Chickenfoot To Release Its First Hits Compilation Next Month

Courtesy: eOne Music

Courtesy: eOne Music

Chickenfoot will release its first-ever hits collection this spring.

The rock super group announced this week it will release its new hits collection Best + Live on March 10, 2017.  The compilation includes ‘Get It Up,’ ‘Soap On A Rope,’ ‘Dubai Blues’ and eight other Chickenfoot favorites.

It also includes a “new” song, ‘Divine Termination,’ which the band performed live last May.  The song was performed during a performance at Harrah’s Lake Tahoe.  The performance was from one of two one-off shows performed at the famed casino.

The band’s hits and its new songs are just some of what audiences have to look forward to on Chickenfoot’s new compilation record.  It will also feature three live performances included in that main disc.

To sweeten the deal for fans, the collection will also include a second disc that features 11 live performances from Chickenfoot. The songs featured on the bonus live disc were originally included in the band’s 2010 Live DVD/BD Get Your Buzz On.

The full track listing for Best + Live is noted below.

Tracklist “BEST+LIVE”
CD1 – BEST OF
01. Divine Termination (BRAND NEW SONG)
02. Soap On A Rope
03. Sexy Little Thing
04. Oh Yeah
05. Get It Up
06. Future In The Past
07. Big Foot
08. Different Devil
09. Lighten Up
10. Dubai Blues
11. Something Going Wrong

Bonus LIVE TRACKS:
12. Highway Star
13. Bad Motor Scooter
14. My Generation

CD2 – LIVE
01. Avenida Revolution
02. Sexy Little Thing
03. Soap On A Rope
04. My Kinda Girl
05. Down The Drain
06. Bitten By The Wolf
07. Oh Yeah
08. Learning To Fall
09. Get It Up
10. Turnin’ Left
11. Future In The Past

More information on Best + Live is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.chickenfoot.us

Facebook: http://www.facebook.com/chickenfoot

Twitter: http://twitter.com/chickenfoot

 

 

 

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Chad Smith Lends His Talents To SAD’s Upcoming Debut LP

Photo Credit: Thierry Brouard

Photo Credit: Thierry Brouard

Independent rock band Screaming at Demons recently introduced itself to the world in a big way when it partnered with the nationally known charity group Homeless Rock Stars. The band combined the video for its new song ‘Rock Star’ with footage from a Homeless Rock Stars event to make an emotionally moving and powerful to help raise money for the organization and introduce itself to the music community at large at the same time. Now the band has taken another huge step in getting its name out there. The band has enlisted the help of one of the most talented and respected drummers in the music community today to help record a pair of songs for its upcoming debut record.

Screaming at Demons announced this week that it has enlisted famed drummer Chad Smith (Red Hot Chili Peppers, Chickenfoot) to record the drums for two of the songs to be included in the band’s upcoming album. Those songs are ‘Our Time’ and ‘All Of Me.’ Smith’s inclusion on the album, which currently has no set release date, is rooted in his friendship with AD bassist Chris Clemmence. Having previously performed live with Smith, Clemmence had a first hand understanding of and appreciation for Smith’s work behind the kit, leading to Clemmence asking Smith to lend his talents to the band’s new record. When asked about those talents, Clemmence responded telling reporters, “Chad is a legend and phenomenal powerhouse of a drummer. We are beyond honored to have him play on our two new upcoming singles. His feel and groove have brought our songs to a new level. We are so lucky to have him as well as an all-star team working on our music.”

