Zodiac’s “Sonic Child” Is Another One Of 2014’s Most Surprisingly Enjoyable Pure Rock Records

Courtesy:  Prosthetic Records/Napalm Records

Courtesy: Prosthetic Records/Napalm Records

When Prosthetic Records added Zodiac to its roster two years ago, it went without saying that doing so was something of a gamble for the label.  It was such a gamble because much like Century Media, Metal Blade, Roadrunner, and others, Prosthetic is known more for the “extreme metal” bands that make up its roster than for the likes of the Munster, Germany-based band.  That’s not to say that Prosthetic sticks primarily to that more extreme sound.  Acts such as Niacin and Felix Martin both stand out among Prosthetic’s other acts.  Zodiac however has become the label’s most commercially viable band since Lamb of God was signed on with the company.  Zodiac’s mix of blues-based and neo-stoner rock has helped the band to stand out among its label mates ever since the release of its 2012 Prosthetic Records debut A Bit of Devil.  Now with its third full-length studio effort, Zodiac has one again set itself apart from its label mates and grown just as much musically.  From the slow blues-based opener ‘A Penny & A Dead Horse’ to the more up-tempo neo stoner rocker that is ‘Holding On’ to the equally catchy closer ‘Swinging on the Run,’ this record proves to have not one bad moment.  It proves to be one of the year’s most surprisingly enjoyable rock records and one that any rock purist should hear at least once.

Sonc Child, Zodiac’s third full-length studio effort, is by and large the band’s best work to date.  With its mix of blues-based and neo-stoner rock sounds, this record proves to be one that every rock purist should hear at least once.  Right off the top, the band grabs listeners without really trying in the album’s opener ‘A Penny and a Dead Horse.’  The twelve-bar blues churned out in the song’s “A” section conjures thoughts of Robert Johnson, Mississippi John Hurt, and so many of the forefathers of the blues.  Anyone that is a fan of Fireball Ministry, Black Stone Cherry, and other bands of that ilk will enjoy the more straight forward neo-stoner rock sound of the song’s “B” and “C” sections.  Lyrically, the song is just as enjoyable.  Vocalist Nick van Delft sings about an unnamed woman that has left a man, and left him with basically nothing.  Thus the song’s title.  van Delft sings of the woman, “Oh, woman/Where have you gone with that/Pot of gold/Oh, woman/Where have you gone/You had to leave me/Before the break of dawn/Somebody been haunting you/Somebody run you down/Over the yonder/Beyond the fields/Someone call your name/Oh, woman/Where have you gone/Sweet darlin’/You left me to die alone/With a penny and a dead horse.”  van Delft paints such a vivid picture thanks to the way in which he sings these lines.  The gradual tempo increase as the song progresses makes that picture just as vivid.  The picture goes from a man sitting alone in the darkness, perhaps drinking from a bottle of cheap whiskey to someone who feels something stronger as he and his band mates sing, “So long, so long” in the chorus.  The song’s final strains exhibit perhaps the man’s collapse.  This is of course just this critic’s own interpretation on the song.  Audiences can check out the song’s official video online now at the Prosthetic Records website at http://store.prostheticrecords.com/products/531769-zodiac-sonic-child-cd.  While there, audiences can also order Sonic Child, which was just recently released at the end of September.

