The Reticent Streaming New Album, ‘The Oubliette’

Courtesy: Asher Media Relations

Independent prog-metal band The Reticent is streaming its new album for free.

The North Carolina-based act, which is the brainchild of Chris Hathcock, is streaming the album, The Oubliette through The Prog Space.  The band is scheduled to release its new album Sept. 25 through Heaven & Hell Records.  Produced by Jamie King (Between The Buried & Me, The Contortionist, Scale The Summit), is a concept record that addresses the topic of Alzheimers Disease.

The track listing for The Oubliette is noted below.

Track Listing:
1. Stage 1 – His Name Is Henry (9:46)
2. Stage 2 – The Captive (6:00)
3. Stage 3 – The Palliative Breath (7:13)
4. Stage 4 – The Dream (11:47)
5. Stage 5 – The Nightmare (12:14)
6. Stage 6 – The Oubliette (10:38)
7. Stage 7 – ________ (6:10)
Album Length: 1:03:50

The Reticent debuted the video for the album’s lead single ‘Stage 2: The Captive‘ last month.

The album’s will release next month will come more than four years after the release of its most recent album, 2016’s On The Eve of a Goodbye.  That record chronicled the day before, of, and after the suicide of Hathcock’s friend Eve.

The musical content featured in The Oubliette exhibits influences from Tool and fellow North Carolina-based band Between The Buried and Me.

Hathcock discussed the album’s lyrical theme in a recent interview.

“As with my previous album, I hope that ‘The Oubliette’ will provide listeners with a rich and emotionally challenging audio experience,” he said. “This is undoubtedly the most ambitious record The Reticent has attempted to date.  The hope is that listeners will be personally affected by the music on a deep level and that it may draw some attention to a disease that is frighteningly prominent but frequently poorly understood.  There will be moments that are soothing and there will be moments that are overwhelming.  The story I have to tell is not a happy one but it is an important one – and it is often through the pain that we find the most profound reflection and calls to action.”

More information on The Reticent’s new album is available along with all of the band’s latest news at:

 

Website: http://thereticent.net

Facebook: http://www.facebook.com/thereticentmusic

Twitter: http://twitter.com/thereticentband

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

Between The Buried And Me Continues Its 20th Anniversary Celebration With Another LP Re-Issue

Courtesy: Craft Recordings

Between the Buried and Me will re-issue another of its albums next month.

The band is scheduled to release its 2005 album Alaska Sept. 25 though Craft Recordings. The re-issue is part of the band’s ongoing 20th anniversary celebration of its founding.

Alaska‘s re-issue will come on a 2LP vinyl set.  Its release will come more than two months after Craft Recordings re-issued the band’s sophomore album The Silent Circus and more than four months after the label re-issued the band’s 2002 debut self-titled album.

Front man Tommy Rogers discussed the album’s re-issue in a recent interview.

“The new mix has really reconfirmed how much I enjoy this album,” he said. “The Alaska era was a huge turning point for the band, and I think this album now sounds how we originally intended it to. Hopefully, our fans will reconnect with the album in a new way like I have. Regardless, I’m extremely excited for the world to hear these songs!”

Bassist Dan Briggs also commented on the album’s re-issue.

“This record was written while three of us were under 21 and only one of us was old enough to rent a car in any of the 50 states,” said Briggs. “We wrote it in [drummer] Blake’s [Richardson] old bedroom in his parents’ basement and recorded it in [producer] Jamie King’s parents’ basement. Now it has been remixed in Jamie’s current basement and we are old and still playing in Blake’s parents’ basement.”

Richardson said in his own comments, that he was also looking forward to the album’s re-issue.

“I’m really excited for everyone to hear this record with a drum tone that doesn’t sound like the bottom snare mic was blasted to 500 percent,” he said.

Pre-orders are open now for Craft Records’ forthcoming re-issue of Alaska.  The album’s track listing is noted below.

 

Alaska Tracklist:

 

Side A

  1. All Bodies
  2. Alaska
  3. Croakies And Boatshoes

 

Side B

  1. Selkies: The Endless Obsession
  2. Breathe In, Breathe Out
  3. Roboturner

 

Side C

  1. Backwards Marathon
  2. Medicine Wheel

 

Side D

  1. The Primer
  2. Autodidact
  3. Laser Speed

 

More information on the upcoming re-issue of Alaska is available along with all of BTBAM’s latest news and more at:

 

Websitehttp://betweentheburiedandme.com

Facebookhttp://www.facebook.com/BTBAMofficial

Twitterhttp://twitter.com/btbamofficial

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Lamb of God Launches New Coffee Line

Courtesy: Adrenaline PR

Lamb of God is launching a new coffee line.

