Pink Floyd Documentary An In-Depth Examination Of An Iconic Album

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

The Dark Side of the Moon is one of the most iconic albums of not only the 20th century but of all time. This record is one of those pieces that even decades after its original release continues to influence a whole new generation of music lovers and musicians alike. The reasons for this are varied. Whether one asks the average listener, music historian, or educator, each will have his or her own reasons for including The Dark Side of the Moon on their list of the best records of all time. Now thanks to Eagle Rock Entertainment, audiences from every walk of life will get an even more in depth evaluation of the album’s importance in the release in Pink Floyd: The Making of The Dark Side of the Moon. Audiences are taken song by song through an explanation of the album’s creation from Pink Floyd’s members. The explanations from the band members comprise one reason that audiences will appreciate this latest Pink Floyd documentary from Eagle Rock. Audiences will also enjoy learning from those behind the glass how the various tracks came to life. In simpler terms, audiences learn through this documentary how various tracks were produced and mixed. It offers an extra vantage point, adding to the depth of both the album and the documentary. The history behind the album and its production are both valuable additions to the presentation in while. The finishing touch to the presentation is its bonus material. Eagle Rock has included as bonus material on this presentation, even more discussions on the album’s songs that didn’t make the primary feature. Those extra discussions along with the primary discussions make the presentation a whole that any Pink Floyd fan and any classic rock fan will appreciate.

Much has been written and spoken of The Dark Side of the Moon. The album, which is to many the band’s most iconic album, has been evaluated time and again by everyone from average listener to academic. Each has found one reason or another behind the album’s continued importance to this day. Now thanks to Eagle Rock Entertainment, the members of Pink Floyd—Roger Waters, David Gilmour, Nick Mason and Richard Wright—give audiences perhaps the most in depth explanation ever of the album’s importance through this new documentary. The men explain track by track what inspired each song, and how each song sprung to life. From discussions on how ‘Time’ and ‘Money came to be to Syd Barrett’s death influenced another track and more, each explanation gives each song (and the album as a whole) even more importance and emotion. The “in-studio performances” by Gilmour and Waters help to illustrate and heighten the discussions in question. To add to it, audiences get some on the spot musical moments of sorts as a result. Those musical moments essentially serve to help viewers get a better grasp of the songs in question. And those moments succeed at their goals, too.

The explanations and stories offered with each of the album’s songs by Pink Floyd’s members create so much depth behind the album. Just as much depth and substance is added to the album through the discussions from those behind the glass. Anyone that has any interest in music production will appreciate the discussions on how the songs were produced, engineered and mixed. Audiences see on that side of the glass with songs such as ‘Money’, ‘Time’ and others how each one was layered. Audiences will see how certain sounds were created through sound effects mixing and how certain guitar riffs came to be the basis for others. What’s incredible about all of this is seeing just how much technology was available for bands to utilize even at that point in time. And engineer Alan Parsons utilized as much of that technology as possible. Such understanding makes this documentary all the more important for fans of Pink Floyd. It gives an angle rarely seen or heard when it comes to any music documentary. And it serves to show just how intricate the album was and how much work went in to making the album a reality.

Both the stories from the band and the technical discussions from Alan Parsons work together to make Pink Floyd: The Making of The Dark Side of the Moon an important addition to the library of any Pink Floyd fan. The added discussions included as bonus features collectively put this documentary over the top. On one level, they could be compared to perhaps deleted scenes on a DVD that ended up on the cutting room floor. Audiences learn extra little bits of information such as the social commentary that is meant to be interpreted in ‘Money.’ There are also discussions by Waters on his personal world view and how it led to much of the album’s rather grim lyrics as well as much more for audiences to take in. These additional stories along with those shared in the documentary’s main feature and the technical discussions make Pink Floyd: The Making of The Dark Side of the Moon all the more valuable an addition to any Pink Floyd fan’s home library.

