Dragonforce Taps Visions Of Atlantis For Upcoming Tour

Posted on January 15, 2022 by philspicks

Courtesy: Breaking The Law PR/Napalm Records

Dragonforce is bringing symphonic metal band Visions of Atlantis for its upcoming tour.

The forthcoming North American run is scheduled to launch March 7 in Santa Ana, CA and to run through April 23 in Berkeley, CA. It features performances in cities nationwide, such as Greensboro, NC; Boise, ID and Mesa AZ. Seven Spires will also serve as support for Dragonforce’s upcoming tour.

Guitarist Herman Li spoke highly of Visions of Atlantis in a prepared statement.

“We are so excited to welcomeVisions of Atlantisto our North American tour in March and April,” Li said. “We wanted to bring a huge show, with an amazing line-up and crazy production. Visions of Atlantis brings a ton of energy to the stage, and they’re incredible musicians. We can’t wait to get on the road with them!”

The schedule for Dragonforce’s upcoming tour, which is in support of its latest album, Extreme Power Metal, is noted below. Tickets are available here. Seven Spires and Battle Beast will share time as support with Visions of Atlantis for the length of the tour.

DragonForce North American tour dates

w/ Battle Beast, Visions of Atlantis, Seven Spires

Mar. 7, 2022 – Santa Ana, CA – The Observatory *

Mar. 8, 2022 – San Diego, CA – The Observatory *

Mar. 9, 2022 – Roseville, CA – Goldfield Trading Post *

Mar. 10, 2022 – Portland, OR – Hawthorne Theatre *

Mar. 11, 2022 – Seattle, WA – Neptune *

Mar. 13, 2022 – Vancouver, BC – Commodore Ballroom *

Mar. 15, 2022 – Calgary, AB – Palace Theater *

Mar. 16, 2022 – Edmonton, AB – Union Hall *

Mar. 18, 2022 – Boise, ID – Knitting Factory *

Mar. 19, 2022 – Salt Lake City, UT – The Complex *

Mar. 20, 2022 – Denver, CO – Oriental Theater

Mar. 22, 2022 – Lawrence, KS – Granada Theater

Mar. 23, 2022 – St. Louis, MO – Red Flag

Mar. 24, 2022 – Milwaukee, WI – Rave II

Mar. 25, 2022 – Minneapolis, MN – First Avenue

Mar. 26, 2022 – Chicago, IL – Metro

Mar. 27, 2022 – Detroit, MI – St. Andrews Hall

Mar. 29, 2022 – Ft. Wayne, IN – Piere’s

Mar. 30, 2022 – Toronto, ON – Opera House

Mar. 31, 2022 – Montreal, QC – Corona Theatre

Apr. 1, 2022 – Quebec City, QC – Imperial Bell

Apr. 2, 2022 – Worcester, MA – The Palladium

Apr. 3, 2022 – New York, NY – Irving Plaza

Apr. 5, 2022 – Reading, PA – Reverb

Apr. 6, 2022 – Cleveland, OH – Agora Theater

Apr. 7, 2022 – Baltimore, MD – Baltimore Soundstage

Apr. 8, 2022 – Pittsburgh, PA – Roxian Theater

Apr. 9, 2022 – Greensboro, NC – Arizona Petes

Apr. 10, 2022 – Atlanta, GA – The Masquerade (Heaven)

Apr. 12, 2022 – Tampa, FL – Orpheum

Apr. 13, 2022 – Ft. Lauderdale, FL – Revolution

Apr. 15, 2022 – Dallas, TX – Amplified Live

Apr. 16, 2022 – Houston, TX – Warehouse Live

Apr. 17, 2022 – Austin, TX – Come And Take It Live

Apr. 19, 2022 – Mesa, AZ – Nile Theater

Apr. 20, 2022 – Las Vegas, NV – House of Blues

Apr. 22, 2022 – Los Angeles, CA – Belasco Theater

Apr. 23, 2022 – Berkeley, CA – UC Theater

* = without Battle Beast

Additionally, Dragonforce is scheduled to join Power Wolf and Warkings this fall on a series of live dates across Europe. The bands’ tour is scheduled to launch Nov. 11 in Berlin, Germany and to run through Dec. 4 in Antwerp, Belgium. The bands’ tour is noted below.

DragonForce 2022 tour dates
w/ Powerwolf, Warkings
Nov. 11, 2022 – Berlin, Germany – Velodrom
Nov. 12, 2022 – Munich, Germany – Zenith
Nov. 13, 2022 – Prague, Czech Republic – Tipsport Arena
Nov. 14, 2022 – Katowice, Poland – MCK
Nov. 16, 2022 – Budapest, Hungary – Barba Negra
Nov. 17, 2022 – Vienna, Austria – Gasometer
Nov. 18, 2022 – Stuttgart, Germany – Schleyerhalle
Nov. 19, 2022 – Zurich, Switzerland – Samsung Hall
Nov. 21, 2022 – Barcelona, Spain – Razzmatazz
Nov. 22, 2022 – Madrid, Spain – Riviera
Nov. 24, 2022 – Milano, Italy – Alcatraz
Nov. 25, 2022 – Frankfurt, Germany – Jahrhunderthalle
Nov. 26, 2022 – Oberhausen, Germany – Konig Pilsener Arena
Nov. 27, 2022 – Paris, France – Zenith
Nov. 29, 2022 – London, UK – Roundhouse *
Dec. 1, 2022 – Amsterdam, Netherlands – Afas Live
Dec. 2, 2022 – Hamburg, Germany – Sporthalle
Dec. 3, 2022 – Saarbrucken, Germany – Saarlandhalle
Dec. 4, 2022 – Antwerp, Belgium – Lotto Arena
*=without DragonForce

More information on the Dragnforce’s new single, video, and upcoming live dates are available online along with all of the band’s latest news and more at:

Website: https://www.dragonforce.com

Facebook: https://www.facebook.com/dragonforce

Twitter: https://twitter.com/Dragonforce

To keep up with the latest sports and entertainment reviews and news, go online to https://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Dragonforce Goes Glam In ‘Strangers’ Video

Posted on October 25, 2021 by philspicks

Dragonforce debuted the video for its latest single this week.

The band premiered the single for its single, ‘Strangers‘ Monday. The song is the latest single from the band’s 2019 album, Extreme Power Metal. The band premiered the video for the album’s then latest single, ‘Troopers of the Stars’ in August.

The video for ‘Strangers’ is full on glam. It features the band in classic 80s hair metal apparel and even playing guitars that were played by none other than Steve Vai during his time with Whitesnake and David Lee Roth. This is coupled with footage of people playing video games in what is meant to look like a retro arcade.

Guitarist Herman Li talked about the video and the song during a recent interview.

