Collie, Country Fans Alike Will Appreciate ‘Alive At Brushy Mountain State Penitentiary’ Re-Issue

Courtesy: 101 Ranch Records

Courtesy: 101 Ranch Records

Late this past October, 101 Ranch Records re-issued country artist Mark Collie’s 2012 live recording Alive at Brushy Mountain State Penitentiary on CD. The recording, originally released in 2012 is an important piece of the singer’s catalogue.  That is because it is a recording that almost didn’t happen as is pointed out in the recording’s companion booklet.  The booklet, by the way, is the recording’s key element.  That is rare for a live recording and will be discussed shortly.  The show’s set list, by connection, is just as important to discuss as the recording’s companion booklet.  The band’s performance of the show’s set list rounds out its most important elements.  Each element is important in its own right to the recording’s presentation.  All things considered, Alive at Brushy Mountain State Penitentiary is a piece that Mark Collie’s fans will appreciate just as much as country music fans.

Eagle Rock Entertainment’s recent re-issue of Mark Collie’s Alive at Brushy Mount State Penitentiary is a work that Mark Collie’s fans and country music fans alike will appreciate.  That statement is supported primarily through the recording’s companion booklet.  It is pretty rare for a live recording’s companion booklet to take precedence over its set list or even the band’s performance of said set list.  But this recording proves that a recording’s booklet can be its most important element.  The booklet is so important because of the history lesson that it presents.  It reveals the set list, save for just one song—‘Rose Covered Garden’—was new material at the time of the concert’s recording.  Speaking of the concert’s original recording, audiences will learn through the booklet that the concert was originally recorded on October 17, 2001 and it almost didn’t see the light of day. That was due to legal reasons.  But luckily it did finally see release in 2012 through an independent source.  That’s just some of the important material presented in the recording’s companion booklet.  Audiences will also be interested to learn that it was Johnny Cash’s Folsom Prison performance that influenced Collie to eventually hold his performance at Brushy Mountain State Penitentiary.  There is also a relatively in-depth history of the prison itself, including the revelation that it once held James Earl Ray, the man responsible for the death of Martin Luther King, Jr., and in The Silence of the Lambs, it was the prison that held the story’s villainous antagonist, Hannibal Lecter.  This and so much more presented throughout the booklet proves why it is so important to the overall presentation of Alive at Brushy Mountain State Penitentiary.  Whether one is a seasoned Mark Collie fan or new to the veteran musician’s work, it is highly recommended that audiences in general read through the recording’s companion booklet before even taking in the concert itself.

Alive at Bushy Mountain State Penitentiary’s companion booklet is clearly an important piece of the recording’s overall presentation.  Regardless of audiences’ familiarity with Collie’s body of work, it is recommended that every listener read through the recording’s companion booklet before taking in the concert.  It is that important to the recording’s overall presentation.  While the recording’s booklet is highly important to the whole of Live at Bushy Mountain State Penitentiary, it is not the recording’s only important element.  The set list is important in its own right to the recording’s presentation.  It has already been noted that the material presented in this concert was largely original save for just two of its songs.  Those songs are ‘Rose Covered Garden’ and the group’s cover of Johnny Cash’s ‘Folsom Prison Blues.’  That is extremely important considering that the show’s “new” songs were not included in any of Collie’s prior recordings or recordings put out since.  ‘Rose Covered Garden’ was included in one of Collie’s previous albums while ‘Folsom Prison Blues’ is one of Johnny Cash’s songs, and audiences won’t find it on any of Collie’s previous albums, just as with the “new”  songs.  That makes this set list extremely special.  That’s just part of what makes the set list so important to note.  Audiences will also be surprised to learn through the concert’s interludes that at least one of the songs included in the set was written by one of the inmates housed at the prison at the time of the concert.  It is impressive to learn that Collie would show such interest in his audience as to put one of their songs on display.  As simple of an action as it was, it was an action that had to have meant a lot to that inmate and the others.  It’s the type of action that can truly establish a connection between performer and audience.  No doubt it did just that and more.  Taking into consideration the largely original set list and that Collie and company would even use one of the inmates’ songs for the set, it becomes fully clear why the recording’s set list is just as important to note as its booklet.  It is just one more item that makes this recording shine, too.  The band’s performance of the set list rounds out the recording’s most important elements.

