Saving Mr. Banks Has Few Saving Graces

Courtesy: Walt Disney Studios Home Entertainment

Courtesy: Walt Disney Studios Home Entertainment

Walt Disney Studios’ recently released full length picture Saving Mr. Banks is not the worst movie that the studio has ever released. It is also, hardly the best movie that WDS has ever released. The story presented in this movie is little more than another period piece that can be tossed into the ever-growing pile of movies that are “based on actual events” and forgotten over time. It tries to make up for this by throwing in an attempt at a serious story about Travers’ attempt to reconcile her past and present that ultimately falls flat. That is thanks in large part to the glut of flashbacks and the unevenness of those transitions between the flashbacks. For all of the negatives that weigh down the story, there is at least one positive to the whole presentation. That bright shining light is the acting on the part of the movie’s largely A-List cast. Other than that sole beacon, it’s difficult to ultimately say that there is anything that truly “saves” Saving Mr. Banks.

Saving Mr. Banks is anything but one of the best movies that Walt Disney Studios has ever released. There is very little that one can argue actually “saves” this period piece. That’s because ultimately, it’s just one more movie that is “based on actual events.” Co-writers Kelly Marcel and Sue Smith seemed to have gotten down Travers’ persona. And veteran actress Emma Thompson brought Travers even more to life with her expert depiction of the famed author. However, one cannot deny the fact that Disney likely took a certain amount of liberties with the story of how Travers’ beloved book Mary Poppins came to life. That is just the way of movies that are “based on actual events.” Marcel and Smith had to have known that there are those—like this critic—that would know this, too. So their answer to that was to throw in a personal drama story on the part of Travers that sees her trying to reconcile her troubled childhood as she worked with Walt Disney and his people on their adaptation of her book. It’s a bit much. Add in the glut of flashbacks and the unevenness of said flashbacks, and audiences get what is one more loose brick in this movie.

The attempt on the part of Marcel and Smith to craft a dual-pronged story in Saving Mr. Banks is a major part of the movie’s downfall. It isn’t the end of the movie’s problems, either. The glut of flashbacks that Marcel and Smith toss into the story and their unevenness hurts the script even more. One doesn’t even fully realize that the pair is using flashbacks as part of the story until after about the fifth time that the transition happens. The primary reason for this is that there is little to indicate the separation of the scenes. The story constantly jumps from Travers’ present day life to her childhood growing up in Australia. And because there is no clear indicator of the jump back and forth in time, audiences are left scratching their heads at who the little girl is until again, after about the fifth or sixth time that the transition happens. There is perhaps one clear transition that finally makes it clear for audiences that they are looking into what is supposed to be Travers’ childhood. While Marcel and Smith do finally make it clear what audiences are seeing in the scene transitions, things don’t get much better. That’s because it actually starts to feel like the flashbacks in question tend to happen at an increasing pace. Even in that increased frequency of flashbacks, the transitions between past and present are still not entirely clear. They just seem to happen at random points without any clear separation. It only serves to hurt the movie even more. Thankfully for all of the problems with Saving Mr. Banks, it does have one saving grace. That saving grace is the acting on the part of the movie’s largely A-List cast.

If not for the acting on the part of Saving Mr. Banks’ cast, this movie would possibly be classified as one of the least of Disney’s movies in recent years. That being the case, Casting Director Ronna Kress deserves a standing ovation. Kress pulled in some of the biggest names in Hollywood for this movie. Actress Emma Thompson (Stranger Than Fiction, Nanny McPhee, Nanny McPhee Returns) was an obvious choice considering her time in the role of another literary nanny named Nanny McPhee. McPhee’s character was based on the literary Nurse Matilda. Nurse Matilda’s books came years after Mary Poppins was published. But her stories are arguably far more enjoyable than that of Mary Poppins or even this semi-historical look at how the book was adapted to the big screen. Ironically enough, Thompson’s depiction of author P.L. Travers was just as spot on as that of Nanny McPhee. One can’t help but laugh at the obvious cultural differences between herself and her American hosts. And while he is in a supporting role in this movie, fellow veteran actor Paul Giamatti (The Illusionist, The Amazing Spiderman 2, Duets) is incredible as Travers’ personal driver Ralph. Ralph’s innocence makes him such a lovable character. Jason Scwartzman (Moonrise Kingdom, The Darjeerling Limited, Rushmore) and B.J. Novak (The Amazing Spiderman 2, Inglourious Basterds, The Smurfs 2) are just as entertaining as the famed Sherman Brothers. Anyone that knows the history of Walt Disney Studios knows that the Sherman Brothers are responsible for some of the greatest musical numbers to ever grace the big screen in Disney’s golden age. And their drive to get the songs right despite Travers’ constant refusal makes them such sympathetic characters. Not once did they ever get mad at her for her stubbornness. And their playful nature in playing their songs makes them even more lovable. Tom Hanks can’t be ignored here either, as the one and only Walt Disney. Those in the makeup department got the look of Walt Disney pretty close with Hanks. And one must agree that he expertly channels Disney, too. He worked so hard to get the part down that he even tried to get down Walt Disney’s accent for the role. It’s subtle. But it’s there. And it makes his depiction all the more enjoyable to watch. It’s one more piece of the whole of this movie that makes Saving Mr. Banks at least somewhat bearable.

