BTBAM Debuts Coma Ecliptic’s First Song

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Between The Buried And Me has released the first song from its upcoming album Coma Ecliptic.

The band debuted ‘Memory Place’ today online. It can be heard online now at http://www.metalblade.com/btbam. The near-ten minute song builds on the music crafted for the band’s most recent album The Parallax II: Future Sequence (2012). Coma Ecliptic will be available in stores and online on Tuesday, July 7th. The band’s seventh full length studio release, it can be pre-ordered online now at http://www.metalblade.com/btbam.

Between The Buried and Me will launch an early spring tour this Sunday in support of Coma Ecliptic with support from The Atlas Moth. the tour kicks off at The Orange Peel in Asheville, North Carolina and then moves to Charleston, South Carolina next Monday April 6th. From there, the bands will make their way south to Florida before heading to Louisiana and then Texas for a pair of dates on April 10th and 11th. Both of its shows in Texas are festival shows. The second half of the band’s 12-date tour takes them up through the midwest and into the northeast, rounding out on April 19th in Lancaster, PA. The full schedule for BTBAM’s tour with The Atlas Moth is listed below:

BETWEEN THE BURIED AND ME

Tour w/ The Atlas Moth

04/05 Asheville, NC The Orange Peel

04/06 Charleston, SC Music Farm

04/08 Pensacola, FL Vinyl Music Hall

04/09 New Orleans, LA The Howlin Wolf

04/10 Austin, TX Empire Garage Texas Independence Fest

04/11 Dallas, TX The Bomb Factory Atomic Music Festival

04/13 Lawrence, KS The Granada

04/14 St Louis, MO The Ready Room

04/15 Indianapolis, IN Deluxe @ Old National Centre

04/17 Worcester, MA The Palladium New England Metal and Hardcore Fest

04/18 Portland, ME Port City Music Hall

04/19 Lancaster, PA Chameleon Club

After taking some much-needed down time to recharge, BTBAM will head to Manchester, Tennessee for this year’s annual Bonnaroo Music & Arts Festival from June 11th – 14th. The band will take some more time off after Bonnaroo to recharge once more before heading back out on the road on July 7th alongside Animals as Leaders and The Contortionist for a 32-date tour that will take the bands well into September. That tour includes a pair of dates in its home state of North Carolina as it winds down. The first of those dates sees the bands performing at Ziggy’s By The Sea in Wilmington, NC on September 9th and at Ziggy’s in Winston-Salem, NC on September 14th. The full schedule for BTBAM’s tour with Animals as Leaders and The Contortionist is listed below.

Tour w/ Animals As Leaders, The Contortionist

07/07 Athens, GA Georgia Theatre

07/08 Tallahassee, FL Sidebar Theater

07/09 Orlando, FL Venue 578

07/10 Ft. Lauderdale, FL Revolution

07/11 Jacksonville, FL Freebird Live

07/13 Houston, TX Warehouse Live

07/14 Little Rock, AR Juanita’s

07/15 Oklahoma City, OK Diamond Ballroom

07/17 Grand Junction, CO Mesa Theater and Club

07/18 Las Vegas, NV Brooklyn Bowl

07/19 Tucson, AZ Club X’s

07/21 Santa Ana, CA The Observatory

07/22 San Diego, CA Observatory North Park

07/23 Santa Cruz, CA The Catalyst

07/24 Sacramento, CA Ace of Spaces

07/25 Boise, ID Knitting Factory Concert House

07/27 Salt Lake City, UT The Complex

07/29 Des Moines, IA Wooly’s

07/30 Joliet, IL Mojoes

07/31 Columbus, OH Newport Music Hall

08/01 Grand Rapids, MI The Intersection

08/02 Bloomington, IL The Castle Theatre

08/04 London, ON London Music Hall

08/06 Buffalo, NY The Town Ballroom

08/07 Pittsburgh, PA Stage AE

08/08 Norfolk, VA The NorVa

08/09 Wilmington, NC Ziggys by the Sea

08/11 Clifton Park, NY Upstate Concert Hall

08/12 Providence, RI Lupo’s Heartbreak Hotel

08/13 Sayreville, NJ Starland Ballroom

08/14 Winston-Salem, NC Ziggys

08/15 Nashville, TN Marathon Music Works

All of the latest updates on BTBAM’s upcoming album and tour dates is available online now along with the latest news from the band at:

