Independent singer-songwriter Bernice Marsala debuted her latest single last month.
Marsala debuted her new single, ‘Down‘ April 9. The song features a simple, pop-style musical arrangement that will appeal to fans of works from acts, such as Adele, Ingrid Michaelson, and and Smith & Thell.
Marsala talked about the song’s musical arrangement in a prepared statement.
“I wanted to orchestrate the effect of falling through this sort of “wall” of brass and saxophone, and I wrote the bassline in the chorus to express the description of spinning,” she said. “Usually my primary focus is my lyrics, but with this song I really felt the music pulling me into a certain direction.”
No information was provided as to the lyrical theme featured in Marsala’s new single. However, a close listen leaves listeners to infer that the song’s theme is a reference to a troubled personal relationship of some sort, whether plutonic or romantic.
More information on Marsala’s new single is available along with her latest news at:
Greta Van Fleet is scheduled to be on television tonight.
The band is scheduled to perform its new single ‘My Way, Soon’ on The Late Show With Stephen Colbert. The song is the lead single from the band’s forthcoming album The Battle at Garden’s Gate, which is scheduled for release April 16 through Lava/Republic Records.
In anticipation of the album’s pending release, the band debuted its second single, ‘Age Of Machines‘ Dec. 3. The single’s premiere last week came less than two months after the band debuted the album’s lead single ‘My Way, Soon’ and its companion video.
The ‘My Way, Soon’ video’s production is most of note in that its production is meant to make the presentation look like something right from the 1960s and 70s, as if it was shot on an 8mm camera. The effect plays into the continued neo-classic sound that has defined the band since its rise to fame more than three years ago.
Speaking of musical content, the song’s musical arrangement helps the band expand away from the Led Zeppelin comparisons that audiences made early on. While the comparisons between front man Joshua Kiszka and Led Zeppelin front man Robert Plant are unavoidable, the song’s overall sound is less comparable. The song’s arrangement is grounded in the pairing of its guitar and bass line, whose juxtaposition makes for its own memorable impact. The production even gives the drums a fuller, richer vintage sound than the tight, spit shined sound of so much modern music.
The result of the noted elements is that the song’s arrangement boasts its own unique neo-classic rock sound while also exhibiting the band’s growth as a unit.
The lyrical content featured in ‘My Way Soon’ came from a personal point, according to Kiszka.
“This song was inspired by what three years of touring did by opening so many doorways,” he said. “ This is my truth, how I feel about all of our travels, but I know it echoes the experiences and changes of perspectives for Jake, Sam, and Danny as well.”
Greg Kurstin (Adele, Foo Fighters, Paul McCartney) produced The Battle at Garden’s Gate.
More information on Greta Van Fleet’s new singles and videos is available along with all of the band’s latest news at:
Greta Van Fleet’s next album will come in the new year.
The band announced it will release its new album The Battle at Garden’s Gate on April 16 through Lava/Republic Records. Pre-orders are open.
In anticipation of the album’s pending release, the band debuted its second single, ‘Age Of Machines‘ Thursday. The single’s premiere comes less than two months after the band debuted the album’s lead single ‘My Way, Soon’ and its companion video.
While ‘My Way, Soon’ continues the lend itself to comparison to Led Zeppelin, GVF’s latest single is a stark stylistic contrast to its existing body of work. The song’s arrangement sets a decidedly brooding atmosphere through the use of its guitars, bass, and heavy drums. Yes, front man Joshua Kiszka is still easily likened to Led Zeppelin front man Robert Plant here, but that is the closes comparison that one can make.
The production that is used in the song gives the sound from the band in whole a certain echo effect. The guitar riffs throw back to the golden age of rock thanks to that production and their own approach. The drums and bass collectively sound so full, too, while the use of the choral vocal element adds its own touch to the song.
The lyrical content that accompanies the song’s musical arrangement touches on a familiar topic. According to information provided about the song, its lyrics center on “the influence of technology on modern life; the role conflict plays in the global sphere; the deceptive fulfillment of tangible riches; and philosophical questions about life, love and power.”
