Rocklahoma Performance Times Announced

Courtesy: A12 Entertainment

The 2021 Rocklahoma Festival will go on for now.

Performance times for the festival were announced Wednesday through a news release distributed to the media. The festival’s unofficial start is scheduled to take place at 7 p.m. ET Thursday with a performance by Devium IV on the Deb Concerts Stage.

Thursday night’s kickoff continues at 8:05 p.m. with a performance by Dead Metal Society. The Iron Maidens follow at 9:30 p.m. Stephen Pearcy, the voice of RATT will headline the evening’s events at 10:50 p.m.

FRIDAY

Friday’s official launch opens at 11 a.m. on the Deb Concerts Stage with a performance by Straight Six. Lovesick Radio, Outlaw Devils, Travis Bond & The Rebel Souls, and Color of Chaos keep things moving from 11:50 a.m. through 2 p.m.

Liliac closes out the performances on the Deb Concerts Stage at 5 p.m., but before that, Plush will take the stage at 4 p.m. on the Renegade Stage. Half an hour later at 3:30, From Ashes To New will open the action on the Renegade Stage.

Performances from the likes of Tremonti, Candlebox, and Sevendust are also scheduled for Friday. Rob Zombie is scheduled to headline Friday’s events at 10:45 p.m. on the Freedom Stage.

SATURDAY

Slipknot is scheduled to headline Saturday’s events at 10:45 p.m. on the Freedom Stage. Prior to its performance, other bands, such as John 5 and the Creatures, Zero 9:36, and Pop Evil are also scheduled to perform.

Also scheduled to perform Saturday are the likes of Butcher Babies, School of Rock, and Falling in Reverse.

SUNDAY

Sunday will see its own wide array of acts scheduled to perform. Among those scheduled to perform Sunday are The Hu, Puddle of Mudd, and Philip H. Anselmo and the Illegals.

The full rundown of performance times for this weekend’s festival is noted below.

Thursday, September 2

DEB CONCERTS STAGE

10:50 PM – Stephen Pearcy The Voice Of Ratt

9:20 PM – The Iron Maidens

8:05 PM – Dead Metal Society

7:00 PM – Devium IV

Friday, September 3

FREEDOM STAGE

10:45 PM – Rob Zombie

8:45 PM – Chevelle

6:55 PM – Sevendust

5:40 PM – Candlebox

4:30 PM – Ayron Jones

3:30 PM – From Ashes To New

RENEGADE STAGE

9:55 PM – Grandson

8:05 PM – Tremonti

6:20 PM – Austin Meade

4:00 PM – Diamante

3:00 PM – Plush

DEB CONCERTS STAGE

5:00 PM – Liliac

2:20 PM – Color Of Chaos

1:30 PM – Travis Bond & The Rebel Souls

12:40 PM – Outlaw Devils

11:50 AM – Love Sick Radio

11:00 AM – Straight Six

Saturday, September 4

FREEDOM STAGE

10:45 PM – Slipknot

8:45 PM – Anthrax

6:55 PM – Pop Evil

5:40 PM – Badflower

4:30 PM – Bones UK

3:30 PM – Butcher Babies

RENEGADE STAGE

9:55 PM – Falling in Reverse

8:05 PM – Jelly Roll

6:20 PM – Zero 9:36

4:00 PM – All Good Things

3:00 PM – School Of Rock

DEB CONCERTS STAGE

5:00 PM – John 5 And The Creatures

2:20 PM – Rocket Science

1:30 PM – Fist Of Rage

12:40 PM – 90LB Wrench

11:50 AM – Mind Of Fury

11:00 AM – The Rumours

Sunday, September 5

FREEDOM STAGE

8:45 PM – Halestorm

6:55 PM – Philip H. Anselmo & The Illegals

5:40 PM – Motionless In White

4:30 PM – Steel Panther

3:30 PM – Stellar Ascent

RENEGADE STAGE

9:55 PM – The Hu

8:05 PM – Andrew W.K.

6:20 PM – Knocked Loose

4:00 PM – Cory Marks

3:00 PM – Jeris Johnson

DEB CONCERTS STAGE

5:00 PM – Puddle Of Mudd

2:20 PM – Budderside

1:30 PM – Paralandra

12:40 PM – Severmind

11:50 AM – Jessikill

11:00 AM – Chaotic Resemblance

A three-day pass is required to attend the Roadhouse Pre-Party on Sept. Thursday. Doors for the Roadhouse Pre-Party open at 11 a.m. Festival grounds open for the festival daily at 2 p.m.