Photo Credit: Thierry Brouard

Photo Credit: Thierry Brouard

Currently, Screaming at Demons is hard at work on its upcoming album. The album is being mixed by five-time Grammy Award-winning producer Chris Lord-Alge. Alge is no stranger to the music community and obviously to success within that community having those awards to his name. The roster of bands with which he has worked over the course of his career says plenty of his expertise behind the boards. That list includes the likes of: Eric Clapton, Tina Turner, Cher, Bon Jovi, Seal, Meatloaf, Three Days Grace, Aerosmith, Shinedown, Deftones, and countless others.  Alge was asked by reporters his thoughts on working with SAD.  his response showed just how excited he is to work with front man Shimon Moore and fellow SAD band mates Russell Ali and Chris Clemmence.  He had only positive things to say of working with the band, noting of the group, “A new level of excitement is coming from these boys and they are giving back to people in need and making music that instantly makes you wanna be a part of it!”  While fans wait for Alge, and the members of SAD to finish the band’s new album, they can check out the band’s video for its inspirational and infectious song ‘Rock Star.’ It can be viewed online now via YouTube at https://www.youtube.com/watch?v=N0g7QiwkAe4&feature=youtu.be. Audiences can also keep up with all of the latest updates from the studio and all of the band’s latest news online at:

Website: http://screamingatdemons.com

Facebook: http://www.facebook.com/screamingatdemons

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Concert For Ronnie Montrose Is As Good As Any Major Label’s Live Recordings

Courtesy:  RoMoCo

Courtesy: RoMoCo

2013 has seen quite the surplus of live concert recordings.  Bands the likes of Jane’s Addiction, The Rolling Stones, Black Sabbath and so many others have been released to the masses.  Each of those live recordings has proven to be exceptional in its own way.  These recordings will be seen by countless audiences thanks to being released via some of the music industry’s biggest labels. It doesn’t mean that they’re the only live recordings to hit the market this year.  One independently recorded and released live concert event that deserves just as much coverage as those aforementioned recordings is the Concert for Ronnie Montrose.  Recorded April 27th, 2012 at the Regency Ballroom in San Francisco, California, this live concert event will impress anyone that is a fan of true, pure, guitar-driven rock and roll.  This applies to even those that might not be so familiar with the work of Ronnie Montrose.  There is much to like about this new live recording.  The most obvious of factors is the concert’s audio and video mix.  For a show that was independently recorded and released, it looks and sounds surprisingly good.  The show’s set list and guest lineup collectively make up another of the reasons to check out this concert.  And while it is something relatively subtle, those charged with finalizing the concert included names and titles for each artist on each song.  For those that might be unfamiliar with the artists, this inclusion will help to introduce the artists to said new audiences when they look up each name.  In turn, it could open audiences’ eyes and ears to a whole new world of music.  Together with the aforementioned factors, the Concert For Ronnie Montrose proves to be just as enjoyable as any live recording released by the industry’s major labels.

The Concert for Ronnie Montrose is an independently recorded and released live concert event.  The automatic thought that might be raised in some audiences’ minds upon reading this is that it probably doesn’t match up with the live recordings released by the record industry’s major labels.  That belief could not be any more wrong.  The reality of this concert recording is that it looks and sounds just as good as any of the countless other live recordings released on said labels already in 2013. The camera crews charged with capturing the concert expertly carried out their duties.  Home viewers get the best seat in the house.  They are taken right on stage with the musicians and even above the crowd to see the full extent of the audience in attendance.  Seeing how packed the house was on the night of April 27th, 2012 just goes to show that while Ronnie Montrose might never have been one of the biggest names in the industry, he was and still is one of the most respected individuals to pick up a guitar. It is truly a telling statement, and one that any Ronnie Montrose fan will appreciate when they watch this concert for themselves.

The Concert for Ronnie Montrose was captured just as expertly on video as any live recording released via the industry’s major labels.  It is crystal clear.  And the camera work itself is just as impressive.  Having examined the recording’s high-quality video, the next logical step is to examine its audio mix.  Having been recorded in the semi-intimate setting of San Francisco’s Regency Ballroom, it goes without saying that it was extremely important that the audio be perfect.  Those that are more familiar with the science of acoustics will appreciate the painstaking efforts taken to ensure that the concert’s sound was on par with any major live recording.     Not one of the guitarists overpowered the other at any point throughout the evening.  And none of the musicians overpowered their fellow guest vocalists, either.  That set alongside the equally top notch camera work and video editing serve as the foundation for a concert recording that proves in the long run to be just as good as any of the year’s major concert recordings.

