Delta Rae Announces New Live Dates

Courtesy: Delta Rae/the Valory Music Co.

Delta Rae is announced a new slate of tour dates this week.

The band announced in an email that it will launch the “Take Me There Tour 2019” on March 31, beginning with the Melissa Etheridge cruise.  Following the cruise, the band will return to the mainland for a run that starts Apr. 14 and runs through May 18.  The tour’s schedule is noted below.

Take Me There Tour 2019 – Tickets available at DeltaRae.com

3/31/19 Melissa Etheridge Cruise

4/14/19 Ft. Lauderdale, FL Tortuga Music Festival

5/2/19 Richmond, VA The Broadberry

5/3/19 Philadelphia, PA World Cafe Live

5/4/19 Washington DC 9:30 Club

5/5/19 Newton, NJ Newton Theatre

5/7/19 New York, NY Sony Hall

5/9/19 Boston, MA The Sinclair

5/10/19 Portland, ME Port City Music Hall

5/11/19 Fairfield, CT The Warehouse

5/12/19 Pawling, NY Daryl’s House

5/14/19 Norfolk, VA Boathouse

5/16/19 Asheville, NC Grey Eagle

5/17/19 Charlotte, NC Neighborhood Theatre

5/18/19 Charleston, SC Windjammer

 

Tickets are available now.  VIP packages for the band’s shows in Philadelphia, Washington, D.C., New York, Boston and Charlotte are available now.

The band confirmed in a collective statement issued in its email that new music is forthcoming from the group.

“This is just the start of our epic announcements for 2019,” the band said.  “This year marks 10 years we’ve been a band.  Some of you have been with us from the start and others have just humped in, but all of you are the reason we’ve made it this far.  We know we’ve promised new music for ages, and we know how long you’ve waited.  This spring, we will deliver.  We will take you there.  Let’s go!”

More information on Delta Rae’s upcoming live dates is available online now along with all of its latest news and more at:

 

Website: http://www.deltarae.com

Facebook: http://www.facebook.com/deltarae

Twitter: http://twitter.com/deltarae

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Mike Mangione & The Kin’s New LP “Shines”

Courtesy: RODZINKA Records

Mike Mangione and The Kin is scheduled to release its new album But I’ve Seen the Stars on Oct. 20 via RODZINKA Records.  The 10-song, 44-minute record is just the latest effort from band founder Mangione, and the first for Mangione and his new group, The Kin. Its musical arrangements will appeal to any fan of Delta Rae, Mumford & Sons, The Dunwells, Marc Broussard and other similar acts while its lyrical content boasts an equally wide appeal if not wider.  That is exemplified right from the album’s outset in ‘Three Days,’ which will be discussed shortly.  ‘Riding Down,’ which comes later in the album’s run is another example of the album’s wide-reaching musical and lyrical appeal.  It will be discussed later.  ‘The Question & The Cure’ is yet another example of how far-reaching this album proves to be, and is hardly the last of the record’s songs that can be cited to support that statement.  From start to finish, this record is nothing but positive.  Considering all of this, it proves to be not only one of the year’s top new independent records but potentially one of the year’s top new Americana/folk records and even top new albums overall.

Mike Mangione and The Kin’s new record But I’ve Seen The Stars is a shining new effort from the veteran singer/songwriter and his new group of musicians. That is thanks in no small part to the album’s musical and lyrical content.  The combination of those two elements makes this record a work that will reach an innumerable audience.  This statement is supported right from the album’s outset through the song ‘Three Days.’  The song’s gentle, flowing acoustic guitar line and harmonies instantly conjure thoughts of Delta Rae.  The string arrangements and barely there percussion serve to strengthen that comparison even more.  The balance in those elements easily evokes powerful emotions in any listener’s heart and mind.  The song’s lyrics will move listeners just as much as the song’s musical arrangement as Mangione sings, “Three more days/I’m coming home/Leave the candle by the door/Three more days/Will you be there, too/Please be gentle, I’ll be true to you/Every day” right off the top.  From there Mangione goes on to sing in seeming introspection, “Had no feeling and no main/I had a story to arrange/The birds sang in missionary prose/Good intentions can impose/So I headed on my own/To seek the origin alone/Headed on my own/I sought the elders/Heard them speak/And I saw forever and the meek/And with fear they focused on my eyes/Fear was hatred in disguise/But the heart is lined with gold/And in there the story’s being told.” Mangione’s introspection continues in the song’s second verse just as much as the song’s lead verse as he sings about accepting mortality, personal emotions and other items.  Simply put, there is a lot of lyrical ground covered in a small space, and Mangione does a truly good job of making listeners think considering the seeming introspection presented in the song’s lyrics.  When the emotions and thought generated through that introspection is coupled with the song’s equally moving musical arrangement, the end result is an opus that will touch any listener deeply, proving right from the beginning the record’s impact and reach. It is just one of the songs included in this album that serves to show that impact and reach.  ‘Riding Down’ serves just as much as ‘Three Days’ to show why this album is such a success.