Pink Floyd: The Making of The Dark Side of the Moon is available in stores and online now. More information on this and other releases from Eagle Rock Entertainment is available online at http://www.eagle-rock.com and http://www.facebook.com/EagleRockEnt. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Collins’ New Project An Impressive New Prog-Rock Record

Courtesy:  InsideOut Music

Courtesy: InsideOut Music

First impressions are everything in this world.  Whether it be a first date, that first job interview, or a band’s first album, that first impression makes all the difference in said person(s) future successes.  In the case of prog-rock trio Sound of Contact, the band’s first impression in Dimensionaut is quite the first impression.  Fronted by second generation rocker Simon Collins—son of Phil Collins—the band’s twelve-track concept album is one of the year’s most intriguing records.  Being released via InsideOut Music, it also qualifies as one of the year’s best independent releases.  Throughout the album’s sequencing, listeners are treated to a record that obviously draws from a number of influences.  Those influences include the likes of: Porcupine Tree, Pink Floyd, and even his own dad’s former band, Genesis just to name a few.  The thing of it is that the trio has taken those influences and made a record that improves on the sounds crafted by those bands.  In turn, it becomes an album that stands out as a fully original and enjoyable listen from start to finish.

Dimensionaut offers listeners more interesting moments than can be listed in one sitting.  So one will try to pinpoint just a sampling of what makes this album a success.  Right off the bat, the band impresses on its short, acoustic opener, ‘Sound of Contact.’  The harmonies between Collins and band mates Dave Kerzner (keyboards, acoustic guitar, backing vocals) and Matt Dorsey (guitars, bass, backing vocals) are spot on.  And the gentility of this opener makes it s perfect opener, as it leads to the surprise heaviness of ‘Cosmic Distance Ladder.’  Having gone from the gentility of the album’s opener, it serves a double purpose.  On one hand, it makes for a solid transition within the context of this album.  And keeping in mind the album’s overall concept, the song’s very title makes it all the more well-placed in the grand scheme of things.  On another hand, it proves how effortlessly the band’s members can switch from the softer side of the prog world to the much heavier side of things.

‘Pale Blue Dot’, the album’s third song, is another highlight to Dimensionaut.  This is one of those songs that openly draw from earlier prog bands, including that of Collins’ father.  Strangely enough, if one allows one’s self to fully be immersed in this song, nowhere does he sound more like his legendary father.  If one were listening to this song without knowing it was Simon Collins, one would very easily be led to believe that it was indeed Phil Collins.  That is how close the father and son sound to one another.  In terms of the song itself, it’s another well placed piece in the album’s overall layout.  The album as a whole is about a being that can travel between time and space.  The being’s journey is one meant to broaden the human experience.  So it is only natural that early on in the being realizes how insignificant we are in the universe.  The metaphor is used, comparing mankind to a “pale blue dot.”  It’s a relatively good visual.  And in partnership with the almost ethereal musical style, it stands out as one of the most incredible moments on this album.  It is so easy to close one’s eyes, take in the music and really be able to visualize what the being in question must be experiencing at this point in the story. 

The whole journey culminates in what can only be described as prog-rock at its best in the near twenty-minute epic, ‘Mobius Slip.’  The four-movement opus offers its share of heavy and soft from start to finish.  Its ability to mix its more mainstream elements with material more appealing to prog-rock purists makes it the perfect ending to this musical and lyrically existential journey.  Collins’ drumming is just as solid as his father’s, if not better.  The musicianship of his band mates is just as expert as the epic eventually leads to a conclusion that wonderfully book ends the album, closing it just as it opened.  By the time that the song ends, listeners will have realized that they have just experienced an album unlike anything that they have ever heard.  And they will realize, too, that this is an album that proves the promise of Sound of Contact for the future.  In the meantime, audiences will get to experience this journey live when the band hits the road in support of its debut.  The band will perform at the famed Whiskey A Go Go in West Hollywood, California on Wednesday, August 21st.  The trio will also be playing dates in San Diego, California, Birmingham, Alabama, Atlanta, Georgia and more.  Fans can get the band’s most current tour listings online at http://www.facebook.com/soundofcontact and the band’s official website, http://www.soundofcontact.com