Rocklahoma is presented by AEG Presents.

More information on Rocklahoma is available along with all of the festival’s latest news at:

Website: https://www.Rocklahoma.com

Facebook: https://www.facebook.com/Rocklahoma

Twitter: https://twitter.com/rocklahoma

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Anthrax Celebrating Its 40th Anniversary With New Bourbon Line

Photo Credit: Omar Mendez

Anthrax is launching another new alcohol line.

The band announced Thursday, the release of its new “high-end spirit,” Anthrax XL. The XL are the Roman numerals for the number 40, an indicator of the band’s 40th anniversary. The new drink is a Solera-aged, single-barrel bourbon finished for 40 days in a 20 year-old Oloroso cask.

Only one barrel of the new bourbon has been produced. That is enough for 400 hand-numbered battles at a cask strength of 115 proof. The band members’ signatures adorn each bottle and is presented in a black, velvet, drawstring gift bag.

the suggested retail price for the bottles is $155. Additionally, 40 limited edition numbered bottles will be made available, each retailing at a price of $350. The limited edition bottles are themselves held in the noted drawstring bags. Those bags are then placed inside a customized box wrapped in a SilverFoil card stock wrap around.

A golden ticket awarding the owners of the limited edition bottles with admission to one of Anthrax’s concerts in their given region during the band’s 2022 U.S. Tour, is also enclosed in the noted boxes. Additionally, the golden tickets give their owners access to an exclusive meet and greet with the band ahead of those concerts.

Audiences can purchase the bottles of the band’s new limited bourbon line here.

The debut of Anthrax’s new bourbon line is just the latest of its ventures into the world of high-end spirits. The band launched two whiskey lines — “Evil Twin I” and “Evil Twin II” — last year. Those whiskey lines and the band’s latest bourbon line, were all crafted by Hillrock Estate Distillery, which is located in the Hudson Valley Highlands in New York state.

More information on Anthrax’s new bourbon line is available online now along with all of the band’s latest news and more at:

Websitehttps://anthrax.com

Facebookhttps://www.facebook.com/anthrax

Twitterhttps://twitter.com/anthrax

To keep up with the latest sports and entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Anthrax Announces European Tour Schedule

Courtesy: Herfitz PR

Anthrax will head overseas next fall.

The band announced the schedule for its 2022 European tour Tuesday. The tour is scheduled to launch Sept. 27 in Birmingham, UK and to run through Nov. 5 in Zurich, Switzerland. Municipal Waste will serve as support for the tour.

Drummer Charlie Benante said in a prepared statement that while the tour is still more than a year away, the band is already anticipating the tour’s launch.

“It sure has been a long time since we rock’n’rolled in the UK and Europe,” said Benante, “but we’re coming back soon to bring the noise to all of you guys.  Being that we can’t get over there until 2022, we’re going to make sure that every show will be an eventful one.  We won’t just be playing four decades of songs to celebrate our ongoing 40th anniversary – hey, we’ll be giving YOU some history! – but we just might have some brand new ones for you as well.  Can’t wait to see all your happy, smiling faces!!!”

Front man Joey Belladonna echoed Benante’s sentiments in his own statement.

“There’s just something special about Europe,” said Belladonna. “Our fans there have always had a full-fledged excitement about our shows, and I enjoy performing more than anyone can imagine, so we’re really looking forward to this tour.”

The tour’s schedule is noted below. Tickets are available here.

SEPTEMBER

27   02 Academy, Birmingham, UK

29   Academy, Manchester, UK

30   02 Academy, Glasgow, UK

OCTOBER

 1   02 City Hall, Newcastle, UK

 3   02 Academy, Leeds, UK

 4   Rock City, Nottingham, UK

 6   02 Academy, Bristol, UK

 8   Brixton Academy, London, UK

11  013, Tilburg, Netherlands

13  Bataclan, Paris, France

14  Turbinenhalle, Oberhausen, Germany

15  Werk 2, Leipzig, Germany

17  Vega Main Hall, Copenhagen, Denmark

18  Tradgarn, Gothenburg, Sweden

19  Annexet, Stockholm, Sweden

21  Tullisali, Oulu, Finland

22  Logomo, Turku, Finland

23  Kultuurikatel, Talinn, Estonia

25  Stodola, Warsaw, Poland

26  Batschapp, Frankfurt, Germany

27  LKA Longhorn, Stuttgart, Germany

29  Sono, Brno, Czech Republic

31  Babra Negra, Budapest, Hungary

NOVEMBER

  1   Culture Factory, Zagreb, Croatia

  2   Arena, Vienna, Austria

  4   Alcatraz, Milan, Italy

  5   Komplex, Zurich, Switzerland

More information on Anthrax’s tour and all of its latest news is available online now at:

Website: https://anthrax.com

Facebook: https://www.facebook.com/anthrax

Twitter: https://twitter.com/anthrax

To keep up with the latest sports and entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Lord’s New Record Is A Covers Compilation That Is Actually Worth Hearing

Courtesy: Dominus Records

Independent rock band Lord released its latest record this week.  Its new covers compilation, Undercovers Vol. 1 released Friday through Dominus Records.  The 23-song (yes, 23 songs) comes less than a year after the trio released its then latest EP, Chaos Raining, and approximately two years after the release of its then latest new album, Fallen Idols.  This latest compilation stands out from so many other compilations already released this year in part because of its featured songs.  This will be discussed shortly.  The band’s take on the songs makes for its own share of interest and will be discussed a little later.  The songs’ sequencing puts the finishing touch to the record’s presentation.  When this element is considered along with the other noted items, the record in whole proves that while it is largely a space filler between albums, is still a positive addition to Lord’s catalog.

Lord’s new covers compilation, Undercovers Vol. 1 is a positive new presentation from the longtime independent hard rock band.  The record’s appeal comes in large part through its songs.  The songs are important to note in that they are not just a bunch of songs that the band recorded specially for this compilation.  Rather, they are mostly covers that the band has recorded throughout its life and has only now made available together.  Simply put, they were brought together as a way to entertain the band’s fans in lieu of a live recording and even new live dates while promoters and venue heads decide their next steps for live music.  They are not just some random space-filler used to appease contractual obligations.

Bassist Andy Dowling explained the songs’ collection during a recent interview.

“Covers have been a big love of ours since the early days of Dungeon right up to and including now,” said Dowling. “Over the years in Lord these tracks have ended up on limited edition releases, bonus tracks in isolated parts of the world and other weird and wonderful places. These songs have been scattered over so many different places that even we struggle ourselves to remember where on earth all of these songs can be found.” 

“While bands around the world continue to navigate these uncertain times, we thought this would be the perfect opportunity to release this collection of cover songs, as well as new recordings, to keep the LORD machine moving while we continue to write new music,” he added. 

Additionally, Dowling pointed out that two of the songs featured in the compilation —  Savage Garden’s ‘To the Moon and Back’ and Judas Priest’s ‘Reckless’ – were the only songs specially recorded for the compilation.  Those two songs are only a small portion of the 23 (yes, 23) total songs featured in this recording, and are important because they are a highlight of the diversity in the collection.  The band also took on The Police (‘Message in a Bottle’) here, as well as songs from Bon Jovi, Helloween, Metallica, and Little River Band just to name a handful of other acts featured in the compilation.  The short and simple is that the bands covered here come from a wide range of genres.  From hard rock –Metallica, Iron Maiden, Judas Priest, Anthrax – to classic rock – Little River Band – to 80s hair rock – Bon Jovi – to prog – Queensryche, Symphony X – to mainstream pop and rock – The Police, Savage Garden – Lord takes on music from so many influences.  That diversity in the bands and music featured here helps to build the band’s reputation and at the same time, perhaps even introduce audiences to music to which they might not have otherwise listened.  If for no other reason, that diversity in the bands and songs will keep audiences engaged and entertained.  It is of course just one of the elements that make this recording so interesting.  The band’s performance of said songs adds to the record’s interest.

Lord’s take on The Police’s ‘Message in a Bottle’ is just one example of the importance of the band’s performances.  Lord’s take on the classic song is interesting in that while it stays largely true to its source material, it essentially amps up that original in a sort of 80s power metal style work.  That updated take — complete with machine gun-fast bass drum work, melodic guitar lines, and operatic vocals – shows that the song strangely enough works just as well in this case as in the original presentation.  It is not one of those woks that hits listeners in its first listen, either.  Rather, it will grow on listeners with each listening, highlighting its longevity.

The band’s take on a-ha’s ‘The Sun Always Shines on TV’ is yet another example of the band’s performances here.  In the case of this performance, the band has opted more for an 80s hair metal style performance that makes for quite the contrast against a-ha’s keyboard-driven original composition.  There is the slightest touch of a power ballad early on in the original composition, what with the string arrangement, but that soon gives way to the band’s more familiar new wave approach, which is more present throughout the song.  Lord’s take on the song, as noted, is more of an 80s hair power ballad type work.  It gives a-ha’s original quite the unique new identity in this case with its amped up take on the song.  Where it ends up standing with listeners will be left for those audiences to decide.  That aside, it definitely makes for its own interest. 