‘Riding Down’ is an important piece to discuss in examining this album because it is completely unlike ‘Three Days’ both musically and lyrically.  Its pure 12-bar blues arrangement will move audiences not by tugging at their heartstrings but by putting a smile on their faces and getting their feet tapping.  While the song is nearly four-minutes long, its arrangement makes it feel like that time passes by so much faster, which in this case is a good thing.  The arrangement is so enjoyable that listeners won’t even realize how much time has passed by its end, easily leaving them wanting more.  The song’s lyrical content is just as fun with its own classic blues approach.  He sings in the song’s lead verse, “In the midnight hour/Of the seventh day/There was a light around my window/Heard I couldn’t stay/I’m gone/I’m gone/When the hellhounds call with the whistle blowin’ baby/I’ll be riding down.”  He goes on to sing in the song’s second verse, “Go and tell my mama/Tell my sister I’m gone/I’m gonna hitch the black snake/A hundred-thirty strong.”  One is lead to think Mangione is singing here about that fabled long black train that has been noted in so many blues (and gospel) songs so many times before.  Mangione’s approach to the subject in this case is an original approach, yet still as enjoyable as that in those other songs.  When it is joined with the song’s infectious blues arrangement, the result is a song that quickly becomes one of this album’s best songs, if not its best.  It is yet another example of what makes this record such a surprising hit, and not the last.  ‘The Question & The Cure’ is yet another example of what makes this record stand out.

‘The Question & The Cure’ is yet another critical addition to But I’ve Seen The Stars because it stands on its own merits just as much as the previously discussed songs (and those not mentioned here).  The combination of Mangione’s vocal delivery style and the song’s gentle, flowing arrangement makes the song yet another emotionally powerful work.  The whole of those elements lends the song to comparisons to Bruce Springsteen and Mumford & Sons.  The same can be said of the song’s lyrical content, which sees Mangione singing, “And the halo/Of the living/Lies the ancient and the dead/The broken/We don’t read too good/Cause we can’t spell too good/So I’ve read/God bless the innocent/They’re just waiting on a home/And the course is wide and heavy/And the winter’s bite is cold/No way/Will my family lie/We’re the downcast cry/In the soil/they’re hungry…and the tears just change to blood and oil/But god bless the broken-hearted/They’re just waiting on the day/When they’re free from falling victim/When they can give it all away.  Yet again listeners have here an example of true lyrical depth that will tug at listeners’ heartstrings and leave them thinking and talking.  Even more impressive is the fact that Mangione and company did not just rehash the lyrical content or arrangements used in the album’s other works to have that powerful impact here.  Considering that, the song shows in whole why it is such an important part of this new record.  When it is joined with the previously discussed songs and those not noted here, the end result is a record that proves to be a truly shining success.

Mike Mangione and The Kin’s new album But I’ve Seen The Stars is a record reaches the stars without even trying.  Its musical arrangements and lyrical content together can leave listeners feeling such deep emotions at times while bringing great joy at others as well as emotions in between at yet others.  That is evidenced through the songs noted here and those not noted.  All things considered, this record shines just as bright as the stars seen, proving to be one of the year’s top new independent albums and potentially even one of the year’s top new albums overall.  But I’ve Seen The Stars will be released Oct. 20 via RODZINKA Records.  More information on the album is available online along with Mangione’s latest news and more at:

 

 

 

Website: http://www.mikemangione.com

Facebook: http://www.facebook.com/mikemangionemusic

Twitter: http://twitter.com/mikemangione

 

 

 

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The Brevet To Release New EP Next Month

Courtesy: The Brevet

Courtesy: The Brevet

The Brevet has new music on the way.

