Remada Releases ‘A Better Tomorrow’ Video

Courtesy: O’Donell Media Group

Rock outfit Remada released its latest single and video this week.

The Chicago, IL-based band unveiled the video for its single ‘Better Tomorrow’ on Tuesday via Bravewords.  The song is taken from the band’s upcoming EP, which is currently due out April 29.  Its lyrical message comes across as one that empowers listeners to never give up even in the most difficult situations.

The video, which was filmed in Gary Indiana, was co-directed by Nick Frollo and the band’s vocalist, Matt Daniels. Bassist Ahmed Forero said the process of making the video was in itself powerful.

“Being my first music video shoot, it was a life changing experience,” Forero said.  “It was extremely interesting to see the work put in behind the scenes and then reviewing the final product.  We’re all super happy with it.”

The band has scheduled a short string of live dates in support of its upcoming EP that begins April 7 in Fort Atkinson, WI.  The band’s current live schedule also includes New York and Illinois.  The band’s current live schedule is noted below.

Upcoming shows:

April
7 – Fort Atkinson, WI – Hijynx Bar
15 – Auburn, NY – Fingerlakes Eventplex Center for Metal Fest
29 – Chicago, IL – The Cobra Lounge (EP release show)

June
10 – Madison, WI – The Annex

More information on Remada’s latest single and video is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.RemadaOfficial

Facebook: http://www.facebook.com/OfficialRemada

Twitter: http://twitter.com/OfficialRemada

 

 

 

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Judas Priest Album Re-Issue Is A “Turbo”-Charged Release

Courtesy: Sony Music

It might be hard for some to believe, but 30 years have passed since veteran hard rock band Judas Priest released its landmark album Turbo.  In celebration of the anniversary, Columbia Records and Legacy Records partnered to re-issue the album last month with some added bonuses.  Those bonuses—a pair of live recordings–will be discussed later, as they are key pieces of the re-issue’s overall presentation.  The original record is the key piece that should be noted in examining this latest re-issue of the classic album and will be discussed shortly. The set’s companion booklet is just as important to the package’s overall presentation as the album and the package’s bonus live discs, and will be discussed later, too. Each element obviously plays its own important part to the album’s presentation.  All things considered, Columbia/Legacy’s recent re-issue of Turbo proves in the end to be one of this year’s top new CD re-issues.

Columbia/Legacy’s recent 30th Anniversary re-issue of Judas Priest’s landmark album Turbo is one of 2017’s top new CD re-issues.  That is due in part to the presentation of the original album in this re-issue.  The work put in to re-master the album’s original masters paid off soundly (bad pun fully intended here).  The guitars, drums and vocals are just as clear and crisp here as in the album’s original release, if not more so.  The album’s sequencing is also the same as in its original release, adding even more to its enjoyment.  The improved audio quality of each track and the mirroring of the original album’s sequencing does plenty to entertain listeners in the album’s re-issue.  It is, collectively, just one part of what makes this re-issue so impressive.  Its companion booklet is just as important to note in examining its presentation as the album.

Turbo’s updated sound quality and the mirroring of its original sequencing here does plenty to impress listeners with this re-issue.  It is just one of the elements that makes this re-issue stand out.  The set’s companion booklet does its own share to enhance the listening experience.  That is because of the material presented within the booklet.  The booklet opens with a brief but concise history lesson on the album’s creation, explaining that Judas Priest was not the only band that was changing its sound at the time that this record was being crafted.  The lesson notes, “heavy metal was kicking into various new gears as we began writing sessions for Turbo as it opens.  From there, it points out the extensive process that followed the original writing, taking the band across two continents.  It even offers an explanation of one of the album’s songs—‘Parental Guidance’—noting that the song tackled the issue of censorship in America at the time.  Between that explanation and the history presented inside the record’s booklet, it all offers plenty for fans and listeners to appreciate.  That is just the tip of the proverbial iceberg, too.  The booklet also includes lyrics for each of the album’s nine songs.  On the surface this doesn’t seem very important.  But considering how hit and miss albums have always been in terms of including lyrics, having those lyrics here is another positive.  They serve as a starting point on renewed discussions on the songs’ topics.  In the same breath, having the lyrics printed out also means no chance of misinterpreting the lyrics.  To that end, having the albums lyrics included in its new re-issue is just as important to its presentation as the short but concise history lesson that opens the booklet.  When both elements are coupled, they show clearly why the album’s booklet is just as important to the record’s presentation in its re-issue as the album itself.  It is still not the last of the re-issue’s most important elements.  The live recordings included with the record are just as important to the re-issue’s presentation as its booklet and original album’s presentation.

