Stiller’s Latest Indie Outing Is One Of This Year’s Best New Independent Movies

Ben Stiller is one of the most accomplished actors in Hollywood’s modern history. Having starred in countless movies and TV series, and worked behind the lens in just as many projects with plenty more in the works. One of those countless projects, While We’re Young was released direct to DVD and Blu-ray + Digital HD combo pack earlier this summer. The movie, which also co-stars Naomi Watts (King Kong, Mullholland Drive, The Ring), Amanda Seyfried (Les Miserables, Mama Mia, Dear John) and Adam Driver (Inside Llewyn Davis, This is Where I Leave You, What If), is not Stiller’s first jaunt into the indie movie world. In 2010, Stiller starred in the largely forgettable indie flick Greenberg. That movie was forgettable for good reason. While We’re Young however, proves to be more worth viewers’ time than Greenberg. It should be noted that while it is more worth viewers’ time than the prior movie, it is still very much an acquired taste. Though, that is the case with most Noah Baumbach movies. Now having noted that, While We’re Young is an interesting new entry for Stiller and the people at Lionsgate that is worth at least one watch. The main reason for that is its script, crafted by Baumbach. The script follows a couple played by Stiller and Watts that upon meeting a young twenty-something couple begins ruminating on years lost and in turn starts trying to reclaim and relive those years. Yes it’s an oft-used story element. But Baumbach takes an approach in his script that gives the story a new identity in the case of this movie. The additional commentary on the connection between technology and culture that is intertwined into the script is another reason that viewers will enjoy this movie. It is neither preachy nor unnecessarily comic. The bonus material included with the movie rounds out the reasons that While We’re Young proves worth the watch. It is made up mostly of interviews with Baumbach and the movie’s cast. It is one of those rare cases in which the standard bonus addition actually proves to actually be a bonus. And together with the aforementioned elements, all three show together why While We’re Young is one of the best of this year’s new independent movies.

While We’re Young is one of this year’s best new independent movies. It is a movie that stands out both among the endless sea of prequels, sequels, and remakes filling theaters and its fellow independent counterparts alike. It shows this mainly through its script. The script, crafted by writer/director Noah Baumbach, centers on a married couple played by veteran actor and actress Ben Stiller and Naomi Watts. Josh (Stiller) and Cornelia (Watts) are married and both in their forties. After a chance meeting with the much younger Jamie (Driver) and Darby (Seyfried), Josh and Cornelia start ruminating on lost years and lost chances. The resultant effect leads to plenty of laughs and even some moments of deep introspection. It is that balance of humor and contemplation that sets Baumbach’s script apart from every one of the previous instances in which this oft used plot has appeared. Rather than being the typical shmaltzy, slapstick story about people trying to reclaim their youth (E.g. Grown Ups, Grown Ups 2), it offers a solid balance of both humor and depth that few if any other stories of its kind present. That mix of humor and depth is exhibited especially through the blatant cultural differences (of sorts) between the two couples. There’s a lot of truth to the behaviors presented by both pairs. There’s also just enough humor shared between the couples to keep viewers entertained and engaged from beginning to end thus showing again exactly why Baumbach’s script in itself makes While We’re Young worth at least one watch.

The central story presented in Baumbach’s script presents a strong reason why the movie’s script in whole makes this movie worth at least once watch. It is just one reason that this surprisingly interesting independent movie is worth at least that one watch. Along with its central story, there is also an intended commentary on the connection between technology and culture tied into the central story that will have viewers laughing and thinking just as much as the movie’s main story. The commentary regarding the acceptance of technology’s overly intrusive nature (I.E. cell phones being used for everything all the time) is just once example of how the commentary tied into the story helps to make the story all the more enjoyable. There is also a commentary centered on one generation trying to keep up with technology while the other (today’s younger generation) is bringing back everything that was once cool years ago and calling it cool by their own self-serving judgement. It really serves as another example of art clearly imitating real life thus showing yet again why the commentaries included in the movie’s script make the movie all the more entertaining for its target audiences. They are just a couple of the commentaries that are tied in to the script, too. Audiences will see for themselves that there are even more commentaries when they see the movie for themselves. Once again, here is reason that While We’re Young stands out both among the year’s new releases overall and the year’s new independent releases.

