DKM’s Latest LP Will Bring Listeners More Pleasure Than Pain

Courtesy: Dropkick Murphys

Courtesy: Dropkick Murphys

Dropkick Murphys returned this week with its latest full-length studio recording 11 Stories of Pain & Glory.  The band’s ninth full-length studio recording, this latest offering will cause listeners more joy than pain. That is due in part to the songs’ lyrical themes. That will be discussed shortly.  The songs that are featured in the 11-song record are just as important to note as its story.  The record’s sequencing rounds out its most important elements.  Each element is important in its own right.  All things considered, this record reveals itself to be the year’s first great new rock record.

Dropkick Murphys’ ninth new full-length studio recording 11 Stories of Pain & Glory is this year’s first great new rock record.  The veteran Boston, MA-based punk outfit impresses with this latest effort due at least in part to the lyrical themes presented in each of the record’s songs. ‘You’ll Never Walk Alone’ is a prime example of the importance of the songs’ lyrical themes to its overall presentation.  The song is a cover of the composition made famous by Rogers and Hammerstein’s musical Carousel.  As founding member and bassist Ken Casey explains, the inspiration for the song came after he left a wake for fellow band member Al Barr’s brother-in-law, who had died from an overdose.

“Between Al’s loss and all the friends and people who I know, I’d say I’ve been to 50 wakes in the last three years,” Casey said. “I was leaving another overdose wake and the song came on in the car.  My music was on shuffle and ‘You’ll Never Walk Alone’ randomly played.  As I heard the chorus, “Walk on, walk on with hope in your heart, and you’ll never walk alone,” it struck me how powerfully the song related to the struggle and how you don’t have to do it alone.”

Casey made a strong, solid point in his statement.  While the song may not be an original, it shows that a song doesn’t necessarily have to have just one meaning even if it was originally written to address one subject or another.  It can be just as powerful with a latent message than a manifest message.  It’s just one song that exemplifies the importance of the record’s lyrical themes to the album’s presentation.  ‘Paying My Way’ is another example of the importance of the record’s lyrical content.

‘You’ll Never Walk Alone’ is a key example of what makes 11 Songs of Pain & Glory an impressive new effort from Dropkick Murphys.  While it may be a cover of a song from a Rogers & Hammerstein musical, the story behind its inclusion here gives the song’s lyrics a while new meaning; a meaning that makes the song just as powerful as the meaning of its lyrics in its original use if not more so.  It is just one of the songs that so clearly exhibits the importance of the record’s lyrical content.  ‘Paying My Way’ shows just as clearly the importance of the album’s overall lyrical themes to its presentation.  Front man Al Barr sings in the song’s lead verse, “Wake and pray/Work all day/I walk past the places that I used to play/Now I’m paying my way.” He adds in the second verse, “My heart is so much higher/Don’t count me out/I’m a survivor/I’d chase these dreams down city streets/Dead end rows and no one sees/And I am proud to be a fighter/When I look back to see your sign/When I look hard into your eyes/When I take stock of what I’ve done/I think about how far I’ve come.”  These lines provide such a positive message.  It isn’t a coincidence that the message in question is there, either.  As Casey explained in a recent interview, “‘Paying My Way’ is not just about paying your bills.  It’s about doing what you have to do in order to be a good person, but at the end of the day, never losing sight of the fact that doing the next right thing may lead to great things one day.”  That is evident, again, as Barr sings, “Don’t count me out/I’m a survivor…and I am proud to be a fighter.”  This is someone who isn’t willing to just roll over, but rather someone who realizes how far he or she has come, and in appreciating that, only looks forward.  It is a powerful and moving statement that shows even more why the album’s lyrical themes are so important to its overall presentation.  It is hardly the last song that serves to support that statement, too.  ‘Blood,’ the record’s lead single is one more example of the importance of the record’s lyrical themes to its presentation.

Dropkick Murphys’ cover of ‘You’ll Never Walk Alone’ and its own original song ‘Paying My Way’ are both key examples of the importance of the lyrical themes presented in the band’s new album 11 Songs of Pain & Glory.  That is because both songs’ lyrical themes present a positive message at their base.  What’s more they present those positive messages in different ways, rather than focusing on the same subject in each.  They are just two of the songs featured in this record that exhibit the importance of the songs’ lyrical themes.  The album’s lead single ‘Blood’ exhibits the importance of the album’s lyrical themes just as much as ‘You’ll Never Walk Alone’ and ‘Paying My Way.’  Barr sings here, “They beat us down, but we survived/Talked out of school and made up lies/But we don’t listen, we do what we do/We don’t care about them, we care about you.”  He goes on in the song’s closing verse to sing, “We’re coming for you/We’ll kick down the door/Be careful what you ask for, ‘cause you may get more/Gonna keep it loud, we don’t turn down/We’re coming back, we’re taking over this town.”  Barr and his band mates accent the verses as they sing in the song’s chorus, “If you want blood we’ll give you some/Straight from the heart til the job is done/If you want it now, then here it comes.”  Again, what listeners get here is another positive message in another different subject.  The song’s subject come across as saying here he or she and others have endured a lot in life, but still haven’t given up, nor will they give up either.  It comes across as echoing the statement that what doesn’t kill you only makes you stronger.  Once again, it is another prime example of the importance of this record’s lyrical themes to its overall presentation.  The record boasts eight other tracks whose lyrical themes are just as important as those noted here.  When they are combined together, they show undeniably the importance of the record’s lyrical content to its overall presentation.  Of course the record’s lyrical themes are collectively just part of what makes the album stand out.  Its musical arrangements are just as important to note as its lyrical themes.

