Motorhead’s Latest Live Recording Impresses On CD Despite Audio Issues

Courtesy:  UDR Music/Motorhead Music

Courtesy: UDR Music/Motorhead Music

2016 has not been kind to the entertainment industry.  Legendary actor Gene Wilder just passed away this week as did Mexican music star Juan Gabriel.  Noel Neill, who played Lois Lane in The Adventures of Superman opposite George Reeves, also passed away this year along with hockey star Gordie Howe and boxing legend Muhammad Ali and so many others.  That list also includes Motorhead front man and rock legend Lemmy Kilmister.  Not long after Kilmister died, UDR music released one of the final concerts that the band held as a way to pay tribute to Motorhead and to Kilmister’s legacy.  The recording, Clean Your Clock, released June 24th, is an interesting effort.  That is because while it is enjoyable in its own right, it is not exactly a perfect recording.  Even with that in consideration it is still a recording that any diehard Motorhead fan will appreciate.

UDR’s recently released live Motorhead recording Clean Your Clock is an enjoyable tribute to both Motorhead and while it is not perfect it is still a recording that any diehard Motorhead fan will appreciate.  That is due in part to the concert’s set list.  The concert’s sixteen song set list takes listeners all the way back to the band’s 1979 sophomore album Overkill and reaches all the way up to the band’s final album, 2015’s Bad Magic.  There are also bits and pieces of the band’s early albums peppered throughout the performance, too including the title track from the band’s 1979 album Bomber, ‘Rock It,’ from the band’s 1983 album Another Perfect Day, ‘Doctor Rock,’ from the band’s 1986 album Orgasmatron, and a number of other hits.  Considering the fact that the band released some twenty-two albums over its life, there was no way that one single performance could cover all of that ground.  Keeping that in mind, the sixteen songs that are included in the album are still a good snapshot of the band’s body of work if only that.  One can only hope that more live recordings are to come; recordings that have an even bigger amount of the band’s material if not at least another swath of the band’s catalogue.  While the set list presented in this recording is a clear positive for the recording’s presentation, that presentation also suffers from at least one con.  The con in question is the concert’s audio mix.

The set list that makes up the body of Clean Your Clock is a major high point to the recording’s presentation.  It isn’t the concert’s only positive either.  That will be discussed later.  While the concert’s presentation does have one more positive, it sadly does have at least one con.  The con in question is the recording’s audio mix.  Hopefully this only applies with the recording’s CD presentation since the recording is presented in multiple platforms.  The audio mix presented in the concert’s CD platform is “muddy” to say the absolute least.  Kilmister’s vocals sound almost completely overpowered by his own bass line and by band mates Mikkey Dee and Phil Campbell.  The only times during which he can be clearly understood is those moments between songs in which Kilmister takes time to interact with the audience.  Other than that, Kilmister’s vocals sound completely muffled throughout the majority of the set’s songs.  Again, this seems to be the case at least on the concert’s CD platform.  Hopefully that isn’t the case with the concert’s other platforms.  Speaking of those other platforms, they are the recording’s other major positive.  They collectively more than make up for the one con of the issues with the recording’s audio mix.

The set list that is featured in Clean Your Clock and the audio mix throughout the concert are both key elements to consider in examining the recordings overall presentation.  That is because they show at least in terms of the recording’s CD platform, it isn’t perfect. Though, it is still enjoyable.  While the concert’s audio mix is clearly an issue in terms of the recording’s CD platform, hopefully that is not the case in its other platforms.  Those other platforms are the recording’s other major bright spot.  Along with its availability on CD, the concert is also available on double vinyl gatefold presentation as well as CD/DVD combo pack, a digital download, Blu-ray/CD combo set, and two separate limited edition box sets.  This means that Motorhead fans have plenty of options from which to choose in terms of taking in the concert.  More often than not, most live recordings’ video presentations far outshine their audio only counterparts.  So it’s very possible that the DVD and Blu-ray combo packs present much more impressive audio mixes as well as their own impressive video mix.  Keeping that in mind, the fact that the concert is available in a number of platforms makes the concert’s overall presentation that much better.  That is because it offers audiences more options from which to choose, and in turn, better odds of a presentation with a better audio mix (as well as an impressive video mix).  When this is set against the positive of the concert’s set list and the one con of its troubled audio mix, the combination of all three elements still leaves Clean Your Clock one more welcome addition to any Motorhead fan’s collection.