The band has partnered with Charlotte, NC-based Nightflyer Roastworks to create its new “Memento Mori” coffee line.  The blend’s name is taken from a song featured in the band’s recently released self-titled album.

Nightflyer Roastworks is owned by Between The Buried and Me guitarist Paul Waggoner.

More information on Lamb of God’s new album, its new album, single, news and more is available online now at:

 

Websitehttp://www.lamb-of-god.com

Facebookhttp://www.facebook.com/lambofgod

Twitterhttp://twitter.com/lambofgod

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

BTBAM, Craft Recordings Partner To Re-Issue Band’s Sophomore Album

Courtesy: Craft Recordings

Craft Recordings will re-issue Between The Buried and Me’s sophomore album The Silent Circus next month.

The company, which specializes in vinyl releases, will re-issue the album, which was originally released in 2003 through Victory Records, is scheduled for release on a 2LP vinyl set through Craft Recordings.  Pre-orders are open now.  The album’s re-issue is part of the band’s celebration of its 20th anniversary together.

While the band’s longtime collaborator Jamie King did not have a hand in the album’s creation, the record’s forthcoming re-issue on vinyl will feature audio that was re-mixed and re-mastered by King, who has worked with the band on each of its other albums.

The album’s track listing is noted below.

 

The Silent Circus vinyl tracklist:

 

Side A:

  1. Lost Perfection a) Coulrophobia
  2. b) Anablephobia
  3. Camilla Rhodes

 

Side B:

  1. Mordecai
  2. Reaction
  3. Shevanel Take 2

 

Side C:

  1. Ad A Dglgmut
  2. Destructo Spin

 

Side D:

  1. Aesthetic
  2. The Need For Repetition

 

 

More information on the upcoming re-issue of Silent Circus is available along with all of BTBAM’s latest news and more at:

 

Website: http://betweentheburiedandme.com

Facebook: http://www.facebook.com/BTBAMofficial

Twitter: http://twitter.com/btbamofficial

 

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

TesseracT Claims Top Honors In Phil’s Picks’ 2018 Top 10 New Hard Rock & Metal Albums List

Courtesy: Kscope records

This year has been a truly productive time for the metal community.  Veteran acts, up-and-comers and even the underground have produced offerings that have given the metal masses more than enough reason to put their horns in the air all year long.  The most notable acts who have released standout albums this year include, and are not limited to  from All Hail The Yeti, Judas Priest and Artillery just to name a few bands.

Keeping this in mind, rock and metal critics the world over will have to agree that developing a list of the year’s top new hard rock and metal offerings was a monumental task.  That was especially the case for this critic.  This critic’s list of the year’s top new hard rock and metal albums features new albums from bands from both sides of the Atlantic and from the mainstream and the underground.

Taking the top spot in this year’s list from Phil’s Picks is none other than the British prog-metal outfit TesseracT, Sonder.  The band’s latest offering is both musically and lyrically a truly in-depth offering that holds its own in the metal community and the prog community.

Second place this year goes to Florida’s own Nonpoint.  The band’s aptly-titled is a powerhouse offering from the veteran hard rock band that shows Nonpoint as a band at the top of its game both musically and lyrically.

Judas Priest takes the bronze this year with its new album Firepower.  This one was not an easy choice to make, as Nonpoint, Judas Priest and TesseracT are all outstanding bands in their own right.  Firepower harkens back to some of Judas Priest’s best work from days long gone, and is such a welcome album.  With lyrics that pay tribute to the military, that make a bold statement of standing up for one’s self and more, it is that much stronger, so it was not with ease that the album ended up in third.

Also featured in this year’s list are new albums from Artillery, All Hail The Yeti and Soulfly just to name a few more. As always, the top 10 albums are the main list while the five that follow are all honorable mention titles.  With all of this in mind, here is Phil’s Picks 2018 Top 10 New Hard Rock and Metal Albums.