Both the companion booklet included in Alive at Brushy Mountain State Penitentiary and the recording’s set list are key to the recording’s presentation in their own right.  The booklet is key as it presents an in-depth introduction to the concert and the prison.  The set list is important to the recording because save for just one of its songs, none of its songs are presented in any of Collie’s previous studio recordings.  They haven’t been included in any recording since.  It even includes at least one song crafted by one of the inmates housed at the prison at the time of the concert.  Both of the elements noted within the show’s set list makes it just as important as the recording’s booklet to the concert’s overall presentation in its new re-issue.  While both elements are clearly important in their own right to the recording, they are not its only important elements.  The band’s performance of the set list is important in its own right.  The concert is currently available only on CD, but the band’s performance is so easy to visualize because it feels so genuine.  Between the group’s performance of the song’s and Collie’s rapport with the inmates, the whole performance feels so genuine.  At one point, he even jokes with the inmates about something he’s drinking not tasting like a certain kind of beverage.  What kind will be left for audiences to discover for themselves.  It is a wonderfully entertaining moment, though.  The group’s performance of ‘On The Day I Die’ is another example of what makes the groups performance so powerful.  This song comes across in such a heartfelt manner that it will bring tears to any listener’s eyes.  It is that moving.  It’s one of those performances that absolutely must be experienced for one’s self in order to fully understand and appreciate the emotion in the performance.  Of course one can’t ignore the group’s take on Johnny Cash’s famed ‘Folsom Prison Blues.’  One can’t help but wonder what Mr. Cash might have thought if he were to have had the opportunity to hear the group’s take on the performance.  It likely would have made him proud.  It is that solid, even being played at a different prison.  Between these moments and so many others, throughout the concert, it is clear that the group’s performance (both in terms of the songs and in terms of its interaction with the inmates) completely entertained the inmates and the guards.  It will entertain listeners just as much, too.  When it is set alongside the show’s set list and its companion booklet (and even the liner notes printed inside the case), the whole of this recording proves to be an outstanding recording.  If it had been a new release, it would have made this critic’s list of the year’s top new live recordings.  Even being a re-issue, it is still a recording that country fans across the board will appreciate regardless of their familiarity with Collie’s body of work.

Mark Collie’s recently re-issued live recording Alive at Brushy Mountain State Penitentiary is not a new offering from the veteran country musician.  That aside, it is still a work that country music fans across the board will appreciate.  This is regardless of audiences’ familiarity with Collie’s body of work.  That is thanks in large part to the liner notes and booklet included with the recording.  The information provided through the liner notes and booklet create a wonderful, in-depth introduction to the concert and its historical significance.  The set list itself is important to the recording’s presentation, too.  That is because it is the only place—save for just two of the show’s songs—that audiences will find the “new” featured songs.  ‘Rose Covered Garden’ is available on one of Collie’s previous albums and ‘Folsom Prison Blues’ has been included in a number of Johnny Cash recordings ever since its original release.  But the set’s other songs cannot be found on any of Collie’s other recordings.  This shows, again, why the show’s set list is so important.  It is still not the last of the recording’s most important elements, either.  The group’s performance here is just as important to note as the other noted elements.  The concert is currently only available on CD.  But even on CD, the group’s connection with the inmates is so clear.  That is made clear through the passion put into each song’s performance.  The connection that Collie makes during the concert’s interludes is just as important to note in the group’s performance.  Audiences will be able to tell just as easily as the inmates Collie’s genuine interaction.  It gives the show even more of a special touch.  When this is joined with the rest of the group’s performance, the show’s set list and the concert’s provided historical background, the whole of this concert makes it a concert that Collie’s fans will appreciate just as much as any country music fan in general.  It is available now in stores and online.  More information on Alive at Brushy Mount State Penitentiary online now along with all of Mark Collie’s latest news and more at:

 

 

 

Website: http://markcollie.com

Facebook: http://www.facebook.com/markcollieofficial

Twitter: http://twitter.com/TheMarkCollie

 

 

 

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ESPN NASCAR Coverage Continues With Special Interview

Courtesy:  ESPN

Courtesy: ESPN

ESPN’s team of Dale Jarrett, Andy Petree, and Allen Bestwick sat down with Julie Sobieski (ESPN VP – Programming & Acquisitions) and Rich Feinberg (ESPN VP – Motorsports, Production) during Wednesday’s media Day at Daytona International Speedway to discuss ESPN’s past, present and future with NASCAR, as well as other topics.  Included here is a full transcript of the group’s discussion courtesy of ESPN and NASCAR.  Thank you to both companies for allowing this transcript to be posted.  Enjoy!

 

JULIE SOBIESKI: There’s a tremendous buzz and excitement for the start of the season and for ESPN, we’re really thrilled to be a part of it this year, as we were six years ago, getting back into the sport, and as we’ve been for over the last 20 plus years as an integral part of the NASCAR sport.

 

The value to ESPN still starts with the great racing on the track and the drivers themselves, but as a media company, for us it now extends far beyond the telecast of the races themselves, across our multitude of platforms, from news and information to ESPN.com and ESPN Mobile, ESPN W initiative that we have.  The new women’s initiative is now actively following the story with Danica and also with Johanna Long, ESPN Radio and ESPN Magazine.  We’re just thrilled with all the buzz and excitement heading into this weekend and happy to be here.

 

RICH FEINBERG:  As always, it’s a privilege for our production team to be here in Daytona.  It’s a special place for a lot of people, and that includes every one of us.

 

Really it’s been a short 13 week off season for us as it has been for many of you, where Brad K won his first championship in Homestead, as well as Roger Penske winning his first Sprint Cup championship, that was an exciting time for us and our team to broadcast to all race fans and ESPN fans.

