Boy Blue Debuts ‘Ghost Of Saturday Night’ Video

Courtesy: Earshot Media

Independent pop punk band Boy Blue debuted the video for its latest single this week.

The band debuted the video for its single ‘Ghost of Saturday Night‘ Friday. The video features the band on its way to a Halloween party as the song plays over. As the band makes its way to the party through the use of an Uber-style ride — driven by a person in a ghost costume — its members keep getting thrown out in some very unique ways.

The musical arrangement featured in the band’s new song is a pure pop punk composition. It features a guest appearance by Bowling For Soup front man Jaret Reddick.

The song’s lyrical theme is light hearted in itself, but also somewhat introspective, according to guitarist Joe Moretti.

“The song title is taken from a Tom Waits lyric, and the song is kind of an interpretation of what that means,” he said. “It’s about the almost depressing feeling that you get the day after a party with all of your friends when you wake up hung over and everything is just a mess. You wonder if you’ll ever be able to get that high of happiness from the night before ever again, and that feeling really haunts you for a long while afterwards.”

More information on Boy Blue’s new single and video is available along with all of the band’s latest news and more at:



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The Run Around’s New EP ‘Bombs Away’ Anything But Bombs

Courtesy: Earshot Media

Up-and-coming punk rock outfit The Run Around released its first new studio recording in 11 years this month.  The Chicago, IL-based quintet released its EP Bombs Away March 14 independently.  The five-song record is the band’s first studio recording since the release of its 2009 LP Fight The Day. Its musical and lyrical content will appeal to fans of bands, such as Dropkick Murphys, Sum 41 and Bowling for Soup, the latter of which is scheduled to perform live alongside The Run Around Aug. 27 at Bottom Lounge in The Run Around’s hometown.  Tickets for that concert are available here.  The EP’s lead single and opener, which is also the record’s title track, is just one example of how that content makes this record so appealing.  It will be discussed shortly.  ‘White Coats,’ the EP’s mid-point is another example of what makes the record stand out in this year’s field of new punk rock records.  It will be discussed a little later.  ‘Go Under,’ the EP’s closer is one more example of what makes the disc stand out.  It will also be discussed later.  Between this composition, the other noted songs, and the record’s other two offerings, the EP in whole proves itself to be a strong return for The Run Around, and hopefully not the band’s last release.  That is because it is one of this year’s top new EPs.

The Run Around’s first new studio recording in 11 years is a strong return for the up-and-coming punk rock band whose appeal is far-reaching, thanks to its collective musical and lyrical content.  The record’s opener/title track, which is also its lead single is just one example of what makes this record such an impressive return for The Run Around.  The song’s up-tempo musical arrangement lends itself to comparisons to the likes of Dropkick Murphys and Rancid.  One could even argue that a comparison to works from Sum 41 could be made, at least  in the way of that arrangement.  The infectious groove established in this song couples with the straight forward, no-nonsense sociopolitical commentary in its lyrical content to add to its impact.

Front man Jason Fein sings against the work of his band mates – Jason Enders (bass, vocals), Fabian Falcon (guitar, vocals), Mario Sanchez (guitar) and Mike Curran (drums) – “Little Tommy’s gun a gun/He’s not gonna shoot anyone/Sick of this carousel/There’s only one way out when it goes to hell/And when it comes, too/All that we’ll go through/Does not mean a thing/When war mongers control our brains/No future/No desire/We are drowning/But we’re too close to the fire/Bombs away/It’s just an ordinary day/In the U.S. of A./Say/No way/We contradict your politics/And the grand old GOP.”  The song’s second verse is difficult to decipher without a lyrics sheet to reference. However, in the refrain of the song’s chorus, Fein and his band mates change things up slightly, stating, “We contradict your politics and the redneck NRA.”  Considering this and everything in the song’s lead verse, the message in this song comes across as being pretty clear.  Fein adds in the song’s third verse that, “we must ride this wave or go down in punk rock glory” before returning to the chorus once more, adding, “Where the hell’s our liberty?…We say no way.”  Again, the lyrical content leaves little doubt as to its statement.  This is a commentary about the state of the nation.  Given, it will appeal mainly to those who are anything but Republicans, but to those audiences in question, it will certainly find its ears.  The urgency in the song’s musical arrangement adds to the fire in the song’s lyrical content to make the song in whole, a work that is a strong start for Bombs Away and an equally strong first impression for the band in its return.  The song is just one of the EP’s most notable works.  ‘White Coats’ does its own share to show the EP’s strength.

‘White Coats’ presents a musical arrangement that once again, is pure punk rock.  As with the EP’s opener, this up-tempo, guitar-driven work, with its solid time keeping is another work that lends itself to comparisons to works from Dropkick Murphys.  That is especially the case through Fein’s vocal delivery.  It instantly lends itself to the vocal delivery style of DKM vocalist Al Barr.  The simple, yet infectious hooks, which feature band simply singing “whoah” even are instantly comparable to DKM’s work.  The same can be said of the guitar solo in the song’s bridge.  That driving arrangement joins with the song’s straight-forward commentary in its lyrical content to make the song all the more powerful.

