“Irish Tour ’74” Is An Excellent Re-Introduction To Rory Gallagher

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Rory Gallagher is probably not the first name that most people would come up with when they are asked to name some of the most well-known guitarists in music’s modern history. While he may not be one of the most well-known musicians to have ever picked up a guitar, the artists with whom he recorded and performed in his short career are legendary. Muddy Waters and Jerry Lee Lewis were just a couple of acts that he recorded with during his career. He also performed and recorded with former members of the famed Yardbirds after that band’s initial disbanding. And that is just a small sampling of his achievements from his career. Now thanks to Eagle Rock Entertainment, a whole new generation of rock purists is being introduced to Gallagher’s talents thanks to the recent release of his Irish Tour ’74 archived live recording. The archived concert was released in a special deluxe 2-CD edition on October 21st. And it goes without saying that there is a lot to like about this recording especially for those that might not be so familiar with Gallagher and his body of work. The most obvious thing to like about the recording is the recording’s set list. The special double-disc CD set focuses primarily on Gallagher’s shows from Cork, Ireland on January 5th, 1974. It is a great piece of music history especially for those that aren’t so familiar with Gallagher and his body of work. The concert’s audio mix in this presentation is another aspect that audiences will like. Four decades have passed since the shows from Gallagher’s ’74 tour. And the audio has stood the test of time quite well, as audiences will note here. Rounding out the package is its companion booklet. The companion booklet comes with never before published pictures and new liner notes. Each factor noted here makes Irish Tour ’74 enjoyable in its own right. Together, they make this recording a welcome and important piece of music history.

Irish-born blues-rock guitarist Rory Gallagher was one of the most well-kept secrets in the music industry during the course of his short life. He recorded roughly twelve studio albums over the course of his career. Those albums have sold well over thirty million copies worldwide. For such impressive numbers, Gallagher never gained the international super stardom of his British and American counterparts at the time. But as audiences will hear in the set list contained on Eagle Rock’s double-disc release Irish Tour ’74 Gallagher was and still is deserving of far more credit and acclaim than he has ever received. The blues rock sounds presented in the show’s set list echo hints of Led Zeppelin, The Allman Brothers Band, The Doobie Brothers, and so many other great names within rock’s blues-based sub-genre. One could even argue that there are hints of Jimi Hendrix in his playing. That is evident right off the top in his performance of ‘Messin’ With The Kid.’ Audiences can hear both Hendrix and Led Zeppelin guitarist Jimmy Page in this song. Lou Martin’s frantic work on the keyboards and Rod De’ath’s drumming set against Gallagher’s guitar playing make this song an explosive opener and an equally explosive first impression for those that are hearing Gallagher’s music for the first time. Audiences will also appreciate the comparison to George Thorogood (and to a lesser extent Lynyrd Skynrd) that can be made in ‘Hands Off.’ The song’s straight forward 4/4 blues-rock vibe will have any listener jamming out regardless of their familiarity with Gallagher’s music. The mini-tribute to the Andrews Sisters in the opening of ‘Who’s That Coming’ is by itself a great touch. The song’s simple stylistic comparison to The Allman Brothers Band and even The Doors makes the song even more enjoyable for audiences. Yes, one could even make a comparison between Gallagher and The Doors. That says quite a bit about Gallagher’s talents. Listening to the rest of the songs that make up this two-disc recording, audiences will find other comparisons. In making such comparisons, it reveals even more Gallagher’s level of talent. One can only hope that the end result will be a resurgence in the popularity of his music.

