Mercury Studios Announces Details For New “Live” Lockdown Performance From Eric Clapton

Courtesy: Mercury Studios

Mercury Studios will release a new “live” lockdown recording from Eric Clapton this fall.

The company is scheduled to release The Lady in the Balcony: Lockdown Sessions Nov. 12. The recording will feature 17 songs performed by Clapton with friends Steve Gadd (drums), Nathan East (bass and vocals), and Chris Stainton (keyboards). The recording came about as an alternative to the May 2021 concerts that Clapton had planned to take place at the Royal Albert Hall in London.

Among the songs featured in the presentation are updated takes on Clapton originals and new takes on classic standards. Those songs include and are not limited to: ‘Tears in Heaven,’ ‘Layla,’ Bell Bottom Blues,’ and ‘Nobody Knows You When You’re Down and Out.’ The group even takes on songs from Fleetwood Mac, such as ‘Man of the World’ and ‘Black Magic Woman.’

The recording’s track listing is noted below:


Nobody Knows You When You’re Down and Out

Golden Ring

Black Magic Woman

Man of the World


After Midnight

Bell Bottom Blues

Key to the Highway

River of Tears

Rock Me Baby

Believe in Life

Going Down Slow


Tears in Heaven

Long Distance Call

Bad Boy

Got My Mojo Working

Pre-orders are open now. A trailer for the recording is streaming here.

More information on The Lady in the Balcony: Lockdown Sessions is available along with all of Eric Clapton’s latest news at:




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Eagle Rock Entertainment To Release New Eric Clapton Tour Documentary

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment will release Eric Clapton’s new tour documentary this fall.

Planes, Trains, And Eric will be released on DVD and Blu-ray on Tuesday, November 4th.  The film documents Clapton’s 2014 tour through the Middle East and Japan.  It features both documentation of his tour and thirteen full-length performances.  There are also interviews with Clapton and his band mates during rehearsal, soundcheck and even in the course of travelling from venue to venue.  On board for the ride on Clapton’s 2014 tour were: Paul Carrack (Hammond organ & vocals), Nathan East (bass/vocals), Chris Stainton (keyboards), Michelle Jordan (backing vocals), Shar White (backing vocals), and legendary drummer Steve Gadd (drums).  The complete listing of songs performed in this documentary is noted below.


1) Tell The Truth

2) Pretending

3) Crossroads

4) Driftin’

5) I Shot The Sherriff

6) Little Queen Of Spades

7) Layla

8) Wonderful Tonight

9) Key To The Highway

10) Before You Accuse Me

11) Tears In Heaven

12) Cocaine

13) Hoochie Coochie Man

14) High Time (Credits – Audio Only)


The documentary will retail for SRP of $19.98 on Blu-ray and $14.98 on DVD.  More information on this and other titles from Eagle Rock Entertainment is available online at and  More news and updates from Eric Clapton is available online at,, and  To keep up with the latest sports and entertainment news and reviews, go online to and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at

The Who Return To America For First Time In Four Years

Legendary rockers, The Who are returning to America for the first time in four years this Fall.  the band will embark on a tour consisting of nearly forty dates beginning November 1st.  The tour will end February 26th, 2013.  The tour includes a stop in Greensboro, North Carolina on November 9th at the Greensboro Coliseum.

The band will perform its landmark album, “Quadrophenia” in its entirety, along with many more of its classic hits.  Roger Daltry and Pete Townshend will be joined by Zak Starkey on drums, Pino Palldino on bass and Simon Townshend on guitar and backing vocals.  Chris Stainton, Loren Gold, and Frank Simes will also join the band for the tour, playing keyboards.  Gold and Simes will also serve as backing vocalists, while Simes will also serve as musical director for the tour.

Members of the band’s official fanclub will have priority access to tickets for the upcoming tour beginning tomorrow, July 20th at 10am.  The offer expires Sunday, July 22nd at 10pm.  Membership in the band’s fanclub is available online at  Special VIP packages will also be available that include anything from special seating to access to the band’s soundcheck to special signed memorabilia, VIP parking and lots more.