W.A.S.P. is another of the bands whose work is covered in this compilation.  In this case, Lord took on the band’s hit song ‘Wild Child.’  In this case, the stylistic approach taken by Lord is largely the same as that of W.A.S.P.  The difference is that Lord’s cover is actually an improvement on the original.  It would seem here that is more due to the production.  The production makes the song sound so much fuller and richer here than the original.  It makes the song sound more modern with a throwback feel.  To that end, it is yet another example of the impact of the band’s performances here, and the importance thereof.  When it is considered along with the other performances noted here and the rest of the record’s featured performances, the whole of those performances makes for even more engagement and entertainment.  It is just one more example of what makes this compilation worth hearing.  The sequencing of the songs featured in this compilation rounds out its most important elements.

The sequencing of Undercovers Vol. 1 is important to examine because of its role in the record’s general effect.  The record starts in contemplative fashion with its cover of Savage Garden’s ‘To the Moon and Back’ but very quickly after, it picks up with its take of Iron Maiden’s ‘Judas Be My Guide.’  It is not even until the record reaches its midpoint in its take of Cutting Crew’s ‘(I Just) Died In Your Arms’ that the album’s energy even remotely pulls back.  From that point on, the compilation’s energy remains relatively high, even as the band takes on what are some otherwise reserved songs.  Even in those cases, the band manages to amp up those songs, including their energies.  So overall, the sequencing ensures that the album’s energy remains relatively high throughout its 100-minute (one hour, 40 minute) run time.  That the record’s energy remains relatively high, and even gives a break point roughly halfway through ensures that the record will run fluidly throughout, ensuring even more, listeners’ engagement and entertainment.  When that certain engagement and entertainment is considered with the impact of the band’s unique performances and the variety of songs featured here, that whole makes the compilation overall, its own standout presentation.  Add in the fact that this compilation marks the first time that the band has ever united the previously recorded covers in one setting, and the compilation gains even more appeal.  It shows that this was not just some randomly recorded presentation used to appease contractual obligations.  Between this and everything else noted, the record in whole proves to be a covers collection that is actually worth hearing.

Lord’s new covers compilation Undercovers Vol. 1 is an interesting presentation that rockers and even pop music fans alike will find worth hearing at least once.  That is due in part to the songs featured in the recording.  The band does not just take on a bunch of hard rock and metal songs here, though there are a lot of those songs featured here.  The band also takes on songs from pop and pop rock acts, such as Savage Garden, The Police,  a-ha, and even Kylie Minogue.  That variety in itself makes for reason enough to hear this presentation.  That only two of the songs featured here were specially recorded for the compilation shows that this was not just some randomly thrown together presentation that was made to appease any contractual obligations for the band.  Rather, it was a way for the band to bring together so many of the covers that it has recorded over the course of its life.  That makes the presentation more special in itself.  The band’s performance of the featured covers makes for its own appeal.  That is because they give those originals their own unique identities from one to the next.  The songs’ sequencing rounds out the most important of the compilation’s elements.  That is because it ensures the record’s pacing remains stable throughout while also constantly giving listeners something interesting rather than redundant.  Each item noted here is unquestionably important in its own way to the whole of the compilation’s presentation.  All things considered, they make the record a work that despite being a covers compilation, still a presentation that is worth hearing, and at least once at that. Undercovers Vol. 1 is available now through Dominus Records.

More information on Undercovers Vol. 1 is available along with all of Lord’s latest news and more at:

Websitehttps://www.lord.net.au

Facebookhttps://www.facebook.com/lordofficial

Twitterhttps://twitter.com/lordofficial

To keep up with the latest entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Charlie Benante Announces New LP Release Date, Specs

Courtesy: Megaforce Records

Anthrax drummer Charlie Benante will release his new album this spring.

Silver Linings is scheduled for release May 14 through Megaforce Records. While the record sees Benante as the primary figure in its presentation, he stressed during a recent interview, that the album is not a solo record.

“This isn’t a solo album,” Charlie said, “This is a record of my favorite songs done with some of my friends during a very dark time.  We found a shining light and this is the result of that light.  I was really happy that my musician friends came on board and helped make this record what it is.  I appreciate all of them, and they all did such a fantastic job.  Despite all of the darkness we’ve experienced this past year, there are ‘silver linings,’ that’s why I chose that title for the album.”