The acting on the part of Saving Mr. Banks’ cast is the one shining light that makes this movie bearable. The sad reality of this movie is that despite the entertaining portrayals on the part of the cast, there is little to nothing else positive that can be noted of the film. The transitions between Travers’ childhood and adult life are far too many and nowhere near clear enough. And the dual-pronged story crafted by co-writers Kelly Marcel and Sue Smith ultimately combines with those scene transition issues to make Saving Mr. Banks anything but memorable. Sadly these issues together prove that other than the cast’s acting, there is little to anything else that “saves” Saving Mr. Banks.

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Zee Avi To Release First Ever Family Album This Spring

Courtesy:  Little Monsters Records

Courtesy: Little Monsters Records

Malaysian-American singer/musician Zee Avi will release her latest album this Spring.

Night Light, which is a collection of covers of family favorite songs, will be released Tuesday, April 15th. It is the first ever family for the artist who has also released albums via Jack Johnson’s Brushfire Records. The album includes covers of Louis Armstrong’s ‘Dream a Little Dream’, Bobby McFerrin’s ‘Don’t Worry, Be Happy’, Joni Mitchell’s ‘The Circle Game’, and even ‘Colors of the Wind’ from Disney’s Pocahontas among many others. It was produced by Little Monster Records head Kevin Salem at his company’s studios in Woodstock, New York and conjures thoughts of Avi’s earliest releases. Salem noted of the overall fell of Night Light, “There’s a lot of soul and great musical nourishment here.”

Zee, who is a Malaysian native, has recognized her as one of the Top 10 Malaysians. She won the International Youth Award in her home country in 2011. These honors have led to numerous speaking engagements around the world and performances at some of the world’s biggest festivals. Those festivals include: Borneo’s Rain Forest World Music Festival, Australia’s Byron Bay Festival, San Francisco’s Noise Pop Fesitval, Austin’s SXSW Festival, New York’s Mountain Jam Festival, Lilith Fair, Bonnaroo, and San Diego’s Street Scene. She was also just recently tapped to perform at the KiddieComm family music festival in Philadelphia, PA on June 28th.

More information on Zee Avi’s upcoming performances and album is available online at http://www.zeeavi.com, http://www.facebook.com/zeeavi, and http://twitter.com/ZeeAvi. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Shout! Factory Announces Release Date For The Shadow Re-Issue

Courtesy: Shout! Factory/Universal Pictures

Courtesy: Shout! Factory/Universal Pictures

The Shadow is one of the most famed crime fighters of all time.  He is the original caped crusader.  His adventures amazed radio audiences long before Batman came along.  Sadly, after Batman and his fellow comic book superhero friends came along, The Shadow seemed to be pushed aside.  But in 1994, the world was re-introduced to The Shadow thanks to Universal Pictures.  Two decades after The Shadow was introduced to a new generation of audiences, he is bring introduced to yet another new generation of fans thanks to a partnership between Universal Pictures and Shout! Factory.

The Shadow (Collector’s Edition) will be released on Blu-ray Tuesday, February 25th.  The movie, starring Alec Baldwin (The Hunt for Red October, 30 Rock) in the starring role, tells the story of how The Shadow came to be.  It co-stars Penelope Ann Miller (The Artist, Awakenings, Kindergarten Cop), Peter Boyle (Young Frankenstein, The Santa Clause, Everybody Loves Raymond), Sir Ian McKellan (X-Men, X-2 X-Men United, X3 The Last Stand), and many others.