The set list that makes up Irish Tour ’74 presents Gallagher as a truly talented musician. The same can be said of his band mates in these concerts. It makes one wonder why he never gained the level of fame as his counterparts despite his albums selling some thirty million copies worldwide. Perhaps this recording will help push him to that stratosphere on which his counterparts in question rest to this day. The set list itself more than makes this recording a great re-introduction to Gallagher’s works. Without a solid audio mix the recording would be nothing. Luckily though, the tapes on which these shows were originally recorded have stood the test of time quite well. The audio levels are expertly balanced in their re-mastering. The end result there is that no one part overpowers the other at any one point throughout the course of the recording. Yet again, it is proof of why Eagle Rock Entertainment remains to this day the leader in live recordings. Whether the recording be from a world renowned superstar or someone lesser known such as Gallagher, Eagle Rock Entertainment releases only the best possible recordings. It does not release recordings with inferior production values. Such expertly handled production values will make taking in Gallagher’s music all the more enjoyable and play even more of a role in re-igniting his fame.

The production values of Irish Tour ’74 and the recording’s set list are both key to the overall success of this latest archived concert. The two elements together make this recording an excellent way to re-introduce Rory Gallagher to the world. The recording is rounded out with the inclusion of a companion booklet loaded with extras. The companion booklet boasts sixteen pages of previously unpublished photos from Gallagher’s Irish tour and new liner notes outlining the tour’s highlights. Among the most interesting of the liner notes are notes concerning his performance in the worn torn region of Belfast. There are notes about his impact on that region and his influence as a musician overall during his career and much more included in the liner notes. It is one more important piece of the whole that makes Irish Tour ’74 such a wonderful re-introduction for Gallagher to the world. Together with the show’s set list and its exception production values, it becomes all the more valuable for any rock and roll purist and fan of classic rock. It becomes a recording that regardless of one’s familiarity with Gallagher and his body of work, any rock purist will enjoy. It could even lead said purists to become new fans or new fans again of Rory Gallagher.

Irish Tour ’74 is available now in stores and online. Along with its double-disc CD presentation, it is also available as a special eight-disc box set containing all four of Gallagher’s performances on his 1974 tour of Ireland and even more bonuses and even a triple gate fold vinyl for all the vintage rock fans. The triple gate fold vinyl re-issue can be ordered online at http://www.recordstore.co.uk/recordstore/recordstore/Irish-Tour-74-Expanded/3JHU0000000. More information on this and other releases from Rory Gallagher, as well as the latest news from Rory Gallagher, is available online at:

Website: http://www.rorygallagher.com

Facebook: http://www.facebook.com/RoryGallagher

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Zodiac’s “Sonic Child” Is Another One Of 2014’s Most Surprisingly Enjoyable Pure Rock Records

Courtesy:  Prosthetic Records/Napalm Records

Courtesy: Prosthetic Records/Napalm Records

When Prosthetic Records added Zodiac to its roster two years ago, it went without saying that doing so was something of a gamble for the label.  It was such a gamble because much like Century Media, Metal Blade, Roadrunner, and others, Prosthetic is known more for the “extreme metal” bands that make up its roster than for the likes of the Munster, Germany-based band.  That’s not to say that Prosthetic sticks primarily to that more extreme sound.  Acts such as Niacin and Felix Martin both stand out among Prosthetic’s other acts.  Zodiac however has become the label’s most commercially viable band since Lamb of God was signed on with the company.  Zodiac’s mix of blues-based and neo-stoner rock has helped the band to stand out among its label mates ever since the release of its 2012 Prosthetic Records debut A Bit of Devil.  Now with its third full-length studio effort, Zodiac has one again set itself apart from its label mates and grown just as much musically.  From the slow blues-based opener ‘A Penny & A Dead Horse’ to the more up-tempo neo stoner rocker that is ‘Holding On’ to the equally catchy closer ‘Swinging on the Run,’ this record proves to have not one bad moment.  It proves to be one of the year’s most surprisingly enjoyable rock records and one that any rock purist should hear at least once.