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Dio Re-Issue A Hard Rocking Tribute To A Rock Legend

Courtesy:  Niji Entertainment

Courtesy: Niji Entertainment

Concept albums are typically reserved for the realm of rock music that is progressive rock.  Bands the likes of Pink Floyd, Dream Theater, and The Flower Kings have been largely linked to concept albums through rock’s history.  Apparently during his lifetime, nobody had sent this message to rock icon Ronnie James Dio; either that or he got the message and didn’t care.  Regardless of which argument holds more truth, the ultimate truth is that Dio proved that commonly held belief to be entirely untrue with the release of his groundbreaking album, Magica.  Now thanks to Niji Entertainment, Dio’s ever growing legion of fans can experience this work once more.

Over a decade has passed since Magica was originally released on Spitfire Records.  And three years have now passed since the world lost Ronnie James Dio.  In the time since RJD’s passing, a lot has changed in the music industry.  Thankfully, Niji Entertainment has re-issued this landmark album and reminded audiences that it is still possible for rock to be more than down-tuned guitars and indecipherable cookie monster growls.  It is a true treat for Dio fans of all ages.  The album’s new deluxe re-issue offers the original story of Magicka completely restored and sounding as good as ever.  The soaring string instrumentations that accompany the band add a beautiful counterpart to the band’s heaviness throughout the record.  And Dio’s vocals were in prime form on this record, as long-time fans will attest. 

The primary disc’s re-issue is outstanding to say the least.  But the real treat of Magica is the deluxe edition’s bonus disc.  The bonus disc is anchored by RJD himself reading ‘The Magica Story.’  Instead of the full on rock opera that is Magica audiences get Dio serving as storyteller.  The style with which he reads the story leaves listeners hanging on his every word.  It conjures thoughts of Trans Siberian Orchestra.  And being that this legendary singer is sadly no longer with us, hearing him personally reading the story is a wonderful memorial to Dio’s memory.  And since the story is printed out in the booklet included with the re-issue, they can even follow along as he reads the story verbatim.  There are no attempts at bad voices or any other over the top moves.  It is just RJD with a calm music bed as he reads the story.  The manner in which he recites the story’s final lines is wonderful.  He is about to start the next story but instantly cuts himself off, laughing as he says, “That’s another story.”  It makes the whole experience of listening to this record more personal for lack of better wording.  It is just part of what makes the re-issue’s second disc a true bonus.  For that matter, it makes one wonder what Magic 2 and 3 would have sounded like.  Luckily, listeners get a hint of that on the bonus track, ‘Electra’ that is also included on this re-issue.

The reading of ‘The Magica’ Story by Ronnie James Dio himself is a wonderful continuation from the musical story contained on the re-issue’s main disc.  The included bonus tracks and live bootlegs make the second disc even more of a bonus.  Considering that they are called “bootlegs”, the term bootleg should be taken very lightly.  This is a good thing in this case.  That is because the audio quality of the live “bootlegs” here far exceeds that of what one would think when one thinks of the term, “bootleg.”  The bonus studio tracks complete the package, musically speaking.  ‘Electra’ gives a pretty good hint at the later story that Dio references in this story.  It makes one wonder if he perhaps had some manuscripts tucked away somewhere that as is the case with certain late authors have yet to see the light of day.  It’s a nice heavy piece that continues the style established in Magica.  ‘Annica’ is equally intriguing in that it bears what some could argue to be Pink Floyd influences, in terms of the guitar parts.  That in itself is enough to make for even more discussion.  And it is that discussion that helps to make this record’s re-issue an even more completely enjoyable listen that will grow with each listen.  The record is available in stores and online now.