UDR’s presentation of Motorhead’s new live recording Clean Your Clock is not a perfect recording.  That is clear in listening to the concert’s audio mix in its CD platform.  The concert’s set list and the variety of platforms in which it is available partner to make up for the CD’s one con.  Even with that one con, the CD presentation of Clean Your Clock is still a welcome addition to any Motorhead fan’s collection.  One can only hope that when Motorhead’s next live recording is released, its CD platform will have a better audio mix so that it can be said that it is a perfect recording.  In the meantime the CD presentation of Clean Your Clock still passes the test even if it isn’t perfect.  It is available now in stores and online.  More information on Clean Your Clock is available online now along with more Motorhead news at:

 

 

 

Website: http://www.imotorhead.com

Facebook: http://www.facebook.com/OfficialMotorhead

Twitter: http://twitter.com/myMotorhead

 

 

 

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Memphis International Records To Release Charlie Rich Tribute Record This Fall

Courtesy: Memphis International Records

Courtesy: Memphis International Records

A country music legend will be honored this fall with a new tribute record.

Memphis International Records has announced that it will release a new collection of Charlie Rich cover songs this fall. Feel Like Going Home: The Songs of Charlie Rich will be released Friday, October 14th.  In anticipation of the album’s release, Memphis International Records has released a video about the project.  It can be viewed online here.

Feel Like Going Home: The Songs of Charlie Rich features performances from the likes of Shooter Jennings, Jim Lauderdale, Charlie Rich, Jr. and others.  Charlie Rich, Jr., Charlie Rich’s son recently got to hear the album in whole and had the following to say to the record’s producer, Michael Dinallo:

 

Hi Michael,

Man, we couldn’t be more pleased with the album.  I love it.  Totally AWESOME! ! !  Dad would have absolutely loved every bit of it too.  I love the creativity and inventiveness, the soulfulness.  And it sounds young and fresh. The sucker pops. Dude, you produced a killer album. I’ve very honored and proud to be on it.  Love the guitar parts too, extremely musical and gels the whole thing. One of the coolest projects in years.  I’ll do everything I can to help spread the word and promote it.
All the best pal,
Charlie

 

The full track listing for Feel Like Going Home: The Songs of Charlie Rich is noted below:

 

Feel Like Going Home: The Songs of Charlie Rich track listing:

  1. “Lonely Weekends,” Jim Lauderdale
  2. “Caught in the Middle,” Malpass Brothers
  3. “Whirlwind,” Juliet Simmons Dinallo
  4. “Sittin’ and Thinkin’,” Will Kimbrough
  5. “Time and Again,” Susan Marshall
  6. “Break Up,” Charlie Rich Jr.
  7. “Who Will the Next Fool Be,” Holli Mosley
  8. “Rebound,” Shooter Jennings
  9. “Midnight Blues,” Anita Suhanin
  10. “Easy Money,” Preston Shannon
  11. Don’t Put No Headstone on My Grave,” Johnny Hoy
  12. “Everything I Do Is Wrong,” Keith Sykes with Grace Askew
  13. “Feel Like Going Home,” Kevin Connolly

 

More information on this and other titles from Memphis International Records is available online now at:

 

 

 

Website: http://www.memphisinternationalrecords.com

Facebook: http://www.facebook.com/MemphisInternationalRecords

 

 

 

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‘On A Mission: Live In Madrid’ Does Indeed Rock

Courtesy: Inakustik

Courtesy: Inakustik

The annual summer concert season is officially winding down an all the kids are headed back to school.  But just because the seasons (both literal and figurative) are changing and the year is slowly winding down, the concerts don’t necessarily have to end.  Early this past May, Michael Schenker released his latest live Temple of Rock recording to the masses to enjoy any time in the form of On A Mission: Live in Madrid.  This recording, which came a little less than a year after the release of Schenker’s latest Temple of Rock album Spirit on A Mission, is worth at least one watch for fans of the former Scorpions guitarist.  That is due in part to the concert’s twenty-two song set list.  That will be discussed shortly.  The band’s stage presence throughout the concert is just as notable as the show’s set list.  This will be discussed later.  Last but hardly least of note in the recording’s presentation is the concert’s production values (I.E. its video and audio mix).  Each element is important in its own right to the recording’s overall presentation.  Altogether they make On A Mission: Live in Madrid worth at least one watch by any of Schenker’s fans and by fans of Temple of Rock.