“This video takes place in the same ’80s world as our last video (‘Troopers of the Stars’), with the same cast and the same director,” said Li. “When Roboshobo pitched the concept, I was immediately into it. I’m a huge fan of the glam rock-era of music – I love the showmanship, the guitar solos, and the endearing cheesiness. And the players of that time were amazing, like Steve Vai, Warren Di Martini, and Reb Beach; I think sometimes the playing gets lost, and people just remember the crazy outfits. So, this video is a loving tribute to that era – while also being authentic…”

Added Li, “Roboshobo told us to get some cool-looking guitars to fit the theme of the video, and the night before the shoot, I was panicking because we still hadn’t found any. So, I texted Steve Vai and told him we were doing a glam rock video. He said, ‘come on over’, and when I got there, he had pulled out THE guitars he used with Whitesnake and David Lee Roth. I remember seeing these guitars in magazines as a kid, so it was incredible to get to use them on set – I almost cried when he handed them to me!”

Li concluded, “Besides the guitars, I think we all looked really hunky in our costumes, especially our hair! For a minute, I was even considering getting a perm…I know people may think we’re not taking ourselves seriously enough, but I think given the state of the world, sometimes it’s just nice to kick back and have a laugh with your mates. That was definitely the vibe on set – we could barely keep a straight face watching the playback. We’re also releasing super-limited merch we did in collaboration with the artist, Teenage Stepdad, at: dragonforce.com/shop. It definitely captures the feeling of the era!”

Courtesy: Metal Blade Records/Breaking The Law Public Relations

In related news, Dragonforce has announced the schedule for its upcoming 2022 North American tour in support of Extreme Power Metal. The tour is scheduled to launch March 7 in Santa Ana, CA and to run through April 23 in Berkeley, CA. It features performances scheduled in cities nationwide, such as Milwaukee, WI; Greensboro, NC and Dallas, TX.

The tour’s schedule is noted below. Tickets are available here. Battle Beast and Seven Spires are scheduled to serve as support for the tour.

DragonForce North American tour dates

w/ Battle Beast, Seven Spires

Mar. 7, 2022 – Santa Ana, CA – The Observatory *

Mar. 8, 2022 – San Diego, CA – The Observatory *

Mar. 9, 2022 – Roseville, CA – Goldfield Trading Post *

Mar. 10, 2022 – Portland, OR – Hawthorne Theatre *

Mar. 11, 2022 – Seattle, WA – Neptune *

Mar. 13, 2022 – Vancouver, BC – Commodore Ballroom *

Mar. 15, 2022 – Calgary, AB – Palace Theater *

Mar. 16, 2022 – Edmonton, AB – Union Hall *

Mar. 18, 2022 – Boise, ID – Knitting Factory *

Mar. 19, 2022 – Salt Lake City, UT – The Complex *

Mar. 20, 2022 – Denver, CO – Oriental Theater

Mar. 22, 2022 – Lawrence, KS – Granada Theater

Mar. 23, 2022 – St. Louis, MO – Red Flag

Mar. 24, 2022 – Milwaukee, WI – Rave II

Mar. 25, 2022 – Minneapolis, MN – First Avenue

Mar. 26, 2022 – Chicago, IL – Metro

Mar. 27, 2022 – Detroit, MI – St. Andrews Hall

Mar. 29, 2022 – Ft. Wayne, IN – Piere’s

Mar. 30, 2022 – Toronto, ON – Opera House

Mar. 31, 2022 – Montreal, QC – Corona Theatre

Apr. 1, 2022 – Quebec City, QC – Imperial Bell

Apr. 2, 2022 – Worcester, MA – The Palladium

Apr. 3, 2022 – New York, NY – Irving Plaza

Apr. 5, 2022 – Reading, PA – Reverb

Apr. 6, 2022 – Cleveland, OH – Agora Theater

Apr. 7, 2022 – Baltimore, MD – Baltimore Soundstage

Apr. 8, 2022 – Pittsburgh, PA – Roxian Theater

Apr. 9, 2022 – Greensboro, NC – Arizona Petes

Apr. 10, 2022 – Atlanta, GA – The Masquerade (Heaven)

Apr. 12, 2022 – Tampa, FL – Orpheum

Apr. 13, 2022 – Ft. Lauderdale, FL – Revolution

Apr. 15, 2022 – Dallas, TX – Amplified Live

Apr. 16, 2022 – Houston, TX – Warehouse Live

Apr. 17, 2022 – Austin, TX – Come And Take It Live

Apr. 19, 2022 – Mesa, AZ – Nile Theater

Apr. 20, 2022 – Las Vegas, NV – House of Blues

Apr. 22, 2022 – Los Angeles, CA – Belasco Theater

Apr. 23, 2022 – Berkeley, CA – UC Theater

* = without Battle Beast

Additionally, Dragonforce is scheduled to join Power Wolf and Warkings next year on a series of live dates across Europe. The bands’ tour is scheduled to launch Nov. 11 in Berlin, Germany and to run through Dec. 4 in Antwerp, Belgium. The bands’ tour is noted below.

More information on the Dragnforce’s new single, video, and upcoming live dates are available online along with all of the band’s latest news and more at:

Website: https://www.dragonforce.com

Facebook: https://www.facebook.com/dragonforce

Twitter: https://twitter.com/Dragonforce

Dragonforce Debuts ‘Troopers Of The Stars’ Video

Posted on August 27, 2021 by philspicks

Dragonforce is revisiting its most recent album for its latest single and video.

The band premiered the video for its single, ‘Troopers of the Stars’ Friday. The song is featured in the band’s 2019 album, Extreme Power Metal. The song’s musical arrangement is everything that audiences have come to expect from the band over the years: extreme shredding, operatic vocals, and overall rich musical instrumentation.

The song’s lyrical content is exactly as the title infers. It is a spoof about the famed modern b-sci-fi flick, Starship Troopers.

While the song is a spoof of the noted movie, the video goes in a slightly different direction. It spoofs the mechanical shows used to entertain kids at Chuck-E-Cheese restaurants, with the band members taking the place of the robots used in those shows.

To compliment the video’s premiere, the band has launched a new apparel line. Audiences can buy the band’s new shirts here.

In other news, Dragonforce is scheduled to join Power Wolf and Warkings next year on a series of live dates. The bands’ tour is scheduled to launch Nov. 11 in Berlin, Germany and to run through Dec. 4 in Antwerp, Belgium. The bands’ tour is noted below.

