‘Thunderbolt’ Is An “Electrifying” New Effort From Veteran Rock Act Saxon

Courtesy: Militia Guard (Silver Lining Music)

Veteran hard rock act Saxon has, for more than four decades, been entertaining audiences the world over with its own brand of music. Considered by most to be one of the leaders of the New Wave of British Heavy Metal, the band has easily maintained a place for itself the entire time both in the rock realm and within the musical universe overall. Now with the recent release of Thunderbolt, its 22nd full-length studio recording, the band continues to show why it is still one of rock’s elite acts and just as relevant today as it was in its infancy. That is proven in part through the record’s musical arrangements, which will be discussed shortly. Its lyrical themes are just as worth noting here as its musical arrangements and will be discussed later. The album’s sequencing rounds out the elements that prove this album’s power. Each element is important in its own way to the whole of Thunderbolt. All things considered, they make the album another hard-hitting strike from Saxon.

Thunderbolt, the 22nd full-length studio recording from British hard rock outfit Saxon is a solid new musical strike from the veteran band. It is a record that proves Saxon is still one of rock’s elite acts and just as relevant today as it was in its infancy. This is proven in part through the album’s musical arrangements. Right off the top, the band takes audiences on a familiar musical ride with the up-tempo arrangement at the center of the album’s title track — a ride that instantly conjures thoughts of Judas Priest set alongside some of its own heavier material. The arrangement at the center of ‘The Secret of Flight’ meanwhile brings about thoughts of Metallica circa 1984 (the year that Ride The Lightning was released). Keeping in mind that Saxon has composed similarly styled arrangements throughout its history, this serves to show Saxon’s own likely influence on Metallica’s sound. The comparison to Judas Priest returns once again in the album’s third full-length song (and fourth overall since the album’s opener was only a 1:35 intro track) ‘Nosferatu (The Vampire Waltz.’ This time it is a comparison to Priest’s more recent work. One of the most standout arrangements presented in this record comes in the Motorhead tribute (yes, there’s even a Motorhead tribute here), ‘They Played Rock and Roll.’ From its driving guitar riffs to its bass work and solid time keeping, the song is a solid, wonderful tribute to yet another of the rock world’s elite. It goes without saying that this song is one of the album’s best works, musically speaking (and lyrically, but that will be discussed later). ‘Predator’ is another great classic hard rock/metal addition to this album that stands out not just because of its arrangement, but also because of the guest appearance by Amon Amarth front man Johann Hegg.’ Hegg’s familiar growl juxtaposed by Saxon front man Biff Byford makes quite the impact. That’s especially the case when their vocal deliveries are joined by the song’s musical lines. The end result is its own standout work that will keep listeners just as engaged as any of the album’s other works. That includes ‘Sons of Odin,’ which once again, bears some resemblance to works from Judas Priest (again, both musically and lyrically), ‘Sniper’ which brings about another comparison to Metallica stylistically speaking and ‘Speed Merchants,’ which boasts its own Motorhead comparison. Between all of these songs and those perhaps not noted here, it becomes clear that the stylistic comparisons to Saxon’s counterparts and its own prior works makes the musical component of this record critical to its success both in itself and when considering its role in Saxon’s overall history. The record’s musical arrangements are only one of the items to be discussed in examining the album’s whole. Its lyrical content is just as important to discuss as its musical material.

The lyrical themes presented throughout the album are so important to note because there does not seem to be one connecting theme from one to the next. From the tribute to Motorhead to the completely random piece about vampires to songs apparently about Norse mythology and even fantasy — ‘A Wizard’s Tale’ — and so much more, the lyrical themes that make up the body of this record run the gamut so to speak. ‘Sniper’ will have listeners talking just as much as those noted songs. The same can be said of ‘Secret of Flight,’ which apparently seems to follow the history of flight, and ‘Roadie’s Song,’ which is in fact about a roadie’s life. On one hand, the simplicity and range of the songs’ lyrical themes leaves one wanting to ask is Saxon just out of ideas. On the other hand though, at least little doubt is left as to the message in each song. There is no metaphor or anything of that mature to lead to misinterpretation. To that end, the band deserves credit for the songs’ lyrical themes. Keeping that in mind alongside the power of the songs’ musical arrangements and audiences get an album in Thunderbolt that again, shows why it is such a strong musical strike from the veteran rock outfit. That juxtaposition is just one more part of what makes this record another sign of Saxon’s solid spot in the rock realm today. The record’s overall sequencing rounds out its most important elements.