Sonc Child, Zodiac’s third full-length studio effort, is by and large the band’s best work to date.  With its mix of blues-based and neo-stoner rock sounds, this record proves to be one that every rock purist should hear at least once.  Right off the top, the band grabs listeners without really trying in the album’s opener ‘A Penny and a Dead Horse.’  The twelve-bar blues churned out in the song’s “A” section conjures thoughts of Robert Johnson, Mississippi John Hurt, and so many of the forefathers of the blues.  Anyone that is a fan of Fireball Ministry, Black Stone Cherry, and other bands of that ilk will enjoy the more straight forward neo-stoner rock sound of the song’s “B” and “C” sections.  Lyrically, the song is just as enjoyable.  Vocalist Nick van Delft sings about an unnamed woman that has left a man, and left him with basically nothing.  Thus the song’s title.  van Delft sings of the woman, “Oh, woman/Where have you gone with that/Pot of gold/Oh, woman/Where have you gone/You had to leave me/Before the break of dawn/Somebody been haunting you/Somebody run you down/Over the yonder/Beyond the fields/Someone call your name/Oh, woman/Where have you gone/Sweet darlin’/You left me to die alone/With a penny and a dead horse.”  van Delft paints such a vivid picture thanks to the way in which he sings these lines.  The gradual tempo increase as the song progresses makes that picture just as vivid.  The picture goes from a man sitting alone in the darkness, perhaps drinking from a bottle of cheap whiskey to someone who feels something stronger as he and his band mates sing, “So long, so long” in the chorus.  The song’s final strains exhibit perhaps the man’s collapse.  This is of course just this critic’s own interpretation on the song.  Audiences can check out the song’s official video online now at the Prosthetic Records website at http://store.prostheticrecords.com/products/531769-zodiac-sonic-child-cd.  While there, audiences can also order Sonic Child, which was just recently released at the end of September.

‘A Penny & A Dead Horse’ is a wonderful addition to Sonic Child. It is also just one excellent example of what makes this album such a surprisingly enjoyable record.  ‘Holding On’ is another solid example of why this record proves to be such a surprisingly enjoyable rock record.  Where the album’s opener almost tells its own story, ‘Holding On’ is more of a straight-forward rock song.  It harkens back to rock and roll’s golden era much like Black Stone Cherry, Fireball Ministry, and others of that ilk.  van Delft sings against drummer Janosch Rathmer’s solid timekeeping and fellow guitarist Stephen Gall’s own work, “What is the point of your life/Your life/All covered up in those eyes/Those eyes/So now free mind/You’re one of a kind/Take a hold of the good things/And give sight to the blind/Tell me the one thing you see/Tell me the one thing you know/Show me the one thing you live for/Holding on.”  This set against the song’s opening verse in which van Delft sings, “Time keeps on ticking/Revealing your patience/It’s only a matter of self-defense/Eager to please/Your only disease/It’s just the weight on your mind/A day of your life/A step on your way to return” makes the song especially interesting.  There is a seeming message about each one of us having a meaning in life and it being just a matter of finding that meaning.  Again, that could be completely wrong.  Hopefully it is right, though.  Regardless, the very fact that it could lead to such deep thought serves to make this song all the more enjoyable.  The guitar solo in the song’s final movement adds even more enjoyment to the whole work.  Between that impressive guitar work, the deep, thoughtful lyrics and the overall talent displayed here, ‘Holding On’ shows again why any rock and roll purist should give this record at least one listen.

Zodiac shows throughout the course of its latest full-length release why this record is just as good as any album released by its bigger-named counterparts.  That is evidenced in the songs previously noted here.  From its more blues-tinged rock to its more neo-stoner sound, there is not one moment that disappoints on this record.  There is almost something of a more modern rock and roll influence in the album’s closer ‘Swinging on the Run.’  Much like the album’s opener and other tracks on this disc, ‘Swinging on the Run’ is not one for anyone with a short attention span.  This track clocks in at just over six minutes.  It’s not the album’s longest work.  that honor belongs to the aptly titled ‘Rock Bottom Blues.’  That song comes in at just over the nine minute mark.  And anyone that is a fan of the likes of The Allman Brothers Band will especially enjoy this piece with its smoky, old school blues-rock sound.  Getting back to ‘Swinging on the Run,’ audiences can clearly hear influences from the likes of The Allman Brothers Band, Cream, The Doobie Brothers, and so many others that have come before as the song progresses.  It shows a good song doesn’t necessarily always need lyrics to be enjoyable.  that being the case, it makes perfect sense why it was chosen as the band’s final statement on this record.  It leaves audiences knowing that they have experienced something very special.  It leaves listeners knowing that along with those tracks noted here, and the remaining seven not noted, they have in Sonic Child an album that is just as deserving of respect from rock purists as any album released by the band’s more well-known counterparts.  And given the right support from listeners and radio programmers alike, it could become just as big a record as those released by said bands.