‘A Penny & A Dead Horse’ is a wonderful addition to Sonic Child. It is also just one excellent example of what makes this album such a surprisingly enjoyable record.  ‘Holding On’ is another solid example of why this record proves to be such a surprisingly enjoyable rock record.  Where the album’s opener almost tells its own story, ‘Holding On’ is more of a straight-forward rock song.  It harkens back to rock and roll’s golden era much like Black Stone Cherry, Fireball Ministry, and others of that ilk.  van Delft sings against drummer Janosch Rathmer’s solid timekeeping and fellow guitarist Stephen Gall’s own work, “What is the point of your life/Your life/All covered up in those eyes/Those eyes/So now free mind/You’re one of a kind/Take a hold of the good things/And give sight to the blind/Tell me the one thing you see/Tell me the one thing you know/Show me the one thing you live for/Holding on.”  This set against the song’s opening verse in which van Delft sings, “Time keeps on ticking/Revealing your patience/It’s only a matter of self-defense/Eager to please/Your only disease/It’s just the weight on your mind/A day of your life/A step on your way to return” makes the song especially interesting.  There is a seeming message about each one of us having a meaning in life and it being just a matter of finding that meaning.  Again, that could be completely wrong.  Hopefully it is right, though.  Regardless, the very fact that it could lead to such deep thought serves to make this song all the more enjoyable.  The guitar solo in the song’s final movement adds even more enjoyment to the whole work.  Between that impressive guitar work, the deep, thoughtful lyrics and the overall talent displayed here, ‘Holding On’ shows again why any rock and roll purist should give this record at least one listen.

Zodiac shows throughout the course of its latest full-length release why this record is just as good as any album released by its bigger-named counterparts.  That is evidenced in the songs previously noted here.  From its more blues-tinged rock to its more neo-stoner sound, there is not one moment that disappoints on this record.  There is almost something of a more modern rock and roll influence in the album’s closer ‘Swinging on the Run.’  Much like the album’s opener and other tracks on this disc, ‘Swinging on the Run’ is not one for anyone with a short attention span.  This track clocks in at just over six minutes.  It’s not the album’s longest work.  that honor belongs to the aptly titled ‘Rock Bottom Blues.’  That song comes in at just over the nine minute mark.  And anyone that is a fan of the likes of The Allman Brothers Band will especially enjoy this piece with its smoky, old school blues-rock sound.  Getting back to ‘Swinging on the Run,’ audiences can clearly hear influences from the likes of The Allman Brothers Band, Cream, The Doobie Brothers, and so many others that have come before as the song progresses.  It shows a good song doesn’t necessarily always need lyrics to be enjoyable.  that being the case, it makes perfect sense why it was chosen as the band’s final statement on this record.  It leaves audiences knowing that they have experienced something very special.  It leaves listeners knowing that along with those tracks noted here, and the remaining seven not noted, they have in Sonic Child an album that is just as deserving of respect from rock purists as any album released by the band’s more well-known counterparts.  And given the right support from listeners and radio programmers alike, it could become just as big a record as those released by said bands.

Sonic Child is available now in stores and online.  It can be ordered direct from the Prosthetic Records online store at http://store.prostheticrecords.com/products/531769-zodiac-sonic-child-cd.  More information on Sonic Child and all of the latest updates from Zodiac is available online at:

Website: http://www.zodiac-rock.com

Facebook: http://www.facebook.com/Zodiac.Rock

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Prosthetic Records Announces COC Vinyl Re-Issues On The Way

Officials with Prosthetic Records announced recently that the label will re-issue two classic Corrosion of Conformity albums on vinyl.

Prosthetic Records will re-issue Corrosion of Conformity’s seminal 1991 and 1994 albums Blind and Deliverance. Each album will be re-issued on 180-gram vinyl. Release dates for the re-issues have not yet been confirmed. However it is known that re-issues for both albums will be limited to 1,000 copies each. Pre-orders for both albums are currently available in the Prosthetic Records webshop.

COC BLIND COVER ART

Courtesy: Prosthetic Records

Blind will be presented in a double-disc LP set in three separate 180-gram colors: purple (700 copies), black (200 copies), and clear (100 copies). It will also include a color lyric insert, liner notes by music journalist Chris Dick, and three bonus tracks that were included in the album’s 1995 re-issue on compact disc. The track listing for the upcoming vinyl re-issue of Blind is noted below.

