Anthrax Unveils For All Kings’ Cover Art

The time is near. Anthrax’s new album is coming.

On Friday, February 26th Anthrax will release its long-awaited eleventh full-length studio recording. First came its lead single ‘Evil Twin.’ Fans can hear the song online now via YouTube at Then came the announcement of the title: For All Kings and the release date, noted above. Now the next step has been taken. The band has officially unveiled the cover art for its upcoming album. The artwork, developed by Charlie Benante–the band’s long time drummer–and Alex Ross is presented below.

Courtesy:  Nuclear Blast Records

Courtesy: Megaforce Records/Nuclear Blast Records

Along with the official unveiling, the band has also released a video featuring Benante in which he discusses how the album’s art came to life. It can be viewed online via YouTube at

Courtesy:  Megaforce Records/Nuclear Blast Records

Courtesy: Megaforce Records/Nuclear Blast Records

The video also includes the album’s lead single accompanied by its socio-politically-charged lyrics. In regards to Benante’s discussion, fans will love the note of the kings featured on the cover and the tie-in to the band’s previous album Worship Music via the cover art. There is even a tribute to the victims of the recent tragedy in Paris in the video’s closing moments.

Anthrax will take to the road beginning January 15th for a tour in support of For All Kings. The tour kicks off in Pittsburgh, PA and currently runs through February 12th at the Hollywood Palladium in Los Angeles, California. The band’s current tour schedule is listed below.

15   Stage AE, Pittsburgh, PA
16   Electric Factory, Philadelphia, PA
17   The Fillmore, Silver Spring, MD
19   Tabernacle, Atlanta, GA
22   Constant Convocation Center, Norfolk, VA
23   Hammerstein Ballroom, New York, NY
24   Oakdale Theatre, Wallingford, CT
28   Royal Oak Music Theatre, Royal Oak, MI
29   Egyptian Room at Old National Center, Indianapolis, IN
30   Aragon Ballroom, Chicago, IL
31   Orbit Room, Grand Rapids, MI
 2   Arvest Bank Theatre at The Midland, Kansas City, MO
 4   Revention Music Center, Houston, TX
 5   Bomb Factory, Dallas, TX
 6   Concrete Street Pavilion, Corpus Christi, TX
 8   ACL Live at the Moody Theatre, Austin, TX
 9   Diamond Ballroom, Oklahoma City, OK
11  Brooklyn Bowl, Las Vegas, NV
12  Hollywood Palladium, Los Angeles, CA

More information on For All Kings is available online now along with all of the band’s latest news at:




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Every Anthrax Fan Will Want Band’s New “Disease”

Courtesy: Island Records

Courtesy: Island Records

Early this week veteran metal act Anthrax announced the name and release date for its upcoming eleventh full-length studio recording. The album, For All Kings will be released Friday, February 26th, 2016. Considering that as of next Sunday, November will be halfway wrapped, it’s safe to say that February 26th is not that far off. While fans wait for the big day, Anthrax is giving audiences a special treat to tide them over. The treat in question is the re-issue of the band’s 182 sophomore album Spreading the Disease. The album will be released Friday, November 20th via Island Records. Whether or not fans already own this classic collection of songs, its new re-issue proves to be a great addition to the music library of any of the band’s fans. The main reason for that is its overall presentation. The band didn’t just phone it in per se and re-issue the original album and call it done. Along with the original album it features a complete concert that spans seventeen songs and runs for a total of an hour and sixteen minutes. This will be discussed at more length shortly. Speaking of the concert, its set list is just as worth mention in the overall experience. Last but not least worth noting is the concert’s audio mix. Considering that the concert was originally recorded in 1984 as part of the band’s tour in support of the then upcoming album, the audio quality in this recording stands well apart from so many other recordings. This is not necessarily a bad thing. Rather it makes the overall listening experience of this concert all the more interesting. In turn it makes the whole of Spreading The Disease’s re-issue that much more worth the listen among the band’s fans. All things considered, Anthrax’s new re-issue of its seminal 1985 album Spreading the Disease is one of the best of this year’s music re-issues.