Sonic Child is available now in stores and online.  It can be ordered direct from the Prosthetic Records online store at http://store.prostheticrecords.com/products/531769-zodiac-sonic-child-cd.  More information on Sonic Child and all of the latest updates from Zodiac is available online at:

Website: http://www.zodiac-rock.com

Facebook: http://www.facebook.com/Zodiac.Rock

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

The Allman Brothers Band To Release New Live DVD

MSO PR

MSO PR

The Allman Brothers Band will release a special live DVD this Spring.

The band’s new live DVD 40 will be released Tuesday, April 30th via EOne Entertainment. The concert was recorded March 26th, 2009. That day was the fortieth anniversary of the first performance of the band’s original lineup. It was on March 26th, 1969 that the band’s original lineup—Duane Allman, Gregg Allman, Dickey Betts, Butch Trucks, Jaimoe Oakley, and Berry Oakley—performed together in Macon, Georgia.

In related news, the current lineup of The Allman Brothers Band will be back on stage, performing live this weekend. The band will perform live in Live Oak, Florida this Saturday, April 11th at the 10th annual Wanee Festival. The band’s previous four performances at the Beacon Theatre had to be postponed as singer Gregg Allman had recently been suffering from bronchitis. Allman spoke to reporters concerning the progress of his recovery, stating that he felt he was almost back to full strength and was optimistic about the band’s upcoming live performances. “I feel almost 100% following my bout with Bronchitis,” he said. “I look forward to seeing the Allman Brothers Band fans at the Wanee Festival April 10-12, as well as I cannot wait for my first trip to Australia with my solo band to meet my down under fans.”

The band’s most current live schedule is listed below.

DATE

CITY VENUE
Fri 4/11 Live Oak, FL Wanee Music Festival
Sat 4/12 Live Oak, FL Wanee Music Festival
Thu-Sun 6/5-6/8 Hunter Mountain, NY Mountain Jam
Thu-Sun 8/14-8/17 Scranton, PA Peach Music Festival
Thu-Sun 9/4-9/7 Arrington, VA Lockn’ Music Festival

 

More information on The Allman Brothers Band, its upcoming live DVD, performances and more is available online at http://allmanbrothersband.com, http://www.hittinthenote.com, http://www.waneefestival.com, and http://www.facebook.com/allmanbrothersband. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Allman Brothers Band Celebrates 45th Anniversary With Live Shows, New Live Releases

MSO PR

MSO PR

2014 marks a major milestone for the Allman Brothers Band.  This year marks the forty-fifth anniversary of the band’s formation.  In celebration of the anniversary, the band will release new live CD and DVD recordings for its fans.  It also has announced the schedule for its annual stint at the Beacon Theater.  It all begins next month with the release of the new two-CD set, Play All Night: Live at the Beacon Theatre 1992 and the new live DVD, Live at Great Woods.  This recording was originally recorded in 1991.  The band will also release via its own label, Allman Brothers Band Recording Company, another live DVD titled Boston Common 8/17/71.  Topping it all off, the band is set to return to its original home base of Florida this Spring for the annual Wanee Festival.

