Ascending From Ashes To Re-Issue Debut Album ‘Glory’ Next Month

Courtesy: Darkscale Media/O’Donnell Media Group

Hard rock band Ascending From Ashes will re-issues its new album Glory this Christmas.

The album, originally released Feb. 9, 2019 through Darkscale Media, featured 13 songs, including the singles ‘Revolt,’ ‘Enemy,’ ‘Afraid‘ and ‘The Prince.’ The concept album follows the rise of a young prince to his throne as he faces many perils along the way.

Glory‘s re-issue will feature four additional songs ‘Pentadextrous,’ ‘Black Forest,’ ‘Dream On’ and ‘Florence.’  The addition of the songs changes the original sequencing, giving the album a new ordering.

The full track listing for the re-issue is noted below.

Tracklisting:
1. Glory, Part One
2. The Prince
3. Afraid
4. Florence
5. Pentadextrous
6. Bad Judge of Character
7. Glory, Part Two
8. Enemy
9. Caesar
10. Command & Conquer
11. Home
12. Revolt
13. Fall of Lucifer
14. Glory, Part Three
15. Greater Good
16. Black Forest
17. Dream On

Ascending From Ashes released its debut record, The Phoenix in 2011.  It was followed up with another EP, Phoenix Rising, which featured the single ‘Thundergun’ and the band’s cover of the Power Rangers theme song.  The release of Phoenix Rising led to attention from Disturbed member John Moyer who worked with the band on its debut album and its re-issue.

More information on Ascending From Ashes’ upcoming Glory re-issue is available online now along with all of the band’s latest news and more at:

 

Website: http://www.AFAmusic.com

Facebook: http://www.facebook.com/AscendingFromAshes

Twitter: http://twitter.com/afanj

 

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Saul’s ‘Aeons’ More Proof That Independent Acts Are Just As Viable As The Mainstream

Courtesy: O’Donnell Media Group

Independent music acts deserve far more credit than they get from the mainstream.  This critic can attest to this statement as time and again, so many unsigned and indie acts that this critic has listened to have proven with their records, to be able to hold their own against their more well-known counterparts in the mainstream.  Independent hard rock band Saul is just one more act that proves that argument true.  Its new EP Aeons holds its own against records from the likes of Disturbed, Korn and Breaking Benjamin. This is proven in part through the EP’s lead single ‘Brother.’  The EP’s opener, ‘The Toll’ supports the noted statement just as much as its lead single.  It will be addressed a little later.  ‘I Am HIM,’ the EP’s penultimate song, is one more example of what makes Aeons a work that will appeal to the noted audiences.  When they are considered alongside the EP’s other two songs – ‘Bolide’ and ‘Aeons’ – the whole of the record proves to be a good effort from the Iowa-based band.

Aeons, the new five-song EP from Sioux City, IA-based band Saul is a good effort from the independent hard rock quartet.  It is a work that is certain to take listeners back to the late 90s and early 2000s with its musical arrangements and lyrical themes.  That is proven in part through the EP’s lead single ‘Brother.’  The band’s members waste no time launching into the nearly four-and-a-half-minute song’s musical arrangement, taking off right from the song’s outset.  The crunching guitars, bass and drums couple with front man Blake Bedsaul’s vocal delivery to instantly conjure thoughts of Hellyeah, Disturbed and Breaking Benjamin.  It doesn’t let up until late in the song’s run, either.  That moment when the song’s energy pulls back is well-placed, too.  That is because it helps to heighten the emotion in the song’s lyrical theme right at that moment.

Speaking of the song’s lyrical content, Bedsaul explained in an interview about the song’s topic.  “Lyrically, this song defines what I should have said to my brother in his last moments,” Bedsaul said in the interview.  “This song cuts deep for me, and it’s a constant reminder that life is fleeting.  Tell the people in your life that you love them.”  This message is delivered clearly as Bedsaul sings in the lead verse, “I write this letter/It’s a letter I’ll never send/Words I’d never say/Would you read it anyway/Tell me brother, what’s my fate/Did you see the sunrise/Did you see the rain/We’ve come so far/Penniless in pain/This is my fate/The world awaits/Hold my hands and tell me that it’s alright/Are you proud of everything I’ve done in my life.”  From here, Bedsaul goes on to sing in the song’s chorus asking pleadingly to his brother “Are you still proud of me after everything that I’ve done?”  Bedsaul continues in similar fashion in the song’s second verse.  Ultimately what this comes across as (at least to this critic) is a person who is dealing with a lot of personal guilty and heavy feelings in general.  Those thoughts and feelings are translated very well.  When it is considered alongside the companion that is the song’s musical arrangement, the song in whole becomes a work that easily holds its own against its more well-known noted counterparts, and proves easily that it could just as easily be played on any mainstream/active rock station along with songs from those bands.  It is just one of the songs featured in this EP that makes the record appealing for its noted audiences.  ‘The Toll,’ which opens the record, is another example of what makes Aeons a noteworthy record.