Thunderbolt‘s sequencing is important because it plays just as much into listeners’ engagement and entertainment as the record’s musical and lyrical content. The sequencing, in regards to the record’s musical content is so important because of the energy maintained throughout the arrangements. ‘Thunderbolt’ and ‘The Secret of Flight’ give the record a solid, up-tempo start while ‘Nosferatu (The Vampire Waltz)’ boasts its own energy through its heaviness even though it isn’t the up-tempo rocker that its predecessors prove to be. Keeping that in mind, it still maintains the energy established in those songs even without being as fast-paced as them. that energy picks right back up though, in ‘They Played Rock and Roll’ and continues on through ‘Predator’ before the band again opts to go slower yet heavy again in ‘Sons of Odin.’ Considering the seeming pattern that is built through the up and down of the album’s tempos so far, one would be right to assume that from the slower, but heavy ‘Sons of Odin’ gives way to another more up-tempo piece in ‘Sniper.’ That energy carries on to the album’s end in the very 1980s-esque ‘Roadie’s Song.’ It ensures even more listeners’ maintained engagement. Considering this along with the balance of energies throughout the rest of the album, it can be said with ease that plenty of thought was put into this album’s sequencing in regards to the energies in its arrangements. When this is considered alongside the arrangements themselves and the songs’ lyrical content, the end result is an album that audiences will agree is — again — another solid musical strike from Saxon.

The sequencing in regards to the album’s lyrical content is just as important to discuss in examining the album’s overall sequencing as its musical arrangements. The album starts out with a song centered — seemingly — on Greek mythology in ‘Olympus Rising’ and ‘Thunderbolt’ before moving on to a commentary of sorts in the history of flight from its peaceful roots to its destructive current use. Considering that one of the refrains in ‘Thunderbolt’ states “unleash the Gods of war,” this can be argued to be a relatively smooth transition from one song to the next. Whether that connection was intended is anyone’s guess, but it is there. ‘Nosferatu (The Vampire Waltz’ and ‘They Played Rock and Roll,’ while totally separate from one another in their themes, make for an entertaining change of pace lyrically speaking. ‘Predator,’ ‘Sons of Odin’ and ‘Sniper’ all seem to have similar lyrical themes that while not exactly the same, seem close enough to understand why they might have been grouped together. ‘A Wizard’s Tale,’ like ‘Nosferatu (The Vampire Waltz),’ is another random transition that actually because of that randomness, still works in keeping listeners engaged. ‘Speed Merchants’ and ‘Roadie’s Song’ are about as separate as can be from each other and from ‘A Wizard’s Tale.’ This is important to note because it presents even more lyrical variety for listeners, in turn ensuring once more those listeners’ engagement. When this is considered along with the engagement insured through the album’s musical sequencing, its arrangements and lyrical themes, these elements all join together to present a record overall that is another electrifying new effort from one of the justifiably most respected hard rock bands out there today.

Veteran hard rock band Saxon’s latest full-length studio recording Thunderbolt is an electrifying new effort from one of the most respected bands in the hard rock community today. That is proven in part through arrangements that from start to finish will keep listeners engaged with their sounds and energies. The lyrical themes, as random as they can be throughout this album, leave little doubt as to their subject matter because they are so simple. While that might be bad to some point, it is also good being that so few bands take and have taken that route. The album’s sequencing, both in regards to its energies and its lyrical topics plays its own integral part to the album’s whole. Each element is important in its own way, as has been pointed out here. All things considered, they make this album one that will entertain Saxon devotees and hard rock aficionados alike. It is available now in stores and online and at the band’s current live dates. More information on Thunderbolt is available online now along with all of the band’s latest news and more at:

Website: http://www.saxon747.com

Facebook: http://www.facebook.com/saxon

Twitter: http://twitter.com/SaxonOfficial

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

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Amon Amarth Announces Spring North American Tour Schedule

Courtesy: Metal Blade Records

Courtesy: Metal Blade Records

Amon Amarth will make its way across America this spring in support of its latest full-length studio recording, Jomsviking.