The audio and video mixes in the Concert for Ronnie Montrose collectively make for a solid foundation for this recording.  Having examined both, the next logical step in examining the presentation is to look at the collective set list and the guest lineup.  The set list that comprises this tribute concert spans the late guitarist’s rich career before his passing.  From his days with the Edgar Winter Group to his work with the band that bore his name to his solo career, this concert is front loaded with more than its share of great music.  Even audiences that might perhaps be less familiar with Montrose’s work will likely recognize the Edgar Winter Group’s hit songs ‘Frankenstein’ and ‘Free Ride’ and the cover of The Rolling Stones’ ‘Connection.’  What’s more, those that might be fans of Dream Theater will hear quite the similarity between the concert’s opener, ‘Overture’ and certain work by Dream Theater guitarist John Petrucci on the first of Liquid Tension Experiment’s two records.  Petrucci wasn’t one of the artists on hand at the Concert for Ronnie Montrose.  However, some equally big names were in attendance. And their presence is sure to impress audiences just as much as the show’s set list.

The lineup of artists on hand to pay tribute to Ronnie Montrose is just as eye-opening as the show’s set list.  Classic rock fans will recognize former Journey band mates Steve Smith and Neal Schon and Tesla front man Jeff Keith.  Also on hand were two equally big names in the form of Montrose’s former band mate and friend Sammy Hagar (Montrose, Van Halen, Chickenfoot) and world renowned guitarist Joe Satriani (Chickenfoot).  Hagar and Montrose’s fellow former band mates were on hand for the concert, too.  Anyone that was a fan of the band in its heyday will appreciate seeing its members back together if only for a one off show.  If the set list that makes up the show isn’t enough for audiences, then this megastar lineup of artists is certain to convince audiences to check out this recording.

So much has already been noted as to what makes the Concert for Ronnie Montrose such a joy of a live recording, even having been recorded and released independently.  There is still one factor in the recording to examine.  It is a subtle, yet important factor to examine.  It is the inclusion of what is called “supers” (or superimposed images) highlighting the names and titles of each musician to take the stage throughout the concert.  Their inclusion is important for those that might happen to be new to each musician.  The names and titles are placed right in front of each musician.  This allows audiences to directly link a name with a face.  Audiences that are less familiar with said artists can in turn link the names and faces when looking up information on each one online or otherwise.  The latent effect of all of this is the potential introduction of a whole new world of music to new audiences.  For that alone, those charged with making sure the supers matched with each artist deserve their own round of applause.  And together with the camera crews, sound editors, and performers themselves, it all comes together to make the Concert for Ronnie Montrose a concert that any purist rock and roll fan will appreciate no less with each watch.  It is available now and can be ordered online at http://www.ronniemontrose.com/merchandise/index.php?main_page=product_info&cPath=65&products_id=238.  More information on this and all things Ronnie Montrose is available via the official Ronnie Montrose website, http://www.ronniemontrose.com.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Winery Dogs’ Debut A Super Record From A True Supergroup

Courtesy:  Loud & Proud Records

Courtesy: Loud & Proud Records

2013 has been quite a year for new rock records.  The list of new records vying to make critics’ lists of the year’s best is already cluttered.  And the year’s not even out yet.  That list already includes releases from the likes of:  Pop Evil, Queensryche, Buckcherry, Filter and Joe Satriani just to name a handful of releases.  Now with the release of its self-titled release, rock trio The Winery Dogs has added its name to that already massively cluttered landscape.  The band—Mike Portnoy (ex-Dream Theater, Adrenaline Mob), Billy Sheehan (Mr. Big), and Richie Kotzen (Mr. Big, Poison)—instantly draws comparisons to Chickenfoot from early on with its brand of rock.  If one were to listen to this and not know it was another band, one would instantly think one was listening to the latter of the two.  Even vocalist Richie Kotzen sounds at times like Chickenfoot front man Sammy Hagar.  At others, he sounds like Soundgarden/former Audioslave front man Chris Cornell.  The similarity in the singers’ voices is eerie.