PHIL’S PICKS 2018 TOP 10 NEW HARD ROCK & METAL ALBUMS

  1. TesseracT — Sonder
  2. Nonpoint — X
  3. Judas Priest — Firepower
  4. Between The Buried and Me — Automata
  5. Soulfly — Ritual
  6. Sevendust — All I See Is War
  7. All Hail The Yeti — Highway Crosses
  8. Exmortus — The Sound of Steel
  9. Artillery — The Face of Fear
  10. The Amsterdam Red Light District — Sapere Aude
  11. Ice Nine Kills — The Silver Scream
  12. Black Label Society — Grimmest Hits
  13. Unearth — Extinction(s)
  14. Atreyu — In Our Wake
  15. Zardonic — Become

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Automata I,’ Is A Solid Start For BTBAM’s ‘Automata’

Courtesy: Sumerian Records

Progressive metal outfit Between The Buried and Me has, over the course of almost two decades, entertained audiences the world over with its unique brand of music, building its fan base along the way largely on its own terms and without major mainstream support. Given, the band was signed most recently to Metal Blade Records, which has become a major label in its own right, but only for hard rock and metal. To that end it can be argued, again, that BTBAM has largely built its success while staying just under that mainstream radar. That success continues this year with the band’s latest album, Automata I, released March 9 via independent label Sumerian Records. This record, the band’s ninth, can be said to be a success in part because of its concept. This will be discussed shortly. The songs used to tell the record’s story also play into its success. They will be discussed later. The record’s production values round out its most important elements. Each piece of the whole is important in its own way. All things considered, they make Automata I another welcome return for BTBAM and one more of this year’s top new hard rock and metal albums.

Automata I, the first half of BTBAM’s new double album Automata, is one of this year’s top new hard rock and metal albums. That is due in no small part to the concept at the center of the album. The concept here contemplates what would happen if one’s dreams could be broadcast to the world for the sake of entertainment. It’s not such an out there concept considering all the people creating their own YouTube channels that they use to broadcast their personal feelings to the world, a world of strangers both good and — sadly — bad. Of course that seemingly was not what the band intended to convey here. Rather the band was examining what would happen if one’s literal dreams, those thoughts that rise in our sleep, could be broadcast for entertainment. This in itself is the starting point for plenty of discussions, not the least of which is why would anyone want to delve so deeply into someone’s personal life? Has mankind really become that desperate for drama, conflict and attention that one would even consider finding a way to do that? What would be the ramifications of going such a route? Simply put, this is a deep concept, and an original one at that, especially for a concept album. If for no reason other than for taking in this concept, audiences will want to hear this record. This is not the first concept album from BTBAM, and definitely not the least of those albums, either. As a matter of fact, it’s a concept that is just as interesting as those presented in the band’s previous concept efforts — The Parallax II: Future Sequence (2012), Coma Ecliptic (2015) — and is certain to keep listeners well engaged in its own right. Of course as much depth as this concept adds to the record’s overall presentation, it is only one part of what makes Automata I another interesting new effort from BTBAM. The songs that make up the body of the record do their own part to make the album worth the listen.

Automata I is made up of only six songs. Again, this is nothing new for this North Carolina-based prog metal outfit. The songs’ musical and lyrical content combine expertly to make this record all the deeper. In regards to the musical aspect of the songs, the band — Tommy Giles Rogers, Jr. (vocals,keyboards), Paul Waggoner (lead a& rhythm guitar), Dustie Waring (lead & rhythm guitar), Blake Richardson (drums) and Dan Briggs (bass, keyboards) — has once again evolved from its previous records, giving audiences something new yet again. Case in point, the album’s opener, ‘Condemned to the Gallows.’ This song starts off very softly, but gradually builds on itself as it progresses, going from that softness to a solid wall of sound about forty-six seconds in. The addition of Rogers’ vocals and Richardson’s blast beats almost two minutes into the song builds up the song’s arrangement even more. The arrangement closes out ominously in order to build into the album’s second song, ‘House Organ,’ which displays just as much diversity as anything that the band has ever created. It does so without just rehashing any of its previous works, too. It has those heavy moments, and also has some more somewhat contemplative, keyboard-driven moments that, when coupled with Rogers’ vocal delivery, conjure thoughts of Dream Theater. The musical interest doesn’t stop there. The band reaches into a variety of realms in the arrangement of ‘Yellow Eyes’ all while Rogers’ black metal style vocal delivery sits atop the whole thing. As if all of that isn’t enough, ‘Millions’ boasts an arrangement that seems to cross 80s hair metal with, again, a seeming Dream Theater influence circa Awake. ‘Gold Distance,’ the record’s penultimate track conjures thoughts of the soundtrack to Disney’s Tron: Legacy, and at barely more than a minute, it is a nice momentary break for listeners. ‘Blot,’ which closes out the album takes listeners on just as incredible of a sonic ride as its predecessors. That ride is a solid finishing point, musically, to this half of Automata. Needless to say it definitely leaves listeners anxious to hear what the second half of the album will sound like this June when it is released. Of course, the album’s musical arrangements are only one part of what makes the songs so important to the album’s presentation. Their lyrical content is just as important as their musical content.

