Conquest’s ‘Under The Influence’ Is Not Just Another Covers Album

Courtesy:  Dark Star Records

Courtesy: Dark Star Records

Early this past April St. Louis, Missouri-based metal outfit Conquest released its latest album Under The Influence.  The forty-three-minute covers album presents eleven songs from some of the band members’ favorite bands.  The songs themselves are, collectively, their own important part of the record’s presentation.  That will be discussed shortly.  They are not the album’s only key element.  The band’s take on the featured songs is just as important to note in this record’s presentation as the songs themselves.  That will be discussed later.  The album’s overall sequencing rounds out the record’s most important elements.  Each element is important in its own right to the album’s whole.  Altogether all three elements Under The Influence a covers album that any rock fan should hear at least once.  This applies regardless of audiences’ familiarity with Conquest’s body of work.

Covers albums are a dime a dozen nowadays in the music industry.  Nine times out of ten, they are space fillers used between new albums to tide over fans and fulfill contractual obligations for record labels.  Even worse, said albums are commonly thrown together rather haphazardly, much like all of the “hits” albums that are out there.  The end result in both cases are albums (if one even wants to call them albums—note the sarcasm) that are anything but memorable or even worth having in one’s personal music collection.  Enter Under The Influence, the new covers collection from St. Louis, Missouri’s hard rock outfit Conquest.  Unlike all of the covers (and “hits”—technically singles) collections out there on the market today this eleven-song compilation record is one that every rock fan should head at least once.  This applies regardless of audiences’ familiarity with Conquest and its body of work.  The record’s featured covers are in themselves just one of the elements that make this record worth hearing.  That is the case because the songs don’t just come from one of rock’s many sub-genres or another.  Rather it crosses those genres from beginning to end.  It also spans rock’s rich modern history with its presented songs.  It all kicks off with a pair of Judas Priest covers in the form of ‘Metal Gods’ and ‘The Ripper.’  That pair of songs is followed by a cover of Iron Maiden’s beloved ‘Wraith Child.’ The band gets even heavier from there with its own take on Metallica’s ‘For Whom The Bell Tolls.’  Things change even more dramatically in the band’s next offering, a cover of Motorhead’s ‘Ace of Spades.’  This one comes at just the right moment, too, as it is essentially the album’s midway point.  It isn’t even the album’s most interesting of the record’s inclusions either.  The album’s second half features covers of songs from Bon Jovi, Anthrax, Pantera, Black Sabbath, Motley Crue, and even UFO.  To say that that is a broad swath of bands (and songs) would be an understatement.  Simply put, the eleven songs (and bands) that are featured in this covers collection is extremely wide.  The songs are just as diverse in their stylistic approaches as the bands are within their own rock sub-genres.  Keeping that in mind, it becomes clear as to why the songs featured in this record are so important to its presentation.  They don’t subject listeners to just one style of rock.  Rather, they cover so many different styles from so many ages of rock’s rich history.  They make up just one of the record’s most important elements.  The band’s take on each of the featured songs is just as important to note here as the songs themselves.

The songs (and bands) that are featured in Conquest’s new covers collection are collectively their own important part of the record’s presentation.  That is because they lift liberally from rock’s rich modern history.  The songs present a wide range of bands and rock styles from beginning to end.  That is just one part of what makes this record a rare covers collection that is actually worth hearing.  The band’s actual performance of the record’s featured songs is just as important as the songs themselves.  The band’s take on Metallica’s ‘For Whom The Bell Tolls’ is one of the band’s best performances in this record.  If one were to hear this take on the classic heavy metal tune without knowing it was Conquest, one would actually think that it was Metallica.  The band performed the song verbatim both lyrically and stylistically.  And front man Derrick Brumley may not sound just like James Hetfield circa 1984.  But listeners will be surprised at the similarity in the sound of the singers’ vocals.  The band’s take on ‘Ace of Spades’ is just as impressive.  One could argue in fact, that Conquest’s take on the classic rock anthem is just as good as Motorhead’s original recording.  It doesn’t bear the grittier, garage rock sound presented in Motorhead’s original composition.  But even with that taken into consideration it still pays honor stylistically to the original right down to the song’s familiar up-tempo bass line (handled here by bassist Rob Boyer).  One of the song’s biggest surprises is Brumley’s vocal delivery.  It’s not certain as to whether or not Brumley set out to emulate Lemmy Kilmister in this cover.  But interestingly enough listeners will note that there is a certain element of that gritty sound made so familiar by the late rock legend in Brumley’s own vocal delivery here.  It is a nice touch to the, and especially so if Brumley did not set out to try to sound like Kilmister.  The band’s take on UFO’s ‘Lights Out In London’ is another example of the importance of the band’s performances in this record.  It could actually be argued here that Conquest’s cover is even better than the original.  That is thanks to the bombastic guitar solos, Bruley’s powerhouse vocal delivery, and Tim Fleetwood’s equally solid work behind the kit.  Of course Boyer’s work on the bass here shouldn’t be ignored either.  The whole of the band’s work here makes the band’s take on the song a song that will have make every rocker out there proud.  It is just one more example of what makes the band’s performance of each of the record’s featured songs is just as important as the songs themselves.  They are hardly the record’s only key examples of that importance.  Audiences will take just as much notice of the band’s take on ‘Dead Or Alive’ ‘Wraithchild’ and ‘Cowboys From Hell.’  The prior pair of covers is much more bombastic here in the case of the original songs.  ‘Cowboys From Hell’ on the other hand is a relatively close take on the original.  All three will hold listeners’ ears and have them talking afterward just as much as the other noted covers and those covers not noted here.  All in all, the band’s take on each of the songs featured proves just as pivotal to the record’s presentation as the songs themselves.  They are not the record’s only important elements, though.  The album’s sequencing is just as important to its presentation as the songs and their performances.

