Sabaton Announces ‘The War To End All Wars’ Movie

Courtesy: Nuclear Blast Records/Yarnhub Animation

Veteran power metal band Sabaton will release a new movie based on its latest album, The War to End All Wars next month.

The band, which released the album (its 10th) March 4 through Nuclear Blast Records, will release the new companion movie, which bears the album’s name, next year. The band is working with Yarnhub Animation to create the movie. It will be just the latest video presentation that the band will have presented in partner with Yarnhub Animation. The band also worked with the company to create videos for its singles, ‘Night Witches,’ ‘No Bullets Fly,’ ‘Christmas Truce‘ and ‘Red Baron.’

David Webb, Yarnhub Animation CEO/Founder, said making the movie was a lot of hard work and that it was worth it.

“When Sabaton asked us to go beyond anything we had produced before and jointly create a film for their new album, we were filled with excitement and trepidation,” Webb said. “It was a massive undertaking that required new people, technology, and skills. But we couldn’t miss the opportunity.

“We often say our mission is to harvest goosebumps, and our work with Sabaton has always been the most successful in that regard. It’s been two years in the making, but after spending many late nights and weekends in meetings with the band, the end result is something unique. A new way to listen to the album; a deeper understanding that helps the viewer experience the bravery and tragedy that was the inspiration for Sabaton’s latest masterwork.”

The War to End All Wars: The Movie is currently in post production. An official release date is under consideration.

Par Sundstrom, Sabaton bassist and founding member, said he was was pleased at early reaction that the movie has received.

“We premiered an early version of this movie to journalists during a preview session for our latest album, ‘The War To End All Wars,’ at the Royal Military Museum in Brussels,” Sundstrom said. “Witnessing their reaction to it was priceless – they were speechless – so we decided to take it to the next level and push the boundaries even further for a global audience.”

In anticipation of the movie’s release next year, the band has released a brief trailer that is streaming here.

Sabaton followed up the release of The War to End All Wars with the release of an orchestral companion record in May titled, The Symphony To End All Wars.

Courtesy: Nuclear Blast Records

In other news, Sabaton is in the midst of a tour in support of The War to End All Wars. The tour’s current schedule is noted below. Tickets are available here.


27  The Complex, Salt Lake City, UT 

28  Fillmore Auditorium, Denver, CO 

30  South Side Ballroom, Dallas, TX


1   Bayou Music Center, Houston, TX 

3   Ryman Auditorium, Nashville, TN 

4   Tabernacle, Atlanta, GA 

6   The Fillmore Silver Spring, Silver Spring, MD 

8   The Andrew J Brady Music Center, Cincinnati, OH 

10 The Fillmore, Detroit, MI 

11 GLC Live at 20 Monroe, Grand Rapids, MI 

13 The Fillmore, Minneapolis, MN 

15 Byline Bank Aragon Ballroom, Chicago, IL 

17 Stage AE, Pittsburgh, PA 

18 The Fillmore, Philadelphia, PA 

21 MGM Music Hall at Fenway, Boston, MA 

22 Place Bell, Montreal, QC 

23 Hammerstein Ballroom, New York, NY

More information on Sabaton’s new movie, album, and tour is available along with all of the band’s latest news at:




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Standards Debuts New Single, ‘Smile’, Video; Announces New Live Dates

Courtesy: Wax Bodega

Independent rock duo Standards premiered its latest single and video this week.

The duo — Marcos Mena and Cam Mitchell — unveiled its new instrumental single, ‘Smile‘ and its video Friday. It is not yet known if the song will feature in the band’s forthcoming album, Fruit Town, which is scheduled for release July 22 through Wax Bodega.

The musical arrangement featured in ‘Smile’ is certain to put a smile on listeners’ faces. That is due to its light, bouncy pop rock style approach and sound. The audio effects used within the song add even more to its impact in a positive fashion. Audiences could go so far as to argue that there is a subtle comparison to works from Owl City.

The song’s video features Mena and Mitchell performing their new single in an apartment setting. Various camera angles and effects are used to help heighten the energy in the song’s arrangement and make for even more engagement and entertainment.

Mena said of the video that the treatment was meant to reflect “the energy of a live show with the minimalistic aesthetic that Standards has come to be known for.”

Courtesy: Wax Bodega

In other news, Standards has announced a tour in support of its new album. The tour is scheduled to launch July 21 in San Diego, CA and to run through Aug. 24 in Los Angeles, CA. The tour also features stops in cities, such as Houston, TX; New Orleans, LA and New Haven, CT.

The tour’s schedule is noted below. Tickets are available here.