Website: http://www.betweentheburiedandme.com

Facebook: http://www.facebook.com/BTBAMofficial

Twitter: http://twitter.com/btbamofficial

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

BTBAM Announces New Album Release, Tour Dates

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

There’s big news from prog-metal band Between The Buried and Me this week.

Metal Blade Records and the members of Between The Buried and Me announced this week the release date for the band’s upcoming album and its supporting tour. The band–Dan Briggs (bass), Blake Richardson (drums), Tommy Rogers (vocals, keyboards), Paul Waggoner (guitar), and Dustie Waring (guitar)–announced this week that it will release its next full length studio effort Coma Ecliptic this summer. The album, the band’s seventh, is currently scheduled to be released Tuesday, July 7th via Metal Blade Records. The album’s lead single has not yet been announced. However, it has been announced that it will be released Tuesday, April 3rd. Pre-orders for Coma Ecliptic open the same day.

Along with the announcement of the information for the album and its lead single, it was also announced that the band will launch a tour in support of Coma Ecliptic on the same day of the record’s release. The Contortionist will join Animals as Leaders as support acts for BTBAM’s upcoming tour. The thirty-plus date tour runs through August 15th and includes two dates in its home state of North Carolina. The first of those dates will see the band performing live at Ziggy’s By The Sea in Wilmington, NC on August 9th. The second brings the band to Ziggy’s in Winston-Salem on August 14th.  Before that tour kicks off, BTBAM will hit the road alongside The Atlas Moth beginning April 5th for a twelve-date tour to build excitement around Coma Ecliptic.  The tour’s opening date is at The Orange Peel in Asheville, North Carolina.  BTBAM’s current tour schedule is available online now along with all of the latest updates on Coma Ecliptic at:

Website: http://www.betweentheburiedandme.com

Facebook: http://www.facebook.com/BTBAMofficial

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

BTBAM’s New Live Release Deserves A Spot On Any Critic’s List Of 2014’s Best New Live Recordings

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Between the Buried and Me’s 2012 concept album The Parallax IIFuture Sequence is one of the band’s best albums to date.  The follow-up to the band’s 2011 album The ParallaxHypersleep Dialogues, it proved to also be one of the best new metal and hard rock albums of that year.  Earlier this year, the members of BTBAM went into a studio in the band’s home state of North Carolina to record a live in-studio performance of The Parallax IIFuture Sequence.  The end result was the band’s new live recording Future SequenceLive at the FidelitoriumFuture SequenceLive at the Fidelitorium is not the first live recording from BTBAM.  Regardless, it is still a great addition to the collection of any fan of this band.  The central reason for the success of this new release is the very fact that it is a live recording that is live without actually being live in the traditional sense.  Another reason for its success is the recording’s audio and video mix.  It doesn’t leave audiences feel like they are just watching a band record in a studio space.  And last but most definitely not least of all worth noting is the very fact that Metal Blade Records has presented this recording as a bundle pack with both Blu-ray disc and an audio portion only on separate CD.  Of course that isn’t to take away from the recording’s bonus interviews with the band and the “Behind-the-Scenes feature.  The interviews show just how much thought and planning went into the process of recording the presentation here.  The Behind-the-Scenes featurette that accompanies the bonus interviews lets audiences follow the process of recording the performance, from the initial planning process to the final rehearsals before the actual recording began.  These bonuses round out the whole thing, showing why this recording is a dark horse candidate for any critic’s year-end list of the year’s best new live recordings.