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Spock’s Beard’s Eleventh Album One Of Its Best Yet

Courtesy:  InsideOut MUsic

Courtesy: InsideOut MUsic

Spock’s Beard, as a band, has been through so much since the release of its debut record way back in 1995.  Since that time, the band has seen lineup changes.  It has also seen its albums released on a number of different record labels.  Through it all, the members of this prog-rock fan favorite have weathered every storm.  And it’s because the band’s members have kept going that the band has released in its new album, Brief Nocturnes and Dreamless Sleep, some of its best material to date.  The band’s new double-disc album evolving even more from its equally impressive fan-funded tenth album, fitting titled X.

A big part of the reason that the band has evolved sonically on this album is that the band played a little game of musical chairs so to speak.  Nick D’Virgilio, who had previously replaced Neal Morse on vocal duties, left the band after the release of X.  D’Virgilio had originally handled drumming duties for the band while Morse was still the band’s vocalist.  So having D’Virgilio out, the band was joined on this album by a new vocalist and new drummer.  This brought a whole new feel among the band, obviously.  That’s evident from the very beginning of the first disc in ‘Hiding Out.’  The song’s opening strains offer an interesting take on composer Edward Grieg’s ‘Morning’ from the Peer Gynt Suite before going into a full on old school rock vibe complete with guitar and keyboard solos.  This is the kind of song that will make even Dream Theater fans proud as the similarity between the two is there, musically speaking.  The song’s musical side is a good fit with its introspective lyrics, too.  New singer, Ted Leonard soars effortlessly through the song as he sings, “I need you now to come and find me/I’m hiding out in a den of thieves/Be sovereign now, don’t’ crucify me/I’m hiding out!”  In the same vein, he maintains control even in the song’s more intense moments, yet still has his own intensity.  It’s just the start of what’s to come on this standout album among the band’s current catalogue.

The album’s second track keeps the energy flowing with its obvious Rush influences.  Leonard again shows listeners that he was the right choice to take over for Nick D’Virgilio.  And new drummer Jimmy Keegan gets to exhibit his skills behind the kit.  His ability to handle some pretty touch polyrhythmic patterns is impressive to say the least.  Keeping in mind the Rush influence in this song, he definitely holds his own with Neil Peart here.  One could even argue that he shows he’s just as good as fellow prog heavyweight Mike Portnoy.  Lyrically speaking, it would be interesting to find out the story behind the song.  It sounds like a story about someone with quite the storied past.  Leonard sings of his subject, “I know the secret that you keep/I know the demon deep inside/I know the reason you can’t sleep/I know the past you’d like to hide/I know the monster you have made/I know the wars you don’t regret/I know the blood that stains the blade/You know I won’t let you forget.”  Suffice it to say with such lyrical content and such a powerful musical side, this song is certain to be a topic of discussion for fans.  Then again all of this album’s songs are sure to be topics of discussion for both their musical and lyrical side.  Another prime example of this is the closer on the first half of the album, ‘Waiting for Me.’

‘Waiting for Me’ is an epic twelve-minute plus opus that bridges the band’s gap between its past and its future while also incorporating some other influences at the same time.  The guitar and keyboard solos throughout the song’s mid-section will instantly conjure thoughts of Pink Floyd.  The song’s “A” section and “C” section expertly bookend that middle, making for a solid end to the first half of the album.  The song screams to be played live.  The manner in which it ultimately crescendos to its final seconds, is incredible.  One can listen to this song, eyes closed, and almost see a setup like that of Floyd performing The Wall live with this song to equal joy from audiences.  The second half of Brief Nocturnes and Dreamless Sleep picks up right where the first half of the album left off.  It has that certain heaviness exhibited throughout the first half of the album in ‘The Man You’re Afraid You Are.’  ‘Down a Burning Road’ exhibits more of that mix of the band’s past and present, musically speaking, while ‘Wish I were Here’ perhaps offers a glimpse of what is to come in the future for this band.  It’s another rather heavy piece that would make any prog-metal fan proud.  This is another one of those songs, judging by its lyrics, about which it would be interesting to learn the story considering it was written by Alan Morse.  On one hand, it could be a commentary, considering how Leonard sings about “Watching TV with Dave (perhaps Letterman?), eating Hot Pockets and drinking PBR.  Again, it is that ability to make audiences think and create discussions that makes this another high point to the album.  That ability to get audiences thinking and talking along with the song’s music makes it so impressive.