Tour Dates

Direct support from Glacier Veins

07/21/2022 – San Diego, CA @ Soda Bar

07/22/2022 – San Francisco, CA @ The Knockout

07/24/2022 – Phoenix, AZ @ Rebel Lounge

07/26/2022 – Austin, TX @ The Ballroom

07/27/2022 – Houston, TX @ Eighteen Ten Ojeman

07/28/2022 – New Orleans, LA @ Gasa Gasa

07/31/2022 – Atlanta, GA @ Masquerade

08/01/2022 – Nashville, TN @ The End

08/03/2022 – Washington, DC @ DC9

08/04/2022 – Philadelphia, PA @ Milkboy

08/05/2022 – Brooklyn, NY @ Kingsland

08/06/2022 – New Haven, CT @ The State House

08/08/2022 – Toronto, ON @ Sneaky Dee’s

08/09/2022 – Columbus, OH @ Big Room Bar

08/10/2022 – Detroit, MI @ Sanctuary

08/11/2022 – Chicago, IL @ Beat Kitchen

08/12/2022 – Milwaukee, WI @ X-Ray Arcade

08/13/2022 – St. Paul, MN @ The Treasury

08/15/2022 – Fort Collins, CO @ The Coast

08/16/2022 – Salt Lake City, UT @ Loading Dock

08/18/2022 – Seattle, WA @ Vera Project

08/19/2022 – Portland, OR @ Holocene

08/21/2022 – Sacramento, CA @ Goldfield

08/24/2022 – Los Angeles, CA @ El Cid

More information on Standards’ new single, video, album, and tour is available along with all of the duo’s latest news at:




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The Veer Union Debuts New Album’s Lead Single, Video

Courtesy: Rock Shop Records

Audiences got their first preview of The Veer Union’s new album this week.

The band premiered its new single, ‘Standing My Ground‘ and its companion video Friday. The song and its video are the first from the band’s forthcoming album, The Butterfly Effect. The album is scheduled for release this year with an exact release date under consideration.

The musical arrangement featured in ‘Standing My Ground’ is some of the heaviest work to date that the band has composed. The familiar Sevendust style melodic hard rock sound and approach that the band has used in much of its existing catalog is present here. The heavy, intense screams from front man Crispin Earl and the down tuned guitar gives the song something of a metalcore sound and style, too. The contrast of the two styles works surprisingly well here.

The lyrical theme featured alongside the song’s musical arrangement is just as accessible as the song’s musical arrangement, as the band pointed out in a prepared statement.

“When you’re knocked down to the lowest point in your life you really have two choices; you can roll over and die or you can face your demons head on,” the statement reads. “Sometimes you have to dig the deepest you ever have to find the strength to get up, to keep fighting and to push the hardest you ever have to get your life, dreams and/or your sanity back on the trajectory required to find the happiness and sense of accomplishment we all seek. ‘Standing my Ground’ is the heaviest track we’ve every released. It’s an anthem for those who are about to, or have almost lost everything. It serves a reminder that no matter what, no matter how huge the adversity may be, keep going.”

The video for ‘Standing My Ground’ is a powerful presentation in its simplicity. It presents the band performing its single on a sound stage against a plain white backdrop. The simple presentation allows for more focus on the song’s content, thus ensuring audiences’ engagement and entertainment even more.

More information on The Veer Union’s new single, video, and album is available along with all of the band’s latest news at:




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Helion Prime’s ‘Question Everything’ Re-Issue Builds On The Success Of Its Predecessor

Courtesy: Sailboat Reigns

A little more than a year after the release of its album, Question Everything, Helion Prime has re-visited that album with a re-issue of the record.  Released Oct. 8, the album’s re-issue is highlighted by its bonus content.  The album’s bonus content consists of seven songs that did not make the final cut for the album’s original 2020 release.  One of the most notable of the previously released originals is the single, ‘Wash Away.’  It will be discussed shortly.  Also of note is the band’s cover of Children of Bodom’s ‘Angels Don’t Kill.’  It will be discussed a little later.  The band’s re-worked version of its original song, ‘The Human Condition’ is yet another example of what makes the album’s bonus content stand out.  When it is considered along with the other bonus songs examined here and with the rest of the bonus tracks, the whole of the bonus content lives up to its title and makes Question Everything’s re-issue another successful offering from Helion Prime.

Helion Prime’s recently release re-issue of Question Everything takes the success of that album and builds on it even more.  That is due to its bonus content.  One of the most notable bonus tracks featured in the album’s re-issue comes in the form of ‘Wash Away.’  The song’s musical arrangement fits well with so much of the content featured in the album’s original body.  The big, over the top guitar solo in the bridge, the richness in the drums and bass, the operatic vocals of front woman Mary Zimmer and the general guitar line gives the arrangement the sound of those vintage power metal ballads that were made so popular way back in the late 80s and early 90s.  No, this song is not a power ballad, but it has that stylistic approach but thankfully avoids the cheese of those songs.  It has more of the confidence of Helion Prime’s own works and those of the band’s fellow power metal counterparts, Unleash The Archers.