The band announced this week it will embark on a spring headlining tour in support of the album beginning April 30 in Jacksonville Fla.  The currently 17-date tour will take the band into Louisiana following its opening performance in Jacksonville, Fla and a second date in Pensacola, Fla.  Goatw**** will serve as support at select dates on the tour.

After making its way to Louisiana, the band will head to Tennessee and North Carolina and then up the East Coast.  That stretch includes performances in Virginia, Connecticut and Pennsylvania.  Following the tour’s east coast leg, the band will play a series of dates in the Midwest from May 12 to May 21 to round out the tour.  The band’s current North American tour schedule is noted below.

Amon Amarth tour dates
w/ Goatwhore

Apr. 30 – Jacksonville, FL – Welcome to Rockville *
May 1 – Pensacola, FL – Vinyl
May 2 – Baton Rouge, LA – Varsity Theatre
May 4 – Memphis, TN – New Daisy Theatre
May 5 – Charlotte, NC – Carolina Rebellion *
May 6 – Richmond, VA – The National
May 8 – Philadelphia, PA – TLA
May 9 – New Haven, CT – College Street Music Hall
May 10 – Huntington, NY – The Paramount
May 12 – Grand Rapids, MI – 20 Monroe Live
May 13 – Chicago, IL – Dark Lord Day *
May 14 – Somerset, WI – Northern Invasion *
May 16 – Wichita, KS – The Cotillion
May 17 – Boulder, CO – Boulder Theatre
May 19 – Columbia, MO – The Blue Note
May 20 – Louisville, KY – Mercury Ballroom
May 21 – Columbus, OH – Rock on the Range *
*=Amon Amarth only

More information on Amon Amarth’s upcoming spring North American tour is available online now along with all of Amon Amarth’s latest news and more at:

 

 

 

Website: http://www.amonamarth.com

Facebook: http://www.facebook.com/OfficialAmonAmarth

Twitter: http://twitter.com/amonamarthband

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Armored Saint Fans Will Want To Get Their Hands On ‘Carpe Noctum’

Courtesy: Metal Blade Records

Courtesy: Metal Blade Records

Metal Blade Records had quite a year in 2016, putting out impressive new recordings from Amon Amarth, Wovenwar, Artillery and a number of others.  One of the leading labels in the metal community, Metal Blade has wasted little time in 2017 getting things going.  It will open the new year late next month with the release of Armored Saint’s new live recording Carpe Noctum.  The eight-song, 38-minute recording isn’t necessarily a career-defining collection of songs, but is still impressive in its own right.  It is just one of the elements to note in examining the recording’s overall presentation.  The band’s stage presence is just as important to note in examining the recording’s presentation as its set list.  Considering that the recording will seemingly only be released on CD, its audio mix rounds out its most important elements.  Each element is important in its own right.  All things considered, Carpe Noctum proves to be a recording that Armored Saint fans new and old alike will appreciate.

Armored Saint’s latest live recording Carpe Noctum is a collection of live performances that fans new and old alike will appreciate.  The eight-song, 38-minute recording will be released in stores and online Feb. 24 via Metal Blade Records.  The main element to be examined in this recording is its set list.  The set list takes audiences all the way back to the band’s 1984 debut full-length album March of the Saint and all the way up to the band’s most recent album Win Hands Down (2015).  Along the way, three more of the band’s nine total albums are represented here.  The albums in question are its 1985 sophomore record Delirious Nomad, its 1991 album Symbol of Salvation and its 2010 record La Raza.  According to Metal Blade Records’ summary description of the set list, it appears the set list was pulled from Armored Saint’s set at the 2015 Wacken Open Air Festival and its headlining show at Aschaffenburg, Germany.  In other words, the set list presented here is not one complete concert, but seemingly a collection of performances from two separate concerts.  That would likely account for why the recording features such a limited number of songs in its defense.  This is a good thing in its own right, too.  That is because it provides audiences a more diverse representation of the band’s live show.  Again, fans new and old alike will appreciate this aspect of the recording.