In celebration of the upcoming tour, a special one-night-only screening of “The Who: Quadrophenia–Can You see The Real Me?” The Story Behind The Album.    The screening is sponsored by NCM Fathom Events, AEG Live, and UMe.  The screening is slated to run next Tuesday, July 24th at 8pm.  In Canada, the screening will take place Wednesday, August 1st at 7:30pm.  Anyone wanting to see the film can get more information on it online at in the U.S. and in Canada.

The Who guitarist Pete Townshend recently sat down for an interview, and discussed “Quadrophenia” and the upcoming tour.  The following is taken from that interview.

Why do you think the music, the themes of “Quadrophenia”–both the album and film adaptation–resonate so strongly today?
In 1972 I was twenty-eight, writing about London and Brighton in 1963 and 1964 when the band was just starting. I was still young enough to remember how it felt to be sixteen or seventeen, and at war with my parents, bosses and authority. I could still remember that feeling of struggling to fit in, something that happened to me when I was even younger, around fourteen, and everyone around me seemed to have got their lives on track. This is such a universal experience for young people that it has echoed. 

(It also seems that many of the first fans of the album don’t want to let it go; it connects them now, just as it did the band, with the important emotions and frustrations of growing up, the poignancy of it all. The film took the musical journey into the real world, and gave it flesh. That could have been a problem, but the Mod look is subtle, and cool, and so it doesn’t suffer the way some other youth films have. I’ve come to appreciate that the film has become almost more important than the album in some ways, especially in the visual age we live in.)

–In this singles-driven digital age, there are artists now singing the praises of the album as an art-form and playing their own albums from front-to-back onstage.  Since ‘Quadrophenia’ represents the album aesthetic in its highest form, what are your thoughts about the importance of albums these days for artists and audiences?
Mod was over in the South of England by the spring of 1965, and in a sense the band had changed too. We were less pure, less an R&B band and becoming more of a singles-oriented pop band. So there is an irony in the fact that when I decided we needed to reconnect with that vitally important and colourful period of our career, and our lives as young men trying to pursue a dream of becoming famous and respected, I realised I would need a double album. I’m pleased to hear about artists who uphold the album as an art-form. 

Album. Art. The questioner’s words here, but I have often been ridiculed for using them about  pop music in the past. The digital medium is only just starting to lend itself to long form work. So I expect to see more of it. It was once thought new music fans had a low attention span; but what they reveal is immense commitment to researching what touches them most deeply, and as the internet gets faster they can find what they seek more quickly. Once a connection is made, it can be extremely deep and long-lasting. This is really just another echo: this is how it was back in the ’60s. Singles first, then albums. Maybe the preponderance of singles on the internet has made the album feel special again? Maybe the old way of listening to music – in longer sittings – is finding its way back into vogue? A journey, for example, is an opportunity to listen to something longer, and easy to carry mobile music has made that possible.

–Which are your favorite songs from “Quadrophenia” to perform live and why?
I really love playing all of it. It’s a unique piece for me in that. Some Who music is nightmarish to perform live. Roger has some very tough songs to sing, and he must have preferences. But for me on guitar everything falls under the fingers. It flows naturally, and I always feel proud of my achievement as the writer, that I put it all together and gave the band a third wind. The real high point for me is always the final song ‘Love Reign O’er Me.’ Roger and I now stand almost alone together, representing not only the original band, but also its Mod audience, and of course all our other early fans. We are connected by it, in what is the most clear cut prayer for redemption, and it feels like an acknowledgment that rock music has managed to deal with the highest emotional challenge: spiritual desperation.

–What else can fans expect to hear on the upcoming tour?
We plan to close the show with a few of the really well-known anthems, and maybe some last minute surprises. These will be as much a surprise to me as to our audience because this is an area I tend to leave to Roger; he’s very good at it.

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