More information on this and other upcoming releases from Shout! Factory is available online at http://www.shoutfactory.com and http://www.facebook.com/shoutfactoryofficial.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.

Danny Phantom Complete Series Set Is Loads Of Ghostly Fun For All

Courtesy:  Nickelodeon/Shout! Factory

Courtesy: Nickelodeon/Shout! Factory

Nickelodeon’s programming today is comprised largely of live action sitcoms aimed at teen viewers.  However, from the early 1990s up until the mid-2000s, the network was known more for its vast array of cartoons.  It’s “Nicktoons” were its heart and soul.  While Nickelodeon does have some cartoons today, the network’s sole remaining real Nicktoon is Butch Hartman’s hugely successful series Fairly OddparentsFairly Oddparents is a standout series, too.  Interestingly enough, it isn’t his first series to have the honor of being added to Nickelodeon’s list of beloved Nicktoons.  His first notable “Nicktoon” was the short-lived supernatural series Danny Phantom.  Now thanks to Shout! Factory and Nickelodeon, fans of Danny Phantom will be able to own the complete series in one box later this month.  Danny Phantom only ran for three seasons.  In its defense, it could be argued that this was because it was ahead of its time.  That aside, series creator Butch Hartman and his writers crafted a number of enjoyable episodes throughout the show’s short run.  Just as worth noting about this new upcoming box set is that is alleviates some minor problems raised in the box sets containing the series’ second season.  Lastly, those that know their Nicktoons history will appreciate the voice talent that made up the series’ cast.  That who’s who of voice actors combined with the enjoyable stories, and the fact that they are all available together for the first time collectively make this upcoming set well worth picking up for any Danny Phantom fan.

Fans of Danny Phantom: The Complete Series  will appreciate this new complete series set first and foremost because it presents the series’ entire three-season run in one complete box set.  Nickelodeon and Shout! Factory have already released three complete series sets from Aaahh!!! Real Monsters, Rocko’s Modern Life, and The Angry Beavers.  Those sets proved to actually take up far less space on DVD racks than the stand-alone season sets that had originally been released.  This set is no different.  All nine discs that make up all three seasons are included in this box.  Shout! Factory and Nickelodeon have sweetened the deal even more for fans in that they have maintained the established wise packaging that was used in the aforementioned complete series sets.  The discs are placed inside the box on either side of their own “insert” with the ninth and final disc being placed in its own spot inside the back of the case.  As with the previously noted box sets, this protects the discs and allows the episodes contained within each one to be enjoyed much longer.  It is the starting point of what audiences will appreciate about Danny Phantom: The Complete Series.

The packaging for Danny Phantom: The Complete Series is a good starting point in discussing everything that makes this box set well worth its price.  The episodes contained across the set’s nine total discs make the presentation as a whole even more enjoyable.  It would be easy to say that because its main characters were high school students, Danny Phantom was just another program aimed at audiences of the same age. To a point, it could be seen how teen audiences would take an interest in the series.  Case in point, one of the series’ story arcs involved a potential inter-racial romance between Danny and black classmate named Valerie Gray (voiced by Cree Summer—The Cosby Show, Clifford The Big Red Dog, Codename: Kids Next Door, etc.).  It really is a sign of the times that the show’s writers would include this without making a big fuss over it, either.  It is a subtle, but nice addition to the series.  There are also the constant struggles to balance trying to be a regular teen with being a superhero. But the jokes that are tossed in each episode aren’t above some younger viewers, either.  So while teens might have been the primary audience, younger viewers would have obviously enjoyed the show, too.  The same applies to today’s teens and pre-teens, too.