Play All Night: Live at the Beacon Theatre 1992 presents the band’s first time ever performing such an extended run at the famed theatre.  The band performed ten shows at the Beacon Theatre in 1992.  Only two of those ten shows were ever taped.  Very little material from those recordings has ever been made publicly available for fans up until now.  The double-discset will be released via Epic/Legacy Recordings on Tuesday, February 18th.  Epic/Legacy Recordings is a division of Sony Music Entertainment.

The upcoming double-CD live release is just half of the band’s celebratory releases.  The band will release alongside Play All Night: Live at the Beacon Theatre 1992 a new live DVD titled Live at Great Woods.  The recording, which was originally filmed in September 1991, presents the band performing in front of nearly twenty-thousand fans at the Great Woods Center for the Performing Arts in Massachusetts.  The new re-issue of the concert recording marks the first time that it has ever been released on DVD.  It features for fans the band’s original long-form video version of the performance.  There are no interviews spliced into the recording here.  It will also be released via Epic/Legacy Recordings.

Finishing of the band’s list of celebratory live recordings will be the release of Boston Common 8/17/71.  John Lynskey—publisher of the ABB’s magazine, Hittin’ The Note—explains the recording and the band’s relationship with the people of Boston in the recording’s liner notes.  Boston Common 8/17/71 is also scheduled for a February release.  No official date has been confirmed yet.

“1971 was a watershed year for the Allman Brothers Band – they recorded their seminal live album, At Fillmore East, in March, and continued to tour relentlessly. By this point, their performances had reached a level of musicianship and intensity that other groups could only dream of. At Fillmore East was released in July to massive critical acclaim, and a month later, they rolled back into Boston to once again jam in the Common, playing two shows on August 17th. Boston Common 8/17/71 manages to capture the loose and engaging early set, with the band clearly enjoying themselves – Berry [Oakley]’s stage banter is particularly engaging as he comments on the group’s relationship with Boston and their friendship with the J. Geils Band. As for the music, Duane’s slide guitar is blistering on ‘Statesboro Blues’ and ‘Don’t Keep Me Wonderin’’; his interplay with Dickey [Betts] on ‘You Don’t Love Me’ is a complex masterpiece, and their dual melody line on ‘In Memory of Elizabeth Reed’ is flawless. Gregg’s vocal work is stellar throughout, and his growl on ‘Trouble No More’ clearly justifies his reputation as one of the best blues singers of all time. Berry, Butch and Jaimoe lay down a rhythm foundation that is a mile wide – the thumping bass line and syncopated drum patterns turn the ‘Whipping Post’ finale into a musical maelstrom.”

Following the release of its upcoming live CD and DVDs, the band will continue celebrating its forty-fifth anniversary with its annual stay at the famed Beacon Theatre and a return engagement at the annual Wanee Festival in Live Oaks, Florida.  2014 marks the tenth anniversary of the Wanee Festival.  The band’s performances at the Beacon Theatre mark its only live performances in the metro NYC region this year.  The complete schedule of performances dates is listed below.

DATE

CITY

VENUE

Fri

3/7

New York, NY

Beacon Theatre

Sat

3/8

New York, NY

Beacon Theatre

Tue

3/11

New York, NY

Beacon Theatre

Wed

3/12

New York, NY

Beacon Theatre

Fri

3/14

New York, NY

Beacon Theatre

Sat

3/15

New York, NY

Beacon Theatre

Tue

3/18

New York, NY

Beacon Theatre

Wed

3/19

New York, NY

Beacon Theatre

Fri

3/21

New York, NY

Beacon Theatre

Sat

3/22

New York, NY

Beacon Theatre

Fri

4/11

Live Oak, FL

Wanee Music Festival

Sat

4/12

Live Oak, FL

Wanee Music Festival

 

Tickets for the band’s Beacon Theatre shows go on sale this Friday, January 10th at 10am. They can be purchased online via the official Ticketmaster website, http://www.ticketmaster.com and the official Beacon Theatre website, http://www.beacontheatre.com.  They can also be purchased via phone at 1-800-745-3000.  Any unsold tickets will be sold at the venue box office beginning this Sunday, January 12th at the Beacon Theatre box office.  Tickets for American Express card holders are available now and can be purchased through this Thursday, January 9th at 10pm.

