TTB’s New Album Is A Positive “Sign” For The Band

Courtesy: Fantasy Records

Tedeschi Trucks band is coming to North Carolina this summer.  The band’s stops in “The Old North State” are in support if its latest full-length studio recording, Signs.  Released Feb. 15 through Fantasy Records, the 11-song record is a change of pace for the band in comparison to its previous album, 2016’s Let Me Get By.  Even with the change of pace that is notable throughout the course of the album’s 46 minute run time, it is still a positive effort from the group, which is fronted by its namesakes, the husband and wife team of Susan Tedeschi and Derek Trucks.  This is proven right from the album’s outset in its opener, ‘Signs, High Times.’  It will be addressed shortly.  ‘Still Your Mind,’ which comes a little later in the album’s run, is another of the album’s additions that proves the record to be a positive new effort from the band.  It is hardly the last of the songs that shows Signs’ strengths.  ‘All The World’ is yet another work featured in Signs that shows the record’s strength.  When it is considered along with the other two songs noted here and the records eight remaining songs, the whole of Signs proves to be another successful offering from Tedeschi Trucks Band.

Tedeschi Trucks Band’s fourth full-length studio recording Signs is another welcome new offering from the band, which is made up of a number of veteran musicians and performers.  While maybe not the band’s best work to date, it is still a good effort from the band.  That is proven right from the album’s outset in ‘Signs, High Times.’  The song’s funky, bluesy southern rock musical arrangement instantly conjures thoughts of The Allman Brothers Band, with whom Trucks also records and performs.  The keyboards, guitars, percussion and choral elements create a wonderful, welcome vintage vibe that is certain to appeal to a wide range of listeners.  That upbeat arrangement couples with the song’s seeming social commentary for a whole that is certain to engage and entertain audiences.

The seeming social commentary comes as Tedeschi, who has been the lead voice of TTB since its inception nine years ago, sings in the song’s second verse, “Might ain’t right…Everything’s in black and white.”  She goes on from there to sing in the song’s third verse, “Just realized there’s hatred in their eyes/can’t fool around with darkness for fun/Something tells me/Some people just ain’t worth saving/Got turned around/Following the sound/Of a heartbeat that’s been getting heavy/We’ve been here before/We were just getting ready.”  The seeming commentary is illustrated even more as she sings later in the song, “Better make up your mind/’Cause we gotta get it right this time/So much good at stake/Don’t give into the lies they make/Oh lord, how did we get here again?”  Yet again, here we have an example of what would certainly seem to be a specific statement from Tedeschi and company.  That is especially the case as she sings in the song’s final moments, “People, how long till your hand’s called?”  It’s as if she’s saying throughout that we as a people need to make sure that we know which side of the line we are on before our time is up.  That is of course just this critic’s own interpretation of these lyrics.  It could be completely wrong.  Hopefully it is somewhere in the proverbial ballpark, though.  If it is, then when it is considered alongside the feeling established through the song’s musical arrangement, the song in whole becomes a strong start for the album and a standout addition to the album.  It is just one of the album’s most notable entries.  ‘Still Your Mind’ is another of the record’s most notable works.

‘Still Your Mind’ stands out in the bigger picture of Signs in part because of its musical arrangement.  The song opens simply in its first few bars, with a gentle, flowing piano line that one can argue presents a light jazz feel, and even a certain modern classical element.  From there, the song takes a decidedly modern turn that actually, one could argue bears a mix of both modern and old school rock.  That mix is well-balanced throughout the course of the song’s almost five-minute run time.  Adding to the song’s interest is the song’s lyrical content, which couples very nicely with the gentility in the song’s arrangement.

The lyrical content presented in ‘Still Your Mind’ centers on the issue of self-pride and confidence.  Little doubt is left about that, as Tedeschi sings in the song’s lead verse, “Some days are grey for us all/Don’t wanna live or stay here for long/I say ain’t it good to know/That you’re not alone/So many people feel that low/But I’ll help you grow.”  She goes on from here to sing in the song’s chorus, “Still your mind and breathe/Close your eyes and see/Fill your hands and drink with me/Be here now/Lay your troubles down.”  This all comes across as a certain sort of reassurance for listeners who maybe are going through difficult situations.  That sense of reassurance continues as she sings, “Before the growth, the leaves have to fall/And I’ll lit you up so you can tear down the wall/Don’t let the darkness of the world enter your soul/You know the light of your smile is what makes me whole.”  Once again, here listeners have a subject who is sharing some very comforting words.  What is really interesting here is that when the lyrics and music are coupled, they really come across as a sort of lullaby.  It sounds odd, yes, but one could argue that sense when listening closely to the song.  That in itself justifiably makes this work another one of Signs’ most notable additions.  It is not the last of the album’s most notable entries, however.  ‘All The World’ is yet another of the LP’s strongest songs.