The packaging and writing that make up Danny Phantom’s episodes are collectively a big part of what makes the series so enjoyable even for today’s younger audiences.  There is at least one more aspect of the series’ new set that audiences will appreciate in examining the presentation as a whole.  That aspect is the series’ voice cast.  The series’ primary cast reads like a who’s who of voice acting.  It has already been noted that veteran voice actress Cree Summer is part of the primary cast (even though she doesn’t come into play until the second season).  Along with Ms. Summer, Grey DeLisle (The Grim Adventures of Billy & Mandy, Clifford The Big Red Dog, Clifford: The Puppy Years, Fosters Home For Imaginary Friends, etc.) Kath Soucie (Futurama, Captain Planet and the Planeteers, Beauty and the Beast, etc.), Rob Paulsen (Animaniacs, Teenage Mutant Ninja Turtles, The Adventures of Jimmy Neutron: Boy Genius, etc.) and a whole slate of others each play roles in the series.  Fans will also recognize the voices of Ron Perlman (Sons of Anarchy, Pacific Rim, Hellboy & Hellboy II), Martin Mull (Roseanne), and the man who is perhaps the busiest male voice actor in the business, one Frank Welker (Curious George, The Real Ghostbusters, Scooby-Doo Where Are You, etc.)  Jon Cryer (Two and a Half Men), Taylor Lautner (the Twilight saga), and the late David Carradine even make appearances throughout the series among so many other big names.  If the massive list of A-listers that play roles in Danny Phantom isn’t reason enough to check out the new Danny Phantom: The Complete Series box set, then one need only set that alongside the enjoyable writing and the equally wise packaging to see just how worthwhile this set is for kids and kids at heart.  It will be available in stores and online Tuesday, January 28th.  It can be pre-ordered online now from the Shout! Factory store at http://www.shoutfactory.com/product/danny-phantom-complete-series.  More information on this and other releases from Shout! Factory is available online at http://www.shoutfactory.com and http://www.facebook.com/shoutfactoryofficial.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

Disney Earns Its Own Wings With Cars Spinoff

Courtesy:  Walt Disney Studios Home Entertainment

Courtesy: Walt Disney Studios Home Entertainment

Courtesy:  Walt Disney Studios Home Entertainment

Courtesy: Walt Disney Studios Home Entertainment

 

 

 

 

 

Disney’s Planes is not as terrible as many critics (this critic admittedly included) had previously considered it to be.  However, it is also not one of the year’s best.  One has to take into account the comments made by co-writers Klay Hall and John Lasseter in the movie’s bonus material to fully appreciate what Planes actually offers audiences.  Their comments play directly into the movie’s overall plot.  The resultant effect is that Planes’ story comes across more as its own story and less of a rip-off of Pixar’s Cars.  The end result is a movie with just enough heart to make it worth at least one watch.

Walt Disney Studios was lambasted by audiences and critics alike (this critic included) when the studio announced that it would be releasing a spinoff of Pixar’s hugely successful Cars franchise.  The very fact that Disney would simply title the new spinoff Planes was to thank for that reaming of the studio. The instant reaction was to say that this movie was just Cars in the air.  While it largely is that, the movie is also worthy of at least some defense.  In its defense, the bonus features included in the movie’s new home release help it to earn at least a slight respect.  Pixar head and Planes co-writer John Lasssetter discusses the movie in a sit-down interview.  He explains in his interview that there had been a proposal to spin off Cars with a movie about trains.  Yes, a movie about trains.  All they would have needed were Steve Martin and someone to take the place of the late John Candy.  Anyone that gets this reference should stand up and take a bow right now.  Getting back on the subject, Lasseter explains wisely that a movie centered on planes instead of trains made more sense.  He explains in his own wording that a movie on planes obviously gave more story options, which makes sense.  That sentiment alone makes the movie more bearable.

Lasseter’s Planes co-writer Klay Hall is also interviewed in the movie’s bonus features.  He explains in his bonus interview that the idea for a story centered on planes was largely thanks to his own late father being a Navy pilot.  The result was a lifelong love for all things aerial.  He explains in depth how his love for all things aerial led to the precise details used throughout the movie, too.  He explains that he wanted to make the movie as factual as possible.  And he did just that.  Anyone that has ever watched the likes of the Red Bull Air Race World Series will appreciate the shots down the long axis of the planes during the qualifying sessions for the big round-the-world air race.  They will also appreciate the technical jargon tossed about throughout the movie’s run time, which barely tops the ninety-minute mark.