The band’s new self-titled album is a solid mix of sounds, opening with a trio of heavier, energy-laden songs in: ‘Elevate’, ‘Desire’ and ‘We Are One.’  From there, things slow down a little bit in ‘I’m No Angel’ ‘The Other Side’ and ‘You Saved Me.’  What’s interesting here is that while this trio of songs is a little more subdued, there is still a certain controlled energy throughout all three.  The guitar solos in ‘We Are One’ along with Portnoy’s expert drumming in this song is just one of so many of the album’s highlights.  ‘You Saved Me’ is impressive not just because of its musical content, but also for its uplifting lyrical content.  Kotzen sings, “You saved me in my darkest hour/You stood by me and stayed/You gave me all my strength and power/And when sunshine turned to grey/In my darkest hour/You stood by me and stayed/You stood with me/My guiding angel.”  This could be interpreted in a religious sense.  It could just as easily be considered more in the sense of a relationship.  Regardless of which angle one takes here, the ballad with its moving music and equally uplifting lyrics is sure to impress any listener. 

‘You Saved Me’ is a fitting midpoint for The Winery Dogs’ debut record.  That is because it is after this point that things pick back up beginning with what is one of the best of the best from this record in ‘Not Hopeless.’  This song is a standout thanks to the contradiction of the heavier, slower sludge rock style verses to the more standard rock style choruses.  Kotzen shows throughout both sections (and his solos) that he can easily hold his own alongside fellow guitar great Zakk Wylde here.  And if this isn’t enough to get listeners excited, the album’s next track, ‘One More Time’ definitely will.  Bass virtuoso Billy Sheehan gets his chance to shine in this up-tempo prog rock piece alongside Portnoy.  Sheehan gets his own solo alongside Portnoy in the song’s bridge.  Kotzen eventually joins in to add in his own spice, too.  By the time the song ends, it will have left listeners in awe of the trio’s talent once more.  Forget the lyrics.  This song is entirely about the talent of these three musicians.  And it definitely doesn’t disappoint.

After the high energy of ‘One More Time’ and ‘Not Hopeless’, the band slows things down only momentarily in ‘Damaged’ and ‘Six Feet Deeper.’  This gives listeners just enough time to catch their collective breath before diving back in the deep end again on the album’s final trio of songs.  ‘Time Machine’, ‘The Dying’, and ‘Regret’ finish off the album.  And they do so in expert form.  The energy in these three songs is just enough to keep listeners engaged right to the final notes without skipping even one song.  Suffice it to say that listeners that are familiar with the musicianship of Sheehan, Portnoy and Kotzen will be just as impressed with this record as anything else that the trio has recorded throughout its career.  For those that are new to the trio’s talents, these final three songs are certain to seal the deal and make new fans of three of the most talented individuals in the music industry today. 

Winery Dogs’ debut record is slated to be released Tuesday, July 23rd via Loud & Proud Records.  Fans can pre-order it now via the Loud & Proud Records website at http://loudandproudrecords.com/releases/winery-dogs/.  In the meantime, fans can check out the band’s new album live on its tour.  It will be touring through Japan and South America during the month of July before coming back to the United States on August 3rd.  Fans can get a full list of the band’s tour dates online at http://www.facebook.com/TheWineryDogs.  Fans can also “Like” the Winery Dogs’ Facebook page for all of the latest news and updates from the band.