The lyrical content presented throughout the course of Automata I is just as deep as that of any of the band’s previous records (both concept and standard). As Rogers noted in a recent interview, “Lyrically, I wanted to write something that I treated as a puzzle until it comes together at the end. For as deep and dark as it is, there’s a positive outcome, which we’ve never had.” He goes on to explain the story centering on a man whose dreams are being used as entertainment for the masses and the album’s central figure thinking everything happening is real, when it isn’t. The journey does in fact start very dark in ‘Condemned to the Gallows,’ with the song’s subject in…well…a very dark situation. He sings here, “Gripping the brightest grid/A surgical drive to increase the noise/ice cold realization of the silent wind/slowly drags me up into a splintered reason/Emptiness engulf me.” He goes on to sing, “Align the love inside me/let misery awake me/Search low/Abandoned/The creaking floors cry out below/A limping glimpse of next steps/The fog showers the last light of day.” The story’s main character sees his descent continue from here, with his emotional and psychological state seeming to get worse with each song. That is especially obvious by the time the album reaches its closer, ‘Blot.’ The subject sings here, “All my pockets are full and my mind is lost/Circulate/The rear view keeps shifting as I stare at the sun…this is the beginning of my new life/I hope you enjoy the show/It’s for you, ya know?/To watch you from across the room/To hear you through the tangled lines/It completes me/I’ve been waiting.” It is a dark but so powerful moment in this story, and one more example of why the album’s lyrical content is just as important as its musical content, and why both of those elements are just as important as the story itself to this record. The album’s songs, as important as they are to its whole, are not the last of its most important elements. Its production is important, too.

The production work put in on BTBAM’s new album is key to its presentation because of how much is going on within each song. The album’s opener is proof of that importance. The way in which the song builds from its soft opening to the controlled chaos of its main body keeps everything in full balance. That says a lot considering how easy it would have been for the song to get bogged down in itself musically with so much going on. Much the same could be said of ‘House Organ.’ it starts out in full, controlled death metal chaos before eventually calming into a more Spock’s Beard-esque prog-rock sound as it progresses. All the way on to the album’s end, the attention put into each line brings out the album’s best, with the result being a fully immersive listening experience that will keep every listener engaged. Keeping this in mind, the expert production work on this album is its finishing touch. When it is joined with the depth of the songs that make up the record and the story itself, the whole of the album becomes a work that will appeal to every BTBAM fan just as much as it will to prog metal(and even metal) fan — a record that is in itself one of this year’s top new albums and that likely with its forthcoming companion, one of the year’s top new albums overall.

Automata I, the first half of BTBAM’s new album Automata, is in itself another solid new entry from the veteran progressive metal outfit. That is made obvious first and foremost through the story presented in this half of the album. The story presented here follows its subject as he descends into sleep and starts his dreaming. The songs used to tell that portion of the story do plenty to keep listeners engaged. The production at the center of those songs allows each member of the band to be highlighted, keeping any song from getting muddied down in themselves. Each element is important in its own right to the whole of Automata I. All things considered, they make this first half of Automata an entry that the band’s longtime fans will appreciate just as much as prog metal (and metal) fans. It is available now in stores and online. The band is currently touring in support of Auotmata I. It will be in Pittsburgh, PA tomorrow, Mach 30 to kick off the weekend before moving on to Philadelphia on Saturday and then to Albany, New York on Monday. More tour dates are listed online along with all of the band’s latest news and more information on Automata at:

Website: http://www.betweentheburiedandme.com

Facebook: http://www.facebook.com/BTBAMofficial

Twitter: http://twitter.com/btbamofficial

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Leprous Joins The Dear Hunter As Support For BTBAM Headlining Tour

Courtesy: InsideOut Music

Leprous is joining Between The Buried and Me and The Dear Hunter on the road this spring.

