Adrenaline Mob Celebrates New EP’s Release With New Slate Of Tour Dates

Courtesy:  Century Media/Century Media Records

Courtesy: Century Media/Century Media Records

Hard rock band Adrenaline Mob is hitting the road this Spring in support of its new EP Dearly Departed.

Adrenaline Mob will join Drowning Pool on the road from March 12th to April 3rd as part of Drowning Pool’s “Unlucky 13 Anniversary Tour,” which is in support of the recent re-issue of Drowning Pool’s 2001 debut album Sinner. The tour kicks off Thursday, March 12th in Daytona Beach, Florida and winds down Friday, April 3rd in Dallas, Texas. The complete tour schedule is listed below. While fans wait for the tour to come to their town, they can check out the videos for the EP’s title track and the video for the band’s cover of The Charlie Daniels Band’s hit song ‘The Devil Went Down to Georgia’ online via YouTube. Both songs are included on Dearly Departed. They can be viewed via YouTube at:

Dearly Departed

The Devil Went Down to Georgia

After checking out both videos, fans can also go online and order Dearly Departed via Century Media’s online store now at Fans can also download Dearly Departed online via iTunes, Amazon, and Google Play at:



Google Play:

Adrenaline Mob tour dates with Drowning Pool:

3/12 – Daytona Beach, FL @ Main Street Station – Daytona Bike Week

3/14 – Jacksonville, FL @ Beach Blvd Concert Hall

3/17 – Clarksville, TN @ The Warehouse Bar & Grill

3/19 – Baltimore, MD @ Fish Head Cantina

3/20 – Poughkeepsie, NY @ The Chance

3/21 – Sayreville, NJ @ Starland Ballroom

3/22 – Beckley, WV @ Muncheez

3/24 – Pittsburgh, PA @ Altar Bar

3/26 – Fredericksburg, VA @ Hard Times

3/27 – Lancaster, OH @ Mickey’s Bar

3/28 – Flint, MI @ The Machine Shop

4/1 – Laporte, IN @ Johnny’s Roadhouse

4/2 – St. Louis, MO @ The Mad Magician

4/3 – Dallas, TX @ Trees

Also tapped as a support act for the tour is Full Devil Jacket. The Jackson, Tennessee-based four-piece is the latest addition to eOne’s artist roster. It is set to release its new album Valley of Bones this spring.

More information on Adrenaline Mob, including all of the band’s latest tour dates and news is available online at:



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Adrenaline Mob’s Fans Will Hold The Band’s New Compilation Dear

Courtesy:  Century Media/Century Media Records

Courtesy: Century Media/Century Media Records

Hard rock band Adrenaline Mob will release its latest record Dearly Departed next month.  The record is the second compilation and its fourth overall release following Omerta (2012), Coverta (2013) and Men of Honor (2014).  It comes almost a year to the day since the band released Men of Honor, too.  And while it is mainly a way to tide over fans until the band releases its next new full-length, it proves in the end to be a rare worthwhile release for the band’s fans.  The record, which is essentially an EP, proves to be a worthwhile compilation thanks to its musical mix.  Not only does it boast the band’s own compositions, but it also presents quite an interesting array of music from the band’s own influences.  Among the influences whose music is included on this record are Black Sabbath, Queen, and of all things The Charlie Daniels Band.  Yes, The Charlie Daniels Band.  Adrenaline Mob offers up its own take on The Charlie Daniels Band’s hit song ‘The Devil Went Down To Georgia’ as part of its upcoming record.  And it goes without saying that this song is the best of the covers featured on this record.  In terms of the band’s own songs, the acoustic take of ‘Crystal Clear’ stands out most of all.  The song’s stripped down sound in its acoustic take gives the song a whole new depth.  The previously unreleased ‘Whatever Gets You Through The Night’ is just as much of a bonus.  The song is one of likely many more recorded during the sessions for Men of Honor that ended up on the cutting room floor when the album’s final track listing was arranged.  Now fans get to hear this song for themselves.  And as with the record’s other works, it’s just as welcome an addition to the record.  These three tracks are just a fraction of what makes Dearly Departed an enjoyable new compilation from Adrenaline Mob.  The album’s remaining six songs each add their own element to the finished product.  And together with the songs noted here, all nine tracks prove Dearly Departed a record that will be anything but dearly departed in any AMob fan’s music collection.