Making the song stand out even more is its lyrical theme.  The lyrical theme featured in this song follows those of the songs featured in the album in its original release.  It pays tribute to so many well-known scientists and great minds in general across history.  In the case of this song, it pays homage to Ignaz Sammelweis, who discovered the health benefits of hand-washing in 1847.  Considering everything going on in the world today, this is a fitting inclusion in the album’s re-issue.  Even more important to note is that at no point does the band try to get preachy about it, trying to connect the song to the COVID-19 pandemic.  If anything, it just comes across as being connected to the album’s overall theme of celebrating those noted great minds.  This makes the song all the more appealing and just one example of what makes this re-issue successful.  Also of note among the bonus tracks is the band’s cover of Children of Bodom’s ‘Angels Don’t Kill.’

Helion Prime’s cover of ‘Angels Don’t Kill’ The band’s take on this song stays true to its source material.  There is no doubt about that.  At the same time though, the band puts its own touch to the song with its power metal approach.  The use of the keyboards alongside the guitars actually works surprisingly well throughout.  On the other hand though, Simmer’s vocals just do not sound good here.  She comes across as sounding like she was straining way too hard with the screams.  It sadly does not match up to the vocals of the late great Alexi Laiho.  That is not to say that her vocals were a failure, but it just sounds like she was trying too hard to deliver the same style vocals as Laiho.  Odds are she has talent with more guttural vocals, but it just simply did not work here.  That aside, the song still mostly works, and is a still positive addition to the re-issue’s bonus content.  It is just one more of the notable bonus tracks featured in the re-issue, too.  The re-worked take of the band’s original, ‘The Human Condition’ is yet another notable entry in the re-issue’s bonus content.

Helion Prime’s re-worked take of ‘The Human Condition’ stands out because of its production.  Originally featured in the band’s 2018 album, Terror of the Cybernetic Space Monster, the re-recorded (IE remastered) take on the song stays fully true to the original work.  Nothing was added to or taken from the original.other than the vocals.  Songwriter Jason Ashcraft and former vocalist Sozos Michael handled vocal duties on the original song.  Zimmer and Ashcraft pair up in the new rendition, which also sounds fuller through the remastering.  The impact is just as powerful here as in the original composition.  When this song is considered along with the other remastered songs featured in the record, the covers and the one previously unreleased new song, the whole of the bonus content more than makes the re-issue successful.  They make the presentation one that audiences will enjoy just as much as the album’s original presentation if not more so.

Helion Prime’s recently released re-issue of its 2020 album, Question Everything is a positive new presentation that audiences across the board will enjoy.  The record’s success is due primarily to its bonus content.  From a previously unreleased original to a series of remastered originals from a past album, to a pair of covers, the bonus content featured here does well to build on the success of the album from its original release.  All things considered, that blend of content – as evidenced through the examination presented here – makes the re-issue of Question Everything just as enjoyable as the original work if not more so.

Helion Prime’s re-issue of Question Everything is available now. More information on the band’s Question Everything re-issue is available along with all of the band’s latest news and more at:



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Symphony X Announces 25th Anniversary Tour Schedule

Courtesy: Nuclear Blast Records/InsideOut Music

Symphony X will celebrate its 25th anniversary as a band next spring.

The band made the announcement through a news release distributed Monday. The band is scheduled to embark on a tour to mark the occasion starting May 10 in New York, NY. The tour, which will feature Haken as a special guest, is scheduled to run through June 12 in Montclair, NJ. The tour also features performances scheduled in cities nationwide, such as Cleveland, OH; Mesa, AZ and Carrboro, NC.

Guitarist Michael Romeo talked about the upcoming tour during a recent interview.

“After the past year and a half of tours and festivals being canceled, it looks like things are finally moving along and getting back rolling,” he said. “We are SO looking forward to the upcoming tour and getting back out there playing again! We can’t wait and we’ll see you all soon!”

Front man Russell Allen echoed his band mate’s sentiments.

“The wait is over! We are really looking forward to getting back on the road and sharing the live music experience with all of you. See you on the road my friends!”

The members of Haken spoke highly of Symphony X in a prepared statement, additionally expressing their anticipation for getting out on the road together.

“We are so excited to get out on the road again at all, but having the honour to do it alongside Symphony X will make it that much more special,” the statement reads. “We have nothing but the utmost respect for them as progressive metal pioneers and when we were starting out, Symphony X was one of the bands who inspired us to practice our instruments and strive to be better musicians – and still do! We’ve really missed the USA and the fans over there so much over the lockdown period. Getting back over there to see some familiar faces as well as meeting new friends will be an emotional ride. We can’t wait for this Odyssey to begin!”