He added, the album’s creation came about through the advice of someone close to himself.

“Back in February of last year, with COVID and all the other B.S. that was going on, I was glued to the 24-hour news cycle on the TV and my phone, and I started to get really depressed,” he said.  My girlfriend said I needed to turn off the news and suggested I do something creative, whether it was art or drumming or writing new songs, and she was right.”

According to information provided about the 14-song record, it will feature an all-star cast of guest musicians and performers, such as guitarist John 5 (Rob Zombie, Marilyn Manson), Alex Skolnick (Testament), and Corey Taylor (Slipknot).

Also featured on the new record are Run DMC member Darryl “DMC” McDaniels, Rob Caggiano (Volbeat), and Ra Diaz (Suicidal Tendencies). The group recorded the song “Run-DMC Medley,’ which is one the songs featured in the album. The group premiered the song’s quarantine video in June 2020.

The whole of Silver Linings‘ track listing is noted below:

* “City of Blinding Lights”/U2 – Frank Bello, Mark Osegueda, Charlie Benante

* “Chloe Dancer / Crown of Horns”/Mother Love Bone – Mark Menghi, Mark Osegueda, Charlie Benante

* “Teardrop”/Massive Attack – Carla Harvey, Ra Diaz, Charlie Benante

* “Run DMC”/Run DMC – DMC, Rob Caggiano, Ra Diaz, Charlie Benante

* “Rhiannon”/Fleetwood Mac – Mark Menghi, Jennifer Cella, Randy McStine, Charlie Benante

* “Yer So Bad”/Tom Petty – Carla Harvey, Ra Diaz, Charlie Benante

* “Transylvania”/Iron Maiden – Snake Sabo, Frank Bello, Jon Donias, Charlie Benante

* “Presto Vivace”/U.K. – Ra Diaz, Alex Skolnick, Jordan Rudess, Charlie Benante

* “Bad Guy”/Billie Eilish – Ra Diaz, Charlie Benante

* “Jimmy James”/The Beastie Boys – Ra Diaz, Charlie Benante

* “All The Way”/KISS – PJ Farley, Joe McGinness, John 5, Charlie Benante

* “Mr Speed”/KISS – Joe McGinness, PJ Farley, Charlie Benante

* “Public Image”/Public Image – Hank Von Hell, Dave Brownsound, Jason “Cone” McCaslin, Charlie Benante

* “Funny Vibe”/Living Color – Ra Diaz, Corey Glover, Henry Flury, Charlie Benante

More information on Charlie Benante’s new album is available along with all of his latest news at:

Website: https://charliebenante.com

Facebook: https://www.facebook.com/CharlieBenanteOfficial

Twitter: https://twitter.com/skisum

To keep up with the latest entertainment news and reviews, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Kings Of Quarantine Debuts ‘Mountain Song’ Cover, Companion Video

Rock super group Kings of Quarantine debuted the video for its latest single this week.

The band — Jason Rockman (Slaves on Dope), Kevin Jardine (Slaves on Dope), and Bill Kelliher (Mastodon) — debuted the video for its cover of the hit Janes Addiction song ‘Mountain Song‘ Tuesday. The band was joined by an all-star cast of musicians for the video and the song, consisting of: Wes Borland (Limp Bizkit), Tanner Wayne (In Flames), P-Nut (311), Louise Post (Veruca Salt), Richard Patrick (Filter), and Bert McCracken (The Used).

Kings of Quarantine’s take on ‘Mountain Song’ stays largely true to its source material. What it does extra is gives the song an added punch with its multiple vocal takes and even heavier, amped up guitars.

Courtesy: TAG Publicity

One hundred percent of sales from the single’s release will go to benefit Roadie Relief, an effort that serves to assist roadies who were negatively impacted by the COVID-19 pandemic.

Rockman talked about that attempt to help concert staff through the song’s sales in a prepared statement.

“We hope to not only put a smile on people’s faces, but also help the touring staff that have been severely affected by the pandemic”, said Rockman.

Kings of Quarantine’s latest single and video are the second from the group. The trio covered Faith No More’s 1987 hit song ‘We Care A Lot‘ last year. The group was joined by members of Anthrax, Korn, Filter, Run DMC, Refused, and Men Without Hats for that recoding and its video.

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Anthrax Debuts Limited Edition Watch Line

Photo Credit: David Campo Cardenas, NEZUMI Studios

Anthrax fans have a new way to celebrate their favorite band.