By the time that audiences get through ‘Wish I Were Here’ and the remix of Something Very Strange’ (which is strange yet interesting in its own right), they will realize that they have experienced something very special.  This is especially the case for long-time fans of Spock’s Beard.  They will realize that what they have experienced is an album that is one of the best works released by Spock’s Beard to date.  Fans don’t have to wait to check out these and all of the songs on this album.  It is available now in stores and online.  It can be ordered direct online from the Spock’s Beard online store at http://spocksbeard.com/buystuff.html.  After ordering the new album, fans can keep up with the latest news and updates on the band’s tour online at http://spocksbeard.com, http://www.facebook.com/spocksbeard, and http://twitter.com/SpocksB

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Up-And-Coming Guitarist To Tour With Malmstein

Rising guitar star Ethan Brosh will hit the road this spring and summer with veteran guitarist and virtuoso musician Yngwie Malmstein.  The tour, which is in support of his upcoming sophomore full length studio release, will span twenty-five cities across the U.S. and Canada.  Brosh’s upcoming album is titled Live The Dream.  Bassist Dave Ellefson joins Brosh on this new release.  Ellefson isn’t the only huge name to have a hand on Bosh’s latest record.  Max Norman (Ozzy Osbourne, Megadeth) mixed the record, and Bob Ludwig (Bon Jovi, Def Leppard, Iron Maiden) mastered it.  Joe Petagno (Led Zeppelin, Pink Floyd) crafted the album’s artwork.

Brosh’s debut album, 2009’s Out of Oblivion featured its own roster of who’s who in rock. Mike Mangini (Dream Theater, Extreme, Steve Vai) covered the drums for the record.  Mangini was just one of the big name musicians to make a guest appearance on Out of Oblivion.  He was joined by George Lynch (Dokken) and Greg Howe (Michael Jackson).  Derek Riggs (Iron Maiden) created the artwork for the album, while Chris Tsangarides (Judas Priest, Ozzy Osbourne) ran the boards.

Brosh has obviously made quite the name for himself as a solo artist.  And while he has done so, he doesn’t rest on his laurels as he also performs with another group called Burning Heart.  Burning heart will join the Yngwie tour on its second leg.  The tour will mark the first ever national tour for the band. 

A current list of tour dates is available below.  And for the latest tour updates and all the latest news from Ethan Brosh, fans go “Like” him on Facebook at https://www.facebook.com/pages/Ethan-Brosh/88968151778.  Fans can also get the latest from Ethan Brosh online at http://www.ethanbrosh.com, http://www.myspace.com/ethanbrosh, and http://twitter.com/ethanbrosh.  Audiences can also check out Ethan’s music via YouTube at http://www.youtube.com/ethanbrosh.