‘The Toll,’ is a strong first statement from Saul on this record.  The down-tuned crunching guitars couple with Bedsaul’s vocal delivery this time to just as easily conjure thoughts of Breaking Benjamin.  The same can be said of the subtle introduction of the keyboards in the song’s chorus.  The song’s ability to grab its targeted audience with its musical arrangement ensures that those listeners will pay just as much attention to the song’s lyrical content.

Bedsaul sings in this song, seemingly about facing the trials and tribulations and not letting those obstacles get in the way.  He sings, “I know I’m not giving in” and of “the toll it takes/the price we pay.”  Bedsaul never fully makes clear what is taking a toll, only hinting that maybe he is referencing facing life in general, as he sings in the lead verse, “Consider this/Like nothing left.”  Not having a lyrics sheet to reference, it is difficult to fully decipher Bedsaul’s words.  That aside, enough is understood that it is clear this is a song that lyrically sends a message about pushing through life’s adversity, which is always a welcome message.  The fire in the song’s musical arrangement couples with the strength of Bedsaul’s words to make the song in whole another standout addition to Aeons.  It is just one more of the songs that proves the record’s appeal.  ‘I Am HIM’ is one more way in which Aeons proves its appeal.

‘I Am Him’ once again conjures thoughts of Breaking Benjamin with its musical arrangement.  At the same time, though one could also argue that there are hints of In Flames and other similar acts.  It is by far one of the EP’s heaviest tracks, if not its heaviest arrangement.  In reference to its lyrical content, it is difficult, again, to decipher Bedsauls screams and growls when coupled with his band mates’ work sans lyrics sheet.  However, it can be inferred from what is decipherable, that perhaps this song is addressing matters of the past.  He notes late in the song, “say what you say/You cannot walk away/You know not what you’ve done.”  He is rather cryptic here and throughout the song, especially considering the addition of some religious imagery.  Simply put, this song is certain to generate plenty of discussion among listeners.  That is not a bad thing.  In fact, the fact that it will generate so much discussion makes it stand out that much more.  Considering that, it is clear why this song is so important.  It will get people thinking and talking.  The song’s heavy musical arrangement is just an added bonus.  When the two elements are joined with the music and lyrics in the previously discussed songs (and those not directly noted here), the end result is a record that makes Saul’s new EP just as viable for any mainstream/active rock radio station as the band’s more well-known counterparts and contemporaries.

Independent hard rock band Saul’s new EP Aeons is a good effort from the Midwestern outfit.  It holds its own well against records from the likes of Disturbed, Korn and Breaking Benjamin.  All three of the songs discussed here serve to prove that statement.  The EP’s other two songs that were not directly discussed do just as much to support that statement as the noted works.  Each song is critical in its own way to the EP’s whole.  All things considered, the EP proves to be a record on which any mainstream/active rock radio programmer should take a chance.  It is available now.  More information on Aeons is available now along with all of Saul’s current live dates and more at:

 

Website: http://saulofficial.com

Facebook: http://www.facebook.com/saulbandofficial

Twitter: http://twitter.com/saulband

 

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Art Of Anarchy Announces New Live Dates

Courtesy: O’Donnell Media Group

Art of Anarchy has announced new live dates in support of its new album The Madness.

The band announced this week it will embark on a short string of live dates next month beginning April 3 in Amityville, N.Y. The nearly month-long schedule takes the band to the Midwest and into the Southwest and also into Canada, eventually winding down April 29 in Henderson, NV.  The band’s current live schedule is noted below.