‘All The World,’ like ‘Signs, High Times,’ comes across as another contemplative social statement.  The difference between the two songs is that the prior song’s musical arrangement is more upbeat than that of this composition.  This work is a deeply contemplative piece, even in its musical arrangement.  It flows so gently, with its keyboard and guitar lines serving as its collective backbone.  The noted approach to the song’s musical arrangement makes the song’s almost three-and-a-half-minute run time feel longer, but in a positive fashion.  It also serves to help illustrate quite well, the emotion in the song’s lyrical content.

Speaking of the song’s lyrical content, Tedeschi sings here, “So many times I lay here thinking/We may never stand up and rise again/Then I hear the voices singing/Everything must burn before hope can live again/All the world is bleeding/I can feel it/And I’ve seen it/But while our hearts are beating/We can heal it/If we mean it.”  There is such a melancholy about this verse, that carries on through the song’s second verse.  Tedeschi sings in that second verse, “So many places I have gone/But the song remains the same/So if we could please listen to what they say/The walls could crumble and wash away.”  Again, there is such a bittersweet emotion here.  That feeling is enhanced even more as Tedeschi returns to the chorus along with the equally bittersweet emotion in the song’s arrangement.  When that emotion is coupled with the emotion exuded in Tedeschi’s words and vocal delivery, the whole therein creates a powerful impact for listeners.  In turn, the song proves without doubt why it is another important addition to Signs.  When it is considered along with ‘Signs, High Times,’ ‘Still Your Mind’ and the eight other songs not directly noted here, the end result is a record that in whole is another welcome new offering from Tedeschi Trucks Band.

Tedeschi Trucks Band’s fourth full-length studio recording Signs is a positive new offering from the collective of veteran musicians and performers.  That is evidenced musically and lyrically throughout the course of the almost 50-minute record.  The songs’ musical and lyrical content make that obvious from the record’s opening to its end.  Between the lullaby-esque work that is ‘Still Your Mind’ to the celebratory ‘Walk Through This Life,’ which is an upbeat song about the power of love, to the personal, introspective ‘Shame’ to the contemplative ‘All The World’ and beyond, this record offers plenty for audiences to appreciate.  All things considered, the musical and lyrical content presented throughout the record makes it the year’s first great overall album.  Audiences in North Carolina will get to hear plenty of songs from Signs on July 7 and 9 in Charlotte and Raleigh respectively.  Fans can purchase tickets for those and the rest of the band’s current tour dates online now while also getting updates on the band’s latest news at:

 

 

 

Website: http://www.tedeschitrucksband.com

Facebook: http://www.facebook.com/DerekandSusan

Twitter: http://twitter.com/DerekandSusan

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facbeook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Allman Brothers Band To Release New Live DVD

MSO PR

MSO PR

The Allman Brothers Band will release a special live DVD this Spring.

The band’s new live DVD 40 will be released Tuesday, April 30th via EOne Entertainment. The concert was recorded March 26th, 2009. That day was the fortieth anniversary of the first performance of the band’s original lineup. It was on March 26th, 1969 that the band’s original lineup—Duane Allman, Gregg Allman, Dickey Betts, Butch Trucks, Jaimoe Oakley, and Berry Oakley—performed together in Macon, Georgia.

In related news, the current lineup of The Allman Brothers Band will be back on stage, performing live this weekend. The band will perform live in Live Oak, Florida this Saturday, April 11th at the 10th annual Wanee Festival. The band’s previous four performances at the Beacon Theatre had to be postponed as singer Gregg Allman had recently been suffering from bronchitis. Allman spoke to reporters concerning the progress of his recovery, stating that he felt he was almost back to full strength and was optimistic about the band’s upcoming live performances. “I feel almost 100% following my bout with Bronchitis,” he said. “I look forward to seeing the Allman Brothers Band fans at the Wanee Festival April 10-12, as well as I cannot wait for my first trip to Australia with my solo band to meet my down under fans.”

The band’s most current live schedule is listed below.

