CBS All Access’ ‘The Twilight Zone’ Reboot Takes Another Step Back In Its Second Season

Courtesy: CBS All Access/PAramount

Remembering the past is critical to the present.  If one does not know one’s past, then how can one appreciate the present. This is noted as one takes into consideration the forthcoming home release of The Twilight Zone: Season 2.  The second season of CBS All Access’ latest iteration of the classic series is scheduled for release Tuesday exclusively on DVD.  For those who have not yet seen this season of the timeless series’ latest reboot, it sadly does little to improve from the first season of the series’ latest take.  That is proven in part through its stories.  The overt explicit content within the episodes is just as prevalent as in the first season.  It detracts even more from this season.  The general lack of bonus content is the final nail in the coffin of this season in its home release.  When it is considered with all of the set’s primary content, the collection in whole proves worth watching at most once, but sadly no more.

The second season of CBS All Access’ latest reboot of The Twilight Zone does little if anything to improve on the series from its debut season.  In other words, it does little if anything to make this reboot of Rod Serling’s timeless original series worth watching.  That is proven in part through this season’s featured stories.  Ten more episodes are featured in this season.  The stories themselves are new in comparison to the stories in the original series (and even its 1980s reboot).  The problem is that while the stories are new, they are not necessarily original in content.  Audiences can link at least nine of the season’s stories to those in the original series.  Right from the season’s outset, “Meet in the Middle,” longtime audiences will recognize that all the show’s writers have done is re-imagine the classic episode “Penny For Your Thoughts.”  The difference between the two stories is their execution.  In the original story, Hector Poole (played by Bewitched star Dick York) develops telepathic ability and uses them for what he thinks is good, though things don’t go exactly as planned.  It is a warning about knowing whether what we are doing is really for the betterment of others.  On another level, it takes on the equally timeless topic of whether the “super power” of telepathy is really a good thing.

In the case of “Meet in the Middle,” what audiences get is lonely bachelor Phil (Jimmi Simpson – Date Night, Westworld, Psych 2: Lassie Come Home) developing a telepathic link with a woman in another town hundreds of miles away.  Yes, he gets ahead of himself in his own way, but in this case, the result is far worse, and the topic is more centered on the dangers of social media.  How the story ends will be left for audiences to discover for themselves.  The comparison between the two episodes is important in that where the message in the original episode is timeless, that of the latter episode is more timely.  Yes, being aware of the dangers of social media is important, but people should still be just as aware of simply getting ahead of themselves in any aspect in life.  That is where the original episode wins and this one falls short.  Simply put, this episode lifted liberally from a classic episode and basically just re-imagined it for the 21st century.  It, again, is an example of how this season’s stories are new but not necessarily original.

“Ovation,” which comes almost halfway through Season 2, is yet another story that while new is itself not original.  This episode is a direct lifting of the classic episode “A Nice Place to Visit.”  “A Nice Place to Visit” starred Larry Blyden (Cain’s Hundred, The Witness, On a Clear Day You Can See Forever) as “Rocky,” a career criminal who ends up in what he thinks of a paradise of sorts after he is killed by police in an effort to flee the scene of a crime.  As things progress, he realizes that his paradise is anything but.

“Ovation,” which spoofs all of the karaoke singing competitions on television today, stars (Jurnee Smolllett – Underground, The Great Debaters, Lovecraft Country) as struggling singer-songwriter Jasmine.  Jasmine is given a coin one day by another famous young starlet (who then proceeds to commit suicide – happy thought, eh?) only to gain all the fame and fortune that she wanted and more.  That nonstop fame and fortune eventually leads jasmine to realize her heaven had in fact become her own hell.  Again here is that similarity.  What happens from there will be left for viewers to find out for themselves, but that personal hell becomes even more shocking as star Mynx’s fame increases while her own fades.  The ultimate outcome is Jasmine’s final punishment.  It will also be left for viewers to learn for themselves.  The overarching story here is one that is a direct lifting of the noted classic episode.  Yes the matter is timeless, in that desire that people have for fame and fortune, but it still is not necessarily original, once again.  Just as “Rocky” got all that he wanted in the original story, but ended up despising it, so did the same thing happen with Jasmine in the latter episode.  So again, this is yet another example of how the primary content featured in the second season of CBS All Access’ The Twilight Zone reboot comes up short.