More information on the Allman Brothers Band, its releases, concerts and more is available online at http://www.allmanbrothersband.com, http://www.hittinthenote.com, http://www.waneefestival.com, and http://www.facebook.com/allmanbrothersband.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Black Crowes, Tedeschi Trucks Band Team Up For Summer Tour

The Black Crowes and Tedeschi Trucks Band are hitting the road together this Summer.  The bands will hit the road beginning July 19th.  The upcoming tour doesn’t give the members of The Black Crowes much time to relax as the band is currently on its “Lay Down With The Number 13” tour.  It’s the first tour for the band since ending its two-year long hiatus.  This current tour takes the band across the U.S.  It runs through June 2nd.  From there, the band will head overseas for the European leg of its tour.  The European leg of the tour will run from June 18th – July 6th.  It will include headlining shows, festivals, and a pair of stadium shows with “The Boss” himself, Bruce Springsteen.

The upcoming tour dates are in support of The Black Crowes most recent release, Wiser for the Time.  This release is a four-disc, eight-side gatefold vinyl release.  It contains 26 songs—15 acoustic and 11 electric—from the band’s 2010 five-night stint in New York City.

The Tedeschi Trucks Band is currently touring in support of its most recent album, Revelator (2011).  The album won a Grammy for best Blues Album at the 2012 Grammys.  That album was followed up the live album, Everybody’s Talkin’ in May 2012.  The band’s next LP is expected to be released in Summer 2013.

The bands’ current slate of tour dates is available below:

Fri-Jul-19 Nashville, TN The Woods Amphitheatre at Fontanel Friday, April 26 10:00am
Sat-Jul-20 Alpharetta, GA Verizon Wireless Amphitheatre Friday, April 12 10:00am
Sun-Jul-21 Charlotte, NC Time Warner Cable Amphitheatre Friday, April 12 10:00am
Tue-Jul-23 Raleigh, NC Red Hat Amphitheatre Friday, April 12 10:00am
Wed-Jul-24 Columbus, OH LC Pavilion Friday, April 12 10:00am
Sat-Jul-27 Gilford, NH Meadowbrook Friday, April 12 10:00am
Tue-Jul-30 Boston, MA Bank of America Pavilion Friday, April 12 10:00am
Wed-Jul-31 Canadaigua, NY CMAC Friday, April 12 10:00am
Wed-Aug-07 Pittsburgh, PA Stage AE Friday, April 12 10:00am
Fri-Aug-09 Holmdel, NJ PNC Bank Arts Center Friday, April 12 10:00am
Sat-Aug-10 Wantagh, NY Nikon at Jones Beach Friday, April 12 10:00am
Sun-Aug-11 Philadelphia, PA Mann Center Friday, April 12 10:00am
Tue-Aug-13 Indianapolis, IN Farm Bureau Insurance Lawn @ White River Friday, April 12 10:00am
Wed-Aug-14 Chicago, IL Charter One Pavilion Friday, April 12 12:00pm
Thu-Aug-15 Rochester Hills, MI Meadow Brook Friday, April 12 10:00am

 

To keep up with all the latest tour updates and news from The Black Crowes, fans can go online to http://www.blackcrowes.com or http://www.facebook.com/pages/The-Black-Crowes/8333596474.  And for all the latest from the Tedeschi Trucks Band, fans can go online to http://www.tedeschitrucksband.com or http://www.facebook.com/DerekAndSusan

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

The Slide Brothers’ Debut LP Makes Its Way Onto The Year’s Best Records List

Courtesy:  Concord Records

Courtesy: Concord Records

The Slide Brothers’ debut self-titled album is without a doubt, one more of the year’s top albums. It is infused with a healthy dose of both blues and gospel that will light a fire inside any truly open minded lover of music. It all kicks off with an amazing cover of the Allman Brothers Band’s ‘Don’t Keep Me Wonderin’.’ The group’s take on this blues classic is an excellent opener, with its high energy music and equally powerful gritty vocals.  The transition to the softer gospel sounds of ‘My Sweet Lord’ makes for quite the change in both tempo and vibe.  Audiences are taken to a high energy song to open the album to something far mellower.