The songs that are featured in Conquest’s new covers collection and the band’s take on each song are equally important to the album’s presentation.  The songs are so important to note because of the broad range of influences presented throughout the record’s forty-three minute run time.  The band’s performance of the songs is just as important to note as the songs themselves because of the similarities and differences between the originals and the band’s updated take on each song.  Those similarities and differences are certain to create their own share of interest and discussion among audiences.  As important as each element proves to the record’s whole they are not its only key elements.  The record’s sequencing is just as important to its presentation as those noted elements.  Audiences that pay close attention to the record’s sequencing will note that for the most part the record maintains a relatively solid energy level from beginning to end.  Though, the energy does pick up just enough at given points, so as to maintain listeners’ engagement.  It picks up first just past the record’s halfway point in the form of Motorhead’s ‘Ace of Spades’ before puling back just a little bit as the record transitions into its second half.  As the album nears its end the band picks things up once more in the covers of ‘Red Hot’ and ‘Cowboys From Hell’ before finishing off with the slightly slower (slightly at best) but no less heavy ‘Children of the Grave.’  Simply put, the band has balanced the record’s energy and even its varied musical styles from beginning to end thanks to its expert sequencing.  This ensures listeners’ maintained engagement, and in turn, entertainment.  Keeping this in mind, the record’s sequencing shows in the end why it is just as important to its presentation as its songs and performances thereof.  Each element is important in its own way to the whole of the record.  All things considered, Under The Influence shows in the end to be a rarity of a covers album.  It doesn’t come across as just some contractually obligated space filler.  Rather it proves to be a collection of classic rock songs that Conquest’s fans will enjoy just as much as those of the bands featured throughout the record.  It is a record that succeeds at presenting a solid introduction to rock’s rich modern history all while entertaining rock fans of all ages.  It is a covers collection that is actually worth hearing at least once regardless of audiences’ familiarity with Conquest or its body of work.

Conquest’s latest studio recording Under The Influence is a record that every rock fan should hear at least once.  This applies regardless of listeners’ familiarity with the band or its body of work.  That is because it isn’t just a random, contractually obligated space filler record.  Its eleven songs present a solid introduction to rocks rich modern history.  That is thanks to the broad array of bands and songs that is presented here.  The band’s performance of each song is just as important to the record’s presentation as the songs themselves.  That is because they present new and familiar takes on the classic songs; takes that will keep listeners engaged and generate their own share of discussion among audiences.  The album’s sequencing rounds out its presentation.  Over the course of its forty-three minutes, the records sequencing expertly balances the record’s energy from beginning to end.  This ensures just as much listeners’ engagement.  Each element plays its own important part in the record’s presentation.  Altogether they make Under The Influence a record that very rock fan should hear at least once regardless of one’s familiarity with Conquest or its body of work.  It is available now in stores and online.  It can be ordered online direct via Dark Star Records’ online store.  More information on this and other titles from Conquest is available online now at:

 

 

 

Website: http://conquestmetal.com

Facebook: http://www.facebook.com/conuestrocks

 

 

 

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Conquest Offering Free Song Download

Courtesy: Dark Star Records

Courtesy: Dark Star Records

Independent metal act Conquest is making some of its music available to the masses.

