Ace Frehley’s New Record Is The Exception To The Rule About Covers Compilations

Courtesy: eOne

Covers collections are a dime a dozen.  From one genre within the bigger musical universe to the next, they are overly abundant offerings.  There is no denying that in the bigger picture of things, covers collections are little more than space fillers used by acts for the purpose of fulfilling contractual obligations between new albums.  Many of those albums are that and little more.  However, every now and then at least one rarity rises above the rest to do at least a little more, and actually show some value.  Ace Frehley’s latest covers compilation is one of those rarities.  Released Friday through eOne, the 12-song record stands out in part because of its featured covers.  This will be discussed shortly.  The performances of the songs play their own part in the album’s presentation and will be discussed a little later.  The production that went into the record rounds out its most important elements and will be addressed later, too.  Each noted item is important in its own right to the whole of the collection.  All things considered, they make Frehley’s latest space filler a work that will appeal to plenty of classic rock fans.

Ace Frehley’s latest covers compilation, released Friday through eOne, is an interesting addition to this year’s field of new space fillers.  That is because unlike its counterparts, it actually proves itself to actually be worth at least some value.  That is due in part to the record’s featured songs.  While there are some notable works featured in the record from some very well-known bands, there are also some lesser-known deep cuts from those bands, too.  Mountain’s ‘Never in my Life’ is an example of one of those deep cuts.  The band is well-known, and while Climbing!, the album in which the song is featured, is considered a hit for Mountain, the song itself was never considered to be one of the album’s biggest hits.  ‘I’m Down,’ which was a b-side to The Beatles’ hit song ‘Help!,’ is another example of Frehley including a lesser-known work from a big name band in this record.  Cream’s ‘Politician’ is yet another example of the noted lesser-known songs featuring in this record.  While the album in which the song is featured – Wheels of Fire – is the world’s first platinum-selling double album, the song was never used as a single.  To that end, it is more of a deep cut.

On the other end of the spectrum, works, such as The Rolling Stones’ ‘Jumpin’ Jack Flash,’ The Jimi Hendrix Experience’s ‘Manic Depression’ and Deep Purple’s ‘Space Truckin’’ (whose lyrics Frehley changes slightly here when he sings, “we’re space ace truckin’) are examples of the more well-known works featured in the album.  Between these songs and the lesser-known pieces is in reality a little bit of a rock music history lesson.  Audiences get to learn about some big name bands (I.E. The Rolling Stones, Deep Purple, Led Zeppelin) and those who were more mid-level (Mountain, Paul Revere & The Raiders) while also getting a starting point on discussions on the acts and their catalogs.  What’s more, being that those lesser-known works are rarely if ever played on corporate terrestrial radio and are just as rarely presented in other acts’ covers compilations, their inclusion adds to their importance.  Keeping all of this in mind, the compilation’s featured songs actually prove at least some value to its presentation.

While the songs featured in Frehley’s new covers set present at least some value, the performances of said songs plays just as much importance if not more.  That is because while Frehley and his fellow musicians do stay at least somewhat true to their source material throughout the record, they  also give the songs a new updated sound.  Case in point is the group’s performance of The Rolling Stones’ hit song ‘Jumpin’ Jack Flash.’  The Rolling Stones’ original composition is energetic in its own right, and the band’s live performances of the song step things up in the song even more.  Frehley and company’s version here however really amps things up.  Ronnie Wood and Keith Richards’ guitars are replaced in this case by that of Frehley and guitar goddess Lita Ford.  The duo also takes on Mick Jagger’s vocals jointly and definitely take things collectively in a whole new direction.  It should be noted that Ford does drop some f-bombs here, so some listener discretion is advised.  Honestly, its disappointing that Ford would work blue here since the original song did not need any foul language in order to be enjoyable.  Charlie Watts’ steady, subtle time keeping has even been replaced by an equally heavy drum line here.  Simply put, the performance in whole does stay true to the source material in terms of sound, but in terms of style it is a completely different song.  So that is certain to generate its own share of interest and discussion among listeners.