Anthrax’s re-issued 1985 sophomore album Spreading the Disease is one of the best of this year’s music re-issues. The central reason for such honor is that it isn’t just another music re-issue. In other words, the band didn’t just simply re-issue the album and call it done. Instead it re-issued the album alongside a complete live performance recorded in 1984 ahead of the album’s original release. On the surface that might not be saying much. But in the grand scheme of things, it is in fact quite important to the record’s presentation here. The album itself was part of the movement of the rock world at the time away from the glam and hair bands that had dominated the rock community for the first half of the decade. Not only that but its brand of thrash separated it clearly from its counterparts on the west coast. It opted for substance instead of just speed and shredding. That is evident throughout the course of the album’s eleven tracks (nine of which come from the album’s original release and two that are bonuses) and forty-eight minute run time beginning with the Metallica style opener ‘A.I.R.’ ‘Medusa,’ ‘Lone Justice,’ and ‘The Enemy’ each exemplify that difference from the west coast thrash sound just as much. And they are not the only examples that could be cited as examples either. The combination of all ten tracks paints a vivid picture not only of Anthrax’s roots but those of so much of today’s thrash metal. In simple terms, it serves not only as a source of musical entertainment but as an important piece of music history, too. And it is just one part of the reissue’s whole that makes the album’s presentation so important. The bonus concert included with the record is just as important to the package’s presentation as the album itself.

The presentation of Spreading the Disease by itself is an important part of this album’s re-issue. It is just one part of what makes the album’s presentation so important to its overall listening experience. The bonus content included with the record’s re-issue is just as important to the package’s presentation as the album. The bonus material in question includes an eight-song performance that was originally recorded in 1987 during a performance by the band at Sun Plaza in Tokyo and nine isolated tracks. The bonus live material boasts songs from both Spreading the Disease and the band’s 1984 debut album Fistful of Steel. That element will be discussed shortly. What is truly important in regards to the concert’s recording is the fact that it displays the band in its younger days. This is especially important considering that front man Joey Belladonna and bassist Frank Bello had joined the band only three years prior to the concert. That means that Spreading The Disease marked the first time that the pair had recorded with Scott Ian and Charlie Benante and at the time of the concert’s recording the group had obviously not been together all that long. Even having not been together but so long one would not know it from the band’s stage presence in the featured live performance. it is just one element of the bonus disc that makes this re-issue such a worthwhile addition to any Anthrax fan’s home music library. The bonus isolated tracks add even more enjoyment to the package’s overall presentation. That is because they give the featured songs (most of which were recorded in the sessions for Spreading the Disease) a whole new identity. They give fans a glimpse into the creative process at the time and in turn make the reissue’s overall listening experience even more interesting for fans. The combination of the live elements and studio elements together makes the reissue’s bonus disc a bonus in both name in content. They still are hardly all that should be noted in regards to the reissue’s overall presentation that makes it enjoyable for fans. The live songs included in the package’s bonus disc are just as important to the package’s presentation.

The overall collected bonus material featured in Spreading the Disease’s bonus disc is important in its own right to the reissue’s overall packaging. And while they are hugely important altogether, both elements in themselves play their own important role. Having noted the importance of the bonus disc’s featured isolated tracks the natural progression is to examine the featured live performance also included in the bonus disc. The live performance included in the bonus disc was originally recorded in 1987, three years after the original release of Spreading the Disease. And of its eight total tracks, five of those tracks were lifted from Spreading The Disease. The remaining three were lifted from the band’s 1984 debut record Fistful of Metal. The live performance paints a clear picture of the band both musically and personally at the time of the concert’s recording. In comparison to the band’s live show today it shows how far the band has come since that recording and how much its members have grown since then.