Art of Anarchy Tour Dates:

4/3/17 – Amityville, N.Y. – Revolution Bar & Music Hall
4/4/17 – Asbury Park, N.J. – The Stone Pony
4/6/17 – Toronto, Ontario – Velvet Underground
4/7/17 – Sarnia, Ontario – Station Music Hall
4/8/17 – Battle Creek, Mich. – The Music Factory
4/10/17 – Libertyville, Ill. – Austin’s Saloon
4/11/17 – Chesterfield, Mich. – Diesel Concert Lounge
4/13/17 – Fort Wayne, Ind. – The Rusty Spur
4/14/17 – Ringle, Wisc. – Q&Z Expo Center
4/29/17 – Henderson, Nev. – M Resort

Composed of Scott Stapp (ex-Creed) on vocals, Ron “Bumblefoot” Thal (ex Guns ‘N Roses) on guitar, John Moyer (ex-Disturbed) on bass and twin brothers Jon and Vince Votta on guitar and drums respectively, the band originally formed through an 18-year friendship between Thal and the Votta brothers.

Jon Votta first approached Thal with the idea to form the band years ago.  That discussion eventually led to the band’s creation, which originally saw the late Scott Weiland (ex-Stone Temple Pilots) handle vocal duties. The band’s debut self-titled album was released in June 2015.

Stapp said in a recent interview that he was optimistic about working with the members of Art of Anarchy.

“I’m excited to be a part of Art of Anarchy,” Stapp said.  “I appreciate collaborating with other talented artists and I can’t wait to share our new music with the fans very soon.”

Band manager John Gomez shared Stapp’s optimism.

“The other members of AOA and I are equally excited to have Stapp on board,” Gomez said.  “This is the first band that Scott has fronted outside of Creed and his heart’s really in it.  Scott’s vision, his gift for gut-wrenching storytelling and his powerful vocals lend a bold new energy to the group.”

Thal thought bringing Stapp on to take Weiland’s place has been a boon for the band, adding he thought Stapp’s addition to the band helped take the band in a new direction.

“Scott’s style and the personal lyrics he’s been writing are taking the sound in a new direction – one that brings out the best in all of us,” Thal said.  “It’s a new chapter for us all, and I’m looking forward to sharing the new music with the fans and seeing what the future holds.”

Vince Votta agreed.

“It’s been awesome having Stapp on board,” Votta said.  “Everyone is bringing their A-game and can’t wait to bring it live to the stage.”

Audiences that haven’t heard that new sound can hear The Madness’ latest single, its title track online now via the band’s official YouTube channel.  More information on The Madness is available online now along with all of Art of Anarchy’s latest news and more at:

 

 

 

Website: http://www.artofanarchyband.com

Facebook: http://www.facebook.com/ArtOfAnarchyBand

 

 

 

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Romantic Rebel Added To Smile Empty Soul’s “Shapeshifter Tour 2016” LIneup

Courtesy: O'Donnell Media Group

Courtesy: O’Donnell Media Group

Romantic Rebel is headed back out on the road.

The band announced Monday that it will join Smile Empty Soul on the road this summer for the band’s “Shapeshifter Tour 2016.”  The tour launches this Friday, July 15th in St. Louis, MO.  It will share time on stage as support for Smile Empty Soul alongside The Everyday Losers, Shallow Side, and Beitthemeans on the tour.  Romantic Rebel’s upcoming live dates are in support of its upcoming EP Begin Again.  The band announced Monday that fans who come out to its live shows will be able to pick up Begin Again before its official release date, which has not yet been announced.

Singer KT Paige recently sat down to discuss the EP and what it means not just to her but to the band in whole.  She noted in her discussion the work put into the songs not only by herself but also by guitarist Alex Vincent, who co-wrote the record, and by producer Johnny K (Disturbed, Pop Evil, Finger Eleven, Sevendust, 3 Doors Down, Megadeth, Machine Head, Nonpoint, etc.), who helmed the EP and is also working with the band on its upcoming as yet untitled sophomore album.  “This EP is very special to us,” she said.  “Alex and I wrote these songs from the heart; about past experiences and struggles.  That said, we were very attached to them and didn’t want to see them change.  Johnny, being the multi-talented producer that he is, helped us take the songs we thought couldn’t get any better to a whole new level.  It’s amazing how a simple change in melody can make me feel even more emotional about a song than I had felt previously.”