On A Mission: Live in Madrid is not Michael Schenker’s first ever live Temple of Rock recording.  It is, though another recording that Schenker’s fans and Temple of Rock fans alike will find to be worth at least one watch.  That is due at least in part to the concert’s extensive twenty-two song set list.  The set list pulls from every era of Schenker’s career, from his days with UFO to his days as a member of Scorpions all the way up to his work with Temple of Rock.  No fewer than seven of the set’s songs come from both of Schenker’s Temple of Rock albums—Bridge The Gap (2013) and Spirit on a Mission (2015).  The other songs lift from his rich body of work including the fan favorite ‘Rock You Like a Hurricane.’  Whether for his Scorpions classics, those he recorded with UFO, or even his work with Temple of Rock, the set list in whole offers a wide variety of songs for Schenker’s fans to enjoy.  That variety of musical offerings is just one element to note in examining the overall presentation of On A Mission: Live in Madrid.  The band’s stage presence throughout the concert is just as important to note as the show’s set list.

The set list that is featured in Temple of Rock’s new live recording is important in its own right to the recording’s overall presentation.  That is because it presents a good variety of songs from Schenker’s still successful career.  It is just one of the recording’s most notable elements.  The band’s stage presence throughout the concert is just as important to note here as the concert’s set list.  Front man Doogie White (ex-Rainbow) is just as powerful in his presence as ever as he belts out hit after hit.  He impresses just as much as he chats with the audience between songs, too.  It is in those moments that he shows his prowess as a front man.  Meanwhile Schenker is just as impressive even without using any words.  His riffs and energy as he performs said riffs couples with White’s performance to give the band’s stage presence even more impact.  Drummer Herman Rarebell is just as enjoyable to watch whether keeping the time or singing the beloved Scorpions hit ‘Rock You Like A Hurricane.’  Even Francis Bucholz impresses in his own right, too.  When each man’s performance is set against that of his band mates, the end result is a performance that in whole is just as fun to watch as the set list is to take in.  It still is not the last of the recording’s key elements.  The recording’s production values are just as important to note here as the band’s stage presence (its performance) and the show’s set list.

The set list that was chosen for On A Mission: Live in Madrid and the band’s performance of said set list are both pivotal in their own right to the concert’s presentation.  While each element is important in its own right there is still one more element to note in examining the concert’s presentation.  That element is the concert’s collective production values.  Joy Eslava, the venue where the concert was recorded was a rather intimate venue.  It isn’t a club by any means.  But it is still a very intimate setting.  The ceiling is high and the orchestra area is just as close to the stage as are the venue’s multiple balconies.  What this means is that there are not many spots from which to capture the concert on camera.  It also means that the sound is just as much of a challenge to manage.  It doesn’t have much space in which to go out and dissipate.  This is all so important to note because there are those who have spoken out about the work of the concert’s camera crew in capturing the concert.  Given it would have been nice to have had more angles and for longer.  But again, the venue’s relatively intimate setting made capturing the experience slightly difficult.  And the camera crew did its best doing that given the setting.  Those who handled the concert’s audio mix (again considering the venue’s setup) should be applauded for their efforts, too.  The sound simply didn’t have time or space to spread out.  Considering the challenge that this posted the concert’s audio mix still turned out relatively impressive.  When it and the concert’s video mix were finalized and set against the concert’s set list and the band’s performance the end result of these elements’ combination is a concert that Schenker’s fans will enjoy just as much as fans of Scorpions and even UFO fans.

On A Mission: Live in Madrid, the latest live recording from Michael Schenker’s Temple of Rock, is a recording that Schenker’s fans will enjoy just as much as fans of Temple of Rock, Scorpions, and UFO.  That is due in part to the concert’s extensive set list.  The set list pulls from every era of Schenker’s storied career.  The band’s collective performance of those songs makes for even more enjoyment as each man shows his years of experience through his own performance.  Altogether the band’s members make for one whole performance that takes audiences right back to that former era of bombast and more in rock and roll.  The concert’s collective audio and video mix put the finishing touch on the recording.  That is even considering the concert’s venue.  It posed its own challenges because of its setup.  But the camera crew and sound engineers met the challenge, turning out a concert that looks and sounds as best as it can in the end.  When this is set against the concert’s set list and the band’s performance thereof, the end result is yet another Temple of Rock live recording that is worth at least one watch.  It is available now in stores and online.  More information on On A Mission: Live in Madrid is available online now along with all of the latest Temple of Rock news at:

 

 

Website: http://www.michaelschenkerhimself.com

Facebook: http://www.facebook.com/MichaelSchenkerRocks

 

 

 

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KISS’ Latest Live Recording Lives Up To Its Title

Courtesy: Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Late last year, veteran rock band KISS played a nine-night residency at Las Vegas’ famed Hard Rock Hotel and Casino.  Now almost a year later, one of those shows has been made available to audiences in the form of the band’s new live recording KISS Rocks Vegas.  Released just this week, the extensive recording offers audiences and members of the KISS Army to appreciate beginning with its set list.  That will be discussed shortly.  The band’s stage show and presence are just as important to the concert as the set list.  That will be discussed later.  The varied platforms on which the concert is available rounds out the concert’s most important elements.  Each element is important in its own right to the concert’s overall presentation.  All things considered, they make KISS Rocks Vegas one more must have for any KISS fan whether just a fan or a longtime member of the KISS Army.