Carpe Noctum’s 8-song, 38-minute set list is an important piece of the recording’s overall presentation.  That is because while not necessarily career-defining, it does at least present some highlights from the band’s extensive span of records.  It also provides audiences a relatively diverse representation of the band’s live show.  That is because it allegedly pulls from not one but two of the band’s live shows.  While the recording’s set list is clearly an important piece of its whole, it is only one of the pieces of the recording that should be considered in examining the recording’s overall presentation.  The band’s performance of said songs is just as important to note as the songs themselves.  Audiences will note in taking in these performances that the band’s members largely let their performances do the talking for them.  Since this recording is only available on CD, it is difficult to know if the songs presented here were presented in the same order as in the original performances.  There could have been some interaction with the audience between songs at those performances.  Again, that can’t be determined here.  That aside, the band members’ performances do plenty to keep listeners’ engaged.  Front man John Bush commands the stage with each performance, his pipes in prime condition.  Drummer Gonzo Sandoval keeps the band moving in each song with his solid time keeping.  The dual guitar approach of Phil Sandoval and Jeff Duncan adds even more depth to the band’s stage presence.  Of course one would be remiss to ignore bassist Joey Vera’s work on the low end.  Each band member’s performance in itself plays its own critical part to the whole of the performances. They cut through solidly throughout the recording, too.  Altogether, the band members’ performances prove to be just as enjoyable here as the concert’s set list itself.  One can’t help but hope Metal Blade Records will release the concert on DVD and/or Blu-ray, though.  One would be safe assuming those performances would hold even more significance when able to be seen and heard, and not just heard.  Even with that in mind, the band’s overall performances throughout the recording still proves to be just as important to the recording’s presentation as the sets’ featured songs.  While the band members’ performances prove to be just as important to the recording’s presentation as the recording’s featured set list, neither element would be worth discussing without mention of the concert’s audio mix.

The set list at the center of Armored Saint’s new live recording and the band’s performance thereof are both key pieces of the recording’s overall presentation.  That has already been discussed.  They are only a pair of the recording’s most important elements.  Its audio mix forms the recording’s foundation, especially considering that the recording is currently available only on CD.  Those responsible for the recording’s audio mix are to be given their due credit here.  That is because they expertly handled the situation presented in each setting.  The Wacken performances were open, outdoor performances.  This critic can’t say for certain if the band’s other featured performance was outdoor, too.  That aside, those behind the recording’s audio engineering expertly balanced each musician’s part.  No one part overpowered the others at any point throughout the recording.  What’s more, inside or out, audiences aren’t left feeling like they’re listening to a bootleg recording, either.  Believe it or not, there are some “professional” live recordings out there that do in fact sound more like bootlegs than professional recordings.  This recording is not in that category.  To that end, the balance of that element and the balance of the musicians’ own parts in each song proves the importance of the recording’s audio mix to its whole, too.  When that element is set alongside the concert’s set list and the band members’ equally entertaining performances, the whole of the recording proves to be a collection of live performances that Armored Saint fans old and new alike will appreciate.

Armored Saint’s upcoming live recording Carpe Noctum is a collection of live performances that fans new and old alike will appreciate.  That is due in part to its 8-song, 38-minute set list.  The set list isn’t necessarily a career-defining collection of performances.  It only pulls from five of the band’s nine total full-length studio recordings.  However, it does go all the way back to the band’s 1984 debut record and up to the band’s most recent album, 2015’s Win Hands Down.  The set list also allegedly pulls from not one but two of the band’s recent live shows.  The band’s performance of the featured songs is just as enjoyable as the songs themselves.  The audio engineering presented in the recording forms its foundation.  It balances each of the band members’ parts and handles the settings in which the performances were held just as expertly.  Each element is important to note in its own right, as has been noted.  All things considered, they show, once again, that this latest live recording from Armored Saint is a collection of live performances that Armed Saint fans old and new alike will appreciate.  It will be released Feb. 24 in stores and online via Metal Blade Records.  More information on Carpe Noctum is available online along with all of the band’s latest news and more at:

 

 

 

Website: http://www.armoredsaint.com

Facebook: http://www.facebook.com/thearmoredsaint

Twitter: http://twitter.com/thearmoredsaint

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Amon Amarth Conquers Phil’s Picks’ 2016 Top 10 New Hard Rock & Metal Albums List

