Motorhead’s Latest Live Recording Impresses On CD Despite Audio Issues

Courtesy:  UDR Music/Motorhead Music

Courtesy: UDR Music/Motorhead Music

2016 has not been kind to the entertainment industry.  Legendary actor Gene Wilder just passed away this week as did Mexican music star Juan Gabriel.  Noel Neill, who played Lois Lane in The Adventures of Superman opposite George Reeves, also passed away this year along with hockey star Gordie Howe and boxing legend Muhammad Ali and so many others.  That list also includes Motorhead front man and rock legend Lemmy Kilmister.  Not long after Kilmister died, UDR music released one of the final concerts that the band held as a way to pay tribute to Motorhead and to Kilmister’s legacy.  The recording, Clean Your Clock, released June 24th, is an interesting effort.  That is because while it is enjoyable in its own right, it is not exactly a perfect recording.  Even with that in consideration it is still a recording that any diehard Motorhead fan will appreciate.

UDR’s recently released live Motorhead recording Clean Your Clock is an enjoyable tribute to both Motorhead and while it is not perfect it is still a recording that any diehard Motorhead fan will appreciate.  That is due in part to the concert’s set list.  The concert’s sixteen song set list takes listeners all the way back to the band’s 1979 sophomore album Overkill and reaches all the way up to the band’s final album, 2015’s Bad Magic.  There are also bits and pieces of the band’s early albums peppered throughout the performance, too including the title track from the band’s 1979 album Bomber, ‘Rock It,’ from the band’s 1983 album Another Perfect Day, ‘Doctor Rock,’ from the band’s 1986 album Orgasmatron, and a number of other hits.  Considering the fact that the band released some twenty-two albums over its life, there was no way that one single performance could cover all of that ground.  Keeping that in mind, the sixteen songs that are included in the album are still a good snapshot of the band’s body of work if only that.  One can only hope that more live recordings are to come; recordings that have an even bigger amount of the band’s material if not at least another swath of the band’s catalogue.  While the set list presented in this recording is a clear positive for the recording’s presentation, that presentation also suffers from at least one con.  The con in question is the concert’s audio mix.

The set list that makes up the body of Clean Your Clock is a major high point to the recording’s presentation.  It isn’t the concert’s only positive either.  That will be discussed later.  While the concert’s presentation does have one more positive, it sadly does have at least one con.  The con in question is the recording’s audio mix.  Hopefully this only applies with the recording’s CD presentation since the recording is presented in multiple platforms.  The audio mix presented in the concert’s CD platform is “muddy” to say the absolute least.  Kilmister’s vocals sound almost completely overpowered by his own bass line and by band mates Mikkey Dee and Phil Campbell.  The only times during which he can be clearly understood is those moments between songs in which Kilmister takes time to interact with the audience.  Other than that, Kilmister’s vocals sound completely muffled throughout the majority of the set’s songs.  Again, this seems to be the case at least on the concert’s CD platform.  Hopefully that isn’t the case with the concert’s other platforms.  Speaking of those other platforms, they are the recording’s other major positive.  They collectively more than make up for the one con of the issues with the recording’s audio mix.

The set list that is featured in Clean Your Clock and the audio mix throughout the concert are both key elements to consider in examining the recordings overall presentation.  That is because they show at least in terms of the recording’s CD platform, it isn’t perfect. Though, it is still enjoyable.  While the concert’s audio mix is clearly an issue in terms of the recording’s CD platform, hopefully that is not the case in its other platforms.  Those other platforms are the recording’s other major bright spot.  Along with its availability on CD, the concert is also available on double vinyl gatefold presentation as well as CD/DVD combo pack, a digital download, Blu-ray/CD combo set, and two separate limited edition box sets.  This means that Motorhead fans have plenty of options from which to choose in terms of taking in the concert.  More often than not, most live recordings’ video presentations far outshine their audio only counterparts.  So it’s very possible that the DVD and Blu-ray combo packs present much more impressive audio mixes as well as their own impressive video mix.  Keeping that in mind, the fact that the concert is available in a number of platforms makes the concert’s overall presentation that much better.  That is because it offers audiences more options from which to choose, and in turn, better odds of a presentation with a better audio mix (as well as an impressive video mix).  When this is set against the positive of the concert’s set list and the one con of its troubled audio mix, the combination of all three elements still leaves Clean Your Clock one more welcome addition to any Motorhead fan’s collection.