The set list featured in the live section of Spreading The Disease’s bonus disc is in itself an important portion of the disc and the performance. It is not the only aspect of the performance that should be noted however. The concert’s audio mix is just as important to the whole of the recording as the set list. What makes the audio mix so important is that unlike so many of today’s live recordings this recording’s audio mix sounds raw. It doesn’t have that, re-mastered, spit-shined sound of said recordings. Listeners will actually feel in listening to this performance like they are really there with the people who were there at the show’s original recording. This is obvious in the open, airy sound presented from beginning to end. Anyone that has ever been to a live concert in person knows exactly what that sounds like. It is different from when one hears it on disc. Even with that noticeably truer live sound, the concert still sounds surprisingly impressive. It never sounds like any of the band members are way off in the distance but that they are right up on stage. It makes for a truly interesting experience for audiences. Together with the concert’s featured set list, the performance in whole makes for a wonderful addition to Spreading The Disease’s new re-issue. The concert in whole, coupled with the album’s original presentation (and its bonus tracks), makes Spreading The Disease a great addition to any metal purist’s music library. Of course for all of the positives offered by the reissue’s noted elements one would be remiss to ignore the isolated tracks included in the presentation’s bonus disc. They play just as important of a role in the overall presentation as the album, its bonus tracks, and the bonus live recording included in the bonus disc.

Spreading The Disease’s full album presentation and its bonus tracks give plenty of reason for this re-issue to be added to any metal and rock purist’s home music library. The bonus concert gives those audiences even more reason to purchase this package. That is because it acts–together with the main album and its bonus tracks–as a complete look back at where Anthrax was then versus where it is now as a band. For all of their importance to the whole of this package, one would be remiss to ignore the isolated tracks included in the bonus disc alongside the concert. The isolated tracks add even more interest to said disc. That is because they give the featured songs new identities in whole. They also serve to give a glimpse into the work that went into bringing each song to life. From time to time, viewers get to see and hear behind-the-scenes featurettes on how bands’ albums come into being. The problem is that none of the noted featurettes give the kind of view as these isolated tracks. Rather they are typically short vignettes shot in guerilla style that do little if anything to illustrate the time and effort spent to create said albums. While the isolated tracks presented here are audio-only, they offer quite a bit more than so many of those “making of” featurettes included with so many of today’s albums. That being the case, the tracks featured here are quite the positive addition to Spreading The Disease in its new re-issue. And together with the bonus live recordings, the whole of the bonus disc proves to be a bonus in far more than just name. It is an extra that will not only entertain but enlighten fans regardless of their familiarity with Anthrax and its body of work. Together with the package’s main album and its bonus tracks, the bonus material included with the album makes Anthrax’s Spreading the Disease re-issue one of the best of this year’s music re-issues.

Anthrax’s Spreading The Disease reissue is one of the best of this year’s new music re-issues. That is because it doesn’t more than just present the original album and call it done. Anthrax, together with Island Records, has included a number of bonuses for audiences new and old alike. The main disc presents the original album and also includes a pair of bonus tracks for a total of eleven tracks. Along with the main album, the two have also included a bonus disc that is indeed a bonus in every sense of the word. It features an eight-song set recorded during the band’s 1987 tour of Asia and nine isolated tracks recorded in studio that display in-depth the work put into bringing Spreading the Disease to life. The bonus live set adds its own share of positives to the whole of the presentation. Each of the elements in their own right make Spreading the Disease’s new re-issue well worth the listen by any metal purist and Anthrax fan alike. Together with the package’s main disc the whole of this package makes it one of the best of this year’s crop of music re-issues. Spreading The Disease will be available in stores and online on Friday, November 20th. More information on this upcoming release is available online now along with all the latest updates on the band’s next new album and all of the band’s latest news at:




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Chile On Hell Is A Hard Rocking Music History Lesson From Anthrax