While waiting for Romantic Rebel’s new EP to be released audiences can purchase the EP’s lead single ‘Too Far’ now online via iTunes.  The single’s companion video is currently streaming on the band’s official YouTube channel now.  More information on Romantic Rebel’s latest tour schedule is available online now along with all of the band’s latest news at:

 

 

 

Website: http://www.RomanticRebelBand.com

Facebook: http://www.facebook.com/RomanticRebelRocks

Twitter: http://twitter.com/rr_the_band

 

 

 

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Suicidal Tendencies Added To Ozzfest Meets Knotfest Lineup

Courtesy:  Adrenaline PR

Courtesy: Adrenaline PR

Organizers with the 2016 Ozzfest Meets Knotfest have added another band to the mega-festival’s lineup.

Veteran hard rock band Suicidal Tendencies has been added to the lineup for the inaugural Ozzfest Meets Knotfest.  It marks the first time that the band has ever taken the stage at Ozzfest in any capacity.  The band will take the place of Children of Bodom, which was originally scheduled to perform on the first day of the double-header festival. The updated lineup for the festival is noted below. Audiences will note that there is even a stage dedicated to late Motorhead front man Lemmy Kilmister at this year’s festival.

 

OZZFEST Line-up

Saturday, September 24

 

MAIN STAGE:  Black Sabbath, Disturbed, Megadeth, Opeth, Black Label Society, and Rival Sons.

LEMMY STAGE:  Suicidal Tendencies, Hatebreed, DevilDriver, Goatwhore, Huntress, and Dead Cross.

NUCLEAR BLAST STAGE: Municipal Waste, Kataklysm, Nails, The Shrine, and Still Rebel.

KNOTFEST Line-up

Sunday, September 25

 

MAIN STAGE:  Slipknot, Slayer, Amon Amarth, Anthrax, and Trivium.

LEMMY STAGE:  Sabaton, Suicide Silence, Overkill, Emmure, Butcher Babies, and Man with A Mission.

NUCLEAR BLAST STAGE:  Whitechapel, Combichrist, Carnifex, Loathe, SIM, and ONI.

 

Ozzfest Meets Knotfest is currently scheduled to be held Saturday, September 24th and Sunday, September 25th at San Manuel Amphitheater and Festival Grounds in San Bernardino California.  As a special holiday celebration, fans can purchase single 4-day ticket packs for $84.  The limited-time special is going on now and ends July 4th at 11:59pm PT.  Tickets can be purchased online at http://www.ozzfest.com and http://www.knotfest.com.  More information on the inaugural Ozzfest Meets Knotfest is available online at:

 

 

OZZFEST

 

Website: http://www.Ozzfest.com

Facebook: http://www.facebook.com/ozzfestofficial

Twitter: http://twitter.com/theozzfest

 

 

 

KNOTFEST

 

Website: http://www.knotfest.com

Facebook: http://www.facebook.com/KNOTFEST

Twitter: http://twitter.com/knotfest

 

 

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‘Voices’ Will Leave Lots Of Voices Talking About Red Tide Rising

Courtesy: Vanity Records

Courtesy: Vanity Records

Colorado is not typically the first place that people think of when they think of major centers of music.  Though, Nathaniel Rateliff and the Nightsweats definitely helped put the state on the musical map last year with the release of its eponymous 2015 full-length studio recording.  Now another Colorado-based band is looking to make its mark on the state’s musical community with the release of its new EP Voices.  The band goes by the name of Red Tide Rising.  The five-song record is available now.  Listening through the nineteen-minute record it can be said of the band that it is ready to be not just one of the Denver music scene’s next big names but that of the mainstream rock realm, too.

