Leprous Debuts Lyric Video For Its Latest Single

Courtesy:  InsideOut Music

Courtesy: InsideOut Music

Norwegian prog-metal act Leprous has debuted the lyric video for its latest single ‘Slave.’

The video presents the lyrics to the band’s new single over a changing image of chain link. Created by Twilight 13 Media’s Costin Chioreanu, the video can be viewed online now via YouTube at https://www.youtube.com/watch?v=2GWPzBXNY2g&feature=youtu.be.

Courtesy:  InsideOut Music

Courtesy: InsideOut Music

‘Slave’ is the follow-up to ‘Rewind,’ the lead single from the band’s latest full-length studio release The Congregation. Audiences can see the video for that song online now via YouTube at https://www.youtube.com/watch?v=0G9Qd_84YZs&feature=youtu.be. The Congregation entered the charts at #78 in Germany, #66 in The Netherlands, #167 in 167 in Belgium, and #39 in Finland. North American fans can order the CD in bundle packs with t-shirts online at http://www.manicmusiconline.com/.

More information on The Congregation is available online now along with all of the latest news from Leprous at:

Website: http://www.leprous.net

Facebook: http://www.facebook.com/leprousband

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Bonz Announces New Slate Of Tour Date

Courtesy:  Pavement Entertainment

Courtesy: Pavement Entertainment

Pavement Entertainment artist and Stuck Mojo front man Bonz has announced a new slate of live dates.

Bonz has announed that he will head back out on the road beginning July 17th in Hickory, North Carolina. The twenty-two-date tour is in support of Bonz’s Pavement Entertainment debut record Broken Silence. Bonz will be joined by Divided We Stand and A.M.M. on select dates along with label mate A.D.D. The tour currently runs through October 10th in Jacksonville, Fla. The current tour schedule is listed below.

BONZ TOUR DATES

7/17 Hickory, Nc- The Wizard Saloon

7/18 Winston Salem, Nc- Ziggy’s

7/30 Muskegon, Mi- Deano’s w/ ADD

7/31 Lansing, Mi- The Loft w/ ADD

8/01 Griffith, In- Sopranos

8/02 South Bend, In- Cheers w/ ADD

8/05 Akron, Oh- Empire

8/06 Mansfield, Oh- Planet Rock

8/07 Dayton, Oh- Oddbodies w/ ADD

8/08 Indianapolis, In- Emerson Theatre w/ ADD

8/09 Cape Giradeau, Mo- Pitter’s

8/10 Jackson, Tn- The Empourium

8/11 Clarksville, Tn- The Warehouse

8/12 Nashville, Tn- Daisy Dukes w/ Divided We Stand

8/13 Knoxville, Tn- The Long Branch w/ Divided We Stand

8/14 Chattanooga, Tn- Ziggy’s Underground w/ Divided We Stand

8/15 Beckley, Wv- Muncheez w/ Divided We Stand

9/11 Slidell, La- The Corner Pub

9/12 Dallas, Tx- Torch

9/13 Lubbock, Tx- Depot Obar Live

10/9 Sanford, Fl- West End Trading Co. w/ A.M.M.

10/10 Jacksonville, Fl- Jack Rabbits w/ A.M.M.

Audiences can download Broken Silence now via iTunes at https://itunes.apple.com/us/album/broken-silence/id953289268 and ordered direct from Best Buy at http://www.bestbuy.com/site/broken-silence-cd/26480148.p?id=3335826&skuId=26480148. Fans can keep up with the latest news and more from Bonz online at:

Website: http://bonzband.com

Facebook: http://www.facebook.com/bonzband

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Nation Beat Announces Carnival Caravan Release Date, Tour Schedule

Courtesy:  Nation Beat Music

Courtesy: Nation Beat Music

Brooklyn, NY-based quintet Nation Beat announced this week that it will release its latest recording late this month.

Carnival Caravan will be released Friday, July 31st under the new global release date system. The five-track EP will feature performances by not only Nation Beat but also from the Mardi Gras Indian/funk group Cha Wa. throughout. It is most evident in the Dixieland style sound of the record’s closer ‘Liza Jane.’ For those wanting something a little different there is the Latin-tinged sound of ‘Cantar Esse Coco (ft. Silverio Pessoa)’ and the disc’s opener ‘Casa Diamante /Sew Sew Sew,’ which also features the music of Cha Wa. Carnival Caravan’s complete track listing is noted below.