Adrenaline Mob’s upcoming compilation record Dearly Departed is not the first of the band’s compilations.  And that only two years have passed since the release of Coverta some might be left scratching their heads as to why the band would put the two records so close to one another.  The reason for that is anyone’s guess.  That aside, it still proves in the end to be a good record considering its mix of covers and alternate takes on its own music.  One of the best of the covers included on this record is the band’s cover of The Charlie Daniels Band’s timeless classic ‘The Devil Went Down To Georgia.’  The song was originally included on TCDB’s 1979 album Million Mile Reflections.  In the three decades plus since its debut, any number of bands, artists, and groups have covered this song.  There have been some good takes on the song and some not so good takes.  Adrenaline Mob’s take on the classic is one of those that fits into the relatively good category.  Drummer AJ Pero keeps a solid beat while Mike Orlando drives the song forward with his work on the song’s guitar line. Audiences will especially appreciate the old school shredding style exhibited by Orlando in his performance. Even more impressive is that even with that old school shredding, he still keeps the original song’s guitar line intact. He more than deserves his due credit for holding such balance in the song.  And front man Russell Allen gives the song even more punch with the power in his vocals.  Bassist Erik Leonhardt adds just enough low end to round out the song and show that while it may be a country song at its roots, ‘The Devil Went Down To Georgia’ is just as enjoyable as a hard rock song, too.  In proving this, it makes this cover one of the best compositions included in Dearly Departed’s body.

The amped up take on TCDB’s ‘The Devil Went Down To Georgia’ is a great addition to Dearly Departed.  It is one of those songs that while a cover, is already so infectious and popular that it’s a favorite among audiences of all ages.  That Adrenaline Mob would give it a whole new life in its amped up reworking will not only give the song a new identity and life, but it could even serve to bring older audiences who otherwise wouldn’t listen to Adrenaline Mob into the band’s audience base.  It is that impressive.  For that reason alone, ‘The Devil Went Down to Georgia’ more than proves its value to this record.  As valuable as ‘The Devil Went Down to Georgia’ proves to be to the whole of Dearly Departed, the band’s acoustic take of ‘Crystal Clear’ is equally valuable of an addition to the record. The full electric version of the song that is included in Men of Honor is a deeply moving song within itself. But the acoustic take of the song gives it so much more depth and emotion. It’s obvious the amount of work that was put in to bringing this rendition to life. And that work paid off, too. It doesn’t come across as being schmaltzy unlike so many songs of its ilk. If anything, there’s almost a sort of Alter Bridge sound to the song in this take with Allen even sounding like Alter Bridge front man Myles Kennedy at least to some extent. It truly proves by its last notes to be one more of this record’s highest of points.

Both the band’s acoustic take on ‘Crystal Clear’ and its cover of ‘The Devil Went Down to Georgia’ prove to be great additions to Dearly Departed. They make for plenty of reason within themselves for the band’s fans to add this compilation to their music libraries. One more song included on the album that proves itself just as impressive is the previously unreleased song ‘Whatever Gets You Through The Night.’ The song was recorded during the band’s sessions for Men of Honor but ultimately ended up on the proverbial cutting room floor when the album’s final track listing was established. It’s a surprise that it did end up there, too. It is a full throttle rocker that impresses just as much as the other songs that make up the body of Men Of Honor. It is one of those musical middle fingers to those that live only to make the lives of others miserable to which any listener will relate. That’s obvious right from the start as Allen sings, “I heard you running off your big mouth/Wantin’ to lay it all out on the floor/You wanna play with the big dice/Better think twice before you throw/Oh, I hear you/I guess I’m just not fit to understand/Say what?/I can’t hear you/Who just can’t understand.” If the message isn’t clear enough in the song’s opening verse, the song’s second verse makes it—pardon the pun—crystal clear as he goes on to sing, “I hear you knockin’ at my back door/Wantin’ to give me one more time around/I’m hearing rumors that you’re spreading s&*( all over town/That’s what they’re sayin’/You know them crooked vultures never lie/You know they never lie.” He’s saying that even those people one couldn’t trust are trust worthy in this case. And that’s saying something, too. Who out there hasn’t been in the shoes of the subject of this song? It’s sad that there are people like that out there. But they are out there. And because they are, it makes songs such as this one all the more valuable. That because the ability of the song to reach audiences so clearly will help listeners deal with exactly those kind of people. So not only does the song prove to be musical therapy of sorts, it also is just a great, full-throttle, old school style rock and roll song. Being such a versatile song, it proves quite well why it is one more great addition to Dearly Departed. And together with the other songs noted here, it proves once more why Dearly Departed is an album that any Adrenaline Mob fan will *ahem* hold dear. Yes, that bad pun was fully intended, and with the highest of respect for the band, too.