The St. Louis, Missouri-based band, which is signed to Dark Star Records, has made available for free download its cover of Black Sabbath’s ‘Children of the Grave.’  It is available here.  But it is only available for a limited time.  It will be available only until next Monday, June 20th.  The band’s cover of the classic tune is included in the band’s album Under The Influence.  Front man Derrick Brumley explained recently where his love for both the song and for Black Sabbbath comes from noting, “These guys started it all. When I was 7 or 8 my brother’s girlfriend brought over their first album and I was completely blown away! She ended up leaving it at our house and it became mine. “Children ..” is the one song that has stuck with me over the years.”

Under The Influence is the tenth full-length studio recording from Conquest and its third for Dark Star Records.  It was released April 8th.  The album is a collection of covers of music from bands that influenced the band’s own members including: Judas Priest, Metallica, Motorhead, Pantera, and (believe it or not) Bon Jovi among many others.  It can be ordered online now direct via Dark Star Records’ online store.  More information on Conquest, it’s new album, free download, live dates, and more is available online now at:

 

 

Website: http://conquestmetal.com

Facebook: http://www.facebook.com/conquestrocks

 

 

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Chad Smith Lends His Talents To SAD’s Upcoming Debut LP

Photo Credit: Thierry Brouard

Photo Credit: Thierry Brouard

Independent rock band Screaming at Demons recently introduced itself to the world in a big way when it partnered with the nationally known charity group Homeless Rock Stars. The band combined the video for its new song ‘Rock Star’ with footage from a Homeless Rock Stars event to make an emotionally moving and powerful to help raise money for the organization and introduce itself to the music community at large at the same time. Now the band has taken another huge step in getting its name out there. The band has enlisted the help of one of the most talented and respected drummers in the music community today to help record a pair of songs for its upcoming debut record.

Screaming at Demons announced this week that it has enlisted famed drummer Chad Smith (Red Hot Chili Peppers, Chickenfoot) to record the drums for two of the songs to be included in the band’s upcoming album. Those songs are ‘Our Time’ and ‘All Of Me.’ Smith’s inclusion on the album, which currently has no set release date, is rooted in his friendship with AD bassist Chris Clemmence. Having previously performed live with Smith, Clemmence had a first hand understanding of and appreciation for Smith’s work behind the kit, leading to Clemmence asking Smith to lend his talents to the band’s new record. When asked about those talents, Clemmence responded telling reporters, “Chad is a legend and phenomenal powerhouse of a drummer. We are beyond honored to have him play on our two new upcoming singles. His feel and groove have brought our songs to a new level. We are so lucky to have him as well as an all-star team working on our music.”

Photo Credit: Thierry Brouard

Photo Credit: Thierry Brouard

Currently, Screaming at Demons is hard at work on its upcoming album. The album is being mixed by five-time Grammy Award-winning producer Chris Lord-Alge. Alge is no stranger to the music community and obviously to success within that community having those awards to his name. The roster of bands with which he has worked over the course of his career says plenty of his expertise behind the boards. That list includes the likes of: Eric Clapton, Tina Turner, Cher, Bon Jovi, Seal, Meatloaf, Three Days Grace, Aerosmith, Shinedown, Deftones, and countless others.  Alge was asked by reporters his thoughts on working with SAD.  his response showed just how excited he is to work with front man Shimon Moore and fellow SAD band mates Russell Ali and Chris Clemmence.  He had only positive things to say of working with the band, noting of the group, “A new level of excitement is coming from these boys and they are giving back to people in need and making music that instantly makes you wanna be a part of it!”  While fans wait for Alge, and the members of SAD to finish the band’s new album, they can check out the band’s video for its inspirational and infectious song ‘Rock Star.’ It can be viewed online now via YouTube at https://www.youtube.com/watch?v=N0g7QiwkAe4&feature=youtu.be. Audiences can also keep up with all of the latest updates from the studio and all of the band’s latest news online at:

Website: http://screamingatdemons.com

Facebook: http://www.facebook.com/screamingatdemons

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Lawless Hearts’ Creatures Of Habit Is The First Great EP Of 2015