The group’s take on The Animals’ ‘We Gotta Get Outta Here’ is another example of the importance of the performances of the featured songs here.  The Animals’ original rendition of the song was grounded in its bass line and vocals.  In the case of Frehley and company’s take on the song, Frehley takes on the bass line, using the guitar instead for that famous line.  Between that, the semi-operatic vocal delivery and the bombastic drumming, the whole of the song takes on a distinctly 80s hair metal vibe that echoe the sounds of KISS (no surprise there) instead of presenting the song in its more subdued original presentation.  At the same time, considering that the song’s lyrical content focuses on a relationship matter and “needing to get out of this place,” the song’s energy in this presentation does seem to work in its own right.  To that end, it is sure to generate its own share of interest and engagement.

On another hand, the performance of The Beatles’ I’m Down’ stays almost true stylistically to its source material.  Yes, it’s amped up compared to the original, but compared to let’s say The Beatles’ performance on The Ed Sullivan Show, this performance actually echoes that performance relatively well, even despite being so amped up.  As a matter of fact, this performance is actually a step up from the Beatles’ original song.  That is not to say that The Beatles’ original is bad by any means.  That should not be misconstrued.  Rather, Frehley and company took a song that was great to begin with and stepped it up, improving upon it even more.  Between this performance, the others noted here and the rest of the collection’s performances, it can be said that the performances pose their own importance to the record’s presentation just as much as the songs themselves.  The performances are just one more part of what makes the collection worth hearing, too.  Its production rounds out its most important elements.

The production of Origins Volume 2 is important to note for the very reason that has already been raised in examining the performance of the record’s featured songs:  the performances take the original songs from decades ago and really amp them up.  This is important because in so many of the songs, there is a lot more going on than in these works than the originals.  In other words, there is more need to balance all of the elements to ensure each song presents the fullest performance.  Those behind the record’s production are to be applauded for their efforts, too.  For all that is going on in each song, the guitars, bass, vocals, and drums are quite well balanced.  The energy is transmitted just as well because of that expert work that went into balancing each element within each song.  The end result is an album that works just as well for its aesthetics as for its content.  When this is considered along with the record’s content and the performances therein, the result is a covers collection that while it is a covers set, actually proves itself worth hearing at least once if not more.

Ace Frehley’s new covers compilation Origins Volume 2 is an interesting follow-up to his 2016 set Origins Volume 1.  That is due in part to its featured songs.  The songs are a balance of well-known works and deep cuts.  They and the bands that performed them can actually serve as a starting point on discussions about rock’s modern history.  That is actually a positive in its own right.  The performances of the featured songs is important to this record because they stay true to their source material in terms of sound, but stylistically, they clearly show Frehley’s own influence, what with the overly bombastic nature of each performance.  That is certain to generate its own share of discussion among audiences.  The record’s production puts the finishing touch to its presentation.  That is because it ensures for all of the elements going on in each song, those elements are well-balanced, making the record just as worth hearing for this aesthetic element as for its content.  Each item noted here is important in its own way to the whole of the album.  All things considered, they make the compilation a presentation that is the exception to the rule for covers compilations.  It is available now.  More information on the set is available along with all of Ace Frehley’s latest news at:

Websitehttp://www.acefrehley.com

Facebookhttp://www.facebook.com/officialacefrehley

Twitterhttp://twitter.com/Ace_Frehley

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

ABKCO Records To Release “Joy” Soundtrack In Stores This Week

Courtesy:  ABKCO Records

Courtesy: ABKCO Records

20th Century Fox’s new movie Joy has only been in theaters a little more than a week and already much has been said of the movie, which stars Jennifer Lawrence (Silver Linings Playbook, The Hunger Games, American Hustle). It has been received a Golden Globe nomination for the year’s Best Motion Picture. And Lawrence has received a Golden Globe nomination in the category of “BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY.” Now the soundtrack to Joy is being released in stores and online.

ABKCO Records will release Joy’s soundtrack in stores Friday, January 8th. It was previously released digitally on December 18th. Music from some of music’s greatest names is featured in this collection. Those names include the likes of: The Rolling Stones, Ella Fitzgerald, Nat King Cole, The Ronettes, Bee Gees, Cream, and a number of others. The complete track listing for Joy’s soundtrack is noted below.