‘Whatever Gets You Through The Night’ is a great song in and of itself. Together with the likes of the band’s acoustic take on ‘Crystal Clear’ and its cover of TCDB’s ‘The Devil Went Down To Georgia,’ all three songs make for plenty of reason for fans of Adrenaline Mob to add this album to their libraries when it hits store shelves and digital outlets next month. Of course as impressive as these songs are, it would be wrong to ignore the record’s other songs. Adrenaline Mob also covers Queen, Pat Travers, and even Black Sabbath on this compilation along with presenting a couple of other acoustic takes on its own songs to round out the whole presentation. Audiences will each find their own favorite(s) among the record’s nine total tracks. And while everyone will have their own favorite(s), the one thing on which every listener will agree in regards to the record is that it is yet another impressive release from a compilation that will more than tide over fans until Adrenaline Mob releases its next full-length album. Dearly Departed will be available in stores and online Tuesday, February 10th. While fans wait for its release, they can keep up with all of the latest news and tour updates from the band online at:





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Adrenaline Mob To Release New Compilation Record Next Month

Courtesy:  Century Media/Century Media Records

Courtesy: Century Media/Century Media Records

Adrenaline Mob will release a new collection of covers and rarities next month.
Officials with Century Media Records along with the members of Adrenaline Mob announced today that the band will release a new collection of covers and rarities next month titled Dearly Departed. It is currently scheduled to be released Tuesday, February 10th via Century Media. Its track listing consists of four cover songs, a previously unreleased track from the sessions for the band’s 2014 album Men of Honor, three total acoustic takes from Omerta and Men of Honor and an edit of ‘Dearly Departed,’ which was included originally on Men of Honor. Audiences can get an instant gratification download of that re-edit via:



Google Play:

Dearly Departed was co-produced by Adrenaline Mob front man Russell Allen and guitarist Mike Orlando. Its complete track list is noted below.

1- Snortin’ Whiskey (Pat Travers)

2- Dearly Departed (Edited version of Men of Honor track)

3- The Devil Went Down to Georgia (Charlie Daniels Band)

4- Crystal Clear (Acoustic version of Men of Honor track)

5- Sabbath Medley (Black Sabbath)

6- Whatever Gets You Through The Night (Unreleased from Men of Honor sessions)

7- Angel Sky (Acoustic version of Omerta track)

8- All on the Line (Acoustic version of Omerta track)

9- Tie Your Mother Down (Queen)

More information on Adrenaline Mob, its upcoming compilation, and its latest tour updates is available online at:



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Adrenaline Mob’s Sophomore LP Will Get Any Listener’s Adrenaline Running

Courtesy:  Century Media/Century Media Records

Courtesy: Century Media/Century Media Records

Adrenaline Mob’s second full-length studio release Men Of Honor is a solid work from start to finish. The eleven track, fifty-one minute record boasts a solid balance of full throttle, blue collar hard rock tunes and ballads that will entertain every listener. Whether it be for the songs’ lyrical side or their musical side, the songs that comprise Men of Honor prove it to be another record well worth the listen by any true-blooded rocker. The band proves this right off the top in its balls to the walls, working man’s anthem ‘Mob is Back.’ ‘Let It Go’ will impress listeners just as much with its indictment of those that refuse to let go of the past and let it eat them alive. And for those looking for something at least a little bit softer, there’s the introspective semi-ballad that is ‘Crystal Clear’ in which front man Russell Allen considers what might have been with a lost love. These songs are just a few examples of what makes Men of Honor an album that any true-blooded rocker will appreciate. The remaining eight tracks that make up the band’s sophomore record each offer their own enjoyment. Together with the songs noted here, the whole thing proves in the end to be a solid hard rock record that will impress any fan of Hellyeah, Kill Devil Hill, and others of that ilk.