Courtesy:  Pavement Entertainment

Courtesy: Pavement Entertainment

Up-and-coming rock outfit Lawless Hearts’ new EP Creatures of Habit is the first great EP of 2015. The four-track disc from the Jacksonville, FL-based five-piece is a good listen for anyone that is a fan of Heart, Joan Jett and the Blackhearts, and to a lesser extent Pat Benatar among other acts of that ilk. The similarity to those bands should come as no surprise to audiences as the band even notes Heart as one of its influences on its Facebook page. And just as fittingly the band notes in the bio on its Facebook page that its collective dream is to make something entirely its own in terms of its sound and lyrics. Listening to the songs that make up Creatures of Habit, it is safe to say that the dichotomy of the band’s old school rock sound and the songs’ lyrical content has created something entirely the band’s own. That is clear right from the record’s opening number and lead single/title track. The old school rock influence is obvious on the song’s musical side. Lyrically, it definitely has its own identity and will certainly have listeners thinking and talking. The musical bombast of ‘If I Have To’ coupled with its equally deep lyrical content shows this song to have its own identity, too. And the EP’s closer ‘Fallout’ with its seemingly Bon Jovi-influenced sound coupled with its insightful lyrics serves as one more example of how the members of Lawless Hearts have indeed created a record in Creatures of Habit that is entirely its own creation even with its old school rock influences. It is a record that though an EP bodes well for the band and its future endeavours.

Lawless Hearts’ new EP Creatures of Habit only boasts four tracks. That may not seem like much. But when considering the mix of the music and lyrics that make up those four songs, it proves to be a surprisingly enjoyable record. This is evident right from the EP’s opener/title track/lead single. ‘Creatures of Habit’ boast a sound musically speaking instantly conjures thoughts of both Heart and Joan Jett and the Blackhearts thanks not only to the powerhouse vocals of front woman Alex Marie but to the work of her band mates–Michael Thomas (guitar, vocals), Justus Sutherland (rhythm guitar), Rob Joseph (bass, vocals), and Corey Ahlquist (drums)–too. Marie even sounds slightly like Joan Jett as she sings, “Creatures of habit/Liars and savages/Hoping for one more drink from the well/A city for the dead/A silent tomb of regret/Try waking up but the nightmare never ends/It ever ends.” Those first two lines in which she sings, “Creatures of habit/Liars and savages” is a rather damning statement. It appears to be a short, yet rather sharp statement in regards to the nature of people. This is made even more clear as she sings in the song’s second verse, “Dirty little savage/Masochist at best/Looking for one more night to derail/Your time is wearing thin/Better hold before you lose your grip/There’s no one to hear you scream when you slip.” Marie comes across as singing about someone that is on a self-destructive path and who is about to reach a breaking point with no one to help if said subject continues on that same path. It is a powerful statement, especially if it is indeed the correct interpretation. Considering that Marie sings in the song’s bridge, “You’re covered in dirt/From the hole you dug yourself in/An early grave for the ones who deserve it,” it would seem that this is in fact the correct interpretation. It’s almost a warning of sorts. Taking into account the song’s driving musical side alongside with these words, it is no wonder that it was chosen to lead off the band’s new EP. Audiences can check out the brand new video for ‘Creatures of Habit’ online now via the band’s Facebook page at http://www.facebook.com/LawlessHeartsMusic.

‘Creatures of Habit’ is a solid opener for Lawless Hearts’ new EP. It is also proof that the band has indeed succeeded in creating something influenced by other bands yet still holds its own identity. It does so quite well at that. It is just one of the tracks on this EP that proves that, too. The EP’s second track, ‘If I Have To’ strengthens that argument even more. It could be just this critic’s interpretation (again) but this song shows something of a Bon Jovi influence. It is so easy to close one’s eyes while listening to this song and see it being performed live. For that matter, the song’s overall makeup makes it easy to see it complemented with a video that matches its bombastic sound; big stage setup, sweeping pans across the stage that capture the entire band, the audience singing along, etc. It doesn’t seem like such a stretch. That is especially the case considering the song’s lyrical content. The song’s lyrical make-up Marie starts out by singing in the song’s opening verse, “I, I’ve been shot down/Fully defeated/A bullet to my chest/Holding my breath/Running on empty/Fear is nothing compared to this.” Obviously she is speaking metaphorically when noting the “bullet to the chest.” As a matter of fact, the entire verse is written in metaphor. She is saying that she has been through the worst that can be thrown at her. Because of that, fear has nothing on what she has endured. Despite having gone through so much, she goes on to note that she has not been defeated, singing, “I’m not afraid to die to save a life if I have to/I’ll walk the line of fire/Prepared to fight/With or without you.” She finishes her statement of firm defiance singing in the final lines, “I am awake/Fully determined/Nothing will be the same.” Such lyrics come across as being rather positive. It is almost as if Marie is singing out proudly that she will not let anything stop her no matter what. Considering this as the possibly intended aim of the lyrics, it makes the song that much more enjoyable. It proves the song to be yet another original work despite its classic rock roots. And together with the EP’s opener, proves once more why this record is the first great EP of 2015.