DATE

CITY VENUE
Fri 4/11 Live Oak, FL Wanee Music Festival
Sat 4/12 Live Oak, FL Wanee Music Festival
Thu-Sun 6/5-6/8 Hunter Mountain, NY Mountain Jam
Thu-Sun 8/14-8/17 Scranton, PA Peach Music Festival
Thu-Sun 9/4-9/7 Arrington, VA Lockn’ Music Festival

 

More information on The Allman Brothers Band, its upcoming live DVD, performances and more is available online at http://allmanbrothersband.com, http://www.hittinthenote.com, http://www.waneefestival.com, and http://www.facebook.com/allmanbrothersband. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Allman Brothers Band Celebrates 45th Anniversary With Live Shows, New Live Releases

MSO PR

MSO PR

2014 marks a major milestone for the Allman Brothers Band.  This year marks the forty-fifth anniversary of the band’s formation.  In celebration of the anniversary, the band will release new live CD and DVD recordings for its fans.  It also has announced the schedule for its annual stint at the Beacon Theater.  It all begins next month with the release of the new two-CD set, Play All Night: Live at the Beacon Theatre 1992 and the new live DVD, Live at Great Woods.  This recording was originally recorded in 1991.  The band will also release via its own label, Allman Brothers Band Recording Company, another live DVD titled Boston Common 8/17/71.  Topping it all off, the band is set to return to its original home base of Florida this Spring for the annual Wanee Festival.

Play All Night: Live at the Beacon Theatre 1992 presents the band’s first time ever performing such an extended run at the famed theatre.  The band performed ten shows at the Beacon Theatre in 1992.  Only two of those ten shows were ever taped.  Very little material from those recordings has ever been made publicly available for fans up until now.  The double-discset will be released via Epic/Legacy Recordings on Tuesday, February 18th.  Epic/Legacy Recordings is a division of Sony Music Entertainment.

The upcoming double-CD live release is just half of the band’s celebratory releases.  The band will release alongside Play All Night: Live at the Beacon Theatre 1992 a new live DVD titled Live at Great Woods.  The recording, which was originally filmed in September 1991, presents the band performing in front of nearly twenty-thousand fans at the Great Woods Center for the Performing Arts in Massachusetts.  The new re-issue of the concert recording marks the first time that it has ever been released on DVD.  It features for fans the band’s original long-form video version of the performance.  There are no interviews spliced into the recording here.  It will also be released via Epic/Legacy Recordings.

Finishing of the band’s list of celebratory live recordings will be the release of Boston Common 8/17/71.  John Lynskey—publisher of the ABB’s magazine, Hittin’ The Note—explains the recording and the band’s relationship with the people of Boston in the recording’s liner notes.  Boston Common 8/17/71 is also scheduled for a February release.  No official date has been confirmed yet.

“1971 was a watershed year for the Allman Brothers Band – they recorded their seminal live album, At Fillmore East, in March, and continued to tour relentlessly. By this point, their performances had reached a level of musicianship and intensity that other groups could only dream of. At Fillmore East was released in July to massive critical acclaim, and a month later, they rolled back into Boston to once again jam in the Common, playing two shows on August 17th. Boston Common 8/17/71 manages to capture the loose and engaging early set, with the band clearly enjoying themselves – Berry [Oakley]’s stage banter is particularly engaging as he comments on the group’s relationship with Boston and their friendship with the J. Geils Band. As for the music, Duane’s slide guitar is blistering on ‘Statesboro Blues’ and ‘Don’t Keep Me Wonderin’’; his interplay with Dickey [Betts] on ‘You Don’t Love Me’ is a complex masterpiece, and their dual melody line on ‘In Memory of Elizabeth Reed’ is flawless. Gregg’s vocal work is stellar throughout, and his growl on ‘Trouble No More’ clearly justifies his reputation as one of the best blues singers of all time. Berry, Butch and Jaimoe lay down a rhythm foundation that is a mile wide – the thumping bass line and syncopated drum patterns turn the ‘Whipping Post’ finale into a musical maelstrom.”

Following the release of its upcoming live CD and DVDs, the band will continue celebrating its forty-fifth anniversary with its annual stay at the famed Beacon Theatre and a return engagement at the annual Wanee Festival in Live Oaks, Florida.  2014 marks the tenth anniversary of the Wanee Festival.  The band’s performances at the Beacon Theatre mark its only live performances in the metro NYC region this year.  The complete schedule of performances dates is listed below.