Carnival Caravan Track Listing

1. Casa Diamante / Sew Sew Sew (feat. Cha Wa)

2. Vou Cantar Esse Coco (feat. Silverio Pessoa)

3. Golden Crown (feat. Cha Wa)

4. Canto da Ema / All On a Mardi Gras Day (feat. Cha Wa)

5. Liza Jane (feat. Cha Wa)

Courtesy:  Nation Beat Music

Courtesy: Nation Beat Music

Nation Beat is currently touring in support of Carnival Caravan ahead of its release later this month. The group will be at Carl Schurz Park in New York City next Wednesday, July 8th. Its current schedule takes it through September 17th in Hartford, CT.  The group’s current tour schedule is listed below.

DATE                                               CITY                                          VENUE

July 8                                           New York, NY                             Carl Schurz Park

July 11                                          London, Canada                              Sun Fest

July 12                                          London, Canada                              Sun Fest

July 14                                          Toronto, Canada                          Pan Am Games

July 30                                          Huntington, NY             Huntington Summer Arts Festival

July 31                                          Brooklyn, NY                                    Littlefield

August 1                                       Queens, NY                                  Queens Library

August 2                                       New York, NY                    Central Park Summer Stage

August 8                                       Bethlehem, PA                                  Musikfest

Sept. 17                                        Hartford, CT                                  Real Art Ways

Audiences can keep up with the latest updates on Carnival Caravan and Nation Beat’s tour schedule online now along with all of the group’s latest news at:

Website: http://www.nationbeat.com

Facebook: http://www.facebook.com/pages/Nation-Beat/10175932771

Twitter: http://twitter.com/nationbeat

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Lamb of God Debuts Video For Upcoming Album’s New Single

Courtesy:  Epic Records

Courtesy: Epic Records

Lamb of God has officially premiered the video for its latest single ‘Overlord.’

The second single from the band’s upcoming album Sturm Und Drang (roughly translated means storm and penetrate),’Overlord’ is considered one of the biggest departures for the band on its upcoming album. It can be viewed online now at https://www.youtube.com/watch?v=RNRsvFsY9qk. Front man Randy Blythe explains of the song, “I wrote the song about the dangers of self-obsession in our distressingly myopic and increasingly entitled “me-now/now-me” culture; just like the couple in the video, many people can’t seem to look past their own relatively small problems to see the bigger picture: the world is in serious trouble. Having a bad day at work, or a fight with your significant other, or getting a crappy haircut or table service does not in any way shape or form constitute an emergency. Sometimes things just don’t work out the way we want them to- deal with it. People who only see their own problems eventually wind up alone because no one wants to hear their crap anymore- we all know someone like that, always whining and complaining about some inconsequential setback as if it were the apocalypse. This song is for those people.” The new video is the second for the band helmed by director Jorge Torres-Torres. His last time working with the band behind the lens was on the video for the song ‘512.’

In anticipation of Sturm Und Drang’s release on July 24th, Lamb of God has announced a series of live dates with Slipknot, Bullet For My Valentine, and Motionless in White. The tour kicks off in West Palm Beach, Florida on the same day as the album’s release and currently runs through Saturday, September 5th in Dallas, Texas. The current schedule for LOG’s upcoming tour is listed below.

NORTH AMERICAN TOUR:

LAMB OF GOD W/ Slipknot, Bullet For My Valentine & Motionless In White

7/24 – West Palm Beach, FL @ Cruzan Amphitheatre

7/25 – Tampa, FL @ MidFlorida Credit Union Amphitheatre

7/26 – Atlanta, GA @ Aaron’s Amphitheatre at Lakewood

7/28 – Detroit, MI @ DTE Energy MusicTheatre

7/29 – Darien Center, NY @ Darien Lake Performing Arts Center

7/31 – Saratoga Springs, NY @ Saratoga Performing Arts Center

8/1 – Wantagh, NY @ Nikon at Jones Beach Theater

8/2 – Hartford, CT @ XFINITY Theatre

8/4 – Boston, MA @ XFINITY Center

8/5 – Holmdel, NJ @ PNC Bank Arts Center

8/6 – Pittsburgh, PA @ First Niagara Pavilion

8/8 – Toronto, ON @ Molson Canadian Amphitheatre

8/9 – Montreal, QC @ Parc Jean-Drapeau – Heavy Montreal

8/11 – Washington, DC @ Jiffy Lube Live

8/12 – Virginia Beach, VA @ Farm Bureau Live at Virginia Beach

8/14 – Indianapolis, IN @ Klipsch Music Center

8/15 – Chicago, IL @ First Midwest Bank Amphitheatre

8/16 – St. Louis, MO @ Hollywood Casino Amphitheatre

8/19 – Denver, CO @ Red Rocks Amphitheatre

8/21 – Salt Lake City, UT @ USANA Amphitheatre

8/22 – Garden City, ID @ Revolution Center – NO SLIPKNOT *New Show*

8/23 – Auburn, WA @ White River Amphitheater

8/24 – Vancouver, BC @ Rogers Arena

8/26 – Concord, CA @ Concord Pavilion

8/28 – Las Vegas, NV @ MGM Resort Festival Grounds

8/29 – Phoenix, AZ @ AK-Chin Pavilion

8/30 – Albuquerque, NM @ Isleta Amphitheater

9/2 – Austin, TX @ Austin360 Amphitheater

9/4 – Houston, TX @ The Cynthia Woods Mitchell Pavilion

9/5 – Dallas, TX @ Gexa Energy Pavilion

Sturm Und Drang can be pre-ordered online now via iTunes at https://itunes.apple.com/us/album/vii-sturm-und-drang-deluxe/id1000708954 and via Amazon at http://www.amazon.com/VII-Sturm-Drang-LAMB-GOD/dp/B00YH4Y7U4/ref=sr_1_1?ie=UTF8&qid=1433367861&sr=8-1&keywords=lamb+of+god&tag=smarturl-20. Fans can also pre-order the album now direct from Lamb of God’s online store in a variety of bundle packs at http://lambofgod.shop.musictoday.com/page/preorder.

More information on Lamb of God’s tour is available online along with all of the latest updates on its new album and all of the latest news from the band at:

Website: http://www.lamb-of-god.com

Facebook: http://www.facebook.com/lambofgod

Twitter: http://twitter.com/lambofgod

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Five Crooked Lines Gets Five Gold Stars

Courtesy:  The Bicycle Music Company/Concord

Courtesy: The Bicycle Music Company/Concord

Five years have passed since audiences last heard from Finger Eleven. That is a long time in itself in music industry years. Now though, that long wait is finally over. That is because next month the Canadian-based rock outfit will release its latest album Five Crooked Lines. The album, the band’s sixth, will be released July 31st via The Bicycle Music Company/Concord. Listening to this record from beginning to end, it is safe to say that the wait for this album was well worth it. Of the album’s twelve total tracks, there is not one bad number to be heard. As a matter of fact, it could even be argued that this record is F11’s most radio ready record to date. That is because any one of its tracks could be used as a single. The band has obvious already taken that to heart and released the album’s lead single ‘Wolves and Doors.’ Fans of the band’s 2007 album Them vs. You vs. Me will appreciate this song and its companion video. It’s just one example of what makes Five Crooked Lines so enjoyable. There are also two very upbeat, optimistic pieces in the form of ‘Not Going To Be Afraid’ and ‘Blackout Song’ that could just as easily be used as singles. Whether for those two works, for the album’s lead single or for any of its other songs, it can be said that Five Crooked Lines gets five gold stars.