The band has partnered with watch Nezumi Studios to create the limited edition “Persistance of Time” watch. The watch is limited to a quantity of only 50. It celebrates the 30th anniversary of the release of the band’s 1990 album by the same name.

Each limited edition watch, made 100 percent by Nezumi Studios, is individually numbered and features a DLC satin black coated case, a Japanese mechanical movement, Swiss luminova on the dial and hands, and premium vegetable-tanned leather strap. Orders for the watch are open.

Nesumi Studios founder David Campo talked about the partnership in a recent interview.

“I got to know Charlie through David Ellefson of Megadeth, and the stars aligned.  Charlie asked if I would want to design a watch for the Persistence of Time 30th anniversary,” he said. “I thought that album’s title and hit song ‘Got The Time’ made the limited edition watch a perfect fit, and, being a fan since the late 80s, it’s been an honor to take part in this.”

Anthrax drummer Charlie Benante expanded on Campo’s comments.

“We connected with NEZUMI and David Campo through our mutual friend David Ellefson (Megadeth),” said Benante.  “David sent us photos of watches he had made and they were all just beautiful, we were blown away.  I sent him the album’s cover artwork, but as there’s only so much you can fit on the face of a watch, he came up with a tremendous design.  These watches are awesome, we all love them, and think our fans will really love them as well.”

Front man Joey Belladonna also shared his thoughts on the new watch line.

“With the ‘Persistence of Time’ album being focused on the concept of ‘time,’ partnering up with NEZUMI to produce this watch was a great idea,” said Belladonna.  “The watch is beautiful, and would make a great holiday gift for someone special, and I know I’m looking forward to getting mine.” 

A video promoting the watch line’s debut is streaming here.

The debut of Anthrax’s new limited edition watch brand comes a month after the band launched its new limited edition whiskey lines, “Evil Twin I” and “Evil Twin II.” Both of Anthrax’s new drinks were produced by Hillrock Estate Distillery. The distillery is located in the Hudson Valley Highlands in New York state.

More information on Anthrax’s new watch line and whiskey lines is available online now along with all of the band’s latest news and more at:

Websitehttp://anthrax.com

Facebookhttp://www.facebook.com/anthrax

Twitterhttp://twitter.com/anthrax

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Anthrax Announces Release Of Two New Whiskey Lines

Anthrax is releasing two new lines of signature whiskey.

The band has launched two new drinks, “Evil Twin I” and “Evil Twin II.” The limited edition drinks are being made available in special numbered bottles. Only 238 bottles of “Evil Twin I” are expected to be poured while exact number of bottles of “Evil Twin II” is under consideration. “Evil Twin I” will be 120.1 proof in its alcohol content.

Bottles of “Evil Twin I” that are ordered by Friday can be expected to arrive by Halloween. Orders are open through Mash & Grape.

Both of Anthrax’s new drinks were produced by Hillrock Estate Distillery. The distillery is located in the Hudson Valley Highlands in New York state.

Courtesy: Anthrax

According to information made available about the drinks, “Evil Twin I” contains espresso, caramel, vanilla and spice. “Evil Twin II” features maple, cinnamon, clove, and black pepper.

Hillrock Estate Distillery Co-owners Cathy Franklin and Jeffrey Baker talked about working with Anthrax on the new drinks during a recent interview.

“We’re so happy to be working again with Anthrax,” said Franklin and Baker.  “We had a lot of fun with the whole band on ‘The Healer’ bourbon earlier this year, and were impressed by their appreciation for delicious spirits during those tastings.  With ‘Evil I and II,’ it was great that Scott was able to come up to Hillrock and be really involved in finding the perfect blends for ‘Evil I’ and ‘Evil II.’  We’re sure Anthrax fans will enjoy both.”

Anthrax worked with Hillrock Estate Distillery in June when it released another signature drink, its signature bourbon, “The Healer.”

Anthrax guitarist Scott Ian had the following to say of the noted partnership and the two sides’ current partnership.

“We decided to release another whiskey because it seemed like people were very happy with ‘The Healer,” he said.  “Where ‘The Healer’ bourbon was extremely approachable and smooth, ‘the ‘Evil Twins’ are spicier, sweeter, richer, stronger, and bolder.  So, when we say ‘Evil Twin,’ we mean it in a great way.”

Along with “The Healer,” Anthrax has also released two other adult beverages, “Indians” in 2014 and “The Devil You Know” in 2015.