Future SequenceLive at the Fidelitorium is, as noted, a dark horse candidate for a spot on any critic’s year-end list of the best new live recordings.  The main reason for that is that the members of BTBAM have crafted in this recording a presentation that is live without being live in the traditional sense of the term.  It is a live in-studio recording rather than being a live recording in front of thousands of fans.  Bassist and founding member Dan Briggs explains in the bonus interview segments that the band consciously made the decision to take this route instead of the traditional live route as it would give a different feel.  He could not be more correct in that evaluation.  BTBAM isn’t the first band to ever record a live recording in studio verses at an actual live venue.  However, the number of music acts that put out releases in this format is not as large as some might think.  Keeping that in mind, it makes this performance all the more enjoyable.  Adding even more enjoyment to the performance is that fact that it also isn’t just some run-of-the-mill making of the album presentation.  It’s better than those all too often used featurettes used to sell records.  What audiences get in this recording is the band in studio performing its hit album in its entirety.  It is like seeing the band record the album without all of the constant stop-start process and useless banter.  Keeping that in mind, the recording itself is made that much more wonderful of an experience for viewers.  It shows even more why this recording stands out in this year’s crop of live recordings as a must see.

The performance recorded by BTBAM in Future SequenceLive at the Fidelitorium is central to the success of the recording’s presentation overall.  It isn’t just some run-of-the-mill in studio piece that documents the making of a band’s album.  It is actually a full performance of the band’s album The Parallax II.  The performance just happens to be held in a studio space rather than a live venue.  Being that the performance was recorded in a studio space, the initial thought pattern among audiences might be that the audio will be hollow and that the video might be recorded in somewhat guerilla style.  The reason for that is that so many in-studio documentaries end up presenting exactly such audio and video.  Luckily for viewers the audio and video mix in this recording are collectively and completely unlike those more raw presentations.  The audio in this recording sounds just as good as that of the originally released album.  And the quality of the recording’s video is just as laudable.  What’s really interesting about the recording’s video is that while presented on Blu-ray, it presents a certain grainy quality.   It’s obvious that said effect was used intentionally.  It adds a certain depth of emotion to the presentation especially when taken into consideration with the music itself.  That wise use of video effects and equally impressive audio mix works in combination with the rather creative format of the recording to make Future Sequence: Live at the Fidelitorium even more enjoyable for the band’s fans.

The format of Future Sequence: Live at the Fidelitorium along with its production values (its audio and video) both play pivotal roles in the success and enjoyment of the recording.  Having examined both of these factors, audiences are left with one more factor to examine in this recording.  That factor is the presentation’s packaging.  The recording is presented to fans both on Blu-ray and CD in one package.  Combining both the audio-only and the AV presentation together in one package presents audiences with a complete musical experience.  As noted previously, the audio portion of the performance is just as solid as that of the original album on which this performance is based.  So listening to the performance on CD whether in the car or at home will leave listeners feel like they are actually listening to the album in question.  The inclusion of the Blu-ray disc is the center of the experience.  It brings everything full circle.  It reminds audiences that they are taking in the album in full and that they are experiencing it in a setting that is rarely used by any musical act when releasing live recordings.  Together with the other previously noted aspects of the performance, it rounds out the recording proving once more just why this recording deserves to be not just a dark horse candidate but a viable candidate for any critic’s year-ender list of the best new live recordings.  It isn’t to discount the bonus material included on the Blu-ray, either.  The bonus interviews show the members of BTBAM as not just another group of metallers, but a group of talented musicians.  The companion bonus “Behind-the-Scenes” featurette  follows the band from pre-planning to final rehearsals before taking on the performance presented in the final product.  It runs just shy of the thirty-minute mark.  Throughout that time, audiences see that preparing for a live in-studio performance takes nearly as much work as prepping for a performance in a traditional live venue.  It makes for even more appreciation of this recording and proves to be the proverbial icing on the cake or the show.  Together with everything else noted, everything noted here collectively makes Future Sequence: Live at the Fidelitorium a must see by any member of the Metal Nation worldwide.