Red Tide Rising’s new EP Voices, which was produced and co-written by Drowning Pool drummer Mike Luce (except for ‘You’re Nothing), is not the Littleton, Colorado-based hard rock quartet’s record.  It is however the band’s first real chance at breaking through and becoming part of the mainstream rock realm.  That is clear in the disc’s searing closer ‘New Breed’ both in its musical arrangement and its lyrical theme.  The band waste’s no time getting listeners’ attention with the song’s musical arrangement.  Guitarist Andrew Whiteman (front man Matthew Whiteman’s brother) launches right into the song with a full throttle Spineshank style riff.  Drummer Guerin establishes the song’s foundation alongside bassist Michae LeBois’ solid low end.  The combined sound of each line makes for a song that despite being the record’s closer, is its most powerful musical statement.  Of course one would be remiss to ignore front man Matthew Whiteman’s vocals talents as part of the song’s success.  Whiteman channels Mushroomhead front man Jeffrey Nothing in this song  The similarity between the two front men’s vocal styles is especially evident in the song’s chorus.  Speaking of Whiteman, Whiteman’s words are just as powerful and impacting here as are his vocals and the talents of his band mates.  Whiteman sings of false friends—those people who talk out of both sides of their mouths, lifting up a person on one side while discreetly tearing them down on the other side—in this song.  Considering this, the driving energy being exuded by the song’s musical arrangement makes it a solid match with the song’s lyrical theme.  It serves quite well to illustrate the negative energy of those people and at the same time the frustration felt by those who have been wronged by those same people.  Keeping all of this in mind, it serves collectively to show why this song is Voices’ anchor despite being the record’s closer.  It is just one example of what makes Voices potentially Red Tide Rising’s breakout record.  The equally blistering ‘You’re Nothing (But S***)’ is another of the record’s most important compositions.

‘New Breed’ is an important inclusion in Red Tide Rising’s latest offering.  It is just one of the record’s most notable compositions.  The equally searing ‘You’re Nothing (But S***)’ is just as notable as ‘New Breed’ thanks in part to its radio ready musical arrangement.  [Andrew] Whiteman leads the way once again here as he craft’s a solid melodic hard rock sound in the song’s guitar line.  Guerin and LeBois follow Whiteman’s lead, working with him to establish a solid foundation for the song in its musical arrangement.  The song’s musical arrangement establishes a solid foundation for the song.  It is just one part of what makes this song such an impacting work.  [Matthew] Whiteman’s lyrics build on that musical foundation to make the song one of the EP’s strongest moments if not its strongest moment overall.  Much as in the case of ‘New Breed’ Whiteman addresses those types who live just to make others’ lives miserable.  That is evident as he sings, “The bridge is burned/I’m not concerned/I never thought poor to you/In the end/We’ve all gone mad/the story ends here for you/I’m not your slave/I’m not your boss/I’ll never be your g**d***ed scapegoat.”  That’s a pretty telling statement to say the very least.  This is someone that is done with people’s garbage and their games.  It is that proverbial musical middle finger to said subjects.  Now given, this is hardly the first time that any singer/band has ever tackled such a subject.  Yet Whiteman still manages to make his own impact here.  That impact doesn’t end here.  He goes on to sing along with his band mates in the song’s chorus, “I don’t care/What the world has given you/You’re nothing, nothing/I don’t care/What the f*** you think of me/You’re nothing but s*** like me.”  Whiteman doesn’t let up an inch from here.  He goes on to sing in the song’s second verse, “Run your mouth/Everyday/Throw your fit and walk away/B**** at this/B**** at that/Get out of my face/You psychopath.”  From here, Whiteman and company reprise the song’s chorus before launching into one more lyrical salvo.  That final verbal assault is no less intense musically or in terms of Whiteman’s aggressive delivery of said lyrical venom.  As a matter of fact it is just as intense as the song’s previous verses.  Keeping that in mind, the whole of this song proves in the end to be quite the volatile composition.  That is meant in the best way possible, too.  Simply put, the combination of the song’s musical arrangement and its caustic lyrical content makes it one of this record’s strongest showings and possibly even its strongest.  It still is not the last example of what makes Voices such a solid outing for Red Tide Rising.  The disc’s defiant opener ‘Writing on the Wall’ is one more example of what makes Voices solid.