Both of the first two tracks taken from Creatures of Habit are solid examples of what makes the record the first great EP of 2015. Both songs display classic rock roots yet original lyrics. The combination of both elements gives both songs their own identity and in turn makes the record in whole that much more enjoyable. The disc’s closer ‘The Fallout’ on the other hand, is the polar opposite of those songs. It boasts more of a modern rock sound with only the slightest hint of old school rock influence, musically speaking. The slow build that starts with just Marie and an acoustic guitar is about the only hint at that classic rock influence. It conjures thoughts Bon Jovi, Poison, and others. From there though, the classic rock influence disappears very quickly as the song leads into a much heavier sound. On the song’s lyrical side, it almost seems to bring the record full circle, echoing the topic of human nature presented in the record’s opener. It just presents it in a different avenue. Instead of making a seeming statement about the rather negative side of human nature, this song comes across as discussing people’s refusal to face the music of life so to speak. She sings in the song’s opening verse, “There’s more than two sides to every story/The pain and loss is never-ending/You wanna break down/You wanna scream out as they take, and take, and take everything/What is fair anymore/We go through life always trying to even up a score/You say the truth will set you free/We’re all so damn scared of honesty/But it all comes with a price in the end.” On the one side, Marie presents someone that is miserable, almost shaking his or her fist at the heavens. On the other is someone that wastes their life away holding grudges and trying to point the finger. That person is reminded that doing so comes at a price. In both cases, the individual ends up doing nothing but separating himself or herself from everyone else albeit in different ways. As Marie sings in the bridge, “You say none of it matters/You don’t want to deal with the fallout/You burn bridges/You build castles/To keep everyone out.” It is a statement that whether preaching and pointing that finger or shaking one’s fist at the heavens, doing so is counterproductive. People that do this are doing nothing but wasting their lives away, separating themselves from others. She goes on to warn those people that considering the direction this world is going, wasting their lives away in such fashion simply isn’t worth it. How many mainstream bands can say that they have songs that present such lyrical content? In an age when so much music is still dominated by themes of self-loathing and loathing of the world, this song comes across as a breath of fresh air. And being such a breath of fresh air, it proves even more why Creatures of Habit is the first great EP of 2015.

All three of the songs noted here are prime examples of why Creatures of Habit is the first great new EP of 2015. The combination of the songs’ musical and lyrical makes all three songs stand out from so many songs that dominate mainstream rock radio today. One would be remiss to ignore the EP’s third song, too. It offers its own value to the record in whole, too. All things considered all four tracks prove Creatures of Habit the first great EP of 2015 and one of the year’s best. Given the right support, it could be just the beginning for this up-and-coming band. More information on Creatures of Habit is available online now along with all of the latest news from the band at:

Website: http://www.lawlesshearts.com

Facebook: http://www.facebook.com/LawlessHeartsMusic

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Alpha Tiger Leading The Pack Early With Its Latest Full-Length LP

Courtesy:  Steamhammer/SPV

Courtesy: Steamhammer/SPV

2014 was a great year for the worlds of rock and metal acts. Major names the likes of Exodus, Machine Head, Judas Priest, and Black Label Society all released new albums alongside a number of equally impressive up-and-coming bands the likes of The Amsterdam Red Light District, Zodiac, Royal Blood, and others. Now with 2015 not even a full month old, this still very young year is already looking just as good for the metal masses the world over. One sign of this is the upcoming new release from Germany’s own Alpha Tiger. Alpha Tiger will release its new album iDentity in the United States next Tuesday, January 20th. The album, the band’s third is a solid follow-up to the band’s 2011 debut Man or Machine and its followup, Beneath The Surface. The band wastes no time re-introducing itself to audiences on its new album. The band launches into things right off the top in the full throttle, socially conscious ‘Lady Liberty.’ The song is a commentary of sorts on the current state of things in America. On the other end of the spectrum, the band offers an uplifting piece in the positively-charged ‘Closer Than Yesterday.’ The album’s lead single ‘We Won’t Take It Anymore’ is just as powerful a song with its driving guitar riffs and powerhouse vocals from front man Stephan Dietrich. It is another very socially conscious piece that is sure to become a fan favorite if it isn’t already. It, along with the other noted songs are just one part of the whole that makes iDentity a great start to 2015 for the metal masses. The other tracks not noted here each play their own part in iDentity’s enjoyment. Together with the compositions noted here, all ten tracks that make up Alpha Tiger’s new album prove it to be a solid new album and a good start to 2015 for the metal masses.