The presentation of Turbo’s original album and its companion booklet are both key pieces of the album’s re-issue.  They are only two of the record’s key elements.  The live recordings included in the record’s re-issue are just as important to its presentation as the album’s presentation and its booklet.  They are spread across two bonus discs and feature five of the songs included in Turbo’s sequencing.  The other songs included in the recordings take listeners all the way back to the band’s 1976 sophomore record Sad Wings of Destiny.  They include ‘Victim of Changes,’ ‘Hell Bent For Leather,’ ‘You’ve Got Another Thing Coming’ and so much more.  The whole of those songs makes for a 20-song set list spread across two discs that is in itself a history lesson for new fans.  The band’s performance also serves as a comparison point for the band’s on-stage presence then and its on-stage presence now.  Needless to say the band’s stage presence in these performances shows the band at the top of its game.  The only negative to the whole thing is that a DVD or Blu-ray wasn’t included.  Hopefully Columbia and Legacy will eventually release the performances on one platform, the other or both so as to complete the experience.  Even without a full audio/video experience, the performances, with their rich set lists and equally entertaining performances, do plenty to entertain audiences.  When the insured entertainment from the live recordings is set alongside the positives of the re-issue’s companion booklet and the positives of the original album’s re-mastering, the whole of those elements makes this package in whole one that proves to be one of this year’s top new CD re-issues.

Judas Priest’s 30th anniversary re-issue of its landmark album Turbo is one of this year’s top new CD re-issues.  That is due to the impressive work done to re-master the album’s masters.  The companion booklet that is included with the album plays its own important part in the presentation of the record’s re-issue.  The live recordings included in the set put the finishing touch on the presentation of the album’s re-issue.  Each element is clearly important in its own right, as has already been discussed.  All things considered, they make Turbo’s 30th anniversary re-issue one of 2017’s top new CD re-issues.  It is available now in stores and online.  More information on this re-issue is available online now along with all of Judas Priest’s news and more at:

 

 

 

Website: http://www.JudasPriest.com

Facebook: http://www.facebook.com/OfficialJudasPriest

Twitter: http://twitter.com/judaspriest

 

 

 

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Your Chance To Die To Release Its Next Album Via EMP Label Group

Courtesy: EMP Label Group

Megadeth bassist Dave Ellefson’s EMP Label Group is set has added yet another new name to its roster, and that name will release its next album via Ellefson’s label this spring.

Death metal outfit Your Chance To Die will release its latest full-length studio recording Ex Nihilo on Friday, April 21.  The record, the band’s third full-length studio recording, will be released via EMP Label Group’s extreme metal imprint EMP Underground.

Talks between the band, Ellefson, and his EMP Label Group partner Thom Hazaert in late 2016.  The dual vocalist team of Missi Avila and Som Plumijers were upbeat as they discussed the fruits of those talks and about the band’s future.

“Your Chance To Die is honored to be a part of the EMP Label Group Family,” the vocalists said. “We are very excited about our future with EMP, the new record that we have written, and are very thankful for this amazing team we now have behind us.  We have worked very hard on our new songs…to become a new band…with different, new music…and now a great label.  We are very excited to finally have a team that believes in us to release the new album.”

Hazaert shared the pair’s excitement about the things to come for the band and the label through the groups’ new partnership.