04/24/13        CLEVELAND, OH           HOUSE OF BLUES
04/25/13        DETROIT, MI                             ST. ANDREW’S HALL
04/26/13        TORONTO, ON                     PHOENIX THEATRE
04/27/13        HARTFORD, CT                    THE WEBSTER THEATER
04/28/13        MUNHALL, PA                     CARNEGIE LIBRARY MUSIC HALL OF HOMESTEAD
04/29/13        BOSTON, MA                      THE WILBUR THEATRE
04/30/13        NEW YORK, NY                    IRVING PLAZA
05/03/13        MEMPHIS, TN                     TOM LEE PARK – BEALE STREET MUSIC FESTIVAL
05/04/13        CHICAGO, IL                     HOUSE OF BLUES
05/05/13        ST. CHARLES, IL                 THE ARCADA THEATRE
05/07/13        DENVER, CO                      THE SUMMIT MUSIC HALL
05/09/13        ANAHEIM, CA                     HOUSE OF BLUES
05/10/13        W. HOLLYWOOD, CA                HOUSE OF BLUES
05/11/13        FRESNO, CA                      TOWER THEATRE
05/12/13        VENTURA, CA                     MAJESTIC VENTURA THEATER
05/13/13        SAN FRANCISCO, CA       THE REGENCY BALLROOM
05/14/13        SAN DIEGO, CA                   HOUSE OF BLUES
05/16/13        DALLAS, TX                              GRANADA THEATER
05/17/13        SAN ANTONIO, TX         BACKSTAGE LIVE – OUTDOORS
05/18/13        HOUSTON, TX                     OUTDOORS HOUSTON GUITAR FESTIVAL
5/21/13         SAUGET, IL                              POPS
5/23/13         NEW ORLEANS, LA         HOUSE OF BLUES
5/24/13         ORLANDO, FL                     PLAZA THEATRE
5/25/13         MIAMI, FL                               GRAND CENTRAL
5/26/13         TAMPA, FL                               ORPHEUM THEATRE

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Rundgren Re-Invents Himself Again On New LP

Courtesy:  Cherry Red Records/Esoteric Antenna

Courtesy: Cherry Red Records/Esoteric Antenna

If Beatallica’s new album, Abbey Load is the most intriguing album of 2013, then Todd Rundgren’s State is a direct runner-up to the title.  Rundgren continues his tradition of re-inventing himself yet again with this new album.  The album opens with what is best described as an ear-opening mix of Pink Floyd, Devin Townsend, and Office of Strategic Influence (OSI) in ‘Imagination.’  This is a fitting title for the song, especially being that it is the album’s opener.  Its mix of electronica and rock make it a song that will definitely get many listeners’ imaginations running wild with all kinds of images.  Rundgren’s vocals on this song sound like a mix of Devin Townsend and Steven Wilson (Porcupine Tree).  Whether or not it was intentional, the prog influences are there.  And at over eight minutes long, listeners are sure to find their own connections.  Regardless of the connections made, what can be sure of this song is that Rundgren shows just how much ‘imagination’ and creativity he still has.

‘Imagination’ is just the beginning of Rundgren proving that he still has plenty to offer his listeners on this new record.  The album’s second track, ‘Serious’ is just as imaginative and creative as the album’s opener.  It boasts a rather interesting funky electronica/rock hybrid sound.  The backing choruses of the song sound rather familiar, too like a much older funk tune.  And his screams are solid.  They are reminiscent of King’s X front man dUg Pinnick, strangely enough.  That combined with the song’s mix of sounds easily makes this another highlight to this new album.  It’s not just another dance/electronica song.  It’s a bridge between two musical worlds that could potentially bring fans of both electronica and dance together if only for about four minutes.

It’s not until the album reaches just past its halfway point that Rundgren goes full on techno.  ‘Smoke’ is sure to be an instant club hit with fans of the dance/electronica genre.  This is one of those types of songs that will bring down the lights, and bring out the black lights and mirror balls in clubs around the country.  Its keyboard part and solid two-four beat makes it an easily danceable song.  Of course that electronica vibe doesn’t last long as he goes back to a rock/electronica hybrid in ‘Collide-A-Scope’ before eventually making his way back to a full on techno vibe with the album’s penultimate song, ‘Party Liquor.’  This is sure to be another club hit with its keyboard part and up tempo beats and crowd chants.  What’s really interesting about this song is that at times, one can actually hear a hint of a disco influence throughout the song’s bridge section.  Forget the fact that the song is seemingly about alcohol.  It’s the song’s music that fans will really hear.  And it’s that music that audiences will enjoy.  Though there are more songs from which listeners can choose for their favorite.  This is just a sample of what makes the album stand out.  It will be available next Tuesday, April 8th in stores and online.  The physical CD and digital can both be pre-ordered now.  It can be pre-ordered via iTunes at http://smarturl.it/STATEiTunes and at http://smarturl.it/DeluxeCD for the physical CD.