KISS’ new live recording KISS Rocks Vegas is hardly the band’s first ever live recording.  It is, however a welcome addition to any KISS fan’s collection.  That is due in part to the concert’s set list.  The set list reaches all the way back to the band’s 1974 self-titled debut and all the way up to its 1998 album Psycho Circus to make up its body.  The band’s 1976 album Destroyer is most heavily represented in this set list with no fewer than five of its songs presented here.  Those songs are: ‘Beth,’ ‘Detroit Rock City,’ ‘God of Thunder,’ ‘Shout It Out Loud,’ and ‘Do You Love Me.’  Love Gun (1977) receives three nods with ‘Christine Sixteen,’ ‘Love Gun,’ and ‘Plaster Caster.’  These are just some of the band’s hit songs included in the twenty-three-song set.  The band obviously couldn’t pull songs from every one of its albums in just one show.  That would require a set list that would lead to a much more extensive recording.  Of course odds are that few, if any, KISS fans would complain about that.  Keeping that in mind the show’s extensive set list gives audiences plenty to appreciate in the bigger picture of this recording.  The band’s show and stage presence combine to make for another important part of the recording’s presentation.

The extensive twenty-three song set that is featured in KISS’ new live recording is clearly pivotal to the recording’s overall presentation.  It obviously doesn’t cover the band’s entire catalogue of hits and albums.  But audiences will agree that it does cover quite a bit of ground.  It is just one of the key features of the recording, too.  The band’s overall show and its stage presence throughout are collectively just as important to note as the show’s set list.  The band’s stage show is just as intense as it was in the band’s heyday.  Those that have seen the band’s live shows from its early days will agree with that sentiment.  It includes all of the pyro, lights, and other over-the-top elements for which the band has come to be known.  The camera crew’s work in capturing that intensity is to be applauded, too.  That is because it does such an impressive job translating that intensity to audiences at home.  In the same vein the band’s actual presence throughout the concert is just as notable.  All four members of the band give one hundred percent and then some in entertaining the audience in attendance.  Paul Stanley commands the stage and the audience.  Fellow founding member Gene Simmons expertly compliments Stanley’s persona with his own *ahem* fiery energy throughout the show.  One would expect that both men would take it easy at their age, as so many older performers do.  But neither one does.  Rather, they give their all because the audience gave its all, too.  Even current drummer and guitarist Eric Singer and Tommy Thayer put in their share of energy, too in their performances.  The combined efforts of all four men make the band’s stage presence in itself intense and wholly entertaining.  The band’s actual stage show couples with that performance to make both elements one whole that is just as important to this recording as the show’s set list.  Even collectively, they are still not all that makes KISS Rocks Vegas another standout live recording from what is considered by many to be “the greatest band in the world.”  The varied platforms on which this recording is available rounds out the concert’s most important elements.

The set list that is featured in KISS Rocks Vegas works with the bands stage presence and stage show to give KISS fans more than enough reason to add this new live recording to their personal collections.  They are just the tip of the proverbial iceberg for the recording.  The concert is available on a number of platforms.  Those platforms include: DVD + CD combo pack, Blu-ray + CD combo pack, Deluxe Edition DVD + Blu-ray + 2CD.  In making the concert in three separate platforms, Eagle Rock Entertainment and KISS have covered all of their collective bases here.  Regardless of whether fans have DVD players or Blu-ray players, every fan can enjoy the concert in full with both its audio and audio/visual presentation.  For the true KISS loyalists—the hardcore members of the KISS Army—there is also the Deluxe Edition, which includes both the DVD and Blu-ray in one complete package along with a double CD audio presentation of the concert.  That Deluxe Edition also includes a large photo book complete with pictures from the band’s nine-night residency at the Hard Rock Hotel and Casino.  So whether one is just a fan, a devoted fan, or full-blown member of the KISS Army, there is something for everyone across the board.  Eagle Rock Entertainment and KISS are to be highly commended for going this route.  When this element is set alongside the band’s stage show and presence, and the show’s extensive set list, it all comes together to show once and for all why this concert is, again, a must have for any KISS fan and his or her collection.

