Numan’s New Album Is A Musical Masterpiece

Courtesy:  Machine Music USA, Inc.

Courtesy: Machine Music USA, Inc.

Veteran musician Gary Numan has shaken up this critic’s list of the year’s best rock and hard rock albums with the release of his latest album, Splinter (Songs From a Broken Mind).  Numan’s new record, his twentieth full length studio release, takes listeners once again into the ever darkening world that he has crafted throughout his more recent releases.  Numan grabs audiences right from the album’s emotionally desolate opener ‘I Am Dust’ straight through to ‘My Last Day’, which closes out the album’s dozen tracks and never lets go.  It may not be the most uplifting album out there.  But the sonic landscapes crafted throughout this near hour-long record make it worth more than just a couple listens.  As a matter of fact, that landscape makes this album a darkhorse candidate to be one of the year’s best new rock or even hard rock albums.

Numan made the completely right choice opening his new album with ‘I Am Dust.’  There is so much that can be said of this song.  The first thing that listeners will take away from this song is the different musical and vocal influences obvious throughout the song.  Numan’s own vocal style in the verses conjures thoughts of Tool/A Perfect Circle/Puscifer front man Maynard James Keenan.  However, when he reaches the choruses, there is almost a mix of Peter Steele (Type O Negative) and Burton C. Bell (Fear Factory) in his voice as he sings, “We are yours/We’re waiting for you/We are yours/We’re waiting for you.”  The Fear Factory and Type O Negative influences can also be heard in the choruses in the song’s musical side.  Numan’s nihilistic lyrics in this song echo that of Trent Reznor circa The Downward Spiral.  He sings, “We all pray for the end/For the God to take us/We were falling down/One by one/We were weak/And the fear/Was all around us/The machines screamed from moon to sun.”  The musical and lyrical combination along with the obvious influences from across the rock world collectively make this song the perfect introduction to Numan for those that might be new to his music and an equally impressive re-introduction for those that are more familiar with his music.

For all of the dark, brooding songs that Gary Numan includes in his new album, he also tackles relationship issues in his own way.  He tackles the subject in the very Nine Inch Nails-esque ‘The Calling.’  Were a person to hear this song on the radio without knowing it was Gary Numan, one might actually think it was Nine Inch Nails because of how close it sounds to Trent Reznor’s work circa The Fragile.  The string arrangements and electronics set against Numan’s brooding lyrics make this song one of this album’s key moments.  Lyrically, there is little to this song.  But even in its few lyrics, Numan captures the emotion of someone that realizes that he or she has been nothing but a pawn in someone else’s game.  He writes in the song’s final verse, “You don’t love me/You don’t know me/Is this some kind of game for you/Is that why you’ve called me?” This is a situation to which plenty of audiences can relate.  Not everyone has gone through the situation presented in this song.

Splinter (Songs From a Broken Mind) is front loaded with more than its share of impressive new material from Gary Numan.  There is not one bad moment throughout the record’s near hour-long run time.  One of the highest of the records high points has already been noted here.  It isn’t the only of the album’s high points, either.  ‘We’re The Unforgiven’ is another of this album’s highest of points.  This song has a very obvious Nine Inch Nails influence both musically speaking and lyrically.  What’s so interesting about that is the contrast of the song’s musical and lyrical sides.  The song’s musical side is powerful to say the least.  That is thanks in large part to the manner in which each verse crescendos before dropping back.  That dynamic contrast alone would make this song work even without lyrics.  But set next to the song’s lyrical side, both the music and lyrics come together to make the song this album’s best song.  He writes about figures that were once great but are now pale shades of themselves.  He writes, “Once there was life/And we were strong/Full of pride/Once we bread fear/And we would take the flesh denied/Once we were gods/And all things knelt before our word/or died.”  Obviously, he is writing metaphorically here.  But the message is still the same. He goes on, writing in the song’s chorus, “Now we’re just a ruin/We were our undoing/We’re the unforgiven.”  This is a powerful statement.  And again, set alongside the song’s musical side, it becomes even more powerful.  Together, they make this song just one more of so many standout moments shared by Gary Numan throughout his new record.  Fans overseas in the Middle East and Europe will get to experience these songs and many more live beginning February 10th in Tel Aviv, Israel.  From there, Numan will make his way into Belgium and across Europe for the next leg of his tour in support of his new album.  Fans can get Gary Numan’s latest tour dates, news, and more online at http://www.facebook.com/GaryNumanOfficial and http://www.garynuman.com.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

