Opposites attract or so people have been raised to understand. That old adage has served as the basis for so many rom-coms throughout the ages. Apparently so do people with the same personality type as is seen in indie studio Cinedigm’s new rom-com The Opposite Sex. Not to be confused with the 1956 June Allyson/Joan Collins rom-com, this movie is a fun, edgy romp that will have audiences laughing nonstop from start to finish. It obviously isn’t the first story of its kind by any means. But the execution of its oft-used boy meets girl-loses her-gets her back in the end formula is relatively creative. It’s interesting to note that while similar setups have been used in previous rom-coms, this one is perhaps the first to actually incorporate a figure whose job it is to break up marriages himself finding love in the most unexpected place. The script behind The Opposite Sex is within itself plenty of reason to check out this new indie rom-com. The work of the star-studded movie’s cast is just as praiseworthy. Geoff Stults conjures Charlie Sheen’s Charlie Harper and even Josh Duhamel as he plays the chauvinistic Vince opposite the equally strong-willed Jane (Mena Suvari). The supporting cast on both sides collectively adds its own touch to the film making for even more laughs. Through it all, the movie’s pacing and its run time come together to round out the reasons for the success of The Opposite Sex. The movie–minus end credits–clocks in right at ninety minutes. throughout the course of that time, the story’s pacing never loses a step. Together with the work of the movie’s cast and the script behind the whole thing, The Opposite Sex proves to be a late addition to this year’s list of the best new indie flicks and the best new movies overall, too.
The Opposite Sex is not the first story of its kind. That goes without saying. The standard boy meets girl-loses her-gets her back in the end formula used as the script’s basis has been used for nearly every rom-com that has come before it. Yet the execution of that formula makes this indie rom-com stand solidly on its own two feet. This applies both among the indie film community and that of its much bigger-name counterparts. Co-writers and cast mates Jennifer Finnigan (Tyrant, Better With You, Close To Home) and Josh Silverman (Weekend at Bernie’s, Weekend at Bernie’s II, Close To Home) placed lead character Vince in the position of a successful, high-powered divorce lawyer who ends up finding love through the most unexpected place. His character in particular is relatively original. Though audiences that are familiar with the likes of Hitch, What Women Want, and How To Lose A Guy in Ten Days will see instant similarities between those movies and this work. Just like the aforementioned stories, this work sees the standard male lead with the “bachelor for life” mentality “unexpectedly” falling for a certain woman after his view of the opposite sex changes over the time that he spends with her. In the case of The Opposite Sex Vince finds that certain female love interest thanks to his friend’s wife Stephanie (Jennnifer Finnigan). Stephanie is old friends with Jane (Suvari). Jane and Stephanie’s decades-longfriendship leads to a rather interesting meeting between Jane and Vince, which in itself makes for its own share of laughs. That first unfcomfortable (in many more ways than one) meeting is the first spark that leads to the pair’s slowly evolving romance. Again, the formula is very similar to previous rom-coms. But the ability of FInnigan and Silverman to change things up just a bit is just enough to make the script work in this case.
The formula used for The Opposite Sex’s script is one that is quite well-known to audiences of the rom-com genre. To the credit of both Jennifer Finnigan and Josh Silverman, the pair was adapted the formula in question just enough in the case of this movie to keep the story entertaining from start to finish. The script itself would have been nothing though, without a cast to properly interpret and make it entertaining. Again, lead stars Mena Suvari (Six Feet Under, American Beauty, Chicago Fire) and Geoff Stults (Wedding Crashers, She’s Out Of My League, The Breakup) do just that. And considering the duo’s experience in the world of rom-coms, it should come as no surprise. Suvari will have even the movie’s male audiences laughing as Jane puts Vince in his place time and again without even the slightest hint of remorse. From making a bet on a twenty-dollar pool game to some rather more interesting situations, Jane never once lets herself become the standard pushover female who ends up giving in to the guy. This submission on the part of the female lead happens far too often in other rom-coms. So it’s nice to see that didn’t happen here. It’s yet another way in which this movie stands out from its bigger-name counterparts. The duo’s supporting cast adds even more enjoyment to the movie, too. Audiences will find themselves laughing just as much as Stephanie (Finnigan) and Jane (Suvari) team up to play charades against Vince (Stults) and Kenny (Josh Hopkins). The sight of Kenny trying to act out the act of taxidermy will have audiences laughing tears of joy. It is such a hilarious moment because there is so much truth to something as simple as charades. The actors’ reactions to Kenny’s attempts only adds to the moment’s hilarity. And even when Kenny is by himself, trying to counsel a couple played by Josh Silverman and Nadia Dajani, audiences will laugh just as much. Add in a cameo guest spot by former N’Sync member Joey Fatone, and audiences will see just how important the work of The Opposite Sex’s cast was to the movie’s enjoyment and success. On a side note, Fatone’s blooper with Stults and Hopkins in the movie’s end credits makes for just as many laughs. Getting back to the movie’s main factors, the acting on the part of its cast does plenty to make it enjoyable, as audiences will see when they watch it for themselves. Its run time and pacing play their own pivotal role in the movie’s success, too. They come together to solidify it and show once and for all why it is just as entertaining as any of its bigger-name counterparts.
The scripting and acting that went into The Opposite Sex offers audiences more than its collective share of laughs. Even being an independent release, its script and the work of its cast make it just as entertaining as its more well-known counterparts. While both the script and the acting are key to that level of success, the movie’s pacing and companion run time play just as much of a role in its enjoyment. At no one point does The Opposite Sex ever lose audiences either in terms of its script or its cast’s acting. It never moves too fast or too slow, thus allowing audiences to enjoy every quip and every joke surrounding the never-ending battle of the sexes. It’s all done over the course of about ninety minutes. That perhaps is the most intriguing factor of all in the movie’s success. Not counting its end credits, it comes in right at about ninety minutes. That is roughly par for course in terms of run times for the rom-coms churned out by Hollywood’s Power Five studios. The combination of that standard run time and solid pacing completes The Opposite Sex, proving once more why this movie is just as enjoyable as any more well-known rom-com past or present. It shows once more that indie flicks can and are just as worth the watch as anything that Hollywood’s major studios can churn out and have, too. Keeping that in mind, The Opposite Sex proves that despite a familiar formula, the movie’s script, its cast’s acting and its collective pacing and run time make it one of this year’s best independent movies and one of the best movies of 2014.
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