KISS Rocks Vegas is not KISS’ first ever live recording.  And regardless of whether fans have any of the band’s previous live recordings, this latest live offering still proves in the long run to be one more must have for any KISS fan and his or her collection.  This is made clear in part through the concerts extensive, twenty-three song set list.  The band’s performance of that set list and the band’s overall stage show make that even clearer.  The multiple platforms on which the concert has been made available by Eagle Rock Entertainment and KISS puts the finishing touch on why the recording is so impressive.  Each element is obviously important in its own way to the concert’s overall presentation.  All things considered KISS Rocks Vegas proves to be, once more, a must have for any KISS fan and his or her KISS collection.  It is available now in stores and online.  More information on this and other titles available from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

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Audiophiles And Entrepreneurs Alike Must See All Things Must Pass

Courtesy: MVD Entertainment Group

Courtesy: MVD Entertainment Group

All things must pass.  This is such a short, simple statement yet it speaks volumes.  That is why it was chosen as the title for MVD Visual’s new Tower Records documentary by the same name.  The documentary follows the meteoric rise and fall of the once powerhouse music distributor and what led to that rise and fall.  The story is, in itself a key element of the documentary’s overall presentation.  It will be discussed shortly.  The information that is presented is just as pivotal to the documentary’s presentation It will be discussed later.  The pictures, footage, and interviews that are used to tell the story are important in their own right to the documentary’s presentation, too.  All things considered, All Things Must Pass proves to be a documentary that any audiophile “Must” see at least once if not more.

All Things Must Pass is a music documentary that every audiophile “must” see at least once if not more.  That is due in large part to the story at the center of the documentary.  The story in question follows the meteoric rise and fall of Tower Records, a store that was once America’s (and the world’s) preeminent music store.  Audiences will be just as enthralled by the story of the company’s unexpected rise to prominence as they will be by its eventual downfall.  The story starts with founder Russ Solomon discussing how he bought his father’s drug store from him (his father) and turned it into a record store.  From there, it follows the expansion of that store into another and then another before eventually becoming a worldwide phenomenon.  It doesn’t end there, though.  As is revealed in the story’s ninety-six minute run time, the company’s peak was also the point at which everything began to collapse.  It is revealed that a combination of factors led to that collapse, beginning with the company’s outstanding debts and expenditures.  The advent of music’s digital era through Napster added to the company’s problems.  The interviewees stress here that this was just one of the elements that spelled the end for Tower Records.  It was not the sole factor in the company’s downfall.  That is something that is especially worth noting here.  One might think, going into the documentary that this would be a major point in the story.  But the surprise of the company’s other financial issues serves as a real surprise element in this story.  It really serves as a reminder to anyone wanting to start up a business—as much as growth can seem so great, that growth must be handled responsibly.  Solomon admits in one of his interview segments that in hindsight, he should have been more fiscally responsible.  He says in the segment in question that had he been more responsible maybe the company might not have met its end.  The loving recollections that he and the company’s former employees share of their time in the end put a touching accent on the story and might even leave some viewers slightly teary-eyed.  Between all that has been noted here and everything else revealed in the story, it is clear why the story by itself is so important to the presentation of All Things Must Pass.  The story at the center of this documentary is just one of its most important elements, too.  The information that is revealed throughout the course of the program is just as important to note as its story.

The story at the center of All Things Must Pass is by itself an undeniably important element in the documentary’s presentation.  That is because it is a powerful underdog story of sorts; a story of a man who dreamed big but sadly let those dreams get too big.  There is no doubt as to the importance of the documentary’s central story, considering this.  It is just one of the documentary’s most important elements, though.  The information that is revealed throughout the story is just as important to the documentary’s presentation as its central story.  Some of the information revealed in the story is funny.  Some is insightful and other information downright surprising.  One of the most interesting of the story’s funny revelations is the amount of drugs and alcohol openly consumed by the company’s employees in its infancy.  There is even a picture of a receipt displayed during this revelation showing the store’s expenditures at one point.  The receipt notes that the store spent more than $300 on cocaine (trucking fuel as it was called at the time) as an expenditure.  One of the more interesting of the story’s insightful revelations is that Foo Fighters front man and former Nirvana drummer Dave Grohl actually worked at Tower Records at one point and Elton John shopped for his music there, too.  Both men speak on these topics in their own interview segments.  Even Bruce Springsteen is interviewed for the documentary.  He discusses the positive reputation that Tower Records established early on in its life.  Among the most surprising pieces of information revealed in the course of the documentary is what went on in the listening booths at some Tower Records stores.  It is revealed by one interviewee that people made out in the listening booths and even alleges that people had sex in the listening booths, too.  How and why that would happen in such a public place is anyone’s guess.  But it is noted that allegedly both things happened.  Somehow one wouldn’t disagree that any of it happened.  The revelations noted here are just some of the most interesting tidbits of information revealed throughout the documentary.  They are hardly the only interesting revelations made throughout the program.  There are plenty of others that audiences will discover for themselves when they watch this program.  When all of that information is joined with the documentary’s central story, it becomes even clearer why audiophiles and entrepreneurs alike must see this presentation.