EOne’s Angel of the Skies Is An Underrated WWII Story

Courtesy:  Entertainment One

Courtesy: Entertainment One

World War II was the most devastating military conflict that the world has ever seen.  The interesting thing about this war is that it led to the creation of some of the film industry’s most iconic movies.  Movies like Tora Tora Tora, Patton, and The Longest Day became cornerstones of the biggest titles linked to WWII.  Since the days of those classics, countless other movies centered on WWII have been churned out.  Some of them have been not so bad, while others have been not so memorable.  Entertainment One’s new WWII era movie Angel of the Skies is one of those movies that while it is an indie flick, is still one that is not so bad.  Sure, there are some historical inaccuracies depicted in the movie.  But the general story behind the movie is what makes it worth at least one watch.  The acting on the part of the cast helps to make the movie worth at least one watch, too.  And the same can be said of the early flight scenes and backdrops.  All of it taken into account, Angel of the Skies is not as bad as some have already made it out to be.

Angel of the Skies has received mixed reviews by some critics.  The biggest criticism of the movie has been its historical accuracy.  There are some issues with said accuracy.  But one must also take into account that no movie ever based on historical events was one hundred percent accurate in itself.  That being taken into account, it really is not that bad of a movie within its genre.  The story itself is worth a watch first and foremost for the themes tied into the overall story.  Writer/director Christopher-Lee dos Santos ties into his story, the themes of brotherhood, determination, and dedication.  He does so in a way that none of the themes overpower themselves through the course of the movie.  They actually work together to give the story an emotional depth that will keep viewers engaged through the movie’s near two-hour run time.  The story’s theme of dedication works quite well in a dual role here.  On one hand, the theme of dedication works as it is linked to the sub-story between Flight Officer Earl Kirk and his girlfriend, Deborah Caldwell (Lillie Claire—Supernatural, Suing The Devil) and to the dedication of the flight crew to one another after  their plane is shot down.  That theme of dedication among the flight crew directly compliments the script’s theme of brotherhood, too.  Even in the greatest of odds, the men refuse to leave one another behind if at all possible, and will do whatever it takes to save one of their own from Nazi officers.  In turn, that theme of brotherhood is directly linked to the theme of determination.  The men were determined to survive and survive together at all costs.  Each of these themes work together seamlessly to make a story that is worth at least one watch by any history buff and film buff.

The interweaving themes that make up the script behind Angel of the Skies are central to the movie’s ability to keep viewers engaged.  They collectively aren’t all to be considered.  The acting of the cast helps to move the story along, too.  The actors that make up the movie’s cast are largely unknowns.  Despite that, they put on a believable performance.  This is the case both by themselves and together.  The men that make up the flight crew do quite the job in their roles.  As enjoyable as it is to watch them take on their roles, it’s the vile SS officer Stutze that truly stands out in this movie.  Stutze (David James) is truly ruthless in his attempts to locate the South African airmen and carry out his duties.  Not to reveal too much, but he is so vile that he goes so far as to have his men kill a German milkmaid that had protected the airmen after they were shot down.  This after he told her that everything would be okay.  He even gunned down a defenseless American soldier early on as part of his character’s setup.  The ability of an actor or actress to make his or her character that despicable means that said individual is more than doing his or her job in said role.  If the combined themes aren’t enough to keep audiences engaged through the story, then that juxtaposition of character types and roles will definitely do its part to keep viewers engaged.

The general writing and acting that comprise Angel of the Skies combine to make it a movie that is well worth at least one watch.  They don’t work by themselves, though.  The movie’s special effects and backdrops play their own role in making this movie worth at least one watch.  Unlike so many other WWII based movies, this movie mixes CG with live action.  The flight scenes are largely computer generated.  It’s obvious where the computer elements were used, too.  But at least they weren’t as cheesy as those used in the 2006 James Franco WWI flop, Flyboys.  One almost couldn’t tell the difference as the bombers were flying into German airspace.  The only times that one could tell for certain that computer graphics were used were when the bombers came under fire from the Messerschmitts and when the flight crew’s bomber crashed.  The rest of the movie’s story was set against a live action backdrop.  What’s interesting about the live action backdrop is that it didn’t feel as over the top as those used in some other WWII era dramas.  It felt more real for lack of better wording.  That is an area in which far too many movie makers get things wrong.  Too many movie makers look for settings that will enhance their movies.  And it only serves to lessen the movies in question to a certain extent.  That isn’t the case here, though.  That realistic feel combines with the movie’s writing and the cast’s acting to make it a movie that despite being an indie flick is still one worth watching at least once by any history buff and movie buff.  It will be available next Tuesday, December 31st on DVD.  It can be ordered direct from the Entertainment One website at http://us.eonefilms.com/films/angel-of-the-skies?lang=en-US.  More information on this and other releases from EOne is available online at http://www.entertainmentone.com.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Bearings Is A Beautiful Musical Eulogy For A Great Guitarist