‘New Breed’ and ‘You’re Nothing (But S***)’ are both key examples of what makes Voices a solid new effort from Red Tide Rising.  Both songs offer content—both musical and lyrical—that makes each radio ready songs.  They are not the record’s only radio ready offerings.  The record’s defiant opener ‘Writing On The Wall’ could just as easily be used as a single for the record.  As with the previously noted songs this song’s musical arrangement serves as the basis for this argument.  The song opens with a slow, brooding guitar line from Andrew Whiteman.  It doesn’t take long before the rest of the band joins in and really launches the song.  Matthew’s lyrics are just as hard hitting here as in the EP’s other noted compositions, as is his delivery of said lyrics.  He sings here, “I refuse to be left behind/In dust/Haunted by/The ones I lost/But they’re the fire/That keeps on burning/The light shining in the dark/My voice/Can you hear me/My voice has just begun/My eyes have seen the beating/I have witnessed/The writing on the wall.”  This is just a small dose of Whiteman’s verbal assault here.  He goes on to sing in the song’s third verse of facing even more negativity but then goes on to remind himself in the song’s chorus once more of what keeps him going.  So it is very similar lyrically speaking.  And in the bigger picture of the EP’s five songs, it too carries that ongoing theme of facing the negativity in life bravely rather than letting it hold one’s self down.  Keeping this in mind, that theme couples with the song’s musical and lyrical content to show once more why it is yet another of the key offerings from Voices.  Of course it is hardly the last of the disc’s notable songs.  ‘Suffocate’ and ‘The Sound of Voices Screaming’ are both impressive in their own right, too.  They partner with the songs more directly discussed here to show why Voices is, in whole, the record that could help Red Tide Rising *ahem* rise to rock’s mainstream realm.

Red Tide Rising’s new EP Voices only boasts five songs and runs only nineteen minutes in length.  That isn’t much.  But in the course of that time, the Denver, Colorado-based quartet shows that it is truly a band ready to “rise” to rock’s mainstream realm.  That is evident in both the record’s musical and lyrical content from beginning to end.  The musical arrangements in each of its featured songs are on the same level as so many of today’s major mainstream rock songs.  Its recurring theme of facing the negatives in life with confidence in each song’s lyrical content is just as important to note.  When all of those elements are combined, they make a whole that from beginning to end is a record that could break the band into rock’s mainstream realm.  It is available now and will be available at all of the band’s upcoming live dates.  Those dates are available online now along with all of the band’s latest news, member bios, and more at:

 

 

Website: http://www.redtiderising.com

Facebook: http://www.facebook.com/redtiderising

Twitter: http://twitter.com/redtiderising

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Rock On The Range Sells Out For Fourth Straight Year

Rock-on-the-Range-logo

Courtesy: AEG Live/Danny Wimmer Presents/Ashton-Magnuson Media

The annual Rock on the Range festival has done it again.

For the fourth consecutive year the Rock on the Range festival has officially sold out. This year’s mark is especially important for the festival as it marks the festival’s 10th anniversary. Last year 120,000 people from all across America and the world bought every last ticket to the three-day festival. This year’s festival will be another three-day event, running from May 20th – 22nd. It will take place at the MAPFRE Stadium in Columbus, Ohio. The lineup for this year’s festival includes: Red Hot Chili Peppers, Disturbed, Rob Zombie, Deftones, Shinedown, Five Finger Death Punch, Bring Me The Horizon, A Day To Remember, Megadeth, At The Drive-In, Lamb Of God, Sixx:A.M., Hellyeah, and Pennywise, as well as a number of up-and-coming acts.

Along with some of the rock and metal community’s biggest names and biggest names of their next generation, the Rock on the Range Festival will also feature some of the most well-known and respected comedians out there today. They include: Big Jay Oakerson, Nate Bargatze, Craig Gass, Bethany Dwyer, Madison Malloy and Grammy®–nominated comedian Jay Mohr in the Rock on the Range Rolling Rock Comedy Tent. There will even be a craft beer village featuring the top breweries from the region, new art installations, and activities special to the festival among so much more. ROTR co-executive producer Danny Wimmer discussed the sellout and what it says not only of the festival but of rock and metal as well in a recent interview. “Anyone who says, ‘Rock is Dead,’ hasn’t paid attention to Rock On The Range,” he said. “This festival has grown in each one of its 10 years, selling out in record time this year. Rock On The Range’s strength stands as a testament that rock fans are not only alive and well, they are flourishing.”

Whether or not audiences will be headed to the annual festival they can still get all of the latest information on the festival including performance times and more via its new mobile app. The app is free and can be downloaded via iTunes and Google Play.

Rock on the Range is produced by Danny Wimmer Presents, AEG Live, and MAPFRE Stadium. It is sponsored by Monster Energy, Jack Daniel’s, Zippo, The Music Experience, and Bud Light. More information on the Rock on the Range festival is available online along with all of its latest news at:

 

Website: http://www.RockOnTheRange.com

Facebook: http://www.facebook.com/rockontherange

Twitter: http://twitter.com/rockontherange

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.