The band, alongside The Dear Hunter, will serve as support for Between The Buried and Me on its upcoming North American headlining tour.  The tour is currently scheduled to start today, March 2, in Chicago, IL and run through April 7 in Mount Clemens, MI.  It will include performances in Asheville, NC; Los Angeles, CA; Cleveland, OH and a handful of other cities.  The tour’s current schedule is noted below.

Between The Buried And Me, The Dear Hunter & LEPROUS – North American Tour:
Fri. 03.02.2018 Chicago, IL (USA) – House of Blues (Sould out!)
Sat. 03.03.2018 Minneapolis, MN (USA) – First Avenue
Mon. 03.05.2018 Denver, CO (USA) – Ogden Theatre
Tue. 03.06.2018 Salt Lake City, UT (USA) – The Complex
Thu. 03.08.2018 Seattle, WA (USA) – Showbox
Fri. 03.09.2018 Portland, OR (USA) – Wonder Ballroom
Sat. 03.10.2018 San Francisco, CA (USA) – The Regency Ballroom
Sun. 03.11.2018 Anaheim, CA (USA) – House of Blues
Tue. 03.13.2018 Los Angeles, CA (USA) – Belasco Theater
Thu. 03.15.2018 Las Vegas, NV (USA) – House of Blues
Fri. 03.16.2018 Phoenix, AZ (USA) – Marquee
Sat. 03.17.2018 Albuquerque, NM (USA) – Sunshine Theater
Mon. 03.19.2018 Austin, TX (USA) – Come and Take it Live
Tue. 03.20.2018 Dallas, TX (USA) – Canton Hall
Wed. 03.21.2018 Houston, TX (USA) – Warehouse Ballroom
Fri. 03.23.2018 Orlando, FL (USA) – The Beacham Theatre
Sat. 03.24.2018 Ft. Lauderdale, FL (USA) – Revolution
Mon. 03.26.2018 Atlanta, GA (USA) – Masquerade
Tue. 03.27.2018 Nashville, TN (USA) – Cannery Ballroom
Wed. 03.28.2018 Asheville, NC (USA) – Orange Peel
Fri. 03.30.2018 Pittsburgh, PA (USA) – Mr. Smalls
Sat. 03.31.2018 Philadelphia, PA (USA) – Electric Factory
Mon. 04.02.2018 Albany, NY (USA) – Upstate Concert Hall
Tue. 04.03.2018 Boston, MA (USA) – Royale
Wed. 04.04.2018 New York City, NY (USA) – Playstation Theater
Thu. 04.05.2018 Silver Spring, MD (USA) – Fillmore Silver Spring
Fri. 04.06.2018 Cleveland, OH (USA) – Agora Theatre
Sat. 04.07.2018 Mount Clemens, MI (USA) – Emerald Theatre

Leprous’ members said March 2 in a collective statement that they were looking forward to their time with BTBAM and TDH.

“It’s exciting times ahead for Leprous,” the band said.  “Five weeks of touring with Between the Buried and Me and The Dear Hunter are starting today, and there’s several great festival shows ahead as well as more live shows in the planning for the fall.  new material has also slowly but surely started its process!”

The festival shows that the band noted are European shows scheduled for the summer.  Leprous’ upcoming European festival schedule is noted below.

LEPROUS – Festivals appearances:
Sat. 05.12.2018 Kopervik (Norway) – Karmoygeddon Metal Festival *
06.29.- 07.01.2018 Helsinki (Finland) – Tuska Open Air *
Fri. 07.13.2018 Viveiro (Spain) – Resurrection Fest
Sat. 07.14.2018 Eindhoven (The Netherlands) – Dynamo Metal Fest
Sat. 07.28.2018 Sibiu (Romania) – ARTmania Festival
Sat. 08.18.2018 Warsaw (Poland) – Prog In Park
More dates to be announced soon…

Leprous’ current live dates are in support of its most recent full-length studio recording, which spawned the singles ‘From The Flame,’ ‘Stuck‘ and ‘Illuminate.’

More information on Leprous’ live dates is available online now along with all of the band’s latest news and more at:

 

Website: http://www.leprous.net

Facebook: http://www.facebook.com/leprousband

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Leprous Joins The Dear Hunter As Support For BTBAM Headlining Tour

Courtesy: InsideOut Music

Leprous has announced a new slate of live dates in support of its latest album Malina.