 

Over the past 13 weeks, our team has been working hard to make all our plans for the 2013 season.  Delighted that our entire talent group will be returning again this year, the same group that we’ve had last year, and that includes Carl Edwards will be joining us as a booth analyst for several Nationwide races throughout the season.  We’re delighted to have Carl with us.

 

NASCAR and ESPN continues to be an important partnership for our company and our weekly productions of both the Nationwide Series and the Sprint Cup Series are by far the largest technical productions our company does on any sport that we cover.  We’re proud to take on that challenge, and we think that our efforts manifest itself on the air quite well.

 

We kick it all off this Saturday at noon with ESPN coverage of the Nationwide race.  As many of you know, last year’s Nationwide race here at Daytona was a great start to our season, and in fact it was the most viewed Nationwide race ever on cable television, delivering over 4.4 million viewers, so we hope that we will continue that energy going into 2013. We’re really looking forward to the season, and thank you all for being here.

 

Q. Allen Bestwick, there’s been a lot of talk during the winter with all the announcements about who’s competing in the Nationwide Series, about what a stacked field it is, what are your thoughts on that?

 

ALLEN BESTWICK:  I know everyone’s attention has been focused on the Gen 6 car and everything that’s been going on in the Sprint Cup Series, but we had a conversation on Tuesday as we got ready to come down here thinking about the Nationwide Series and what are the stories.  And my two partners here, one of them, Andy (Petree), said, you know, really this is shaping up to be the best season ever for the Nationwide Series, and Dale (Jarrett) jumped in and said, and I think this is shaping up to be the best ever Nationwide race at Daytona.

 

Now, think about their history at this race and in this sport, and they’re not prone to overstatement.  So for them to say this could be the best season ever for the Nationwide Series ever, and this could be the best Daytona race ever for the Nationwide Series, in my admittedly somewhat sleepy mode with our morning conference call, I sat up and said, whoa, that’s a big deal, and I look forward to seeing how it all plays out.

 

Q. For Andy, along those lines, the rules differences between the Nationwide Series and the Sprint Cup Series.  Can you talk a little bit about how the races are going to be so different?

 

ANDY PETREE:  Yeah, this race here at Daytona I think for the Nationwide Series is going to be a lot different than what we’re going to see on Sunday.  I think it’s going to be a lot like what we saw last year with the Nationwide cars, a lot of pushing, a lot of tandem drafting, the finish was incredible last year, let’s hope it’s not quite that incredible with so many cars getting tore up.  But that’s what you’re going to see in the Nationwide race, you’re going to see a lot of that, and I think you’re going to see a whole different style of drafting on Sunday with the new Gen 6 car, so I think the fans are going to be a lot of variety this weekend, a lot of different style of racing.

 

This is my seventh season now with ESPN, and like Allen said, I think it really does have the potential to be the best Nationwide season we’ve ever seen, and I’m really excited to cover it.  I always get excited for Daytona, and I can’t wait for Saturday.

 

MODERATOR: Both Andy and Dale Jarrett have 20 year anniversaries going on.  This is the 20th anniversary of Dale’s first of three Daytona 500 wins.  He won the ’93 race for Joe Gibbs Racing and Andy was the crew chief of the car that he passed right at the end with Dale Earnhardt, and he’s still sore about that.  And also this is the 20th anniversary of the first Sprint Cup championship that Andy won as a crew chief with Dale Earnhardt.  And one more for Dale Jarrett, this is five years since he drove his last Daytona 500 in ’08, so a lot going on for you, Dale.

 

DALE JARRETT:  Yeah, there is a lot going on, but just glad to be back here and a lot of exciting things happening and going on.  We are excited about the Nationwide Series.  As you look at the lineup, it’s just incredible to think what it could come down to whenever we get back to Florida in November as to the championship battle that we may be seeing.  But it’s all going to start here Saturday, and I do believe that we have potential to see something maybe that we haven’t seen before.  We kind of saw that last year, and I don’t know what you do to top that with the guy running 11th coming out of Turn 4 wins the race, but I think the potential is there to be even more exciting, so really looking forward to that, and it’s been nice, kind of reliving that 20 years ago that it happened with Joe Gibbs Racing, Andy not so much maybe, but it was a very, very special day, and this has been tremendously successful place and proud place for the Jarrett family over the years, and just glad to be back here.

 

 

Q.  For Rich, how many races do you think Carl is going to be doing, and what makes Carl what do you like about him in the booth?

 

RICH FEINBERG:  Right now looks to be about three.  We’re still kind of finalizing the schedule, and it’s one of those things that evolves as the season goes on.  Obviously his priority is competition.  What I like about him is the currency.  He’s currently racing in the series and is a competitor on the track, and the ability to speak to that in real time to our viewers as a driver as well as the charisma that I think he brings to the screen is something that we value in our telecast.

 

Q.  But you don’t know which three yet?

 

RICH FEINBERG:  We’re still working on that.