“Blind” (2014 Double LP edition):

  1. These Shrouded Temples…
  2. Damned For All Time
  3. Dance of the Dead
  4. Buried
  5. Break The Circle
  6. Painted Smiling Face
  7. Mine Are The Eyes of God
  8. Shallow Ground
  9. Vote With A Bullet
  10. Great Purification
  11. White Noise
  12. Echoes In The Well
  13. …Remain
  14. Condition A/Condition B *
  15. Future Now (MC5 cover) *
  16. Jim Beam and the Coon Ass *

* first time ever appearing on vinyl

 

Courtesy:  Prosthetic Records

Courtesy: Prosthetic Records

Prosthetic Records’ re-issue of Deliverance will mark the first time in two decades that the previously out-of-print album has been re-issued to audiences. It will be presented in a gatefold jacket in three separate 180-gram colors: green (700 copies), black (200 copies), and red (100 copies). The track listing for Deliverance is noted below.

 

“Deliverance” (2014 LP edition):

  1. Heaven’s Not Overflowing
  2. Albatross
  3. Clean My Wounds
  4. Without Wings
  5. Broken Man
  6. Senor Limpio
  7. Mano de Mono
  8. Seven Days
  9. #2121313
  10. My Grain
  11. Deliverance
  12. Shake Like You
  13. Shelter
  14. Pearls Before Swine

 

Audiences can keep up with the latest on these re-issues’ release dates and all of the latest on other releases from Prosthetic Records online now at http://www.facebook.com/prostheticrecords, http://www.prostheticrecords.com, http://twitter.com/ProstheticRcds, and http://www.myspace.com/prostheticrecords. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Hammercult’s Sophomore LP Is An Intentionally Over The Top Slab Of Metal

Courtesy:  SPV/Sonic Attack Records

Courtesy: SPV/Sonic Attack Records

Anyone that keeps up with the news of the world each day knows that there is a lot of trouble going on in the Middle East right now. Tensions between the Palestinians and Israelis have really stepped up again in recent weeks as have the attacks. It’s really a sad state of affairs. For all of the negativity coming from that part of the world, at least one positive has come from that war-ravaged land this year. That one positive is the sophomore album from the Tel-Aviv, Israel-based band Hammercult. Steelcrusher, the band’s follow-up to its 2012 debut album Anthems of the Damned, is a full on assault on the ears that will make any purist member of the Metal Nation worldwide proud. The album’s songs are sung with tongue planted firmly in cheek. One look at the obviously intentionally over-the-top album cover, the cover photo on the band’s Facebook page and one listen through this album proves this to be the case. The band pokes fun at the stereotypes placed on metal and its legions of fans from start to finish. The end result is an album that will have audiences both laughing and rocking along throughout every song. One of the best examples of that satire comes in the form of the metal anthem ‘Metal Rules Tonight.’ There is also the full throttle song about the stereotypes of metal bands on the road in the album’s penultimate song ‘Heading For War.’ And then there is ‘Unholy Art,’ which seems to poke fun at the stereotypes of metal and hard rock in general created by certain groups. It’s one more example of the works on this record that will again, have audiences laughing and rocking along from start to finish.

Audiences will note in listening to Hammercult’s recently released sophomore album Steelcrusher, that there are some pretty dark sounding songs, lyrically and musically speaking. But the reality of the albums on this record is that they were obviously written with tongue planted pretty firmly in cheek. One look at the cover photo on the band’s Facebook page drives home the argument that the band is anything but the dark, evil entity that others such as perhaps Ghost, Emperor, etc. One piece of evidence in that argument comes in the form of the anthemic ‘Metal Rules Tonight.’ Not only does the band encourage the metal legions of the world to put their collective metal horns in the air, it also goes so far as to pay tribute to one of the biggest names in metal in the form of Metallica. Front man Yokir Shochat sings in this full-on anthem, “I’m so wasted/I can’t stand/Grab a *&$$%/Get some #&@%/Speakers blasting through the wall/Master of Puppets and Balls to the Walls.” He goes on later in the song singing to listeners, “Bang your head in full conviction/Raise your fists and show the horns/No remorse or lamentations/Play it loud/Or die/Metal rules tonight/Trends will come and fade away/Heavy metal is here to stay/We are damned but we are free/It’s our way of life/The way it should be/Metal!” That last line sort of echoes AC/DC’s ‘Rock and Roll Ain’t Noise Pollution’ in which front man Brian Johnson sings that “Rock and roll ain’t noise pollution/Rock and roll it will live on.” The song’s speed/thrash metal musical backing will have its fans putting their horns high in the air with pride as they sing along to this metal anthem.