The schedule for the upcoming tour is noted below. Tickets are scheduled to go on sale at 10 a.m. local time Friday.

Confirmed dates for the SYMPHONY X25th Anniversary North American Tour” with HAKEN and TROPE are:
May 10 – New York, NY – Irving Plaza
May 11 – Glenside, PA – Keswick Theatre
May 12 – Worcester, MA – The Palladium
May 13 – Quebec City, QC – Imperial Bell
May 14 – Montreal, QC – Corona Theatre
May 15 – Toronto, ON – The Danforth Music Hall
May 17 – Cleveland, OH – Agora Theatre
May 18 – Detroit, MI – Majestic Theatre
May 19 – Chicago, IL – Park West
May 20 – St. Louis, MO – Red Flag
May 21 – Minneapolis, MN – Varsity Theater
May 23 – Denver, CO – The Oriental Theater
May 24 – Salt Lake City, UT – The Complex
May 26 – Seattle, WA – The Showbox
May 27 – Vancouver, BC – The Rickshaw Theatre
May 28 – Portland, OR – Hawthorne Theatre
May 29 – San Francisco, CA – The Regency Ballroom
May 31 – Santa Ana, CA – The Observatory
Jun 1 – Los Angeles, CA – The Belasco Theater
Jun 2 – Mesa, AZ – Nile Theater
Jun 4 – Austin, TX – Empire Garage
Jun 5 – Dallas, TX – Amplified Live
Jun 7 – Atlanta, GA – Heaven At The Masquerade
Jun 8 – Orlando, FL – The Plaza Live
Jun 10 – Carrboro, NC – Cat’s Cradle
Jun 11 – Baltimore, MD – Baltimore Soundstage
Jun 12 – Montclair, NJ – The Wellmont Theater

More information on Symphony X’s upcoming tour is available along with all of the band’s latest news at:




More information on Haken’s tour with Symphony X is available along with all of the band’s latest news at:




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ESPN Carrying Three Games To Celebrate Opening Night Of NHL’s 2021-22 Season

Courtesy: ESPN

The National Hockey League opens its 2021-22 season tonight and ESPN will be along for the ride.

The ESPN networks will carry three games to celebrate the season’s start. Two of the games will air as part of a double header on ESPN. Up first in the double header schedule is a matchup of the defending NHL Champion Tampa Bay Lightning and Pittsburgh Penguins at 7:30 p.m. ET. The expansion Seattle Kraken and the Las Vegas Golden Knights follow at 10:15 p.m.

The Anaheim Ducks and Minnesota Wild are also scheduled to play tonight. That game’s start time is scheduled for 10:15 p.m. ET. It will stream online through ESPN+

Sean McDonough will have the call for the Lightning-Penguins game. Analyst Ray Ferraro will join him for additional commentary while reporter Emily Kaplan will have all of the latest in-game news and interviews.

John Buccigross will anchor coverage of the Kraken-Golden Knights game. Brian Boucher will provide additional commentary while reporter A.J. Mlezcko will have the game’s latest news and interviews.

Over on ESPN+, Leah Hextall will anchor the streaming coverage of the Ducks and Wild. Boucher will join her in the analyst role while Linda Cohn will have all of that game’s latest news and interviews.

Arda Ocal, Ryan Callahan, and John Tortorella will provide mid-game discussion and analysis during intermissions.

More information on the ESPN networks’ NHL coverage is available along with all of the latest NHL headlines at

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ESPN Returning To University Of Georgia Again For Key SEC Matchup Preview

Courtesy: ESPN

ESPN will focus on a key SEC conference matchup on this weekend’s edition of College GameDay Built by The Home Depot.

Saturday’s edition of College GameDay Built by The Home Depot will air live from Athens, GA. The broadcast will showcase the showdown between undefeated SEC foes Georgia and Kentucky. The broadcast is in partner with SEC Nation Presented by Johnsonville.

Saturday’s broadcast is scheduled to start at 9 a.m. ET in the Myers Quad on the University of Georgia campus and to run through noon on ESPN. SEC Nation meanwhile, is scheduled to air from 10 a.m. – noon ET on SEC Network.

Saturday’s showcase of the Wildcats and Bulldogs (both of which are 6-0) will mark the second time in three weeks that ESPN has visited Athens for its weekly flagship college football program. It is the show’s seventh time overall that it has visited the university for a broadcast. The most recent broadcast took place earlier in the season ahead of the Bulldogs’ Top 10 matchup against Arkansas.

Rece Davis will anchor Saturday’s broadcast. Analysts Lee Corso, Kirk Herbstreit, Desmond Howard and David Pollack (a former All-American from the University of Georgia) will also be on hand for additionally commentary. Joining them will be research producer and sports betting analyst Chris “The Bear” Fallica and reporters Jen Lada and Gene Wojciechowski.