 

Q.  And for Andy or Dale or anybody, what’s going to make this Nationwide season so good?  What guys are you looking at?

 

ANDY PETREE:  Well, I think the championship battle in particular you’ve got Regan Smith that’s coming over to JR Motorsports.  We saw what he could do in the last racer at Homestead.  I expect him to be a really tough competitor for the championship.  We’ve got Travis Pastrana that’s going to run.  We’ve got so many different storylines.  I just think we’ve got a lot of strength out there.  You’ve got Elliott Sadler now with Gibbs, still hungry to win that championship.  I just think we’re going to see a really great championship battle.

 

DALE JARRETT:  You’ve got Vickers over there at Gibbs.  You’ve got Austin Dillon obviously last year showed he could be a part of that championship battle.  Kyle Larson is coming in and nothing but good things being said about him, really looking forward to watching him move along here and seeing that progress.

 

The last few years the championship battle has been good between Stenhouse and Sadler, but I think we’re going to see a lot more company up front, and that always is more exciting.

 

Q.  Dale, I’m sure you’re aware that all three winners over here crashed somebody on the last lap without penalty.  Does that send a message to Nationwide drivers and Cup drivers and Truck drivers that last lap, white flag, anything goes, if they can do it over there, why can’t we do it?

 

DALE JARRETT:  Well, I don’t know about how NASCAR will view that, and as a driver, I don’t know that you just take something that you see out there and say    I think it’s kind of how you grew up and the situation that you’re in.  Trying to do that on the two and a half mile racetrack here obviously creates a lot more danger than doing it back there on four tenths of a mile track at the speeds that they were running.  I think you have to pick and choose that.

 

But I think NASCAR over the last few years has kind of opened that up.  I’m not going to steal Robin’s line, let the boys have at it or whatever, but I think that they’ve opened it up to where they like that aggression.  That’s what got this sport where it is.  I’m not saying that what took place back there was all okay.  And I think that sometimes there’s ways of doing it without it being so noticeable, but I think that it’s    that that opportunity is out there, but you’re putting yourself in a position.

 

I think that there’s a lot that NASCAR will let go by, but you’re also putting yourself in a position for them to make a call, and sometimes that call will go for you and you have to be willing to accept the penalty if it does come down.

 

Q.  For Rich, how closely are you watching this track drying apparatus be developed, and how big a deal is it for TV to get back to racing quicker?

 

RICH FEINBERG:  I’ve seen the equipment, but I haven’t really been involved or been asked my opinion about it.  From a broadcasting and production point of view, it’s really amazing how long NASCAR fans will stay with a telecast during a rain delay.  Obviously less rain delays and more competition on the track is what fans want to see.

 

But it’s always amazed me, I think back maybe 15, 16 years ago when there were extensive rain delays, our network would go to standby programming, perhaps a race from the week before or the race from the year before, and what we hear from the audiences these days is they don’t want that, they want continuing live coverage.  We get tremendous cooperation from the teams, the drivers, from NASCAR, and the access is unbelievable in this sport.  So it does give us a chance to sort of dive deeper into stories and talk to the drivers more and offer their thoughts.  But at the end of the day, if the track drying process can be expedited and we can get back to competition quicker, we know that’s what the fans want to see.

 

DALE JARRETT:  I think our pit reporters and probably pit studio will be glad that it’s going to happen a little quicker, although they do a terrific job.

 

Q.  Dale and Andy, as former driver, former crew chief, former car owner, what’s the conversation like tomorrow, the gamble versus going all out and try to win the thing?

 

ANDY PETREE:  Well, I’ll speak from a crew chief/car owner’s point of view, I’ve never put a car on the racetrack that I didn’t want to go win, no matter what.  That would be my mindset is to go win that 150 mile race, and everything else takes care of itself.  Now, there is going to be some risk to do that it looks like.  I still want to go win.  There’s good cars in the truck; I’m sure you can win from the back, and starting on the front row is kind of nice.  You don’t lose the prestige of actually qualifying on the front by having to go to a backup car, but it does make your job Sunday a little tougher, but I’ve never put a car out there that I didn’t go try to win.

DALE JARRETT:  The great thing is for Danica and that team for three days they’ve had the wonderful opportunity to talk about being the fastest car here and her the fastest driver.  It’s been a great thing for our sport.  Now comes the issues with that very same thing that got you there and got you all of this attention is how do you handle this.  It would be a real letdown if something were to happen.  But these cars are difficult to drive here, and the drivers that I’ve talked to    but with the limited experience that she has, she needs to be out there practicing today, and she needs to run in the race on Thursday as much as she can, and if something should happen, then they’ll just have to deal with that.  They still know they won the pole and they had the fastest car.  She needs the experience out there in race conditions as much as she possibly can to get herself ready for Sunday, to get the best finish and opportunity to get herself in the best position.

 

As much drafting as she probably, she has a lot of experience in stock cars here and was really showing a lot of potential here, but these cars drive so differently by what these drivers are telling me that there’s a lot more for her to kind of learn now, unlearn some of the things that she did learn there, and get with what it takes to drive this Gen 6 car and be fast.  They’ve just got to throw that aside.  They won the pole, they were the fastest car, they built the fastest car, now they’ve got to get her ready to race on Sunday.