UDR’s presentation of Motorhead’s new live recording Clean Your Clock is not a perfect recording.  That is clear in listening to the concert’s audio mix in its CD platform.  The concert’s set list and the variety of platforms in which it is available partner to make up for the CD’s one con.  Even with that one con, the CD presentation of Clean Your Clock is still a welcome addition to any Motorhead fan’s collection.  One can only hope that when Motorhead’s next live recording is released, its CD platform will have a better audio mix so that it can be said that it is a perfect recording.  In the meantime the CD presentation of Clean Your Clock still passes the test even if it isn’t perfect.  It is available now in stores and online.  More information on Clean Your Clock is available online now along with more Motorhead news at:

 

 

 

Website: http://www.imotorhead.com

Facebook: http://www.facebook.com/OfficialMotorhead

Twitter: http://twitter.com/myMotorhead

 

 

 

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‘On A Mission: Live In Madrid’ Does Indeed Rock

Courtesy: Inakustik

Courtesy: Inakustik

The annual summer concert season is officially winding down an all the kids are headed back to school.  But just because the seasons (both literal and figurative) are changing and the year is slowly winding down, the concerts don’t necessarily have to end.  Early this past May, Michael Schenker released his latest live Temple of Rock recording to the masses to enjoy any time in the form of On A Mission: Live in Madrid.  This recording, which came a little less than a year after the release of Schenker’s latest Temple of Rock album Spirit on A Mission, is worth at least one watch for fans of the former Scorpions guitarist.  That is due in part to the concert’s twenty-two song set list.  That will be discussed shortly.  The band’s stage presence throughout the concert is just as notable as the show’s set list.  This will be discussed later.  Last but hardly least of note in the recording’s presentation is the concert’s production values (I.E. its video and audio mix).  Each element is important in its own right to the recording’s overall presentation.  Altogether they make On A Mission: Live in Madrid worth at least one watch by any of Schenker’s fans and by fans of Temple of Rock.

On A Mission: Live in Madrid is not Michael Schenker’s first ever live Temple of Rock recording.  It is, though another recording that Schenker’s fans and Temple of Rock fans alike will find to be worth at least one watch.  That is due at least in part to the concert’s extensive twenty-two song set list.  The set list pulls from every era of Schenker’s career, from his days with UFO to his days as a member of Scorpions all the way up to his work with Temple of Rock.  No fewer than seven of the set’s songs come from both of Schenker’s Temple of Rock albums—Bridge The Gap (2013) and Spirit on a Mission (2015).  The other songs lift from his rich body of work including the fan favorite ‘Rock You Like a Hurricane.’  Whether for his Scorpions classics, those he recorded with UFO, or even his work with Temple of Rock, the set list in whole offers a wide variety of songs for Schenker’s fans to enjoy.  That variety of musical offerings is just one element to note in examining the overall presentation of On A Mission: Live in Madrid.  The band’s stage presence throughout the concert is just as important to note as the show’s set list.

The set list that is featured in Temple of Rock’s new live recording is important in its own right to the recording’s overall presentation.  That is because it presents a good variety of songs from Schenker’s still successful career.  It is just one of the recording’s most notable elements.  The band’s stage presence throughout the concert is just as important to note here as the concert’s set list.  Front man Doogie White (ex-Rainbow) is just as powerful in his presence as ever as he belts out hit after hit.  He impresses just as much as he chats with the audience between songs, too.  It is in those moments that he shows his prowess as a front man.  Meanwhile Schenker is just as impressive even without using any words.  His riffs and energy as he performs said riffs couples with White’s performance to give the band’s stage presence even more impact.  Drummer Herman Rarebell is just as enjoyable to watch whether keeping the time or singing the beloved Scorpions hit ‘Rock You Like A Hurricane.’  Even Francis Bucholz impresses in his own right, too.  When each man’s performance is set against that of his band mates, the end result is a performance that in whole is just as fun to watch as the set list is to take in.  It still is not the last of the recording’s key elements.  The recording’s production values are just as important to note here as the band’s stage presence (its performance) and the show’s set list.