‘Metal Rules Tonight’ is one of the highest of points on Hammercult’s new album. It is only one piece of evidence in the argument that despite the band’s speed/thrash metal sound and its seemingly dark lyrics, it should be taken with a relatively large grain of salt. Another piece of evidence in that argument comes late in the album in the song ‘Heading For War.’ Right off the top, Shochat makes that clear once again as he screams, “Thrashing hotels every day/Heads are banging/Ears are bleeding/Raise your hammers/Ready to explode.” He sings in another verse, “Racing to another city/Party hard tonight/Heavy drinking/Never stopping/It’s the only way we stay alive.” These two verses alone more than tell audiences everything that they need to know about this song. If that’s not enough, the song’s chorus makes painfully clear that there’s nothing evil at all about the band or its album. Shochat sings in the chorus, “Heading for the stage, heading for war/Yes, we live or the fight/And die for the cause we believe to be right/Giving it all with fury and force/Spreading the sound of destruction.” Shochat likens being on the road, performing on stage after stage to like being in a war. Though, interestingly enough, one could argue that there is a lightly veiled reference to the conflict between the Israelis and Palestinians there and the lack of sense in it. Instead of being involved in that conflict though, the band lives and dies for metal in that “battle” to spread metal’s word to the world. If that veiled commentary on the war in the Gaza strip is in fact there, then that double meaning in this verse makes the song in whole all the more interesting. And along with ‘Metal Rules Tonight,’ it makes the album in whole all the more worth the listen, too.

‘Metal Rules Tonight’ and ‘Heading For War’ are both prime examples of what audiences can expect from Steelcrusher. Both songs show that despite the album’s similarity to works from the likes of Exmortus, Arch Enemy, and others of that ilk, it actually stands out quite a bit from those bands. There is one more example of the band’s tongue in cheek delivery on this album. That example is the song ‘Unholy Art.’ The band’s commentary is perhaps at its strongest in this song as Shochat and company point the finger right back at those that would judge the metal community, singing, “The blackest hearts and darkest minds/You never know just what you will find/It’s not for the faint of heart/This is the Unholy Art/Dishonored/A branded kind/The masses will burn in the flames of our pride/We’ll rise to our own blackened skies/And devour the worlds/And we’re starting tonight. The band singing together, “It’s not for the faint of heart/This is the Unholy Art” is itself a sarcastic statement. It’s Shochat and his band mates almost laughing as they say, “oh it’s such evil stuff. It’s not for the faint of heart.” Again, it’s just one more example of how firmly in their cheeks the band members’ tongues are planted in this record. The statement of “The blackest hearts and darkest minds” is something of a statement against the stereotypes created by certain groups against the metal masses around the world. Those judgmental groups are so fast to throw the first stone even without knowing the full story or doing their research. It’s such searing commentary in so few words. It makes for one of the most powerful statements of the album’s entire body of songs. Of course together with the previously noted songs (and those not noted) it makes the entire collection of songs an album that any true-blooded member of the metal nation worldwide will enjoy and appreciate.

Steelcrusher is available now in stores and online. It can be downloaded via iTunes and Amazon or purchased at the band’s next upcoming performance. The band is currently scheduled to perform live August 9th at Brutal Assault in Jaromer, Czech Republic. Audiences can pick up Steelcrusher at that performance, too. More information and tour updates are available online via the band’s official Facebook and Twitter pages. To keep up with the latest sports and entertainment reviews and news, go online to the Phil’s Picks Facebook page and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog.