The independent, Irvine, California-based band has announced that it will release its new album Embers: Ch. 2 early next month.  It is scheduled to be released Friday, August 5thPre-orders have already opened for the new five-song record.  Those that pre-order the EP now will get ‘Be Your Man’ and ‘Hold On’ as instant downloads.  In anticipation of the record’s release the band recently premiered the video for the record’s lead singe ‘Be Your Man.’ In regards to the song’s musical arrangement, it is akin to that of Mumford & Sons, The Dunwells, Delta Rae, and others of that ilk.  It mixes footage of the band’s live show with more candid footage of the band offstage and footage of the band’s fans.  As Front man Aric Chase Damm explains of the video, “All of ‘Be Your Man’ video was either shot by us or by fans during our most recent run of the east coast.  “It’s really cool to have these clips of the song come in. Hopefully it says we have some great people and fans in our life!”  The video is currently streaming online via The Brevet’s official YouTube channel.

Along with releasing its new video the band has also announced a small handful of live dates in support of its new EP.  It will be live this Friday at Slidebar in Fullerton, California.  On August 13th the band will be live at Musikfest in Bethlehem, PA.  That performance will be followed by a live set at Goosenecks in Torrey, Utah on August 20th.  More dates are expected to be announced soon.  Audiences can keep up with all of those updates online along with all of the band’s latest news and more at:

 

 

 

Website: http://www.thebrevet.com

Facebook: http://www.facebook.com/TheBrevet

Twitter: http://twitter.com/thebrevet

 

 

 

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2015’s Top New Albums Come From Across The Musical Universe

The countdown is near, folks. And with the end of the year nearly here, the end of Phil’s Picks’ year-enders is officially here. We have finally come down to the last of this year’s “Best Of” lists. To close out this year’s group of year-enders we come full circle and finish where we started; back in the music world. To close out 2015, Phil’s Picks offers up its list of the year’s top new albums overall. This list was anything but easy to compile. That is because the top 10 albums and five honorable mention titles really represent so many galaxies within the musical universe. There’s some blues in this list courtesy of The Rev.Shawn Amos in this list. Salvador Santana, Carlos Santana’s son is also on this list, along with Pimps of Joytime and Fort Knox Five representing the rap and hip-hop galaxies. George Strait, The King of Country himself, is also here as are Willie Nelson and Merle Haggard. Even jazz great Terence Blanchard gets a nod as do Joe Satriani and electro-rock duo NYVES. There are others included here. And they are noted in the list below. Being that each album comes from a different part of the musical universe, figuring each album’s place in this list was what really made assembling this list so tough. The ability of listeners to take in the album without skipping tracks was taken into account as was each album’s production values and combined lyrical and musical content. That goes back to the albums’ ability to keep listeners fully engaged from start to finish. So no offense was meant to any act in its placement on this list. EVERY one of the albums included in this list was far more than deserving of being included in this list. That taken into consideration the following is the final list of this year’s top overall albums from Phil’s Picks. And as always, the top 10 albums make up the main body of the list while the bottom five each receive honorable mention. Without any further ado here for your reading pleasure dear readers, is the Phil’s Picks 2015 Top 10 New Albums. Happy New Year!

PHIL’S PICKS 2015 TOP 10 NEW ALBUMS

1. BOARDWALK EMPIRE: BOARDWALK EMPIRE VOLUME 3

2. JUDITH HALL: BACK IN TIME

3. SALVADOR SANTANA: FANTASY REALITY

4. GEORGE STRAIT: COLD BEER CONVERSATION

5. WILLIE NELSON & MERLE HAGGARD: DJANGO & JIMMIE

6. SCALE THE SUMMIT: V

7. JOE SATRIANI: SHOCKWAVE SUPERNOVA

8. BLACKBERRY SMOKE: HOLDING ALL THE ROSES

9. FORT KNOX FIVE: PRESSURIZE THE CABIN

10. PIMPS OF JOYTIME: JUKESTONE PARADISE

11. NYVES: ANXIETY

12. DELTA RAE: AFTER IT ALL

13. THE REV. SHAWN AMOS: THE REV. SHAWN AMOS LOVES YOU

14. SUGARCANE JANE: DIRT ROAD’S END

15. TERENCE BLANCHARD: BREATHLESS

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Lots Of Options Offered By 2015’s Top New Country, Folk, Bluegrass, And Americana Albums