The set list that was chosen for On A Mission: Live in Madrid and the band’s performance of said set list are both pivotal in their own right to the concert’s presentation.  While each element is important in its own right there is still one more element to note in examining the concert’s presentation.  That element is the concert’s collective production values.  Joy Eslava, the venue where the concert was recorded was a rather intimate venue.  It isn’t a club by any means.  But it is still a very intimate setting.  The ceiling is high and the orchestra area is just as close to the stage as are the venue’s multiple balconies.  What this means is that there are not many spots from which to capture the concert on camera.  It also means that the sound is just as much of a challenge to manage.  It doesn’t have much space in which to go out and dissipate.  This is all so important to note because there are those who have spoken out about the work of the concert’s camera crew in capturing the concert.  Given it would have been nice to have had more angles and for longer.  But again, the venue’s relatively intimate setting made capturing the experience slightly difficult.  And the camera crew did its best doing that given the setting.  Those who handled the concert’s audio mix (again considering the venue’s setup) should be applauded for their efforts, too.  The sound simply didn’t have time or space to spread out.  Considering the challenge that this posted the concert’s audio mix still turned out relatively impressive.  When it and the concert’s video mix were finalized and set against the concert’s set list and the band’s performance the end result of these elements’ combination is a concert that Schenker’s fans will enjoy just as much as fans of Scorpions and even UFO fans.

On A Mission: Live in Madrid, the latest live recording from Michael Schenker’s Temple of Rock, is a recording that Schenker’s fans will enjoy just as much as fans of Temple of Rock, Scorpions, and UFO.  That is due in part to the concert’s extensive set list.  The set list pulls from every era of Schenker’s storied career.  The band’s collective performance of those songs makes for even more enjoyment as each man shows his years of experience through his own performance.  Altogether the band’s members make for one whole performance that takes audiences right back to that former era of bombast and more in rock and roll.  The concert’s collective audio and video mix put the finishing touch on the recording.  That is even considering the concert’s venue.  It posed its own challenges because of its setup.  But the camera crew and sound engineers met the challenge, turning out a concert that looks and sounds as best as it can in the end.  When this is set against the concert’s set list and the band’s performance thereof, the end result is yet another Temple of Rock live recording that is worth at least one watch.  It is available now in stores and online.  More information on On A Mission: Live in Madrid is available online now along with all of the latest Temple of Rock news at:

 

 

Website: http://www.michaelschenkerhimself.com

Facebook: http://www.facebook.com/MichaelSchenkerRocks

 

 

 

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KISS’ Latest Live Recording Lives Up To Its Title

Courtesy: Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Late last year, veteran rock band KISS played a nine-night residency at Las Vegas’ famed Hard Rock Hotel and Casino.  Now almost a year later, one of those shows has been made available to audiences in the form of the band’s new live recording KISS Rocks Vegas.  Released just this week, the extensive recording offers audiences and members of the KISS Army to appreciate beginning with its set list.  That will be discussed shortly.  The band’s stage show and presence are just as important to the concert as the set list.  That will be discussed later.  The varied platforms on which the concert is available rounds out the concert’s most important elements.  Each element is important in its own right to the concert’s overall presentation.  All things considered, they make KISS Rocks Vegas one more must have for any KISS fan whether just a fan or a longtime member of the KISS Army.

KISS’ new live recording KISS Rocks Vegas is hardly the band’s first ever live recording.  It is, however a welcome addition to any KISS fan’s collection.  That is due in part to the concert’s set list.  The set list reaches all the way back to the band’s 1974 self-titled debut and all the way up to its 1998 album Psycho Circus to make up its body.  The band’s 1976 album Destroyer is most heavily represented in this set list with no fewer than five of its songs presented here.  Those songs are: ‘Beth,’ ‘Detroit Rock City,’ ‘God of Thunder,’ ‘Shout It Out Loud,’ and ‘Do You Love Me.’  Love Gun (1977) receives three nods with ‘Christine Sixteen,’ ‘Love Gun,’ and ‘Plaster Caster.’  These are just some of the band’s hit songs included in the twenty-three-song set.  The band obviously couldn’t pull songs from every one of its albums in just one show.  That would require a set list that would lead to a much more extensive recording.  Of course odds are that few, if any, KISS fans would complain about that.  Keeping that in mind the show’s extensive set list gives audiences plenty to appreciate in the bigger picture of this recording.  The band’s show and stage presence combine to make for another important part of the recording’s presentation.

