screen adaptation of Victor Hugo’s classic story, Les Miserables.

The latest adaptation of Victor Hugo’s timeless story of redemption is one of the best movies of 2012.   It isn’t the year’s best.  But it does come close as it struggles with at least two glaring issues.  Those issues are the movie’s scene transitions and its general cinematography.  Much of the cinematography issue goes hand in hand with the problematic scene transitions.  Though there’s just as much problem with this movie’s shooting style not directly linked to the transitions in question.  Despite having issues with shooting and scene transitions, the movie’s positives far outweigh its negatives.  And those positives are many.

The most obvious problem weighing down this latest adaptation of Les Miserables is its shooting style (I.E. its cinematography).  Director Tom Hooper (The King’s Speech) makes a valiant attempt to bring out as much of the emotion as possible from each scene with his shooting style.  The problem is that he tried too hard.  Throughout the story’s near three-hour run time, this shooting style is so consistent that it could potentially leave audiences feeling somewhat dizzy and even confused.  The cameras spin, cut, and make every other possible transition so much that it leaves audiences not knowing where they are going to go next.  It happens so much that it would be no surprise if it leaves some audiences so bothered by it that it makes audiences contemplate just walking out because they can’t take feeling the way which they feel.  The issue with the shooting style is just the tip of the iceberg for this movie’s problems.  To make matters worse, the shooting style is at times linked directly to its problematic scene transitions.

Anyone who has seen Les Miserable live on stage knows that while they take time, the scene transitions are smooth enough to keep track of exactly what’s going on in the story.  The case with the latest on-screen adaptation is the polar opposite of the stage play.  The scene transitions in this version happen so fast that viewers almost need a program to keep up with what’s happening.  This is one of the areas in which Hooper obviously struggled to do honor to the legacy established by this timeless classic.  Rather than making smooth transitions, it felt almost as if much of the movie was just a load of scenes tied together with jump cut edits.  Add in that problematic shooting style, and audiences get a work that felt anything but fluid.  Rather it felt like each scene was piecemealed together.  The two factors together made the movie noticeably less enjoyable than it could have been, despite the outstanding performance on the part of both Jackman and co-star Anne Hathaway.

While Hathaway (The Dark Knight Rises, Get Smart, The Princess Diaries) isn’t technically a veteran in the acting business, she surprisingly proved herself in the role of Fantine.  Her chops as a singer were the most impressive part of her performance.  The emotion with which she sang made her portrayal fully believable.  There are those who have alleged that she was doing little more than simply hamming it up for the cameras.  But that obviously isn’t the case.  Considering her previous roles, this could finally be the one to catapult her to the upper echelons of the movie industry.  And while he is already in the businesses’ upper echelons, the choice of Hugh Jackman as Jean Valjean was common sense considering his current track record both on stage and screen.  He carried the movie on his shoulders.  Watching his moment of redemption at the story’s end will leave any viewer with more than just a tear in his or her eye.  Perhaps the only poor choice in casting this movie was that of Russell Crowe.  Crowe’s portrayal of Inspector Javert worked on the superficial level.  He is old enough that he looked the part.  But his general performance simply was not believable.  Luckily that was about the only poor choice in casting this take on the time honored classic.  That being the case, it is no surprise that this take on Les Miserables has been nominated for a handful of Golden Globes.  And it would be no surprise if it makes the Oscar nod list more than once, too.

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like”  it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Philip Sayblack can be contacted at psayblack@wnct.com

People Like Us Is An Underrated, Moving Drama

Courtesy: Dreamworks Pictures

Family is the most important thing that any person can have.  Without family, what does anyone have?  Sam (Chris Pine), his mother (Michelle Pfeiffer), and the sister he never knew he had (Elizabeth Banks) learn this lesson in Dreamworks’ new movie, People Like Us.

People Like Us is a powerful and emotional drama.  On the surface, it may be just another movie that’s based on actual events.  But the story presented here is much more real and emotional than audiences may want to believe.  Cases such as the story presented here really do happen.  The problem is that society has attached a stigma to it.  So it tends to be generally swept under the proverbial carpet.  People don’t want to know about such stories.  Keeping in mind just how real People Like Us is, one can’t help but feel sorry for Sam’s sister, Frankie.

When Sam first revealed to Frankie that they were related, she goes absolutely berserk.  Not knowing for so many years would make such a revelation a massive load both emotionally and psychologically.  One has to put oneself into Frankie’s shoes to really appreciate her reaction.  She was looking at the situation from the vantage point of having had an emotional connection to Sam before discovering he was her long lost brother.  Here was this single mother who had no clue who the father of her child was.  The shock of having her hopes dashed is entirely understandable here.  Of course, she does come around by the movie’s end.  The full ending won’t be given away for the sake of those who haven’t yet had the opportunity to see the story.  Though audiences are encouraged to see it for themselves to find out how it all ends.

The emotional drama between Sam and Frankie is just part of what will keep audiences watching throughout the movie’s near two-hour run time.  Sam’s relationship with his mother Lillian (played expertly by veteran actress Michelle Pfeiffer) gets tied into the story.  The secret that Lillian keeps plays directly into Sam’s relationship with Frankie.  At the same time, it’s that same secret that eventually brings Sam and his mother closer by the story’s end.  It would be wrong to say that the end of People Like Us is happy.  Rather, it’s better described as bittersweet.  But ironically, enough, it will leave audiences feeling fulfilled after the emotional journey on which they embarked at the story’s beginning.