Adrenaline Mob made quite the splash back in 2012 with its debut full-length album Omerta. Now with its sophomore LP the band has proven that the success of that album and its followup EP Coverta was no fluke. MOH’s opener ‘Mob Is Back’ is proof of that. This blue collar hard rock anthem will have listeners proudly putting their horns high and singing along proudly from open to end. Front man Russell Allen sings in this song, “I’m tired of getting s^&* on, pissed on/I’m feelin’ like a loaded gun, yeah/I’ve been smacked down, throw ’round/I’m feelin’ like a bastard son, yeah…I’m workin’ all day, s^&* pay/bustin’ it from nine to five, yeah/I’m gettin’ no sleep, six feet under/Feelin’ buried alive, yeah.” These are lyrics that will reach any average American. Who out there hasn’t felt the feelings described here? The musical energy and fire behind these lyrics makes them hit hard and serves to make them fully relatable for audiences. He and his band mates–Mike Orlando (guitar), AJ Pero (drums), Erik Leonhardt (bass)–make the song even more relatable and enjoyable as they show that “the mob is back” in full celebratory fashion with Allen singing, “So turn up the lights/We’re all here tonight/We came to throw down/Yeah, the mob’s back in town, oh yeah!” It’s a statement loud and clear that not only is Adrenaline Mob back in full force but that the band’s return is a shining light making the rigors of the work week worth dealing with. Keeping that in mind, it proves this song to be the perfect choice to open Men of Honor and an equally great addition to the album in whole.

‘Mob Is Back’ was the perfect choice to open Men of Honor. It is a no nonsense, balls to the walls blu collar rock anthem that celebrates not just the return of Adrenaline Mob in its sophomore album but the positives of hard rock as a break from the rigors of the work week. It didn’t come right out and say that. But it couldeasily be argued. It proves in the end to be not just a great opener for the band’s new album but an equally great addition to the album in whole. ‘Let It Go’ is another great addition to Men of Honor. The song comes across as a damning indictment of those that choose to live in the past, wallowing in their own anger and feelings of hurt, rather than moving on with life. As Allen sings in the song’s opening verse, “Why can’t you ever just let anything go/Don’t you know that the past is the past/You fight your feeling/You heat your blood up/You Heat your blood up/Don’t you know that you can’t go back?” As with ‘Mob Is Back,’ this song instantly proves to be one to which every listener can relate. Anyone that hasn’t come in contact with one of those people described here. Allen sings in response to those people in the song’s chorus, “So just take all your demons/Don’t give them a reason/Don’t let them control your mind/Cause they are the problem/So what will it take/What will it take for you/To just let it go?” The song’s forceful energy is a near direct contrast to its lyrics. It would have been so easy for Allen and company to take a much softer, more emotional route with this song, musically speaking. But they took a much moredirect approach instead. The result of that direct approach is a song with more punch and that is much more hard-hitting. And as with ‘Mob Is Back,’ that approach makes it one more great addition to Men of Honor as it really lives up to the album’s title just as much as the album’s other songs.

Both ‘Mob Is Back’ and ‘Let It Go’ are key examples of what makes Adrenaline Mob’s new album Men of Honor such a solid new recording. They are just a couple of the heavier moments that make this album work as well as it does. For all of the doses of heavy that are injected into the album, Adrenaline Mob also includes some slightly softer (slightly being the key word here) songs at points, too. One of those “softer” moments comes in the form of the semi-ballad style ‘Crystal Clear.’ The obviously introspective song is centered on the standard subject of a broken relationship. This is made clear as Allen sings, “Despite all of the reasons/Despite all of the pain/I know you were always there/Through all the changing seasons/Through all the good and bad/I knew you were always there/I just couldn’t see it/Now it’s crystal clear.” It’s pretty obvious what Allen is singing about. Here is a man who has lost some special to him. But it isn’t until that someone is gone that the subject of the song realizes it. It’s that classic “you don’t know what you’ve got till it’s gone” sort of message. The message is made even clearer as Allen sings, “So I lay awake hope and pray/The emptiness I feel inside would just go away/But it’s plain to see what’s killing me/I realized how much I needed you.” As pained as these lyrics are, the song’s musical side is almost a slight contradiction. It doesn’t have that full on oh-woe-is-me feeling. Yet it does a good job of illustrating the emotional pain felt by the song’s figure. That combination of music and lyrics together makes this song the best example of how the album’s “softer” side makes it work just as well as its heavier side. Those two sides together show with full clarity why Men of Honor deserves at least an honorable mention on any critic’s list of 2014’s best new hard rock and metal albums.