DATE

CITY

VENUE

Fri

3/7

New York, NY

Beacon Theatre

Sat

3/8

New York, NY

Beacon Theatre

Tue

3/11

New York, NY

Beacon Theatre

Wed

3/12

New York, NY

Beacon Theatre

Fri

3/14

New York, NY

Beacon Theatre

Sat

3/15

New York, NY

Beacon Theatre

Tue

3/18

New York, NY

Beacon Theatre

Wed

3/19

New York, NY

Beacon Theatre

Fri

3/21

New York, NY

Beacon Theatre

Sat

3/22

New York, NY

Beacon Theatre

Fri

4/11

Live Oak, FL

Wanee Music Festival

Sat

4/12

Live Oak, FL

Wanee Music Festival

 

Tickets for the band’s Beacon Theatre shows go on sale this Friday, January 10th at 10am. They can be purchased online via the official Ticketmaster website, http://www.ticketmaster.com and the official Beacon Theatre website, http://www.beacontheatre.com.  They can also be purchased via phone at 1-800-745-3000.  Any unsold tickets will be sold at the venue box office beginning this Sunday, January 12th at the Beacon Theatre box office.  Tickets for American Express card holders are available now and can be purchased through this Thursday, January 9th at 10pm.

More information on the Allman Brothers Band, its releases, concerts and more is available online at http://www.allmanbrothersband.com, http://www.hittinthenote.com, http://www.waneefestival.com, and http://www.facebook.com/allmanbrothersband.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Lickety Split Rocks Its Way Into The Year’s Best New Records List

Courtesy:  Blue Note Records

Courtesy: Blue Note Records

Robert Randolph and the Family Band are back.  And they are back in grand fashion on their first album in three years.  The new record, Lickety Split is one of the best new records of 2013, hands down.  This twelve-song musical masterpiece mixes lots of fun anthems with some more subdued pieces and tosses in a pair of covers and a famous guest spot to make it an album that audiences will find themselves enjoying even more with each listen. 

Among the best of the album’s more full on songs is its opener, ‘Amped Up.’  This was the perfect choice with which to open the album.  It wastes no time at all getting listeners moving.  The energy kicks right into gear at one thousand percent, making listeners want to pump the volume on their stereos and iPods to eleven.  It’s just a fun, full on song that anyone will enjoy.  Randolph sings cheerfully, You’ve only got one life to live/So give it everything you’ve got to give/If anybody asks you why/Look ‘em in the eye and say/I’m about to get amped up/Everybody throw your hands up/Come on and get cranked up/Everybody get amped up.”  The energy from the lyrics mixes with the song’s music to easily achieve its goal at getting audiences amped up and moving.  Once the song ends, Randolph and company pull back, but not too much, in the bluesy/gospel hybrid ‘Born Again.’ 

‘Born Again’ isn’t as high energy as ‘Amped Up.’  But, it still has its own energy.  The song’s bluesy/gospel hybrid sound is just like something that one might actually hear in a church.  Ironically enough Randolph himself stated of the song that this song was originally a love song.  “It’s about finding the joy again,” he said.  “At first, it was more of a love song, about the sense you get when you find the right person.  Then as we were recording this new music with a whole new sense of direction and feeling free again it all came together.  It’s not a religious thing, it’s just new energy—which is really the old energy that I had at the beginning of my career.”   It’s interesting that he notes that it not only started out as a love song, but that it was also not a religious thing.  That’s because with its hybrid sound, it could just as easily pass for a song one might hear in a church.  Regardless, it’s a song that any listener will enjoy.  Vocalist Lenesha Randolph’s vocals are so strong throughout the song.  And the addition of a choir to back the band serves to make the song that much better.  It’s such an impressive follow-up to the album’s opener that by its end, some listeners might even find themselves out of breath and energy having danced their way through both songs.  Thankfully, the band pulls back just a little more on the next song, ‘New Orleans.’

New Orleans is even more pulled back than the first two songs on Lickety Split.  After all of the energy carried by those two songs, this seeming love letter to one of America’s greatest cities is perfectly placed in the album’s overall sequencing.  Again, Lenesha Randolph takes center stage, her vocals so gentle and calming.  Set again Robert Randolph’s slightly more upbeat sections, the two make for a wonderful juxtaposition celebrating Nola.  Lenesha sings fondly of the city, “I heard a sound/Sweet soulful sound/And a happy song/In my dreams/A marching band/Piano man/And that soul…/So sad and sweet.”  The tone in her singing instantly creates such a sense of nostalgia among listeners.  This includes even listeners who have maybe never been to New Orleans.  One can almost see images in sepia tone in their minds, everything of which she sings.  Robert Randolph’s counterpoint, on the other hand, brings everything into full color.  It helps to paint a massive, happy picture of a city that has done and meant so much to America.  It’s one more wonderful addition to an album that boasts so many high points. 