Finger Eleven’s latest full-length studio release Five Crooked Lines is the best and most radio ready album that the veteran band has released to date. Any one of its dozen total tracks could be used to serve as singles to represent it. It has already shown that with the release of its lead single ‘Wolves and Doors.’ This song is one that will instantly hit fans of the band’s 2007 album Them vs. You vs. Me. The reason being that its musical content sounds a lot like that of that album’s hit single ‘Paralyzer.’ Lyrically though, it is far deeper. Front man Scott Anderson comes across in this piece as singing about taking chances and making the most of life. That can be inferred as he sings in the song’s lead verse, “Step right on out/Of the zone of comfort/A little left of center/One step outside your head/Take all these words/Take all this time/You gotta spend it somewhere/Keep your delusion well-fed/Keep your soul for another day/Cause the game’s the game/And the wolves at the door remain.” That argument is made even stronger as he sings in the song’s second verse, “Come save their world/Come move that mountain/Make all the difference/Step up above the rest/Give every inch and all your energy/ And don’t let up until they say/What you think they think is best/Save your soul for another day/Cause the game’s the game/And the wolves at the door remain.” It’s an interesting statement and one that will definitely have listeners talking. That one line in which Anderson states, “Don’t let up until they say what you think they think is best” is one of the most interesting of the song’s lines. It’s Anderson saying to listeners, “stand your ground and don’t give in regardless of the situation.” The way that Anderson has worded it is a little bit of a twist. But once listeners really think about it, it becomes a deep statement. That statement taken with the rest of the song’s lyrics make for quite the depth. Partnered with guitarist Rick Jackett’s infectious guitar line (and later his solo), it proves even more why Five Crooked Lines is such a welcome return for F11. Audiences can hear the single for themselves now online at Vevo now at http://www.vevo.com/watch/finger-eleven/Wolves-And-Doors-(Music-Video)/QMFMK1500155.

‘Wolves and Doors’ is an excellent first impression from F11 in its return. Rick Jackett instantly takes audiences back to days gone by with his infectious guitar work. And front man Scott Anderson’s lyrics are sure to leave listeners talking just as much. The combination of both elements prove why the song was chosen as the album’s lead single. It is just one example of what makes this record the band’s best and most radio ready to date. ‘Not Going To Be Afraid,’ the album’s mid-point, is just as strong of an example of what makes Five Crooked Lines so impressive. It’s obvious in listening to this song that the band put a lot of thought into its creation. That is because Jackett’s guitar line and Anderson’s own vocal delivery perfectly match the tone of the verses and choruses. The verses, in which Anderson sings about so much personal strife are made especially emotionally gripping thanks to Anderson’s own heart-wrenching vocal delivery style set alongside Jackett’s equally moving guitar line. What is really interesting here is that the song doesn’t just jump musically from its verses to the chorus. Rather the verses progress from those emotionally powerful verses to the more optimistic chorus in which Anderson sings, “Even though it’s so dark/I see one last spark/Maybe hope’s not far away/Heaven can’t help me/But courage could sell me/I’m one last chance/I should take.” He goes on to sing in the song’s chorus, “Fear has always known my name/Play me just like a game/ Today won’t be the same/I’m not gonna be afraid/Crushing overwhelming doubt/Scream a little louder shout/Then whatever happens now/I’m not gonna be afraid.” That emotional back and forth (in musical terms, that’s called an ABAB structure) makes this song just as solid a representative for Five Crooked Lines as ‘Wolves and Doors.’ It is just as sure to be a fan favorite as that song or any of the others that make up the album’s body. That being the case, it shows once more why Five Crooked Lines is the band’s best album to date and its most radio-ready.