The extensive twenty-three song set that is featured in KISS’ new live recording is clearly pivotal to the recording’s overall presentation.  It obviously doesn’t cover the band’s entire catalogue of hits and albums.  But audiences will agree that it does cover quite a bit of ground.  It is just one of the key features of the recording, too.  The band’s overall show and its stage presence throughout are collectively just as important to note as the show’s set list.  The band’s stage show is just as intense as it was in the band’s heyday.  Those that have seen the band’s live shows from its early days will agree with that sentiment.  It includes all of the pyro, lights, and other over-the-top elements for which the band has come to be known.  The camera crew’s work in capturing that intensity is to be applauded, too.  That is because it does such an impressive job translating that intensity to audiences at home.  In the same vein the band’s actual presence throughout the concert is just as notable.  All four members of the band give one hundred percent and then some in entertaining the audience in attendance.  Paul Stanley commands the stage and the audience.  Fellow founding member Gene Simmons expertly compliments Stanley’s persona with his own *ahem* fiery energy throughout the show.  One would expect that both men would take it easy at their age, as so many older performers do.  But neither one does.  Rather, they give their all because the audience gave its all, too.  Even current drummer and guitarist Eric Singer and Tommy Thayer put in their share of energy, too in their performances.  The combined efforts of all four men make the band’s stage presence in itself intense and wholly entertaining.  The band’s actual stage show couples with that performance to make both elements one whole that is just as important to this recording as the show’s set list.  Even collectively, they are still not all that makes KISS Rocks Vegas another standout live recording from what is considered by many to be “the greatest band in the world.”  The varied platforms on which this recording is available rounds out the concert’s most important elements.

The set list that is featured in KISS Rocks Vegas works with the bands stage presence and stage show to give KISS fans more than enough reason to add this new live recording to their personal collections.  They are just the tip of the proverbial iceberg for the recording.  The concert is available on a number of platforms.  Those platforms include: DVD + CD combo pack, Blu-ray + CD combo pack, Deluxe Edition DVD + Blu-ray + 2CD.  In making the concert in three separate platforms, Eagle Rock Entertainment and KISS have covered all of their collective bases here.  Regardless of whether fans have DVD players or Blu-ray players, every fan can enjoy the concert in full with both its audio and audio/visual presentation.  For the true KISS loyalists—the hardcore members of the KISS Army—there is also the Deluxe Edition, which includes both the DVD and Blu-ray in one complete package along with a double CD audio presentation of the concert.  That Deluxe Edition also includes a large photo book complete with pictures from the band’s nine-night residency at the Hard Rock Hotel and Casino.  So whether one is just a fan, a devoted fan, or full-blown member of the KISS Army, there is something for everyone across the board.  Eagle Rock Entertainment and KISS are to be highly commended for going this route.  When this element is set alongside the band’s stage show and presence, and the show’s extensive set list, it all comes together to show once and for all why this concert is, again, a must have for any KISS fan and his or her collection.

KISS Rocks Vegas is not KISS’ first ever live recording.  And regardless of whether fans have any of the band’s previous live recordings, this latest live offering still proves in the long run to be one more must have for any KISS fan and his or her collection.  This is made clear in part through the concerts extensive, twenty-three song set list.  The band’s performance of that set list and the band’s overall stage show make that even clearer.  The multiple platforms on which the concert has been made available by Eagle Rock Entertainment and KISS puts the finishing touch on why the recording is so impressive.  Each element is obviously important in its own way to the concert’s overall presentation.  All things considered KISS Rocks Vegas proves to be, once more, a must have for any KISS fan and his or her KISS collection.  It is available now in stores and online.  More information on this and other titles available from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Exmortus Tapped To Join “I Worship Chaos Tour”

Courtesy: Prosthetic Records

Courtesy: Prosthetic Records

Exmortus has announced another new group of live dates.

The band has been tapped to join Oni and Abbath as support acts for Children of Bodom’s upcoming “I Worship Chaos Tour.” The tour launches November 23rd in Quebec City, Canada and runs through December 19th in Brooklyn, New York. It includes performances in the Midwest, Southwest, Mid-Atlantic, and Northeast.

The band’s upcoming dates are in support of its latest full-length studio recording Ride Forth, which is available now in stores and online. It can be ordered online direct via Prosthetic Records’ online store.