More information on the Dragnforce’s new single, video, and upcoming live dates are available online along with all of the band’s latest news and more at:

Website: https://www.dragonforce.com

Facebook: https://www.facebook.com/dragonforce

Twitter: https://twitter.com/Dragonforce

Helion Prime’s New Album Will Appeal To Any Power Metal Purist

Posted on October 5, 2020 by philspicks

Independent power metal band Helion Prime has apparently had a change of heart in regards to the singles for its new album, Question Everything. One week ago today, the band debuted what it had alleged was going to be the last single for the album, which released today. However, the band did an about face on that decision today with the debut of the album’s fifth single ‘Question Everything’ and its companion video. The musical arrangement featured in the song and the rest of the album’s singles (and its other tracks not turned singles) form the record’s cornerstone. They will be addressed shortly. The album’s overarching lyrical theme that accompanies the infectious musical arrangements builds around and on that cornerstone to make the presentation that much more appealing. The record’s sequencing caps off its most important elements and ensures the album’s success in its own way, which will also be addressed later. Each item noted here is important in its own way to the whole of Question Everything. All things considered, they make the record a presentation that will appeal to any power metal fan.

Helion Prime’s brand new album Question Everything is a presentation that easily holds its own against any record from the band’s more well-known counterparts, such as Dragonforce, Unleash The Archers, and Epica. That is proven in part through the album’s musical arrangements. The arrangements in question are pure power metal at its finest. At the same time though, there are moments that add in a little something extra for audiences to enjoy. Case in point is the arrangement featured in the album’s opener, ‘The Final Theory.’ The partnering of the guitar and keyboard arrangements lends itself to comparisons to works from In Flames. At the same time, the similarity to works from Unleash The Archers and Epica is just as evident. The balance of those influences and sounds makes for an arrangement that makes for a strong start to the album. It is just one of the moments that offers audiences something extra in this record. ‘Madame Mercury,’ the record’s second song, is another way in which the album gives audiences something extra in its arrangements.

The musical arrangement featured ‘Madame Mercury’ takes more of a hard rock approach than power metal. Yes, the power metal approach is just as obvious as here as at any other point in the album, but that more mainstream, hard rock approach is just as audible. That the band continued to take a new direction here and still manage to make the two distinctly different styles work together so well is worthy of its own applause. It serves to make the album that much more appealing for audiences and is not the last of the moments that does this, either. ‘Kong at the Gates/The Forbidden’ is another example of how the album goes beyond the band’s power metal roots to give audiences something extra.

‘Kong at the Gates/The Forbidden’ takes Helion Prime’s familiar power metal approach and adds a touch of symphonic metal a la Symphony X to the mix. That is evidenced through the string arrangements and the pounding drums that open the song. Event the vocal delivery of singer Mary Zimmer is noticeably different here from that of any of the album’s other songs. It isn’t nearly as wide open and operatic as at those points. Yes, there is a touch of that approach, but there is more of a controlled approach here. That, coupled with the equally controlled work of the guitars and time keeping makes for an arrangement that stands on its own merits while helping to build the album’s musical foundation in its own right. When this arrangement is considered along with the other noted arrangements and the rest of the album’s compositions, the whole of the album’s musical content leaves no question about its importance to the record’s whole. It is just one part of what makes the album so appealing. The lyrical content that accompanies the record’s musical arrangements builds even more on that foundation.

The lyrical content that is featured throughout the 56-minute album adds its own interest to the presentation because it so unique. It does something that many other bands do, but also that so few do at the same time. It takes a similar approach to that of say, Sabaton with its historical focus, making it familiar (and in turn, welcome) to power metal fans. In the case of Sabaton, the chosen topic is military history. In the case of this record from Helion Prime, the band crafted songs for this record about famed figures, such as philosopher Socrates, NASA mathematician Katherine Johnson, Raymond Gosling, who took the first picture of DNA, and astronomer Galileo Gallilei. The noted figures (and those not noted here) were people who questioned everything at their time (thus the album’s title), including gender roles, societal beliefs and even scientific and religious views. This is an approach that is unlike even the works from Sabaton and so much other power metal music, whose lyrical content tends to focus on wizards and dragons. So again, what audiences get in the album’s lyrical content is a focus on real history, much like what they will get from fellow power metal band Sabaton. At the same time, it presents its own unique content separate from Sabaton and pretty much most other power metal bands. To that end, the lyrical content that is featured in this record makes for its own share of appeal. It still is not the last of the album’s most notable elements. The album’s sequencing rounds out its most important elements.

For the most pat, Question Everything maintains a very high energy throughout the course of its body. It does briefly break things up in the early bars of ‘The Gadfly’ with the old school classical guitar style approach there. From there, the album’s energy picks right back up until it reaches the last two songs, ‘Reawakening’ and ‘Kong at the Gates/The Forbidden.’ ‘Reawakening’ is really the most reserved that the album’s energy gets, and even that is still a relatively upbeat work. Though stylistically, it is reserved by comparison to the album’s other works. The album’s finale is slower in its opening bars, but from there really picks up and becomes a full-on operatic work. Simply put, Question Everything will appeal to audiences in terms of its sequencing because it keeps the energy flowing from its opening to its end. Even when it does pull back, that reservation is slight at best. That steady energy joins with the appeal in the album’s lyrical content and even more familiar style in its musical arrangements to make the whole a positive new presentation for Helion Prime. It collectively makes the album a presentation that holds its own easily against works from the band’s more well-known power metal counterparts.

Helion Prime’s new album Question Everything does not necessarily question the power metal formula. That is evident throughout the course of its presentation. Even despite that (and because of it) it still proves itself a work that will appeal to the most devoted power metal purists. That is due in part to the record’s largely familiar stylistic approach to the musical arrangements. They are familiar, but also have some other elements that give audiences a little something extra to enjoy. The record’s lyrical content takes a familiar route in terms of straying from the mainstream lyrical topics of relationships, religion, and politics. It takes a unique approach by focusing on historical figures, really as a way to encourage listeners to think for themselves. That ironically is a familiar topic in the mainstream world. So really, the lyrical content gives audiences the best of both worlds, mainstream and independent. The record’s sequencing puts the last touch to its presentation, ensuring its energy never lets up too much, and breaking things up just enough at the right points. Each noted item is important in its own right to the whole of the album. All things considered, they make the album a work that will appeal to any power metal purist.

More information on the band’s new album and single is available along with all of the band’s latest news and more at:

Website: http://helionprimemetal.com

Facebook: http://www.facebook.com/helionprimemetal

To keep up with the latest entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment news and reviews in the Phil’s Picks blog at http://philspicks.wodpress.com.

Lord’s New EP Is A Strong Second Helping Of Its 2019 Album ‘Fallen Idols’

Posted on June 10, 2020 by philspicks

Courtesy: Dewar PR

Independent hard rock band Lord is giving its fans a bonus from its recently released album Fallen Idols. The band is scheduled to release its new EP Chaos Raining is scheduled for release Friday. The three-song record is an intriguing record because while it is being marketed as an EP, it is technically another of those records that is in reality more single than EP. That is not to say that the record is a failure for the band. Rather, its track listing does serve as something of a negative for the record’s presentation. This will be discussed shortly. While the track listing is undoubtedly an issue for Chaos Raining, it is the record’s only negative. The EP’s musical content is very much a positive worth noting, so it will be addressed shortly. The lyrical themes that accompany the EP’s musical content is notable in its own right and is also deserving of attention. It will also be addressed later. All three noted items are important in their own way to the whole of this EP. All things considered, they make Chaos Raining a presentation that hard rock and metal fans will find worth hearing at least occasionally.