The band will join The Dear Hunter for a five-week headlining run by Between The Buried and Me across America.  Leprous’ performances are in support of Malina which was released last year via InsideOut Music while BTBAM’s dates are in support of its upcoming album Automata 1, which will be released March 9 via Sumerian Records.

The tour launches March 2 in Chicago, Illinois and runs through April 7 in Mount Clemens, Michigan.  It also includes performances in Houston, Texas; Pittsburgh, PA; Seattle, WA and a number of other cities.  The tour’s current schedule is noted below.

Tour Dates

3.2 – Chicago, IL – House of Blues
3.3 – Minneapolis, MN – First Ave
3.5 – Denver, CO – Ogden Theatre
3.6 – Salt Lake City, UT – The Complex
3.8 – Seattle, WA – Showbox
3.9 – Portland, OR – Wonder Ballroom
3.10 – San Francisco, CA – The Regency Ballroom
3.11 – Anaheim, CA – House of Blues
3.13 – Los Angeles, CA – Belasco Theater
3.15 – Las Vegas, NV – House of Blues
3.16 – Phoenix, AZ – Marquee
3.17 – Albuquerque, NM – Sunshine Theater
3.19 – Austin, TX – Come and Take It Live
3.20 – Dallas, TX – Canton Hall
3.21 – Houston, TX – Warehouse Ballroom
3.23 – Orlando, FL – The Beacham Theater
3.24 – Ft. Lauderdale, FL – Revolution
3.27 – Nashville, TN – Cannery Ballroom
3.28 – Asheville, NC – Orange Peel
3.30 – Pittsburgh, PA – Mr. Smalls
3.31 – Philadelphia, PA – Electric Factory
4.2 – Albany, NY – Upstate Concert Hall
4.3 – Boston, MA – Royale
4.4 – New York City, NY – Playstation Theater
4.5 – Silver Spring, MD – Fillmore Silver Spring
4.6 – Cleveland, OH – Agora Theatre
4.7 – Mount Clemens, MI – Emerald Theatre

Pre-sales for tickets are open now. General ticket sales open at 10 a.m. Friday.

More information on Leprous’ upcoming live dates is available online now along with all of the band’s latest news and more at:

 

Website: http://www.leprous.net

Facebook: http://www.facebook.com/leprousband

Twitter: http://twitter.com/InsideOutUSA

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Sherman’s Studio’ “Concert” Is A Performance Of A Lifetime

Courtesy: PBS/Public Media Distribution

This year was another strong one for live recordings.  Between recordings released in bundles and those released either as standalone CDs or DVDs/BDs, the recordings that serve audiences who might have otherwise not been able to take in a live show, proved on both fronts to be largely solid offerings.  Given, there were some disappointments including Jane’s Addiction’s latest live recording Alive at Twenty-Five and the archived Les Paul tribute concert Live From Universal Studios Hollywood.  For the most part though, this year’s field of new live recordings — both on CD and DVD/BD — has proven to be quite impressive as has already been noted in the previous live recordings lists.  Keeping that in mind, it is only fair, having noted the best live CDs and best new live DVDs and Blu-rays to present one list of the year’s best new overall live recordings.

This year’s best overall live recordings pull from both audio and audio-visual fields, proving that recordings can be enjoyable in both arenas.  Topping this year’s list of best live overall recordings is PBS’ in studio “concert” from Richard Sherman, one half of the famed Sherman Brothers creative team, Songs of A Lifetime.  Slipknot’s new live recording Day of the Gusano is on this list, too thanks to the combined impact of its CD and Blu-ray presentation.  Of course while Alter Bridge, Jon Cleary and Experience Hendrix, LLC all released new recordings that were CD only, they deserve their own spot on the overall list.  Eagles of Death Metal’s new live recording Live at the Olympia Paris also deserves to be on that list along with The Rolling Stones’ new From The Vault offering Sticky Fingers Live at the Fonda Theatre 2015 — again because of the overall impact of its audio and audio/visual sides.  It’s just one more on that list.

As with every previous list, this entry offers this critic’s 10 best new titles in the category along with five additional honorable mention titles for a total of 15 titles.  Enough rambling.  Without any further ado, here for your consideration is Phil’s Picks 2017 Top 10 New Live Recordings.