Both ‘Wolves and Doors’ and ‘Not Going To Be Afraid’ clearly show why the wait for Five Crooked Lines was well worth the wait. They are only two examples of why it was worth the wait, too. ‘Blackout Song’ is yet another example of why the wait was worth it. It is more celebratory than emotional yet still just as optimistic, if that makes any sense. Explaining the song in terms of its musical and lyrical content will perhaps make that clearer. The song’s title alone gives its own hint that the song is yet another piece that will put a smile on listeners’ faces. That certainly proves true as the band kicks into the song. The song’s opening bars see the band singing in almost a chorus effect before Anderson takes the reins, singing, “I told myself I’d/Stay in tonight/But here I am with no end in sight/I feel amazing/And if you are willing/This is only the beginning/So get here right now/You’ve got to come down/I’m calling you out/Let’s stay up all night/And we’ll sing/For everything good in our lives/Let’s stay up all night/And we’ll say f*** everything we never tried.” If that opening verse and chorus set alongside the song’s upbeat musical content doesn’t get listeners happily singing along, then there’s no telling what will. By themselves, they are yet another reflection of the album’s title and Anderson’s explanation behind it and how it is meant to invoke positive thoughts. The song’s second verse and chorus mirror that thought pattern just as much, as Anderson sings, “Put a song on/I don’t care which one/Cause I’ll only get the words wrong/I’ll change the meaning/To just how I’m feeling/Cause I don’t feel much like leaving/So get here right now/You’ve got to come down/I’m calling you out/Let’s stay up all night/And we’ll sing/For everything good in our lives/Let’s stay up all night/And we’ll sing/f*** everything we never tried.” He goes on late in the song to expand even more singing how people will remember the song’s subject because he had such a good time. It is just a great, feel-good song that is just as certain as either of the previously noted songs to be a fan favorite and/or single. That is thanks to those infectious hooks and choruses that make up its body. Of course its overall bright outlook on everything doesn’t hurt, either. It is just one more great touch to an album that is overall F11’s best album to date and its most radio ready. Even more simply put, it is one more song that, along with the previously noted songs and with those not noted here, proves without a doubt that Five Crooked Lines was well worth the wait and gets five gold stars.

Five Crooked Lines has been five years in the making. While it may have been a long time coming, it proves from beginning to end to be an album that was well worth the wait. Every one of the dozen songs that make up the body of the record proves this. The trio of songs already noted are just a few examples of what audiences have in store when this record hits store. Whether it be one or all of those songs or any of the album’s other works, audiences will agree in hearing Five Crooked Lines that there is not one bad song on this record. It is in fact the band’s best record to date and its most radio-ready record, too. It will be available in stores Tuesday, July 31st via The Bicycle Music Company/Concord Music Group. Fans will also be able to pick up the album at any of the band’s live dates on its current tour. Fans can check out the band’s current tour schedule and get its latest news online now at:

Website: http://www.fingereleven.com

Facebook: http://www.facebook.com/FingerEleven

Twitter: http://twitter.com/Finger_Eleven

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Live At Shea Stadium Another Candidate For This Year’s List Of Best New Live DVDs and Blu-rays

The Who Live at Shea Stadium 1982 Box Art

Courtesy: Eagle Rock Entertainment

In 2014, the legendary rock band The Who marked a major milestone as it reached its fiftieth anniversary. In honor of the anniversary, the veteran British band has been making its way around the world, sharing its decades of music with generations of fans. While it is currently in the midst of that tour, not every city has been or will be lucky enough to see the band as it shares its timeless tunes with the masses. Thankfully for the people at Eagle Rock Entertainment, the leader in live recordings, audiences have been treated with one of The Who’s most classic concerts in the form of Live at Shea Stadium 1982. Live at Shea Stadium 1982 is a pivotal point in The Who’s career as it would be the last time that the band would be joined by Kenney Jones on drums. It would also mark the last time that the band would perform live until 1989. That is a span of some seven years. In the music world, seven years is an eternity. Until now, this concert had never been released in its entirety on one platform. Being the first time ever that the concert–the second of The Who’s shows from its 2-night stand at Shea Stadium in October, 1982–it is a wonderful debut. It proves itself so impressive primarily through its set list. The main set list featured in this concert runs twenty-five songs and just over two hours. The songs included in that list solidly represent the band’s career up to that point. The quartet’s performance of said songs is just as enjoyable as the songs themselves. Considering that it would be the last time that the band would perform live for a span of seven years, the band definitely went out on a high note albeit temporarily. Last but not least to note is the concert’s collective production values. Being that the concert contained in Live at Shea Stadium was originally recorded nearly thirty-three years ago, the footage has stood the test of time quite well. Even more impressive is the work of those that resurrected its footage and re-mastered it for its presentation here. Thanks to the work of those individuals, the concert maintains the look that it boasted in its original recording yet boasts a sound that is just as clear as any show recorded today. The combination of all three noted elements shows clearly why Live at Shea Stadium 1982 is a great replacement for those that won’t get to see The Who on its current tour. It shows just as clearly why this recording is one more of the year’s best new live DVD and Blu-ray recordings.