 

Music From the Motion Picture JOY track listing:

1)   “I Feel Free” – Cream

2)   “Joy Romantic Theme” (score)

3)   “Aguas de Marzo” – Edgar Ramirez

4)   “The Sidewinder” – Lee Morgan

5)   “I Want to Be Happy” – Ella Fitzgerald, Chick Webb and His Orchestra

6)   “In the Bleak Mid-Winter – Thomas Bullard, Choir of King’s College, Benjamin Bayl, and Stephen Cleobury

7)   “Notre Pere, Op. 14” – Salzburg Bach Choir/Alois Glasser

8)   “Mama Told Me Not to Come” – Edgar Ramirez, Ray de la Paz & The Peditro Martinez Band

9)   “Something Stupid” – Jennifer Lawrence & Edgar Ramirez

10)                  “To Love Somebody” – Bee Gees

11)                  “I Am in Love” (score)

12)                  “Mop Drawing” (score)

13)                  “Racing in the Street” (score

14)                   “Sleigh Ride” – The Ronettes

15)                  “Stray Cat Blues” – The Rolling Stones

16)                  “Texas” (score)

17)                  “Markham” (score)

18)                  “A House With Love In It” – Nat King Cole

19)                  “Joy Theme” (score)

20)                  “I Feel Free” – Brittany Howard

21)                  “I Feel Free” (Bonus Track) – Brittany Howard

More information on this and other titles available from ABKCO Records is available online now at:

 

Website: http://www.abkco.com

Facebook: http://www.facebook.com/abkco

Twitter: http://twitter.com/abkco

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

StarVista, Time Life Announce Release Date, Specs For The Wonder Years Season 2

Courtesy: StarVista Entertainment/Time Life Entertainment

Courtesy: StarVista Entertainment/Time Life Entertainment

Kevin, Paul, Winnie and the rest of the characters from ABC’s beloved classic drama The Wonder Years are coming back.

StarVista Entertainment announced Monday that it will release the complete second season of The Wonder Years on DVD on Tuesday, February 3rd, 2015. The series’ second season consists of seventeen half-hour episodes spread across four discs. Also included in the upcoming second season set are a number of bonuses for fans. There are also more than four dozen classic songs from artists such as: Bob Dylan, Carol King, Aretha Franklin, The Temptations, Cream, Bing Crosby, Joni Mitchell, Simon & Garfunkel, Traffic, Diana Ross and the Supremes, James Taylor, Nat King Cole, The Miracles, Judy Collins, Donovan, and a number of others. The full list of songs and artists featured in season Two is noted below.

“Heart of Darkness”

  • You Make Me Feel So Young
  • Sunshine of Your Love-Cream

“Our Miss White”

  • Just My Imagination (Running Away with Me)-The Temptations
  • The Times They Are A-Changin’-Bob Dylan

“Christmas”

  • Jingle Bell Rock-Instrumental
  • White Christmas-Bing Crosby
  • River-Joni Mitchell
  • Have Yourself A Merry Little Christmas-Instrumental

“Steady as She Goes”

  • Yellow Bird-On-Screen Character Performance
  • Somewhere-On-Screen Character Performance
  • Ooo Baby Baby-The Miracles
  • The Thrill Is Gone-B.B. King
  • Will You Love Me Tomorrow-Carole King

“Just between Me and You and Kirk and Paul and Carla and Becky”

  • I Am a Rock-Simon & Garfunkel
  • Someday We’ll Be Together-Diana Ross and the Supremes
  • Some Enchanted Evening-On-Screen Character Performance

“Pottery Will Get You Nowhere”

  • It’s Not Unusual
  • When I Fall in Love-Nat King Cole

“Hiroshima, Mon Frère”

  • Wild Thing-The Troggs
  • Brother, Brother-Carole King

“Loosiers”

  • You’ve Got a Friend-James Taylor
  • Sweet Georgia Brown-Brother Bones

“Walk Out”

  • I’m Your Hoochie Coochie Man-Muddy Waters
  • The Tracks of My Tears-The Miracles
  • I-Feel-Like-I’m-Fixin’-to-Die-Rag-Country Joe and the Fish
  • Give Peace A Chance-On-Screen Character Performance

“Nemesis”

  • My Girl-The Temptations
  • Theme from The Good, The Bad & The Ugly

“Fate”

  • Born under a Bad Sign-Cream
  • Respect-Aretha Franklin

“Birthday Boy”

  • Happy, Happy Birthday Baby-The Tune Weavers
  • Bookends-Simon & Garfunkel
  • Yummy, Yummy, Yummy-On-Screen Character Performance
  • Hava Nagila-Karmon Israeli Singers

“Brightwing”

  • Subterranean Homesick Blues-Bob Dylan
  • In-A-Gadda-Da-Vida-Iron Butterfly
  • You Can All Join In-Traffic
  • Catch the Wind-Donovan

“Square Dance”

  • Star Flicker-Houston Ramblers
  • Turkey In The Straw-Ralph Pierce
  • Comin’ round the Mountain-The Sundowners Band

“Whose Woods Are These?”