To keep up with all of the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com

Satriani Announces Complete U.S. Tour Schedule

Photo Credit:  Daniel Robert Dinu--ConcertPhotography.ro

Photo Credit: Daniel Robert Dinu–ConcertPhotography.ro

Joe Satriani has officially announced the schedule for his upcoming U.S. tour in support of his new album, Unstoppable Momentum.  The tour kicks off August 29th in San Diego, California.  Satch will be joined by the Steve Morse Band on the tour up until October 3rd at the State Theatre in Portland, Maine.  Fans in North Carolina will be happy to know that Satriani will be making a stop in the “Old North State” as part of his tour.  He will perform at the Carolina Theatre in Durham, North Carolina on Tuesday, September 24th.  Presale tickets for that concert will be available this Wednesday, June 5th.  Fans can order presale tickets online via the official Joe Satriani website at http://www.satriani.com/road/.

The complete listing of Joe Satriani’s U.S. tour is available below.

Joe Satriani’s Unstoppable Momentum Tour Itinerary (* featuring Steve Morse Band as support thru Portland, ME):

August 29            Balboa Theatre                                           San Diego, CA *

August 30            Pearl Concert Theater at Palms Casino Resort     Las Vegas, NV *

August 31            Orpheum Theatre                                             Los Angeles, CA *

September 1      Talking Stick Resort Ballroom                          Scottsdale, AZ *

September 2      Kiva Auditorium                                                Albuquerque, NM *

September 4      Historic Paramount Theatre                                        Denver, CO *

September 5      Wagner Noel Performing Arts Center                     Midland, TX *

September 6      Verizon Theatre at Grand Prairie                               Grand Prairie, TX *

September 7      House of Blues                                                                  Houston, TX *

September 8      Austin City Limits – Moody Theatre                         Austin, TX *

September 10   House of Blues                                                                  New Orleans, LA *

September 11   Ruth Eckerd Hall                                                               Clearwater, FL *

September 12   Parker Playhouse                                                             Ft. Lauderdale, FL *

September 13   Hard Rock Live                                                                   Orlando, FL *

September 14   Saenger Theatre                                                              Pensacola, FL *

September 15   Symphony Hall                                                                  Atlanta, GA *

September 17   War Memorial Auditorium                                           Nashville, TN *

September 18   Chicago Theatre                                                               Chicago, IL *

September 19   Lakewood Civic Auditorium                                         Lakewood, OH *

September 20   Taft Theatre                                                                       Cincinnati, OH *

September 21   Wings Stadium                                                                  Kalamazoo, MI *

September 22   Macomb Music Theatre                                    Mt. Clemens, MI

September 24   Carolina Theatre                                                               Durham, NC *

September 25   Warner Theatre                                                      Washington, DC *

September 26   Beacon Theatre                                                        New York, NY *

September 27   Orpheum Theatre                                                           Boston, MA*

September 28   Tower Theatre                                                                  Upper Darby, PA *

September 29   Carnegie Music Hall of Homestead                           Munhall, PA *

October 1            Center for the Arts                                                          Buffalo, NY *

October 2            Palace Theatre                                                                  Albany, NY *

October 3            State Theatre                                                                    Portland, ME *

October 4            Casino New Brunswick                                                  New Brunswick, NB

October 5            Rebecca Cohn Auditorium                                           Halifax, NS

October 7            Le Capitole De Quebec                                                  Quebec City, QC

October 8            National Arts Centre Southam Hall                           Ottawa, ON

October 9            St. Denis Theatre                                                             Montreal, QC

October 10          Centre in the Square                                                      Kitchener, ON

October 11          Massey Hall                                                                        Toronto, ON

October 14          Burton Cummings Theatre                                           Winnipeg, MB

October 15          TCU Place                                                                            Saskatoon, SK

October 16          Northern Alberta Jubilee Auditorium                      Edmonton, AB

October 17          Southern Alberta Jubilee Auditorium                      Calgary, AB

October 19          Vogue Theatre                                                                  Vancouver, BC

October 21          The Fox Theater                                                               Spokane, WA

October 22          Paramount Theatre                                                        Seattle, WA

October 23          Historic Elsinore Theatre                                               Salem, OR

October 25          Vina Robles Amphitheatre                                           Paso Robles, CA

October 26          Fox Theater                                                                        Oakland, CA

 

Fans can keep up with all the latest news, tour dates and more from Joe Satriani online at http://www.satriani.com and at http://www.facebook.com/joesatriani.

