Top 10 Major Motion Pictures Of 2012

Top 10 Movies of 2012

 

Courtesy:  Sony Pictures Home Entertainment

Courtesy: Sony Pictures Home Entertainment

1.  The Artist:  While it originally made its debut overseas in 2011, it wasn’t until January 20th of this year that The Artist actually made its nationwide debut in theaters across the U.S.  Before then, only the lucky few at the big festivals got to see it.  That being the case, it should be considered a 2012 release.  So what makes it 2012’s best?  So much could be said.  At a time when so much of what Hollywood churns out is prequels, sequels, and remakes, this story—distributed by Sony Pictures—went the total opposite.  How simple and ingenious is it to make a silent film in a movie of major flash-bang-boom films?  Because the movie’s only sound is its music, viewers are forced to watch.  And the cast was force to really put on its best possible performance, rather than rely on everything else that most movies use to distract audiences from poor performances.  The music is quite enjoyable, too.  And of course, the general cinematography is just as impressive.  It all combines to make for a movie that any movie lover should see at least once.

Mirror Mirror BD2.  Mirror, Mirror:  Some of you might shake your heads at this pick.  But the reality is that this is really a fun and family friendly movie.  Both boys and girls will enjoy it as will parents.  While young Lily Collins (the daughter of superstar Phil Collins) is billed as the lead star here, it’s the dwarves who are really the story’s stars.  Their antics make for more than their share of laughs.  Though watching Prince Alcott (Armie Hammer—The Lone Ranger) put under the evil queen’s puppy love spell is pretty funny, too.  It’s obvious that this spoof of the classic fairy tale was aimed both at boys and girls.  With its mix of wit and charm, it will always be one of the best takes on the old Snow White story.

Courtesy:  Disney Studios

Courtesy: Disney Studios

3.  The Odd Life of Timothy Green:  This is another truly enjoyable family movie.  The general story is one to which any parent can relate and will enjoy because of that.  Though the concept of what happens with Timothy might be a little bit tough to discuss with younger viewers.  The beautiful backdrop adds even more warmth to the story.  And the cast’s acting makes suspension of disbelief so easy.  Sure it’s sappy, emotional, and all that jazz.  But that can be forgiven as it’s such an original and heartwarming story.       

Courtesy:  20th Century Fox

Courtesy: 20th Century Fox

4.  Skyfall:  This is where things begin to get a little bit touchy.  Skyfall is by far the best Bond flick to come along in a very long time.  That’s not to say that the previous two were bad.  But this one brought back memories of the old school James Bond that everybody knows.  It’s got the gadgets and the humor and none of the melodrama that weighed down the previous two Bond flicks.  The only downside to the movie is that it tends to drag in the final act.  Other than that, it is a nice return to form for the Bond franchise and gives hope for any future Bond films….that is at least if Christopher Nolan doesn’t get his hands on the franchise.

Courtesy:  Marvel Studios/Walt Disney Video

Courtesy: Marvel Studios/Walt Disney Video

5.  The Avengers:  The Avengers was a very nice way to cap off the build-up created by Marvel Studios with the recent bevy of comic book based movies.  It had great special effects.  Its story was simple and solid.  And the shooting was equally impressive.  Considering all the action going on, audiences weren’t left feeling dizzy to the point of wanting to walk out (or in the case of home release, just turn it off).  But like so many ensemble cast movies, it suffered from a common problem.  That problem was the movie’s run time.  Most of the characters in The Avengers had already been introduced through their own separate movies.  So there was no reason to re-introduce them all over again this time.  A lot of that extra time could have been spared.  Hopefully those involved have learned from that and will present viewers with a shorter movie in the second of the Avengers movies.

Courtesy:  Warner Brothers Home Video

Courtesy: Warner Brothers Home Video

6.  The Dark Knight Rises:  I am just as much a comic book fan as anyone else out there.  So it goes without saying that I was excited to see this movie.  It did a good job of wrapping up the trilogy.  The problem is that it did too much of a good job, as David Goyer and the Nolans tried too hard to cram everything into one movie.  Word is that this latest installment of the Batman franchise left many people checking their watches when it was in theaters.  It might have been better served to have been split up into at least one more movie because of everything added into the mix.  And having what seems to be a lack of commentary on the new home release, fans can only guess what the logic was in cramming so much into one story.  Much like The Avengers, the shooting and the special effects were great.  So it has that going for it.  But the writing was the story’s big problem.  Here’s to hoping that whoever takes over the Batman franchise next (whenever it’s re-launched) won’t make the same mistake as Christopher Nolan and company.