‘Mob Is Back,’ ‘Let It Go,’ and ‘Crystal Clear’ are all prime examples of what makes Men of Honor work as well as it does. They are collectively just part of what makes this album a good listen for fans of the likes of Hellyeah, Kill Devil Hill and others of that ilk. The eight other songs that make up the rest of this album each present their own reason for audiences to enjoy this record. Those songs together with the pieces discussed here make Men of Honor an album that deserves its own share of honor within the hard rock community. It is available now in stores and online. While the band currently has no tour dates scheduled, audiences can keep up with the latest chances to hear its music live when they “Like” the band on Facebook at Fans can also keep up with all of the latest tour updates and news from the band via its official website at

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Spiders’ Second Full Length LP Is One Of This Year’s Best New Pure Rock And Roll Records

Courtesy:  Spinefarm Records

Courtesy: Spinefarm Records

Sweden has for many years been considered one of the music world’s most well-known nations.  It has been called home by some of metal’s most aggressive names including: In Flames, At The Gates, Soilwork, Evergrey, and a number of other big name acts.  However in recent years, it seems that the tide has shifted somewhat, bringing other lesser known acts to the fore.  At one point some years ago, The Hives brought out Sweden’s more mainstream side.  The Flower Kings have represented the progressive rock world.  And this year alone, both Freak Kitchen and The Dagger have proven that Sweden offers more to the rock world than just death metal, black metal, and aggressive metal in general (I.E. At The Gates, Arch Enemy, Soilwork, In Flames, etc.)  Now another band has added its name to that growing list of bands proving Sweden has plenty to offer audiences. That band goes by the name of Spiders.  Spiders will release its second full-length studio effort tomorrow.  The album, titled Shake Electric, is even more ammunition in the argument that rock and roll is not dead nor will it be on its death bed anytime soon, despite what one Gene Simmons might like to believe.  The album’s ten total tracks will transport listeners back to rock’s golden era.  Vocalist Ann-Sofie Hoyles sounds like Janis Joplin at some points.  At others she sounds like a cross between Pat Benatar and Joan Jett.  And at a wholly other point, one could argue she sounds like Heart’s Ann Wilson.  The talents of Hoyles’ band mates–John Hoyles (guitar), Olle Griphammar (bass), and Ricard Harryson (drums)–add even more enjoyment to the songs on this record.  The end result is a work that every rock and roll purist should hear at least once.

Spiders’ new sophomore album Shake Electric is, much like The Dagger’s new self-titled Century Media debut, a record that every rock and roll purist should hear at least once.  the album takes listeners on a musical trip back to rock’s golden age.   It all begins with the album’s opener ‘Mad Dog.’  Its old school stoner/garage rock sound coupled with Ann Sofie-Hoye’s vocals make it the perfect first impression for the band on this record.  The song opens with a bombastic attack from Hoyles’ band mates before she comes in singing, “I hear you barking at my door/See you crawlin’ on the floor/I know you don’t mind/But I know your kind/The way you scream/The way you howl.”  the term bad dog is obviously a metaphor for a really bad man.  That becomes especially obvious as the song progresses.  Even with this knowledge, the song still proves to be a great addition to this record.  The power in Hoyles’ delivery coupled with the talents of her band mates in this bluesy rocker will have every rock purist jamming along both by themselves and along with other fans at the band’s live shows.  Being such a solid song both on record and for a live setting proves even more why this song is one of so many great additions to this album.

The members of Spider made exactly the right call when they opted to open Shake Electric with ‘Mad Dog.’  the song’s bluesy rock sound  coupled with Hoyles’ vocals instantly take listeners back in time to rock and roll’s golden era.  Unlike so many other bands’ albums past and present, the enjoyment doesn’t end for audiences after this track.  Rather, the band keeps the energy flowing and listeners *ahem* shaking and singing along from start to finish.  One prime example of the band’s ability to maintain that energy comes in the form of ‘Control.’  The band’s members launch right out of the gate on this full-forward rocker with Hoyles’ exhibiting her Joan Jett/Pat Benatar-style vocals.  [John] Hoyles and drummer Ricard Harryson provide most of the driving force behind this song with bassist Olle Griphammar holding his own, too.  Musically speaking, there’s almost a sort of Led Zeppelin-style sound to the song.  The energy in Hoyles’ voice as she seems to sing about a woman that drives men crazy adds even more depth to the song.  She sings of a man “calling out her name/think I need control…here I go  again/Boom, boom, boom, boom, boom.”  That could very well be the wrong interpretation.  It is merely the interpretation of this critic.  As always, apologies are in order if it is indeed the wrong iterpretation.  That aside, the song’s energy and its sheer power make it another leg of a wonderful musical trip back in time.