Future Sequence: Live at the Fidelitorium is available now on Blu-ray/CD combo pack in stores and online.  It can be ordered direct online via Metal Blade Records’ website at http://www.metalblade.com/us/releases/between-the-buried-and-me-fidelitorium/.  More information on this and other releases from BTBAM and all of the latest news from the band is available online at:

 

Website: http://betweentheburiedandme

Facebook: http://www.facebook.com/BTBAMofficial

Twitter: http://twitter.com/btbamofficial

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.   Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Adage Could Be North Carolina’s Next Big Name In Music

Courtesy:  Pavement Entertainment

Courtesy: Pavement Entertainment

Austin, Texas.  Seattle, Washington.  Los Angeles, California. Atlanta, Georgia.  New York, New York.  Most people reading this right now are likely scratching their heads where this is going.  The answer is simple.  The cities noted here are some of America’s biggest hotbeds in the music industry.  They aren’t the industry’s only major hotbeds, though. Most people might not know it, but North Carolina as a whole state is a music hotbed within itself.  As a matter of fact, North Carolina could be argued to be one of the biggest musical hotbeds in America.  That’s because of the variety of major name acts that have called North Carolina home throughout the ages.  Jazz pioneers such as Thelonious Monk, John Coltrane, and Max Roach all called North Carolina home as did fellow jazz great Billy Taylor. Taylor hailed from Greenville, North Carolina while Monk and Coletrane came from Rocky Mount and High Point respectively.  The Fabulous Corsairs, which featured famed singer-songwriter James Taylor called Chapel Hill home.  In terms of the world of rock, the world renowned Corrosion of Conformity is still performing and recording today.  As a matter of fact, COC released its latest album earlier this year.  The band calls The Old North State’s capital city Raleigh home.  Delta Rae, which is one of the biggest of North Carolina’s biggest acts today calls Durham home as does indie band Bombadil.  Of course one can’t forget the likes of The Avett Brothers, Parmalee, Between The Buried and Me, or Trioscapes among so many others.  Now another young up and coming band has added its name to that list of bands and artists that have made North Carolina the rich musical hotbed that it is for so many decades thanks to its new EP Defined.  The band’s debut for Pavement Entertainment presents great potential for the Winston-Salem based band even with only a total of five songs.  The songs included on this record exhibit influence from bands such as Breaking Benjamin, Three Days Grace, and to a lesser extent Trapt.  What’s more any of the songs included on this disc could easily be used as a single to promote the band.  That is obvious right off the top in the EP’s opening number ‘Anymore.’  It is just as obvious on the EP’s third and final songs, ‘Hold On’ and ‘By Myself’ respectively.’  ‘Best Of’ and ‘Growing Colder’ are also excellent examples of what audiences can expect from Adage’s new EP.  Collectively, the songs included on this record show Adage as a band that is on the brink of adding its name to the list of North Carolina’s biggest bands and artists.

The members of Adage show why the band is close to becoming another of North Carolina’s most well-known and talked about acts right from the outset of its new EP in the song ‘Anymore’  The song’s agro-rock stlye sound hints at influences both from the likes of Trapt and even Taproot to a slightly lesser extent.  Drummer Alex Hough’s timekeeping in this piece is exception especially considering the polyrhythmic patterns that he handles while keeping time for the band.  And the 1-2 punch of guitarist Luke and vocalist Justin Doyle heightens the song’s energy and emotion as well.  There is a certain furiousness in Doyle’s voice as he sings over the equally driving guitar line, “Everytime you look in my eyes you lie/And tell me everything’s alright/I know you don’t feel it anymore…I hate you/For all you’ve done to me/Some things you never see/And I don’t care.”  Songs about breakups are nothing new to the music industry.  They go back as far as the industry’s own beginnings it would seem.  But those songs that take the high road instead of the depression oh-woe-is-me angle are rather few and far between.  So when angrier, more aggressive pieces such as this one come along, they are a welcome change of pace.  That more aggressive lyrical and musical style that collectively make up this song makes it an instant radio ready song and a good representation of the band’s work on Defined.