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Satriani Proves He’s Still Got Plenty Of “Momentum” On New LP

Courtesy:  Epic Records/RED Distribution

Courtesy: Epic Records/RED Distribution

Joe Satriani’s latest release, Unstoppable Momentum is the famed guitarist’s best release since his 2006 album, Super Colossal.  This new record is the album that fans have waited for since the release of Super Colossal.  It is just as bombastic as Super Colossal and more at some points.  It’s also just as gentle as SC, too at different points.  Perhaps a big reason for the success of this record is the Satch opted for a different backing group than he typically uses on his records.  Many of Satriani’s past records were recorded with Jeff Campitelli on drums and Allen Whitman on bass.  This time out, Satch opted instead to have drummer Vinnie Colaiuta man the kit and Chris Chaney add the low end on bass.  Another change to the lineup that could have created such a difference on this record from his other works was the inclusion of Mike Frasier behind the glass once again.  The two are quite familiar with one another, having worked together on no less than six of Satch’s previous records, including his most recent album, Black Swans and Wormhole Wizards (2010) and Super Colossal.  He also helped with the creation of both of Chickenfoot’s current releases on which Joe played guitar.  That familiarity and friendship between the pair—and the inclusion of new musicians–obviously played a role in the record’s sound as it has proven to be not just his best record since Super Colossal, but one of his finest records to date.

Right from the opening number of Unstoppable Momentum, long-time fans of Satriani’s work know they are in for quite a ride.  The album opens fittingly with its title track.  Simply listening to the song, one can’t help but hear that perhaps Satriani is making a statement early on that even fourteen albums in, he still has a lot left to offer audiences.  He still has that “unstoppable momentum.”  The song’s seeming ABA structure starts off easy before really kicking things up in the middle section.  Joe shows without a doubt that he’s still got plenty left in the tank with his “solos” in this section while drummer Vinnie Colaiuta gives an added intensity with his musicianship behind the kit.  He proves to be just as solid as [Jeff] Campitelli, if not more so.  His ability to handle polyrhythmic patters without missing a single beat is impressive to say the least, both here and throughout the record.  This is just one example of what makes this such a solid record.

Another good example of what makes Unstoppable Momentum a success is the almost Beatles-esque, ‘I’ll Put a Stone on Your Cabin.’  The song’s “A” sections have something of a Sgt. Pepper’s Lonely Hearts Club influence.  Somehow, Satriani and his band mates manage to tie in a sound that is quite the counterpoint to this vibe, making the song into a piece unlike anything that Satriani has ever recorded throughout his career.  It is one of those songs that simply must be heard to be appreciated and understood.      

There is at least one more example of what makes this new record one that fans will enjoy.  And it is the album’s absolutely shortest, but most touching piece.  That song is the one minute and forty-three minute long, ‘I’ll Put a Stone on Your Cairn.’  For those that don’t know, one of the traditional uses of a cairn is as a monument to one who has passed on.  Its use roots all the way back to prehistoric Eurasia.  So placing a stone on one’s cairn would be an act of tribute and remembrance to the deceased.  Keeping all of this in mind, the gentle, dulcet tones of this short opus are sure to create thoughts in the minds of listeners of perhaps those that they have lost.  It offers some of the album’s deepest emotions and is sure to generate among listeners some of the deepest emotions, as well.  Without a doubt, this song may end up being a favorite for fans, even as short as it is.  And it is just one more among so many that listeners will enjoy throughout the course of the album’s eleven total tracks.  The album is available now in stores and online.  It can be ordered online via Joe’s website, http://www.satriani.com, where he has links to iTunes, Amazon, and through his own website.  Fans can also order the new album and all sorts of Joe Satriani gear through his official Facebook page, http://www.facebook.com/joesatriani.  Fans can keep up with the latest tour updates and news from Joe on his Facebook page, too.