Live at Shea Stadium 1982 is a defining moment for The Who. It marked the last time that audiences would get to see the band live for another seven years after its completion. It would also be the last time that the band’s then drummer Kenney Jones would perform with the band. And until now, it has never been released in its entirety on one platform. Considering this and the fact that the band’s current tour may be the last for the band, it becomes an even more important recording for fans of The Who to own. It shows itself to be such a lasting concert for audiences first and foremost through its extensive set list. The set list presented here runs twenty-five songs deep and just over two hours long. That is not even counting the five performances included as bonuses. Added to the main set list, they push the overall run time of the recording to a little more than two hours and twenty-five minutes. That’s a lot of music to say the least. And that’s a lot of live for fans that won’t get to see the band on its current tour. On a related note, the songs that make up the show’s set list represent a relatively healthy cross-section of the band’s section up to that point. It reaches all the way back to the band’s third studio release, 1967’s The Who Sell Out and even includes hits such as ‘Pinball Wizard,’ from the band’s hugely popular 1969 album Tommy, ‘Baba O’Reily’ and ‘Behind Blue Eyes,’ both from 1971’s Who’s Next as well as ‘I’m One,’ ‘The Punk and the Godfather,’ ‘5:15,’ and ‘Drowned’ all from another of the band’s biggest releases of all time, 1973’s Quadrophenia among so many other major hits. For all of the importance of the noted hits, their sequencing is just as important to the enjoyment of the show. The first five songs offer up a solid, driving energy that is soon followed up by a slightly more reserved vibe in ‘It’s Hard.’ That is followed up by the ‘Sledgehammer’-esque vibe of ‘Eminence Front’ before the band really pulls back on ‘Behind Blue Eyes,’ another of its biggest hits. That is just the first six of the show’s twenty-five song set. The remainder of the show’s songs exhibit just as much balance right up to the show’s finale. That balance of energy and drive from one song to the next coupled with the show’s overall set list shows clearly why as with any live show, the set list in whole is central to its enjoyment and overall success.

Live at Shea Stadium 1982’s set list and its overall arrangement give audiences plenty to like about the recording. The balance of energy and drive from one song to the mix coupled with an equally solid mix of the band’s hits up to that point will keep audiences’ attention from beginning to end. Much the same can be said of the band’s stage performance throughout the course of the two-hour plus concert. Front man Roger Daltry shows time and again why he is one of the greatest front men in rock’s modern history with his balance of charisma and energy from one song to the next and even in-between as audiences will see for themselves. When the crowd gets too close to the stage, Daltry very calmly and politely asks the audience to back up and make room. Even having to do this more than once he never loses his cool. As minor as it seems, it goes a long way toward showing the type of person that he is. It is truly impressive to see such demeanor. That demeanor coupled with his minimal yet still energetic performance is a clear example of why the band’s performance in this show is so impotrant to its enjoyment and success. Daltry’s band mates John Entwhistle, Pete Townshend, and Kelley Jones each provide their own entertainment throughout the show. Guitarist Pete Townshend’s classic airplane playing is there. Jones’ drumming generates its own energy throughout each song. Even Entwhistle’s own unassuming demeanor as he provides the songs’ low end is entertaining in its own right. Whether in the concert’s biggest moments or its more reserved moments, none of the band members really seem to exert that much energy, rather letting the music exert most of the energy for them. That energy translates perfectly to the audience and will translate just as well to home viewers. In turn, it will lead audiences to appreciate the band members’ talents both as musicians and song writers. That appreciation reveals in one more way why Live at Shea Stadium 1982 is such an enjoyable and successful new recording from one of rock’s greatest acts.

The set list that makes up the body of Live at Shea Stadium 1982 and the band’s performance of said songs do plenty to show why this concert is so enjoyable. They are only two parts of the presentation that makes it whole. The concert’s collective production values round out the ways in which it proves itself so enjoyable. Considering the fact that the concert was originally recorded some thirty-two years ago, it can be said that the footage has stood the test of time rather well. Of course the work of those charged with re-mastering the concert’s audio and video is just as much to credit for how well it looks and sounds. It maintains the look that it boasted in its original standard def recording. Even with that look it is clear that it has been cleaned up and brought back to life. Through it all the fact that it still maintains that look is deserving of praise. It shows the high quality results of the painstaking efforts of those individuals charged with handling the footage. The same can be said in regards to the concert’s audio mix. It is obvious that just as much work was put into remastering the concert’s audio. That is because it sounds clearer than most concerts recorded so long ago. Thanks to the work done on both ends, the band’s performance and the show’s set list both become that much more enjoyable. In conjunction with the work of those that resurrected and re-worked the footage, all three elements show together just why Live at Shea Stadium 1982 is another entirely enjoyable and successful from one of rock’s biggest bands and why it is also one of this year’s best new live DVD and Blu-ray recordings.