The story at the center of All Things Must Pass and the information presented therein are both key elements to the documentary’s overall presentation.  That is because they serve both by themselves and together to show why this is a “must” see music documentary.  They are not the only elements worth noting in examining the documentary’s presentation.  The pictures, footage, and interviews that are used to help tell the story are just as important to the documentary’s presentation as its story and the information shared through the story.  The pictures collectively serve as a visualization for audiences.  It takes viewers back to Tower Records’ infancy, showing just how little the store started with and how far it came. The footage and interviews work with the pictures to illustrate and progress that story even more.  The interviews especially serve to help tell the story because of how frank the interviewees are in their shared memories.  When one puts the footage, pictures and interviews together, they enrich the program’s presentation even more and ensure even more audiences’ maintained engagement.  Audiences’ maintained engagement is even more assured when these elements are joined with the documentary’s central story and the information shared throughout the story.  All things considered All Things Must Pass proves in the end to be a documentary that entrepreneurs and audiophiles alike must see at least once if not more.

All Things Must Pass is a documentary that entrepreneurs and audiophiles alike “must” see at least once if not more.  That is because on one level it is a stirring underdog story of sorts.  It tells the story of one man’s determination to make his dreams come true and provide a place for the community to come together.  On another level it serves as a stark warning for any up-and-coming entrepreneur about fiscal responsibility.  That is because ultimately it was fiscal irresponsibility that spelled the end for Tower Records.  Given, the advent of digital music availability played a part in the company’s downfall, too.  But as the story reveals, it was ultimately fiscal irresponsibility that led to the company’s downfall.  That two-pronged story couples with the information shared throughout the story to make the documentary even more engaging.  The footage, interviews and pictures that are used to help advance the story collectively serve as the final touch to the program.  All things considered, All Things Must Pass proves in the long run to be a presentation that audiophiles and entrepreneurs alike must see.  It is available now and can be ordered online direct via MVD Entertainment’s online store at http://mvdshop.com/products/all-things-must-pass-dvd.  More information on this and other titles from MVD Entertainment Group is available online at:

 

 

 

Website: http://mvdentertainmentertainment.com

Facebook: http://www.facebook.com/MVDEnertainmentGroup

Twitter: http://twitter.com/mvdentgroup

 

 

 

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‘Unleashed’ Is Another Successful Effort For Skillet

Courtesy: Atlantic Records

Courtesy: Atlantic Records

Earlier this month, Skillet “unleashed” its latest full-length studio recording to the world. Its tenth full-length studio offering, Unleashed is everything that fans have come to expect from the band. That is not necessarily a bad thing, either. Over the course of its twelve total songs the album’s radio ready riffs and uplifting lyrical content make it a record that both secular and non-secular rockers alike will appreciate.  That is exhibited right off the top in the album’s high-energy, guitar-driven arena anthem ‘Feel Invincible.’  ‘Lions,’ with its stirring musical arrangement and equally uplifting lyrical content serves to show just as much what makes the album another success for the band.  ‘Burn It Down,’ with its Orgy-esque musical arrangement and powerful lyrical content serves n its own right to show what makes Unleashed another solid new offering from Skillet.  Of course these three songs are just a small sampling of what makes this record stand out.  ‘Undefeated,’ ‘I Want to Live’ and ‘Out Of Hell’ each stand on their own merits, too.  When they are set against the other three songs noted here and the rest of the album’s offerings, the record in whole proves to be yet another successful effort from Skillet.