Friedman’s Musical Light Burns Bright On Inferno

Courtesy: Prosthetic Records

Courtesy: Prosthetic Records

Virtuoso metal guitarist Marty Friedman has built a career of churning out some of the most intense riffs that the metal community has ever heard. Some of the most intense of those riffs came during his time with veteran metal band Megadeth alongside fellow legend Dave Mustaine. For all of the impressive riffs that Friedman crafted during his time with Megadeth, he has shown to be just as talented on his own as he was during his time with that group of musicians. He has released a handful of albums in recent years. Each album has shown a different side to Friedman as an artist, the most recent of which being 2012’s Loudspeaker. Now two years removed from that album, Friedman has released his latest full length effort in the form of the aptly titled Inferno. Pardon the pun, but the title is fitting for this album because Friedman is most definitely *ahem* “on fire” throughout the course of the album’s dozen tracks. One of the most intriguing tracks on this album is his punk/hard rock hybrid ‘I Can’t Relax (ft. Danko Jones). This is one of those songs that shows that while Friedman is known largely for speed and thrash metal riffs, he is just as talented in other realms of rock, too. On a completely opposite branch, ‘Meat Hook (ft. Jorgen Munkeby)’ is a completely out of this world metal-meets-avant-garde jazz piece that is sure to catch any listener’s ear. Of course for all of the intensity and growth that Friedman exhibits through the course of this album, he also shows some emotional depth in the progressive rock ballad of sorts that is ‘Undertow (ft. Gregg Bissonette and Tony Franklin).’ These songs are but mere samplings of what makes Inferno such an outstanding opus from Marty Friedman. There are nine other tracks from which listeners can choose their favorite(s). Regardless of which song(s) listeners choose as their favorite(s), every listener will agree that all twelve of the songs that make up Inferno make up an album that is more than deserving of a spot on any critic’s year-end list of the year’s best new hard rock and metal albums.

Marty Friedman shows off his metal chops throughout the majority of his new album in a variety of ways as listeners will note in listening throughout the album’s dozen total tracks. For all of the metal chops that he continues to show on this album, he also displays a certain amount of growth, too. Case in point is the punk/hard rock hybrid that is ‘I Can’t Relax (ft. Danko Jones).’ Friedman shows in this song that while it’s been a while since he was part of a band with a vocalist, he is still okay with sharing the limelight with others. Jones, who has earned his own level of fame throughout his career perfectly mirrors Friedman’s own frenetic energy as he sings, “I’m always busy/Let’s get ready/Burn it down to the ground/I hate when someone tells me to stop moving and sit down…You’re gonna see my face everywhere/It’s gonna drive you crazy/I want to time and time again/I can’t relax/I can’t relax/You gotta know/I can’t relax/You’ve got to know.” Jones’ rapid fire delivery alongside the musicianship of Friedman and his fellow musicians will instantly have audiences dancing and singing along happily. It’s not the only song that will either, as is evidenced in the metal-meets-avant-garde jazz piece that is ‘Meat Hook (ft. Jorgen Munkeby).

‘Meat Hook (Ft Jorgen Munkeby) is another prime example in this record of just how much Friedman has grown as an artist. The song shows influences from the likes of Liquid Tension Experiment, Trioscapes, Faith No More, and certain other bands. Simply put, it is mind boggling, but in the best possible way. The use of the sax line against Friedman’s guitar playing makes for a contradiction that can only be best understood when heard by one’s own ears. There are no words to properly describe the sound or the effect. Add in the wild piano runs and audiences get a piece that completely defies any musical logic whatsoever. Yet it still manages to impress in its own right and make Inferno even more enjoyable for listeners.