Courtesy:  Alien Echo Music BMI/RoMoCo

Courtesy: Alien Echo Music BMI/RoMoCo

Guitarist Ronnie Montrose was one of the music industry’s busiest individuals during the course of his life.  Montrose, who died last year of a self-inflicted gunshot wound, was one of the most respected guitarists in the music industry.  Despite the respect that he earned among his fans and fellow musicians, he never gained the level of fame that those musicians gained.  It had been known that he had been suffering from depression at the time of his death.  So it is perhaps no wonder that the music on his final recording, Bearings, is in large part, very reserved.  The fourteen total tracks that make up the album are so painful yet just as beautiful in their emotional depth, too.  Of course for all of the reserved emotion displayed throughout most of this album, there are more upbeat songs, too.  One of those more upbeat songs is the album’s opener, ‘All Aboard.’

‘All Aboard’ is a prime example of Montrose’s exemplary talents right from its opening seconds.  The song comes in at just under three minutes in length.  In the course of that three minutes, he showed in this song that his talents were right up there with the likes of Zakk Wylde, Steve Vai, Steve Morse, Joe Satriani and so many other equally talented guitarists.  What makes this so interesting is that this song actually bears more of a country/bluegrass vibe about it than that of a rock song.  It would be so easy to see Ronnie sitting on the back porch of a large house somewhere out in the middle of nowhere, playing this piece.  Just as interesting to note on this song, is that Montrose also covered the song’s mandolin part, and the equally driving bass.  The layering of the three parts, which was also largely handled by Montrose let each part come through just enough to give a full assembly effect.  In turn, what listeners get in ‘All Aboard’ is a solid ad aptly titled opener to this record.

‘All Aboard’ is impressive to say the least.  It is impressive because of the talent displayed by Montrose both as an instrumentalist and as a producer.  He showed that he more than knew his stuff.  Just as much an example of his talent (and that of his fellow musicians) is the album’s fifth track, ‘Morning.’  Just as ‘All Aboard’ was aptly titled, so is this near five-minute song.  Ronnie was joined by percussionist Michele Graybeal and keyboardist Ed Roth for a song that stands out in so many of its own ways.  The gentle strains of Montrose’s guitar set next to Roth’s role on piano give this song so much life.  Graybeal is not to be left out either.  The use of what is either a small bongo drum or even a tabla is a subtle addition.  But it is just enough to add a certain extra something to the song.  One can close one’s eyes, and see the sun slowly coming up over a mountain range perhaps after a late night thunderstorm.  Others might see something else in hearing this song.  And they would be right, too.  That’s the beauty of completely instrumental music. It is one hundred percent open to interpretation.  And it’s just one of many songs that will lead to any number of interpretations on Montrose’s last recording.

The songs included in Bearings could be interpreted in so many ways.  That has already been noted.  No one interpretation would be wrong, either, regardless of who is interpreting the song.  One more example of that ease of interpretation comes in the form of the album’s penultimate piece, ‘Lighthouse.’  The song’s very title invokes images of a lighthouse set on a cliff.  The music itself feeds an even richer vision.  This critic alone sees images of said lighthouse overlooking a calm ocean on a warm summer night.  The sun is setting off in the distance.  The gentle fade of the music in the song’s closing seconds sees the sun setting below the horizon and the moon and stars taking over in the sky.  Again, this is just one critic’s view of this beautiful work.  Others might have their own visual interpretation of the song.  And those interpretations would be just as right.  Much the same can be noted of the album’s other songs, too.  That is exactly why any true music lover will want to hear this record at least once.  It not only displays a late musician’s talents once more, but also displays said musician’s ability to evoke so many different emotions among his audiences.  The album is available now online.  It can be ordered direct from the official Ronnie Montrose website at http://www.ronniemontrose.com/merchandise/index.php?main_page=product_info&cPath=65&products_id=237&zenid=2f9f4e8f36f439800dd5f1b97f4131fb.  More information on other Ronnie Montrose releases is available also available at http://www.ronniemontrose.com.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Megastorm Aftermath Takes Prior Sandy Documentary Even Deeper