“A Small Town,” the eighth of Season 2’s 10 total episodes is just one more example of how the reboot of The Twilight Zone continues to fall short o expectations in its primary content.  The very title “A Small Town” is a blatant rip-off of the title of the classic TZ episode “Stopover in a Quiet Town.”  That is just the tip of the iceberg here.  The story finds Jason (Damon Wayans, Jr. – The Other Guys, Big Hero 6, Let’s Be Cops) discovering the model of his town, Littleton, in the attic of the church that he attends.  He soon discovers that the changes he makes to the model also happen to the town itself.  This is a direct lifting of the little girl in the earlier episode as she played with the couple in her own model town.  The little girl was, of course an alien and the couple humans that were kidnapped by the girl and kept as pets.  That aside, Jason is still kind of the same way as he tries to improve the town. 

“Stopover in a Quiet Town” is not the only classic TZ episode that is featured in this episode.  The writers also incorporated an element of the equally classic episode “The Monsters Are Due on Maple Street” as mayor Conley (David Krumholtz – The Santa Claus 1-3, Numb3rs, The Deuce) accuses Emilio (Andrew Alvarez) of causing the unexplained events to happen.  This is a direct mirror image of the Maple Street residents accusing each other of being aliens and communists.  Keeping that in mind along with the direct lifting of the story’s primary story line, yet again here is another example of how the story might be new but still not necessarily original.  It is hardly the last example of how this season directly lifts from the original series, too, making for even more disappointment.

Even the one “original” story “8” is not entirely original.  In the case of this story, it focuses on a team of scientists in the Antarctic who face off against a killer octopus with the sentience of a human.  The very concept of a killer octopus feels like a direct lifting not of anything from The Twilight Zone, but the 1955 creature feature It Came From Beneath The Sea.  That movie centered on efforts to stop a giant mutant octopus that rises from the depths to try and take over the city of San Francisco.  What does throw back to the original Twilight Zone run is the discussion between two of the team members (one American and one Chinese) about using knowledge gained for good or for military use (I.E. democracy versus communism).  This was a classic theme from the original series.  Even while this episode is maybe slightly original at best in comparison to the original series, it also leads to another problem posed by this season, its overtly explicit general content.

The general content featured within Season 2 of CBS All Access’ reboot of The Twilight Zone is just as concerning as the general lack of originality in the episodes.  Once again, the episodes are rife with excessive foul language and violence.  One of the lowest moments when this happens comes halfway through the season in “Among the Untrodden.”  This episode, which itself can be likened somewhat to the classic episode “Mute,” and to a slightly lesser degree to “The Lonely,” features f-bombs and s-bombs in almost every line.  What’s more, hearing one of the characters talking about one of her friends performing oral sex on a 30-year old man, and another girl watching her own father pleasure himself is just disturbing to say the very least.  There is also the explicit drug and alcohol use by the teens.  This just is collectively not necessary.  On another note, “8” features one character’s eyeball popped out by the killer octopus.  Yeah, that really was not necessary.  “Ovation” features a scene in which a man undergoing open heart surgery starts clapping as he lays on the operating table.  Audiences can see all the blood and gore there.  This was just as unnecessary.  As if all of that is not enough, the way in which the girl commits suicide in the story’s opening is pretty harsh to say the least, as if the very act of suicide itself was not explicit enough.  Going all the way back to the season premiere “Meet in the Middle,” the final act features its own share of blatant explicit content.  It won’t be fully revealed, but it involves lots of blood and a very unsettling scene.  Along the way there are plenty of f-bombs and general cuss words to boot.  It’s just one more way in which the general content featured in these episodes hurts the season even more.  The rest of the season’s content is problematic in this aspect, too.  Yes, art is said to be a reflection of the times, but audiences who are familiar with the original run of The Twilight Zone will agree that said series remains timeless today more than 60 years after its premiere in part because it did not rely on that content in order to be so memorable.  It just relied on good writing, originality and accessibility.  To that end, why the writers behind the series’ latest reboot think that so much explicit content continues to be necessary (they used just as much explicit content in the reboot’s debut season) remains a mystery.  This aspect paired with the general lack of originality in the season’s stories weakens this season’s presentation even more.  The final nail in the coffin for this season’s presentation is its lack of bonus content.