The interviews with both Lasseter and Hall earn Planes a new respect that without which, it might not have earned.  Also worthy of note is the plot behind this continuation of Pixar’s Cars franchise.  The writing team of Lassetter, Hall, and Jeffery M. Howard have crafted in Planes, a standard underdog story complete with underlying romance subplot.  This is not the first time that such a story has been done, just as Pixar’s Monsters University was hardly the first college based comedy ever crafted.  In Planes’ defense though, it didn’t directly rip off either of the Cars movies.  It actually does have its own story.  To that extent, it develops even more its own identity.  Add in the fact that comedian Dane Cook has proven that he can actually handle more mature—anyone that has seen Cook’s standup act understand how immature and boring he comes across as being—material, and Planes actually proves that it has not only its own identity, but also has heart.  All of this being noted, Planes proves to be a movie that while hardly one of Disney’s best or even one of 2013’s best, is worth at least one watch with the family.

Planes is available now on DVD and Blu-ray/DVD combo pack.  It can be ordered online direct from the Disney online store at http://www.disneystore.com/planes-3d-blu-ray-2-disc-combo-pack/mp/1346514/1000316/?cmp=OTL-Dcom&att=Dcom_FS_Planes3DBluRay_Home_BuyMovie and http://www.disneystore.com/planes-dvd-digital-copy/mp/1346520/1000316/.  More information on this and other releases from Walt Disney Studios is available online at http://www.facebook.com/WaltDisneyStudios and http://www.waltdisneystudios.com.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

The Little Mermaid Diamond Edition Another Welcome Re-Issue From Disney

Courtesy:  Walt Disney Studios/Walt Disney Studios Home Entertainment

Courtesy: Walt Disney Studios/Walt Disney Studios Home Entertainment

Disney’s adaptation of Hans Christian Andersen’s The Little Mermaid is one of the most popular of all of its fairy tales.  The story, which centers on the romance between a human and young mermaid, originally debuted in theaters almost twenty-four years ago.  November 17th will mark the twenty-fourth anniversary of the film’s debut.  And until this year, the last time that Disney had re-issued to the movie for home release was seven years ago in 2006.  Considering all of this, it comes as a little bit of a surprise that Disney decided to go ahead and re-issue the classic story well over a year ahead of what will be the twenty-fifth anniversary of its big screen debut.  That aside, it’s still a welcome addition for any fan of Disney’s princess franchise.  The most important aspect of this movie’s success (as with any movie) is its script.  Considering that well over thirty years had passed between the original debut of this movie and Disney’s last fairy tale feature before it, Sleeping Beauty, this movie actually has so much more depth than most viewers might see.  It is more than just a romantic drama.  It actually boasts plenty of comedy, too.  It also has both a coming of age story of sorts within its bounds as well as an allegory about acceptance and tolerance.  The movie’s new Blu-ray/DVD combo pack re-issue makes it even more interesting a watch.  That’s because of a pair of bonus features included in the package.  All of this together makes Disney’s adaptation of The Little Mermaid another of Disney’s most memorable movies in its modern era.

When Disney’s adaptation of The Little Mermaid premiered on November 17th, 1989, well over thirty years had passed between that premiere and the premiere of Disney’s last fairy tale feature, Sleeping Beauty.  Disney established its reputation on the back of not only that movie, but also the likes of Cinderella and Snow White and the Seven Dwarfs.  Those features made Disney a leader in the movie business.  So much time having passed, it would have been easy for the people at Disney to slip up with The Little Mermaid.  But as the final product revealed, the studio did anything but slip up.  The script behind the movie is on the surface, a standard fairy tale story.  On a much deeper level though, it also includes a strong coming of age storyline.  Princess Ariel is a teenager.  She is sixteen years-old to be exact.  So it could be argued that her youth and naivety is what feeds the romantic drama that is to follow.  It also is what leads to her personal growth and love and respect for her father.  To that extent, it actually makes The Little Mermaid more than just another one of Disney’s princess movies.  It gives the story a certain amount of depth.

Ariel’s coming of age story is only part of what gives The Little Mermaid depth.  It could also be argued that the feature’s script hides in plain sight, an allegory about acceptance and understanding.  The allegory works in more than one way, too.  The allegory about acceptance and understanding comes in the form of King Triton having to learn to accept that his preconceived notions about humans are not entirely right.  Prince Eric proves that.  He eventually has to come to accept that despite being from another world of sorts, humans are not as bad as he had always led himself and his people to believe.  If viewers can allow themselves to take into consideration both of these story elements, they will see that The Little Mermaid in fact has more going for it than being just another princess movie.  It becomes even more worth watching at least once if not adding to one’s home library.