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Real Rock Fans Will “Dig” H&E’s Dig

Courtesy:  Quarto Valley Records

Courtesy: Quarto Valley Records

The latest release from the British blues/rock band, Heaven & Earth, is one of the year’s best rock albums, and potentially one of the year’s best overall albums.  From the album’s artwork to its songs, so much was done right with this album.  Bassist Chuck Wright notes in the album’s bonus DVD about the album’s cover art that it is meant to represent the “unearthing” of rock and roll.  He states that “it [rock and roll] has been buried away for far too long.”  And if that’s the case, then this album has done quite the job of “digging up” rock and roll.  As producer Dave Jenkins states, this album was an attempt to capture the vibe of a live show on record.  He and the band did just that from start to finish.

The album opens fittingly with the anthemic ‘Victorious.’  The opening Middle Eastern influenced strains lead in to front man Joe Retta’s powerhouse vocals.  He sings, “There’ll be a champion/Standing tall for all to see/On their way to be victorious/All for glory.”  Taking into account Jenkins’ statement about crafting an album that sounds like a live performance in studio, it becomes so easy to see Retta standing both before the mic and in front of thousands singing this line, fist raised along with those of thousands in attendance at a major arena as they sing in unison.  Even more interesting to note about this song (and others throughout the album) is that if one were listening to this record without knowing it was Retta and company, one would swear one was listening to either Chickenfoot or to its singer, Sammy Hagar.  Retta’s vocals are so close in style to Hagar’s that the difference is nearly incomparable. 

Joe Retta isn’t the only one that gets the chance to shine on H&E’s new record.  While he might front this veteran band, his band mates—Stuart Smith (guitars), Chuck Wright (Bass), Richie Onori (drums), and Arlan Schierbaum (keyboards)—also get their chance to showcase their talents, too.  Case in point, the album’s second track and lead single, ‘No Money No Love.’  Stuart Smith’s chops are right up there with guest musician Richie Sambora (Bon Jovi) in his solos.  And drummer Richie Onori keeps the band moving with a straight forward with solid time keeping that is just enough to impress any drummer of any level.  Add the keyboards of Arlan Schierbaum and audiences will hear just why this was chosen to lead off this album.  The band has also released a video for the album that can be viewed via YouTube at http://www.youtube.com/watch?v=9WB1iW0thik

Audiences get even more of that full on energy in the song, ‘Man & Machine.’  Again, one has to refer to [Dave] Jenkins’ mention of making a record that sounds like it’s a live experience here.  Everything that could go right with this song went right.  From its choruses to the pure musicianship of each band member, this is just one more of this record’s highest of points.  And it isn’t the last, either.  Fans will also enjoy the slower, bluesy vibe of ‘House of Blues’, the driving guitars and drums of ‘Back in Anger’, and ‘Rock and Roll Does’ as well as the record’s softer, slower moments.  Fans will especially enjoy ‘Rock and Roll Does.’  It would be a surprise if the band doesn’t use this as a show closer at its live shows in support of this record.  All assembled together, this record is a welcome change of pace from the constant drone of so much mainstream rock and the down tuned crunching guitars and cookie monster growls of less mainstream sounds.

Speaking of live shows, no live shows have been announced as of yet.  However, fans can get all the latest tour news and more from the band online at the band’s official Facebook page, http://www.facebook.com/officialheavenandearth and its official website, http://heavenandearthband.com/wordpressDig is available now in stores and online.  It can be ordered online via iTunes at http://itunes.apple.com/us/album/dig/id637141654

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.