The first season of CBS All Access’ reboot of The Twilight Zone offered audiences at least something to appreciate in its home release thanks to its bonus content.  This season is the polar opposite.  All audiences get in this season is a very small handful of deleted/extended scenes and a “gag reel” as bonus content.  The extra footage is not companion to every episode.  It is at the most, featured along with about three episodes.  One of those episodes is the blatant re-imagining of “The After Hours,” “Downtime.”  The scene that is featured is all of maybe three seconds at best.  Yes, it is that short.  It features star Morena Baccarin – Deadpool, Deadpool 2, Serenity – running to the rooftop of the hotel that she manages.  That is it.  There is nothing else.  When audiences watch the episode in whole, the overall scene is long that the shortness of the extra footage is largely forgotten.  To that end, that “bonus” footage proves more inconsequential than any bonus.  The other notable “bonus footage” comes with “Ovation.”  It shows Jasmine losing her cool so to speak when she discovers that Mynx had taken her fame.  Watching the episode in whole, it is understood that the story could have kept the footage or left it out.  It did not really matter.  Other than those two episodes, audiences really will not find much more bonus footage.  The only other extra content is the noted gag reel, which is short in its own right.  Keeping this in mind, this general lack of any redeeming bonus content works with the concerning general content and unoriginal stories to make the second season of The Twilight Zone’s latest reboot another disappointing offering from CBS All Access.  It is more proof that some things are just better left as they were.  It proves not everything needs to be rebooted.

The second season of CBS All Access’ latest reboot of The Twilight Zone is a step backward for this series.  Where the reboot’s debut season offered at least some positives, this season fails to provide audiences much if anything to appreciate.  The stories that are featured in this season are new, but not necessarily original.  Like the episodes featured in Season 1, the stories in these episodes  once again lift liberally from the original, timeless series launched more than six decades ago by Rod Serling and CBS.  They just re-imagine so many of the original series’ episodes for their own presentations, rather than offering audiences anything truly original.  The general content featured within the stories is problematic, too.  The original series continues to be timeless today in part because it relied on good writing and acting, rather than a bunch of explicit foul language, blood and gore.  The lack of any worthwhile bonus content in the season’s forthcoming home release puts the final nail in this season’s coffin.  All things considered, this season falls even shorter than the rebooted season’s debut season.  It is worth at the most one watch if only for its stories, but sadly little more if at all.  The Twilight Zone: Season 2 is scheduled for release Tuesday on DVD.

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My Favorite Martian: The Complete Series Is An Out Of This World Success

Courtesy: mpi media group

Courtesy: mpi media group

CBS at one point in time was the single greatest network on television. It had such variety in regards to its offerings. From classic variety shows such as The Carol Burnett Show, The Sonny & Cher Comedy Hour, and The Smothers Brothers Comedy Hour to powerful dramas and dramedies such as Maude, M.A.S.H. and Murder She Wrote to equally great sitcoms including: I Love Lucy, Gilligan’s Island, The Bob Newhart Show, The Jeffersons, Good Times, The Andy Griffith Show and so many others, CBS offered programming for everyone. Its programming transcended limitations of viewers’ age, gender, and even race. By comparison it seems that the majority of the once powerhouse network’s programming is made up of crime dramas, medical dramas, and “reality television” series. The variety of offerings that once made CBS so great, it seems, has gone completely by the wayside. Thankfully though, a number of those classic shows have been resurrected on DVD and Blu-ray thanks to the efforts of just as many home entertainment companies. The latest of those classic series to finally see the light of day—My Favorite Martian—saw all three of its season released in their own standalone season sets between 2012 and 2014 courtesy of MPI Home Video. Luckily for fans of the standout sitcom MPI Home Video didn’t stop there. The studio released the series in a complete three-season box set this week. And for those that were not lucky enough to add the series to their home DVD libraries in their previous releases, this box set is just as enjoyable and a must have. For those that perhaps will see the series for the first time or even the first time again in purchasing this box set it is so enjoyable first and foremost thanks to the work of its writers. The writing behind the series’ 107 total episodes will put a smile on any classic TV buff’s face. That will be discussed shortly. In direct connection to the writing, the work of the series’ lead actors—Bill Bixby and Ray Walston—is just as entertaining. Their interpretation of each episode’s script makes for more than its share of laughs from one episode to the next. That will be discussed in more depth later. Last but hardly last of note in regards to this box set is the inclusion of its bonus material. The bonus material spread across the series’ three separate season setsis extensive to say the least. There are no fewer than three pilot episodes, one which was for My Favorite Martian, and the other two for a pair of series which sadly never went past their pilots. There is also a full-length clip of Ray Walston on the classic game show I’ve Got A Secret, interviews with Lucille Ball on her show Let’s Talk To Lucy and so much more. These bonuses together with those not named here round out the core of My Favorite Martian: The Complete Series’ positives. They are hardly the only positives worth noting, too. One would be remiss to ignore the set’s packaging or even its production values. All things considered, My Favorite Martian: The Complete Series proves in the end to be a piece that every classic TV buff should have in his or her collection and a collection that is one of the best of this year’s family friendly box sets.