Pre-sale tickets for the tour are available online now at Blabbermouth.net using the code “BLABBERMOUTH.” General admission tickets go on sale Aug. 26 at 10 a.m. local time. the full schedule for the “I Worship Chaos Tour” is noted below.

UPCOMING EXMORTUS SHOWS
9/19 Los Angeles, CA – The Regent Theatre (FREE)
9/23 San Bernadino, CA –  Knotfest Meets Ozzfest Camping Kick-Off Party 
“I WORSHIP CHAOS TOUR”
11/23 Quebec City, QC – L’Imperial Hell #
11/24 Montreal, QC – Metropolis #
11/25 Toronto, ON – House of Blues #
11/26 Chicago, IL – House of Blues # 
11/28 Cleveland, OH – House of Blues # 
11/29 Milwaukee, WI – The Rave # 
11/30 Minneapolis, MN – Mill City Nights # 
12/2 Denver, CO – Summit Theater #
12/3 Salt Lake City, UT – The Complex #
12/5 San Francisco, CA – The Regency Ballroom # 
12/6 Santa Ana, CA – The Observatory # 
12/7 Phoenix, AZ – The Press Room #
12/9 Dallas, TX – Gas Monkey Live # 
12/10 San Antonio, TX – The Aztec Theatre #
12/11 Houston, TX – House of Blues # 
12/13 Atlanta, GA – Masquerade # 
12/14 Charlotte, NC – Neighborhood Theatre #
12/16 Baltimore, MD – Baltimore Soundstage #  
12/17 Philadelphia, PA – Theatre of Living Arts # 
12/18 New York, NY – Irving Plaza #
12/19 Brooklyn, NY – Warsaw #
# with Children of Bodom, Abbath & ONI
More information on Exmortus’ upcoming tour schedule is available online now along with all of the band’s latest news at:
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Every Deep Purple Fan Will Welcome ‘Live At The NEC’

Courtesy: Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

This coming Friday, August 26th, Deep Purple will release its latest live recording Live at the NEC.  Originally recorded September 14th, 2002 at The NEC in Birmingham, England, the DVD recording comes about a year after the release of the band’s 2015 dual live recordings From The Setting Sunin Wacken and To The Rising Sunin Tokyo. Being that so little time has passed between those records and this recording’s upcoming release one might wonder what makes it stand out from its predecessors.  The first element that makes it stand out is its set list.  This will be discussed shortly.  The band’s stage presence over the course of the show’s nearly two-hour run time is just as important to note as the set list. The bonus interviews that are included with the recording round out the recording’s most important elements.  Each element is important in making this live recording stand out from Deep Purple’s previous live recordings. All things considered they make this latest offering another welcome addition to any Deep Purple fan’s music library.

Deep Purple’s new live recording Live at the NEC is another welcome offering in any Deep Purple fan’s music library.  This is the case even with the recording coming only a little more than a year after the release of the band’s most recent dual live recording set—From The Setting Sun…in Wacken and To The Rising Sun…in Tokyo.  That is due in part to the recording’s set list.  The sixteen (technically fourteen not counting the show’s keyboard solo from then new keyboardist Don Airey and guitarist Steve Morse) song set pulls largely from the band’s early years. It even goes all the way back to the band’s 1968 debut album Shades of Deep Purple with the inclusion of its cover of ‘Hush’ and all the way to 1996’s Perpendicular with the inclusion of ‘Vavoom: Ted The Mechanic’ in the show’s set list.  The band even went so far as to include some slightly lesser-known pieces in the recording in the form of ‘When A Blind Man Cries’ and ‘Black Night.’  The prior was the b-side to the song ‘Never Before,’ which was itself originally included in 1984’s Perfect Strangers.  The latter was included as a b-side for ‘Speed King, from the band’s 1970 album Deep Purple in Rock.  Those songs couple with the band’s much bigger hits—‘Highway Star,’ ‘Space Truckin’,’ ‘Smoke on the Water,’ ‘Woman From Tokyo’—and the rest of the set’s featured songs to make the set in whole one that will keep audiences engaged and entertained throughout the course of the concert’s near two-hour run time.