Courtesy: Metal Blade Records

Courtesy: Metal Blade Records

The hard rock and metal community have collectively become a rather crowded field this year in terms of new albums.  It has made extremely difficult naming the year’s top new hard rock and metal records.  There have been that many outstanding records.  Metallica’s first album in eight years, HardwiredTo SelfDestruct is just one of the albums that has more than proven deserving of being on that list.  The same can be said of Amon Amarth’s latest offering, Jomsviking.  It is a rarity for the band, being a concept record.  The concept behind the record more than works.  And its musical arrangements work just as well.  On another note Prong, with its latest offering X No Absolutes has proven through its overall content (and sales) that it is another success for the band—and more specifically founder Tommy Victor, the band’s only original member.  So no doubt it belongs on the list of the year’s top new hard rock and metal albums, too as do so many others.  It was not easy for this critic to assemble this year’s list of new hard rock and metal albums considering how many outstanding albums were released in that collective field.  But a decision had to be made.  That decision is presented below.

As a reminder, the list, as with each of Phil’s Picks year-ender lists, presents Phil’s Picks Top 10 picks for the year’s best plus five honorable mention titles for a total of 15 albums.  Honorable mention is not mean in a negative fashion by any means.  They were each deserving of being named to the year’s best.  It was just that tough assembling a list of the year’s best, so the final list ended as presented here.  Without any further ado, here is the Phil’s Picks 2016 Top 10 New Hard Rock and Metal Albums.

 

PHIL’S PICKS 2016 TOP 10 NEW HARD ROCK/METAL ALBUMS

 

  1. Amon AmarthJomsviking

 

  1. MetallicaHardwiredTo SelfDestruct

 

  1. All Hail The YetiScreams From A Black Wilderness

 

  1. NonpointThe Poison Red

 

  1. SpellcasterNight Hides The World

 

  1. WovenwarHonor is Dead

 

  1. ArtilleryPunishment By Perception

 

  1. ProngXNo Absolutes

 

  1. AnthraxFor All Kings

 

  1. DestrageA Means To No End

 

  1. WhitechapelMark of the Blade

 

  1. DevildriverTrust No One

 

  1. Oni – Ironshore

 

  1. Primal FearRulebreaker

 

  1. HatebreedThe Concrete Confesional

 

 

 

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Metal Blade Records Re-Issues Two Classic Amon Amarth Albums

Courtesy: Metal Blade Records

Courtesy: Metal Blade Records

Amon Amarth has re-issued two of its classic albums.

The veteran Swedish metal outfit has re-issued its 1998 sophomore album Once Sent From The Golden Hall and its follow-up, 1999’s The Avenger.  Both albums have been made available on special separate European and American vinyl packages.

The American vinyl re-issue of Once Sent From the Golden Hall is pressed on 180-gram vinyl and is presented on Orange, transparent, and “Fire-splattered” pressing.  The orange and transparent pressings are limited to only 200 copies each.  The “Fire-splattered” pressing is limited to only 300 copies.

The album’s orange pressing is available as a Metal Blade USA exclusive while the transparent pressing is available via mail order and retail exclusive.  The “Fire-splattered” pressing is available exclusively through Euro ebay and Metal Blade USA.

The Avenger is available on 180-gram black, red, transparent and “Fire-splattered” pressing.  The red pressing is limited to only 200 copies and is available exclusively via Metal Blade USA while the transparent pressing is limited available via retail/mail order and is also limited to only 200 copies.  The album’s “Fire-splattered” pressing is limited to just 300 copies and is available via Euro ebay and Metal Blade USA.

The full details on each album’s U.S. re-issue is noted below.

 

USA versions:
Once Sent From The Golden Hall “Originals-Series” LP re-issue (USA)
–180 g black vinyl
–Orange vinyl (limited to 200 copies – Metal Blade USA exclusive)
–Transparent vinyl (limited to 200 copies – retail/mailorder exclusive)
–“Fire”-splattered vinyl (limited to 300 copies – Euro ebay and Metal Blade USA exclusive)

The Avenger “Originals-Series” LP re-issue (USA)
–180 g black vinyl
–Red vinyl (limited to 200 copies – Metal Blade USA exclusive)
–Transparent vinyl (limited to 200 copies – retail/mailorder exclusive)
–“Fire”-splattered vinyl (limited to 300 copies – Euro ebay and Metal Blade USA exclusive)

 

The details for the albums’ European vinyl re-issues is slightly different from their domestic re-issues.  Once Sent From The Golden Hall will be available in Europe on separate 180-gram black, Opaque-Orange-marbled, Khaki-marbled, and “Fire-splattered” pressings.

