Mr. Selfridge Is As Entertaining As Ever As It Counts Down To Closing

Courtesy:  itv/PBS

Courtesy: itv/PBS

Late last year, it was announced that the fourth season of itv’s hit drama Mr. Selfridge would be the series’ last. The reaction among the series’ audiences has been quite surprising with an overwhelming show of support for the show. Now as season three has come to an end both on itv and PBS, which imported the series from the UK, audiences here in the United States have begun anxiously awaiting the arrival of that final season. No official announcement has been made in regards to the arrival of Season Four either on television or on DVD and Blu-ray. That being the case, fans that have not yet gotten up to speed with the hit drama still have some time to do so while they wait for Season Four’s arrival. That is because Season Three is available now on DVD and Blu-ray. It was released this past May on both platforms. For those that perhaps have yet to add Season Three to their own home DVD/Blu-ray libraries, Season Three offers quite a bit of entertainment beginning with its writing. More specifically, the stories that make up Season Three lie at the center of Season Three’s overall presentation. The cast’s interpretation of said scripts is just as important as the scripts themselves. Together, both elements create ten episodes that will keep audiences engaged from season premiere to finale. Last of note in this season’s overall viewing experience is its bonus material. PBS and itv take viewers behind the series’ scenes once again this season and show just how much work went into bringing the season to life. Together with the Season Three’s scripts and acting, that bonus addition builds even more appreciation for the work that went into bringing Season Three to life. And together with the scripts and acting, all three elements make the third season of Mr. Selfridge yet another incredible installment of the hit drama and one of the best of this year’s box sets for grownups.

Mr. Selfridge: Season Three is yet another incredible installment of itv and PBS’ hit drama. It is also one of the best of this year’s box sets for grownups. The central reason for this is the series’ writing in its third season. More specifically, the scripts that were crafted for this season are primarily to thank for this season’s success. There is so much that is going on throughout the course of each episode’s script. Yet even with so much going on, the writers were able to balance every interweaving story element seamlessly throughout each episode. That is saying quite a bit considering just how much goes on throughout the course of Season Three’s ten episodes. The whole thing opens with Harry laying his wife to rest, only to follow that up with him escorting Rosalie down the aisle. From that point, there is much more to note. Harry’s son becomes the store’s new deputy (not to reveal too much) and falls for one of the store employees. Mr. Groves has to come to terms with a double dose of devastating news that rocks his world. And even Harry has his own issues to handle as the vile Lord Loxley has returned once again in another attempt to ruin Harry. That’s just one of his problems. He also meets a beautiful woman named Nancy Webb and falls for her. But she isn’t exactly all that she appears to be. What’s really great here is that the writers don’t make this obvious to audiences early on. It isnt until later that viewers find out who she really is and the result of the discovery. It’s just one more way in which Season Three’s writing proves to be key to the season’s overall presentation. There are plenty of other examples that could be cited such as Henri’s (Gregory Fitoussi) battle with PTSD having fought on the frontlines of World War II, and Kitty (Amy Beth Hayes) being assaulted by anoth veteran. There is simply so much going on in terms of the series’ writing this season that there is not enough time to note all of its strengths. Regardless, it can be said of the writing in whole that it is more than enough reason for any of the show’s fans to add this season to his or her own home DVD/Blu-ray library. It is just one part of what makes Season Three such a hit, too. The cast’s interpretation of the season’s scripts is just as important to its overall presentation as the scripts themselves.