  • Happy Days Are Here Again-The Banjo Barons
  • In My Life-Judy Collins

“How I’m Spending My Summer Vacation”

  • The Theme from “A Summer Place”-Percy Faith and His Orchestra
  • Smoke Gets in Your Eyes-The Platters
  • Never on Sunday-The Chordettes
  • I Only Have Eyes for You-The Flamingos
  • La Vie En Rose-Edith Piaf
  • Scarborough Fair/Canticle-Simon & Garfunkel

The second season of The Wonder Years sees Kevin, his friends, and his family all grow together as throughout all of the turmoil of the age. Kevin’s personal growth comes as he starts standing up to his older brother Wayne (Jason Hervey) and as he takes part in a class walkout to protest the Vietnam War. He, Paul (Josh Saviano), and Winnie (Danica McKellar) also fight to stop developers from plowing over Harper Woods, where the trio shared many of their favorite childhood memories.

The bonus materials included on the upcoming Season 2 box set are noted below.

BONUS FEATURES 

  • School Days: Roundtable with Danica McKellar, Fred Savage and Josh Saviano
  • Featurette: The Times They Are A-Changin’: The Era
  • Interviews with: Dan Lauria (Jack Arnold), Alley Mills (Norma Arnold), Daniel Stern (Narrator)

The Wonder Years: Season Two will retail for MSRP of $39.95. More information on the box set’s upcoming release and other titles from Star Vista Entertainment and Time Life Entertainment is available online at:

Website: http://timelife.com

Facebook: http://www.facebook.com/TimeLifeUs

Twitter: http://twitter.com/TimeLifeUS

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Zodiac’s “Sonic Child” Is Another One Of 2014’s Most Surprisingly Enjoyable Pure Rock Records

Courtesy:  Prosthetic Records/Napalm Records

Courtesy: Prosthetic Records/Napalm Records

When Prosthetic Records added Zodiac to its roster two years ago, it went without saying that doing so was something of a gamble for the label.  It was such a gamble because much like Century Media, Metal Blade, Roadrunner, and others, Prosthetic is known more for the “extreme metal” bands that make up its roster than for the likes of the Munster, Germany-based band.  That’s not to say that Prosthetic sticks primarily to that more extreme sound.  Acts such as Niacin and Felix Martin both stand out among Prosthetic’s other acts.  Zodiac however has become the label’s most commercially viable band since Lamb of God was signed on with the company.  Zodiac’s mix of blues-based and neo-stoner rock has helped the band to stand out among its label mates ever since the release of its 2012 Prosthetic Records debut A Bit of Devil.  Now with its third full-length studio effort, Zodiac has one again set itself apart from its label mates and grown just as much musically.  From the slow blues-based opener ‘A Penny & A Dead Horse’ to the more up-tempo neo stoner rocker that is ‘Holding On’ to the equally catchy closer ‘Swinging on the Run,’ this record proves to have not one bad moment.  It proves to be one of the year’s most surprisingly enjoyable rock records and one that any rock purist should hear at least once.

Sonc Child, Zodiac’s third full-length studio effort, is by and large the band’s best work to date.  With its mix of blues-based and neo-stoner rock sounds, this record proves to be one that every rock purist should hear at least once.  Right off the top, the band grabs listeners without really trying in the album’s opener ‘A Penny and a Dead Horse.’  The twelve-bar blues churned out in the song’s “A” section conjures thoughts of Robert Johnson, Mississippi John Hurt, and so many of the forefathers of the blues.  Anyone that is a fan of Fireball Ministry, Black Stone Cherry, and other bands of that ilk will enjoy the more straight forward neo-stoner rock sound of the song’s “B” and “C” sections.  Lyrically, the song is just as enjoyable.  Vocalist Nick van Delft sings about an unnamed woman that has left a man, and left him with basically nothing.  Thus the song’s title.  van Delft sings of the woman, “Oh, woman/Where have you gone with that/Pot of gold/Oh, woman/Where have you gone/You had to leave me/Before the break of dawn/Somebody been haunting you/Somebody run you down/Over the yonder/Beyond the fields/Someone call your name/Oh, woman/Where have you gone/Sweet darlin’/You left me to die alone/With a penny and a dead horse.”  van Delft paints such a vivid picture thanks to the way in which he sings these lines.  The gradual tempo increase as the song progresses makes that picture just as vivid.  The picture goes from a man sitting alone in the darkness, perhaps drinking from a bottle of cheap whiskey to someone who feels something stronger as he and his band mates sing, “So long, so long” in the chorus.  The song’s final strains exhibit perhaps the man’s collapse.  This is of course just this critic’s own interpretation on the song.  Audiences can check out the song’s official video online now at the Prosthetic Records website at http://store.prostheticrecords.com/products/531769-zodiac-sonic-child-cd.  While there, audiences can also order Sonic Child, which was just recently released at the end of September.