Courtesy:  20th Century Fox

Courtesy: 20th Century Fox

7.  Prometheus:  This semi-prequel to Ridley Scott’s hit Alien franchise was met with mixed reviews.  There seemed to be no gray area here.  Audiences either loved it or hated it.  Truth be told, it worked quite well as both a prequel and as its very own stand-alone movie.  Sure the special effects are different from those used in the original movies.  But times are different.  So viewers should take that into account.  And the shooting was just as impressive.  While it may not be as memorable as Scott’s previous works, at least audiences can agree that it’s better than the movies in the AvP franchise.

Courtesy:  Universal Pictures

Courtesy: Universal Pictures

8.  Les Miserables:  This latest reboot of Victor Hugo’s classic story of love and redemption in one of history’s darkest eras is not bad.  But it’s not great, either.  Audiences who know the stage play will thrill at how director Tom Hooper (The King’s Speech) and his staff of writers paid tribute to the stage play both in its writing and its shooting.  At the same time, Hooper tried so hard to pay tribute with his shooting style and the transitions that the whole movie felt dizzying to say the least.  The shooting and transitions felt like nothing more than a bunch of cuts from one shot to the next.  There was never a total sense of fluidity anywhere in the story.  It was almost as if despite staying true to the stage play, the script for this latest big screen adaptation was written by someone with ADHD.  Hugh Jackman and Anne Hathaway did a superior job with their performances.  But despite that, odds are that the movie will sadly be remembered more for its flawed shooting and transitions than for its award-worthy performances.  Nonetheless, it’s still a good movie for any fan of Les Miserables or for fans of musicals in general to see at least once.

Courtesy:  CBS Films/CBS Home Entertainment/UK Film Council/BBC Films/Lionsgate/Sony Pictures Home Entertainment

Courtesy: CBS Films/CBS Home Entertainment/UK Film Council/BBC Films/Lionsgate/Sony Pictures Home Entertainment

9.  Salmon Fishing in the YemenSalmon Fishing in the Yemen is without a doubt an original story.  It’s next to impossible to find anything like it out there or present.  But it suffers greatly from an identity crisis.  It doesn’t know whether it wants to be a drama, a romance, or a little bit of both.  It’s nice to see the simple message of something as simple as fishing being able to bring the world’s people together peacefully.  But it really seemed to let the romance factor get too much involved.  As a result, it got bogged down in itself.  Had it not had the romance subplot, it might have been better.

Courtesy:  Lionsgate

Courtesy: Lionsgate

10. Arbitrage:  It was once noted that three factors more than any other are the causes of crime.  Those factors are:  money, power, and sex.  Arbitrage has all three of these.  It’s an interesting movie.  And it definitely wastes no time noting the latter of the trio of factors, as it lets audiences know that Robert Miller (Richard Gere) is having an affair with another woman.  And also, Miller’s boss has a very firm talk with him early on letting him know that he knows about the financial inaccuracies that he’s causing.  It doesn’t take long to know where this story goes.  It’s something of a tried and true story.  Add in this critic’s pet peeve of movies, the “whisper scenes” and it makes for a movie that as good as it is it could have been better.  For those wondering, the “whisper scene” is exactly as it sounds (bad pun there).  The “whisper scene” is one in which actors essentially whisper throughout the scene against overpowering music to make the scene more emotional and powerful.  But put against the sudden transition to normal volume scenes (and above normal volume scenes), it becomes rather annoying as one has to constantly change the volume on one’s TV as a result of that.  It’ll be interesting to see if it gets the Golden Globe for which it was nominated.