The scripts that lie at the center of Mr. Selfridge’s third season are key to the season’s overall presentation. That is because of the engaging story arcs and the writers’ ability to balance said story arcs so expertly. While the scripts are important in their own right, they are nothing without a solid cast to interpret them. Thankfully every member of the series’ cast displays the utmost expertise in interpreting each episode’s script. Not one of the cast members outshines the others at any point in the show’s run this time out. Jeremy Piven (Entourage, PCU, Serendipity) is spot on once again as the series’ lead character. When he mourns for his beloved wife in the season premiere, he makes audiences fully feel Harry’s pain. And when he falls for Nancy, his blind, impulsivity is just as believable. Everyone has been in his position or at least knows someone that has gone through that blind behavior. On another note, Aidan McArdle is just as great as the villanous Lord Loxley. He really makes audiences not just want to hate him but love to hate him. His self-righteous, hate-filled portrayal is just as spot both by itself and when set against Piven’s portrayal of Harry Selfridge. Moving to even another example, Tom Goodman-Hill’s pained Mr. Grove is a wholly sympathetic character as he tries to deal with the revelations that challenge him this season. He makes audiences want so badly to root for him and see him get over his struggles. As much as this critic would love to spoil the outcome here, that won’t happen here. Though, the outcome will leave a smile on fans’ faces. That much can be said. These are just a few examples of how the work of the series’ cast proves to be just as important to Season Three as the show’s scripts. And as with the scripts, there are plenty of other examples that could be cited here. Case in point Hannah Tointon’s (Penny Dreadful, The Inbetweeners, Walking With The Enemy) portrayal of Violette Selfridge is just as convincing in its own right. Her portrayal of the now defiant young woman is just as relatable for viewers. What viewer out there hasn’t had that sassy, headstrong teenager in their home? Exactly. It’s a portrayal that transcends cultures and in turn will entertain audiences on both sides of the pond. And Leon Ockenden (Red Tails, Heavy Rain, The Cosmonaut) is just as entertaining as Serge De Bolotoff. It is interesting to see him handle Serge’s growth from a snobbish, snivelling playboy to a much more mature individual with his head finally in the right place. The path that he takes in order to get from point “A” to point “B” will keep audiences just as engrossed as any of the other cast members’ portrayals. Whether for any of those noted, those not noted, or all combined, it can be said in closing here that the work of the cast here in Season Three proves to be just as pivotal to the series’ presentation this time out as the season’s script. And together with said scripts, the two elements together give viewers more than enough reason for audiences and fans alike to add this season to his or her own DVD/Blu-ray library. They are just two parts of the whole of the season’s important elements, too. The bonus material included along with the episodes rounds out the ways in which this season proves to be well worth the watch.

The scripts at the center of Mr. Selfrige’s third season come together with the cast’s interpretation of said scripts to make this season well worth the watch by themselves. While both elements prove by themselves to make Season Three well worth the watch by fans and audiences alike, they are collectively just a portion of what makes this season’s home release a surprisingly impressive collection of episodes. The bonus material that is included with Season Three is just as important to the season’s viewing experience as the scripts and their interpretation. The bonus material included in this run of episodes features interviews with the series’ main cast members as well as some in-depth discussions on the efforts undertaken to make Selfridge’s and London in whole as believable as possible for audiences. Viewers that perhaps have never paid attention to the bonus material in the series’ previous season sets will be surprised to see the seamless balance of the series’ CG elements and live action elements. In the same vein, audiences will be just as surprised to learn little tidbits such as how vodka (yes, vodka) was used in the place of cologne and perfume so as to keep the color in the associated bottles and how the packaging designs of many of the displayed items had not changed once since they were originally presented in the real Selfridge’s well over a century ago. There is also an intriguing revelation that even the documents signed by Harry are in fact copies of actual documents once handled by the real Harry Selfridge so long ago. Between these noted discussions and others–such as the playful discussion on who would win in a fight between Selfridge and Loxley or Adam Wilson’s (Broadchurch, Silent Witness, Ni No Kuni: Wrath of the White Witch) discussion on growing a real moustache for the show versus having a false one put onto his face–the bonus material in whole shows to be just as important to the whole of Season Three’s overall presentation as the season’s scripts and acting. Each element plays its own important part in that presentation. Collectively, they make Mr. Selfridge: Season Three a collection of episodes that every one of the series’ fans will want to have in his or her own home DVD/Blu-ray library just as much as those that might be new to this hit series.

Mr. Selfridge: Season Three is yet another impressive installment of itv and PBS’ hit historical drama. That is made clear through solid writing that expertly balances its engaging and numerous story arcs. The cast’s interpretation of said scripts by the series’ cast is just as key to this season’s overall presentation. The bonus material that is included with the set (both on DVD and Blu-ray) rounds out the presentation. The bonus interviews and discussions add their own share of insight and entertainment to the season. Each element proves in the end to play its own important part in the whole of the season. Collectively, they make Season Three a fitting setup to the series’ final season and a box set that any of the series’ fans will want to have in their own home DVD/Blu-ray libraries while they wait for that final season to be released. Mr. Selfridge: Season Three is available now on DVD and Blu-ray. It can be ordered online direct via PBS’ online store at More information on this and other Masterpiece offerings from PBS is available online now at:




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Broadchurch Outshines All Other Crime Dramas Again In Its Second Season