Courtesy:  PBS

Courtesy: PBS

Superstorm Sandy. Megastorm Sandy.  Regardless of what one calls it, everybody can agree that when this monster storm made its way through New York and New Jersey in late 2012, it was an eye opener.  That’s because no one in either area expected the storm to hit the region.  The impact on both states was instant.  And it has also led to a number of important and necessary discussions.  Those discussions were tackled earlier this year in PBS’ hit science series NOVA.  The series tackled those issues in Hurricane Sandy: Inside The Megastorm.  That episode gave viewers an in-depth look at the storm from the days leading up to landfall straight through to the days that followed.  As interesting as that episode was, it still left viewers with some questions, which is not a bad thing.  Those questions have been tackled in a new episode, titled Megastorm Aftermath.  This episode of NOVA is a good companion piece to Hurricane Sandy: Inside The Megastorm first and foremost in that viewers don’t have to have seen the earlier episode in order to appreciate the latter of the pair.  In direct relation, it goes even deeper discussing not only weather related questions, but much deeper topics.  The video and graphics used throughout those discussions are just as important to the overall presentation as the topics discussed over the course of its near hour-long run time.  They help to illustrate the topics and resultant arguments that are raised in this episode.  All things considered, this episode of NOVA proves to be quite insightful for all viewers. Whether one is an average viewer or a professional in the worlds of weather and engineering, there is something for every viewer.  It’s yet more proof of why NOVA continues to be one of the best programs on television today.

Megastorm Aftermath is another impressive edition of NOVA first and foremost in that it works both as a stand-alone episode and as a companion to Hurricane Sandy: Inside the Megastorm.  Audiences don’t have to have seen the earlier of the pair in order to appreciate the latter.  The reason for that is that the latter of the two does in roughly fifteen minutes what the previous episode covered in nearly an hour.  This allows the show’s staff to address early on, the questions that were left unanswered by that previous episode.  The first of those questions was centered on statements made regarding the impact of global warming on Hurricane Sandy and hurricane strength in general.  It was tied directly to statements made in regards to global water temperatures and their potential effect on hurricane strength.  The two issues seemed to contradict one another when raised by certain individuals that contributed to said episode.  Both topics are explained and clarified expertly here, giving a much clearer view of how one or the other could play a role in hurricane development.  NOVA’s show runners are to be applauded for opening Megastorm Aftermath in this fashion.  They are just as worthy of applause for taking viewers beyond those issues in this episode and tackling even some even more pressing yet related issues.

NOVA’s show runners are to be applauded for Megastorm Aftermath because of the way in which the program opens.  The program’s first fifteen minutes alone serve to make it a solid stand-alone program since it sums up the material discussed in the aforementioned documentary about Hurricane Sandy.  They don’t stop there, though.  They take viewers even deeper here.  They do so first and foremost by questioning should humans begin to retreat from the world’s coastal region.  This unbiased discussion topic sets the stage for the discussion on the means to protect the world’s coastal and low-lying regions not just from hurricanes but from the world’s ever rising ocean levels.  More specifically, it compares methods used in Holland as models for what could be done to protect New York and New Jersey.  Both sides are argued here, just as with the topic of human population of coastal regions.  Academics, ecologists, and scientists argue the positives and negatives to the proposed methods.  This includes the economic and ecological impacts on given communities.  This is the real heart of the issue.  And it is certain to bring about even more questions and discussions within given communities.  They are questions that should be seriously considered by both American citizens and this nation’s government, considering the cost to benefit ratio.  While the methods discussed may not be cheap, the long term economic and ecological benefit may prove to be well worth the cost, especially considering the millions of dollars spent each year on disaster relief.  Here again, viewers have one more reason to check out this episode of NOVA.