 

Q.  For Andy, as a former car owner, years ago the Nationwide Series financially, the teams were in a lot of trouble, but as you said, you pointed out the number of drivers, the number of farm teams for the Cup teams, the standalone teams, what’s changed, and especially in a time of economic distress for the Cup teams?  Why is this field so full from an economic standpoint?

 

ANDY PETREE:  Well, you’re probably digging into it a little deeper than I have.  I don’t really know.  I don’t have a good answer for that.  But I know the economics are different in the Nationwide Series than they are in the Cup Series.  There might be some sponsors out there, a lot of sponsors that maybe can participate at that level, and it’s a high level in the Nationwide Series where it wouldn’t necessarily be gnat Sprint Cup Series.

 

Maybe that’s some of it.  We’ve got great talent that has kind of found themselves out in the Sprint Cup garage, like Regan Smith.  He’s a great talent.  Now he’s over here in the Nationwide Series.  That’s good for the Nationwide Series.  I don’t really have a good answer for the economics of it.  Maybe it’s a sign of good times to come.

 

Q.  Julie, what’s ESPN’s position on renegotiating the television contracts with NASCAR?

 

JULIE SOBIESKI:  Well, I said in my opening statement, we have a long history with this sport.  We’re certainly interested in continuing our relationship with NASCAR.  There’s no secret we want to continue that conversation with these guys.  We still have two years left of the deal that we’re in now.  Our negotiating window doesn’t begin until later this year.  So right now we’re excited about the start of the season and we’re putting all of our efforts toward that.

 

Q.  I know there’s three television partners.  Would you want to pick up that middle section of six races?

 

JULIE SOBIESKI:  I think right now our opportunity is to look at the package that we have now, and that’s the conversation that’s looking in front of us.  Depending on how that conversation goes, there’s certainly lots of different ways to have discussions.  We don’t know what NASCAR’s interests are, but right now we’re looking at that for the first conversation that we have.

 

Q.  And then the second question is about the ratings, particularly the Chase ratings.  I figure that finale probably was disappointing considering it was a good championship race, so the ratings effort was disappointing considering it was a great race and you had a great new champion.  What does ESPN want to see happen coming off the year before when you had the big impressive number and the great Chase?

 

JULIE SOBIESKI:  I mean, certainly back in 2011, that was a huge number for us, and the stars perfectly aligned for that number to sort of come together.  I think we all want the ratings to be bigger and better on any sport, on any given occasion.  We’re never satisfied, and I don’t think NASCAR ever is, either.  But the ratings are still extremely strong week in and week out, particularly at that time of year with a tremendous amount of competition.  Brad is a great champion, and we think he’s going to continue to serve in that role all year.  We think there’s going to be another great championship battle, but there’s been several great battles now over the last few years.  We’re looking forward to that continuing.  Competition on the track ultimately is what gets people interested and star power and storylines that transcend sport, and we’re looking at one of those right now with Danica leading CNN and The Today Show and others.  I mean, we couldn’t be asking for more now.  We just have to hope for a fantastic race on Sunday, and the season will take care of itself.

 

Q.  Julie, you guys have not started negotiations with NASCAR yet; is that fair?

 

JULIE SOBIESKI:  Yeah, we’re always in conversations with NASCAR.  We’ve been in conversations with them since the day we started our relationship, but our formal window has not begun.

 

Q.  The scuttlebutt is that you and NBC are kind of the ones being talked about for the remainder of the schedule after the FOX block.  Would it make sense for ESPN maybe to move up a little bit and do like the midseason range versus the late season range because you guys have so much stuff in late season, and do you feel as if the Nationwide Series and the job you’ve done there, does that give you some leverage with NASCAR to say, hey, you can keep that platform there and we’ll take whatever chunk you want to give us for Cup?

 

JULIE SOBIESKI:  I’m going to let you do the speculating.  Like I said, we’re happy with the relationship that we have with NASCAR.  We want to continue those conversations.  Carving up a package is not necessarily our role.  We’re going to have discussions with NASCAR over the year and as we get closer, Nationwide is a fantastic property.  It’s very strong.  The ratings have been strong since the moment we got it and it continues to get stronger, and everything that our great hosts and analysts here have said about this season continues to make it that much stronger, but so is the Cup Series.  And so we’re going to look at this as one large discussion that extends across all of our platforms, and we’ll have that discussion with NASCAR outside of the press.

 

Q.  Andy, Danica obviously has a lot to learn here over the next week or so, but she’s got a team made up of a lot of guys who have won a lot of races, guys who have won Daytona 500s.  In terms of being one thing she doesn’t have to worry about, how big of a comfort do you think that is?

 

ANDY PETREE:  I think that’s a comfort, that she’s got a great team and team owner, all those good people around her, and I think every driver in the garage is trying to help her.  But she’s got more experience here than any other track that she’s raced at in a stock car.  I think it’s going to serve her well.  Nobody has more experience in this Gen 6 car than she does, and everybody has got to learn how to handle it, and this next practice is going to tell a lot about that.