The Avenger will be available in Europe on separate 180-gram black, Opaque-blood red-marbled vinyl, steel-grey-marbled and “Fire-splattered” pressings.  The complete details on availability of each record’s re-issue are noted below.

 

European versions:
Once Sent From The Golden Hall “Originals-Series” LP re-issue (EU)
–180 g black vinyl
–Opague-orange-marbled vinyl (limited to 500 copies)
–Khaki-marbled vinyl (limited to 300 copies – EMP exclusive)
–“Fire”-splattered vinyl (limited to 300 copies – Euro ebay and Metal Blade USA exclusive)

The Avenger “Originals-Series” LP re-issue (EU)
–180 g black vinyl
–Opague-bloodred-marbled vinyl (limited to 500 copies)
–Steel-grey-marbled vinyl (limited to 300 copies – EMP exclusive)
–“Fire”-splattered vinyl (limited to 300 copies – Euro ebay and Metal Blade USA exclusive)

 

Metal Blade Records officials announced this week the company will re-issue all of the band’s albums chronologically in the near future.  A specially designed slipcase-box for the albums is available via EMP.  The box fits the band’s complete catalogue.

More information on Amon Amarth’s upcoming re-issues is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.amonamarth.com

Facebook: http://www.facebook.com/OfficialAmonAmarth

Twitter: http://twitter.com/amonamarthband

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

2017 Rock On The Range Festival Lineup Announced

Courtesy: Danny Wimmer Presents/AEG Live

Courtesy: Danny Wimmer Presents/AEG Live

The lineup for the 2017 Rock on the Range Festival has been announced, and once again it has proven to be quite the collection of acts.

The three-day festival will be headlined by Metallica, Soundgarden and Korn.  It will feature more than 50 bands over the course of that time along with some of the country’s top comics at the festival’s Rock on the Range Rolling Rock Comedy Tent.

The lineup for the 2017 Rock on the Range Festival includes: Metallica, Soundgarden, Korn, The Offspring, Volbeat, Primus, Bush, Chevelle, Papa Roach, Seether, Coheed & Cambria, Alter Bridge, The Pretty Reckless, Taking Back Sunday, Thrice, Amon Amarth, Pierce The Veil, Sum 41, Skillet, Dillinger Escape Plan, In Flames, Gojira, Biffy Clyro, Motionless In White, Nothing More, Beartooth, Starset, Every Time I Die, The Story So Far, Deafheaven, Zakk Sabbath, Rival Sons, The Amity Affliction, Attila, Norma Jean, Suicide Silence, Whitechapel, I Prevail, Turnstile, Dinosaur Pile-Up, Red Fang, Dorothy, Kyng, Radkey, As Lions, Frank Carter & The Rattlesnakes, Sylar, Fire From The Gods, Badflower, Wage War, Goodbye June, Cover Your Tracks, DED, Bleeker, Royal Republic, Mother Feather, Aeges and One Less Reason.

Rock on the Range—fueled by Monster Energy—is billed as America’s largest and most acclaimed rock festival.  The festival will also feature in 2017 “The Music Experience,” art installations, and unique on-site activities over the course of the festival’s three days.

Tickets for the 2016 festival sold out more than two months in advance of the festival.  It marked the fourth consecutive year the festival has sold out in advance.

Weekend Field, new Weekend Field VIP, Weekend Stadium and a limited number of Weekend Stadium 4-packs are available now for purchase.  A layaway option is also available for concert-goers.  That option allows audiences to split the cost of their ticket/ticket packages into four separate monthly payments.

Fans can get a pre-sale password for Weekend Field VIP, Weekend Field GA, Weekend Stadium GA and Weekend Stadium GA 4-packs on the official Rock on the Range website, Facebook page and Twitter page.  The ticket prices are listed below.