Lord’s forthcoming EP Chaos Raining is, for the most part, an enjoyable new offering from the independent hard rock band. That is due in part to the record’s musical arrangements. The arrangements in question are powerful, guitar-driven works that will appeal to fans of bands, such as Judas Priest, Dragonforce and Firewind. That is evident through the combined guitar work of the band’s front man “Lord Tim” and fellow guitarist Mark Furtner as well as through “Lord Tim’s” operatic vocal delivery style. Even the extended take of the EP’s title track deserves attention, with its keyboards and semi-industrial metal approach. That element takes precedence in this song, but the original work’s guitar and drums are there. The choral approach taken with the vocals gives the song a touch of an 80s hair metal sound. This all seems like a lot, and it is, but somehow, the band manages to balance all of those elements for a whole that despite being nearly 10 minutes long, is still wholly entertaining in its own right. Keeping that in mind along with the engagement and entertainment that ‘Chaos Raining’ and ‘A World Insane,’ the whole of the EP’s musical content offers audiences plenty of motivation to take in this record. While the arrangements do echo the style of arrangement that the band has presented in its past works, the actual sound is different from those works. In other words, the style is the same as in previous works, but the songs overall are not identical in their sound. They are original in their own right, in layman’s terms. Even set against one another, the arrangements here are original in their overall sound. That makes the EP that much more worth hearing.

For all that the arrangements do to make Chaos Raining a positive new presentation from Lord, the songs overall are somewhat problematic. As with so many other records that have been released this year, one can argue that considering the EP’s makeup, is being improperly marketed. The EP is in fact more single than EP. That is because the record’s title song is itself from another album. The one extra original is likely a b-side that did not make the final cut for Fallen Idols. The extended remix of ‘Chaos Raining’ is basically just a bonus track. So while it is original in its own right, it is still just a remix of one of the record’s two original songs. In other words, the EP is essentially a single from the band’s bigger 2019 album that also features two extra works. One of those works is likely a castaway from the original sessions for that album while the other is just a re-worked version of the single. Keeping that in mind, the record is still enjoyable to hear, but is still more single than EP. Since it is being marketed as an EP, it still deserves its own spot on any critic’s list of the year’s top new EPs even despite everything noted.

While the makeup and marketing of Lord’s new EP is questionable, it does not make Chaos Raining a failure by any means. It does impact the record’s place in any critic’s list of the year’s top new EPs, but is still a work that will appeal to hard rock and metal fans. That is due in large part to the record’s musical content, though the musical content is just one part of what makes the record worth hearing. The lyrical content that accompanies the musical content adds to that engagement. The EP’s second song, ‘A World Insane’ comes across as a social commentary of sorts. “Lord Tim” sings in the song’s chorus, “A world gone insane…we cry out in vain/And now with open arms/We carry on and try to find our way.” Now while much of the song’s lyrics are indecipherable sans lyrics, just enough is understandable to make an inference about the theme. “Lord Tim” mentions in the song’s second verse about looking around and seeing no one around, adding mention about being on the precipice. In other words, the seeming statement hints at things being in a very bad state right now. When this is considered along with the note of carrying on with arms wide open, it leads to the assumption that the song focuses not just on how bad things are, but of people’s resilience and determination to get through all of the bad. This in itself is certain to generate interest and discussion among audiences. It is just one of the ways in which the record’s lyrical content proves so important to its presentation. The EP’s title track will generate its own interest with its seemingly more personal story.

“Lord Tim” sings in the lead verse of ‘Chaos Raining,’ “You cast your gaze upon my form/Into cold eyes that once were warm/Hardened by sorrow, I still bleed/I will arise from bended knee.” He continues in the song’s second verse, “The days loom grey/Forever seem/My mind engaged in pain unseen/Suffer the past/Onward I roam/Through severed ties I walk alone.” He adds in the song’s chorus, “Say goodbye/I’m lost forever/The storm, it rages on and on/I’m stronger/For every day that dies/I’ll wonder/The chaos raining down/I’m drowning under.” As the song enters its third verse, “Lord Tim” sings, “The years estranged/Like endless waves/Our time is gone/Now swept away/Torn down/Rebuilt in iron gleam/This broken man becomes machine.” At this point, the song returns to its chorus once more with its statement about being stronger despite everything. It can be inferred between that statement and the commentary in the verses that this song focuses on someone who is pushing on even as the world seems to fall down around him; a person who has been mentally and personally “rebuilt.” As always, this is just this critic’s interpretation. Hopefully it is close to being a correct interpretation if not completely correct. That aside, it is content that is certain to generate its own share of discussion among audiences, especially when it is considered alongside the song’s musical arrangement. All things considered, the song’s thought provoking lyrical content is just one more way in which the EP’s lyrical themes prove to be just as important to its presentation as its musical arrangements. Those arrangements and the lyrical content together make Chaos Raining a record that while maybe not the purest example of an EP, still a record that heavy rock fans will appreciate.

Lord’s forthcoming EP Chaos Raining is a work that will appeal to a wide range of hard rock and metal fans. That is due to its musical arrangements and its lyrical content, as noted here. The musical arrangements are everything that audiences have come to expect from the band. The riffs liken themselves to works from the like of Judas Priest, Firewind and Dragonforce at the same time. The lyrical themes presented within the record’s two original songs will generate their own engagement among audiences as they are certainly thought provoking, as also noted here. The one downside to the whole thing is that it is being marketed as an EP. This is important to note because the “EP’s” title track is itself a single from the band’s 2019 album Fallen Idols. Other than that one track, there is only one other original and then an extended take of the record’s title track. Keeping all of this in mind, this record is really more a single with two extra tracks than an actual EP. Even with that in mind, it is not enough to prevent a person from wanting to listen to this record. It is just something to note, and taken into consideration with the record’s overall content, it proves itself to be a work that will appeal widely to hard rock and metal fans. It will be available Friday. According to a post on the band’s official Facebook page, the record’s physical copies are already sold out in pre-orders, so right now, only digital pre-orders for the record are available. More information on Chaos Raining is available along with all of Lord’s latest news and more at:

Website: http://www.lord.net.au

Facebook: http://www.facebook.com/lordofficial

Twitter: http://twitter.com/lordofficial

To keep up with the latest entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Dragonforce Announces New Live U.S., European Dates

Posted on January 16, 2020 by philspicks

Courtesy: Metal Blade Records

Dragonforce announced a new slate of live dates this week.