 

But I think she’s got a big advantage here.  I think this is one of her best tracks to really shine and to have a legitimate shot at winning.  I think to say she’s a favorite, I wouldn’t say that, but she is on the pole, she’s got a chance to win.  And I think she’s got a chance just like anybody, but I think this is probably her best track to do that.

 

Q.  Julie, as far as the Nationwide Series goes, what is the challenge of trying to juggle schedules with a series on four networks throughout the year, and then Andy, can you talk about Tony Gibson and where you think his strengths are and why you think he might be successful with Danica?

 

JULIE SOBIESKI:  I think to start with the juggling, we’re fortunate enough at ESPN to have multiple platforms to carry our programming.  I don’t look at that as a disadvantage, I look at that as a strong advantage for us to be able to do that.

 

ANDY PETREE:  You’re talking about Tony Gibson, and I’m a big fan of his.  He’s a real seat of the pants type crew chief, a lot like I was.  I think he’s a great people motivator.  I think he’s got a lot of confidence in Danica’s ability.  He’s had a lot of experience with different drivers, and I think he’s got a lot to bring to the table.  He’s very good technically and just has a way of getting a car right, and I think he’ll do a really good job for Danica.

 

Q.  Andy and Dale, is it difficult for you guys as you become further removed from the car and it has continued to evolve?  How do you stay up on what you would assume the car is doing or what guys are having to do to the cars to make them competitive today?

 

ANDY PETREE:  Well, it’s just the relationships that we have in the garage area.  I’ve got a lot of good friends in there, a lot of guys that have been crew chiefs for a long time and actually a lot of the new guys.  And I’ve tried to stay very involved technically in the cars.

 

In my retirement, after I was a team owner and crew chief, I was building these suspension test rigs for all the Cup teams and Nationwide teams, and almost all of them now have it.  So I’ve been in these shops a lot.  I deal with a lot of the engineering staffs, a lot of the crew chiefs.  I talk to them on a technical level when I’m in the garage area.  It’s my passion.  I really enjoy the cars, so I really stay up on it.

 

I mean, just last year I built one of these modified cars because I wanted to build one.  Never driven one.  I built one, tried to go race it a time or two, and then sold it.  That’s the way I do it.  I really like to be hands on, so I do that some.  But I do stay very connected in the garage.

 

DALE JARRETT:  Yeah, my way is just fortunately I’ve made more friends than enemies from the driver standpoint through my career.  So I can go and call these guys, go to their bus, talk to them.  I try not to bother them too much in the garage area because they’re working there.  But they give me a lot of information there.  And even though the race cars have changed certainly now with this new car in particular, I can understand when they’re telling me something about the cars and get that.  As they’ve changed some of these racetracks, they’re very good to sit down with me and tell me about what used to be the feel and what used to happen at these tracks.  So yeah, I’ve been removed now a little over five years from actually being inside these race cars and these tracks, I still drive my school car some just to have an idea of that.  But that doesn’t give me the idea of what they’re going through, but it is those relationships and friendships that I think help me keep kind of current with that so I can undertand what they’re talking about.  So fortunately these drivers are very good at giving me information and those friendships mean a lot to Andy and I both.

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ESPN Announces Daytona Coverage Schedule

The weather is still cold around most of the country.  But America’s premier racing series is warming up its engines.  NASCAR will return to the track this weekend.  And ESPN will be there with two full weeks of coverage culminating in a broadcast of the NASCAR Nationwide Series season opener on Saturday, February 23rd.  The network’s coverage will span its family of networks, as well as its digital and print outlets.  As an added bonus, the winner of this year’s Daytona 500 will appear on a variety of ESPN telecasts the day after the Sprint Cup Series’ season opener.

Courtesy:  ESPN

Courtesy: ESPN

Courtesy:  ESPN

Courtesy: ESPN

ESPN’s coverage of the Nationwide Series begins with live coverage of Nationwide practice on Thursday, February 21st at 3pm EST and qualifying Friday, February 22nd at 3:30pm EST.  Its broadcast of the season opening 300-mile race live from Daytona International Speedway begins at 12pm EST on February 23rd with the race itself beginning at 1:15pm EST.  The race will be called from the booth by Allen Bestwick.  He will be joined by ESPN analysts Dale Jarrett and Andy Petree.  The pits will be covered by Dave Burns, Jamie Little, Dr. Jerry Punch, and Vince Welch.  The countdown show will be hosted by Nicole Briscoe.  She will be joined by Rusty Wallace, Ray Evernham, and Brad Daughetry.

 

This week and next week will be front loaded with all the coverage that any member of the NASCAR Nation could want.  A complete schedule of coverage across the ESPN family of networks is available below.