The set list that is featured in this recording is undeniably important to the recording’s presentation. That is because while it does feature some of the band’s biggest hits, it also features some lesser known songs.  It comes across as a very focused set list.  Even with the show being the last at the time for founding member and keyboardist Jon Lord, Lord did not play a creative role in every one of the featured songs.  This leads to plenty of discussion on the reasoning behind the set list.  Even with that in mind the show’s set list is just one part of what makes the recording in whole welcome in any Deep Purple fan’s music library.  The band’s stage presence throughout the course of the concert is just as important to note as the songs that the band performs.  The songs that make up the concert’s set are largely upbeat.  They have plenty of energy.  Of course there are some slower, more reserved moments.  Through it all the band’s members keep the audience completely entertained.  The band shows that an act doesn’t necessarily have to rely on pyrotechnics and other gimmicks in order to entertain audiences.  Rather, the band shows in whole that sometimes all a band needs to keep audiences entertained in a live setting is that presence.  And presence is exactly what the band has here.  Front man Ian Gillan commands the stage with ease as guitarist Steve Morse and drummer Ian Paice drive each song.  Speaking of Morse, his interaction with his band mates during his extended guitar solo shows the chemistry between the musicians.  Keyboardists Don Airey and Jon Lord are just as entertaining to watch as they perform both solo and in tandem.  Airey shows his vast musical background with some playful pieces and even some equally impressive classical snippets in his keyboard solo.  Lord is just as entertaining to watch as he works his way through the second half of the set list.  All things considered each man does his own part to entertain audiences throughout the concert.  Home viewers will agree with this when they see the concert for themselves.  Their presence, when considered together, makes the concert’s overall experience just as enjoyable to watch as the show’s set list.  When both element are set against one another, they come together to show even more clearly why this concert is another welcome addition to any Deep Purple fan’s music library.  They are not the only elements to consider in the concert’s new home release.  The bonus interviews that are included in the concert are just as important to note here as the show’s set list and the band’s performance of said set list.

The set list that is featured in Live at the NEC and the band’s performance of said set list are both key elements in the recording’s overall presentation.  As important as they prove to be to the recording’s presentation, they are hardly its only positives.  The interviews that are included in the recording are just as important to its presentation as the set list and the band’s performance thereof.  One of the interviews—with Gillan and Glover—is included as bonus companion material that stands separate from the concert.  It is an extensive interview that touches on a number of topics including the story behind ‘Smoke on the Water.’ Roger Glover’s thoughts on rock versus metal, his thoughts on rock versus pop, and how famed veteran guitarist Joe Satriani came to work with Deep Purple for a period of time among much more.  The main concert feature includes a post concert interview with Jon Lord in which Lord talks about his feelings of performing for the last time.  Audiences will be moved both to smiles and tears as Lord talks about discovering after the show that he had broken down crying after leaving the stage and hadn’t even realized it at first.  His ruminations will keep audiences just as engaged as his performance on stage.  When it’s all said and done, audiences will agree that the two interview segments prove to be just as invaluable to this recording as the recording’s main feature and the band’s performance of the set list.  All things considered there is a lot to say to the positive for Live at the NEC; so much so that the recording proves with full clarity why it is another welcome addition to any Deep Purple fan’s music library.

Live at the NEC is hardly Deep Purple’s first live recording.  It is though, a completely welcome new live recording to any Deep Purple fan’s music library.  That is proven through the show’s focused, sixteen-song set list.  The set list, which comes in at just under two hours features a collection of songs that come largely from the band’s early days.  The band’s performance of that set is just as important to the recording’s presentation as the set list itself.  The band keeps audiences completely engaged and entertained just with its own performance.  It shows through its performance that a band doesn’t always need big showy elements and other gimmicks in order to entertain audiences.  It just needs good music and good stage presence.  The interviews that are included in the recording play just as much of a part in its presentation as the band’s performance and the concert’s set list.  That is because of the insight and entertainment that they offer in their own right.  As if all of this isn’t enough, one can’t (and shouldn’t) ignore the recording’s packaging.  Audiences will notice that the recording is packaged in what is essentially a Blu-ray box.  It is not the first time that Eagle Rock has packaged its live DVDs in such packaging.  It is good to see this packaging used yet again, too.  It shows that DVD packaging can be the exact same size as Blu-ray packaging, thus saving even more space on audiences’ DVD racks.  It is an approach that sets Eagle Rock Entertainment ahead of every other home entertainment company, and in turn shows once more why Eagle Rock Entertainment remains to this day the lading name in live recordings.  With any luck the rest of the home entertainment realm will use this packaging as a model and eventually catch up to Eagle Rock Entertainment in this avenue.  Regardless of whether or not that ever happens, this element couples with all of the previously noted elements to, again, show why Live at the NEC is another welcome addition to any Deep Purple fan’s music library and why Eagle Rock Entertainment remains today the leading name in live recordings.