Both the central story presented in Baumbach’s script for While We’re Young and the commentaries that accompany the movie’s main story present plenty of reason for viewers to watch this movie at least once. Both elements are of equal importance to the movie’s success and enjoyment. However, they are only a portion of what makes the movie worth the watch. The bonus material included with the movie make its overall presentation all the more worth the watch. The bonus material in question here is largely composed of interviews with Baumbach as well as the movie’s cast. This is a pretty standard bonus included in most movies’ home releases. The difference between these interviews and those included in so many other movies is that the interviews included with this movie actually present a certain value believe it or not. Baumbach and company actually offer some valuable insight into the movie, its script, commentaries and more. It’s quite the change of pace from those other, lesser interviews that try to pass themselves off as “bonuses” with other movies. In the case of this movie, they are in fact bonuses; bonuses that every viewer will find quite insightful. The insight offered by the bonus interviews along with the script’s main story and its companion commentaries make While We’re Young a movie that in whole while not for everyone is still one of the best of this year’s new independent film field and a movie worth at least one watch.

While We’re Young may not have gotten the coverage from media outlets as the major motion pictures released this summer by Hollywood’s “Power Five Studios.” But in comparison to those largely unoriginal, uncreative, prequels, sequels, and remakes, it holds its own quite well. It even holds its own quite well among its fellow independent counterparts. That is thanks to the movie’s script, which includes a new take on a classic story line and some equally entertaining yet in-depth commentaries that will have viewers talking and laughing long after the movie ends. The bonus interviews included with the movie make the overall viewing experience of this movie even richer for fans. All three elements combined, they prove While We’re Young to be one of this year’s best new independent movies and potentially even one of the year’s best overall new movies. It is available now in stores on DVD + Digital and Blu-ray + Digital HD combo pack.

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Lionsgate Announces Release Date, Specs For New Dramedy While We’re Young

Lionsgate will release actor Ben Stiller’s new dramedy While We’re Young next month.

While We’re Young will be released on Blu-ray + Digital HD combo pack and DVD + Digital combo pack on Tuesday, June 30^th. Stiller (Night at the Museum 1 – 3) and Naomi Watts (King Kong, The Impossible, Mullholland Drive) star as a pair of aging urban sophisticates trying too hard to hold onto their youth in the movie. In their efforts to hold onto their youth, the pair—Jason (Stiller) and Cornelia (Watts)—join a hip-hop dance class and “mind-expanding” parties among other activities. They are joined by Adam Driver (HBO’s Girls), Amanda Seyfried (Alice in Wonderland, Les Miserables, Mamma Mia), Charles Grodin (Beethoven, Beethoven’s Second, Midnight Run) and now former Beastie Boys member Adam Horovitz (a.k. Ad-Rock) along the way. The movie was helmed by Academy Award®-nominated director Noah Baumbach (Best Original Screenplay The Squid and the Whale, 2005). Baumbach has also previously worked with Stiller on the 2010 drama Greenberg. He also developed the big screen adaptation of the classic children’s book The Fantastic Mr. Fox in 2009.

One writer for Variety called While We’re Young a “blisteringly of-the-moment and classically zany comedy.” Along with the main feature, both the Blu-ray + Digital HD and DVD + Digital combo pack will also feature a handful of bonus material including six behind-the scenes featurettes and some more scene specific features. The complete list of bonus material included on the Blu-ray + Digital HD combo pack is noted below.

BLU-RAY/DVD SPECIAL FEATURES*

• Six Behind-the-Scenes Vignettes:  “The Cast,” “Working with Filmmaker Noah Baumbach,”
• “Generation Tech,” “Working with Charles Grodin,” “Ayahuasca Ceremony” and “Hip-Hop Class”

*Subject to change

While We’re Young will be released on Blu-ray + Digital HD combo pack and DVD + Digital combo pack on Tuesday, June 30^th. The Blu-ray + Digital HD combo pack will retail for MSRP of $24.99 and the DVD + Digital combo pack for $19.98. More information on this and other titles from Lionsgate is available online now at:

Website: http://www.lionsgate.com

Facebook: http://www.facebook.com/lionsgate

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20th Century Fox’s Night At The Museum Series Goes Out On A Low Note With Its Last Installment