ESPN’S 2013 DAYTONA SPEEDWEEKS SCHEDULE

(all times Eastern)

 

Date Time Program Network
Tuesday, Feb. 12 12:30 a.m. NASCAR Now ESPN2
Wednesday, Feb. 13 12:30 a.m. NASCAR Now ESPN2
Thursday, Feb. 14 2 a.m. NASCAR Now ESPN2
Thursday, Feb. 14 Noon NASCAR Now: Media Day Special ESPNEWS
Friday, Feb. 15 Midnight SportsCentury: Dale Earnhardt ESPN Classic
Friday, Feb. 15 1 a.m. 1998 Daytona 500 ESPN Classic
Friday, Feb. 15 1:30 a.m. NASCAR Now ESPN2
Friday, Feb. 15 3 a.m. 3 Nation: The Life & Legacy of Dale Earnhardt ESPN Classic
Friday, Feb. 15 4 a.m. SportsCentury: Dale Earnhardt ESPN Classic
Friday, Feb. 15 5 a.m. 3 Nation: The Life & Legacy of Dale Earnhardt ESPN Classic
Friday, Feb. 15 7 a.m. 1998 Daytona 500 ESPN Classic
Friday, Feb. 15 9 a.m. SportsCentury: Dale Earnhardt ESPN Classic
Saturday, Feb. 16 6 a.m. RaceDay ESPN Radio
Sunday, Feb. 17 6 a.m. RaceDay ESPN Radio
Tuesday, Feb. 19 12:30 a.m. NASCAR Now ESPN2
Wednesday, Feb. 20 12:30 a.m. NASCAR Now ESPN2
Wednesday, Feb. 20 8:30 a.m. SportsCentury: Mario Andretti ESPN Classic
Wednesday, Feb. 20 9:30 a.m. SportsCentury: Tim Flock ESPN Clsssic
Wednesday, Feb. 20 10:30 a.m. SportsCentury: Jeff Gordon ESPN Classic
Wednesday, Feb. 20 11 a.m. 1993 Daytona 500 ESPN Classic
Wednesday, Feb. 20 1 p.m. 2007 Daytona 500 ESPN Classic
Wednesday, Feb. 20 3 p.m. 1997 Daytona 500 ESPN Classic
Wednesday, Feb. 20 5 p.m. 1999 Daytona 500 ESPN Classic
Thursday, Feb. 21 2 a.m. NASCAR Now ESPN2
Thursday, Feb. 21 2:30 a.m. 2013 NASCAR Nationwide Series Preview ESPN2
Thursday, Feb. 21 8 a.m. Tim Richmond: To the Limit ESPN Classic
Thursday, Feb. 21 9 a.m. 3 Nation: The Life & Legacy of Dale Earnhardt ESPN Classic
Thursday, Feb. 21 10 a.m. NASCAR Nationwide Series practice ESPN2
Thursday, Feb. 21 10 a.m. SportsCentury: Dale Earnhardt Jr. ESPN Classic
Thursday, Feb. 21 11 a.m. SportsCentury: Dale Earnhardt ESPN Classic
Thursday, Feb. 21 Noon 1976 Daytona 500 ESPN Classic
Thursday, Feb. 21 1 p.m. 1981 Daytona 500 ESPN Classic
Thursday, Feb. 21 3 p.m. 1983 Daytona 500 ESPN Classic
Thursday, Feb. 21 5 p.m. 1979 Daytona 500 ESPN Classic
Friday, Feb. 22 1:30 a.m. NASCAR Now ESPN2
Friday, Feb. 22 2 a.m. 2013 NASCAR Sprint Cup Series Preview ESPN2
Friday, Feb. 22 7:30 a.m. 1998 Daytona 500 ESPN Classic
Friday, Feb. 22 9:30 a.m. SportsCentury: Tony Stewart ESPN Classic
Friday, Feb. 22 11 a.m. SportsCentury: Richard Petty ESPN Classic
Friday, Feb. 22 Noon 1973 Daytona 500 ESPN Classic
Friday, Feb. 22 1 p.m. 1978 Daytona 500 ESPN Classic
Friday, Feb. 22 2 p.m. 1988 Daytona 500 ESPN Classic
Friday, Feb. 22 3:30 p.m. NASCAR Nationwide Series qualifying ESPN2
Friday, Feb. 22 4 p.m. 1993 Daytona 500 ESPN Classic
Friday, Feb. 22 6 p.m. 1998 Daytona 500 ESPN Classic
Saturday, Feb. 23 1:30 a.m. NASCAR Now ESPN2
Saturday, Feb. 23 6 a.m. RaceDay ESPN Radio
Saturday, Feb. 23 Noon NASCAR Countdown ESPN
Saturday, Feb. 23 1:15 p.m. NASCAR Nationwide Series race, telecast presented by Royal Purple ESPN
Sunday, Feb. 24 2:30 a.m. NASCAR Nationwide Series race (re-air) ESPN2
Sunday, Feb. 24 4 a.m. NASCAR Nationwide Series race ESPN Deportes
Sunday, Feb. 24 6 a.m. RaceDay ESPN Radio
Sunday, Feb. 24 9 a.m. NASCAR Now ESPN2
Monday, Feb. 25 Midnight NASCAR Now ESPN2
Monday, Feb. 25 TBA Daytona 500 winner at ESPN Various outlets

  

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ESPN’s 30 for 30 blu-ray reissue is the best box set of the year

Courtesy: ESPN

ESPN is known as the worldwide leader in sports.  There’s a good reason for that.  The release of the network’s “ESPN Films Volume 1” box set last year is an excellent example of what makes ESPN truly the worldwide leader in sports.  Now with the recent release of the “30 for 30” Limited Edition Collector’s Set on blu-ray, ESPN has proven its reputation even more than ever.  This collection includes all thirty films from the original DVD and blu-ray sets released in 2011, and adds in a nice piece of memorabilia to sweeten the deal.  All together, they make up what is easily the best box set of the year.