Live at Shea Stadium 1982 shows in plenty of ways to be another entirely enjoyable and successful recordings from a group that is one of rock’s biggest and most respected acts. It shows just as much why it is one of the year’s best new live DVDs and Blu-rays. It is available now in a variety of formats both in stores and online. More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

More information on The Who’s current tour is available online now along with all of the band’s latest news at:

Website: http://www.thewho.com

Facebook: http://www.facebook.com/thewho

Twitter: http://twitter.com/TheWho

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Long Beach 1971 Is One Of 2015’s Top New Live CD Recordings

Courtesy:  earMusic

Courtesy: earMusic

Deep Purple is one of the most well-known and respected names in the rock community. The veteran British blues-rock band has been making music together for some forty-seven years. Given there was a nearly ten-year period in which the band took some time off from 1976 – 1984. But since it reformed in 1984, Deep Purple has been busy churning out new studio and live recordings and touring seemingly nonstop. Over the course of the past two years alone, the band’s deals with Eagle Rock Entertainment and earMusic has resulted in no fewer than six live recordings and one new studio album with at least two more on the way this summer. The most recent of those newly released live recordings, Long Beach 1971, was released late this past May. The recording only consists of four songs–‘Speed King,’ ‘Strange Kind of Woman,’ ‘Child in Time,’ and ‘Mandrake Root,’ While that doesn’t seem like much, those four songs bring the recording’s total run time to over an hour. More specifically, it brings the recording’s total run time to an hour and nineteen minutes, just shy of the ninety minute mark. That extensive run time is just one aspect of what makes Long Beach 1971 another hit for Deep Purple and for the band’s fans. The band’s performance itself makes for even more enjoyment, as audiences will note. That will be discussed at more length later. Last but hardly least worth noting of Long Beach 1971 is its audio mix. The audio mix of this concert is surprisingly impressive for its time. It sounds completely unlike anything from this era of concert recordings. But it still sounds impressive nonetheless. That is a tribute to those charged with re-mastering the recording for its release on CD. If not for the work of those individuals, neither the show’s set list nor the band’s performance would be of any matter. Thankfully for fans that isn’t the case. Instead, audiences have in this recording a piece that is yet another impressive live recording from Deep Purple and a recording that is one of the year’s best new live recordings on CD.

Long Beach 1971 is yet another impressive in a long line of live recordings released by Deep Purple in recent year. It is also one of the year’s best new live recordings on CD. The central way in which it proves this is through its set list. The set list consists of only four songs. On the surface that might not seem like very much. But it is in reality quite a bit. The songs–‘Speed King,’ ‘Strange Kind of Woman,’ ‘Child in Time,’ and ‘Mandrake Root’–in total bring the concert’s total run time to an hour and nineteen minutes with the show’s opener, ‘Speed King,’ being the shortest at eleven minutes and five seconds long. Keeping on that track, audiences will be interested to note that the songs only get longer from there. ‘Strange Kind of Woman’ clocks in at eleven minutes and twelve seconds. ‘Child in Time’ comes in at twenty minutes and twenty-five seconds. ‘Mandrake Root’ closes the show with a total run time in itself at twenty-seven minutes and eighteen seconds. Maybe it is mere coincidence that each of the songs presented here is longer than the last. It could have been wholly intentional, too. Regardless, such a long set with only four songs is impressive in itself especially for that era. The songs are so long because the band doesn’t just perform the songs. Rather the band’s members–Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover–let the performances grow naturally. The result is the extensive yet enjoyable performances that audiences get within the course of each of the recording’s songs. It is also tied into another aspect of the recording that makes it just as enjoyable–the band’s actual performance.