Courtesy: 20th Century Fox/20th Century Fox Home Entertainment

When it originally debuted in theaters late in 2014, Night at the Museum: Secret of the Tomb ended up being pulled not long after its original run. It comes across as no surprise that it was pulled so quickly. That’s because it is just a hollow shell of the movie that kicked off 20th Century Fox’s Ben Stiller-led franchise some eight years ago with Night at the Museum. The movie is alleged to have had a production budget of approximately $127 million. By comparison, its total domestic take at the box office was rumored to be around $113,531,745. On the surface that may seem like it was a relative success despite coming up short of its budget. It’s deceiving, though. That’s because the box office sales number is the movie’s gross rather than net. After 20th Century Fox recouped its production budget that left the movie to actually keep only $13,468,255. That is a massive loss to say the least. Put more simply, the movie hemorrhaged money. Given, the total domestic plus foreign sales actually garnered the movie a healthy net profit. But it doesn’t make up for the movie’s lackluster domestic sales. It’s even more proof that American audiences are in fact growing weary of Hollywood’s constantly running river of prequels, sequels, and remakes. So what caused this movie to perform so poorly at least at the American box office? The primary issue with the movie is its script. The script breaks absolutely no new ground in comparison to the franchise’s first two movies. As a matter of fact it goes so far as to rehash much of the material from those movies in hopes that audiences would fall for the writing team’s pathetic overall lack of originality and creativity.  The acting is another issue that should be noted in considering what doomed this movie. Having seen the same sort of comic performances twice over in both NATM and NATM 2, Stiller’s acting here—and that of his cast mates—has become old hat and is just as uninspired as the movie’s script. For all of the movie’s cons, there is one saving grace to the whole thing That saving grace is the fact that the movie continues to push the values of the world’s museums and on a larger scale, learning about the history of the world. In simpler terms, it continues to promote the importance of education albeit history education. That is certainly laudable considering that today’s youths are more concerned with the latest video games and the next big viral video than the excitement of the world’s history. Is it enough to save this movie? Sadly, the answer is no. But at least it doesn’t try to fictionalize history and make it something it isn’t in its efforts to entertain young audiences. Taking into account each of its noted elements, NATM 3 (as it will henceforth be known) proves to be just as forgettable in its new home release as its big screen release last year.

20th Century Fox’s third and hopefully truly last installment in its Night at the Museum franchise is the worst of the studio’s three-movie series. There is by and large very little that makes this movie memorable or even enjoyable. The movie’s script is the main reason that it suffers and in turn makes audiences suffer. The script is laughable especially considering that the trilogy first kicked off eight years ago. The story presented in this movie’s script sees Larry (once again played by Ben Stiller) and all of his friends from the original Night at the Museum movie go on a trip across the Atlantic to return the magical tablet at the center of the trilogy to Ahkmenrah’s father in “Egypt.” The trip has to be made because *gasp* the tablet has been away from its proper place for too long. Apparently it hadn’t already sat in the Museum of Natural History in New York for far too long at the time of the trilogy’s first installment. Go figure. So instead of any new story, it all centers on the tablet once again. And not to ruin things for those that haven’t yet seen the movie now that it is available on DVD and Blu-ray combo pack, but the group’s “epic” quest isn’t quite as epic as one might think. Instead of actually going to Egypt, they travel to London’s major museum and have to get to the museum’s Egypt wing so as to return the tablet to Ahkmenrah’s father (played in little more than a cameo role by Sir Ben Kingsley). With a budget allegedly topping $127 million one would have thought that Larry and company might have actually somehow made the trip to Egypt or the country’s main museum instead of the Egypt wing of London’s central history museum. Add in the fact that Larry and his friends have to hunt for their pint size pals Jedediah and Octavius (once again played by Owen Wilson and Steve Coogan respectively) and also have to get the tablet back from a misguided Sir Lancelot along the way all while maneuvering their way through the museum, and audiences get a script that when examined in such full detail, can only be described as completely contrived, unoriginal, and completely lacking in any creativity. That’s not even to mention the underlying plot of Larry’s relationship with his now teenage son who wants to travel the world instead of go off to college. It is all too much.