More information on Anthrax’s new whiskey lines is available online now along with all of the band’s latest news and more at:

Websitehttp://anthrax.com

Facebookhttp://www.facebook.com/anthrax

Twitterhttp://twitter.com/anthrax

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Wreck-Defy Debuts ‘Freedomless Speech’ Lyric Video

Courtesy: SubLevel Records

Wreck-Defy debuted the video for its latest single this week.

The band debuted the lyric video for its new single ‘Freedomless Speech‘ Thursday.  The song and its companion video are the second from the band’s forthcoming album Powers That Be, which is scheduled for release Oct. 9 through SubLevel Records.  The band debuted the album’s lead single ‘Skin‘ and its companion video last month.

The video places the song’s lyrics over a television screen in which images of items, such as a law enforcement K-9, pointing fingers, and a person with a mouth covered in tape flash.  The visuals are meant to help deliver the song’s lyrical message about the corrosion of free speech worldwide.

The song’s lyrical content is timely and will resonate with any listener.  The song’s musical arrangement will connect with any thrash metal fan.  Its fierce shredding and precision time keeping couples with its vocals and bass to make it a work that will appeal to fans of bands, such as Megadeth, Testament, and Anthrax.  That should come as no surprise, as the band is composed of former members of Testament, Annihilator, and Malevolent Creation, which are counterparts to Megadeth and Anthrax.

The band’s members are: Matt Hanchuck, Aaron Dandall (ex-Annihilator), Greg Christian (ex-Testamant), Alex Marquez (ex-Malevolent Creation).

Powers That Be is the third full-length studio recording from Wreck-Defy.  It will come less than a year after the release of the band’s sophomore album, Remnants of Pain.  Pre-orders are open through SubLevel Records’ official Bandcamp page and through Wreck-Defy’s official Bandcamp page.

More information on Wreck-Defy’s new single, video, album and more is available along with all of the band’s latest news at:

 

Websitehttp://wreck-defy.bandcamp.com

Facebookhttp://www.facebook.com/Underground4560

 

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Ellefson Debuts New Compilation’s Lead Single; Unveils Initial Track Listing

Courtesy: Combat Records

Audiences got their first preview of Megadeth bassist David Ellefson’s new eponymous rock project this week.

The band — Ellefson (bass), Thom Hazaert (vocals), Andy Martongelli (guitar), Ron “Bumblefoot” Thal (guitar), and Paolo Caridi (drums) — released the song ‘Wasted‘ Friday.  The song, a cover of the Def Leppard song, is the lead single from the group’s debut record, No Cover.

Ellefson’s cover of ‘Wasted’ features guest appearances from Frank Hannon (Tesla), Jacob Bunton (Mick Mars, Lynam), and Dave McClain (Ex-Machine Head, Sacred Reich).

The famed names featured on ‘Wasted’ are just some of well-known musicians and performers who make appearances on this record.  Also lending their talents to the album are equally well-known figures, such as Charlie Benante (Anthrax), Al Jourgensen (Ministry) and Gus G. (Firewind).

Along with debuting its lead single, Ellefson has also unveiled the initial track listing for No Cover.  The initial listing opens with a cover of Judas Priest’s timeless hit song ‘Freewheel Burning’ and also features covers of songs such as AC/DC’s ‘Riff Raff,’ Queen’s ‘Sheer Heart Attack’ and Billy Idol’s ‘Rebel Yell.’

The album’s initial track listing is noted below.  Two tracks are still TBA. Pre-orders are open now.

 

Tracklist:
1. Freewheel Burning (Judas Priest) ft. Jason McMaster, Gus G, Andy James, Dave McClain
2. Tear It Loose (Twisted Sister) ft. Eddie Ojeda, Dave McClain
3. Love Me Like A Reptile (Motorhead) ft. Doro Pesch, Greg Handevidt, Chuck Behler
4. Holiday in Cambodia (Dead Kennedys) ft. Charlie Benante
5. Rebel Yell (Billy Idol)
6. Wasted (Def Leppard) ft. Frank Hannon, Jacob Bunton, Dave McClain, Bumblefoot
7. Riff Raff (AC/DC) ft. Jason McMaster, Dave Lombardo
8. Nailed To The Gun (Fight) ft. Andrew Freeman, Russ Parrish, Jimmy DeGrasso
9. Not Fragile (Bachman-Turner Overdrive) ft. John Aquilino
10. Say What You Will (Fastway) ft. Troy Lucketta, Mark Slaughter
11. LOVE Machine (W.A.S.P.) ft. Dirk Verbeuren, Dave Alvin
12. Love Hurts (Nazareth) ft. Brandon Yeagley, Chuck Behler, Tyson Leslie
13. Sheer Heart Attack (Queen) ft. Bumblefoot, Doro Pesch, Charlie Benante
14. Sweet FA (Sweet) ft. Todd Kerns, Bumblefoot, Shani Kimelman
15. TBA
16. TBA
17. Auf Wiedersehen (Cheap Trick) ft. Al Jourgensen, Brandon Yeagley, Charlie Benante