The band announced on Monday, the dates for the upcoming North American leg of its tour. The tour is in support of its most recent album Extreme Power Metal (2019).

The two week run is scheduled to launch March 5 in Phoenix, AZ and to run through March 21 in Brooklyn, NY, and will feature in performances in other cities, such as St. Louis, MO; Detroit, MI and Salt Lake City, UT. Unleash the Archers and Visions of Atlantis will join Dragonforce for the tour.

Also joining the band for the run will be bassist Alicia Vigil (Vigil of War). Vigil’s addition to the band is just the latest following the departure of bassist Frederic Leclercq from the band in August. Damien Rainaud, who produced Extreme Power Metal handled bass duties for the band at its most recent shows, following the parting of ways between Leclercq and the band.

Vigil said in a recent interview, she was looking forward to joining Dragonforce for its upcoming run.

“So beyond stoked that Dragonforce chose me to be a part of this!,” she said. “I can’t wait to travel the world and play these new cities with them, and be a part of their legacy!”

Following its upcoming North American run, Dragonforce will head back overseas for another European run starting March 24 in Odense, Denmark. The tour is scheduled to run through July 18 in Balingen, Germany. Hammerfall is scheduled to join Dragonforce for select dates on the tour.

Vigil will also join Dragonforce for its European run. Dragonforce founding member and guitarist Herman Li talked recently about her addition to the band for its upcoming run.

“Alicia was recommended to me by a number of musician friends in L.A.,” he said. “She impressed me with her playing, her professionalism and her ability to learn the Dragonforce songs really quickly! I’m excited to have her playing on this tour, and I think the fans will really like what she brings to the show.”

Dragonforce will stream its world tour live through Li’s official Twitch channel. The band’s upcoming North American and European dates are noted below.

DragonForce USA Tour – Mission 2
w/ Unleash The Archers, Visions Of Atlantis
Tickets – https://dragonforce.com/shows
VIP – http://dragonforce.soundrink.com/
Mar. 5 – Club Red – Phoenix, AZ
Mar. 6 – The Regent – Los Angeles, CA
Mar. 8 – Regency Ballroom – San Francisco, CA
Mar. 10 – Metro Music Hall – Salt Lake City, UT
Mar. 11 – Oriental Theater – Denver, CO
Mar. 13 – Fine Line – Minneapolis, MN **
Mar. 14 – Red Flag – St. Louis, MO **
Mar. 15 – House of Blues – Chicago, IL
Mar. 17 – The Agora – Cleveland, OH
Mar. 18 – St. Andrews Hall – Detroit, MI
Mar. 19 – Roxian Theatre – Pittsburgh, PA
Mar. 20 – The Palladium – Worcester, MA
Mar. 21 – Warsaw – Brooklyn, NY
** = no Visions of Atlantis

DragonForce tour dates
Mar. 24 – Posten – Odense, Denmark +
Mar. 25 -Train – Arhus, Denmark +
Mar. 26 – Amager Bio – Copenhagen, Denmark +
Mar. 27 – Partille Arena – Partille, Sweden +
Mar. 28 – Annexet – Stockholm, Sweden +
May 16 – Pulp Summer Slam – Manila, Philippines
Jun. 26-27 – Rock am Härtsfeldsee – Dischingen, Germany
Jul. 2-4 – Rock Fest – Barcelona, Spain
Jul. 16-18 – Bang Your Head!!! – Balingen, Germany
+ = with Hammerfall

More information on the band’s upcoming live dates are available online along with all of the band’s latest news and more at:

Website: http://www.dragonforce.com

Facebook: http://www.facebook.com/dragonforce

Twitter: http://twitter.com/Dragonforce

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Devin Townsend’s ‘Empath’ Gives The Best Feeling For Audiences In This Year’s New Hard Rock/Metal Field

Posted on December 25, 2019 by philspicks

Courtesy: InsideOut Music

This year is one of the strongest in recent memory for metal masses around the world. This year saw new releases — powerful new releases at that — from some of the most well-known and respected names in the metal community. Slipknot’s new album We Are Not Your Kind is just one of those important new releases that the metal masses received this year. Amon Amarth’s new album Berserker gave the masses just as much to appreciate, as did new albums from Dragonforce, Killswitch Engage and The Offering.

Between those records and so many others, it goes without saying that developing a list of the year’s top new hard rock and metal albums was anything but easy. That’s especially the case considering the release early this year, of Devin Townsend’s new album Empath, Hyvmine’s new LP Retaliation and up-and-comers Alien Weaponry’s debut album Tu. This critic took a long time trying to assemble this list. It was not a chore taken lightly. As with other lists from this critic, it features the Top 10 New Hard Rock/Metal albums as well as five honorable mention titles for a total of 15 titles. Without any further ado, here for your consideration is Phil’s Picks’ 2019 Top 10 New Hard Rock/Metal Albums.

PHIL’S PICKS 2019 TOP 10 NEW HARD ROCK/METAL ALBUMS

Devin Townsend — Empath
Slipknot — We Are Not Your Kind
Amon Amarth — Berserker
Overkill — The Wings of War
The Offering — Home
Bad Blood — Bad Blood
Whitechapel — The Valley
Hyvmine — Retaliation
Dragonforce — Extreme Power Metal
Of Mice & Men — EARTHANDSKY
Dream Theater — Distance Over Time
Killswitch Engage — Atonement
Awake At Last — The Change
Corroded — Bitter
Alien Weaponry — Tu

Dragonforce’s New LP Is An “Extreme”-ly Enjoyable New Offering

Posted on November 16, 2019 by philspicks

Courtesy: Metal Blade Records

Veteran power metal outfit Dragonforce returned with its latest full-length studio recording late this past September. The group’s new album Extreme Power Metal – the band’s eighth album – comes almost three years after the release of its most recent album, Reaching Into Infinity (2017). The 10-song, 52-minute record is a presentation of everything that makes power metal so great despite it being so cheesy. The band embraced that cheese-factor completely here for the most part. Though there was at least one serious moment late in the album’s run in the form of ‘Remembrance Day.’ For those who may be less familiar with history, Remembrance Day is the European equivalent to Veterans Day. For all the American songs about Veterans Day and Memorial Day, this song gives its own take on one of the world’s most important moments in history, and definitely stands out in this record. It is just one of the album’s most notable entries. ‘Heart Demolition’ fully embraces that full-on cheese of 80s power metal but makes it even better, too. It deserves its own share of attention. ‘Cosmic Power of the Infinite Shred Machine’ boasts its own positives along with the other noted songs and the rest of the album’s offerings. When it is considered alongside those works, the whole of this album proves to be a work that Dragonforce’s fans will enjoy just as much as power metal fans in general.