Skillet’s latest full-length studio offering Unleashed is in whole another solid, successful effort from the veteran rock outfit. That is exhibited throughout the course of the album’s forty-three minute run time thanks to the album’s mix of radio ready riffs and uplifting lyrical content.  The album’s opener is just one example of how that combination of musical and lyrical content makes Unleashed another solid record from the band.  That is due in part to the song’s keyboard-driven musical arrangement.  It instantly conjures thoughts of Muse’s hit song ‘Uprising.’  Guitarist Seth Morrison’s guitar line and drummer Jen Ledger’s time keeping couple with Korey Cooper’s keyboard line to make the song’s musical arrangement infectious and sure to be a favorite among audiences.  It is just one part of what makes the song stand out.  The song’s positive lyrical content sits on the foundation formed by the song’s musical arrangement and makes the song even more solid.  It presents a message of self-determination and confidence as Cooper sings, “Target on my back/Lone survivor lasts/They got me in their sights/No surrender no/Trigger fingers go/Living the dangerous life/Hey, hey, hey/Everyday when I wake/I’m trying to get up/They’re knocking me down/Chewing me up/spitting me out/Hey, hey, hey/When I need to be saved/You’re making me strong/You’re making me stand/Never will fall/Never will end/Shot like a rocket up into the sky/Nothing could stop me tonight.”  Cooper’s subject is someone who isn’t letting anyone or anything keep him or her down here.  Even more interesting is that these lines could apply just as easily in the secular realm as in the non-secular realm.  That is a strong statement in itself. And it applies to the rest of the song’s verses, too.  Keeping that in mind, that vast inspiration couples with the song’s musical arrangement to show clearly why ‘Feel Invincible’ is such a strong example of what makes Unleashed such a solid new effort from Skillet.  Audiences can hear ‘Feel Invincible’ now online via Skillet’s official YouTube channel. It is only one of the songs that exhibit this, too.  ‘Lions’ is another example of what makes Unleashed such a strong new effort from the band.

‘Feel Invincible’ is a prime example of what makes Unleashed another successful effort for the veteran rock act. That is due to the combination of the song’s musical arrangement and its uplifting lyrical content.  The two elements together make the song a solid start for the album and its own standout composition within the bigger body of the album.  It is not the album’s only notable inclusion. ‘Lions’ stands on its own merits, too as another example of what makes this record a success.  One of those merits is the song’s musical arrangement.  The song’s musical arrangement combines Korey Cooper’s work on keyboards with an equally stirring string arrangement to form its foundation. John Cooper’s vocals and bass line strengthen that foundation even more alongside Jen Ledger’s work behind the drums.  The end result is a musical composition that in itself stands just as tall and proud as the giants and lions that are mentioned in the song’s lyrical content.  Speaking of that lyrical content the song’s lyrical content is just as important to the song as its musical arrangement.  [John] Cooper sings here, “Today is ours/It’s always been/Before we face the fight/We know who’s gonna win/We live by faith and not by sight/We don’t want safe and quiet/We don’t wanna run and hide.”  He goes on to sing, “This is not an intermission/It’s our time/Not gonna miss it/You’ve already called us fearless/Unafraid.”  The message presented here is obvious.  It is a message of self-confidence and pride, just as with the album’s opener.  And it is just a small sampling of that message, too.  The song’s lead verse and third verse present much the same message.  What is interesting here is that considering the confidence presented in these lines, one would expect the song’s musical arrangement to be more intense.  But the song actually works just as well with the mix of confidence and gentility that is in fact presented in this arrangement.  It actually serves to make the song’s lyrical message more impacting.  When all of this is taken into consideration, it makes clear why ‘Lions’ stands out just as much as ‘Feel Invincible’ and the album’s other offerings.  One more of those standout offerings included in this record is ‘Burn It Down.’

