Corroded Will Leave Listeners Feeling Anything But Bitter On Its Latest LP

Courtesy: Despotz Records

Hard rock outfit Corroded released its latest full-length studio recording this week, and the album, Bitter, is another strong new offering from the veteran Swedish band.  Front man Jens Westlin explained the album’s title “comes from observing how the social climate is around the world right now…Everyone’s so dissatisfied and thinks that everyone else’s life is so much better than theirs, and if something goes wrong, it’s always someone else’s fault.  As a result of this, all power hungry leaders in this world thrive on the dissatisfaction of the people and gain power that way.”  He added that these views are what inspired the band’s new album both musically, and lyrically.  The band’s reaction to that situation is on full display early on in the form of the song ‘Cross,’ which will be discussed shortly.  ‘Scream,’ which comes later in the album’s run is another standout addition to Bitter, that shows quite well, the band’s response to everything going on.  It will be discussed a little later.  ‘Drown,’ which comes even later in the album’s run is another notable addition to the album’s overall statement about the world’s current social and political climate.  It will also be discussed later.  Each of the three songs noted here are key in their own way to the whole of Bitter.  When considered along with the other nine songs featured in the album not directly noted here, the end result is a powerful new offering from Corroded that will light a new fire within listeners and leave them feeling anything but bitter.

Corroded’s fifth full-length studio recording Bitter is another strong new offering from the Swedish hard rock outfit.  The new, 12-song record, which is the band’s second for Sweden-based Despotz Records, shows from start to finish, that the quartet can easily hold its own against its more well-known hard rock and metal counterparts.  This is proven early on in the form of ‘Cross.’  The song’s up-tempo, guitar-driven musical arrangement helps to support that statement.  The arrangement conjures thoughts of Five Finger Death Punch, Soil, Dry Kill Logic and other similar acts.  The fiery energy exuded through the arrangement, coupled with Westlin’s growling vocals does a commendable job of illustrating the anger and frustration that Westlin attempts to present in the song’s lyrical content.

That seeming mix of strong emotions is inferred as he sings, “Our mistakes…they have never ever been this clear/All the pain/And the misery/Every word that was said out of fear/Every thorn/In the side/The suffering we had to endure/We never stopped/It isn’t easy/There will never ever be a cure/Every breath that we take/Is a waste of the air we possess/All the s*** that we give….I won’t be nailed upon your cross/I will not take the pain for you/It’s time to own your mistakes/It’s time for you to fall.”  Westlin’s fire hardly dies in the song’s second verse as he sings of having to carry someone else’s agony and misery, and refusing to do so any longer before returning to the chorus’ powerful message pointing the finger back at the proverbial stone casters and finger pointers.  Guitarist Thomas Andersson, bassist Bjarne Elvsgard and drummer Per Solang are to be commended in their own right for their work throughout the song, and especially in its bridge as they work together to help illustrate that feeling of emotional strain that one goes through when one is blamed for something that happened to someone else.  Instead of being the fiery work that is exhibited through the rest of the song, it presents a certain vibe of someone trying to get over those feelings of self-guilt and realizing people cause their own problems in many cases.  It is a brief moment in the bigger picture of the song, but powerful in its own right.  When it considered along with Westlin’s unapologetic lyrical content and the rest of the song’s unflinching arrangement, the whole proves to be an unquestionably forceful response to that bitterness of which Westlin spoke, which led to much of the album’s creation.  It is just one of the album’s most standout entries.  ‘Scream,’ which comes later in the album’s run, is another notable addition to the album.

In regards to its musical arrangement, ‘Scream’ is a work that is certain to appeal to thrash metal purists out there.  Again, the similarities to Dry Kill Logic are front and center here.  At the same time, one can also argue influences from the likes of Overkill, Exodus, Anthrax and other similar acts, thanks again to the collective work of Andersson, Elvsgard and Solang.