Country music and its related genres (I.E. americana, bluegrass, and folk) are big business in the music world. Just look at all of the karaoke competitions on television today and the number of country singers that go on those shows, trying to make a name for themselves. Look at the reach that it has on radio in general. Artists such as Taylor Swift and Carrie Underwood have bridged the gap between pop and country alongside the likes of Rascal Flatts, Eric Church, and so many others. In the same breath, true-blooded country music remains just as much of a driving force today within the realm of country music as its more cross-genre counterparts that have become so popular over the last ten years or more. The dichotomy of the two worls is really intriguing to examine as well as the fan base of both sides of the country music world. Keeping that in mind, country and its offshoots can be said to have just as much importance to the music industry today as any other genre. So having covered the realm of children’s music, independent music, and world music, it seems only fair to offer up a listing of the year’s top new records in the worlds of country, folk, bluegrass, and Americana within their own collective year-ender. This was one of the more difficult lists to assemble because of the sheer variety of sounds and titles available to listeners this year. North Carolina-based Delta Rae makes the list once again with its new album After It All. Americana artists Buzz Cason is on this list, too with his new album Record Machine as are Willie Nelson and Merle Haggard with their new record Django and Jimmie. Of course Geoge Strait, “The King of Country,” couldn’t be ignored in this list. His new album Cold Beer Conversation is on the Phil’s Picks list of 2015’s top new Country, folks, bluegrass, and Americana records, too. They’re just a handful of the acts to make the list this year. There are plenty of others veteran and otherwise alike on this year’s list. Without any further ado, I offer to you, dear readers, the best new country, folk, bluegrass, and americana albums of 2015. As always the top 10 albums are…well…the top 10. the bottom five each get honorable mention. That is not a stab against them by any means. It was just that tough to compile the list and do it fairly because there were so many great new records in this realm just as with the other lists. Enough rambling. Here are the Best New Country, Folk, Bluegrass, and Americana albums of 2015 from Phil’s Picks.

2015 BEST NEW COUNTRY, FOLK, BLUEGRASS, & AMERICANA ALBUMS

1. Willie Nelson & Merle Haggard — Django and Jimmie

2. George Strait — Cold Beer Conversation

3. Blackberry Smoke — Holding All The Roses

4. Delta Rae — After It All

5. Sugarcane Jane — Dirt Road’s End

6. Alan Jackson — Angels and Alcohol

7. Alabama — Southern Drawl

8. Tim McGraw — Damn Country Music

9. Buzz Cason — Record Machine

10. Darius Rucker — Southern Style

11. Gloriana — Three

12. Luke Bryan — Kill The Lights

13. Chris Stapleton — Traveller

14. Dwight Yokam — Second Hand Heart

15. Zac Brown Band — Jekyll and Hyde

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Adage Could Be North Carolina’s Next Big Name In Music

Courtesy:  Pavement Entertainment

Courtesy: Pavement Entertainment

Austin, Texas.  Seattle, Washington.  Los Angeles, California. Atlanta, Georgia.  New York, New York.  Most people reading this right now are likely scratching their heads where this is going.  The answer is simple.  The cities noted here are some of America’s biggest hotbeds in the music industry.  They aren’t the industry’s only major hotbeds, though. Most people might not know it, but North Carolina as a whole state is a music hotbed within itself.  As a matter of fact, North Carolina could be argued to be one of the biggest musical hotbeds in America.  That’s because of the variety of major name acts that have called North Carolina home throughout the ages.  Jazz pioneers such as Thelonious Monk, John Coltrane, and Max Roach all called North Carolina home as did fellow jazz great Billy Taylor. Taylor hailed from Greenville, North Carolina while Monk and Coletrane came from Rocky Mount and High Point respectively.  The Fabulous Corsairs, which featured famed singer-songwriter James Taylor called Chapel Hill home.  In terms of the world of rock, the world renowned Corrosion of Conformity is still performing and recording today.  As a matter of fact, COC released its latest album earlier this year.  The band calls The Old North State’s capital city Raleigh home.  Delta Rae, which is one of the biggest of North Carolina’s biggest acts today calls Durham home as does indie band Bombadil.  Of course one can’t forget the likes of The Avett Brothers, Parmalee, Between The Buried and Me, or Trioscapes among so many others.  Now another young up and coming band has added its name to that list of bands and artists that have made North Carolina the rich musical hotbed that it is for so many decades thanks to its new EP Defined.  The band’s debut for Pavement Entertainment presents great potential for the Winston-Salem based band even with only a total of five songs.  The songs included on this record exhibit influence from bands such as Breaking Benjamin, Three Days Grace, and to a lesser extent Trapt.  What’s more any of the songs included on this disc could easily be used as a single to promote the band.  That is obvious right off the top in the EP’s opening number ‘Anymore.’  It is just as obvious on the EP’s third and final songs, ‘Hold On’ and ‘By Myself’ respectively.’  ‘Best Of’ and ‘Growing Colder’ are also excellent examples of what audiences can expect from Adage’s new EP.  Collectively, the songs included on this record show Adage as a band that is on the brink of adding its name to the list of North Carolina’s biggest bands and artists.