Laura Rutledge will anchor SEC Network’s SEC Nation broadcast. Paul Finebaum, Roman Harper, Jordan Rodgers and Tim Tebow will join Rutledge for the broadcast.

Additionally, Marty Smith and Ryan McGee will be live from 9-10 a.m. Saturday on their weekly show, Marty & McGee Presented by Old Trapper, previewing Saturday’s key SEC matchup.

More information on Saturday’s broadcast is available along with all of the latest college football headlines at:




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Joe Farnsworth’s ‘City Of Sounds’ Is A Unique, Enjoyable Addition To This Year’s Field Of New Live Music Offerings

Courtesy: Smoke Sessions Records

Veteran jazz drummer Joe Farnsworth is scheduled to release his latest record, City of Sounds, Friday through Smoke Sessions Records.  The eight-song record – his second with the label and third as a band leader (he has worked with a variety of other acts on other albums throughout his career) — is a fully successful new offering from Farnsworth.  If one did not know otherwise, one would not even realize that this recording is in fact a live set that, according to information provided to the media, was recorded over the weekend of Farnsworth’s birthday, Feb. 19-21 2021.  The liner notes, penned by George Cables, do not even point out this bit of information even as rich as they are.  Those rich liner notes will be addressed shortly, as they are their own key to the presentation’s success.  The set list featured in this unique live recording is the most notable of the presentation’s items.  It will be discussed shortly.    By connection, the concert’s production is also important to examined, so it will be addressed a little later.  All three noted items are important in their own way to the whole of this presentation.  All things considered, they make the recording a work that is among the best of this year’s new live CDs.

Joe Farnsworth’s forthcoming record, City of Sounds is a unique live recording that will appeal just as much to citizens of the city to which it pays tribute (New York) as to jazz fans in general.  The record’s success comes in part through its featured set list.  The 54-minute set list features a mix of covers and originals performed by Farnsworth and his fellow musicians, Kenny Barron and Peter Washington.  The set opens with a catchy, upbeat original composed by Barron in the form of ‘New York Attitude.’  The nearly six-minute composition expertly captures the energy of people making their way up and down the city’s streets.  This is evidenced just as much through the light way in which Barron makes his way across the piano’s keys and in which Farnsworth keeps time, adding just enough flare here and there with subtle cymbal crashes and solos.  Speaking of the solos, his is not the only one featured here.  As Cables’ notes point out about the song, “Everyone has solo space here as they get their feet wet for what promises to be a fun set.”  Fun is an understatement about the set, too.  From here the trio takes on what is one of only two covers featured in the set in Rodgers and Hammerstein’s ‘The Surrey with the Fridge on Top.’  The song is one of only three covers featured in the set.  The next cover comes much later in the set in the form of Carl Suessdorf and John Blackburn’s ‘Moonlight in Vermont.’  Sigmund Romberg and Oscar Hammerstein’s ‘Softly As In A Morning Sunrise’ rounds out the covers and the album.  The trio’s performance of each work pays full tribute to its source material, too.  Barron’s relaxed performance on piano in ‘Moonlight in Vermont’ paints a picture that is just as rich as that painted by any other act’s take on the song.  Many other acts have taken on the song, too, including the duo of Ella Fitzgerald and Louis Armstrong.  Washington’s equally relaxed bass line pair serves as a wonderful counterpoint to Barron’s performance and an equally welcome companion to Farnsworth’s own subtle, subdued time keeping.  Taking into account the mix of originals and covers featured here, and the performances thereof, the whole makes this aspect of City of Sounds its own success.  It is just one part of what makes the recording overall a success.  The production thereof builds on the success of the set list and its performance to enhance the presentation even more.

The production that went into City of Sounds is so important to note because of its impact on the general effect.  Keeping in mind that this recording is apparently a live recording, the production belies that element.  If an audience was in fact present for the recording over the course of the noted three-day span, then the production does not make any of that crowd noise audible.  That is not necessarily a bad thing, though.  There is a certain airy sense about the sound that does in fact hint at the performance being live or even semi-live (as in a live in-studio recording).  To that end, the subtlety in the production expertly balances each musician’s performance within the confines of the room to create a sound that even being live sounds like it was recorded in a studio.  It is that impressive.  Keeping that in mind, the production and the content together give audiences so much to appreciate here.  All of this is still just a portion of what makes the recording unique and enjoyable.  The information in the liner notes rounds out the recording’s most important elements.