“We are beyond thrilled to welcome YCTD into the EMP Label family,” Hazaert said.  “they truly are bringing something new and interesting to the extreme metal, and we’re very excited that we’re able to partner with them to bring it to the world.  Obviously, many in the extreme metal world are familiar with Som’s amazing work in Cerebral Bore, and I am confident soon YCTD will be a household name in that regard as well.”

Your Chance To Die’s previously released albums include Suscitacio Somnus (2011) and The American Dream (2013).  Both records were released via Red Cord Records, so Ex Nihilo will be the band’s first release for EMP Label Group.

More information on Ex Nihilo is available online now along with all of the latest news and more from Your Chance To Die is available online now at:

 

 

 

Facebook: http://www.facebook.com/yourchancetodiesc

Twitter: http://twitter.com/yourchancetodie

 

 

 

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Eve To Adam’s New LP Takes Listeners On An Enjoyable Musical Journey

Courtesy: Rocktagon Worldwide Music/High Road Publicity

Hard rock outfit Eve To Adam has been on quite the voyage since originally forming in 2001 in New York.  From lineup and label changes to struggles getting albums released to playing with some of rock’s biggest names past and present, this band has seen the highest of highs and the lowest of lows throughout its life.  So it makes sense that with its latest album—its fifth full length album—the band opted for the title Odyssey.  The 10-song, 37-minute album was released late last month via Rocktagon Worldwide Music, and shows both musically and lyrically how far this band has come in the now 16 years that it has been in existence. Its heavy emphasis on electronics and keyboards presents a sound that will appeal to fans of Orgy, Powerman 5000 and other similar acts.  Its lyrical content is just as varied.  It ranges from a commentary about the life in ‘The Price’ to a statement of self-confidence in the fist-pumping opener ‘Altitude’ to the anthemic closer ‘Day Drinkin’ and more.  Between the varied lyrical themes presented throughout the record and its musical arrangements, the whole of those elements makes Odyssey a musical journey that is well worth taking.

Eve To Adam’s latest full-length studio recording Odyssey is a musical journey that proves well worth taking.  That is exhibited through the record’s musical arrangements and its widely varying lyrical themes.  ‘The Price’ is just one of the songs included in this record that serves to support these statements. The song’s up-tempo, guitar-driven arrangement will instantly have listeners pumping their fists as their blood flows so fast with the music.  The intensity in that arrangement serves well to illustrate the emotion expressed in the song’s lyrical content, which seems to be a commentary of sorts of life.  That is inferred as front man Taki Sassaris sings in the song’s lead verse, “The price is high/You know you were told/Oh darling let me go/Before my body’s cold/And my weary heart grows old/The memory/Now comes to me/So far removed/From a life I used to know/Suddenly you realize it/The time remaining has been bought and sold.”  It is as is Sassaris is saying here, “let me make the most of my life.”  That is inferred even more as he sings in the song’s chorus, “Money all day all day/You gotta get paid/Running around insane/No time to hesitate/Some days, some days/You never get ahead/Well I’m not your slave, no slave/The price will be paid.”  Who precisely Sassaris is addressing as he sings, “I’m not your slave” would be interesting to learn.  That aside, it seems even more through this and the song’s lead verse that he is singing about not letting life get the better of one’s self.  The contrast of that chorus to the song’s second verse seems to hint at that message even more. Sassaris sings in that second verse, “The style instills/It makes this work/Consuming all my thoughts/Inside these fears stand tall/One by one the brave now fall.”  The song’s chorus responds to that message with its message of making the most once again.  When that seeming message of overcoming life’s difficult moments presented in the song’s lyrical content is set against the driving energy in the song’s musical arrangement, the two elements together make this song stand out against the record’s other offerings.  It also serves to help show why this record in whole is a musical journey worth taking, and is just one example of what makes that trip worthwhile.  ‘Altitude,’ the album’s opener, is another example of what makes journey taken through this record so worthwhile.