When it was originally released earlier this year in theaters, People Like Us was released among a glut of Summer blockbusters.  Because of that, it was easily lost in that sea that is the silver screen.  But it will be released next Tuesday, October 2nd on DVD and Blu-ray.  As surprisingly deep and emotional as it is, hopefully it won’t be lost in the sea of new home releases as it is definitely worth the watch. 

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com

Home Run Showdown A “Hit” For Families

Courtesy: Image Entertainment

Home Run Showdown is a “hit” for families.  But it is in itself not a home run.  One part Bad News Bears (the 1976 original, not the most recent remake), one part Mighty Ducks, and one part Little Giants (just on a baseball field), this story mixes the standard underdog sports story with the family split plotline that’s seen in Little Giants(1994).  On the surface, the comparisons to The Bad News Bears (1976) are far too obvious.  Just as in that original baseball flick, a young ragtag group of baseball players is led by a washed up ex-minor leaguer to great heights.  Matthew Lillard (Scooby Doo, Scooby Doo 2) fills the shoes of the late great Walter Matthau this time out. 

The Bad News Bears isn’t the only movie from which this movie very liberally lifts.  Just as Rick Moranis and Ed O’Neill went toe to toe in the pee-wee football movie, Little Giants (1994), so do Lillard and co-star Dean Cain (Lois & Clark:  The Adventures of Superman) here.  To their credit, the feud between Joey and Rico is very believable.  The sibling rivalry between these brothers is very real.  There are so many families out there today who still suffer great rifts because of something that happened many years ago.  And as angry as Joey gets at Rico at some points, some older audiences may just be waiting for Joey to punch out Rico.

Audiences will love to hate Rico.  And that audiences will so love to hate him shows that Cain did his job.  At the same time, watching Joey (Lillard) grow from not caring what he was doing to really caring about the whole team will make older audiences cheer for him that much more.  At the same time, his lack of drive early on will make audiences want to hit him on the head and tell him to get up just as much as the kids on his team wanted.  Just as Rico made audiences hate him, Lillard’s ability to garner an emotional response from viewers means that he did his job, too.  In the same vein, Barry Bostwick (Spin City) is just as believable as the brothers’ frustrated father.

Lillard, Cain, and Bostwick did a wonderful job in this movie.  The trio carried it on its own.  But they weren’t the only cast to make the movie worth a watch.  Supporting actor Wayne Duvall was just as despicable as Commissioner Simpson.  In Simpson, audiences see a man who was stuck in his old ways, doing everything he could to keep a girl off of a baseball team, and basically keep the Cubs down for his own personal biases.  While he wasn’t a major player in the cast, Duvall’s portrayal of Simpson added that much more enjoyment to the story, as there are sadly still people like Simpson out there, too.
Home Run Showdown may not be the most original sports movie ever written.  But it does boast a cast that makes for a lot of heart.  It makes for enough heart that it’s worth at least one watch.  Home Run Showdown is available in stores and online now on DVD and blu-ray.

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Terminal Velocity Is One Fun Turn off Your Brain Action Flick

Courtesy: Hollywood Pictures/Mill Creek Entertainment

Terminal Velocity is a good turn off your brain action flick.  Given, the entire plot behind the movie is entirely unbelievable.  But every now and then, it’s good to be able to just sit down and shut off one’s senses and veg out to a good brainless shoot-em-up action movie.  And this movie is exactly that.  It’s no Die Hard.  But it’s still a fun movie for those times when viewers want to simply escape the rigors of the world and into a fantasy world of sorts.

The story behind Terminal Velocity is entirely outrageous and unbelievable.  But it isn’t the first story of its type, either.  That being the case, the silliness and unbelieveability can be tossed out the window.  The plot behind the movie is actually pretty easy to understand once one lets oneself being immersed in the story.  Essentially, “Ditch” falls for a beautiful blonde when he takes her out on a skydiving lesson.  As a result of falling for her, he ends up unwittingly becoming entangled in a big gold heist.  The gold heist is being perpetrated by a group of Russians, some of whom were involved in the former KGB.  Chris (played by Nastassja Kinski) had been involved in it, but decided she wanted out, so the others are trying to kill her so she won’t spill the beans about the heist.  So “Ditch” has to protect her from the killers.  What’s really interesting about the story behind the movie is that if viewers allow themselves to be taken in by the movie (even though they will know the whole time that they’re watching a movie), they will find that they won’t want to turn away.  That’s a sign that writer David Twohy did something right, as did director Deran Sarafian.

Charlie Sheen was a good choice for this story.  Having starred in the equally silly action flick, “The Chase” (which was in itself a remake) earlier in the year, casting him was natural.  Even the name “Ditch” Brodie seemed fitting for him.  Sure it was a nickname, but it was just as outrageous as the story.  And so was the character.  No one else would have fit the mold.  That near perfect character fit combined with a story that’s so silly that action fans won’t be able to keep from watching.  It all makes for a movie that as outrageously unbelievable as it is, is still one that will be a guilty pleasure for any action flick fan.

To keep up with the latest entertainment reviews and news, go to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.