As pointed out already here, George Cables’ notes do not make outright clear that this recording is in fact a live presentation.  That was information provided to media outlets.  That aside the liner notes still offer plenty to appreciate in their own right.  Case in point is Cables’ note that Farnsworth’s playing “is a testament to the vibrancy, diversity and musical history of New York City.”  That brief statement speaks volumes in setting the scene for the trio’s performance contained herein.  From there, Cables pays tribute to all three musicians, pointing out what makes each figure great.  He even goes so far as to compare Barron to Duke Ellington, calling him “Duke Elegant.”  As to Farnsworth, Cables writes that from the vantage point of a pianist (Cables is a pianist), “hooking up” with the drums “tightens the music” and that doing so with Farnsworth is “easy, because he’s always listening.”  That is a shining tribute to Farnsworth as a person and musician.  In writing about Washington, he speaks just as highly, stating, “He’s always present, always lyrical, always creative, and always in the groove.”  Everything that Cables writes of Washington is true, as audiences will hear for themselves in every one of his performances here.  After spending plenty of time praising Farnsworth and company, Cables changes gears and offers a brief, concise setup for each song featured in the set.  The whole of all of this content does so much to help set the stage (no pun intended) for the concert featured in this recording.  To that end, audiences would do well to take in Cables’ notes before even sitting down to take in the featured performance.  They will be glad they did.    When the notes that set up the featured concert are considered along with the content featured in the concert and the concert’s production, the whole comes together to make this presentation a complete success for Joe Farnsworth and company.

Joe Farnsworth’s new live recording, City of Sounds is a positive new offering from the veteran jazz drummer and his fellow musicians.  That is due in part to its featured set list.  The set list is composed primarily of original arrangements crafted by Farnsworth and his fellow musicians.  Only three of the set’s eight total songs are covers.  Even in the case of the covers, they are relatively well-known works.  All eight songs are well-performed, too.  The production that went into the recording works with the set list to enhance the presentation even more.  That is because of the positive impact that it has on the recording’s general effect.  The liner notes that accompany the recording do well to set up the performance featured in the recording.  Each item noted is important in its own way to the whole of the recording.  All things considered, they make the recording one of the best of this year’s new live CDs.

City of Sounds is scheduled for release Friday through Smoke Sessions Records.  More information on the recording is available along with all of Joe Farnsworth’s latest news at:



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BBC’s ‘The Watch’ Is A Success In Hopefully The First Of Many Seasons To Come

Courtesy: BBC Studios/BBC America

More than six years ago when the British television network itv premiered its short-lived action series, Jekyll & Hyde, that series proved a big hit among many audiences.  Even with its popularity, the series ended up getting canceled after just one season.  The decision by the network’s heads to cancel the series due to pressure from certain group was a terrible decision.  That is because the series really could have been something great had it been given more of a chance.  Now years later, fans of BBC’s The Watch are hoping executives at that network do not make the same mistake with that series.  The show, which is an adaptation of Sir Terry Pratchett’s Discworld novels, ran for eight episodes from January to February of this year and was released to Blu-ray and DVD over the summer.  For those who have yet to watch this hopefully inaugural (and not only) season, it is a surprisingly enjoyable presentation.  That is even with the deviations from Pratchett’s original novels.  Speaking of which, the story at the heart of the show forms a strong foundation for the show.  It will be discussed shortly.  The cast’s work on camera adds to the show’s appeal and will be discussed a little later.  The bonus content that accompanies the show’s home release rounds out its most important elements and will also be examined later.  Each item noted is important in its own way to the whole of the show’s home release.  All things considered, they make the hopefully first of many seasons to come a success from beginning to end.

BBC’s The Watch is a surprisingly enjoyable presentation from which so many American network executives could take a hint.  That is because of how bland and boring so much American television programming is today in comparison to this and so many other shows from “the old country.”  The show’s success comes in large part through its story.  The story centers on a group of misfit law enforcement officers in an alternate dimension who for years had done little to nothing in the way of law enforcement.  That is because crime in the city that they “watch” has become largely legal.  The Watch’s officers – Capt. Sam Vimes (Richard Dormer – Fortitude), Cpl. Cherry (Jo Eaton-Kent – Lessons, Don’t Forget The Driver), Cpl. Angua von Uberwald (Marama Corlett – Guardians of the Galaxy, Blood Drive, Sick Note) and Sgt. Detritus (Craig Macrae – Avengers: Age of Ultron, Mad Max: Fury Road, Resident Evil: The Final Chapter) spend most of their time just sitting in their office until one day when the young, naïve Constable Carrot Ironfoundersson (Adam Hugill – 1917, The Banishing, Sherwodd) comes along and shakes things up.  He and the re-emergence of Vimes’ former friend turned villain – Carcer Dunn (Samuel Adewunmi – Angela Black, You Don’t Know Me, Prime Suspect: Tennison) lead the officers to start returning to what The Watch once did.  It also leads the outcasts to grow personally and as a family of sorts as they work to try and prevent Carcer from achieving his evil goal.