Todd kicks off a tour in support of his new album next month at the Infinity Hall in Norfolk, VA.  It all kicks off May 8th.  He will have eight U.S. tour dates before heading overseas for a European tour through most of June.  And on June 23rd, he will be back stateside for the second leg of U.S. dates beginning at the House of Blues in New Orleans, LA on June 23rd.  Fans can get a full list of tour dates online at Rundgren’s official Facebook page, http://www.facebook.com/toddrundgren or on his official website, http://www.tr-i.com.

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Between The Buried And Me Shows Its Growth Again On Its New LP

Courtesy: Metal Blade Records

The men of Between The Buried and Me have done it again.  This North Carolina based band has once again bent the needle of the metal community, crafting what can only be described as one of the most intriguing and bizarre metal records of the year.  The follow-up to the band’s 2011 LP, The Parallax:  Hypersleep Dialogues, continues the band’s tradition of taking that proverbial road less traveled, making it largely unlike any other band out there.

The Parallax II: Future Sequence takes the best elements of Lamb of God, Nevermore, Dream Theater, and The Devin Townsend Project to make an album that is an original, hands down.  The album’s opener, ‘Goodbye To Everything’ is the first strike showing how much BTBAM has grown since its split with Victory records.  With its ethereal, almost Pink Floyd style sound, it sets the stage for what’s to come.  The band follows that up with an equally interesting piece in the form of ‘Astral Body.’  The best way to describe this song is a mish-mash of Dream Theater and Lamb of God.  That’s one heck of a combination.  But it’s also one that any true open minded member of the Metal Nation will appreciate.  Things get really interesting on the album’s third track, ‘Lay Your Ghosts To Rest.’  This is where the obvious Devin Townsend influence begins to come in to play.  Note it’s where the influence begins.  As with the album’s first two songs, the various prog influences are infused throughout this record’s twelve tracks.  And while the songs on this record may not be the shortest, anyone real fan or anyone with a long enough attention span will come to appreciate the finer detail of each song.  The band’s members show on every track that they aren’t just metal heads, but well trained musicians.   By the end of this epic, listeners will have realized that they have experienced something very special, especially for a metal record.

The band is currently wrapping up its tour down under in support of The Parallax II.  It will return stateside in the first part of the New Year with a performance in the nation’s capital on February 4th.  It will have a semi-hometown show on March 10th when it performs at the Filmore in Charlotte, North Carolina.  Fans can get a listing of the band’s tour dates and all the latest news from the band online now at http://www.betweentheburiedandme, http://www.facebook.com/BTBAMofficial, http://twitter.com/btbamofficial, and http://www.youtube.com/btbamofficial.      

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Black Taxi’s New LP Good For Fans Of 80’s Music

Courtesy: Black Taxi

New York based Black Taxi has been making a lot of noise in the underground scene for a number of years.  The band has earned a “Webby” award for the video for the song, ‘Shoeshine’ off of its 2009 album, “Things of That Nature.”  The band started off 2012 in positive style, too.  The band debuted the first single from its newest album, “We Don’t Know Any Better” on AOL.  The band’s new album is good fodder for anyone that is a fan of old school 80’s acts the likes of The Talking Heads and Men at Work or for more modern acts such as Cake or The Killers.  There’s even a semi Pink Floyd style piece and some Franz Ferdinand influenced music on this disc, too.