For all of the wild energy exuded by Marty Friedman, his guest musicians, and his band mates throughout the course of this album, Friedman shows a softer side too. That softer side is presented in the progressive rock ballad ‘Undertow.’ This piece shows something of an influence from the likes of Dream Theater and Liquid Tension Experiment just to name a couple of bands. After the nonstop adrenaline rush on which Friedman sends his listeners throughout the course of the album’s previous song, this song is a welcome chance for listeners to catch their collective breath. The addition of Tony Franklin and famed session drummer Gregg Bissonette adds even more depth to the song. It takes listeners back to the days of big hair and even bigger rock. Listeners can just close their eyes and take it in, seeing in their minds, a giant arena with Friedman there center stage, lasers shooting out from the stage in time with his guitar playing. It’s one more impressive piece that stands out as one of this album’s highest of highs. Of course that it just the opinion of this critic. There are still nine other tracks on this record from which listeners can choose their own favorite(s). Regardless of which song(s) listeners choose, one thing can be agreed and that is that whether it be the songs noted here or those chosen as favorites by others, every track on this record proves just why Inferno deserves a spot on every rock critic’s year-end list of the year’s best new hard rock and metal albums.

Inferno is currently available in stores and online. Audiences can check it out now while they await Friedman’s next scheduled live performance Thursday, September 25th at the Iridium in New York. Audiences can keep up with all of the latest tour updates and news from Marty Friedman online now at http://www.facebook.com/martyfriedman.official and http://www.martyfriedman.com. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Virgin Mobile Recruits Exmortus For New Ad Campaign

Courtesy:  Prosthetic Records/Virgin Mobile

Courtesy: Prosthetic Records/Virgin Mobile

Prosthetic Records’ own Exmortus is starring in a new ad campaign for Virgin Mobile.

The new TV spot is a fully tongue-in-cheek piece that sees the L.A.-based four-piece applying its own brand of metal to espouse the benefits of Virgin Mobile. It was directed by Paul B. Cummings (Conan, The Colbert Report). It can be viewed online now at http://www.ispot.tv/ad/7yMf/virgin-mobile-galaxy-s5-metal-band. Drummer Mario Moreno shared his thoughts on the shoot, saying that “We had a great time shooting with Paul and it was an awesome experience, especially breaking all the gear at the end!”

Exmortus will be back on the road again this summer in support of its latest album Slave to the Sword.” It will tour alongside veteran metal band Flotsam and Jetsam on that band’s tour. The current tour itinerary is listed below.

UPCOMING TOUR DATES
7/9     West Hollywood, CA – Whisky A Go Go #
7/10   San Francisco, CA – Slim’s #
7/11   Sacramento, CA – The Boardwalk #
7/12   Portland, OR – Tonic Lounge #
7/13   Seattle, WA – Studio Seven #
7/15   Spokane, WA – Club 412 #
7/16   Boise, ID – The Shredder #
7/17   Salt Lake City, UT – LoFi Cafe #
7/18   Las Vegas, NV – LVCS #
7/19   Mesa, AZ – Club Red #
8/2     Los Angeles, CA – Black Castle (w/ Morbid Saint)
8/22   Santa Ana, CA – Malone’s (w/ Gypsyhawk)
# with Flotsam & Jetsam

More information on Exmortus, its upcoming tour, its new album and more is available online now at http://www.facebook.com/exmortusofficial. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Monuments Releases Summer Tour Schedule

Courtesy:  Century Media Records

Courtesy: Century Media Records

The members of Monuments announced Thursday that band will hit the road this summer in support of its latest album.

Amanuensis, the first for the band on Century Media Records, will be released July 8th in North America. The band’s tour in support of its new album kicks off Tuesday, July 15th in Springfield, MA. Also along for the ride will be Scale The Summit, Glasscloud, Erra, and Reflections.

The band’s current tour schedule includes thirty-seven scheduled dates counting its opening date in Springfield, MA. The schedule also includes a performance at the Blind Tiger in Greensboro, North Carolina on Wednesday, August 13th. Tickets for that performance can be ordered online now at http://www.etix.com/ticket/online/homePageSearch.do?method=showPerformanceDetail&performance_id=1816123&search_source=etix. The band’s current list of tour dates is included below.