The lyrical themes presented throughout 11 Songs of Pain & Glory are, collectively, key to the record’s overall presentation because of the positive messages presented in each song.  Each message presents its own original positive message separate from its counterparts.  That in itself gives audiences plenty of reason to pick up this new album.  While the record’s positive lyrical messages clearly show the important part that they play in the record’s presentation, those messages are only part of the equation.  The songs’ musical arrangements are just as important to discuss as their lyrical themes.  Audiences familiar with Dropkick Murphys’ body of work will note that the band has taken a decidedly different path musically on this record than in its past albums.  The upbeat, punk arrangements for which the band has come to be known are present here in ‘Rebels With A Cause,’ ‘Kicked To The Curb,’ and ‘I Had A Hat.’  But they are the only pieces that boast that familiar feel.  The rest of the album’s featured arrangements are either mid-tempo works such as ‘The Lonesome Boatman,’ ‘Blood’ and ‘First Class Loser’ or they are more reserved pieces such as ‘4-15-13,’ and ‘You’ll Never Walk Alone.’  In simple terms, the arrangements presented in this record tend to favor melody more than speed (or quality over quantity).  That’s not to say that the band hasn’t included songs focusing more on melody than speed in its previous albums.  But that focus seems more prevalent on this offering than on the band’s previous releases.  It may not seem that important on the surface, but again, those who are familiar with the band’s body of work will especially take note of this element.  It is interesting to see that change of direction, which in itself is not a bad thing.  It’s just interesting to note, and is not the last of the record’s most important elements.  The record’s sequencing rounds out its most important elements.

The lyrical and musical content presented throughout Dropkick Murphys’ new album are both key to the record’s overall presentation.  The songs’ lyrical themes each share positive messages in original settings.  Their musical arrangements show more focus than ever on melody than speed, and while the band has focused on melody before, it has never done so to the extent that it does here.  As important as these elements are to the record’s presentation, they are but two of the album’s most important elements.  Its overall sequencing, when taking into consideration those messages and arrangements, proves to be important in its own right to the record’s presentation, too.  From one song to the next, the stories presented in this record change constantly.  Each tale is original in its own way, as are the positive messages, but they also vary, and while the band focuses mainly on slower, more melodic arrangements than ever before, it does still include just enough higher energy arrangements throughout alongside mid-tempo arrangements to keep listeners fully engaged.  The album’s energy never gets too fast or slow thanks to the thoughtful sequencing of the songs’ arrangements, in simple terms.  When that is considered alongside the record’s varied lyrical topics and associated positive messages, the record’s presentation proves in whole why it will bring listeners more pleasure than pain.

Dropkick Murphys’ latest full-length LP 11 Stories of Pain & Glory is a work that will bring listeners more pleasure than pain. It shows through its lyrical themes and positive messages, its musical arrangements and its general sequencing that it is also the year’s first great rock record.  The lyrical themes and positive messages will keep listeners engaged in themselves.  The songs’ more melodic arrangements show a blatant change of direction for the band in comparison to the arrangements presented in its previous records.  The record’s sequencing highlights the importance of the songs’ lyrical and musical content even more, completing the record’s presentation in turn.  Each element obviously is important in its own way to the record.  All things considered, they make 11 Stories of Pain & Glory – again – a work that will bring listeners more pleasure than pain, and a record that proves to be the year’s first great rock record.  It is available now in stores and online.  The band will launch a tour in support of its new album beginning Feb. 21 in Bethlehem, PA.  The tour’s current schedule is noted below.

 

11 Short Stories of Pain & Glory Tour dates are as follows with The Interrupters and Blood or Whiskey opening except where noted below.