Alpha Tiger’s upcoming new album iDentity is the band’s third full-length record in four years. Usually when an act releases so many albums in such a short amount of time, it can prove to be a bad thing. It can prove to be bad because in many cases there is a noticeable decline in the quality of said acts’ material. Said albums feel rushed for lack of better wording. In other cases, putting out albums so quickly also means that audiences can actually grow weary of said acts. This applies both to the bigger names in the music world and even to those signed to independent labels. In the case of iDentity, Alpha Tiger hasn’t suffered from any of those issues. The band impresses right off the top in its socially-charged opener ‘Lady Liberty.’ The very first thing that audiences will note in this song is the obvious influences from the likes of Iron Maiden and Judas Priest on its musical side. The dual guitar attack of Peter Langforth and Alexander Backasch coupled with drummer David Schleif’s solid timekeeping and [Stephan] Dietrich’s vocal talents will easily fool audiences. Anyone hearing this song and not knowing it was Alpha Tiger would instantly think they were hearing either of the aforementioned greats. Lyrically speaking, it is just as much a solid opener with it’s seeming commentary on the current state of America. The seeming message in question comes across as Dietrich sings with obvious sarcasm in his voice, “Come on over hear the news/the day has come/Now we are free to choose/I Choose the path that’s best for me/Thank God to live the American dream.” The message is made even clearer later in the song as Dietrich sings, “I’m free to shoot a stranger down/I claim my right, He trod my ground/I’ll raise the flag of liberty/The lady on her hill will shine down on me.” It is only this critic’s own interpretation, but the line “I’m free to shoot a stranger down/I claim my right, He trod my ground” seems to make reference to the Treyvon Martin case and others like it. Regardless of the intended reference, such lyrics make for quite the indictment of a nation in whole. And they are sure to make quite the discussion. That discussion itself makes ‘Lady Liberty’ the perfect choice to open iDentity. The song’s musical backing makes even clearer why this song was chosen to open the album.

‘Lady Liberty’ was the perfect choice to open Alpha Tiger’s latest full-length release. It instantly grabs listeners by the ear with its fire and energy and refuses to let go. It boasts a lot of fire and energy both musically and lyrically. On the opposite end of the spectrum, Alpha Tiger offers a different kind of fire and energy in the uplifting Closer Than Yesterday.’ This song is the polar opposite of ‘Lady Liberty.’ But it is no less powerful. This song offers a welcome ray of hope to anyone going through a rough time both musically and lyrically. The song opens with a solid, driving piano riff that eventually builds into a full on arena-style song, musically speaking complete with huge guitar lick. One could almost argue something of a Bon Jovi influence to this song when one really sits down and listens to it for its musical side. That’s not an entirely bad thing, either. Now are the song’s equally uplifting lyrics. Dietrich sings in this song, “So don’t say you try/Just say you will/There is enough you left behind/It’s time to live!” The control in his voice as he sings these lyrics is something special. That control and gentility in his voice as he sings is like getting a musical pat on the back, reminding listeners that as tough as life gets, everything will be okay. He even goes so far as to sing, “I will step into the great unknown/Where dreams are made to become real/Yes I know it’s still a long way to go/But I’m closer than yesterday.” He comes across as saying that we must embrace the uncertainties in life without fear. We must embrace it because with each step forward we are “closer than yesterday” to defeating those uncertainties that cloud our minds. It is quite the positive reminder to audiences of all ages. That it can reach audiences of so many ages makes it even more powerful and in turn one more way in which iDentity works so well.