‘The Price’ is a clear example of what makes the journey taken through Odyssey worthwhile.  That is due to the partnering of the song’s driving musical arrangement and its thought provoking lyrical content.  It is just one of the songs that serves to make the trip taken through this record so worthwhile, too.  ‘Altitude,’ the record’s opener is another example of what makes that journey so worthwhile.  As with ‘The Price’ that is exhibited in part through the song’s musical arrangement.  This song’s musical arrangement is heavy on keyboards.  The combination of the keyboards with the guitars and vocal elements in the mid-tempo rocker makes the song a solid start to the record.  The song’s lyrical content is just as interesting to take in.  Sassaris sings in the song’s lead verse, “It’s now fast approaching/It’s my favorite time you see/The moment right before you reach/You feel this clarity/A painful total freedom/I have no anxiety/Anything that steals from this/Becomes an enemy/You’ll see.  This is a statement of confidence, plain and simple.  Considering the band’s *ahem* odyssey up to the point of this album’s release, it makes sense that it would be the record’s first lyrical statement. It is Sassaris saying, “I’m still here.  Nothing is going to get me down.”  That message is driven home even more as he and the rest of the band sing in the song’s chorus, “Free from me/I’m far above it all/Not a worry in my head/I’m free from me/I’m far above it all/For as long as I can be.”  The song’s second verse solidifies that message of confidence and optimism even more as Sassaris sings, “Don’t you take for granted/This zero gravity/It’s never very easy/To escape captivity/Now try to remember/Why you fought for this release/This elevation’s beautiful/But it’s difficult to breathe/You’ll see.”  He comes across as saying that getting that getting out on one’s own, so don’t’ lose sight of things on that personal journey.  It’s a strong statement, and again is only this critic’s interpretation.  Hopefully it is the correct interpretation, but should not be taking as gospel.  That aside, that seeming message of self-confidence and determination, when coupled with the song’s hard-hitting musical arrangement, makes this song a solid first impression from the band on this latest effort.  The combination of the two elements shows in its own way what makes the journey taken in this record is worthwhile.  It is not the last song that serves to support that statement, either.  The album’s closer, ‘Day Drinkin’’ supports that statement, too.

‘The Price’ and ‘Altitude’ are both songs that serve to show why the musical journey on which Eve To Adam takes listeners on its new album is so worthwhile.  They are only two examples of what makes that journey worthwhile.  The album’s closer, ‘Day Drinkin’ puts the proverbial exclamation mark on that statement.  As with the previously noted compositions, that is due in part to the song’s musical arrangement.  Unlike those songs, this song’s composition is more of a straight forward rock song.  It can be argued that it is the album’s most radio-ready song, too, with its anthemic arrangement.  The song’s lyrical content is just as infectious as Sassaris and company sing, “You know what we need right now/You feel it when we’re hanging out…So we’re day drinkin’/throw ‘em back till the morning light/Day drinkin’/Livin’ hard, but it feels so right/Numb the pain to fight the fire/Day drinkin’/There ain’t no shame in this way of life.”  Such content, coupled with the song’s bombastic arrangement instantly conjures thoughts of Motley Crue.  This should come as no surprise considering said band is one of the acts that ETA has emulated in its previous albums.  It’s just a fun song and an equally fun final statement from the band on this record.  It shows one last time why indeed the journey on which this record takes listeners is well worth taking.

Eve To Adam’s latest full-length album Odyssey sends listeners on quite the musical journey over the course of its 10 songs and 37 minutes.  From the high energy and confidence expressed in its opener to the more contemplative yet still powerful content of ‘The Price’ to the fun, infectious content of the album’s closer and all points in-between, this record offers listeners plenty to appreciate.  All things considered, they make the journey that listeners take this time fully worthwhile.  Odyssey is available now in stores and online.  More information on Odyssey is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.evetoadam.rocks

Facebook: http://www.facebook.com/evetoadam

Twitter: http://twitter.com/EVETOADAMMUSIC

 

 

 

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Remark Hoping To Get Positive Remarks Across America With Its Music

Russia has been in the news quite a bit lately thanks to everything going on in Washington, D.C. – but for all of the negativity coming out of the news concerning the former Communist nation, some good musical news has been coming out of Russia lately.