‘A Penny & A Dead Horse’ is a wonderful addition to Sonic Child. It is also just one excellent example of what makes this album such a surprisingly enjoyable record.  ‘Holding On’ is another solid example of why this record proves to be such a surprisingly enjoyable rock record.  Where the album’s opener almost tells its own story, ‘Holding On’ is more of a straight-forward rock song.  It harkens back to rock and roll’s golden era much like Black Stone Cherry, Fireball Ministry, and others of that ilk.  van Delft sings against drummer Janosch Rathmer’s solid timekeeping and fellow guitarist Stephen Gall’s own work, “What is the point of your life/Your life/All covered up in those eyes/Those eyes/So now free mind/You’re one of a kind/Take a hold of the good things/And give sight to the blind/Tell me the one thing you see/Tell me the one thing you know/Show me the one thing you live for/Holding on.”  This set against the song’s opening verse in which van Delft sings, “Time keeps on ticking/Revealing your patience/It’s only a matter of self-defense/Eager to please/Your only disease/It’s just the weight on your mind/A day of your life/A step on your way to return” makes the song especially interesting.  There is a seeming message about each one of us having a meaning in life and it being just a matter of finding that meaning.  Again, that could be completely wrong.  Hopefully it is right, though.  Regardless, the very fact that it could lead to such deep thought serves to make this song all the more enjoyable.  The guitar solo in the song’s final movement adds even more enjoyment to the whole work.  Between that impressive guitar work, the deep, thoughtful lyrics and the overall talent displayed here, ‘Holding On’ shows again why any rock and roll purist should give this record at least one listen.

Zodiac shows throughout the course of its latest full-length release why this record is just as good as any album released by its bigger-named counterparts.  That is evidenced in the songs previously noted here.  From its more blues-tinged rock to its more neo-stoner sound, there is not one moment that disappoints on this record.  There is almost something of a more modern rock and roll influence in the album’s closer ‘Swinging on the Run.’  Much like the album’s opener and other tracks on this disc, ‘Swinging on the Run’ is not one for anyone with a short attention span.  This track clocks in at just over six minutes.  It’s not the album’s longest work.  that honor belongs to the aptly titled ‘Rock Bottom Blues.’  That song comes in at just over the nine minute mark.  And anyone that is a fan of the likes of The Allman Brothers Band will especially enjoy this piece with its smoky, old school blues-rock sound.  Getting back to ‘Swinging on the Run,’ audiences can clearly hear influences from the likes of The Allman Brothers Band, Cream, The Doobie Brothers, and so many others that have come before as the song progresses.  It shows a good song doesn’t necessarily always need lyrics to be enjoyable.  that being the case, it makes perfect sense why it was chosen as the band’s final statement on this record.  It leaves audiences knowing that they have experienced something very special.  It leaves listeners knowing that along with those tracks noted here, and the remaining seven not noted, they have in Sonic Child an album that is just as deserving of respect from rock purists as any album released by the band’s more well-known counterparts.  And given the right support from listeners and radio programmers alike, it could become just as big a record as those released by said bands.

Sonic Child is available now in stores and online.  It can be ordered direct from the Prosthetic Records online store at http://store.prostheticrecords.com/products/531769-zodiac-sonic-child-cd.  More information on Sonic Child and all of the latest updates from Zodiac is available online at:

Website: http://www.zodiac-rock.com

Facebook: http://www.facebook.com/Zodiac.Rock

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.