 

  • Weekend Field VIP: starting at $349.50* + fees
  • Weekend Field GA: starting at $199.50* + fees
  • Weekend Stadium GA: starting at $99.50* + fees
  • Weekend Stadium GA Ticket 4-Pack: $380.00 + fees
  • * Phase One prices listed
  • *** Ticket prices automatically move to the next price level once the allotment sells out ***

General on-sale for tickets is Friday, Dec. 2 at 10 a.m. EST.  Tickets will be available online at the festival’s website, at Ticketmaster locations and the MAPFRE Stadium box office.

Audiences who want an even more special concert experience can purchase the new Uber Ranger Camping Package.  The package includes amenities for four people such as luxury RV on a double campsite at the Ohio Expo North Campground (May 18 – 21), a dedicated concierge with golf cart shuttle, 4 Weekend VIP Field Admission Tickets, a backstage tour, access to the stadium club (with catered lunch and dinner), access to the Side Stage Viewing Platform, access to the VIP Lounge and more.  More information on the new Uber Ranger Camping Package is available here.

Rock on The Range celebrated its 10th anniversary in 2016.  More than 120,000 people attended the festival from around the world.  As part of its 10th anniversary celebration, Columbus, OH mayor Andrew J. Ginther and the Columbus, OH city council presented festival organizers with awards of recognition.  A resolution was also announced from the Franklin County Board of Commissioners acknowledging the festival’s economic impact on the city.

The commissioners pointed out in their resolution pointed out the festival brought in more than $140 million for the city over the course of its ten years in the city.

Rock on the Range is produced by Danny Wimmer Presents, AEG Live and MAPFRE Stadium.  It is supported by Monster Energy, Bud Light and Zippo.  They and other partners will feature interactive experiences, meet & greets, and other special fan engagement opportunities throughout the festival.

More information on the 2017 Rock on the Range Festival is available online now at:

 

 

 

Website: http://www.RockontheRange.com

Facebook: http://www.facebook.com/rockontherange

Twitter: http://twitter.com/rockontherange

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep  up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Suicidal Tendencies Added To Ozzfest Meets Knotfest Lineup

Courtesy:  Adrenaline PR

Courtesy: Adrenaline PR

Organizers with the 2016 Ozzfest Meets Knotfest have added another band to the mega-festival’s lineup.

Veteran hard rock band Suicidal Tendencies has been added to the lineup for the inaugural Ozzfest Meets Knotfest.  It marks the first time that the band has ever taken the stage at Ozzfest in any capacity.  The band will take the place of Children of Bodom, which was originally scheduled to perform on the first day of the double-header festival. The updated lineup for the festival is noted below. Audiences will note that there is even a stage dedicated to late Motorhead front man Lemmy Kilmister at this year’s festival.

 

OZZFEST Line-up

Saturday, September 24

 

MAIN STAGE:  Black Sabbath, Disturbed, Megadeth, Opeth, Black Label Society, and Rival Sons.

LEMMY STAGE:  Suicidal Tendencies, Hatebreed, DevilDriver, Goatwhore, Huntress, and Dead Cross.

NUCLEAR BLAST STAGE: Municipal Waste, Kataklysm, Nails, The Shrine, and Still Rebel.

KNOTFEST Line-up

Sunday, September 25

 

MAIN STAGE:  Slipknot, Slayer, Amon Amarth, Anthrax, and Trivium.

LEMMY STAGE:  Sabaton, Suicide Silence, Overkill, Emmure, Butcher Babies, and Man with A Mission.

NUCLEAR BLAST STAGE:  Whitechapel, Combichrist, Carnifex, Loathe, SIM, and ONI.

 

Ozzfest Meets Knotfest is currently scheduled to be held Saturday, September 24th and Sunday, September 25th at San Manuel Amphitheater and Festival Grounds in San Bernardino California.  As a special holiday celebration, fans can purchase single 4-day ticket packs for $84.  The limited-time special is going on now and ends July 4th at 11:59pm PT.  Tickets can be purchased online at http://www.ozzfest.com and http://www.knotfest.com.  More information on the inaugural Ozzfest Meets Knotfest is available online at:

 

 

OZZFEST

 

Website: http://www.Ozzfest.com

Facebook: http://www.facebook.com/ozzfestofficial

Twitter: http://twitter.com/theozzfest

 

 

 

KNOTFEST

 

Website: http://www.knotfest.com

Facebook: http://www.facebook.com/KNOTFEST

Twitter: http://twitter.com/knotfest

 

 

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