Both ‘Lady Liberty’ and ‘Closer Than Yesterday’ show why iDentity is a solid new effort from Aplha Tiger. Both songs are key examples of what makes the album so enjoyable because of the power both in their music and lyrics. The album’s lead single ‘We Won’t Take It Anymore’ boasts much the same energy and fire in its music and lyrics, too. And as with those songs, it too exhibits an obvious influence from the great veteran metal acts that have come before in its examining its musical side. Looking at the song from a lyrical vantage point, there is just as much fire as Dietrich sings “You call us hopeless generation/’Cause we won’t play by your rules/Or it’s because you can’t control us/Like your money hungry fools.” The pure defiant and infectious energy exuded by the band here will have the song resonating in listeners’ heads long after the song has ended. This is proven even more as Dietrich sings, “We won’t take it/Take it anymore/’Cause we are sick of it all/We won’t take it/Take it anymore/We’ve had it up to here.” It’s one more strong statement from Alpha Tiger that is sure to have listeners singing along proudly, pumping their fists in the air. If such striking lyrics and powerful music haven’t already made this single a hit among the band’s European fans, it won’t be long before it is. And when iDentity is released in the U.S., audiences will agree with that sentiment. They will agree with the sentiment regarding not only this song but the others mentioned here and those not noted. In hearing all of the songs that make up iDentity American audiences will discover what the band’s European fans already know–Alpha Tiger is one of the leaders of the rock world’s pack this year.

iDentity is scheduled to be released in the United States next Tuesday, January 20th. It has already been released overseas. And the band is currently on tour in Europe in support of its new album. Audiences around the world can find out the band’s latest tour updates and news online now at:

Website: http://www.alphatiger.de

Facebook: http://www.facebook.com/AlphaTigerBand

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Unbreakable Takes Audiences Back To The 80s On Its New Album

Courtesy: Dark Star Records

Courtesy: Dark Star Records

German rock band Unbreakable released its new album this week.  The album, Knockout, is a work that will instantly transport listeners back to the days of big rock and even bigger hair.  That musical trip back in time starts right from the album’s outset and trudges on nonstop throughout the eleven tracks that make up this record.  Throughout the course of the album, audiences will hear clear influences from a number of the biggest acts of the 80s including names such as: Bon Jovi, Def Leppard, and Whitesnake among so many others.  From the raucous opener that is the album’s title track to the more subdued sound of ‘In Your Heart’ to the full on rocker  that is ‘Game of Life,’ and more, fans of the 80s rock scene will find plenty to like about this record.

Unbreakable wastes no time on its new album, grabbing its audiences’ ears, and showing them what’s in store from this musical trip back in time courtesy of the album’s title track/album opener.  Front man Al Crespo’s vocals and the talents of his band mates—Martin Ries (guitar), Pascal Alles (guitar), Alex Ries (drums), and Lukas Mittler (bass)—instantly transport listeners back to that age of pomp and bombast in this song, with Crespo singing about having woken up next to a woman he had met the night before, not remembering a thing.  It is classic big rock fare.  Crespo sings in this throwback piece, “Who’s this girl/Next to me/In my bed/I lost my mind/Can’t remember where I’ve been/Just drunk too much/Too much in me/She looks real hard in my face/She demands/She demands me/My head explodes/But I’m happy what I see/She looks real great/She’s a knockout.”  This is classic big hair lyrical fodder at its finest. And there’s plenty more of that to come after this song, too. Case in point, the more subdued ballad-style song, ‘In Your Heart.’

‘In Your Heart’ is a classic 80s style ballad that fits just as well on this record as any of the album’s other songs. Crespo sings in this song, “Wait/Why don’t you come back to me/I’ll love you forever/Don’t leave/There’s some work/I’ll make it right.” His delivery in the case of this song really is what makes the song so powerful. He already proved his prowess on the album’s previous songs. This includes the album’s opener. He shows his ability to really interpret the lyrics and get the most emotion out of the song. That one line is just a tiny part of the song in which he exhibits that talent, too. Of course that isn’t to discount the talents of his band mates. [Martin] Ries and [Pascal] Alles add their own share of emotion to the song. Even drummer Alex Ries’s talents on the drums add their own something extra to the song to make it even more hard hitting. That deep emotion makes this song even more reason for fans of classic 80s style rock and roll to check out Knockout.

Both ‘In Your Heart’ and ‘Knockout’ are prime examples of what Unbreakable has to offer 80s rock fans on its new album. They both show the band’s versatility or lack of better wording. Just as much of an example of that versatility is ‘Game of Life.’ ‘Game of Life’ is more classic 80s style big rock from Unbreakable. The comparison is especially easy thanks to its musical side. Any number of big hair bands could be referenced in terms of this song. Lyrically speaking, it comes across as another song centered on personal relationships. But it comes from a different angle, as audiences will hear. Crespo sings here, “The day begins/I open my eyes/And think of what I can do/For you in life/Never stop giving up on me/I tried to please you/And change my ways/Open my eyes to see/Welcome to the game of life/I’m going to touch your inner light/Welcome to the game of life.” At one point, when Crespo hits the high notes in this song, he actually sounds a little bit like Dream Theater front man James LaBrie. The guitar work of Ries and Alles gives the song something of a Scorpions type of vibe for fans of that band. It’s just one more way that the band impresses audiences of that old school sound with this new record.