MPI Home Video’s brand new release of My Favorite Martian: The Complete Series is a collection that every single classic TV buff should have in his or her own home DVD library. It is also one of the best of this year’s family friendly box sets (versus those box sets featuring TV shows and movies that are aimed more at grown up audiences). This is most obvious through the writing behind the series’ three season run. Over the course of the show’s 107 total episodes, it presents plenty of classic story lines that while familiar to the buddy comedy genre, have been tweaked to be fully original in their presentation here. “The Memory Pill,” which is presented in the show’s second season is a prime example of the writers ability to take one of those classic story lines and make them fresh and funny. Tim, wanting to forget a certain woman that he keeps thinking of, takes one of Martin’s memory pills, leading him to develop amnesia of sorts in this episode. So it is up to Martin to get Tim back to his old self. What ensues in the process of the episode is what really makes it funny. Martin brings in a doctor who is played by David White, who was also Darren’s boss in ABC’s classic supernatural sitcom Bewitched. The antics that play out will have audiences of all ages laughing uproariously as Tim continues to try (in his state of amnesia) to convince the doctor that Martin is in fact a Martian. “How To Be A Hero Without Really Trying” (Season One) is another example of the talent of the show’s writers. That is because this episode sees the bachelor Tim trying once again to impress a young woman (which in itself becomes part of the show’s comedy right up to its finale) by taking her and her young brother out for a day trip. The trip is in reality also to help Martin find an element that he needs in order to work on his ship. Thanks to Martin, though the young boy ends up stuck high up on a cliff and has to be rescued. Tim, trying to impress the boy’s sister decides to save her brother. Needless to say plenty of antics come from this decision that will once again have audiences laughing just as much as with any of the series’ other episodes. What’s really funny about the story in whole is that for all of its entertainment that entertainment in question comes about from Tim and Martin having to clean up the other’s mess again and again throughout the course of the episode’s script. Season Three is just as packed with laughs as Tim goes back in time in the season finale, causing quite the disruption in the time space continuum. Also in Season Three, Tim helps Mrs. Brown’s brother build a robot that does household chores. That is a theme that had and has been used so many times before and since in other classic sitcoms including Gilligan’s Island. It’s just one more of so many throughout the course of the series’ original run of the writers’ talents. There are 104 other examples from which viewers can choose throughout the series’ three seasons. In finding their own favorites, audiences will agree that the writing behind My Favorite Martian is one of the series’ most important elements. Through it all, the buddy comedy element never gets old at any point in the series’ run. And that is just the tip of the iceberg in the series’ enjoyment. The work of lead actors Bill Bixby and Ray Walston in interpreting the scripts adds even more enjoyment to the series.

The work of the writers behind My Favorite Martian lies at the center of its success even despite it having just a three-season run on television. The scripts that were crafted by this show’s writers is the kind of material that is so sorely missed today. It’s the kind of material that parents can feel good about letting their kids watch for the most part. It’s the kind of writing that parents will feel just as good about watching with their kids, too without feeling uncomfortable at any point. It is just one element of the show’s enjoyment, of course. The work of lead actors Bill Bixby and Ray Walston in interpreting the writers’ scripts adds even more enjoyment to the show. Bixby’s manic behavior, for instance, in “The Memory Pill” is reminiscent of Cary Grant’s Mortimer Brewster in the classic 1944 comedy Arsenic And Old Lace. He is just so frenzied in his state of amnesia. On the other end of the spectrum, one can’t help but wonder to a point if Walston’s deadpan demeanor as Martin was any influence on Harvey Korman’s portrayal of The Great Gazoo in The Flintstones. For those that might not know, The Great Gazoo was introduced to The Flintstones two years after the start of My Favorite Martian. So it would, again, be interesting to find out if there might have been any connection between the two actors if at all. Getting back on the subject, that deadpan persona that is most prominent throughout the series, set alongside Bixby’s own Dick York meets Alan Young look and persona, makes for its own share of laughs throughout each episode. On a related noted, Walston does break that self-righteous, snooty persona that that audiences love so much. One of the best moments in which Walston breaks that person comes early in Season One in the episode “There Is No Cure For The Common Martian.” Martin gets a cold for the first time ever in this episode and it sort of knocks him down off of his proverbial high horse and makes him no better than any human. It forces him at least for the moment to see that and just makes for a great break from the norm in terms of Walston’s general performance. In its own way, it could be argued that both because of their personas and how they handle them (and the scripts), both Bixby and Walston could be argued to be the straight man and the comedian believe it or not. That is something that audiences just don’t see in comic performances today. It really is something original. And that originality makes for so many great, memorable performances throughout the course of the series’ run. It’s yet more proof of why the work of both Bixby and Walston was (and is) so important to the success of My Favorite Martian: The Complete Series. It still is not the final factor in the set’s success. The set’s bounty of bonus material adds even more enjoyment for audiences.