The issues discussed in Megastorm Aftermath make for plenty of reason to watch this episode of NOVA.  As important as they are to the program, the visuals used to illustrate each topic are just as important to the program.  Throughout the course of this program, audiences see firsthand, the impact that Sandy had on New York and New Jersey when it made landfall.  The images are powerful to say the least.  Just as interesting to note are the video and illustrations used to explain methods used in Holland to protect against rising waters and storm surge.  They make the topics and arguments made all the more impactful for viewers.  And together with said topics and arguments, they make this program complete.  Whether one is a professional meteorologist, engineer, or just casual viewer, it all makes this episode one that will appeal to any audience.  It will be available on DVD next Tuesday, December 31st and can be ordered direct from the PBS online store at http://www.shoppbs.org/product/index.jsp?productId=24534456&cp=&sr=1&kw=megastorm+aftermath&origkw=Megastorm+Aftermath&parentPage=search.  More information on this and other episodes of NOVA is available online at http://www.facebook.com/NOVAOnline and http://www.pbs.org/nova.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

ESPN Announces Details For 2014 Armed Forces Classic

Courtesy:  ESPN

Courtesy: ESPN

ESPN has announced the schedule for the annual NCAA Armed Forces Classic Men’s Basketball Games.  The schedule, set for the next three years, will shift to the Coast Guard in 2014.  Next year’s annual Men’s Division I matchup is scheduled for November 14, 2014.  It will originate from the United States Air Station Borinquen in Puerto Rico.  The game will feature defending National Champion Louisville taking on Minnesota.  Next Fall’s matchup will be made even bigger as it will be a father son coaching duel.  Rick Pitino, a 2013 Naismith Memorial Basketball Hall of Fame inductee will bring the Cardinals in to face the Gophers, coached by his son Richard Pitino.  Richard Pitino is in his first season as head coach of the Gophers.

Details for the 2015 game are yet to be fully determined. However, it is known that the game will be handed off to the Marines for 2015.  It is currently scheduled to be played November 13, 2015.  2016 will see the game shift to the Navy.  The game, scheduled to be played November 11th, 2016, will actually feature a double-header at the naval base in Pearl Harbor, HI.  It will be played just a month away from the 75th anniversary of the attack on Pearl Harbor.  Teams for both the 2015 and 2016 matchup have not yet been announced.  They will be announced at a later date.

The Armed Forces Classic Men’s Basketball Game will be broadcast on ESPN each year.  It is part of the network’s America’s Heroes: A Salute to Our Veterans initiative.  America’s Heroes: A Salute to Our Veterans America’s men and women in uniform past, present, and future, both at home and abroad.

The Armed Forces Classic is owned and operated by ESPN Regional Television (ERT), a subsidiary of ESPN.  More information on the annual ESPN Armed Forced Classic is available online at http://espnevents.com/armed-forces-classic, http://www.facebook.com/ESPNEvents, and http://twitter.com/ESPNEvents.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

I Am heresy Releases Teaser Trailer For Its Upcoming Album

Century Media Banner

Courtesy:  Century Media Records

Courtesy: Century Media Records

I Am Heresy has released a brand new teaser trailer for its upcoming Century Media debut, Thy Will.  The trailer is available online to view at http://www.youtube.com/watch?v=mvSBGCWUwhY&feature=youtu.be.  It ties together shots of the band recording its new record in studio.  Its main section closes with an ominous shot of the band’s logo set afire above a pool of water before displaying the album’s artwork with release information.

Thy Will is currently expected to be released on March 3, 2014 in Europe/Australia/New Zealand, and on March 4, 2014 in North America/Canada.  It is the band’s second full length studio release and third overall.  It follows the release of the band’s self-titled debut and its first EP, O Day Star, Son of Dawn, which was released in March 2013.

More information on I Am Heresy is available online at http://www.iamheresy.com, http://facebook.com/iamheresy, and http://twitter.com/iamheresyband.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Thorogood & Company Put On A Real Rock Party In Their First Ever Montreux Show

Courtesy:  Eagle Rock Entertainment/Eagle Vision

Courtesy: Eagle Rock Entertainment/Eagle Vision

Eagle Rock Entertainment and Montreux Sounds formed a new landmark business partnership a year or so ago.  The partnership in question allowed Eagle Rock distribution rights for a number of new and archived shows that were recorded at what is one of music’s most revered festivals.  And the recordings in question have been nothing short of impressive.  From the likes of Miles Davis, Stan Getz, and Etta James to newer acts such as The Raconteurs, the Montreux Jazz Festival has seen some of the industry’s top names take its storied stages.  Now, one more piece of the legendary festival’s history has been released to the masses in the form of George Thorogood & The Destroyers Live at Montreux 2013.  The concert, which was recorded this past July, marked the first time that Thorogood and his band mates—Jeff Simon (drums), Bill Blough (bass), Jim Suhler (guitar/vocals), and Buddy Leach (saxophone)–had ever performed at the venue.  And Thorogood himself makes note of his excitement at getting to finally perform at Montreux after more than two decades.  That excitement pored over throughout the band’s entire performance, too.  It’s one of the key factors of this recording that makes it so fun to take in.  The band’s set list is another reason that fans will enjoy this recording.  Thorogood and his band mates hit on every one of their major hit songs.  There is even a tribute to Johnny Cash thrown in for good measure.  If that isn’t enough for fans, the combination of the recording’s bonus interview and companion booklet will push the recording over the top.  They, along with the set list and the band’s performance, make this recording one more huge success from Eagle Rock Entertainment and Montreux Sounds.