Courtesy:  Megaforce Records

Courtesy: Megaforce Records

2014 is almost over.  But even as the year’s last months start to wind down, things haven’t cooled down in terms of the year’s new live recordings. As the year’s final months wind by, critics everywhere will begin firming up their annual “Best Of” lists for publication later in December.  Most critics will focus mainly on the year’s best overall movies and music.  And then there will be those critics and writers that will focus on specific lists such as the year’s best new pop albums, rock albums, hard rock albums, etc. It would seem that among all of the lists that are compiled, one category that doesn’t necessarily receive the attention that it deserves is that of the year’s best new live recordings in terms of DVDs and Blu-rays.  This critic’s personal list of the year’s best new live recordings is already firming up quite well.  There are still at least a couple of spots left open on that list, though.  And one of those spots will most definitely be taken up by veteran hard rock/metal band Anthrax’s new live DVD Chile on Hell.  This new live recording is one that any long-time Anthrax fan will appreciate and enjoy first and foremost for its set list.  While this concert is not necessarily what one would call a “career-spanning” show, it is one that both the band’s original fans and its newest fans alike will appreciate.  The next aspect of the DVD that audiences will appreciate is the band’s stage presence.  Some might consider this something minor.  But in reality, it is just as important in keeping audiences at home fully engaged.  And last but most definitely not least of all worth noting is the concert’s collective audio and video mix.  The two together present a certain raw look and sound that are just as impressive as any more spit shined and perfected recordings that are currently available to audiences.    Each of the factors noted here play their own important role in the overall enjoyment of Chile on Hell.  Altogether, they make this DVD a dark horse candidate for a spot on at least this critic’s list of the year’s best new live recordings.

Far too often, the term career-spanning is tossed around when it comes to live recordings.  Sadly, very far too few of those recordings live up to such hype.  That isn’t to say that no recording lives up to that label.  Rather, far too few live recordings live up to said label.  Thankfully, neither Anthrax nor Megaforce Records make any attempt to call Chile on Hell one of that mass of overly hyped recordings.  Rather, they let the recording speak for itself.  And the statement made is loud and crystal clear as audiences will see in the show’s set list.  The nearly two-hour show includes some of the material included on Worship Music and the band’s recently released EP Anthems.  But by and large, the set list presented in Chile on Hell takes audiences back to the band’s earlier days.  To be more exact, the band largely reaches back to its 1985 and 1987 albums Spreading The Disease and Among The Living for this concert.  1990’s Persistence of Time of also represented here courtesy of the song ‘In My World.’  Such a mix of classics and more recent songs will bring in both the band’s original fan base and its newer and possibly younger fan base at the same time.  One could argue that in presenting such a set list, the band is paying respect to its original fan base while teaching a valuable music history lesson to those younger and newer fans.  Even if this was not the original intent on the part of the band or of Megaforce Records, it is one of the results.  It makes the set list even more solid as the DVD’s center.

The set list and the potentially latent function of said list are together a solid starting point in the success and enjoyment of Chile on Hell.  Just as important as the set list and its effects is the band’s stage presence.  It goes without saying that the band’s stage presence in this stage is full-on.  Front man Joey Belladonna and founding guitarist Scott Ian exude so much energy; so much in fact that even audiences at home will find themselves wanting to sing along and head bang with them.  Such a powerful translation even on-screen is quite a statement.  Belladonna’s band mates add their own energy through their performances.  Whether through Charlie Benante’s pounding drumming, the spot on shredding of Shadows Fall guitarist Jonathan Donais (who replaced Rob Caggiano) or even bassist Frank Bello, the band collectively keeps the audience in attendance at the recording fully engaged from start to finish.  And home viewing audiences will feel that energy themselves, leading them to be fully engaged throughout, too.  That the band’s stage presence could translate so well and have such impact even on home viewers is a tribute to the band itself.  And coupled with the show’s set list, the overall effect of the show is made even stronger, thus making the recording in whole all the more enjoyable for all of the band’s legions of fans.