The energy exuded through this thrash-style work does its own commendable job of illustrating the urgency in the song’s lyrics; an urgency that seems to center on the issue of self-determination and not letting the currently bitter state of the world bring one down.  This is inferred as Westlin sings with his band mates in the song’s chorus, “Scream/Until your lungs give out/Don’t roll over and die/Shout/Until everything is said/Don’t give up…”  This positive message is coupled with an equally positive vibe in the song’s verses.  Westlin sings in the song’s lead verse, “Inhale/Let everything around go down/Find a moment of peace/React/The perfect storm is here right now/You are the center of its eye.”  Westlin’s message is relatively clear in this verse, especially considering the song’s chorus.  He is saying that we create the storm that surrounds us, and the way to survive that storm is to find our inner peace, to jet let everything out, not hold it in.  he even comes right out in the song’s second verse and states, “Exhale/Let matters fall right into place/Find a calm inside yourself.”  He goes on to say, “you are the center of the mass.”  Yet again, here we have a relatively clear statement of how we are the source and solution to all of our problems.  This is a positive message, from which plenty of listeners can and hopefully will take some enlightenment.  When it is coupled with that previously discussed musical arrangement, the whole is a song that is therapeutic in the best way possible, and yet another wonderful response to the negativity that is polluting the world right now.  It is far from the last example of the album’s clear ability to respond to the world’s current climate.  ‘Drown’ is yet another example of how well the band has responded to everything going on around the globe.

‘Drown’ is the penultimate addition to Bitter.  Musically, this song is another interesting composition.  The verses are once again up-tempo, guitar-drive, adrenaline-fueled sections.  The choruses however, are far more melodic.  What is interesting is that the song does not lose any of its energy in the choruses.  It just changes style, in turn, keeping the work moving forward.  The song’s bridge hints at some 80s influences through Andersson’s guitar work, which is not an entirely bad thing.  Of course, the song’s musical arrangement is just one part of what makes it stand out.  Its lyrical content leads it to stand out just as much as its musical content.

Westlin sings in the song’s lead verse, “Wish I could break the spell that binds us here/You know to each his own…Just go and do/As you please…It must be done my way/It must be done your way.  Some of his wording is difficult to decipher without a lyrics sheet to reference, but the seeming message becomes partially clear.  Later in the song’s nearly five-minute song, he goes on to sing, of looking back on a chain that has been broken and will not leave any marks.  This is just this critic’s own take, but it would seem that Westlin is speaking metaphorically here to address social control, with the chain being that control, broken.  That would explain Westlin’s earlier statement of “It must be done my way/It must be done your way.”  There is that problem of everyone wanting things in life their way, but we as a people do not have to let it be one person’s way or another, but rather our own way, regardless of what everyone else says.  We can respect others’ ways, but we do not have to live by those ways.  That goes back to the initial statement of “Wish I could break that spell that binds us here/You know to each his own.” It all seems to come together in a statement of not giving in to what everyone says one should do and be.  Again, this should not be taken as the only interpretation, but merely that of this critic.  Hopefully this critic is at least somewhere in the ballpark with that interpretation, as it would seem to be another response to the world’s negativity, as addressed by Westlin about the album’s overall theme.  When it is considered along with the seeming messages presented in ‘Scream,’ Cross’ and the rest of the album’s offerings, the whole of Bitter becomes a work in whole that will leave listeners anything but bitter.