The subtle story elements tied into The Little Mermaid’s primary romantic drama storyline add a whole new depth and appreciation for the classic adaptation.  Now that the movie has been re-issued on Blu-ray/DVD combo pack, viewers have even more reason to appreciate it.  That’s thanks to the inclusion of a pair of bonus features included in the new Blu-ray disc.  One of those features centers on producer/songwriter Howard Ashman.  “Howard’s Lecture” focuses on Ashman and how his experience with and love for musical theater helped make The Little Mermaid a *ahem* splash with audiences (bad pun fully intended).  The vintage footage of Ashman discussing the film’s different aspect add to the movie’s value because of the figure it portrayed.  Audiences see in Ashman someone who is the total antithesis of the stereotypical Hollywood type.  He comes across as having been down to earth and entirely humble.  Those that knew Ashman best also share their insights into the type of person he was.  And it corresponds perfectly with the figure presented in the lecture.  The fact that one of his friends would tear up in speaking about him shows just how valued he was not just to the movie but as a person.  That emotion and the feature as a whole make “Howard’s Speech” an invaluable addition to this new re-issue.  It makes the presentation in whole that much more impressive.

“Howard’s Lecture” is an invaluable addition to the bonus features included in this latest re-issue of The Little Mermaid.  There is one other feature included in this re-issue that audiences will agree makes the movie even more worth watching.  The feature in question explains in depth how those behind the movie maintained Disney’s long standing tradition of basing its animated features on live action actors.  It explains how just as with Alice In Wonderland, Snow White, and others those behind this movie based their storyboards on live action “models.”  This was done to get the most realism possible out of the animation.  This is something used to this day by Disney’s partner studio, Pixar.  Add in the fact that the movie was crafted entirely via hand drawn animation instead of computers makes this an even more important addition for viewers to check out.  And together with “Howard’s Lecture” and the subtle extra story elements tied into the story, it all comes together to make this twenty-fourth anniversary re-issue of The Little Mermaid that much more worth adding to any family’s home library or that of any true film buff.  It is available now in stores and online and can be ordered direct via Disney’s online store at http://movies.disney.com/the-little-mermaid and http://www.disneystore.com/disney-princess/little-mermaid/mn/1000031/?searchRedirect=1&searchTerm=the+little+mermaid&catalogFromSearch=10002.  More information on this and other Disney releases is available via both websites, too.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at http://philspicks.wordpress.com.

30 For 30 Series Continues With NHL Documentary “Big Shot”

 

Courtesy:  ESPN/ESPN Films

Courtesy: ESPN/ESPN Films

 

The next film in ESPN’s Peabody Award winning series, 30 for 30, airs next Tuesday.  Big Shot is the next film in the hugely popular series.  It is directed and narrated by Kevin Connolly. Mark Ciardi (Million Dollar Arm, Secretariat) and Ted Schillinger (Benji) produced the film.

Big Shot follows the issues that plagued the NHL’s New York Islanders after the team was bought by Dallas businessman John Spano in 1996.  Spano bought the beleaguered team for $165 million.  His purchase of the team looked like a good thing on the surface.  But, not everything was as it seemed for the Islanders and the team’s fans.  Big Shot presents as part of its presentation, the only interview that Spano ever gave about the Islanders deal.  Audiences will see in this film just how the scam went undetected by so many for so long.  A trailer for the film is available online at http://espn.go.com/30for30/film?page=bigshot.

Each film in the 30 for 30 series will be available online via iTunes and Amazon Instant Video the day after its broadcast.  A special collectible six-disc DVD set featuring the first fifteen films from 30 for 30 Volume II will be available in stores and online November 26th, 2013.  The remaining films in this season of ESPN Films’ 30 for 30 are listed below.

  • Tuesday, Oct. 22, 8 p.m. – Big Shot (Director: Kevin Connolly)
  • Tuesday, Oct. 29, 8 p.m. – This is What They Want (Directors: Brian Koppelman and David Levien)
  • Tuesday, Nov. 5, 8 p.m. – Bernie and Ernie (Director: Jason Hehir)

More information on this and all things 30 for 30 is available online at http://www.facebook.com/espn30for30 and http://twitter.com/30for30.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wordpress.com.