The set list arranged for Anthrax’s show in Chile and the band’s stage presence combine to make Chile on Hell an impressive addition to any Anthrax fan’s personal collection.  The recording’s collective audio and video mix is the final touch to the whole presentation.  The video doesn’t have the spit shined look of so many other live recordings before it.  Rather, it has a grainier, more raw look.  Yet that look actually plays into the overall presentation.  That is because it actually serves to help heighten the energy exuded by both the band and the audience.  Staying on that topic, audiences will enjoy the camera attached to the end of guitarist Scott Ian’s guitar.  That angle and the others used throughout the concert are used at just the right moments to make for a wonderful impact.  And despite being recorded at an indoor venue, the concert’s audio mix turned out impressive in its own right, too.  Balancing audio levels at indoor venues always has and always will present its own challenges.  In the case of this concert, those charged with balancing the concert’s audio levels both at the show and in post-production are to be commended for their efforts.  The end result of their work is a concert recording in which neither the vocals nor the music overpowered the other.  And together with the equally professional work on the concert’s video mix, it proves to be a concert experience that any of Anthrax’s legions of fans will enjoy no less with each watch.

Those charged with handling the audio and video mix for Chile on Hell are to be highly commended for their high quality of work in this concert.  The band and its label are to be commended, too.  The set list serves a dual purpose.  And the band’s stage presence will keep audiences fully engaged from start to finish.  All three of these factors come together to make Chile on Hell a concert that while bare bones, is one that any hard rock fan and any Anthrax fan will appreciate and enjoy.  The DVD will be available Tuesday, September 16th via Megaforce Records.  Fans can find out more about this upcoming live recording and keep up with all of the latest updates from Anthrax online at,,, and  To keep up with the latest sports and entertainment reviews and news, go online to and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at

Anthrax EP One Of 2013’s Best Rock Records

Anthrax has proven once again with its new EP, Anthems, why it is still one of rock’s elite bands.  This veteran rock act has crafted in its new release a work that is perfect in every way.  From the sequencing to the sound to the very packaging, everything that could have been done right was done right.  Sure, it probably is essentially a space filler between albums, but even if that is the case, it is one heck of a space filler.  It’s a musical history lesson for rockers of all ages.  Here, audiences get a band that by comparison to the bands it covers is relatively young.  Yet it shows that it knows the classics through some expert renditions of said classics.

Anthems opens with a cover of Rush’s ‘Anthem.’  This song originally appeared on Rush’s album, Fly By Night.  That Anthrax would cover Rush is a mind blower in and of itself.  Considering the style of music for which Anthrax is known, one would not instantly consider such a polar opposite sound to be any kind of influence on the band.  So that in itself is an eye opener.  That the band so expertly covered the song is even more of an eye opener.  The band paid homage to Rush and the song with its cover, but still added its own touch to the song, too.  Front man Joey Belladonna makes the song even more solid of an opener when he sings the line, “Welcome to the world.”  When Geddy Lee first sang those words, they obviously had their own meaning.  But having Belladonna sing those same words, they somehow take on a whole new meaning.  Since this is the EP’s opener, it could be argued that those words take on an introductory fashion for new listeners and a whole new introduction even for those more seasoned audiences.  Given, that probably wasn’t the intended function of that line.  But it does seem to have that impact.

The band’s new EP only gets better from the opening cover.  The EP’s second track is a cover of another legendary band’s song.  The band’s cover of AC/DC’s ‘TNT’ is without a doubt, one of this disc’s major high points.  One can’t help but focus yet again on front man Joey Belladonna. Maybe it is just this critic’s own take on the song, but Belladonna sounds eerily like the late great Bon Scott in every sense in this song.  Had one not known it was him, one might actually have thought it was the original song.  This is also thanks in part to guitarist Rob Caggiano, who earlier this year announced his departure from the band.  His take on Angus Young’s guitar work on this rock classic pays Young full honor.  And drummer Charlie Benante’s drumming is just as solid as that of Phil Rudd.  This is one that one could easily see the band performing live as it tours the country on the Metal Alliance Tour this Spring.