The joy of this album doesn’t end with its first trio of songs.  As soon as ‘New Orleans’ fades gently away, the party gets moving again with the aptly titled, ‘Take The Party.’  This piece brings back the energy of the album’s opener before easing into the more old school funk influenced ‘Brand New Wayo.’  The fun doesn’t end here, either.  Randolph and company keep listeners’ ears throughout the rest of this album. This is thanks in large part to the band’s continued talent and skill as musicians.  Credit will be given where credit is due here.  The people behind the boards are also to thank for this album’s fun factor, as well as guest guitarist Carlos Santana and trombone player, Trombone Shorty. 

Engineer Eddie Kramer (Jimi Hendrix, Led Zeppelin) and mixer Jim Scott (Tedeschi Trucks Band) deserve their own credit for the work behind the boards on this record.  It’s no wonder that Lickety Split bears significance to the Tedeschi Trucks Band with Scott on board.  If one didn’t know any better, one would think that one of the husband/wife duo of Susan Tedeschi and Derek Trucks was in fact guesting, hearing the guitar work throughout the record.  Though having fellow legend Carlos Santana on board, helping with guitar duties doesn’t hurt, either.  That bonus, and the work of everybody else involved on this record makes Lickety Split a must hear for any long-time Robert Randolph fan and for anyone that is new to the work of this highly accomplished musician and his family.  It will be available tomorrow, July 16th in stores and online. Audiences can keep an eye out for it in the official Robert Randolph online store at http://www.robertrandolph.net.  Fans can also go here and the band’s official Facebook page, http://www.facebook.com/rrtfb and “Like” it to keep up with all of the latest news and tour information from the band.

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.    

Black Crowes, Tedeschi Trucks Band Team Up For Summer Tour

The Black Crowes and Tedeschi Trucks Band are hitting the road together this Summer.  The bands will hit the road beginning July 19th.  The upcoming tour doesn’t give the members of The Black Crowes much time to relax as the band is currently on its “Lay Down With The Number 13” tour.  It’s the first tour for the band since ending its two-year long hiatus.  This current tour takes the band across the U.S.  It runs through June 2nd.  From there, the band will head overseas for the European leg of its tour.  The European leg of the tour will run from June 18th – July 6th.  It will include headlining shows, festivals, and a pair of stadium shows with “The Boss” himself, Bruce Springsteen.

The upcoming tour dates are in support of The Black Crowes most recent release, Wiser for the Time.  This release is a four-disc, eight-side gatefold vinyl release.  It contains 26 songs—15 acoustic and 11 electric—from the band’s 2010 five-night stint in New York City.

The Tedeschi Trucks Band is currently touring in support of its most recent album, Revelator (2011).  The album won a Grammy for best Blues Album at the 2012 Grammys.  That album was followed up the live album, Everybody’s Talkin’ in May 2012.  The band’s next LP is expected to be released in Summer 2013.

The bands’ current slate of tour dates is available below:

Fri-Jul-19 Nashville, TN The Woods Amphitheatre at Fontanel Friday, April 26 10:00am
Sat-Jul-20 Alpharetta, GA Verizon Wireless Amphitheatre Friday, April 12 10:00am
Sun-Jul-21 Charlotte, NC Time Warner Cable Amphitheatre Friday, April 12 10:00am
Tue-Jul-23 Raleigh, NC Red Hat Amphitheatre Friday, April 12 10:00am
Wed-Jul-24 Columbus, OH LC Pavilion Friday, April 12 10:00am
Sat-Jul-27 Gilford, NH Meadowbrook Friday, April 12 10:00am
Tue-Jul-30 Boston, MA Bank of America Pavilion Friday, April 12 10:00am
Wed-Jul-31 Canadaigua, NY CMAC Friday, April 12 10:00am
Wed-Aug-07 Pittsburgh, PA Stage AE Friday, April 12 10:00am
Fri-Aug-09 Holmdel, NJ PNC Bank Arts Center Friday, April 12 10:00am
Sat-Aug-10 Wantagh, NY Nikon at Jones Beach Friday, April 12 10:00am
Sun-Aug-11 Philadelphia, PA Mann Center Friday, April 12 10:00am
Tue-Aug-13 Indianapolis, IN Farm Bureau Insurance Lawn @ White River Friday, April 12 10:00am
Wed-Aug-14 Chicago, IL Charter One Pavilion Friday, April 12 12:00pm
Thu-Aug-15 Rochester Hills, MI Meadow Brook Friday, April 12 10:00am