07/15 @ Empire – Springfield, VA – Tickets: http://tinyurl.com/ofttvxz
07/16 @ The Barbary – Philadelphia, PA – Tickets: http://tinyurl.com/owfbym9
07/17 @ Webster Underground – Hartford, CT – Tickets: http://tinyurl.com/md2sqg7
07/18 @ Amityville Music Hall – Amityville, NY – Tickets: http://tinyurl.com/pfaavxn
07/19 @ Gramercy Theatre – New York, NY – Tickets: http://tinyurl.com/nt3ymfl
07/20 @ The Palladium – Worcester, MA – Tickets: http://tinyurl.com/njzv4f4
07/21 @ Bogies – Albany, NY – Tickets: http://tinyurl.com/okz3yuz
07/22 @ La Sala Rossa – Montreal, QC – Tickets: http://tinyurl.com/nbkb764
07/23 @ Hard Luck – Toronto, ON – Tickets: http://tinyurl.com/pub4jqv
07/24 @ The Stache – Grand Rapids, MI – Tickets: http://tinyurl.com/p93dtle
07/25 @ Reggie’s – Chicago, IL – Tickets: http://tinyurl.com/q3v3xlu
07/26 @ The Garage – Burnsville, MN – Tickets: http://tinyurl.com/o8qnc8d
07/27 @ West End Cultural Centre – Winnipeg, MB – Tickets: http://tinyurl.com/qdjo3ef
07/28 @ The Exchange – Regina, SK – Tickets: http://tinyurl.com/nsw6xst
07/29 @ The Den, Calgary, AB – Tickets: http://tinyurl.com/omstu3a
07/30 @ Kelowna, BC – Rutland Centennial Hall – Tickets: http://tinyurl.com/q7xnavh
07/31 @ The Rio Theatre, Vancouver, BC – Tickets: http://tinyurl.com/nsnb82j
08/01 @ Chop Suey – Seattle, WA – Tickets: http://tinyurl.com/nmtmstp
08/02 @ Hawthorne Theatre – Portland, OR – Tickets: http://tinyurl.com/l6ecot8
08/03 @ Oakland Metro – Oakland, CA – Tickets: http://tinyurl.com/mbgahas
08/04 @ The Lyric – Los Angeles, CA – Tickets: http://tinyurl.com/kf25ck8
08/05 @ Southern Nevada Sports Centre – Las Vegas, NV -

Tickets: http://tinyurl.com/kxadqb2

08/06 @ The Underground – Mesa, AZ – Tickets: http://tinyurl.com/m74l2ce
08/07 @ Launchpad – Albuquerque, NM – Tickets: http://tinyurl.com/pa958qv
08/08 @ Bluebird Theater – Denver, CO – Tickets: http://tinyurl.com/krzdn94
08/09 @ Jackpot – Lawrence, KS – Tickets: http://tinyurl.com/olsfk6w
08/10 @ Fubar – St. Louis, MO – Tickets: http://tinyurl.com/nfy48he
08/11 @ Park Street Saloon – Columbus, OH – Tickets: http://tinyurl.com/nk7lr6a
08/12 @ The Concourse – Knoxville, TN – Tickets: http://tinyurl.com/nrg93jh
08/13 @ Blind Tiger – Greensboro, NC – Tickets: http://tinyurl.com/ouxnc2n
08/14 @ 1904 Music Hall – Jacksonville, FL – Tickets: http://tinyurl.com/ppx4azw
08/15 @ Propaganda – Lake Worth, FL – Tickets: TBA
08/16 @ Backbooth – Orlando, FL – Tickets: http://tinyurl.com/kwh6ylh
08/17 @ Vinyl At Center Stage – Atlanta, GA – Tickets: http://tinyurl.com/lml7qrm
08/19 @ Tomcats – Fort Worth, TX – Tickets: http://tinyurl.com/l4gdtzd
08/20 @ Red 7 – Austin, TX – Tickets: http://tinyurl.com/mbmn53s
08/21 @ Fitzgerald’s – Houston, TX – Tickets: http://tinyurl.com/mbvhuu5