If Anthrax’s covers of ‘TNT’ and ‘Anthem’ aren’t enough for fans, then the cover of Boston’s ‘Smokin’’ will impress audiences.  This is yet another spot on cover that keeps the energy flowing from the EP’s first two tracks.  Older, more experienced rockers will love how the band handles this track.  And that such a young band by comparison could so expertly handle this classic will make older audiences smile, too.  Younger audiences will love it too simply because the band shines here even more.  It’s as if the band just keeps getting better and better on every track.  This is the case with the remaining trio of covers included here, too.  Those covers lead into the inclusion of two more bonuses in the form of ‘Crawl’ and its remix of sorts.

‘Crawl’ was taken from the band’s 2011 album, Worship Music.  Including both this track and its remix was actually quite smart.  Whereas so many bands in a case such as this would only include the redone track or live track, Anthrax and Megaforce Records have included both tracks, thus offering audiences the chance to compare and decide for themselves which version of the song they like better.  Regardless of which song becomes one fan’s favorite or another’s these last two tracks help the EP close just as solidly as it opened.  It goes without saying that if any one negative that could be said about Anthems, it is that the band chose to make this an EP, instead of a full length album.  Here’s to hoping one day, fans will see that happen.  Until then, fans can listen to his EP to their hearts’ content as the EP is available now both in stores and online.  It can be ordered online direct from the official Anthrax website here: Music can be ordered directly via the band’s official website also at

Fans can get a chance to win a copy of Anthems for free right now and the chance to see the band live at its stop in Charlotte, North Carolina next month from the Phil’s Picks blog and Facebook page when they “Like” the Phil’s Picks Facebook page at  Just “Like” the Phil’s Picks Facebook page and say you want to be entered for the chance to win an EP and to see the band live.

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Anthrax Guitarist Announces Departure From Band

Long-time Anthrax guitarist Rob Caggiano has left the band.  But he won’t be going very far from the music business.  While Anthrax legions the world over won’t be seeing his name on the band’s albums anymore, they may very well end up seeing his name on their albums, as he has decided to pursue his other love.  That other love is producing.  Proof of his abilities on the boards is a Grammy nod for the song, ‘I’m Alive’ from the band’s most recent full length studio release, Worship Music.  The song garnered the band a Grammy nod for “Best Rock + Metal Performance.”  While it would appear his immediate future is working behind the glass, Caggiano has hinted that he does eventually intend to get back on the road in some form or fashion.

Caggiano released a statement regarding his departure from the band.  The following is what he had to say.  “I’m extremely proud of my time in Anthrax.  Actually, that’s an understatement!  We accomplished so many great things together over the years and I shared some of the best times of my life with these guys.  As a band, we weathered quite a few storms along the way.  It’s been a wild ride (to say the least) from Day One and I wouldn’t change one single thing about the last 12 years.  This is an extremely difficult and emotional decision for me to make but my heart is just steering me in a different direction right now.  I’ve always been one to follow my heart in everything that I do and while this might have been one of the hardest decisions I have ever had to make, it feels like the right one for me at this time.  Scott, Charlie, Joey, Frankie (and John Bush) will always be part of my family and this decision doesn’t change the way I feel about that in the slightest.  I would also like to say thank you to all the amazing fans I’ve met and hung out with worldwide over the years.  You guys always were and always will be the reason I make music!  In this day and age, being a musician isn’t always easy–also an understatement—but the fans truly make it worthwhile for me.  I hope to see each and every one of you again really soon.  The fact that Anthrax is at the top of their game right now and totally ‘out for blood’ after all these years is a testament to this band’s longevity and conviction!  I’m truly honored to have been a part of their brilliant legacy!

This isn’t all that Caggiano had to say with his statement.  He went on to discuss his future plans, including the possibility of recording and hitting the road again.  Here is what he had to say:  “I can’t wait to get back in the recording studio again!  Over the years, I’ve been blessed with the privilege of working with a wide range of great bands/artists from Anthrax and Cradle of Filth all the way to Bruce Springsteen, and I look forward to a hopeful continuation of that side of my career while I figure out my next move as an artist.  BTW in case anyone was wondering after reading all of this, I do FULLY intend to get back out there on the road very soon in some way shape or form…it’s in my blood!  Please feel free to follow me on Twitter @RobCaggiano for any and all updates on what I am up to.