Both ‘Mad Dog’ and ‘Control’ serve as great examples of what makes Shake Electric one of the bestnew pure rock and roll records to be released this year.  As if those songs aren’t enough, the band’s obviously Heart-inspired ‘Bleeding Heart’ will definitely have audiences taking note.  That is because if audiences didn’t know any better, they would think that they were in fact hearing Heart in this song.  [Ann] Hoyles sounds almost identical to Ann Wilson.  Is it a coincedence that both women bear the name Ann?  Probably.  But it’s still fun to consider the possibility especically since Hoyles sounds so much like Wilson here.  The song in whole even sounds musically like Heart’s ‘Hit Me With Your Best Shot’ thanks to John Hoyles’ guitar line here.  Paying such homage to one of rock’s great names whether intentionally or not, it is one more part of the whole that makes Shake Electric a great new release from Spiders.  Together with the likes of ‘Mad Dog,’ ‘Control,’ and the remaining seven songs not noted here, the album in whole proves once again to be one that every rock and roll purist whould hear at least once before the year is out.

‘Mad Dog,’ ‘Control,’ and ‘Bleeding Heart’ are all excellent examples of what makes Shake Electric one of the year’s best new pure rock and roll records.  There are seven other tracks not noted here from which audiences will each find their favorite(s).  The album’s title track, the mroe reserved, bluesy tones of ‘Hard Times’ and the bombastic ‘Back on the Streets’ each offer their own share of enjoyment, too as do the album’s remaining tracks.  All ten tracks together make Shake Electric an album that while not a major label release, is still just as good as any other retro style rock record released via a major label this year.  The album’s songs prove collectively that this is truly an album that every rock and roll purist should indeed give a chance even if American radio stations won’t.  Spiders is curently on tour in Europe in support of Shake Electric.  The band is in Hamburg, Germany tonight and will be in Munster, Germany tomorrow.  Audiences can see the band’s current tour schedule and keep up with all of the latest updates from the band online now at:




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Peace At All Costs Is Well Worth The Cost

Courtesy:  Century Media Records/Another Century

Courtesy: Century Media Records/Another Century

Las Vegas, NV-based hard rock band Otherwise surprised a lot of people in 2012 when it released its Century Media Records debut album True Love Never Dies. The album was such a surprise among audiences because like label mate Girl On Fire, Fozzy, and Adrenaline Mob, the band’s more mainstream sound wasn’t exactly within the mold of the bands that have made Century Media one of the leading labels in hard rock and metal. That album was met with relatively positive reviews from audiences and critics alike. Now two years later, Century Media has responded to the success of that album by releasing the band’s new release (it’s second for the label and third overall) on its fledgling label Another Century. The new label is the sister label of sorts to Century Media. It serves to focus on the likes of Otherwise and its previously noted label mates. Audiences will agree in hearing Otherwise’s new album Peace at all Costs that the re-assignment of sorts to Century Media’s new label is quite the well-deserved vote of confidence in the band. Peace at all Costs takes the melodic hard rock sound established on the band’s Century Media debut and has built on that sound here, musically speaking. Lyrically, the band covers a range of topics, too. From personal relationships to overcoming one’s own personal demons, and points in between, the album’s lyrical content makes the album just as solid of a listen for fans new and old alike.

Otherwise covers a number of topics throughout the course of its new album. The most prominent topic covered across the album is that of personal relationships. Most of the album’s songs that center on personal relationships deal mainly in the issue of broken relationships as is evident in the album’s first full length song, the aptly titled ‘Love & War.’ The song is a full throttle fist pumper that will have audiences singing along from start to finish. The dual guitar attack from Ryan Patrick and Andrew Pugh set against Corky Gainsford’s drumming provides the song with so much of a punch. The song’s infectious chorus of “Love and war/It’s all the same to me/No use fighting/Lie some more/It’s all I ever need/So why you hiding/Love and war/It’s all the same to me presents a situation to which so many people can relate. The manner in which it was written is especially because it doesn’t necessarily specify if this is being sung from the standpoint of a man or woman. And the sarcasm in front man Adrian Patrick’s voice as he sings, “Lie to me/It’s all I ever need” is perfectly clear. It makes the chorus in whole all the more powerful of a statement. The talent of Patricks’ band mates not only in the song’s chorus but throughout makes the song in whole a solid re-introduction for the band’s older fans and an equally solid first impression for those that might be new to the band’s body of work.