PHIL’S PICKS 2017 TOP 10 NEW LIVE RECORDINGS

  1. Richard ShermanSongs of a Lifetime
  2. Slipknot — Day of the Gusano
  3. Mumford & Sons — Live in South Africa
  4. Between The Buried & Me — Coma Ecliptic Live
  5. Jon Cleary — Live at Chickie Wah Wah
  6. Curtis Knight presents Jimi Hendrix — Live at George’s Club 1965 & 1966
  7. Eagles of Death Metal — Live at Olympia Paris
  8. The Rolling Stones — From The VaultSticky Fingers Live at The Fonda Theatre 2015
  9. Foghat — Live at the Belly Up
  10. Black Sabbath — The End
  11. Jeff Beck — Live at the Hollywood Bowl
  12. The Who — Live at the Isle of Wight 2014
  13. The Winery Dogs — Dog Years — Live at Santiago & Beyond 2013 – 2016
  14. The Who — Tommy Live at Royal Albert Hall
  15. The Dead Daisies — Live & Louder

That’s it finally for the live recordings categories.  Up next will be the year’s top new albums overall.  It’s going to be an interesting list, needless to say as it may well change before it even gets posted up in the next day or so, so stay tuned!  Also on the way is a handful of lists for the year’s new DVD and Blu-ray titles including box sets for families and for grown-ups as well as family DVDs and Blu-rays.  Stay tuned!

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

PBS’ Richard Sherman Studio “Concert” Hits All The Right Notes For Phil’s Picks’ 2017 Top 10 New Live DVDs/BDs List

Courtesy: PBS/Public Media Distribution

Experiencing a live performance by one’s favorite acts is a special experience.  The sights and sounds — from the performance itself to the enjoyment and excitement experienced alongside other fans — come together to make the live experience something almost as magical as it is memorable.  Of course it’s not always that easy to have that experience because of work, family or maybe other items.  Enter the live DVD and Blu-ray.  These recordings are pivotal for audiences the world over because people don’t always get to see their favorite acts.  They also often prove to give audiences an experience that is at least slightly different from that offered in their CD counterparts.  Keeping that in mind, it is fully justifiable for critics to present lists of the year’s top new live DVDs and Blu-rays as well as live CDs.  That is exactly what this critic is doing here.

This year, as with so many years past, Eagle Rock Entertainment has proven to have the majority of the year’s top new live DVDs and Blu-rays, once again proving why it is the leader in live recordings.  Of course it is not the only label represented in this critic’s list this year.  Live recordings from The Winery Dogs, The Dead Daisies, and even famed songwriter Richard Sherman (one half of the famed Sherman Brothers creative team) are all on the list, too alongside new material from Between The Buried and Me and Michael Schenker.  Those noted recordings are all from other labels.  In other words, this year saw a healthy range of new live DVDs and Blu-rays.  With that in mind, here for your consideration is Phil’s Picks’ 2017 Top 10 New Live DVDs and Blu-rays.  As always, the list includes this critic’s Top 10 choices as well as five additional honorable mention titles, for a total of 15 titles.  Let’s go!

PHIL’S PICKS 2017 TOP 10 NEW LIVE DVDS/BDs

  1. Richard ShermanSongs of a Lifetime
  2. Tedeschi Trucks Band — Live From The Fox Oakland
  3. Slipknot — Day of the Gusano
  4. Mumford & Sons — Live From South Africa
  5. Between The Buried and Me — Coma Ecliptic
  6. Black Sabbath — The End
  7. Jeff Beck — Live at the Hollywood Bowl
  8. The Rolling Stones — Sticky Fingers Live at the Fonda Theatre 2015
  9. The Who — Tommy Live at the Royal Albert Hall
  10. The Winery Dogs — Dog YearsLive in Santiago and Beyond 2013 – 2016
  11. Eagles of Death Metal — I Love You All The Time — Live at the Olympia Paris
  12. Sting — Live at the Olympia Paris
  13. Spock’s Beard — Snow Live
  14. The Dead Daisies — Live & Louder
  15. Michael Schenker — Michael Schenker Fest Live Tokyo International Forum Hall

That’s all for this list and still not all for the live recordings.  Still to consider is the whole of the combo packs and the standalone recordings.  In other words, there is still a list of the year’s top new live recordings overall to consider.  Also still on the way are the year’s top new albums as well as a handful of DVD and Blu-ray lists.  As many as possible will be covered before the year lets out, so stay tuned for all of that.

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.