The script thrown together by NATM 3’s writing team does more than its own share of damage to this movie. The very fact that multiple parties played a role in the script’s creation could in fact be to blame for its numerous issues. As much damage as the movie’s script does to the movie’s overall presentation, it’s just one of the movie’s major setbacks. The work of the movie’s cast does its own share of damage, too. Larry’s back and forth with Dexter and Laa is all too familiar for those that have watched NATM and NATM 2. It’s been done. It’s one of those situations that proves to be anything but funny this time around because it has already been done so much before. Even Owen Wilson and Steve Coogan felt slightly like they were just “phoning it in” during their parts. It was almost like they themselves had grown somewhat tired of the roles and were trying hard to not show it. On a lesser note, Rebel Wilson is just as annoying in her role of Tilly as Jonah Hill was as security guard Brandon in NATM 2. To be totally frank, having a similar character type used as the secondary guard twice over shows yet again the writers’ lack of creativity or enlightenment. They obviously didn’t learn from Hill’s failures as is evident in Wilson’s portrayal of Tilly. For all of the damage that the cast does with its work in front of the camera, it can at least be said that Robin Williams didn’t disappoint in what is one of his final roles before his untimely death. It’s easy to tell that once again he put in his whole effort from beginning to end. The same can be said of Patrick Gallagher in his return as Attila The Hun. While he is not the lead star, he is still just as entertaining as ever. To that extent one can argue that at least the movie has that as its single, shining ray of light in an otherwise dark cloud of a sequel.

The writing that went into NATM 3 and the work of the cast by does a lot to prove this movie to be one more sequel that never should have seen the light of day. Though, not the entire cast is so disappointing. Robin Williams and Patrick Gallagher both shine in their own right. Sadly, their work in front of the camera is the movie’s only fully noticeable saving grace in terms of the movie’s intrinsic value. For all of the problems that show up throughout NATM 3, there is at least one positive that can be noted when looking at the movie from a larger scale. That positive is the series’ continued push for history education and the support of the world’s museums. In an age when the world’s youths are increasingly being distracted by social media, video games, and their cell phones, the continued push to get those same younger audiences interested in history and the houses that keep said history is actually welcome. After all, it has been said that those who forget the past are doomed to repeat it. Not only that but those who forget the past won’t have an appreciation for what they have today, either. NATM 3 does a good job of reminding audiences both young and old alike of how far the world has come over the centuries. And when coupled with the series’ first two movies, it does in fact make this installment more worth the watch if only for that one reason. Sadly though, it is the only reason other than the work of Robin Williams and Patrick Gallagher that NATM 3 is worth the watch. Other than those two reasons, there is no reason to watch this otherwise forgettable flick.

There is not much positive to say about NATM 3. Other than the work of two of its cast members and the continued solid push for history education and the buildings that house the world’s history, there is not much that can be noted to the movie’s positive side. The script was completely unoriginal and contrived. That is likely because of the number of people working on the script. It just feels like it has all been done before. The same can be said of the cast’s acting, even in the case of new cast member Rebel Wilson. There is no new ground broken in this avenue, either. One could even say that seeing even more museum figures coming to life is anything but new, too. On the other hand though, introducing new historical figures also continues the series’ push for history education and support for the world’s museums. To that extent, NATM 3 has at least that much to its credit. Sadly that is all that it has to its credit. That means that while it’s worth at least a watch, it’s not worth much more than that.

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The Secret Life Of Walter Mitty A Surprisingly Enjoyable Story For A Reboot

Courtesy: 20th Century Fox/Samuel Goldwyn Pictures

More often than not, Hollywood’s seemingly undying hunger for prequels, sequels, and remakes has led to some of the movie industry’s worst movies in memory in recent years. However, the 2013 remake of the 1947 Danny Kaye classic The Secret Life of Walter Mitty has proven to be the rare exception to that rule. One part Death of a Salesman and one part Forrest Gump, this last movie of 2013 is also the year’s best. This is despite the fact that it is just one more on the industry’s ever-growing list of prequels, sequels, and remakes. The very first factor in the success of this updated story is its writing. Writer Steve Conrad has taken author James Thurber’s original story and updated it in a way that works even despite being changed around so much.  Also to be taken into consideration is the acting of the cast.  Veteran actress Shirley MacClaine (Downton Abbey), comedienne Kristen Wiig (SNL), and Adam Scott (Parks & Rec) each expertly carry out their roles and make the story all the richer.  The same can also be said of surprise guest stars Patton Oswalt and Sean Penn.  The last aspect of the movie to consider in its success is its cinematography.  The scenes shot in Greenland and Iceland were beautiful to say the very least.  The same can be said of so many other scenes that make up Walter’s fantasies and his real life adventures.  That aspect comes together with the cast, its acting, and the general writing to make this movie one of the biggest surprises of 2013.