As with ‘Anymore,’ ‘Hold On’ is also centered in the standard lyrical theme of relationships.  It also boasts the same agro-rock style that made so many bands in the late 90s and early 2000s fan favorites.  This song absolutely cries “LIVE” because of that sound.  Doyle sings Sorry that I’m not perfect/One day I will be worth it/To you/So hold on/I can’t ever find the right words/For saying nothing is so much worse to you/Hold on/All of this will come together/And I promise you/I promise you/Say goodbye for you.”  This song comes across as the polar opposite to the EP’s opener in that it seems more like his subject here is pleading for a woman to stay around versus the self-assured figure in ‘Anymore.’  He is trying his hardest to convince her to stay.  The musical comparison to the band’s bigger named counterparts only serves to make the song even more entertaining for audiences.  It goes to show the caliber of material the band is presenting here.  And that caliber is high, needless to say.  Together with ‘Anymore’ it makes for even more reason for fans to check out this EP when it drops August 19th.

Both ‘Anymore’ and ‘Hold On’ are good examples of what makes Defined an impressive new release from Adage.  Of the EP’s five songs, though there is still one more example of what makes this release the work that could potentially make Adage North Carolina’s next big name.  That song is the EP’s closer ‘By Myself.’  This song is a good way for the band to have closed out Defined.  It was such a good choice for a closer in that it shows the band’s softer side.  It’s a more melodic piece.  And among the EP’s five songs, it is perhaps the strongest candidate of all for the song that really breaks out the band.  Doyle sings in this song, “I’m crying out/Out for help/I just can’t be by myself/Remember how/How I felt/I just can’t see/By myself/I hear it from all sides/On how I should love you/I can’t make up my mind/On anything I do/Why am I here/Why won’t you just take me home/Why am I here/Why won’t you just leave me alone.”  The guitar breaks that follow the chorus are right up there with the likes of Mark Tremonti (Alter Bridge) and other top named guitarists.  That along with the power in Doyle’s vocals make this song just as fitting a closer as ‘Anymore’ is the opener for the record.  Such a powerful final statement along with the EP’s other noted songs (and the pair not mentioned) seals the deal for Adage and for Defined.  It is the final piece of musical evidence proving why Adage is on the verge of becoming North Carolina’s next big name.

Defined will be available in stores and online Tuesday, August 19th via Pavement Entertainment.  Audiences can check out the songs from Defined online now via Adage’s ReverbNation website at http://www.reverbnation.com/adageband while they wait for the EP to drop.  They can also keep up with the band’s latest tour dates through that website and the band’s official Facebook page at http://www.facebook.com/adageband1.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

No Kidding, Destrage’s New Album Is A Metal Masterpiece

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

Metal Blade Records has never been a label to rest easy on its laurels.  Every year, it proves to be one of the leaders in the world of hard rock and metal.  The only other label that measures up to Metal Blade is its counterpart, Century Media Records.  Metal Blade has consistently released some of the music industry’s best hard rock and metal albums in recent years.  This year is no different.  And that is especially evident with the release of the new album from the Italian experimental metal act Destrage.  Are You Kidding Me? No is the band’s Metal Blade debut.  And it is quite the aptly titled record, too.  That’s because every single track will leave listeners asking those words.  For those that have yet to hear Destrage’s music, the best comparison that can be made is a hybrid of Between The Buried and Me, Slayer, and Mr. Bungle.  Front man Paolo Colavolpe even sounds like Slayer front man Tom Array at more than one point throughout the course of the album’s nine tracks.

Destrage—Paolo Colavolpe (Vocals), Matteo Di Dioia (guitar), Gabriel Pignata (bass), Ralph Salati (guitar), and Federico Paulovich (drums)—exhibits so much creativity right from the album’s opener, ‘Destroy Create Transform Sublimate.’ The only term that can best describe this song is controlled chaos. The song goes from full throttle, shredding guitars to a more jazz-influenced sound a la its Metal Blade label mates Trioscapes to an almost symphonic metal sound complete with a slight dubstep finale. Colavolpe’s vocal style changes from one movement to the next to match each portion of the song, too. He switches between his seemingly Tom Arraya style vocals to something more akin to Hellyeah/Mudvayne front man Chad Gray and back again over the course of the song’s near six-minute run time. Add in the song’s lyrical side and audiences get in this piece an even more complex song. Colavolpe sings and screams through this song, “We are all here to witness the indomitable power of creation/As creative energy spreads like a relentless force/infecting every single atom/Art in all its manifestation conducts us close to God/And the struggle of our thinking/into uncontaminated imagination/Pure imagination.” Yes, this is rather metaphysical thinking. And that’s why it works so well with the songs musical side. Those words are a direct mirror image of what the band presents with the song’s music. And together, the two sides make the song title all the clearer and the song itself all the more enjoyable.