Otherwise could not have possibly opened its new album in a better way than with the aggressive, seemingly relationship based song ‘Love & War.’ Rather than take the standard oh-woe-is-me approach to the issue of a troubled and/or broken relationship, the band takes the polar opposite approach to such a topic, making for a song that deserves consideration as another single to promote the record. The topic of relationships is not the only topic tackled on Peace at all Costs. The band also offers its listeners some music therapy of sorts in the pummeling ‘Wake Up (Coming for the Throne).’ Just as ‘Love & War’ could be used as a single, so could this song. It could be used as a single as both its musical and lyrical content will have audiences singing proudly along, horns high in the air. It comes across as a song promoting self-empowerment. [Adrian] Patrick sings in this song, “Hey kid/Who you fightin’/Fight yourself so you can stand united/With the voices that are screamin’ loud inside your head/Hey kid/Get it together/Every second doesn’t last forever/You could be the president/Or you could end up dead/Take control of the monster inside of you/Focus the rage/All the answers are right there in front of you/Just turn the page/Wake up/When you’re burning inside/And everybody’s gone and lost their faith in you/Wake up/You’d better open your eyes/Look around/’Cause there’s so much love to lose/Heavy is the heart of the one who walks alone/Let ‘em know that you’re comin’ for the throne!” The song’s second verse carries just as much power and is just as infectious. It goes without saying that this song is one of the best additions to this album. Sure, Patrick sings, “Hey, kid” in the song’s versus, seemingly singing to younger listeners. It would make sense. But even older audiences can take something from this song as even adults struggle with feelings of self-loathing, depression, etc. So there is a value even to those audiences. Add in an infectious chorus and some really pummeling guitar riffs and audiences get in this song a work that is one of the highest of highs throughout the album.

‘Love & War’ and ‘Wake Up (Coming for the Throne)’ are both prime examples of what makes Peace at all Costs such an impressive new effort from Otherwise. One song tackles the standard relationship fare that is prevalent on so many records from so many genres. What sets the song apart from those other works is it doesn’t take the standard oh-woe-is-me approach to the topic. It takes that road less traveled. And the empowering, almost anthemic ‘Wake Up (Coming for the Throne)’ is certain to become a fan favorite thanks to its combination of hard rocking music and equally powerful lyrics. Both songs are sure to have audiences talking for both their musical and lyrical content both by themselves and as whole works. There is at least one more song among the album’s fourteen total tracks and forty-five-minute run time that will have audiences talking for a wholly different reason. That song comes late in the album in the form of ‘For The Fallen Ones.’ Patrick and his band mates sing in the song’s chorus, “Raise your glass/For the fallen ones,” leading listeners to think that perhaps the song is a tribute to America’s men and women in uniform. However, the song’s verses paint a somewhat different picture. Patrick sings in the song’s second verse, “Now nothing feels the same/Picking up the pieces/ Color in the secrets/And I don’t feel ashamed/Now that I am older/Another fallen soldier.” It’s tough to figure out if Patrick is using the soldier as a metaphor or if he is directly mentioning a soldier. A look at the song’s opening verse leaves one wondering scratching one’s head, but not in a bad way. Patrick sings in the song’s opening verse, “I don’t need to blame/The scent of my father/The scars of my mother/For the beast that I became/Now I shine the light on my sisters and my brothers/It’s all I needed/To feel alive/We’ll never have to say goodbye.” One could see how this song would be in reference to America’s military personnel. It could be argued that it’s sung from the vantage point of someone that joined the military and became a better person considering his or her past life in turn. It would be interesting to hear from the band itself the exact meaning behind the song. If it is in fact a tribute to the military personnel past and present that made the ultimate sacrifice, it wouldn’t be the first song from the band to have done so. That’s not a bad thing, either. Regardless, the very fact that it could generate so much discussion on its topic all while entertaining audiences with its musical side says plenty of why this is another guaranteed hit, regardless of whether or not it is used as a single. And it is one more example of why audiences will enjoy Peace at all Costs whether they are new to the band’s work or are more seasoned fans.