The work of both My Favorite Martian’s writers and its lead actors makes for a great deal of enjoyment for audiences as they make their way through the course of the classic sitcom’s three seasons and 107 episodes. For all of the enjoyment that both elements bring to the series, they are not all that makes this set complete. The collection’s bevy of bonus material adds extra points to the newly released box set. And it is not an understatement to say that there are a lot of bonuses for fans included here. MPI has included in Season One the original pilot episode of My Favorite Martian, the pilot episode for the never-aired series The Reluctant Eye, and even a full appearance by Ray Walston on the game show I’ve Got A Secret. Walston’s appearance on the game show even includes the original TV spots (commercials) that ran in the specific episode between segments. So it really is complete in every sense of the word. On a side note, the episode in question features Walston trying to fool the show’s panels in regards to how he lights a jack-o-lantern. So this bonus is a great fit with Halloween only days away at the time of this posting. In regards to the pilot episode of My Favorite Martian, it should be noted that this is a little bit misleading. That is because episode #1 is in fact the series’ pilot episode. It hasn’t been separated out as a bonus episode. And that’s not necessarily a bad thing, either. It maybe just shouldn’t have been listed under the “bonus” section since it is not listed actually within the list of bonus materials when Season 1 Disc 5 is played. What is listed is that appearance on I’ve Got A Secret and all of the season’s other bonuses, including a complete soundtrack album containing music from My Favorite Martian as well as the season’s bonus photo gallery, and separate sponsor spots along with one of Walston’s own commercials. MPI Home Video’s people didn’t stop here with the bonus material. Season Two boasts interviews with the show’s cast as well as original billboards and ads featuring the show’s cast. Season Three adds even more enjoyment as it features a slew of bonuses. Those bonuses include: interviews with Bill Bixby and Ray Walston on Lucille Ball’s Let’s Talk To Lucy program, home movies filmed by the cast on the set of the show, and a pilot for the also never-aired series The Man in the Square Suit along with other bonus footage. There is so much that there is simply not enough room to list or even discuss it all. But it goes without saying that when audiences purchase this box set for themselves, they will be blown away by the vast amount of bonus material included with this box set. That extensive amount of bonus material coupled with the work of both the show’s writers and lead actors makes for an experience that helps My Favorite Martian: The Complete Series live up to its title. They make it not just a complete series set in name but in experience and in turn they collectively make it one of he best of this year’s family friendly box sets.

The writing and acting that went into My Favorite Martian across its short three season run paid off in spades for the series even with it having run only three seasons. They combine with the bonus material included in this collection to make My Favorite Martian: The Complete Series compete in every sense of the word and in turn one of the best of the year’s family friendly box sets. That is not to discount the set’s packaging, which while it looks bulky on the outside is actually quite ergonomic in and of itself. Each of the series’ three seasons has been presented within its own standalone season set once more. Each set’s discs are placed in what is the norm today in multi-disc packaging–placing discs on either side of a given number of “plates” and in some cases even on the inside front and back of the case. This conserves space within each set and ultimately in the bigger picture of the set’s packaging. Considering the route that the people at MPI Home Video could have taken, this was the smartest possible route for the set’s presentation. Even better for audiences is that an episode guide has been included inside the case for Season One and Season Two. Each guide includes a precise listing of the season’s episodes along with a short yet concise summary of each featured episode. In regards to Season Three, the episode guide only features a listing of the episodes with their original broadcast dates. While it would have been nice to have gotten a complete episode summary as in Season One and Two, it is still nice to at least have an episode guide, period. To that extent, the packaging is yet another positive to a set that is sure to be among any classic TV buff’s favorites this year. Add in the highly impressive look and sound of each episode and audiences once again get a viewing experience that is just as complete as the set itself. It is an experience that will leave audiences of all ages agreeing that this collection of episodes will be a favorite not just of classic TV buffs but even more specifically fans of this beloved classic. All things considered My Favorite Martian: The Complete Series proves unlike collections from so many other series to be truly complete in every possible sense of the word. My Favorite Martian: The Complete Series is available now in stores and online and can be ordered direct via MPI Home Video’s online store at http://www.mpihomevideo.com/products/my-favorite-martian-the-complete-series. More information on this and other titles from MPI Home Video is available online now at:

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