Kiszka addressed the song’s lyrical content, albeit indirectly, during a recent interview.
“There was a lot of self-evolution happening during the writing of this album that was prompted by experiences I had, experiences we all had, so a lot of contemplation occurred,” he said.
Kaje Jiszka expanded on Josh’s comments.
“It’s reflecting a lot of the world that we’ve seen, and I think that it’s reflecting a lot of personal truth. What Josh does very well with the lyrics is telling ancient tales with a contemporary application,” said Jake.
Drummer Danny Wagner built on his band mates’ comments with his own thoughts, discussing not just the band’s new single, but the group’s forthcoming album, too.
“We realized that while growing up, we had been shielded by many things, and we were unaware of a lot of things,” said Wagner. “And then we were thrown out into this huge world, and it was a bit of a culture shock at first. But as we started to travel a lot, meet new and different people and experience different cultures, our definition of ‘normal’ changed.”
Bassist Sam Kiszka also shared his thoughts on the band’s new material.
“I suppose that everything has changed except what got us here in the first place,” added Sam. “Everything – our perception of the world, perception of life itself, what it means to be an artist, what it means to be part of a beautiful, gorgeous society. We’ve gained a larger understanding of why we’re all here.”
Greg Kurstin (Adele, Foo Fighters, Paul McCartney) produced The Battle at Garden’s Gate.
More information on Greta Van Fleet’s new single and video is available along with all of the band’s latest news at:
Independent singer-songwriter Shihori debuted her new single this week.
Shihori debuted her new single ‘Perfect Imperfection’ Friday. The song is a flowing pop song that will appeal to fans of Adele and other similar acts through the use of its vocals, beat and keyboards.
The lyrical theme at the center of the song matches well with the song’s deeply emotional musical arrangement. The theme in question is one of self-acceptance. That message is delivered clearly in the song’s lyric video, which debuted July 31.
Getting infants and toddlers to sleep, whether for a nap or for the night, is not always the easiest task. Anyone who has/had a child or even who works/worked with children will attest to this. From mobiles that play gentle music to playing to so many other means, parents and childcare workers alike have used so many methods to get little ones to sleep. Some work better than others and vice versa. This past Friday, January 26, Razor & Tie Records released a new tool to get infants and even toddlers down for a nap in the form of the new compilation record Lullapop Lullabies. This 21-song collection pulls some of the biggest pop hits from the past couple of years and presents them in harp-centered arrangements that will not only ensure children’s sleep, but also a certain interest from older listeners. The songs and the arrangements thereof are two of this record’s most important elements and will be discussed over the course of this examination. The record’s sequencing rounds out its most important elements and will be discussed, too. Each element is important in its own way to the whole of this collection. All things considered, they make Lullapop Lullabies a record that new parents and childcare workers alike will appreciate.
Razor & Tie Records’ new lullaby collection Lullapop Lullabies is one of the most intriguing new children’s offerings to come along so far in this still young year. It can be said in listening through the record that it is a presentation that new parents will appreciate just as much as childcare workers. That is due in part to the record’s chosen songs. The record opens with the gentle, harp-centered take of Luis Fonsi’s hit song ‘Despacito.’ The song’s steamy lyrics are voiced here by a gentle, flowing harp arrangement that will instantly put listeners of any age at ease while still staying true to the song’s source material. Ed Sheeran, who just won a Grammy on Sunday for his hit song ‘Shape of You’ comes next and is then followed by lots more harp-centered takes on Justin Timberlake’s hit ‘Can’t Stop The Feeling!,’ Bruno Mars’ ‘That’s What I Like’, Drake’s ‘Hotline Bling’ and so many others. Simply put, the songs that make up the body of this record are works that will be familiar to any number of grown-up listeners, giving plenty of interest to the record for said listeners. Being that the record’s younger listeners will have no clue as to the songs’ identities, their arrangements will appeal just as much to them as to older listeners. That being the case, it becomes clear why the songs featured in this record are so important to its overall presentation. The noted arrangements are just as important to discuss as the featured songs.