The members of Adage show why the band is close to becoming another of North Carolina’s most well-known and talked about acts right from the outset of its new EP in the song ‘Anymore’  The song’s agro-rock stlye sound hints at influences both from the likes of Trapt and even Taproot to a slightly lesser extent.  Drummer Alex Hough’s timekeeping in this piece is exception especially considering the polyrhythmic patterns that he handles while keeping time for the band.  And the 1-2 punch of guitarist Luke and vocalist Justin Doyle heightens the song’s energy and emotion as well.  There is a certain furiousness in Doyle’s voice as he sings over the equally driving guitar line, “Everytime you look in my eyes you lie/And tell me everything’s alright/I know you don’t feel it anymore…I hate you/For all you’ve done to me/Some things you never see/And I don’t care.”  Songs about breakups are nothing new to the music industry.  They go back as far as the industry’s own beginnings it would seem.  But those songs that take the high road instead of the depression oh-woe-is-me angle are rather few and far between.  So when angrier, more aggressive pieces such as this one come along, they are a welcome change of pace.  That more aggressive lyrical and musical style that collectively make up this song makes it an instant radio ready song and a good representation of the band’s work on Defined.

As with ‘Anymore,’ ‘Hold On’ is also centered in the standard lyrical theme of relationships.  It also boasts the same agro-rock style that made so many bands in the late 90s and early 2000s fan favorites.  This song absolutely cries “LIVE” because of that sound.  Doyle sings Sorry that I’m not perfect/One day I will be worth it/To you/So hold on/I can’t ever find the right words/For saying nothing is so much worse to you/Hold on/All of this will come together/And I promise you/I promise you/Say goodbye for you.”  This song comes across as the polar opposite to the EP’s opener in that it seems more like his subject here is pleading for a woman to stay around versus the self-assured figure in ‘Anymore.’  He is trying his hardest to convince her to stay.  The musical comparison to the band’s bigger named counterparts only serves to make the song even more entertaining for audiences.  It goes to show the caliber of material the band is presenting here.  And that caliber is high, needless to say.  Together with ‘Anymore’ it makes for even more reason for fans to check out this EP when it drops August 19th.

Both ‘Anymore’ and ‘Hold On’ are good examples of what makes Defined an impressive new release from Adage.  Of the EP’s five songs, though there is still one more example of what makes this release the work that could potentially make Adage North Carolina’s next big name.  That song is the EP’s closer ‘By Myself.’  This song is a good way for the band to have closed out Defined.  It was such a good choice for a closer in that it shows the band’s softer side.  It’s a more melodic piece.  And among the EP’s five songs, it is perhaps the strongest candidate of all for the song that really breaks out the band.  Doyle sings in this song, “I’m crying out/Out for help/I just can’t be by myself/Remember how/How I felt/I just can’t see/By myself/I hear it from all sides/On how I should love you/I can’t make up my mind/On anything I do/Why am I here/Why won’t you just take me home/Why am I here/Why won’t you just leave me alone.”  The guitar breaks that follow the chorus are right up there with the likes of Mark Tremonti (Alter Bridge) and other top named guitarists.  That along with the power in Doyle’s vocals make this song just as fitting a closer as ‘Anymore’ is the opener for the record.  Such a powerful final statement along with the EP’s other noted songs (and the pair not mentioned) seals the deal for Adage and for Defined.  It is the final piece of musical evidence proving why Adage is on the verge of becoming North Carolina’s next big name.