Speaking of ‘Hand’, this is one of the album’s highlights.  It’s an interesting hybrid of that old school 80’s sound mixed with a newer version of said old school style.  ‘Do What You Gotta Do’ boasts some of that same style.  The mix of the synthesizer with the guitars in this song give it a really catchy almost Cake-style sound.  There’s some of that also in the album’s title track.  Fans of Franz Ferdinand will also enjoy this record thanks to its sound.  Black taxi sort of emulates Franz Ferdinand in the catchy ‘Balloon on a Barbed Wire.’  The solid drum beats mixed with the guitar work make it an instant hit for audiences.  Fans of prog-rock masters Pink Floyd will be intrigued by the change of pace when the band moves into the more melancholy drone of ‘Holding On To Nothing.’  Thankfully, that doesn’t last long as the band kicks things back into gear right afterwards with the more catchy ‘Politics.’  The band keeps the energy up right to the album’s end from here with the blatantly 80’s style of ‘Tell Me What You Need’ and the almost hippie-esque vibe of ‘Hope I Never Know.’

While “We Don’t Know Any Better” was released back in January, the band is currently touring in support of it.  The band will be in Charlottesville, VA tonight.  Tonight’s show is followed by a pair of dates in Georgia tomorrow and Wednesday and a stop in South Carolina Thursday evening.  The band will close out the work week with a trio of dates in Florida this weekend.  Fans can go online to http://www.blacktaxi.com or http://www.facebook.com/BLACKTAXIMUSIC for a full tour run down, and to get all the latest news from the band.  

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New Documentary Re-Introduces The World To One Of Rock’s Greatest Albums

Courtesy: Eagle Rock Entertainment/Eagle Vision

Pink Floyd’s album, “Wish You Were Here” is considered by many to be one of the band’s most iconind recordings, next to its predecessor, “Dark Side of The Moon.”  That record was received to praise from critics and fans alike.  Now, when a band releases any album that’s considered landmark, it’s always a tough call on how to follow up such success.  And as with any other band, the road to creating a successful followup was not an easy one for Pink Floyd.  Thanks to Eagle Rock Entertainment, Eagle Vision and director John Edginton, fans of Pink Floyd flinally get to hear from the band members themselves just what went into making this amazing opus.

The documentary opens and closes with the band members discussing former guitarist Syd Barrett.  It opens with the song, ‘Shine on You Crazy Diamond’, which was about Barrett, according to Roger Waters.  It was a tribute of sorts.  He and David Gilmour discuss how the pair really fought over the song, and whether it would mean the inclusion or not of two other new songs that the band had written.  That, apparently, is how “Wish You Were Here” started.  It started with just four notes.  From there, the band members go into discussions on each one of the album’s songs.  They go from ‘Set The Controls For The Heart of The Sun’, to the protest against record labels in ‘Cigar’ all the way to the eery sounds of ‘Welcome To The Machine.’  All the while, including their own personal stories of recording the album.

The band members aren’t the only stars of this new documentary.  Brian Humphries, who originally served as recoding engineer on the record, is featured throughout the documentary.  Humphries offers his own take on how each track was constructed, piece by piece.  For those who are interested in audio production, this is an invaluable addition to the album’s story.  He explains to audiences about little nuances that went into each song that brought them to life.  Humphries is joined by the man behind the album’s cover design, Storm Thorgerson.  Fans will love his note about how he had no training in graphic arts, and didn’t like this or that.  So he ended up coming up with the “Burning Man” cover in the end.  That in itself is worthy of its own discussion.

The actual feature documentary presented here clocks in at just under an hour long.  However, there are an additional twenty-five minutes of never before seen footage that serve as bonus features.  Fans will get to hear Roger Waters and David Gilmour playing a full acoustic version of the album’s title track, as well as even more in depth interviews that didn’t make the main feature.  All combined together, they make for an excellent look at what is perhaps not just one of the greatest records from Pink Floyd, but also one of the greatest records ever created, period.

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