There you have it folks.  That is my personalist of the year’s ten best major motion pictures.  You are more than welcome to share whether you agree or disagree and what your top 10 list would look like.  2013′s already shaping up to be an interesting year.  As the movies start to come out, I’ll have reviews of them, too.  To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Jackson Just As Good On The Small Screen As The Silver Screen

Courtesy: IFC Films/mpi Media Group

Samuel L. Jackson has made a career of being an action star.  Starring in movies the likes of xXx, Pulp Fiction, and most recently Marvel’s Avengers and its related movies among many others has made him a household name.  His resume stretches all the way back to the early 1970′s.  So starring in IFC Films’ latest action/drama, The Samaritan, was old hat for this veteran actor.  Starring as ex-con Foley, Jackson eases his way throughout the story written by Elan Mastai and David Weaver.  Having played so many roles throughout his career, he shows once again his ability to adapt to any role and any story.

For the most part, The Samaritan runs as well as any big screen crime drama.  If one were to watch this story without knowing it’s an indie flick, one would think it was a major blockbuster that they simply hadn’t heard of.  That’s thanks in large part to the story’s writing.  It’s got enough crosses and double crosses to leave audiences guessing who is on whose side right to the story’s closing minutes.  The fact that the movie clocks in at barely over an hour and a half makes it that much more watchable for audiences.  Perhaps the only major downside to the story would be the blatantly disturbing twist involving Foley’s relationship to Iris (Ruth Negga).  The way in which this relationship played into the story was disturbing to say the least.  The argument would be made that that was the intent.  But  it could have been written differently than it was.  Had their relationship been written differently into the story, then that alone might have made it far more appealing to general audiences.

The issue with Foley and Iris’ relationship aside, The Samaritan still has plenty going for it.  The cinematography is stunning.  The shooting done throughout the film really gives it a modern pulp fiction vibe.  There’s something about the way that the lighting was used that makes watching the movie appealing.  The contrast of the buildings lit up against the night sky, and the general camera angles add a certain extra touch that makes it that much more enjoyable.  Combine the top notch cinematography with a story that will keep viewers on the edge of their seats the entire time, and audiences have a movie that while it is an indie flick is one more impressive work from one of Hollywood’s best actors.

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

The Avengers gets an “A” for effort

Marvel’s The Avengers is a good start to the Summer movie season this year.  The build up for the movie has been nearly as immense as that for the finale of DC’s current Batman franchise.  And the end result definitely lives up to all the hype.  It’s translated to the big screen as if it were actually a live action comic book.  Some comic books over history haven’t translated to the big screen so well.  But this one did.  However, for all the greatness that was this highly anticiapted seasonal opener, it wasn’t without its flaws.

Anticipation has been growing over the newest of Marvel’s comics-to-film franchise, The Avengers.  From toys to promos to everything in between, The Avengers have been everywhere.  And it’s paid off with over $200 million in its opening weekend.  This movie is everything that a Summer blockbuster should be.  It has all the requisite explosions and action that audiences look for in their attempts to escape the mundacity of the every day world.  Thanks to writer/director Joss Whedon and co-writer Zak Penn, they’ve somehow managed to bring the action from the pages of the famed comic series and make it feel like audiences are actually seeing the comic book itself on the big screen, without going the Joel Schumacher route a la DC’s Batman & Robin and Batman Forever.  The chemistry between the cast was obvious too.  It was funny to see Tony Stark and Dr. Banner interacting.  The banter between the two was worth its share of laughs in and of itself.  The same applies even more so when the full Avengers team is together in one room.  The one-liners from each team member make for plenty of laughs throughout.

For all the laughs and great action, The Avengers is not without its faults.  The sexual innundo that is typical of Tony Stark is there.  And one can’t help but wonder if his subtle joke about Banner potentially using marijuana to stay calm was entirely necessary.  What’s more, do audiences really need preachiness about military buildup?  Audiences are bombarded with such stories every day on the news.  Having the Avengers quarreling with Director Fury over S.H.I.E.L.D.’s real intentions takes a certain amount of escapism from the movie.  It’s not the first movie to go that route, either.  What’s more, that the movie is an ensemble piece, it does tend to drag on a little bit too long.  Whether it’s telling backstory of each member of the Avengers team, or from other areas, Whedon and Penn could have found a way to shave off twenty to thirty minutes from this roughly two and a half hour movie.  Keeping that in consideration, one can only hope that when the already anticipated Avengers 2 makes its debut, whomever writes and helms that movie will have taken the good and bad from this one to make a sequel that defies common logic of sequels.