Defined will be available in stores and online Tuesday, August 19th via Pavement Entertainment.  Audiences can check out the songs from Defined online now via Adage’s ReverbNation website at http://www.reverbnation.com/adageband while they wait for the EP to drop.  They can also keep up with the band’s latest tour dates through that website and the band’s official Facebook page at http://www.facebook.com/adageband1.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Chasing Twisters A Sweet Taste Of What May Be To Come From Delta Rae

Delta Rae Chasing Twisters

Courtesy: Sire Records

Delta Rae has been quite busy since the release of its full length debut record, Carry The Fire.  The Durham, North Carolina based band has toured the country and made countless TV and radio appearances along the way.  All the while, the band’s fans have waited with baited breath for its next new release.  Those that have followed the band even before it signed on with Warner Brothers Records have been rewarded with a new EP titled Chasing Twisters.  The band’s new digital-only release is a very strong statement of the band.  If it is a statement of what’s to come from Delta Rae, then audiences have plenty to look forward to whenever the band releases its sophomore album.

Chasing Twisters opens with the EP’s up-tempo title track.  The song is led by drummer Mike McKee’s driving four-on-the-floor rhythm.  It partners with singer Brittany Holljes’ vocals to make the song come across as being more pop influenced than the songs on the band’s debut.  At the same time, it still maintains a certain vibe established by the band on its debut record.  This blending of the old and new makes the song even more enjoyable.  What makes this song especially interesting is that among some listeners, it will conjure thoughts of the theme from The Good, The Bad, and The Ugly.  What sets the two apart though, is that ‘Chasing Twisters’ is that ‘Chasing Twisters’ is not a western.  The emotion in Holljes’ voice crescendos as she sings, “So kiss/me now/This whiskey on my breath/Feel the lies/That I have taken/What little soul that I have left/And oh/My God/I’ll take you to the grave/The only love I’ve ever known/The only soul I ever saved.”  It adds so much to the song’s overall impact.  This is especially the case when she reaches the peak of that emotion, only to pull back and crescendo again in the next verse before the song eventually reaches its end.  It would be a surprise if this song isn’t an instant fan favorite by those final fading moments of this track.

Chasing Twisters’ lead track was most definitely the right choice to open the EP.  Just as enjoyable is the EP’s second track, ‘Run.’  This song is such an interesting addition to the release first and foremost because it’s one more example of the band’s growth.  It boasts something of a 1980s vibe with its keyboards.  What’s ironic about this is that even those that aren’t fans of 80s music will appreciate this song.  Maybe that’s because it doesn’t go all out with that seeming 80s influence.  It could also be because of the song’s energy.  Again, drummer Mike McKee serves largely as the song’s driving force alongside the equally driving keyboard part.  Holljes gets to exhibit her vocals even more this time, too.  And she takes full advantage of that.  The song comes in at barely more than three minutes in length.  Over that short time, her vocals soar as she sings, “I wanna run/To feel again/To be no one/To lay/Under the stars of Orion/And all my life/I’ve been burdened by the dreams/I’ll hide/Now I want to run.”  She shows yet again why she is one of the best female pop vocalists in the industry today, even if the big names don’t recognize that.  Those amazing vocals coupled with the work of her equally talented band mates make this one more wise addition to this new EP.

‘Chasing Twisters’ and ‘Run’ aren’t the only new material included on Delta Rae’s new EP.  The closing number, ‘I will Never Die’ is just as impressive.  This song throws back to the band’s debut, stylistically speaking.  It bears a sound and style very similar to that of ‘Bottom of the River’ yet it somehow manages to maintain its own identity.  The song develops a certain eeriness to the song thanks to the song’s slower bass drum beat set against Holljes singing, “You can bury my body/But I’ll never die.”  It’s but one part of what makes this song as a whole one of the EPs best songs.  Together with the acoustic takes on ‘Dance in the Graveyards’ and ‘If I Loved You’, it is the finishing touch to an EP that sets the bar pretty high for this Durham, NC based band for its second album.  If this EP is any indication though, the band will more than likely live up to those expectations.  The band is currently touring in support of its new EP and its debut album.  It will be at Bimbo’s 365 Club in San Francisco, CA this Thursday.  That performance is followed up next Tuesday, December 10th at Mechanics Hall in Worchester, MA.  The band will take a short break after that show in order to recharge its batteries and get ready to hit the road again in 2014.  An extensive list of the band’s 2014 dates is already listed on the band’s Facebook page, http://www.facebook.com/deltarea.  Fans can go there or the band’s official website, http://www.deltarae.com to check out the list and get the latest news from the band.  Fans can also follow the band via Twitter and MySpace at http://twitter.com/deltrae  and http://www.myspace.com/deltaraemusic.  To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.