While it isn’t as mellow per se in terms of its general tempo and vibe, ‘Sunday School Blues’ offers audiences a piece that’s mellow in its own right.  Just as impressive is the band’s cover of the spiritual, ‘Wade in The Water.’  The band’s take on this piece is a full on instrumental.  There are no vocals here.  While some might view this as a bad thing, the total lack of vocals makes the entire song that much more powerful and impressive, especially in the blues/rock form presented on this record.  It has a real Blind Boys of Alabama vibe about it.  Things kick back up again from here as the band transitions into ‘Praise You.’  This song is just one more wonderful addition to The Slide Brothers’ debut album as it blurs that line between blues and gospel that much more.  It proves that music doesn’t have to fit neatly into one genre or another to be enjoyable.

As one can clearly see, the first half of The Slide Brothers’ album is top heavy with great material for music lovers across the board.  The album’s second half is no different as it keeps things moving smoothly right off the bat with another bluesy piece in ‘It Hurts Me Too.’  That song is followed up by another song very much in the vein of the Blind Boys of Alabama in ‘Catch That Train.’  The whole thing comes to a head in the album’s penultimate track; a cover of blues legend ELmore James’ ‘The Sky is Crying.’  What really makes this song so incredible is that the band manages somehow to maintain the original song all while making it into its own creation at the same time.  It’s doubtless that this song will become an instant hit with audiences both on the record and at live shows.  Speaking of live shows the band will hit the road in March in support of its new album, beginning with a performance at the Smith Opera House in Geneva, New York on March 6th.  Audiences can get a full tour itinerary and even order the band’s debut album online at its official website, http://www.slidebrothers.com and on its Facebook page, http://www.facebook.com/TheSlideBrothers.  Fans can also get all the latest updates from the band on Twitter at http://twitter.com/slidebrothers.

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Allman Brothers Band Announces Dates For Annual NYC Residency

MSO PR

Courtesy: MSO PR

The Allman Brothers Band is coming back to New York.  The band is returning to the Beacon Theatre for its annual March residency beginning March 1st.  The band will hold ten performances at the Beacon Theatre from March 1st – 16th.  This year’s annual residency marks its twenty-third year of performing at the famed theatre. The band has sold out its shows some two-hundred and ten times since it started performing at the theatre in 1989.  Founding member Gregg Allman discussed the upcoming annual stint.  “Yes, it’s that time”, he said.  “The Beacon run is always magical.  The room sounds great, lots of familiar faces and the band really stretches out.  After Macon, New York is really our second home.  There’s just something about it, and our fans know it.”

Tickets for the band’s Beacon Theatre performances go on sale beginning next Friday, January 11th at 10am ET.  They can be purchased at http://www.ticketmaster.com and http://www.beacontheatre.com.  They can also be ordered by phone toll free at 1-800-744-3000.  Fans in New York can also purchase them in person at the Beacon Theatre box office beginning next Saturday, January 12th.

 Along with its annual stay at the Beacon Theatre, the band has also been invited by fellow music vet Eric Clapton to perform at his annual “Crossroads” benefit show on March 12th and 13th.  Those performances will be at New York’s equally famed Madison Square Gardens.  The band will also headline a pair of dates at the annual Wanee Festival on April 19th and 20th in Live Oak, FL.  To check out the full listing of The Allman Brothers Band performance dates, fans can go online to http://www.allmanbrothersband.com, http://hittinthenote.com, and http://www.waneefestival.com

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.