Dragonforce’s latest full-length studio recording Extreme Power Metal is an *ahem* “extreme”-ly enjoyable work from this veteran power metal outfit. From the video-game inspired works ‘The Last Dragonborn’ and ‘In A Skyforged Dream’ to the Starship Troopers inspired ‘Troopers of the Stars’ to the wildly amped up cover of Celine Dion’s ‘My Heart Will Go On’ and beyond, this record offers everything that makes power metal so delightfully cheesy yet enjoyable at the same time. For all of the cheese already noted, the album does have at least one slightly more serious moment late in its run in the form of ‘Remembrance Day.’ The song is a moving tribute to those who have served and given the ultimate sacrifice. As the title notes, it is centered on Remembrance Day, the European equivalent to America’s Veterans Day. The song’s musical arrangement instantly lends itself to works from the likes of Manowar, Trans-Siberian Orchestra and other similar acts with its bagpipes, soaring guitars, cymbal accents and equally powerful vocals (especially in the choruses). It is a moving work that easily stands out as one of this record’s most notable entries and will certainly move any listener emotionally thanks to that arrangement. The arrangement is just part of what makes the song so moving. Its lyrical content is just as powerful as its musical content.

Front man Marc Hudson sings in the song’s lead verse, “Fallen souls in fields afar/Eternal hearts afire/Rows and rows of endless ghosts/Their memories inspire/Dreams of glory/Dreams of war/A generation died/Through the trenches, hear their songs/And wear their badge with pride/Stand up and fight/March at first light/Into the great battle we ride/Onwards tonight/Wait for the strike/Brothers in arms we unite/Guardians of heaven/In the night sky together/Remembered forever/Through the centuries of time/Honor and glory/We salute you the fallen/United we stand/The hearts of great men/We’ll raise our flag high/For the heroes lost in time.” Hudson continues in the song’s second verse, “Photographs of sons long gone/A dusty picture frame/Crosses stand on foreign lands/their memories never fade/Fields now green which once were scarred/A million warriors lay/Hear the stories gone untold/On this remembrance day.” He adds in the song’s final verse, “For the King, for our Queen/For the glory of our great country/Over land, on the sea/For our homeland we fight/Fight to be free.” This is a very well-written work and tribute to those who served and gave the ultimate sacrifice during World War I. Given, it is aimed mostly at the European forces who served during the war, but it leaves even American audiences thinking about their own ancestors who served alongside those British and other Allied forces who fought to keep the world free from tyranny. It is a work that will certainly last just as long as the memory of those brave warriors, and is just one example of what makes this five-minute-plus opus such an important part of Extreme Power Metal’s whole. ‘Heart Demolition’ is another of the album’s most noteworthy works.

‘Heart Demolition’ is a standard song about a broken relationships, but rather than just being the run-of-the-mill “oh woe is me” sort of song, the band has made this work into a positive work both musically and lyrically. This song’s arrangement easily lends itself to comparisons to works from the likes of Stratovarius, with its full-on shredding, near warp speed drumming, and bombastic guitar solos and soaring vocals. The energy in the song’s arrangement makes it a work that also gives it a certain 80s hair metal vibe that works just as well as the more power metal element in the composition. The whole of the arrangement’s elements makes the work in whole its own standout opus that is sure to be another fan favorite. Of course the song’s arrangement is just one part of what makes it stand out. As noted, this song is another familiar work that focuses on the issue of a broken relationship. The catch is that the song doesn’t take the standard oh woe is me attitude that so many breakup songs take. Rather, it takes a more positive note in this case.

Hudson sings in the song’s lead verse, “Sometimes I wonder/If love has a meaning/Feels like the sadness won’t end/Sometimes I wonder/Why do we try/We’re looking for answers in vain/Every step I’ve taken/Led me closer to the edge/And I’ve fallen, I’ve fallen/And there’s no way to return/Lost and mistreated/By your words and by your promises/The lies were ephemeral/But the truth won’t fade away/Live it up, live it up/And I know I’ll find the courage to be free again/The sun comes after rain/Live it up, live it up/The struggle has been real/But now I’ve got/I’ve gotta break these chains/Don’t wanna be another victim of love/No knife through my heart/Why don’t you let me go/Don’t wanna be another victim of love/I’ve done it times before/I won’t get fooled again, and again.” This is pretty much outright. This is someone who has gone through a lot of negative emotions in terms of dealing with past relationships, but still sees the positive and has moved beyond those lesser times. Hudson continues in the song’s second verse, “How many hours have we both wasted/Our life was written in sand/We took our chances, but love turned into hate/Nothing left but anger and pain/Our story turned to poison and we just drank it all/It was burning down our throat/and flowing through our veins/The passion, the fury/Nothing was like it was meant to be/The truth is hard to face/But I’m done looking away.” From here, he and his band mates return to the song’s chorus, with its more optimistic lyrics before finishing things off just as optimistically in the song’s third and final verse, singing, “And I know it will be fine/And I know that time will heal it all/And one day you will believe again/’Cause I know/Yes, I know/So for now, let it go.” Again, here we have someone who is moving past the trials and tribulations of that past, broken relationship and who is looking to the future rather than the past. Given, it’s hardly the first time that any act has ever crafted a song that is directed in a more positive direction, in regards to songs about broken relationships. That aside, any time any act opts to take that route instead of the standard oh woe is me route, it is something welcome, and it is just as welcome here as from any other act. The song’s musical arrangement helps to heighten that feeling. All things considered, they make the song in whole stand firmly on its own merits, and in turn show even more why it is such a strong addition to the record. Even as positive as the song is, it is just one more of the examples of what makes Extreme Power Metal another strong effort from one of the top acts in the power metal realm. ‘Cosmic Power of the Infinite Shred Machine’ boasts its own positives.

‘Cosmic Power of the Infinite Shred Machine’ is full-on power shred metal. From the high-speed drumming to the familiar power chords and general riffing and operatic vocals, it is everything that audiences have come to expect from Dragonforce throughout the course of the band’s existence. To that end, little else needs to be said of this arrangement. Rather the focus should be more here on the song’s lyrical content.