Courtesy:  eOne/itv

Courtesy: eOne/itv

British crime drama Broadchurch is one of the greatest series within its genre on television today. That is in comparison to crime dramas both overseas and in the United States. It already proved that two years ago when it first debuted two years ago overseas on the British television network itv. It built one heck of a reputation over the course of its premiere season’s run both among UK and American audiences (not counting those that watched the American re-imagining that was Gracepoint). That meant that it had some major expectations to live up to when it was announced that Broadchurch had been re-upped for a second season. UK audiences already know that the hit crime drama more than lived up to its reputation when itv aired its second season this past March and April. American audiences that didn’t have access to itv weren’t so lucky. Speaking of luck, now that its second season has officially hit store shelves here in the U.S., American audiences will get to see for themselves what the series’ UK audiences already knew. Season Two lives up to expectations first and foremost because of its writing. The writing alone will keep viewers literally on the edge of their collective seats from Season Two’s premiere right to its surprising finale. The work of the series’ cast strengthens that argument even more. The material included as bonus material with this season rounds out the reasons that Broadchurch has more than lived up to expectations in its second season. By itself, the set’s bonus material proves entertaining enough. Together with the work of the series’ writers and cast, all three elements combine to make Broadchurch’s second season just as gripping and entertaining as its first season. What’s more, all three elements come together to prove that after only two seasons, Broadchurch has proven to be one of television’s greatest crime dramas if not the best.

Broadchurch is only two seasons into its run with a third season allegedly in the works beginning this summer. Even as young as it is, it has proven in only two seasons to be one of the best of its kind. The main way that it proves this is through its writing. The most noticeable way that the writing has proven so important again is that it continues in exactly the same fashion as the series’ first season. Rather than use the season’s eight episodes this time to make eight different cases (which is what American crime dramas would have done), Broadchurch’s writers have used all eight episodes of Season Two to tell the story of the fallout from Season One. And boy is there ever fallout? D.I. Miller’s husband Joe is finally in court, facing potential punishment for the murder of the Latimers’ son in Season One. Mark and Beth’s marriage is put to the ultimate test after Mark is asked to take the stand. Ellie’s friendship with Beth Latimer is put to the test, too after revelations are made about Ellie’s confrontation with her husband at the end of Season One. Making things even more interesting is that Ellie is pulled in to a second case being investigated by Alec. It is a case that has haunted Alec for years, as he notes at one point. With so much going on, one would think it easy for the writers to let Season Two get bogged down in itself. But the writers didn’t let that happen. It is obvious over the course of Season Two’s eight episodes that the writers went to painstaking efforts to keep that from happening. Their efforts paid off in spades. At no one point do any of these story lines overpower the others. Rather the writers have surprisingly managed to balance it all with the utmost expertise. The end result is a collection of story lines that will keep viewers literally on the edge of their seats from the season premiere to the season finale.

The manner in which Broadchurch’s writers handled Season Two’s multiple story lines is just one way that this season’s writing makes its episodes so engaging. There are just enough twists, turns, and red herrings to keep viewers guessing right up to the very end. At one point, the writers leave viewers thinking that in fact maybe Mark actually could have been the killer thanks to his meetings with Ellie’s son Tom (Adam Wilson). It does seem a bit creepy to say the least. The writers also keep viewers guessing whether Lee (James D’Arcy) was responsible for the deaths of Pippa Gillespie (Hollie Burgess) and her sister, if it was Lee’s wife Claire (Eve Myles) or if it was perhaps even both of them. The ultimate reveal will leave audiences astonished. As if that isn’t enough, viewers will find themselves just as shocked when Joe Miller’s final fate is revealed. The writers went to great lengths to mislead audiences as to what would happen to Joe. And those efforts paid off greatly. To that extent, that revelation will leave viewers breathless, chomping at the bit for the series’ third season. Yet again it shows just how important the writing is to the series throughout Season Two.