ESPN’s “30 for 30” Limited Edition Collector’s set on blu-ray boasts all thirty films from the originally released sets.  Choosing just one film from the set as the best is impossible.  Each viewer will have his or her favorite film from the six disc set.  There are, however, at least a few films that that stand out to this individual as standing out as some of the set’s best.  One of those films jumps into the world of baseball, in “The House of Steinbrenner.”  “The House of Steinbrenner” follows the final days of the old Yankee stadium and the early days of the new stadium.  Along the ride, audiences are given a history on the man who brought the Yankees and their historic stadium to prominence.  The stories shared by players and fans alike of the old Yankee Stadium show a true love of the structure.  It was more a living, breathing museum than just a stadium.  It was a place where cultures crossed and everybody lived in harmony.  That’s because they were all one.  They were all Yankee proud.  The reactions to its final days make the mixed reactions to the new Yankee Stadium that much harder hitting.  The mixed views on Steinbrenner are just as interesting.  One former Yankee player worded it best in saying that in regards to Steinbrenner, “you loved him and hated him in the same breath.”  Interviews with players, fans, journalists, and even Steinbrenner himself give an unexpected view of “The Boss.”  The interviews shared in “The House of Steinbrenner” show a man who understood business and who also understood the fans.  They show that perhaps Steinbrenner’s only true flaw was that he cared too much about his team.

The George Steinbrenner presented in this film was a very shrewd business man.  He was also a devoted fan among fellow fans.  He wanted the team to win.  He wanted it for the fans and for himself.  That inability to ever fully balance business and fandom was ultimately why he was such a polarizing figure.  Despite his bad reputation among countless legions, just as many were and are still devoted to him today.  Love him or hate him, George Steinbrenner has forged not only his legacy, but that of the Yankees, too.  He will never be forgotten for that.  That’s especially the case now, with this incredible film.

George Steinbrenner was polarizing, to say the least.  But he’s not the only figure of such stature featured in the new “30 for 30” blu-ray re-issue.  Another of the interesting figures featured in the set from an entirely different world.  His name is Tim Richmond.  In the film, “Tim Richmond:  To the Limit”, director Rory Karpf follows the life of NASCAR legend Tim Richmond. Richmondwas obviously polarizing.  He was polarizing in that he was the immediate antithesis of NASCAR’s old guard.  He was the rock star of the racing world at that time.  He had an innate ability to drive the wheels off of any race car, both in open wheel or stock car.  He proved that he could have been the future of NASCAR.  Sadly, after being diagnosed with AIDS, his meteoric rise was cut short.  Fans are reminded in this film of the stigma attached to AIDS because of the lack of knowledge surrounding it at that time.  It shows just how far the world has come since then.  Unluckily for him, the world didn’t have that knowledge that people have today.  As a result, viewers learn that he was forced to cover up the illness, in hopes that he’d be able to return to racing one day.  That obviously didn’t happen.

In the time since the passing of Tim Richmond, the reputations of both NASCAR and AIDS victims has greatly changed.  There is no denying that Tim Richmond played at least some role in that change.  And it’s thanks to this film that his role in both the AIDS and NASCAR community will always be remembered.

The films included in the new “30 for 30” blu-ray re-issue focus on many famous figures in sports.  But they also focus on who teams.  And just like George Steinbrenner and Tim Richmond were polarizing figures, so was the SMU football team a polarizing unit.  It was thanks to the Mustangs’ infamous 1987 “death penalty” that the NCAA established the reforms that govern college sports today.  In “Pony Express”, director Thaddeus D. Matula takes viewers into the scandal that rocked the sports world as a whole.  It killed not one, but two of the university’s football seasons in a row.  The film does note that the second dead season was self-imposed by the university.  And it all started thanks to one player.  One might think that by the film’s end, the story’s over.  That’s anything but the truth.  Video footage from ESPN, along with voice snippets, show that even today, universities have either not paid attention to the SMU scandal or have forgotten it.

It is interesting to note that one individual interviewed in this film states that the NCAA would likely never use the “death penalty” again on another team.  But considering that recent number of scandals that have rocked universities across the country, maybe the NCAA should reconsider using it.  After all, it was once said that those who forget the past are doomed to repeat it. 

The documentaries featured in this blu-ray re-issue are just a drop in the bucket of what makes it a great set for any sports fan.  Combined with the remaining films in the set, and the bonus ESPN hat, this new “30 for 30” blu-ray re-issue has easily made itself the best box set of the year.  It can be ordered online now at http://ESPNshop.com.  

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