Corroded’s latest full-length studio recording Bitter is a record that is certain to leave listeners feeling anything but bitter about the world after they listen from start to finish, to the 12-song record.  That is because of the messages presented in the songs, which come across as various responses to the world’s bitterness – responses that are in fact not overly bitter themselves.  That is evidenced early on in ‘Cross,’ which points the finger back at the finger pointers, and again later in the album’s run in ‘Scream,’ which seems to encourage people to get their negativity out (of course in a positive way), and even later seems to encourage people to embrace their personal identity, rather than give in to social control in ‘Drown.’  These are just some of the songs featured in this record that clearly address everything going on in the world.  The Type O Negative-esque ‘Black’ seems to address’ people’s self-imposed misery while the In Flames-styled ‘Breathing’ comes across as sending a message of not giving up even in the most dire situations.  The old-school metal style work that is ‘Testament’ is a defiant anthem that comes across as encouraging people to stand up for themselves against all odds.  Again, this is all this critic’s own interpretation.  Hopefully it is somewhere in the ballpark in each case, including that of the songs more directly discussed.  If indeed this critic’s interpretations are right, then again, this record proves that much more to be quite the successful offering from Corroded, and easily one of the year’s first great hard rock/metal records.  It is available now.  More information on Bitter is available online now along with all of Corroded’s latest news and more at:

 

 

 

Website: http://despotz.se

Facebook: http://www.facebook.com/corrodedsweden

Twitter: http://twitter.com/corrodedsweden

 

 

 

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Corroded Releases ‘Defcon Zero’ Re-Mix; Announces New Live Dates

Courtesy: Despotz Records

Corroded has gotten the re-mix treatment.

The Swedish metal outfit’s latest album, 2017’s Defcon Zero has been re-mixed by Venezuelan producer/DJ Zardonic.  While the re-mix album’s release date has not yet been announced, the band is giving audiences the very first glimpse into the record with the re-mix of the album’s title track, which is streaming online now here.  The song can be purchased online now via iTunes.

The band said in a recent interview of the remix that it was excited about the new creation.

“We’ve been totally up for the idea of hearing a remix to one of our songs,” the band said in a collective statement.  “Zardonic came up with this brutal mix of all songs from the album and we all loved it after listening to it the first time. You still feel and hear the heart of CORRODED beating in this remix but Zardonic put it with his ideas onto another level. Great job.“

Zardonic said he was just as excited to work on the song as the band was to have it re-mixed.

“Putting this remix together was quite the challenge because unfortunately, I couldn’t count with the separate instruments as I usually do, but I decided to do what I did back in my early years and treat it like a bootleg, but with a bit more of what I’ve learned recently,” Zardonic said.  “I let my head run free creatively and literally wrote all the ideas as they were coming to me. You get sick of the same sounding dance music structure after you’ve done it forever, you know? So this is something truly special I put my heart and soul into, even did my own vocals which is something I don’t normally do in remixes, but Corroded is just too fucking badass and inspiring and it put my head in the right place to put together this monstrosity. You can call it a remix if you will. I call it an extreme dance music tribute to good fucking metal. Respect!”

Courtesy: Despotz Records

In anticipation of the album’s eventual release, the band has announced a series of new live European dates beginning Feb. 14 in Stockholm, Sweden.  The tour currently runs through March 2 in Nuremburg, Germany.  The current schedule is noted below.

2/14 – Stockholm, Sweden – Debaser Hornstulls Strand Bar Brooklyn och Calexio’s
2/15 – Gothenburg, Sweden – Sticky Fingers
2/16 – Copenhagen, Denmark – Pumpehuset
2/24 – Paris, France – Le Backstage by the Mill
2/26 – Zurich, Switzerland – Dynamo 21
2/27 – Munich, Germany – Backstage
2/28 – Wien, Austria – Chelsea
3/02 – Nuernberg, Germany – Z-Bau

More information on Corroded’s new single is available online now along with all of the band’s latest news and more at:\

 

Website: http://www.corroded.se

Facebook: http://www.facebook.com/corrodedsweden

Twitter: http://twitter.com/corrodedsweden

 

More information on Zardonic is available online now at:

 

Website: http://www.zardonic.net

Facebook: http://www.facebook.com/zardonic

Twitter: http://twitter.com/djzardonic

 

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Project 86 “Among” Rock and Metal’s Best On Phil’s Picks 2017 Top New Hard Rock & Metal Albums

Courtesy: Project 86/TAG Publicity

For those about to rock, we salute you!