Writer Steve Conrad’s adaptation of author James Thurber’s The Secret Life of Walter Mitty is not the first time that the story has been adapted to the big screen.  Its first big screen adaptation was in 1947.  Little changed from that story–penned by writers Ken Englund, Everett Freeman, and Philip Rapp–and this latest take on Thurber’s story.  The one big difference between the two stories is that the original adaptation was a rom-com.  Conrad’s update is more of a human drama that centers on overcoming the fear of life’s uncertainties and taking risks.  Typically, making such a drastic change is a formula for disaster.  But this case is a very rare exception to the rule.  Somehow, Conrad has managed to make his story work.  And he has managed to do so in so many ways.  What he offers audiences in this adaptation is the story of a man that sets out to find a photograph, but ends up finding himself in the long run.  It’s all brought on as Life magazine, the magazine he works for is preparing to release its very last print issue before it becomes an entirely online entity.  This is another aspect of Conrad’s script that makes it work so well.  That’s because it is such a real story element.

The use of Life magazine transitioning from a print outlet to an entirely online entity is a hugely useful tool to advance this story.  That’s because of its realism.  So many branches of the print media have transitioned mainly to an online presence in order to survive in the digital age.  That transition makes for a lot of uncertainty in any number of individuals’ lives including the story’s lead character.  It’s that uncertainty of the future that forces Walter to make his daydreams become reality.  And Stiller’s take on Walter as he grows through his adventures serves to make the story all the richer.

Steve Conrad’s updated take on The Secret Life of Walter Mitty is surprisingly enjoyable despite being an update on one of Hollywood’s classic movies.  The human drama that makes up the story’s main plot does so much to make the story work.  The same can be said of the acting of lead Ben Stiller and his cast mates.  He makes his take on his character one that is entirely believable as Walter grows from a socially awkward wallflower type of figure to a more self-confident man.  His isn’t the only portrayal that makes the story work, either.  Surprise guest star Patton Oswalt is spot on as a tech rep with e-harmony.  He interacts with Walter solely via phone throughout most of the story.  Even over the phone, those moments make for so many laughs.  Just as funnier is the reveal of Oswalt’s character late in the movie.  His joke of what he thought Walter would look like compared to his own looks makes for one of so many classic moments throughout the story.  Adam Scott plays the story’s antagonist, Ted Hendricks, that comes in to Life as a “cleaner” of sorts responsible for downsizing the magazine’s staff.  He was just as much on spot in his role as the rest of the cast in its roles.  He is a completely cold, despicable figure that cares only about his own advancement.  He makes audiences cheer happily for Walter both when he confronts him in his daydream and for real later in the story.  That’s the sign of an actor fully grasping his character and getting the job done.  The same can be said of supporting actress Shirley MacClaine as Walter’s mom.  She is Walter’s only real source of support among everyone around him.  And one can feel the love that Walter’s mom has for him, too.  Anyone that doesn’t laugh and smile at the pair’s personal moments have no heart.  That ability of the cast to reach audiences on so many emotional levels is just as important as the script itself in this story’s success.  The story’s success doesn’t end here, either.  There is one more aspect of this movie that makes it successful.  That aspect is the movie’s cinematography.

The cinematography of The Secret Life of Walter Mitty is beyond belief.  From Walter’s imaginary fight scenes with Ted to his real life adventure across Greenland, Iceland, and Afghanistan, the camera crews and editors went beyond the call of duty.  The contrast of Walter set against the giant magazine covers that lined the halls of Life make for their own statement.  That’s because as Walter runs past the covers, audiences see the figures on each cover turn to Walter’s face.  It makes for a statement of his dreams potentially becoming reality.  And in its own right, it is also a foreshadowing of sorts, not to reveal too much for those that haven’t yet seen.  These are just some of the examples of the expert cinematography that is exhibited throughout the course of the story.  There is much more for audiences to see for themselves.  And they will indeed find so much when they watch this story for themselves.  And together with its casting and writing, audiences will find so much to applaud in this movie; so much in fact that they will agree that despite being a reboot, it still proves to be 2013’s best new movie.