For all of the frenetic energy exuded by the band in the first half of its Metal Blade Records debut, the band actually does slow things down in a manner of speaking at the beginning of the album’s second half. Where The Things Have No Colour,’ is the band’s most radio friendly single. Interestingly enough, as much as this song is pulled back and more radio friendly, the band doesn’t sacrifice too much. That’s evident in the song’s lyrical side. Colavolpe sings in this song, “You won’t take this moment away from me/And make me a silent slave of yours/You won’t put me down on my knees/I will make this time as I always meant it to be.” If properly interpreted, Colavolpe’s words come across as being rather defiant. If they are meant to be interpreted in such fashion, one must admit that it is one of the most original lyrically defiant statements ever made. The guitar work of Matteo Di Dioia and Ralph Salati adds so much more depth to the song. The pair shines and soars alongside drummer Federico Paulovich and bassist Gabriel Pignata to complete what is easily one of this album’s most powerful pieces.

‘Where The Things Have No Colour’ isn’t the only radio ready song that Destrage boasts on its new album. ‘Before, After and All Around’ This song comes across as a song based in the topic of relationships. That interpretation is made through lines such as “Speechless, smileless/Smilesless, hopeless/Haven’t got you yet/Maybe you understand me better than I know/I’ve got this feeling we are going nowhere/Stupid, don’t you see/Why the f&*% do you deny it/I feel wrapped up in pain/Because we are going nowhere.” However, as Colavolpe writes, “At this point/A girl lives in a dream/In a little fairy house/At the following point/She lives surrounded by sweet things/Hers. Mine./At the same point/A few months ahead/she looks forward/She realizes she wanted a man/But was a boy/I should have built a fairy house/In the same time a few miles away/But what would I have missed?” he leaves the song wide open to interpretation. The ability of Colavolpe to generate so much discussion from this song is another sign of the importance of this album. He writes so cryptically and metaphorically that his writing creates discussion without even trying. It makes the song—much like the album’s other works—more than just a song. It makes it a true musical and lyrical work of art. It becomes something to discuss and truly appreciate, again much like the other songs noted here and those not noted here.

All of the songs noted here each play an important part in the overall enjoyment and success of Destrage’s new album. That isn’t to take anything away from those songs not mentioned. The album’s remaining seven songs each play their own part in the album’s success, too. Regardless of which song one chooses, one thing remains true about this album. That one thing is that there is no kidding that this is one of the best hard rock/metal records of 2014.

Destrage will perform live May 10th in Legano, Italy in support of its new album and then in Moncalieri, Italy at the Audiodrome on June 1st. Audiences can find out about Destrage’s upcoming tour dates and general information online now at http://www.facebook.com/Destrage, http://www.destrage.com, and http://twitter.com/destrage. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

BTBAM Releases Details For Upcoming DVD, Tour

Courtesy:  Metal Blade Records

Courtesy: Metal Blade Records

The members of Between The Buried and Me announced on Friday that the band will record a brand new live DVD next month.  The as yet untitled recording will be for the band’s album The Future Sequence.  As front man Tommy Rogers notes of the upcoming DVD, “We are very happy to announce that we are finally doing a DVD for The Future Sequence. In this age we live in you can watch us play any of our songs live online. So we wanted to give our fans something a little different… an intimate live performance of us playing in a studio. It will be a wonderful experience and I hope you all enjoy it as much as we enjoy playing these songs.”