Yes, everyone knows that phrase from AC/DC’s classic song by the same name.  As popular as it is, it is more than just a song lyric and title.  It is a statement of honor for the acts and audiences who span the rock community.  This year, as with every year prior, there are so many bands to honor as the year nears its end, including hard rock and metal bands.  In case it hasn’t become clear by now, this article focuses on this critic’s choices for the year’s top new hard rock and metal albums.  As with every list before, compiling it was not an easy task.  New releases from Project 86, Arch Enemy, Iced Earth, and so many others made this year’s field of new hard rock and metal albums very crowded.  That is putting it lightly.  Between well-known mainstream acts and their lesser-known independent counterparts, the two sides collectively offered so many impressive new albums.

Topping this critic’s list of the year’s top new hard rock and metal albums is Project 86’s latest album Sheep Among Wolves.  The band’s 10th full-length studio recording in 20 years, this record takes all of the best elements of the band’s past — both musically and lyrically — and uses them to craft a work that is just as memorable and engaging as its predecessors.  Also on this year’s list from Phil’s Picks are new albums from — as already noted — Iced Earth and Arch Enemy — as well as new offerings from Overkill, Act of Defiance, Prong, Adrenaline Mob, Blacktop Mojo and others. As with every list, this list presents this critic’s Top 10 titles plus five additional titles for a total of 15 records.  That being noted, here for you is Phil’s Picks’ 2017 Top 10 New Hard Rock & Metal Albums.

PHIL’S PICKS 2017 TOP 10 NEW HARD ROCK & METAL ALBUMS

  1. Project 86 — Sheep Among Wolves
  2. Prong — Zero Days
  3. Act of Defiance — Old Scars, New Wounds
  4. Overkill — The Grinding Wheel
  5. Iced Earth — Incorruptable
  6. Blacktop Mojo — Burn The Ships
  7. Adrenaline Mob — We The People
  8. Marty Friedman — Wall of Sound
  9. Corroded — Defcon Zero
  10. Dragonforce — Reaching Into Infinity
  11. The Haunted — Strength In Numbers
  12. Doyle — As We Die
  13. Demon Hunter — Outlive
  14. 36 Crazyfists — Lanterns
  15. Arch Enemy — Will To Power

That’s all for this list.  Again, it was not an easy list to compile.  Acts the likes of Eve To Eve to Adam, Marty Friedman, Sepultura, Annihilator, Mastodon and so many others all deserve their own share of credit.  With that in mind, it becomes easy to see why no disrespect was meant to any one act or another here.  Every noted act released its own impressive album.  Only so many spaces were available, sadly.

2018 is already shaping up to be an interesting year in its own right, with new material from Ministry on the way alongside new albums from Judas Priest, Saxon, Machine Head, Corrosion of Conformity, Tool, Clutch and lots more.  Stay tuned for all of that in the new year.  To keep up with all of the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Young Fox Takes The “Gold” On Phil’s Picks’ 2017 Top 10 New Independent Albums List

Courtesy: Spartan Records

Independent recordings are the backbone of the music industry.  Regardless of whether the band is a major name releasing an album on its own, through an independent record label or a lesser-known band doing one or the other, those albums tend to have just as much substance as their more well-known counterparts, if not more.  Keeping that in mind, independent albums (whether released independently or through indie labels) are just as important to the industry as major releases.  That being the case, they deserve their own year-ender list annually just as much as their more commercially-known releases, so Phil’s Picks is giving those recordings their due credit and coverage.  Presented here for your consideration is Phil’s Picks’ 2017 Top 10 New Independent Albums.  The list features the year’s 10 best new independent recordings plus five honorable mention titles for a total of 15 titles, as in years past.