It has already been noted that the arrangements featured in each of the record’s songs is built around a harp. From one song to the next, additional string arrangements are added at various points as are keyboard lines. The whole of those elements combine to make the record in whole sound like so many compilations released via Vitamin Records except better. The arrangements put the songs into a format that listeners maybe might have never heard, in turn making them potentially more appealing. At the same time, hearing harp-centered arrangement after harp-centered arrangement for nearly an hour can get tedious for older listeners, even despite the songs being so familiar. Of course younger listeners won’t mind since those continued arrangements are certain to keep little ones calm as long as they sleep, insuring plenty of pleasant dreams. To that end, the arrangements presented in the featured songs prove to be critical in their own way to this collection. They will insure younger listeners’ sleep soundly while in small doses, they are certain to entertain older listeners familiar with the songs. The arrangements are not the last of the album’s most important elements. The record’s sequencing rounds out its most important elements.
From beginning to end, Lullapop Lullabies maintains a very constant gentile energy in each song. Given, some of the arrangements are minutely more upbeat than others. By and large though, the songs’ energies remain relatively stable throughout the course of the record’s run. This is important to note because it means parents and child care workers could easily put this record on at naptime or bedtime and just let it run without worry of the child being surprised (or parents either for that matter). That stable energy is certain to keep young minds calm even in r.e.m. sleep. This in turn insures a longer, richer sleep for little ones, again proving the importance of the album’s sequence. When the stability of the songs’ energies is set alongside the record’s familiar songs and their unique arrangements, the whole of those elements makes the record overall a presentation that is certain to earn its own place in homes with young children and in child care centers alike.
Razor & Tie’s new family music record Lullapop Lullabies is a work that is certain to appeal just as much to new parents and child care workers as it will to its infant and toddler audiences. That is proven in part through an expansive 21-song set that the noted older audiences will recognize. Those same audiences will find the songs’ gentle arrangements interesting new takes on the songs while little ones will find the arrangements soothing, leading easily to their lengthy and deep sleep. That insurance of rest is strengthened even more due to the record’s sequencing. When it is joined with the songs and their arrangements, the whole of said elements makes Lullapop Lullabies a record that is certain to find its place in any new family’s home just as much as any child care center. It is available now in stores and online, and can be streamed and downloaded here. More information on this and other titles from Razor & Tie is available online now at:
Courtesy: Eagle Rock Entertainment/Eagle Vision/BBC/Grand mono
The name Caro Emerald is one that is not largely familiar in the mainstream music world right now. This is the case despite the Dutch singer having already released two full length studio albums since 2010. But with the release of her new live DVD and Blu-ray, Caro Emerald in Concert, the young singer’s name may start to spread like wildfire. That’s because the new live release from Eagle Rock Entertainment presents the best of those two albums in one complete concert. It’s an excellent introduction to the talents of the young artist and her band mates. The very first thing that audiences will notice in listening to the band music crafted by Emerald and her band mates is the band’s “jazz-hop” style. For those that might be scratching their heads, it’s a mix of old school swing jazz mixed with the occasional modern hip-hop vibe. Still confused? Imagine mixing Adele, Amy Winehouse, Nelly Furtado, and the Squirrel Nut Zippers. That is the interesting hybrid sound crafted by Emerald and her band mates. Ironically enough, Emerald notes in the concert’s bonus interview that Amy Winehouse was indeed one of her influences. That is something that will be discussed later. Getting back to the music in this concert, there is not one bad moment in the entire performance. Every song in this concert has its own flare that is sure to have anyone dancing along in their own living rooms and bedrooms. From the up-tempo opener, ‘Just One Dance’ to ‘Paris’ to the show’s closer, ‘Stuck’, Ms. Emerald and company prove over and over again why it won’t be long before they break out in the United States.