The upcoming live DVD will be recorded at the Fidelitorium in Winston-Salem, North Carolina and will be directed by Justin Reich.  Jamie King, who has worked with BTBAM for a number of years, will handle mixing and mastering the recording’s audio.  The completed package is expected to be released Fall 2014.

Before the band sits down to record its new DVD, it will hit the road once again in support of Future Sequence beginning this Wednesday, February 20th.  The band’s latest North American tour kicks off at the Empire in West Springfield, VA and runs through March 23rd in Charlotte, North Carolina.  Between the Buried and Me will be joined by Deafhaven, Intronaut, and The Kindred on its upcoming tour.  The band is scheduled to perform at Charlotte’s famed Tremont Music Hall on the closing date of its North American tour.  The band’s complete North American tour schedule is listed below.

BETWEEN THE BURIED AND ME
Tour w/ Deafheaven, Intronaut, The Kindred

02/20 West Springfield, VA Empire
02/21 Huntington, NY Paramount Theater
02/22 Clifton Park, NY Upstate Concert Hall
02/23 Boston, MA Royale Nightclub
02/24 Burlington, VT Higher Ground
02/26 Montreal, QC Corona Theater
02/27 Quebec City, QC Imperial De Quebec
02/28 Toronto, ON Phoenix Concert Theatre
03/01 London, ON London Music Hall
03/02 Syracuse, NY Lost Horizon
03/04 Grand Rapids, MI Intersection
03/05 Palatine, IL Durty Nellie’s
03/06 Milwaukee, WI The Rave
03/07 Lawrence, KS Granada Theatre
03/08 Omaha, NE The Waiting Room
03/10 Reno, NV The Knitting Factory
03/11 Oakland, CA Oakland Metro
03/12 Pomona, CA Glasshouse
03/14 Lubbock, TX Jake’s Sports Café
03/15 San Antonio, TX White Rabbit
03/16 Grand Prairie, TX South By So What?! Festival
03/18 Sauget, IL Pop’s
03/20 Ybor City, FL The Ritz Ybor
03/21 Ft. Lauderdale, FL Revolution
03/22 Athens, GA 40 Watt
03/23 Charlotte, NC Tremont Music Hall

More information on the new DVD from Between The Buried and Me, The Future Sequence and the band’s upcoming tour is available online at http://www.facebook.com/BTBAMofficial, http://twitter.com/btbamofficial, and http://www.betweentheburiedandme.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Safety Fire Streaming Sophomore LP For Free Ahead Of Album’s Release

Courtesy;  Inside Out Music

Courtesy; Inside Out Music

UK based five-piece prog-rock band The Safety Fire will release its sophomore album next month.  The band’s new album, Mouth of Swords, is scheduled to be released overseas next Monday, September 2nd.  Pre-orders for the album’s U.S. release can be made now for the album, which was self-produced by the band’s guitarist Derya “Dez” Nagle.  It follows up the band’s 2012 debut release, Grind The Ocean.

The band is offering audiences a special treat to build excitement for its sophomore release.  It can be streamed in its entirety online at YouTube at http://www.youtube.com/watch?v=ogsAP4qMChA. The complete track listing for the album is available below.

Mouth of Swords

Glass Crush

Yellowism

Beware The Leopard (Jagwar)

Red Hatchet

Wise Hands

The Ghosts That Wait For Spring

I Am Time, The Destroyer

Old Souls

 

In coordination with the upcoming release of the album, the band will also join North Carolina based prog-metal band, Between The Buried and Me, later in September as it tours in support of its new album, The Parallax II: Future Sequence.  In the meantime, The Safety Fire is touring overseas.  It will be at The Garage in London on Wednesday, September 4th.  The most current list of the band’s tour dates is available on its official Facebook page, http://www.facebook.com/thesafetyfire.  More updates and news from the band is also available on its official website, http://www.thesafetyfire.com and via Twitter at http://twitter.com/thesafetyfire.

Courtesy:  InsideOut Music

Courtesy: InsideOut Music

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