Topping this year’s list of best new independent albums is the new release from underground rock band Young Fox.  The band’s new album Sky Beats Gold proved this year to stand out brightly with its equally deep lyrical content and musical arrangements.  The pairing of those two elements made this album from start to finish a surprisingly powerful effort from the Pittsburgh, PA-based band.  Also included in this year’s list are new albums from the likes of Blacktop Mojo, Hell or Highwater, KXM and others.  Again, many of these bands and albums are such that they are not as well-known as perhaps other bands.  But their albums prove to be just as worthwhile as anything released by their more well-known counterparts.  Without any further ado, here for your consideration is Phil’s Picks 2017 Top 10 New Independent Albums.

PHIL’S PICKS 2017 TOP 10 NEW INDEPENDENT ALBUMS

  1. Young Fox — Sky Beats Gold
  2. Mike Mangioni & The Kin — But I’ve Seen The Stars
  3. Blacktop Mojo — Burn The Ships
  4. Pimps of Joytime — Third Wall Chronicles
  5. Corroded — Defcon Zero
  6. KXM — Scatterbrain
  7. At The Wayside — The Breakdown & The Fall
  8. Hank, Pattie & the Current — Hold Your Head Up High
  9. Mipso — Coming Down The Mountain
  10. All out Street Jam — Living Free
  11. Hell or Highwater — Vistas
  12. Spiral Crush — Electric Life
  13. Eve To Adam — Odyssey
  14. Galactic Empire — Galactic Empire
  15. Satan Takes A Holiday — Aliens

That’s it for this year’s list of top new independent albums.  It should be re-iterated that this was not an easy list to establish as there were so many quality independent albums this year.  Lyrical content and musical arrangements alike had to be considered.  There was no bad lyrical or musical content from any noted album.  Every act on this list should be proud of its album as there is so much to appreciate in each.  Next up from Phil’s Picks as the days tick to the year’s end is Phil’s Picks’ 2017 Top 10 New Country/Bluegrass/Folk/Americana albums.  Since each genre shares so much similarity with the others, it is easiest to combine them into one category rather than try to spread them out.  Stay tuned, and congratulations again to this year’s Top New Independent Albums winners.

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Corroded’s New LP Is Set To Put The Rock Community On “Alert”

Courtesy: Despotz Records

Late this past April, hard rock outfit Corroded released its latest album Defcon Zero.  The  band’s first new album in five years and its fourth full-length studio recording, it is a recording that could very possibly put the hard rock community in whole on alert.  That is because it presents a combination of music and lyrics throughout its 11-song, 50-minute run time that challenges even the best of the big names.  The record’s opener, ‘Carry Me My Bones’ clearly supports that statement.  ‘A Note To Me,’ which comes late in the record’s run, also supports that statement in its own way, too.  It will be discussed later.  ‘Fall of a Nation’ is yet another example of what makes Corroded’s latest effort a work that is anything but corroded itself.  Rather, it is another example of what makes the record a solid, strong new offering from one of hard rock’s best kept secrets.  It joins with the previously noted songs and the rest of the album’s offerings to make the record in whole an offering that is certain to put the hard rock community in whole on alert.

Defcon Zero is a strong and solid return for Corroded. That is especially considering the fact that it is the first record in five years from the Swedish hard rock outfit.  From start to finish, the band presents in this new offering a record that is certain to put the hard rock community in whole on alert.  That statement is supported in part in the album’s opener ‘Carry Me My Bones.’  The song’s musical arrangement instantly conjures thoughts of Dry Kill Logic’s best works.  That is evident as the song starts with a brooding, acoustic arrangement before gradually building into a full-on, guitar-driven assault.  What is really interesting is the heavy buildup to that assault conjures in itself, thoughts of some of Slayer’s best works.  The combination of front man Jens Westin’s vocal delivery and the song’s musical elements throughout the rest of the song maintain that previously noted comparison to Dry Kill Logic.  The whole of that arrangement is only one part of what makes this song stand as an example of Defcon Zero’s impressive nature.  The song’s lyrical content is just as important to discuss as the song’s musical arrangement in examining what makes it stand out.