Fein sings in the song’s lead verse, “Wake up, baby/It’s the weekend/And we’re never gonna be … again/So let go/Of control/It’s too much stress for one to handle/You know it/We know it/Let the past be the past/You can’t wait for it/Tonight our enemy will be the sunrise/Haters gonna hate on what they don’t know.”  He and his band mates continue in the song’s second verse, “Mr. policeman/Put down the weapon/Please don’t shoot/We’re only drinking/Let go/Of control…we promise we won’t tell/One night/So live life/You know it/We know it/The past is the past/You can’t wait for it.” Of course Fein and company are not saying that drinking and driving is okay here.  The choice of words might have been better.  However, the bigger picture here is that the song’s message comes across relatively clearly.  The message inferred is that we should make the most of our lives.  This argument is strengthened even more as Fein sings in the song’s chorus, “Forget the bastards/And those who bring us down/Tonight, we’ll live life…when the white coats come/To take us all away/Sanity is just your favorite blue pill away.”  That line about sanity being our favorite blue pill away and the men in white coats coming to take us away enhances the song’s overall message about making the most of life.  It is as if Fein is saying that we are going crazy as a nation, and we need to just live our lives, making the best of every day.  That might account for the note of the blue pills and the men in white coats.  Keeping that in mind along with the playful, lighthearted vibe in the song’s arrangement, the song does an admirable job of translating that seeming message.  Looking at the seeming message and music, and that of the EP’s opener, it is clear that this record certainly has substance both musically and lyrically.  That substance does not end with these two songs.  Rather it continues in the EP’s closing number, ‘Go Under.’

‘Go Under’ is, musically, a very accessible song for audiences with its radio ready musical arrangement.  The harmonies established through the guitars, bass and vocals couple with the solid time keeping to make this song at least musically, this EP’s most radio ready work.  It’s just one part of what makes the song so accessible.  The song’s lyrical content, which centers on the all-too-familiar topic of a broken relationship.

Fein sings in the song’s lead verse, “Let’s start at the part/I broke your heart/You told me that you loved me/Right before I fell apart/Never meant for this/Bliss and happiness/Came with the yard and the white picket fence/I bit off my tongue/So you’d never drink alone/Blew off my friends/Pretend that we weren’t home/Now I’m the one/You scream when I call/All is far is love and war/Always my fault.”  He makes mention in the song’s chorus of things going to hell, which signals yet again, that matter of the relationship going south relatively fast.  He adds during the chorus, “I was your lightning/You were my thunder/Never really looked at another//When the lightning crashed/There was no more thunder/Life goes on/Then we go under.”  The song’s second verse is very similar in its approach, continuing that story of the broken relationship.  Between that clear presentation made in the verse and chorus, the song’s lyrical content translates quite well.  Coupled with the infectious musical content, the song in whole is a wise choice for a single, and could be that work that breaks the band into the mainstream, what with that accessibility.  Considering the strength of this song, the others discussed here and the rest of the EP’s entries, the whole of the 16-minute record proves to be a positive return for The Run Around and that is easily one of this year’s top new EPs.

The Run Around’s newly released EP Bombs Away is a record that explodes with so much substance, both in terms of its musical and lyrical content.  It is a work that will appeal to purist punk rock fans as well as those of the more mainstream stuff.  That is evident from the record’s opening to its end.  Keeping that in mind, this EP is a solid return for The Run Around and hopefully just the new beginning for this punk rock outfit.  The EP is available now.  More information on Bombs Away is available now along with all of The Run Around’s latest news at:









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Bowling for Soup’s new LP will make fans shout WOO!

Ok, everybody.  On the count of three, everybody yell, “WOO”  Ready?  One.  Two Three.  WOOOOOOOO!!!!!  Texas based Bowling For Soup is back with another great new album in “Fishin’ for Woos.” The band has proven with this record that between its 2009 release, “Sorry for PArtying” and this new release, it hasn’t lost a bit of its fire since that time. 

“Fishin’ For Woos” is a solid album from beginning to end.  Just as with its past albums, the band continues to keep itself distanced from all the other pop punk bands that take themselves far too seriously.  At the same time, it doesn’t reproduce the same sound as its previous release.  The band has kept itself fresh yet again.  Instead of writing a bunch of whiny emo-style songs about love lost, the band takes the road less traveled, opting instead to make another fun party rock record that audiences will love more and more with every listen.  It’s highlighted by songs such as ‘Girls in America’,’Friends Chicks, Guitars’, the Ugly Kid Joe-esque ‘Here’s Your Freakin’ Song’, and the party anthem, ‘S-S-S-Saturday.’  There’s even a touch of an homage to the Ramones in ‘Girls in America’ during the song’s chorus.  Whether that was intentional is anyone’s guess.  But it is there, nonetheless.  And it’s a great added touch to the song.

The most serious that the band gets on “Fishin’ For Woos” is on the song, ‘Turbulence’.  [Jaret] Reddick sings on the album’s only ballad, “We’re all just passengers tonight/and we’re all just travelling through our lives/we will reach our destination/so just hang on for the ride/say a prayer and close your eyes/it’s just a little turbulence…”  It’s a song about getting through life’s difficult times.  But it’s not one of those standard whiny “oh woe is me” style emo/pop punk pieces.  It’s much more positive.  And for that, the band is to be commended even more.

“Fishin’ For Woos” has so much going for it. Whether it’s the album’s only ballad, or any of the more up-tempo pieces throughout the album, Bowling for Soup has crafted what should be considered one of the best punk rock and general rock records of 2011.  And compared to the other punk and pop punk bands out there, it’ll easily continue to set Bowling For Soup apart as one of the best punk and general rock bands currently making music today.