Russian rock outfit Remark released its debut, self-titled album last year, and has been making waves overseas with the record.  Now the band has its eyes set on the U.S. with its latest single ‘Falling.’

The released its lead single in its home county last year, and is now spreading the song across America with the song’s companion video.  The video is streaming online now via the band’s official YouTube channel.

Courtesy: High Road Publicity

It is just one of the latest songs to be released from the band’s debut record.  Also out now are the videos for the band’s singles ‘Vesna’ and ‘Wild Run.’

Remark’s name has been building over the years as it has shared the stage with major American acts such as Slash and Myles Kennedy, Tom Keifer, W.A.S.P., Dope and others.

 

More information on Remark is available online now at:

 

 

Website: http://www.remarkband.com

Facebook: http://www.facebook.com/remarkofficial

 

 

 

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Chino XL, Rama Duke Create New Take On Chili Peppers Classic

Red Hot Chili Peppers’ song ‘Under The Bridge’ is one of the greatest, most iconic rock songs of the 20th century.  That is because of the song’s subject matter in its lyrical content and a musical arrangement that expertly captures that emotion.  Now, that iconic composition has been re-worked by the duo of Chino XL and Rama Duke and given a whole new life and identity.

The duo’s new re-working of the band’s song has given it a hip-hop vibe that also maintains the guitar riff that helped the original composition become so beloved, adding to the song’s interest even more.

As if that is not enough, the song’s companion, which can be viewed online now here, touches just as much on the new lyrics, making the new take on the classic hit even harder.

Courtesy: O’Donnell Media Group

Jarred Gosselin, 1520 Entertainment partner, said he hoped this updated take on the timeless RHCP song would hit this generation just as hard as the original song.

“We hope that our hybrid version of ‘Under The Bridge’ might save some lives and inspire a new generation,” Gosselin said. He added the inspiration to craft the song came after he heard her working on a cover of the song with a band in the early 2000s.  That take on the song was never released, said Gosselin.

Chino XL and Rama Duke’s updated take of ‘Under The Bridge’ is playing at radio stations nationwide now.  It is also available for download at all major digital distribution sites.

A portion of the song’s sales will go to benefit the California-based Action Family Foundation, which works with young people and their families to resolve issues related to drugs, alcohol, sex and drugs.

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Schenker Shines Again In His Latest Live Recording

Courtesy: Inakustik

Courtesy: Inakustik

Later this month, Inakustik will release veteran guitarist Michael Schenker’s latest live recording in the form of Michael Schenker Fest.  The nearly two-hour concert, filmed August 24, 2016 at the Tokyo International Forum Hall, is a welcome addition to the music library of any Michael Schenker fan, from casual fans to the most devout fans.  That is due in no small part to the concert’s 18-song set list.  This will be discussed shortly.  Schenker’s performance and that of his fellow musicians is just as important to note as the show’s set list in examining the concert’s presentation.  The concert’s collective production values (I.E. its cinematography and audio mix) round out its most important elements.  Each element is clearly important in its own right to the recording’s presentation.  All things considered, they make Michael Schenker Fest a must see for any Michael Schenker fan.

Inakustik’s new Michael Schenker live recording Michael Schenker Fest is a must see for any of the veteran guitarist’s fans.  From the casual fan to the true devotee, this concert offers audiences plenty to appreciate, beginning with the concert’s extensive 18-song set list.  Audiences will be pleased to learn that the concert’s set list is anything but specific in its song choices.  It pulls songs from Schenker’s time with UFO, Scorpions, Michael Schenker Group, Temple of Rock and McAuley Schenker Group.  While the set list pulls from pretty much every era of Schenker’s career to date, Schenker’s early work with the Michael Schenker Group is most prevalent.  More specifically speaking, the group’s self-titled 1980 debut record receives the most representation with four songs pulled from that record.  The band’s 1981 album MSG and its 2009 re-issue are just as heavily represented with four more songs.  From there, the songs vary from one part of Schenker’s career to another.  The end result is a vivid picture of Schenker’s career so far.  To that end, the concert’s extensive set list shows why it is so important to the concert’s overall presentation.  It is just one key piece of the concert’s presentation, too.  Schenker’s performance, and that of his fellow musicians, is just as important to note as the concert’s set list in examining the concert’s overall presentation.