The musical arrangement at the center of ‘Carry Me My Bones’ is in itself a key part of what makes this song stand out as an example of what makes Defcon Zero stand out. That is because it easily challenges hard rock’s top names from start to finish. Its lyrical content is just as important to discuss as its musical arrangement in examining its whole.  Westin said in an interview about the album’s lyrics “When it comes to the lyrics, I want everyone to make up their own opinion to what the songs are about.” He went on to compare interpreting the album’s lyrics to comparing a book to its cinematic counterpart.  Keeping that in mind, the lyrical content at the center of this song definitely proves to be interesting.  Westin sings here, “I’ve been awake/For days/On my way to hell/I’m not going to lay down and die before I get there…What you believe is more than you know/Carry me my tired bones/Far away/So far away from secrets/A million miles away/Carry me my tired bones.”  He goes on to sing in the song’s second verse, “I was stuck/In-between/No place and nowhere….” before he and his band mates—Tomas Andersson (guitar), Bjarne Elvsgard (bass) and Per Solang (drums)—reprise the song’s chorus time to finish off the song.  Noting again that Westin leaves the lyrics’ interpretation to listeners’ own thoughts, this critic’s take on the song’s lyrical content is that it comes across as an introspective rumination of someone working through a very difficult time.  That is inferred in the song’s lead verse.  The hell in question is clearly metaphorical.  The subject’s mind has been racing, but that subject is still determined not to give up in whatever difficult situation is presented.  As Westin’s subject sings “carry me my tired bones,” one can interpret that perhaps the song’s subject is saying he or she wants to get away from everything; all of the negatives surrounding him or her.  The song’s second verse continues to infer that same message in this critic’s own interpretation.  It would be interesting to learn the true message in the song’s lyrical content.  That aside, the combination of that seeming message couples quite well with the song’s musical arrangement to make for a song that is a powerful first impression for the band this time out.  It is just the start, too.  ‘A Note To Me,’ which comes late in the album’s run, is another solid addition to the album’s whole.

‘Carry Me My Bones’ is a strong first impression from Corroded on its latest new album.  That is due to the combination of its musical and lyrical content.  The two elements together make the song a clear example of what makes Defcon Zero stand out in whole.  It is just one of the songs that shows what makes the album stand out, too.  ‘A Note To Me’ is another example of what makes the record in whole stand out.  As with the album’s opener, that is due at least in part to its musical arrangement.  The musical arrangement here is a stark contrast to that of ‘Carry Me My Bones.’  It is a deeply emotional, guitar-driven composition that (and some audiences will call this musical heresy) conjures thoughts of Theory of a Deadman and Nickelback.  Yes, it seems damning.  But the reality is that when one compares this composition to that at the center of ‘Carry Me My Bones,’ it is actually a good thing that such a comparison can be made.  That is because it shows in its own right the reach of the band’s talent, sounds and influences.  Westin’s vocal delivery throughout even conjures thoughts of Nickelback front man Chad Kroeger through his delivery.  Again, some might see such a comparison as musical heresy of sorts.  The reality once more though, is that it shows the band’s ability to reach into any rock and hard rock sub-genre.  That is a compliment of the highest caliber to the band.  Of course the song’s musical arrangement is only part of what makes it stand out.  Its lyrical content is just as important to discuss as its musical arrangement.