Peace at all Costs boasts a total of fourteen tracks. Interestingly enough, the album in whole comes in at less than an hour long. To be exact, its total run time (TRT for any media people out there) is roughly forty-five minutes. That’s a shocker to be honest. One would think fourteen tracks would equal out to a much longer run time. That aside, audiences that pick up this latest effort from Otherwise will agree that each of those tracks offers something that every listener will appreciate. The songs noted here are just a few examples of what makes the album work as well as it does. They are this critic’s own personal favorites from the whole thing. Audiences can pick up the album and pick out their own favorites now as the album was officially released yesterday in stores and online. It can be ordered via iTunes at and via Amazon at Audiences can also pick up Peace at all Costs at any of the band’s live shows as the band is currently touring in support of its new album. It is playing a trio of dates in Wisconsin this week today through Friday before making its way to Michigan Sunday and Indiana next Monday and Tuesday, September 22nd and 24th. Audiences can check out the band’s current tour schedule and keep up with all of the latest updates from the band online at


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Eyes Set To Kill Announces Fall Tour Schedule

Courtesy:  Century Media Records

Courtesy: Century Media Records

The members of Eyes Set To Kill announced the details of a new upcoming tour this week.

Eyes Set To Kill will launch the “Little Liar” tour this fall. The tour begins Saturday, October 4th in Beckly, West Virginia.  The band’s current tour sees it performing eleven dates from October 4th to Wednesday, October 15th.  Two of those dates are in North Carolina.  The first of the band’s North Carolina dates is Tuesday, October 7th at Ziggy’s in Wilmington.  The second of the band’s dates in North Carolina is the next night, Wednesday, October8th at Amos Southend in Charlotte.

Along with its schedule, the members of Eyes Set To Kill also announced that it would not be alone on this tour.  The band will be joined by Providence, Rhode Island’s Scare Don’t Fear for the length of the tour as a support act.  The band is currently touring alongside Nonpoint, which is currently touring in support of its upcoming album The Return, which is due in stores Tuesday, September 30th in North America.  Eyes Set To Kill’s current tour schedule is listed below.


15 – Hartford, CT @ The Webster

16 – Worcester, MA @ The Palladium

17 – Portland, ME @ The Asylum

18 – Trenton, NJ @ The Backstage at Championship Bar

19 – New York, Ny @ Webster Hall

21 – Lansing, MI @ The Loft

22 – Des Moines, IA @ Wooly’s

23 – Denver, CO @ Marquis

24 – Grand Junction, CO @ Mesa Theater


13 – Sacramento, CA @ Discovery Park (Aftershock Festival)

16 – Waterloo, IA @ Spicoli’s (w/ Nonpoint)

18 – Grand Rapids, MI @ The Intersection (w/ Nonpoint)

19 – Cherry Valley, IL @ Take 20 (headline with Righteous Vendetta)

20 – Dayton, OH @ Oddbody’s Music Room (w/ Nonpoint)

21 – Erie, PA @ BT Theater (w/ Nonpoint)

23 – Fostoria, OH @ The New West (w/ Nonpoint)

24 – Pontiac, IL @ Freksters Roadhouse (w/ Nonpoint)

25 – Chesterfield, MI @ Diesel Concert Lounge (w/ Nonpoint)

26 – Libertyville, IL @ Austins (w/ Nonpoint)

27 – Ringle, WI @ Q And Z Expo Center (w/ Nonpoint)

28 – Milwaukee, WI @ Eagles Hall (w/ Nonpoint)

30 – LaCrosse, WI @ The Cavalier Theater (w/ Nonpoint)


01 – Mishawaka, IN @ Smith’s Downtown (w/ Nonpoint)

02 – Macomb, IL @ The Forum Live (w/ Nonpoint)

03 – Battle Creek, MI @ Planet Rock (w/ Nonpoint)


04 – Beckly, WV @ Muncheez (with Scare Don’t Fear)

06 – Virginia Beach, VA @ Shakas (with Scare Don’t Fear)

07 – Wilmington, NC @ Ziggy’s (with Scare Don’t Fear)

08 – Charlotte, NC @ Amos Southend (with Scare Don’t Fear)

09 – Atlanta, GA @ The Masquerade (with Scare Don’t Fear)

10 – Orlando, FL @ Bombshells (with Scare Don’t Fear)

11 – St. Petersburg, FL @ State Theatre (with Scare Don’t Fear)

12 – Tallahassee, FL @ Atmosphere (with Scare Don’t Fear)

13 – Jacksonville, FL @ Jack Rabbits (with Scare Don’t Fear)

14 – Destin, FL @ Club LA (with Scare Don’t Fear)

15 – Bossier City, LA @ Back to Back (with Scare Don’t Fear)


All of the latest tour updates and news from Eyes Set To Kill is available online at and htp://  To keep up with the latest sports and entertainment news and reviews, go online to and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at