The extensive 18-song set list that makes up the body of Michael Schenker Fest is in its own right an important piece of the concert’s presentation.  That is because it lifts from every era of the veteran guitarist’s career so far.  Schenker and company keep audiences’ adrenaline flowing from open to end of the 118-minute concert thanks to their collective performance.  From Schenker’s powerhouse guitar work to the equally energetic performances of vocalists Graham Bonnett, Gary Barden and Robin McAuley to Ted McKenna’s solid time keeping, bassist Chris Glenn and guitarist Steve Mann’s work on guitar and keyboards, the whole of this group of performers keeps audiences entertained.  Audiences at home will find themselves on their feet just as easily as those who were in attendance at the concert’s recording.  While it’s something minor and subtle, audiences will be just as interested to learn that there’s not a single bit of foul language to be heard anywhere throughout the course of the concert.  Some might be surprised to think about this.  But the reality is that a lack of foul language in a live recording is rare.  So for such language to be wholly absent here is a huge positive.  It means that the concert is not only entertaining but also family friendly.  Keeping all of this in mind, it becomes clear why the performance presented here is just as important as the concert’s set list.  Even as important as it proves to be, it is just one more of a number of positives that can be examined, including the concert’s collective production values.

The set list and performance presented in Michael Schenker Fest are both key portions of the concert’s overall presentation.  That is because of how much they do to entertain audiences and keep them engaged from beginning to end.  While both elements are clearly important to the concert’s whole, they are only part of what makes the concert so enjoyable for Schenker’s fans.  The concert’s collective production values (I.E. its cinematography and audio engineering) are just as important to examine as the show’s set list and performance.  The cinematography is so impressive thanks to its ability to so expertly capture the concert’s energy.  From head-on shots from the crowd to footage of the show from the stage and so many angles in-between, the concert’s camera crew is to be commended for its work capturing this concert.  Of course, those behind the concert’s editing should be commended just as much as the concert’s camera crew for capturing and presenting that energy.  The same applies in the teamwork of the concert’s audio engineers and those who mixed the concert’s audio in post production.  The Tokyo Forum Hall is clearly a large, open venue.  Yet the concert’s audio engineers and mixers just as expertly balanced the audio.  The end result of their work is that no one musician’s part ever overpowers the others or gets lost in the crowd noise and the depth of the venue.  Thanks to the combined efforts of the concert’s production crew and those that handled those elements in post production, the end result is a concert experience that is just as enjoyable on screen as it must have been in person if not more so.  When this is taken into consideration along with the concert’s set list and the musicians’ performances, the whole of these elements makes the concert an experience that, once more, the most casual to the most devout Michael Schenker fans will enjoy equally.

Michael Schenker Fest is a work that any Michael Schenker fan will appreciate.  From casual fans to the true devotees, there is plenty for every fan to enjoy.  That includes an extensive set list that spans the breadth of Schenker’s career, a performance that the whole family can enjoy together, production values that make the concert just as enjoyable on screen as in person and so much more.  The concert recording will be available in stores and online on Friday, March 24 via Inakustik.  It will be released on standalone 2CD, DVD, LP, Blu-ray and 2CD/DVD combo pack as well as digital platforms.  Audiences can see a trailer for this new recording online now at http://bit.ly/2j8vwL0.  More information on Michael Schenker Fest is available online now along with all of Michael Schenker’s latest news and more at:

 

 

 

Website: http://www.michaelschenkerhimself.com

Facebook: http://www.facebook.com/MichaelSchenkerRocks

Twitter: http://twitter.com/MW_Schenker

 

 

 

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