The musical arrangement at the center of ‘A Note To Me’ is in itself a key component of its overall presentation.  When set against the composition at the center of ‘Carry Me My Bones,’ it shows even more why Defcon Zero stands out among this year’s field of new rock and hard rock records.  The song’s musical arrangement is only one part of what makes the song stand out.  Its lyrical content, which is just as brooding as its musical arrangement is just as important to discuss as that musical content.  Westin sings here in the song’s lead verse, “This bitter pill I got/It turns out to be hard to swallow/I’d make my head whole/But everything inside feels hollow/I am the haunting of the day that never came/Yeah, what a shame.”  He goes on to sing in the song’s second verse, “The truth hurts that I know/And now it’s out for everyone to see/I’m just a coward/Who hates everything about me/Everything I’ve done was a lie/It’s harder to cry.”  This comes across as someone who is confessing a major hidden truth to someone else.  As the song progresses through its chorus, it can be inferred that the someone in question is obviously someone close to the subject.  What is interesting is that Westin doesn’t point out if that person is male, female, young or old.  That in itself is a really powerful statement.  When one really thinks deeply about this matter, the confession could work in any of those situations.  That is especially the case as Westin sings in the song’s final moments, “My only hope is that you will forgive/And that some day/Some day you will forget.”  Regardless of whether the situation presented here is between friends, family or some other close person, the confession by the song’s subject is powerful.  It is the kind of statement made in similar songs by the aforementioned mainstream friendly acts; the kind of statement that, when coupled with the song’s musical arrangement, is made even more powerful.  The combination of those two elements makes the song in whole a truly powerful work that once again can rival songs from the bands already noted.  Keeping that in mind, it is one more work included in this record that shows why this record stands out among its counterparts both mainstream and independent.  It still is not the last of the songs that serves to show what makes Defcon Zero stand out.  ‘Fall of a Nation’ is one more example of what makes this record one that will put the rock community in whole on alert.

‘Carry Me My Bones’ and ‘A Note To Me’ are both solid examples of what makes Defcon Zero a strong new effort from Corroded.  That is because they show the wide reach of the album’s sound, proving its appeal to metal purists and mainstream rock fans alike.  The songs’ lyrical content adds just as much depth to their whole.  While both songs’ musical and lyrical content serves to make them clear examples of the album’s strength, they are only two examples of that strength.  ‘Fall of a Nation’ just as clearly proves to be another example of said strength.  That is evident first through its adrenaline-fueled, guitar and drum-driven musical arrangement, which mixes elements of Hellyeah, Soil and other similar acts for a whole that will instantly have listeners’ horns in the air.  Its lyrical content will keep listeners just as engaged as Westin seemingly comments on…well…the downfall of a nation.  Being that there is so much turmoil the world over and that Westin and company don’t necessarily point out which nation is being addressed, the commentary could, in reality, apply to the United States, any Middle Eastern Nation or other nation.  There is mention of “seeing the  flames rising,” “bones grinding,” “ashes in the air” and other rather interesting visuals.  This could be a commentary of what could come to any nation if said nation(s) don’t get things in check and soon.  The added mention of “we are the ones who are watching everything from high up above/We are the ones who idle standing by as things burn” adds to the power of that message.  It is almost as if the song’s subject is saying, “we’re going to stand by and let the world destroy itself and this is what we see happening.”  It is a powerful, possible statement.  The power in the song’s musical arrangement expertly captures the energy in that supposed statement, too.  Keeping that in mind, the whole of that musical and lyrical content makes this song clearly one more example of what makes Defcon Zero such a powerful new offering from Corroded.  It is hardly the last song that serves to exemplify what makes this album stand out.  ‘Gun and a Bullet,’ ‘Burn It To The Ground,’ and ‘Vessels of Hate’ each do their own part to show what makes this record stand out, too.  All things considered, the songs noted and not prove Defcon Zero a record that will put the rock community in whole on alert.

Defcon Zero is a powerful return for Corroded.  It is a record that proves audiences’ five-year wait for the band’s next album was well worth it.  What’s more it is a record that is certain to put the rock community in whole on alert.  That is because it is such a strong new effort from start to finish both in regards to its musical arrangements and lyrical content.  All things considered, this record is one that deserves a spot on any critic’s list of the year’s top new hard rock albums.  It is available now.  More information on Defcon Zero is available online now along with all of Corroded’s  latest news and more at:

 

 

 

Website: http://www.corroded.se

Facebook: http://www.facebook.com/corrodedsweden

Twitter: http://twitter.com/corrodedsweden

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.