‘Feel Invincible’ and ‘Lions’ are both clear examples of what makes Unleashed another success for Skillet.  While both songs clearly exhibit in their own way what makes this record a success, they are hardly the album’s only bright spots.  ‘Burn It Down’ is one more of the album’s high points.  That is due in part to the song’s musical arrangement.  Audiences that know their music history will instantly catch a clear similarity between this song’s musical arrangement and that of Orgy’s cover of ‘Blue Monday.’  It is most evident in hearing Seth Morrison’s guitar line, Korey Cooper’s keyboard line, and John Cooper’s bass line.  The similarity isn’t a mirror image so to speak.  But it is so close that there is no similarity between the two songs coincidental or not.  Keeping this in mind, the song’s musical arrangement is just one part of what makes the song stand out.  Its lyrical content is just as important to note as its musical arrangement.  The song’s lyrical content presents a message of proud defiance against life’s obstacles, much as the album’s other songs.  That is evident as Cooper sings, “Do you ever wish that you weren’t a prisoner/Do you feel like you’re done/All the dreams you had are hard to remember/Well, you’re not the only one/Well it’s over, it’s over, it’s over/I won’t be pushed around/Move over, move over, move over/get back or just get out/Set this plane up in flames/It’s over, it’s over, it’s over/It’s time to burn it down.”  He is saying to listeners, everyone has felt those tough times at one point or another and that no one should let those difficult times stop them.  Rather, they should face them and burn them down, metaphorically speaking of course.  That message is presented just as clearly in the song’s second verse as Cooper sings, “Do you ever feel your colors are fading/Like your world might combust/Do the voices in your head make you crazy/When they’re the only ones you trust.”  He reprises the song’s chorus right after that, reminding listeners once again not to let themselves get pushed around and held down by life’s many obstacles even when it seems like even one’s own thoughts are working against a person.  It is a message that never gets old and is always welcome by listeners of all ages.  When it is set against the song’s high-energy musical arrangement, the two elements couple to show in whole why this song is yet another of the most notable of this record’s songs.  When the song is set alongside ‘Lions’ and ‘Feel Invincible,’ all three songs show clearly why Unleashed is another welcome offering from Skillet.  When they are joined with the remainder of the album’s songs, the album proves in whole to be one more success from one of the Christian rock community’s top acts.

Skillet’s new album Unleashed is, in whole, another successful effort from the veteran rock act.  Christian rock act or not, this album is still a solid new effort from the band.  That is evident both in the musical arrangements presented in each of the album’s songs and the songs’ lyrical content.  The musical arrangement present radio ready riffs from one to the next.  The lyrical content presented within each song will is uplifting without being preachy at any point.  The end result is a record that secular audiences should and will appreciate just as much as non-secular listeners.  All things considered Unleashed proves in the end to be one more successful effort from Skillet.  The band is currently touring in support of Unleashed.  It will be in Anaheim, California tonight and Duquoin, Illinois August 28th.  Audiences can see the band’s full tour schedule online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.skillet.com

Facebook: http://www.facebook.com/skillet

Twitter: http://twitter.com/skilletmusic

 

 

 

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Exmortus Tapped To Join “I Worship Chaos Tour”

Courtesy: Prosthetic Records

Courtesy: Prosthetic Records

Exmortus has announced another new group of live dates.

The band has been tapped to join Oni and Abbath as support acts for Children of Bodom’s upcoming “I Worship Chaos Tour.” The tour launches November 23rd in Quebec City, Canada and runs through December 19th in Brooklyn, New York. It includes performances in the Midwest, Southwest, Mid-Atlantic, and Northeast.

The band’s upcoming dates are in support of its latest full-length studio recording Ride Forth, which is available now in stores and online. It can be ordered online direct via Prosthetic Records’ online store.

Pre-sale tickets for the tour are available online now at Blabbermouth.net using the code “BLABBERMOUTH.” General admission tickets go on sale Aug. 26 at 10 a.m. local time. the full schedule for the “I Worship Chaos Tour” is noted below.

UPCOMING EXMORTUS SHOWS
9/19 Los Angeles, CA – The Regent Theatre (FREE)
9/23 San Bernadino, CA –  Knotfest Meets Ozzfest Camping Kick-Off Party 
“I WORSHIP CHAOS TOUR”
11/23 Quebec City, QC – L’Imperial Hell #
11/24 Montreal, QC – Metropolis #
11/25 Toronto, ON – House of Blues #
11/26 Chicago, IL – House of Blues # 
11/28 Cleveland, OH – House of Blues # 
11/29 Milwaukee, WI – The Rave # 
11/30 Minneapolis, MN – Mill City Nights # 
12/2 Denver, CO – Summit Theater #
12/3 Salt Lake City, UT – The Complex #
12/5 San Francisco, CA – The Regency Ballroom # 
12/6 Santa Ana, CA – The Observatory # 
12/7 Phoenix, AZ – The Press Room #
12/9 Dallas, TX – Gas Monkey Live # 
12/10 San Antonio, TX – The Aztec Theatre #
12/11 Houston, TX – House of Blues # 
12/13 Atlanta, GA – Masquerade # 
12/14 Charlotte, NC – Neighborhood Theatre #
12/16 Baltimore, MD – Baltimore Soundstage #  
12/17 Philadelphia, PA – Theatre of Living Arts # 
12/18 New York, NY – Irving Plaza #
12/19 Brooklyn, NY – Warsaw #
# with Children of Bodom, Abbath & ONI
More information on Exmortus’ upcoming tour schedule is available online now along with all of the band’s latest news at:
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