The songs noted here are only a few examples of what audiences can expect from Unbreakable’s new record. Anyone that is a true fan of the classic sounds of the 80s will want to check out the rest of this album along with the songs noted here. Knockout is available now in stores and online. It can be downloaded now via Amazon and iTunes or at the band’s upcoming shows later this fall. The band’s German fans can also pick up its new album when it performs this November. The band is scheduled to perform live November 1st and 8th in Burgberghalle and Kult respectively. More dates will be announced soon. Fans can keep up with those upcoming tour date announcements and all of the latest news from the band via its official Unbreakable website and Facebook page. To keep up with the latest sports and entertainment reviews and news, go online to the Phil’s Picks Facebook page and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog.

 

 

Roy Orbison To Receive New Award

Photo Credit: Janet Macoska

Photo from “The Last Concert” Credit: Janet Macoska

Legendary musician Roy Orbison is gone but definitely not forgotten.  The legendary musician will posthumously receive an award from the Musicians Hall of Fame and Museum.  Orbison will be awarded the Iconic Riff Award.  The award, which is being awarded for the first time, is being awarded to Orbison for his hit 1964 song, ‘Oh, Pretty Woman.’  The song would go on to become a number one single after its original release.

Heads of the Musicians Hall of Fame and Museum said the reason that Orbison was chosen as the first recipient of the award because of the riff that opens ‘Oh, Pretty Woman.’  The song itself has been covered by countless artists. It rose to its biggest fame thanks to rock band Van Halen’s cover of the song.  It was also the inspiration for the hit 1990 rom-com, Pretty Woman, starring Richard Gere and Julia Roberts.  The song itself can even be heard in the movie’s soundtrack.

Along with its numerous covers and use in movies, ‘Oh, Pretty Woman’ the song is also included a new live concert recording from Legacy Recordings titled Black & White Night.  The DVD recording was released this week.  It was recorded in September of 1987 and includes the likes of: Bruce Springsteen, Elvis Costello, Jackson Brown, JD Souther, and Tom Waits joining the star for his hit song.

Roy Orbison is one of the music industry’s most well-known and respected names.  He started his career in 1956.  He was signed to the famed Sun Records at the time.  The label also boasted the likes of Elvis Presley, Jerry Lee Lewis, and Johnny Cash on its roster.  It wouldn’t be until he signed a deal and recorded for Monument Records in the early to mid-1960s that his career truly took off.  The release of ‘Oh, Pretty Woman’ marked the peak of his career at the time.  The song, which Orbison co-wrote with Bill Dees, would go on to sell seven million copies and spend three weeks at number one on the Billboard Hot 100 Chart.  It also peaked at number one on the British charts for three weeks.  This was an unprecedented feat for any American recording artist at the time.  That is because The Beatles were dominating both countries’ charts at the time.

A new collection of Orbison’s hits titled The Monument Boxset will be released November 26th.  The collection is a vinyl only package that includes three of the most well-known and beloved albums that Orbison recorded during his time with Monument Records.  Those records are: Lonely and Blue, Crying, and In Dreams, which was also just recently re-issued on CD.  The new box set also includes a fourth album that had not existed until now.  The album will be centered on ‘Oh, Pretty Woman’ and will be comprised of five tracks.  The album’s songs were chosen by Orbison’s own sons, Alex, Roy Kelton, and Wesley Orbison.  Orbison’s suns have maintained their father’s legacy, running Roy’s Boys LLC, which is responsible for managing their father’s likeness, image, and musical releases.

Roy’s Boys LLC and Legacy Recordings are set to release one more live Roy Orbison concert before the year ends.  The Last Concert25th Anniversary Edition chronicles what would be Orbison’s final concert before his death in 1988.  The concert was recorded on December 4th, 1988.  That was only two days before he would suffer a fatal heart attack.  The fact that he would pass away only two days later is only part of what makes the upcoming concert so important.  Orbison commonly closed his shows with a performance of ‘Running Scared.’  But recording engineers ran out of tape that night before Orbison performed the song.  The result of that shortage is that ‘Oh, Pretty Woman’ would end up being the final number from his final ever concert.  More information on all upcoming Roy Orbison releases is available online at http://www.royorbison.com and http://www.facebook.com/royorbison.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.