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Audiences Will “Love” Dreamworks’ New Madagascar Special

Courtesy: Dreamworks Home Entertainment/Dreamworks Animation SKG/20th Century Fox/ 20th Century Fox Home Entertainment

Dreamworks Animations’ Madagascar movies comprise one of the company’s most successful franchises.  It’s so successful in fact that it has even spawned a holiday special titled, Merry Madagascar.  Now the Madagascar gang is back again for yet another holiday special.  This time, love is in the air for the gang as Valentine’s Day nears.  Ironically enough King Julian (once again voiced by Sacha Baron Cohen) gets his hands on a perfume called “Love Potion #9” that makes anyone that wears it irresistible.  When the “love potion” is used on Marty, it leads to an unintended effect, which ends up in Marty and the rest of Alex’s friends learning a very valuable lesson about friendship and love.  The moral lesson and the laughs together will keep audiences engaged throughout the course of the special’s near half-hour run time.  To be exact, Madly Madagascar’s run time is closer to twenty-five minutes than thirty.  Though chances are if it is ever run on television, it will reach the half-hour mark thanks to commercials. 

The run-time aside, much of the reason for the enjoyment in this special comes from the special’s writing staff and the voice cast’s ability to interpret the script.  The entire cast from the previous Madagascar movies is back once more, with one more addition.  Phil LaMarr (Futurama) joins the cast as the voice of a wildlife official at a Safari camp who has to chase after the infamous penguins of Madagascar.  That’s right, even the penguins are back, creating their own mischief as the love bug has hit their leader, too.  The original voice actors behind the penguins have returned, too.  Keeping all of this in mind, it’s no wonder that interpreting the script for this special was so simple for the cast as it had to have been old hat for everybody. 

The cast’s interpretation of the writers’ script plays its own role (no pun intended) in the success of this latest special.  Audiences will also appreciate that the CG-based “animation” used in all of the previous Madagascar installments was used in this special, too.  That familiarity of sorts—as minor as it may be—will help make this new installment a welcome return for audiences of all ages.  The pop culture references to Lynyrd Skynyrd, Robert Palmer, The Black Eyed Peas, and The Clovers also make for their own laughs.  All of this combined with the script writing and voice acting will make Madly Madagascar a Valentines special that the whole family will enjoy year after year.

The main feature included in this new DVD release is enjoyable enough for the whole family.  It’s only part of the overall enjoyment that families will get from this new release.  Just as enjoyable are the bonus shorts included with it.  Two bonus shorts are included on the disc.  The first of the pair is a touching Pixar style piece titled, “First Flight” in which a rather unhappy man learns the meaning of happiness when a baby bird falls from its nest and he ends up teaching the young avian how to fly.  It truly is a moving story as short as it is.  And it will leave both kids and adults smiling and shedding at least some tears of joy.  Being that the only dialogue here so to speak is the man and bird “talking” to each other through bird song, the music played a big role in the success of the story.  It came through in a big way, too.  It added so much emotion to the entire story.  It goes to prove that Pixar just might have some competition next awards season if Dreamworks continues to try its hand with more animated shorts.  And from the viewpoint of this critic, if this short is any indication, more shorts from Dreamworks would be welcome.

The second short of the pair is far less emotional.  Instead it’s on the exact opposite end of the spectrum.  It’s taken from Dreamworks’ Over The Hedge movie franchise.  The short, titled, “Hammy’s Boomerang Adventure” is a laugh-a-minute short that follows Hammy and his friends in their discovery of a video camera.  Hammy’s friends use it to play a prank on Hammy.  The writing for this short harkens back to the days of the old Warner Brothers Looney Tunes shorts with its physical comedy between Hammy and the Boomerang.  And as with the short’s companion Madagascar feature, the original voice actors from Over The Hedge have returned here adding to the hilarity.  Adding even more enjoyment to the short is a little musical number from pop star Ben Folds.  Folds performs a song titled, ‘Heist’ for the short’s end credits.  It’s not that long, obviously.  But it’s still a catchy little tune that will have viewers tapping their toes.  It might even be enough to get audiences interested in hearing more of his music.  His music combined with the equally enjoyable shorts and main feature from the Madagascar gang come together to make for a DVD that any audience will want to check out when it hits store shelves next Tuesday, January 29^th.  It will also be available online.  It can be ordered direct online via the 20^th Century Fox store at http://www.foxconnect.com/madly-madagascar.html.

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