Speaking of Carcer and his goal, he and his plan actually are just part of a bigger plot.  Not to give away too much here, but as the series continues, it turns out that Carcer is really just a pawn in a bigger plan by a group of unseen beings.  Many viewers might have missed this, but those beings really are a sort of updated take on the Gods in The Odyssey.  Just like they caused so much trouble for Odysseus in that timeless epic tale, these “gods” have their own plan for Vimes and company.  Keeping that in mind, that link between this show and such classical literature makes for its own appeal within the story.

As the story progresses, the character development that takes place within each of The Watch’s officers also plays into the story’s appeal.  Audiences will enjoy watching the growing relationship between Carrot and Angua in its subtleties, as well as Vimes’ own development.  Seeing him go from a “bottomed out” alcoholic police officer back to his former confidence is engaging and entertaining in its own right.  In the same vein, watching Cherry come into his/her own identity makes for its own interest, too. 

Getting back to the story itself, another big part of the story’s success comes in its overall execution.  Yes, it is a serialized show here.  However, the show’s writers somehow managed to make it feel episodic within the bigger picture of the serialized nature of the overall series.  The stories all connect but are their own from one to the next.  Now full discretion (and again, not to give away too much), the last episode does feel like it runs longer than it should have.  It seems like it could have wrapped itself up at many points, but then keeps going.  It makes one wonder how many hands were in the proverbial pot, considering this problem.  Thankfully it does finally end, and when it does, it leaves the door wide open for a second season that again BBC’s officials will hopefully provide.  That is because that second seasons is not only needed but deserved.

While the story featured in the hopefully inaugural season of The Watch does a lot to make it so enjoyable (even with the deviations from the source material in mind), it is just one part of what makes the show so enjoyable.  The cast’s work on camera does its own part to make the presentation engaging and entertaining.  Right from the top is Dormer’s work.  His take of Vimes throughout the show is the most notable.  The subtle way in which Dormer takes Vimes from a hopeless, alcoholic bum to a more self-assured, confident leader makes for so much appeal in itself.  That character development alongside his comedic timing throughout the show adds to the appeal in his acting, too.  Similarly, Eaton-Kent’s almost deadpan persona against the edgier presence of Corlett and the naivety of Ironfoundersson presented by Hugill makes for such a welcome contrast among the cast.  The cast members each make their characters’ personalities so rich yet controlled at the same time.  It shows such professionalism and in turn engagement and entertainment from each cast member.  Of course, one cannot ignore the work of Lara Rossi opposite Dormer.  Her matter of fact, “straight woman” persona opposite Dormer’s Vimes crates its own interesting character contrast that entertains and engages in its own right, too.

On yet another note, Wendell Pierce’s performance as Death is just as worth noting as the other cast members’ work.  The same can be said of Adewunmi’s work as Carcer.  Pierce’s performance, his very persona is so laugh-inspiring in the best way possible.  Instead of being this dark, evil character, he is just laid back, wishing he could be like any human whose soul he has to take upon their dying.  He even complains about it so often, stating, “No one ever listens, no one ever pays attention.”  He declarations and general presence makes Pierce’s work such a wonderful addition even being a supporting role.

Adewunmi does everything right that so many American actors get wrong in the way of playing an overly obsessed megalomaniac.  The subtle control in his anger is so gripping thanks to Adewunmi’s work.  The way in which he emotes, gives him an almost scary calm as he talks about bringing down the dragon to destroy the city and the whole world.  Even as he faces Wonse (Bianca Simone Mannie – Homeland, Vagrant Queen, Our Girl) in the final episode (again not too much will be given away here), accepting his fate, audiences cannot help but be gripped by that reaction.  It is just one more example of the importance of the cast’s work.  Keeping the cast’s overall work in mind here along with the impact of the story, the presentation becomes that much more engaging and entertaining.  Those items are just a part of what makes the show so appealing.  The bonus content that accompanies the show in its home release rounds out its most important items.

The bonus content that accompanies the show runs in a range of directions.  The lead, “Making of” feature takes audiences behind the scenes and shows how some of the program’s key scenes and characters were handled.  The discussion, for instance, on the determination of the show’s creative heads to avoid using CG at all costs really instills more respect for those efforts and the show.  The discussion in question comes as the costume and makeup officials talk about how they created the costume for Sgt. Detritus.  Watching the amount of work that went into the costume’s creation is awe-inspiring.  On another note, there is also a separate discussion in another feature that acknowledges the difficulty in staying true to Pratchett’s novels in creating this show.  The respect that is shown by all involved will hopefully encourage the show’s critics to change their minds about the program.  As if that is not enough, the character profiles do their own share to also show the importance of the cast’s work.  It compliments the other bonuses noted here and the rest of the bonus content to make the overall bonus content just as important to the presentation here as the cast’s work and the story.  When all three items are considered together, they make the overall presentation that is The Watch well worth the watch.