Live at the NEC will be available this Friday, August 26th.  More information on Live at the NEC is available online now along with all of Deep Purple’s latest news and more at:

 

 

 

Website: http://www.deeppurple-nowwhat.com

Facebook: http://www.facebook.com/officialdeeppurple

Twitter: http://twitter.com/_DeepPurple

 

 

 

More information on Live at the NEC and other title from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Metallica Announces Release Date For Its Next Album; Unveils New Video

Courtesy: Blackened Records

Courtesy: Blackened Records

Raise your horns, metal nation!  Metallica has made it official.  It will release its new album this fall.

Hardwired…To Self Destruct will be released Friday, November 18th via the band’s own label, Blackened Records.  The album will be available in separate 2CD and 2 vinyl platform.  Pre-orders for the album are available now here.  It can be pre-ordered on CD, vinyl, digital platforms and two separate deluxe packages.  The album, the band’s eleventh full-length studio offering, was produced by Greg Fidelman, who also helmed the band’s most recent album 2013’s Death Magnetic.  The complete track listing for Hardwired…To Self Destruct is noted below.

 

TRACKLISTING

Regular Album (on CD, Vinyl and Digital formats):

 

Disc One

  1. Hardwired
  2. Atlas, Rise!
  3. Now That We’re Dead
  4. Moth Into Flame
  5. Am I Savage?
  6. Halo On Fire

 

Disc Two

  1. Confusion
  2. Dream No More
  3. ManUNkind
  4. Here Comes Revenge
  5. Murder One
  6. Spit Out The Bone

Deluxe Version (On CD & Vinyl only):

Disc One

  1. Hardwired
  2. Atlas, Rise!
  3. Now That We’re Dead
  4. Moth Into Flame
  5. Am I Savage?
  6. Halo On Fire

Disc Two

  1. Confusion
  2. Dream No More
  3. ManUNkind
  4. Here Comes Revenge
  5. Murder One
  6. Spit Out The Bone

Disc Three

  1. Lords Of Summer
  2. Riff Charge (Riff Origins)
  3. N.W.O.B.H.M. A.T.M.  (Riff Origins)
  4. Tin Shot (Riff Origins)
  5. Plow (Riff Origins)
  6. Sawblade (Riff Origins)
  7. RIP (Riff Origins)
  8. Lima(Riff Origins)
  9. 91 (Riff Origins)
  10. MTO (Riff Origins)
  11. RL72 (Riff Origins)
  12. Frankenstein (Riff Origins)
  13. CHI (Riff Origins)
  14. X Dust (Riff Origins)

In anticipation of the album’s upcoming release the band unveiled the video for the album’s lead single and title track. Audiences can see the video online now here.  Listener discretion is advised as there is some explicit language used in the song.  The band also has a performance planned for this Sunday at U.S. Bank Stadium, the new home of the NFL’s Minnesota Vikings.  The performance will be the stadium’s first rock concert.  Tickets for the concert sold out in only ten minutes.  Those not lucky enough to get tickets for the show will still get to see it live online via Pandora beginning at 10pm EST here.  Fans outside the United States can livestream the concert online here.

More information on Hardwired…To Self Destruct is available online with all of Metallica’s latest news and more online now at:

 

 

 

Website: http://www.metallica.com

Facebook: http://www.facebook.com/Metallica

Twitter: http://twitter.com/metallica

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

 

Dope Unveils ‘Hold On’ Video

Dope has unveiled its latest music video.

The veteran hard rock oufit released the video for the song ‘Hold On’ today. The song is the official lead single from the band’s upcoming album Blood Money Part 1.  The album will be released Friday, October 28th via Entertainment One.  It can be pre-ordered online now here.

Front man Edsel Dope said of the song and its companion video, which was co-directed by [Edsel] Dope that the two are unlike anything that he has ever crafted.  “This is by far the most personal and vulnerable piece of art that I’ve ever released,” he said.  “Unlike some of Dope’s more theatrically-driven works, ‘Hold On’ is totally uninhibited.  It is a reflection of my own personal story, told through a singular piece of art.  Truthfully, this was a very difficult piece for me to complete at times; but in the end, it has also been a very healing experience.  I hope that the vulnerability and sincerity will resonate with people.”