Lyrically speaking, this song is full on science fiction. There are references here to Star Trek (mention of the neutral zone and where no man has gone before) and even the general search for a new world on which to live. Hudson sings in the song’s lead verse, “Future worlds of magic and mystery/Our eternal path to search/And find out new horizons/Far and wide, to the end of the galaxy/Onwards through time/Striving to find/Answers to all of our dreams/Finding the path through the universe/Under the sign of our true star fleet/A brave new world/A brand new hope/A shining star so far from home/A brighter place/The terra prime/under power of cosmic light/here we stand alone at the frontier/the future of mankind/A brave new world/A brand new hope/A shining star to save our souls tonight.” He continues in the song’s second verse, “Realms of fear when our two worlds collide/Someone help us now to find our way out of this black hole/Zero hour to defend what we left behind/Armageddon’s near, but still we answer the call/Lost an alone in the neutral zone/Fear of the doomsday machine/Set the path through the stratosphere/Blazing like fire through the galaxy.” He adds in the song’s third and final verse, “Lost in the abyss/Out here in the void/The last solar flare/A system destroyed/By the light of the dark inferno/our starship will burn/Where no man has gone before us/And none shall return.” One could argue that there are references here to Disney’s classic 1979 science fiction flick Black Hole considering the black hole mention, and to Paramount Pictures’ 1951 sci-fi epic When Worlds Collide with the mention of “Realms of fear when two worlds collide.” Regardless of whether the song is referencing one sci-fi work or many, the fact of the matter remains that this is just a fun, full-on sci-fi work that is sure to entertain the masses. It will entertain just as much as the band’s tributes to the modern b-flick Starship Troopers, the video game-inspired works ‘The Last Dragonborn’ and ‘In A Skyforged and the band’s take on Celine Dion’s ‘My Heart Will Go On.’ Between those songs, the work noted here and the rest of the songs featured in this album, it is clear that Dragonforce’s members are not taking themselves seriously by any means this time out, and are just having fun. That fun translates well here, and leads to audiences having just as much fun listening to the record from start to end. In the end, listeners will agree that Extreme Power Metal is just as enjoyable a record from Dragonforce as any of the band’s previous works.

Dragonforce’s latest full-length studio album is yet another enjoyable offering from the veteran power metal outfit. That is proven throughout the record, with its mix of familiar power metal arrangements and through its equally fun lyrical themes. From songs that were inspired by video games, to songs inspired by science fiction literature and cinema to a wildly entertaining, amped up take on an annoying romance song from an equally annoying singer (Celine Dion’s ‘My Heart Will Go On’) to the seemingly more serious note of ‘Razorblade Meltdown’ and the more positive post breakup song that is ‘Heart Demolition’ and the moving military tribute of ‘Remembrance Day’ and more, the album offers listeners plenty to appreciate throughout its almost hourlong run time. That is both in terms of the songs’ musical and lyrical content. Keeping that in mind, the album proves overall, to be an “extreme”-ly enjoyable new offering from Dragonforce. The band wrapped the UK leg of its tour in support of Extreme Power Metal this week. It will launch the next leg of its tour across Europe in February. More information on the band’s upcoming live dates are available online along with all of the band’s latest news and more at:

Website: http://www.dragonforce.com

Facebook: http://www.facebook.com/dragonforce

Twitter: http://twitter.com/Dragonforce

Project 86 “Among” Rock and Metal’s Best On Phil’s Picks 2017 Top New Hard Rock & Metal Albums

Posted on December 27, 2017 by philspicks

Courtesy: Project 86/TAG Publicity

For those about to rock, we salute you!

Yes, everyone knows that phrase from AC/DC’s classic song by the same name. As popular as it is, it is more than just a song lyric and title. It is a statement of honor for the acts and audiences who span the rock community. This year, as with every year prior, there are so many bands to honor as the year nears its end, including hard rock and metal bands. In case it hasn’t become clear by now, this article focuses on this critic’s choices for the year’s top new hard rock and metal albums. As with every list before, compiling it was not an easy task. New releases from Project 86, Arch Enemy, Iced Earth, and so many others made this year’s field of new hard rock and metal albums very crowded. That is putting it lightly. Between well-known mainstream acts and their lesser-known independent counterparts, the two sides collectively offered so many impressive new albums.

Topping this critic’s list of the year’s top new hard rock and metal albums is Project 86’s latest album Sheep Among Wolves. The band’s 10th full-length studio recording in 20 years, this record takes all of the best elements of the band’s past — both musically and lyrically — and uses them to craft a work that is just as memorable and engaging as its predecessors. Also on this year’s list from Phil’s Picks are new albums from — as already noted — Iced Earth and Arch Enemy — as well as new offerings from Overkill, Act of Defiance, Prong, Adrenaline Mob, Blacktop Mojo and others. As with every list, this list presents this critic’s Top 10 titles plus five additional titles for a total of 15 records. That being noted, here for you is Phil’s Picks’ 2017 Top 10 New Hard Rock & Metal Albums.

PHIL’S PICKS 2017 TOP 10 NEW HARD ROCK & METAL ALBUMS

Project 86 — Sheep Among Wolves
Prong — Zero Days
Act of Defiance — Old Scars, New Wounds
Overkill — The Grinding Wheel
Iced Earth — Incorruptable
Blacktop Mojo — Burn The Ships
Adrenaline Mob — We The People
Marty Friedman — Wall of Sound
Corroded — Defcon Zero
Dragonforce — Reaching Into Infinity
The Haunted — Strength In Numbers
Doyle — As We Die
Demon Hunter — Outlive
36 Crazyfists — Lanterns
Arch Enemy — Will To Power

That’s all for this list. Again, it was not an easy list to compile. Acts the likes of Eve To Eve to Adam, Marty Friedman, Sepultura, Annihilator, Mastodon and so many others all deserve their own share of credit. With that in mind, it becomes easy to see why no disrespect was meant to any one act or another here. Every noted act released its own impressive album. Only so many spaces were available, sadly.

2018 is already shaping up to be an interesting year in its own right, with new material from Ministry on the way alongside new albums from Judas Priest, Saxon, Machine Head, Corrosion of Conformity, Tool, Clutch and lots more. Stay tuned for all of that in the new year. To keep up with all of the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘The Grinding Wheel’ Shows Overkill Is Still “Grinding” It Out Successfully

Posted on August 27, 2017 by philspicks

Courtesy: Nuclear Blast Records

The countdown to the year’s end is officially on, and that means for the music industry, the push is officially on to start assembling those annual year-end “Best Of” lists. One of the lists that this critic in particular has seen overflowing with impressive titles is that of the year’s top new hard rock and metal albums. New releases from the likes of Prong, The Haunted, Dragonforce and so many others have easily proven themselves deserving of a spot on that list by any critic. No critic’s list of the year’s top new hard rock and metal albums would be complete without the inclusion of Overkill’s latest album the Grinding Wheel. Released this past February, this 11-song, 64-minute album is an offering that reminds audiences once again why even after more than 30 years, Overkill is still one of the elite acts in the hard rock and metal realms even. That is even as the band continues to embrace the mantra of if it’s not broken, don’t fix it. The old school thrash riffs that have made the band a constant fan favorite throughout its life combine with equally interesting lyrical content here to prove why this record is one more of the year’s top new hard rock and metal offerings.