The performance of Deep Purple’s members in this recording is just as important to note of its enjoyment as the concert’s extensive set list. That is because what audiences get from Deep Purple in this recording isn’t just some band up on stage going through the motions. It is a band that is taking in the moment both together and with its audience. The fact that the band lets each song organically grow from just a performance to a full-blown jam session shows that. Even audiences listening to the concert on their radios or MP3 players will find themselves getting lost in each performance along with the band and those that were there in attendance. Even more impressive is that front man Ian Gillan talks to the audience in between songs, explaining briefly but clearly the story behind each song. Those that might not know the stories behind the songs will definitely enjoy Gillan’s stories. He explains about ‘Strange Kind of Woman’ that it apparently had to do with a prostitute and one of the band’s friends. Believe it or not. In regards to ‘Child in Time,’ he explains that it centers on people that just can’t seem to win in life no matter what. And in regards to the show’s closer ‘Mandrake Root’ he explains that this song came to be after two of the band’s friends got into a certain drink at a party. When audiences listen to the song, it becomes relatively clear what exactly happened (or supposedly happened). Gillan even laughs at a certain point, giving one to think that apparently what it sounds like happened perhaps indeed did happen. It’s a small moment, but it is one more of so many that heightens the enjoyment of the band’s performance. Together with the show’s set list, both elements make relatively clear why Long Beach 1971 is yet another impressive live Deep Purple set and one of the year’s best new live CDs.

The set list and performance on the part of Deep Purple’s band members in Long Beach 1971 prove clearly in themselves why this recording is yet another impressive addition to the band’s already extensive catalogue of live CDs. They also show just as clearly why it is one of the year’s best new live CDs. Both elements taken into consideration there is just one more element to note in what makes Long Beach 1971 so enjoyable. That final element is the concert’s audio mix. Right off the bat, audiences will note that in comparison to the live recordings churned out today, this recording sounds quite different. The best way for audiences to fully understand this difference is to purchase the recording for themselves. But for lack of better wording, it doesn’t have that spit-shined, auto-tuned sound that today’s live recordings boast. It is more….organic almost. Yet for that sound, it still sounds surprisingly impressive. This is the case even despite having to adjust the volume level between songs so as to hear Gillan’s discussions on the songs. Sure, it would have been nice to not have to constantly make such adjustment from one song to the next. but that’s beside the point. It’s just nice to have that interaction with the audience coupled with a solid stage performance. Getting back on topic, those charged with re-mastering the audio for this recording are to be commended for their efforts. Thanks to their work, that organic sound is still there as is the static that was produced by the recording technology of the day. This seems minor but it is important in its own right. That is because it shows that it is still possible for record companies to produce classic and classic sounding records on CD complete with that nostalgic static sound in place of full vinyl releases. There has been so much talk in recent years about the resurgence of vinyl. The apparent reason that there has been such a resurgence in its popularity is simply the nostalgia factor. The static and organic audio that has been reproduced in Long Beach 1971 proves without a doubt that it is still possible to have that nostalgia without having to spend exorbitant amounts of money on vinyls. Considering this, the nostalgia produced by the audio mix of Long Beach 1971 will make listening to the concert’s set list and the band’s performance all the greater. In turn it will prove yet again why Long Beach 1971 is yet another impressive live Deep Purple recording and why it is one of this year’s best new live CD recordings overall.

Long Beach 1971 gives Deep Purple fans of all ages plenty to smile about. Its set list, while short in selection, makes for a full and fun concert. The band’s performance of its chosen songs makes the concert even more enjoyable. That is thanks both to the organic nature of the band’s performance and to front man Ian Gillan actually interacting with the audience, sharing the stories behind each of the set’s songs. The expert re-mastering of the concert’s audio leaves it sounding just as it would have on a vinyl release complete with static. It shows that a CD recording live or otherwise can still be just as good as any vinyl release if not better. All three elements together make crystal clear why Long Beach 1971 is yet another impressive release in a long line of live recordings from Deep Purple and why it is also one of this year’s best new live CD recordings. It is available now in stores and online. More information on this and other titles from E.A.R. Music is available online now at:

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