 

To keep up with all the latest tour updates and news from The Black Crowes, fans can go online to http://www.blackcrowes.com or http://www.facebook.com/pages/The-Black-Crowes/8333596474.  And for all the latest from the Tedeschi Trucks Band, fans can go online to http://www.tedeschitrucksband.com or http://www.facebook.com/DerekAndSusan

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Robert Randolph Announces New Record Deal, Tour

Courtesy:  Merlis For Hire

Courtesy: Merlis For Hire

Robert Randolph and the Family Band are back.  The band has signed a new deal with legendary jazz label, Blue Note Records.  This news comes along with the announcement of a new upcoming album due out this Summer.  The long anticipated new release will be the first from Randolph since 2010’s We Walk This Road.  Blue Note president Don Was recently commented on the signing, expressing his joy at having Randolph as the label’s newest signee.  “Robert Randolph is an American original…he has mastered what is, arguably, the most complex instrument in the world and developed a unique voice that is equal parts street-corner church and Bonnaroo,” he said.  “Robert’s new studio album finally captures the energy and excitement of his legendary live performances…we are honored that he has chosen Blue Note Records as his new home.” 

Randolph also shared his thoughts on having signed with Blue Note, expressing just as much excitement at this next step in his career.  “Blue note is a true music label with a 75-year history of working with great musicians like John Coletrane, Miles Davis and Al Green and the head of the label is a real musician and songwriter,” he explained.  Randolph will self produce the album, which will also feature members of his own family once again.  It will be engineered by Eddie Kramer (Jimi Hendrix, Led Zeppelin) and mixed by Jim Scott (Tedeschi Trucks Band).

Randolph will hit the road this Spring and Summer in support of his as yet untitled album.  His tour is currently slated to kick off April 6th at the River Run Rocks Series in Keystone, CO.  It’s set to run through August 16th and will include a pair of performances in North Carolina.  The first of those dates is Friday, May 10th at Wilmington, NC’s Greenfield Lake Amphitheater.  The second of his North Carolina dates is Saturday, May 11th in Beaufort, NC at the Beaufort Music Festival.  Fans can get a full list of tour dates online at http://www.facebook.com/rrtfb, http://www.robertrandolph.net, http://www.myspace.com/robertrandolph and http://twitter.com/rrtfb.

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Allman Brothers Band Announces Dates For Annual NYC Residency

MSO PR

Courtesy: MSO PR

The Allman Brothers Band is coming back to New York.  The band is returning to the Beacon Theatre for its annual March residency beginning March 1st.  The band will hold ten performances at the Beacon Theatre from March 1st – 16th.  This year’s annual residency marks its twenty-third year of performing at the famed theatre. The band has sold out its shows some two-hundred and ten times since it started performing at the theatre in 1989.  Founding member Gregg Allman discussed the upcoming annual stint.  “Yes, it’s that time”, he said.  “The Beacon run is always magical.  The room sounds great, lots of familiar faces and the band really stretches out.  After Macon, New York is really our second home.  There’s just something about it, and our fans know it.”

Tickets for the band’s Beacon Theatre performances go on sale beginning next Friday, January 11th at 10am ET.  They can be purchased at http://www.ticketmaster.com and http://www.beacontheatre.com.  They can also be ordered by phone toll free at 1-800-744-3000.  Fans in New York can also purchase them in person at the Beacon Theatre box office beginning next Saturday, January 12th.

 Along with its annual stay at the Beacon Theatre, the band has also been invited by fellow music vet Eric Clapton to perform at his annual “Crossroads” benefit show on March 12th and 13th.  Those performances will be at New York’s equally famed Madison Square Gardens.  The band will also headline a pair of dates at the annual Wanee Festival on April 19th and 20th in Live Oak, FL.  To check out the full listing of The Allman Brothers Band performance dates, fans can go online to http://www.allmanbrothersband.com, http://hittinthenote.com, and http://www.waneefestival.com

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it or its companion page, http://www.facebook.com/pages/Reel-Reviews/381028148587141.  Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.