BBC’s The Watch is a surprisingly engaging and entertaining presentation.  Despite what many of its critics would have people believe, it is engaging and entertaining.  That is due in part to the show’s central story.  Yes, there are deviations from the source material, but few TV shows and/or movies based on books have ever been 100 percent true to its source material.  That is just sadly how it is.  Even with that in mind, the story here is still its own entertaining presentation.  From its ability to solidly balance episodic and serialized writing, to its very presentation, the story offers plenty for audiences to appreciate in itself.  The cast’s work joins with the story to make the presentation even more engaging and entertaining.  That is because each cast member’s work is so believable.  From one to the next, each performance is unique and bounces off the others just as well.  The bonus content that accompanies the show in its recent home release puts the finishing touch to the presentation.  It adds just enough background to enhance the viewing experience even more enjoyable.  Each item examined is important in its own way to The Watch.  All things considered, they make this show one of the best of this year’s new home DVD/BD releases for grown-up audiences.  One can only hope at this point that it will get a second season and that the BBC will not make the same mistake that itv made with Jekyll & Hyde.

The Watch is available now.  More information on The Watch is available along with all of the show’s latest news at:



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Louder Than Life Lineup Finalized

Courtesy: Danny Wimmer Presents/Ashton-Magnuson Media

The 2021 Louder Than Life festival will go on.

The event’s organizers announced the lineup and performance times for the festival Tuesday through a news release. The event, now in its sixth year, has expanded to four days from three — Sept. 23-26 — and will feature performances from approximately 70 acts. Single-day and weekend tickets/passes are available here.

Metallica is one of the most notable acts for this year’s festival. The band is scheduled to perform two separate acts on two of the festival’s nights. Also scheduled to take one of the festival’s four stages at this year’s event are acts, such as Another Day Dawns, Disturbed, Korn, Mudvayne, Cypress Hill, and Pennywise.

Along with lots of music, this year’s festival will also feature lots of food and drunk. The Kroger Big Bourbon Bar is the most notable of the features of this year’s food and drink options. It will have more than a dozen hand-selected bourbons from top distilleries nationwide.

Food and drink from a variety and local and regional restaurants (all of which are noted below) will also be available for festival attendees.

502 Café, Angry Bird Grill, Bangarang Bahn Mi, Barrett’s BBQ, Barrett’s Burgers, Bistro Italiano, Blackbeard Espresso, Bru Bros Coffee, Burger Factory, Cheese Louise, Dank Nugs, Ehrler’s Ice Cream, Eli’s BBQ, Gary’s Philly Cheesesteaks, Gelato Gilberto, Hole Mole Tacos, Island Noodles, Jammin Concessions, Longshot Lobsta, Mac Attack, Merle’s Whiskey Kitchen, Mike’s Kentucky Kitchen, My Olympus Greek Food, Overloaded, Phat Daddy’s Creole, Pie Baby Wood Fired Pizza, Pizza Lupo, Potato Tornado, Ramiro’s Cantina, Shady Grove Wraps, Spicy Pie, Strawberry Field, The Cookie Lady, Tica’s Tacos, Tickle Pickle, and Tumbleweed.

Additional bourbon, food & beverage, and other experiences available onsite include:

·       Caduceus Wine Garden

·       The Blackened Bar

·       Jack Daniel’s No. 7 Sports Bar, where guests can enjoy NFL and college football games

·       Heavy Tiki Bar presented by Jim Beam

·       Budweiser Beer Garden

·       Jim Beam Garden

·       The Well– IV hydration, juice bar and overall wellness lounge to recharge all weekend long

·       Silver Dollar Hunter’s Club- featuring vintage bourbons dating as far back as the 1930s, as well as contemporary selections

·       Mortus Viventi – Live Tarot Card Readings

·       Jack’s Char Housepresented by Jack Daniel’s

·       Milagro Cantina Bar

·       Larceny Trailer Lounge

·       Tito’s Handmade Vodka VIP Airstream

·       The Speakeasy

·       Fxck Cancer / Dyin 2 Live Dreams Program

·       Pegasus Experiences Louisville’s Finest Distillery Experiences

·       Take Me Home

·       The Music Experience

Louder Than Life is put on by Danny Wimmer Presents. The festival’s partners are noted below:

Bud Light, Bud Light Seltzer, Kroger, Marriott, Crowne Plaza, Jack Daniel’s, Jim Beam, Elijah Craig, Bulleit Bourbon, Angel’s Envy, Larceny, Tito’s Handmade Vodka, Evan Williams, Milagro Tequila, Sailor Jerry, Pegasus, ESP, Mortus Viventi, The Music Experience, Louisville Tourism, Kentucky Venues, Ehrler’s Ice Cream, The Well, TickPick, Fxck Cancer, Revolver, Inked, Blackcraft, Fanatics, Headcount, TWOLA and Take Me Home.