“The band has also commented on Rob’s announcement in a statement.  The band responded to this announcement with its own statement saying, “Rob has been an integral part of Anthrax for so many years, as our lead guitarist, in a production capacity, but most of all as our close friend.  His contributions to the band have been enormous.  While we are sad that he is leaving, we wish him nothing but great success going forward, and hope to share the stage with him again sometime down the road.


With the Metal Alliance Tour on the horizon, we have been considering several lead guitarist options, and will be making an announcement on that shortly.”

ANTHRAX – Charlie Benante, Scott Ian, Frank Bello, Joey Belladonna


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Anthrax Offers Thanks To Fans, Media In Open Letter

Metal Nation members, I’ve got an extra treat for you this morning before I head out for the day.  I just got in a letter from metal titans Anthrax to the band’s fans.  It’s not bad news.  Don’t worry.  If anything, it’s the band’s way of saying thank you to everyone for the success of it’s mos recent album, “Worship Music.”  You can check out the full open letter here!  What follows is right from the band.

To our Fans and everyone who has supported Anthrax and Worship Music:

It was a little more than a year ago – September 13, 2011 – that Worship Music was released, and all of us in Anthrax can’t believe how much has happened since then.

Our friends in the press gave the album great reviews, and so many writers singled it out as one of the best metal albums of the year.  Our label just told us that Worship Music has just passed the 100,000 mark on albums sold.  Since Worship Music‘s release, we’ve played 107 concerts all over the world – in the U.S., Canada, Europe, Japan, Russia, South America, and the U.K. – we’ve gone home to New York to not only play Yankee Stadium as one of The Big Four, but had September 14 named “Anthrax Day” in The Bronx, where Charlie, Frankie and Rob grew up.

We’ve been so lucky as a band, and we know we’re able to do what we do because of you, our fans and all of our supporters in the press, at radio and retail, online, on the road, everywhere.  We’ve had one of the best years of our career, and we share it all with you.  So thank you for making the Anthrax’s “year of Worship Music” the best!  More to come!

Frank, Scott, Charlie, Rob and Joey

Courtesy: Matthew Rodgers

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Anthrax members explain stage choice at Mayhem Festival

Los Angeles, CA–Thrash kings, Anthrax were given the opportunity to play the mainstage at this year’s Mayhem Festival.  So when the band opted to play the festival’s Jagermeister tour, it left some scratching their heads.  Now, the members of the band have spoken out on why they opted out of playing the mainstage.  The band essentially chose the Jagermeister stage for the fans for than for itself.  When asked about it, drummer Charlie Benante said of the band’s choice, “We decided to pattern the Mayhem set on the kind of shows The Ramones used to do:  a high-energy, non-stop barrage of hit, hit, hit, hit, hit.  No lulls, no filler, totally in your face.  We’re going to be playing a supersonic-paced set loaded with the best of our best.”

The band’s performance on the Mayhem Festival is in support of its recent release, “Worship Music.”  Anthrax released “Worship Music” September 13, 2011.  In that time, the album has come to huge acclaim from critics and fans alike.  Speaking in regards to the fans, the band’s guitarist, Scott Ian said the fans were the main reason the band wanted to play the Jagermeister stage instead of the mainstage.  He said of the decision, “We really like the idea of not ‘playing to seats, and we want our crowd to have the freedom to move around, to go crazy with us.”  He added,  “Plus, we’ve been on the road together now for about two years, so we’re tighter as a band than we’ve ever been.  Our Mayhem set will be a fun, fast and furious 45-minutes, so they’d better have the EMTs on hand.”

This year’s Mayhem festival kicks off July 1st in San Francisco, CA.  The tour will run throughout the country.  For a full list of dates and to keep track of the festival and its artists, go online to,, and