Courtesy: Entertainment One

Courtesy: Entertainment One

The complete track listing for Blood Money Part I is noted below.

BLOOD MONEY PART I TRACK LISTING

  1. Intro: Confessions of a Felon
  2. Blood Money
  3. Shoulda Known Better
  4. Lexipro
  5. Hold On
  6. 1999
  7. Razorblade Butterfly
  8. Drug Music
  9. A New Low
  10. Hypocrite
  11. X-Hale
  12. End of the World
  13. Selfish
  14. Numb
  15. Violet

Dope recently announced an extensive tour in support of its upcoming album that will launch September 13th in San Francisco, California.  It will run through Otober 30th in West Hollywood, California and includes a stop in North Carolina, too.  The tour will feature Dope’s original lineup of Edsel Dope, Acey Slade, Virus, and Racci Shay.  Flaw and Motograter will serve as support acts for the duration of the tour.  The band’s current tour schedule is noted below.

Courtesy: eOne Music

Courtesy: eOne Music

TOUR DATES:
09/13 – San Francisco, CA @ DNA Lounge
09/14 – Portland, OR @ Hawthorne Theatre
09/15 – Vancouver, BC @ The Rickshaw
09/16 – Pasco, WA @ La Tropicana
09/17 – Seattle, WA @ Studio Seven
09/18 – Spokane, WA @ The Pin
09/19 – Idaho Falls, ID @ The Falls Venue
09/20 – Denver, CO @ Herman’s Hideaway
09/21 – Colorado Springs, CO @ Sunshine Studios
09/22 – Omaha, NE @ Sokol Underground
09/23 – St Louis, MO @ Firebird
09/24 – Minneapolis, MN @ The Cabooze
09/25 – Des Moines, IA @ Lefty’s
09/26 – Sioux Falls, SD @ Big’s Bar
09/27 – Waterloo, IA @ The Reverb
09/28 – Stevens Point, WI @ Live On Main
09/29 – Chippewa Falls, WI @ Every Buddy’s
09/30 – Battle Creek, MI @ Music Factory
10/01 – Flint, MI @ Machine Shop
10/02 – Madison, WI @ Sonic Boom
10/03 – Toledo, OH @ Realm
10/04 – Chicago, IL @ Concord Music Hall
10/05 – Cleveland, OH @ The Agora
10/06 – Columbus, OH @ Park Street Saloon
10/07 – Lancaster, PA @ Chameleon Club
10/08 – Stroudsburg, PA @ Sherman Theater
10/09 – Rochester, NY @ Montage Music Hall
10/10 – Toronto, ON @ Hard Luck
10/11 – Ottawa, ON @ Mavericks
10/12 – Montreal, QC @ Pirahna Bar
10/13 – Amityville, NY @ Revolution
10/14 – Worcester, MA @ Rock N Shock @ Palladium
10/15 – Baltimore, MD @ Fish Head Cantina
10/16 – Fayetteville, NC @ The Rock Shop
10/17 – Atlanta, GA @ Heaven – Masquerade
10/18 – Lake Charles, LA @ The Centerstage
10/19 – Austin, TX @ Dirty Dog Bar
10/20 – Houston, TX @ Scout Bar
10/21 – Dallas, TX @ Trees
10/22 – Merriam, KS @ Aftershock
10/23 – Oklahoma City, OK @ 89th St. Collective
10/24 – Lubbock, TX @ Backstage
10/25 – Gallup, NM @ The Juggernaut
10/26 – Phoenix, AZ @ Joe’s Grotto
10/27 – San Diego, CA @ Brick By Brick
10/28 – Las Vegas, NV @ Counts Vamp’d
10/29 – Anaheim, CA @ City National Grove of Anaheim
10/30 – W. Hollywood, CA @ The Whisky

More information on Dopes upcoming tour, album, and video is available online along with all of the band’s latest news at:

 

 

 

Website: http://dopearmy.com

Facebook: http://www.facebok.com/Dopetheband

Twitter: http://twitter.com/dopetheband

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews, go online to https://philspicks.wordpress.com.