The painstaking efforts of Broadchurch’s writers in the series’ second season have resulted in eight episodes that will have viewers just as rapt as the episodes that made up the series’ first season. That is because the series’ writers have so expertly balanced each of the season’s various story elements from beginning to end. In a similar vein, the work of the cast this season is just as much worth the note. Olivia Colman (D.I. Ellie Colman) is most notable of the cast members this season. That is because of the impact of the story on her character. Viewers see her really grow and change over the course of this season’s episodes. Ellie is forced to face a lot of challenges this season. She sees her friendship with Beth Latimer put to the test after she is forced to take the stand in her husband’s case. She also has the emotional strain of the case on herself. Having to balance all of that emotional stress with helping D.I. Alec Hardy (David Tennant) only makes things more difficult, especially after the surprising verdict handed down to her husband by the jury. All of the psychological and emotional stress put on Ellie breaks her down. And Colman is to be applauded for the manner in which she interpreted Ellie’s reaction to it all. She shows the impact of these stresses to the fullest without going over the top even once. Her furious reaction toward her son after he lied to protect his dad is a prime example of how expertly Colman interpreted Ellie’s emotional strain as is her reaction to the verdict as Alec talks to her about his own case. That moment is actually a moment when Tennant shines, too. His reaction to her anger actually makes for a certain amount of humor if only for that one moment. Getting back on track though, Colman’s portrayal of Ellie is just one example of how the cast’s acting has added to the enjoyment of Broadchurch’s second season. Newcomer Marianne Jean-Baptiste adds even more enjoyment as the despicable yet sympathetic defense attorney Sharon Bishop.

Marianne Jean-Baptiste’s portrayal of defense attorney Sharon Bishop is another example of the role that the cast’s work plays in this season’s success. It is such a fine example of the importance of the cast’s work this season because of how easily Jean-Baptise makes it to hate her character yet feel a certain amount of sympathy for her at the same time. Audiences will love to hate Sharon because of her dogged determination to discount all of the prosecution’s witnesses including Mark Latimer, D.I. Miller, and D.I. Hardy. Bishop is like an attack dog when she faces each of the prosecution’s witnesses. Once she sinks in her proverbial teeth, she does not let go. As much as this makes her easy to hate, the revelation of what has caused her to be the way she is makes her something of a sympathetic character, too. In seeing what Bishop is personally going through, audiences won’t be able to help but feel sorry for her to a point and maybe even understand why she is the way that she is in the courtroom. Such ability to make audiences feel so many mixed emotions about one character is a tribute to Jean-Baptiste’s talents. And it shows yet again why the work of the cast is just as important to the success and enjoyment of Broadchurch’s second season as the work of the series’ writers.

The work of both Broadchurch’s writers and its cast pay off greatly over the course of the episodes that make up its second season. Thanks to the work of all involved, both those that might be new to the series and those that are more familiar with it will find themselves literally on the edge of their seats from the season’s premiere to its finale. Having made their way through all eight episodes of Season Two, audiences will also take note of the material included with the set as bonuses. The standard “making of” featurette is there as is a full complement of deleted and extended scenes as well as a group of interviews with the cast. The interviews in question see the cast discussing not just the events of Season Two but also those of Season One and how they relate to Season Two. While being mostly short vignettes, the interviews still each offer their own insight and entertainment. Viewers will laugh as James D’Arcy playfully compares his character to the classic villain thanks to the way that the writers developed his character. David Tennant’s joke about sitting on the bach in his “undercrackers” will have viewers laughing just as much as his co-star. In comparison to those short segments, the deleted and extended scenes played continuously run approximately half an hour. That is a lot of material that hit the cutting room floor (or in the digital age, the recycle bin). It’s obvious why some of the material in question got the axe. Other later scenes from Episodes six, seven, and eight make for more debate, though. Some of the scenes in question could actually have been kept. Others were more of a 50/50 call. It just goes to show the impact–yet again–that bonus material can have in the enjoyment of a presentation whether it be a TV show such as Broadchurch or any random movie. It is yet another way in which Broadchurch proves to be just as gripping and entertaining in its second season as in its first if not more so. Combined with the work of the series’ writers and its cast, all three elements together show why this season of Broadchurch is another hit not just for itv and eOne, but for viewers, too. It also shows once and for all why the second season of Broadchurch is without a doubt one of this year’s best new box sets for grown-up audiences.

As one can see by now, there is a lot to say to the positive in regards to the second season of Broadchurch. The series’ writers have crafted eight more episodes that display great depth and that expertly balance every story element. The cast’s equally impressive interpretation of Season Two’s scripts will pull viewers even deeper and leave them not wanting to turn it off. The bonus material included in Season Two’s home release rounds out the presentation, adding even more depth to the season as well as some laughs. All three elements together make Season Two one of this year’s best new box sets for grown-up audiences. Broadchurch: The Complete Second Season is available now in stores and online. More information on this and other titles from Entertainment One is available online now at:


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