The songs included in the band’s new live recording show just why American audiences should expect to hear more from the unit provided program directors give the band the support that it deserves. On a deeper level, the songs become even more interesting after listening to Caro discuss her musical upbringing in the recording’s bonus interview. She explains in the interview that it was classical music, not pop music, on which she was raised as a child. She laughs as she admits that she was hardly a fan of classical music. This is interesting to note because of her vocal range. She has such control over her voice from one song to another. Whether in the performance’s softer moments or those that are more upbeat, she does such a wonderful job accenting the song’s energy level with her vocal control. And as noted already, she adds during her interview that the late Amy Winehouse was one of her influences. That is also evident in her singing. There is a certain almost cabaret style vibe about some of her songs. While not as gritty as Winehouse’s vocals, she still has such power in said songs. It’s something that audiences can only appreciate when they check out this recording for themselves.
The set list and the performance presented in Caro Emerald in Concert both play important roles in the enjoyment of this recording’s overall presentation. No examination of a live concert would be complete though, without an examination of the recording’s audio and video. And this critic is pleased to say that those charged with managing the show’s audio and video mix did an excellent job. Director Helen Scott got the best out of her camera crew, catching some amazing shots. Those with HDTVs will love the wide shots of the BBC Radio Theatre. They show just how “intimate” the setting was for the recording as was noted on the back of the disc’s case. Just as interesting were the close-up shots captured by the videographer manning the stage. Emerald comes right up to him more than once and looks right into the camera as she sings. Again, having an HDTV, the quality of the footage is crystal clear. Viewers can see every single detail of her face as she sings into the camera. The audio mix is just as impressive. Every part of the recording is balanced all the way down. None of the performers overpower the other at any one point throughout the show. Together with the expertly shot and edited video, the performance of the band and the show’s set list, it all combines to make Caro Emerald in Concert one more reason that Eagle Rock Entertainment continues to be a leader if not the leader in live recordings. It is available now in stores and online. More information on this and other live releases from Eagle Rock Entertainment is available online at http://www.facebook.com/EagleRockEnt and http://www.eaglerockent.com. To keep up with the latest sports and entertainment reviews and news go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.
Singer Shauna Brittenham is set to release her debut single, ‘Uh Oh’ this Summer. The single is from her new album, Dreamer’s Dream. Its almost ragtime style music is something that few musicians—mainstream or not—do today. Much of the material on Brittenham’s new album reflects her personal life experiences, which are quite varied. From dropping out of school at fifteen and earning her GED at sixteen to earning an undergraduate degree in Political Science from Furman, listeners will be able to hear reflections on her experiences as she grew up.
‘Uh Oh’ even has the privilege of being used for an advertising campaign by Westside Rentals in California. The company owns properties throughout California. It has offices in seven regions of the state. Among the regions in which it owns properties are properties in: Santa Monica, Hollywood, Hermosa Beach, Studio City, Newport Beach, Santa Barbara, Los Angeles, Long Beach, and many other regions of California.
Brittenham’s star is on the rise. The young singer has performances scheduled in Los Angeles’ Hotel Café and Genghis Cohen. Fans can check out ‘Uh Oh’ now on Shauna Brittenham’s official website, http://www.shaunabrittenham.com. Fans can check in on her official website daily for all of the latest updates on her performance and when and where they can pick up her new album along with much more.
MOREHEAD CITY, N.C.– Summer is winding down. And as Summer is winding down, so is Morehead City’s annual Alive at Five concert series. And closing out the annual concert series is the Spare Change Band.
The Spare Change Band will perform Friday, August 31st from 5pm – 8pm at Katherine Davis Park. the locally and regionally renowned band covers songs from artists the likes of: Kenny Chesney, Alicia Keys, LMFAO, Adele, and a bevy of others. The band is from LaGrange, North Carolina and has been performing together for a decade. More information on the Spare Change Band is available online at the band’s website, http://www.sparechangemusic.net.
Morehead City’s annual Alive at Five Summer Concert Series is presented by R.A. Jeffreys and Bud Light. Floyd’s 1921 Restaurant and Catering also serve as sponsors alongside Twice The Ice and Potash Corp. of Aurora. It is hosted by the Downtown Morehead City Revitalization Association (DMCRA). More information on the DMCRA and its annual events, go online to http://www.downtownmoreheadcity.com.