Audiences can pre-order Amanuensis now online at http://www.cmdistro.com/Search/monuments. And the video for the band’s latest single ‘The Alchemist’ is available for viewing online now via YouTube at https://www.youtube.com/watch?v=nTKB5enjIN4&feature=youtu.be. More information on Monuments, its upcoming album, tour and more is available online at http://www.facebook.com/thisismonuments and http://twitter.com/thisismonuments. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Exmortus Debuts Video For Its Latest Single

Photo Credit: Stephanie Cabral

Photo Credit: Stephanie Cabral

The members of Exmortus have debuted the vide for the band’s new single, ‘Foe Hammer.’  The old school style video, directed by Ron Thunderwood (9 Electric), sees the band performing in front of the camera in a pseudo live setting.  This style of making music videos was used quite a bit in the late 80s and early 90s by any number of directors and bands.  It gives the audience a feel for what they are in store for at a live Exmortus show.  The video can be viewed online now at http://www.youtube.com/watch?v=CUD0gBG1TG8&feature=youtube_gdata_player.

Exmortus is currently touring in support of its new album Slave to the Sword now.  It will perform tonight at Diamond Pub & Billiards in Louisville, KY.  The band’s tour also includes a performance at The Milestone in Charlotte, North Carolina.  Ticket information and more for this and every show is available online at http://www.facebook.com/exmortusofficial.  The band’s current schedule of tour dates is listed below.

Watch EXMORTUS shred live atone of these dates:
2/28    Louisville, KY – Diamond Pub & Billiards #
3/1      Pittsburgh, PA – Altar Bar #
3/2      Philadelphia, PA – Trocadero #
3/7      Queens, NY-  Blackthorn 51*
3/8      Trenton, NJ- Backstage at Champs*
3/9      Richmond, VA- Strange Matter*
3/10    Charlotte, NC- The Milestone*
3/11    Columbia, SC-  New Brookland Tavern*
3/12    Savannah, GA- Dollhouse Productions*
3/13    Jacksonville, FL- Atticus Bar*
3/14    Miami, FL- Churchill’s Pub*
3/15    Tampa, FL- The Brass Mug*
3/16    Atlanta, GA – Club Famous*
3/17    Johnson City,TN- The Hideaway *
3/18    Pittsburgh, PA – Howlers Coyote Cafe *
3/19    Columbus, OH- Ace of Cups*
3/20    Cleveland, OH- Now That’s Class*
3/21    Rochester, NY- The Bug Jar*
3/22    Florence,MA – JJ’s Tavern *
3/25    Austin, TX @ Infest ^
3/26    El Paso, TX @ Tricky Falls ^
3/27    Phoenix, AZ @ Joe’s Grotto ^
3/28    Las Vegas, NV @ Cheyenne Saloon ^
3/29    Anaheim, CA @ Mirror Image ^
3/30    W. Hollywood, CA @ Whisky-A-Go-Go ^
4/1      San Francisco, CA @ DNA Lounge ^
4/2      Seattle, WA @ Studio Seven ^
4/3      Portland, OR @ Tonic Lounge ^
4/4      Vancouver, BC @ The Venue ^
4/5      Edmonton, AB @ Pawn Shop ^
4/7      Denver, CO @ Bluebird Theater ^
4/8      Kansas City, MO @ Riot Room ^
4/9      Des Moines, IA @ Wooly’s ^
4/10    Chicago, IL @ Reggies Rock Club ^
4/11    Rochester, NY @ Montage Music Hall ^
4/12    Toronto, ON @ Virgin Mobile Mod Club ^
4/13    Quebec, QC @ Complexe Meduse^
4/14    Montreal, QC @ Foufounes Electriques^
# with Dark Tranquility & Omnium Gatherum
* with Lich King
^ with Destruction & Krisiun

Fans can pick up Slave to the Sword now in stores or order it in a variety of formats via the Prosthetic Records online store at http://store.prostheticrecords.com/products/524528-exmortus-slave-to-the-sword-cd.

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