Anytime that Overkill releases a new album, it will find its way onto critics’ lists of the year’s best new hard rock and metal albums. The New Jersey-based thrash outfit’s 18^th (yes, 18^th) full-length studio recording The Grinding Wheel is no exception to that rule. That is proven right from the album’s outset in ‘Mean, Green Killing Machine.’ The song’s arrangement boasts riffs in its verses that easily lend themselves to some of the greatest classic thrash works from fellow thrashers Exodus, Metallica, Megadeth and others of that ilk. In the same breath, the combination of front man Bobby “Blitz” Ellsworth’s vocal delivery with those riffs also conjures thoughts of so many classic Judas Priest songs. The inclusion of the song’s more blues-based hard rock arrangement in its bridge adds even more interest to the song. The sudden change between those two wholly separate styles is, needless to say, stark. Yet at the same time, it still is not enough to ruin the song, musically speaking. It only makes it that much more interesting. Keeping that in mind, it is only one part of what makes this song proof of what makes The Grinding Wheel yet another standout record from Overkill. The song’s lyrical content is just as important to discuss as its musical arrangement.

Ellsworth sings here, “Somewhere out where no one knows/Rusts a cool revolution fight/Way out there where no one goes/And it’s got to keep moving/Got to keep getting it right/So here’s to the piston charged/Combustible delight/The single-minded supercharged/That’s got to keep moving/Got to keep getting it/A call to arms/A call right through the dream/A call to action/Blow up the in-between/Feed, feed your engine/Feed, feed the wolverine/Feed, feed the tension/Mean green/Killing machine/C’mon, C’mon say what my name is/Mean green killing machine.” Ellsworth goes on in the song’s further verses to deliver what seems like commentary perhaps about the world’s religious and business leaders, leading to the belief that perhaps while not a politically charged song, it is a lyrical worked aimed at reminding listeners to not just give in to the things being force-fed to them. That is just this critic’s own take and should not be taken as the only interpretation. Ellsworth could easily have been making a wholly different statement. That ability of these lyrics to create so much discussion in itself is even more proof of the importance of the song’s lyrical content. When that content is joined with the song’s rich musical arrangement, the end result is a song that clearly exhibits what makes The Grinding Wheel yet another solid offering from Overkill. It is hardly the only of the album’s songs to support that statement. The album’s title track is one more example of what makes The Grinding Wheel another standout album from one of metal’s true elite acts.

‘The Grinding Wheel’ proves just as much as ‘Mean Green Killing Machine’ what makes Overkill’s latest album so enjoyable in part to its musical arrangement. As with the previously discussed song, this composition also boasts an arrangement that is pure thrash at its finest. It lends itself just as easily to comparisons to works from Judas Priest as the album’s opener, too. Considering this, it goes without saying that this song’s musical arrangement is just as solid as those presented in the rest of the album’s songs. That being the case, the next sensible step here would be to examine the song’s lyrical content. This song’s lyrical content is just as intriguing as that in the album’s opener and the record’s other songs. Ellsworth sings here, “A bed of nails/Cold, dark, deep refrigeration/I hear it calling me/A broken rail as he drools over the congregation/I hear it calling me/Now I won’t tell you how to live your life/I never saw the point in thinking twice/I turn the wheel by day, by night/Raise your flag/Here’s to the liberation.” The song goes on in similar fashion with equally cryptic statements throughout that are just as certain to leave listeners talking and thinking as the song’s lead verse. Again, that ability to so easily engage listeners, even just through its lyrical content, is another way in which the song proves an important part of the record’s whole. When it is joined with the song’s musical arrangement, the two elements in whole support that statement even more. Even considering this, it still is not the last of the songs included in this record that shows what makes the album stand out. ‘Shine On,’ which comes early in the album’s run is one more example of what makes the record stand out.

‘Shine On’ is another key example of what makes The Grinding Wheel stand out, as with the previously discussed songs, in part due to its arrangement. The up-tempo, guitar-driven arrangement. The arrangement presented here is a polished composition that lends itself directly to comparisons to some of Metallica’s greatest thrash style works. Even as the song turns more doom-sounding bridge, that slower–yet no less heavy–section is a perfect fit that gives listeners just enough time to catch their collective breaths without losing them. It is only one part of what makes this song another key addition to The Grinding Wheel. The song’s lyrical content is just as important to discuss as its musical arrangement.

The lyrical content presented in ‘Shine On’ is important to discuss because of its seemingly anthemic nature. That anthemic nature is inferred, at least to this critic as Ellsworth sings in the song’s chorus, “We got no patience, but we get through/We got no patience, but we got you/All of the paraders shout no fear/All of the hurricaners with their fists up in the air/Someone else gave the order to the band/Someone else ignored us/Left the cat out in the rain/One more fire before I die/One more fire, get me high/Climb on down to the fire/Climb on down to the flame/Leave your battles behind you/Shine on Doomsday/Shine on Doomsday.” This all comes across as the band paying tribute, lyrically, to its fans, inspiring audiences to never give up on anything in life as they thank their fans for their dedication. Again, this is only this critic’s own interpretation and should not be taken as the only interpretation. Either way, this song’s lyrical content comes across as a loud, proud statement from the band. When that seemingly loud, proud statement is joined with the song’s equally heavy, driving musical arrangement, the whole of the song shows why it is an important addition to the album’s whole. When the song is joined with the other songs noted here (and those not noted), the album in whole shows clearly why it is another powerhouse offering from Overkill, and an easy candidate for any critic’s list of the year’s top new hard rock and metal albums.

Overkills’ 18^th full-length studio recording The Grinding Wheel is a presentation of a band that more than 30 years into its life is still successfully grinding it out. Yes, that awful pun was fully intended. That is due to the solid, heavy musical arrangements presented throughout the course of the album’s 64-minute run time. The record’s arrangements are everything that the band’s legions of fans have come to expect from its records throughout the years. What’s interesting about them here is how polished they sound in each case. The album’s collective lyrical content will have listeners thinking and talking just as much as its musical arrangements. From seeming commentaries (of sorts) to fist-pumping anthems and points in-between, the songs’ lyrical content gives listeners plenty to be happy about, too. Keeping thin in mind, The album in whole proves to be a work that any Overkill fan will appreciate and agree deserves a spot on any critic’s list of the year’s top new hard rock and metal albums. It is available now in stores and online. More information on The Grinding Wheel is available online now along with all of the band’s latest news and more at:

Website: http://www.wreckingcrew.com

Facebook: http://www.facebook.com/OverkillWreckingCrew

Twitter: http://twitter.com/OverkillBand

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Tag Archives: Dragonforce

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Project 86 “Among” Rock and Metal’s Best On Phil’s Picks 2017 Top New Hard Rock & Metal Albums

‘The Grinding Wheel’ Shows Overkill Is Still “Grinding” It Out Successfully