Bonus Tracks
18. Eat The Rich (Krokus) ft. Dead By Wednesday

 

No Cover was co-produced by Ellefson, Hazaert, and Martongelli.  The record was engineered by Alessio Garavello, Matt LaPlant (Nonpoint, Lil Jon, Skindred) and John Aquilino.  Alessio and Garavello mixed the album alongside Randy Burns and others.

Ellefson talked about the record’s genesis in a recent interview.

“Before any of us started writing our own songs, we all began playing cover songs by our heroes during our formative years as musicians,” said Ellefson.  “So, it’s fun to go back in time and revisit those songs which helped us to become the artists we are today, especially when, ironically, many of those artists have now become peers and friends. During the process of recording some covers for B-Sides and bonus tracks for the upcoming Ellefson solo LP, Thom and I just said, “This is a blast, let’s just do a whole album of covers!” Literally, within 2 weeks, we had the songs recorded, and began calling our friends to join us, many of whom we had just performed with on the MEGA-Cruise back in October. From there, the album just fell into place.”

“A lot of our buddies have been playing covers and quarantine jams on the Internet during the pandemic, so this is really just an extension of that, but we took it the next level and actually recorded a full studio album,” he added.” We’ve been working remotely anyway, as we’re all over the Globe, so it was easy to incorporate some guests jumping in with some outstanding performances of their own. It’s been a really fun nod to making great music with our friends, who are kick-ass players, and many legends in their own right, which is the whole reason we got into this in the first place!”

Hazert expanded on Ellefson’s comments with his own thoughts.

“It’s all songs and artists that really mutually influenced both myself and David, especially a lot of early “Metal” and harder Classic Rock,” he said. “Some stuff I picked, some stuff he picked, but for the most part is was all artists that we both loved. What’s funny, as there’s a bit of an age gap, we were sometimes more influenced by different eras of the same bands. But it was really him saying, “Let’s do this song”, and me saying, “Yes!!! And let’s do this song.” And before we knew it, we had over 15 songs. And it’s a lot of album tracks, deep cuts, early tracks, stuff people might not expect, which was what was so fun.”

“It was also great that we were able to work in a lot of nods to David’s [Ellefson] history, getting Chuck Behler to play with us, bringing in original Megadeth guitarist Greg Handevidt to play on “Love Me Like A Reptile”, a song they used to play in cover bands together before they moved to LA (which we wrote about in More Life With Deth), and Randy Burns is going to mix a track or two,” added Hazert.  “As a singer, these are literally bands I’ve listened to, and covered all my life, and for me, getting to play with Eddie Ojeda, the Tesla guys, Charlie Benante, Jason McMaster, Mark Slaughter, etc, and sing these songs that mean so much to me. I mean, literally, the entire record is my bucket list of people I’d love to play with, and some of my favorite bands. So, it’s truly an honor to put together something so fun, and really as effortless as this was. It truly is a love letter to Rock N’ Roll, an homage to what made us, musically, who we are today.”

Ellefson resurrected Combat Records in 2017 as part of the EMP Label Group family.

Combat Records was a seminal punk and thrash record label in the 1980s.  Its doors closed in the mid-2000s after its catalog was absorbed by Sony Music.  Combat Records’ official relaunch took place in 2018.

Ellefson said in an interview in 2017, Combat Records would handle only new music because Sony has control of the label’s back catalog.

“…And to clarify, we do not own any rights to the Combat Records back catalog,” Ellefson stressed. “That is owned and controlled by Sony, and they have done a great job of curating it through other imprints. Combat Records will solely focus on new releases under the Combat banner. As always, thank you for your support and stay tuned for more details!”

More information on Combat Records, along with its latest news, is available online now

at:

Websitehttp://www.combatrecs.com

Facebookhttp://www.facebook.com/combatrecordsofficial

Twitterhttp://twitter.com/combatrecs

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Ellefson is scheduled to release its debut full-length studio recording in spring 2021.  More information on Ellefson is available along with all of the group’s latest news at:

 

Websitehttp://davidellefson.com

Facebookhttp://www.facebook.com/davidellefson

Twitterhttp://twitter.com/ellefsondavid

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.