George Thorogood has been making music and performing for over four decades.  So it comes as quite the surprise that 2013 marked the first time that he and his band mates played the famed Montreux Jazz Festival.  The festival, which started out mainly as a venue for the top names in jazz and blues, has grown each year to incorporate bands and artists from across the musical spectrum.  Thorogood and his band mates obviously held no ill will toward festival organizers when they took the stage at the festival.  Thorogood makes no bones concerning his excitement at finally being invited to perform at Montreux.  His positive energy isn’t confined to just that one moment, either.  From the high energy opener that is ‘Rock Party’ to hits like ‘I Drink Alone’, ‘Bad to the Bone’, and ‘Madison Blues’, the band exudes so much energy and excitement.  The audience in attendance feeds off of every bit of that excitement, too.  The mutual sharing of excitement and energy can be felt even by viewers watching this recording from the comfort of their own living rooms or bedrooms.  Home viewers may even find themselves feeding off of that excitement, dancing around and playing air guitar, etc.  That shows just how much fun Thorogood and company make their performance for all of their audiences.  Home viewers will discover this for themselves when they order or purchase the recording for themselves on DVD and Blu-ray.

The positive energy and excitement exuded by Thorogood and company is key to the overall enjoyment of this recording.  Whether one is seeing the concert for the first time or reliving the concert again, everybody can agree that the band’s stage performance alone is enough reason to take in this concert.  Just as important to the overall enjoyment of this concert recording is the set list chosen for the performance.  Fans won’t be disappointed at the set list chosen for the concert.  The veteran rockers included all of their fan favorites over the course of the near ninety-minute set.  From the likes of ‘I Drink Alone’ to the band’s now famous cover of John Lee Hooker’s ‘One Bourbon, One Scotch, One Beer’ to the Johnny Cash tribute in ‘Cocaine Blues’, the band leaves little if anything on the table.  Audiences will especially appreciate that in the tribute to the late country singer, Thorogood actually seems to channel him.  He actually sounds like Cash, vocally speaking, at points in the song.  The same can be said of his guitar work, too.  It is just one of so many high points offered throughout the course of the concert.  And it’s just one more part of what makes the recording as a whole so enjoyable for audiences of all ages.  It’s not the last, either.  The bonus interview and companion booklet included in with the DVD and Blu-ray put the finishing touch on this recording.

The songs chosen for this concert and the band’s performance collectively make up the most important and impressive part of this latest recording from Eagle Rock Entertainment and Montreux Sounds.  There is still one part of the overall presentation of this recording that puts it over the top.  That last part ifs the collective bonus interview and companion booklet.  The show’s bonus sit-down with Thorogood shows that the persona presented on stage was as real as it comes.  Audiences get even more insight into his excitement over playing Montreux at long last.  And through the show’s companion booklet, audiences get a brief history of Thorogood’s career leading up to his performance at Montreux.  Audiences will be interested to learn that along with George Thorogood and The Destroyers, ZZ Top was at Montreux this year, as were Prince, Sting, Ben Harper, Deep Purple, Leonard Cohen, and so many others.  It’s just a tiny piece of the whole history that audiences will enjoy learning in reading through the included literature.  And together with everything already mentioned, that history and the bonus interview make this presentation complete.  It all collectively makes this latest release one more huge success from Eagle Rock Entertainment and Montreux Sounds.  It is available now in stores and online and can be ordered direct from Amazon at http://www.amazon.com/Live-At-Montreux-2013-Blu-ray/dp/B00FFLBXJQ/ref=sr_1_1?s=movies-tv&ie=UTF8&qid=1387537259&sr=1-1&keywords=george+thorogood+%26+the+destroyers+live+at+montreux+2013.  More information on this and other concerts in Eagle Rock’s ongoing Montreux series of concerts is available online at http://www.eaglerockent.com and http://www.facebook.com/EagleRockEnt.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.