 

2/21/17 – Bethlehem, PA – Sands Bethlehem Event Center *+

2/22/17 – Columbus, OH – Express Live! *+

2/24/17 – Clive, IA – 7 Flags Event Center *+

2/25/17 – Hinckley, MN – The Grand Minnesota Taste Together *

2/26/17 – Sioux Falls, SD – The District *+

2/28/17 – Kansas City, MO – Uptown Theater *+

3/1/17 – Tulsa, OK – Cain’s Ballroom *+

3/2/17 – Little Rock, AR – Metroplex Live *+

3/3/17 – Robinsonville, MS – Horseshoe Tunica – Bluesville *+

3/4/17 – Birmingham, AL – Iron City *+

3/6/17 – St. Petersburg, FL – Janus Live *

3/7/17 – Ft. Lauderdale, FL – Revolution Live *

3/8/17 – Lake Buena Vista, FL – House of Blues *

3/10/17 – Myrtle Beach, SC – House of Blues *+

3/11/17 – Washington, DC – Shamrockfest Dropkick Murphys ONLY

3/12/17 – Huntington, NY – The Paramount *+

3/15/17 – Boston, MA – TBA

3/16/17 – Boston, MA – TBA

3/17/17 – Boston, MA – TBA

3/18/17 – Boston, MA – Agganis Arena

3/18/17 – Boston, MA – After Party @ House Of Blues with Pro Boxing

3/19/17 – Boston, MA – TBA

* w/ Blood or Whiskey

+ w/ The Interrupters

 

 

More information on 11 Short Stories of Pain and Glory is available online along with all of the band’s latest news and more at:

 

 

 

Websitehttp://www.dropkickmurphys.com

Facebookhttp://www.facebook.com/DropkickMurphys

Twitterhttp://twitter.com/DropkickMurphys

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

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Dropkick Murphys Unveil ‘Paying My Way’ Video

Dropkick Murphys has partnered with the National Hockey League for the band’s video for its new single.

The band unveiled the video for its new single ‘Paying My Way’ this week.  The song comes from the band’s new album 11 Stories of Pain & Glory, which is due out Jan. 6 via the band’s own label, Born & Bred Records.

The song’s new video couples the song with NHL footage from the league’s present and past.  It includes game footage and shots of players from different teams in the locker room, too.  DKM’s hometown team, the Boston Bruins are even included in the video.  The video is streaming online now here. The song is streaming online now via Spotify.

Courtesy: Born & Bred Records/NHL Network

Courtesy: Born & Bred Records/NHL Network

Band founder/vocalist Ken Casey explained the song’s lyrical theme, saying it is about trying to be the best that a person can be, and looking long term at the importance of trying one’s best.

‘Paying My Way’ is not just about paying your bills,” Casey said. ‘It’s about doing what you have to do in order to be a good person, but at the end of the day, never losing sight of the fact that doing the next right thing may lead to great things one day.”

Pre-orders for 11 Stories of Pain & Glory are open now via iTunes.  Audiences who pre-order the album now will get ‘Paying My Way’ as an instant download.  Limited edition CD and vinyl pressings of the album can be placed online now here.

Dropkick Murphys will hit the road in support of 11 Stories of Pain & Glory beginning Feb. 21 in Bethlehem, PA.  The band’s tour winds down on St. Patrick’s Day Week with a string of hometown shows in Boston.  Tickets for the band’s tour are available now.

More information on tickets is available along with all of the band’s latest news and more at:

 

 

 

Website: http://www.dropkickmurphys.com

Facebook: http://www.facebook.com/DropkickMuprhys

Twitter: http://twitter.com/DropkickMurphys

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Dropkick Murphys Offering New Single Download Now With Album Pre-Orders

Courtesy: Dropkick Murphys

Courtesy: Dropkick Murphys

Dropkick Murphys is offering its fans an early Christmas present.

The band had made available its cover of the classic song ‘You’ll Never Walk Alone’ for those who pre-order the band’s new album 11 Short Stories of Pain & Glory.  The album will be released Friday, January 6, 2017 through the band’s own label, Born & Bred Records.

‘You’ll Never Walk Alone’ is best known for its use in the beloved Rogers & Hammerstein musical Carousel.  Also covered by Gerry and the Pacemakers, this latest reworking of the song gives it a whole new identity as a message of hope for, and solidarity with, people suffering with opiate addiction.  It is one of the 11 powerful stories presented in the band’s upcoming album, too.

Bassist and band founder Ken Casey explained that the inspiration for the band’s new take on the song came about after he left a wake for front man Al Barr’s brother-in-law, who had died from an overdose.

“Between Al’s loss and all the friends and people that I know, I’d say I’ve been to 50 wakes in the last three years,” Casey said. “I was leaving another overdose wake and the song came on in the car.  My music was on shuffle and ‘You’ll Never Walk Alone’ randomly played.  As I heard the chorus, “Walk on, walk on with hope in your heart, and you’ll never walk alone,” it struck me how powerfully the song related to the struggle and how you don’t have to do it alone.”

The song went on to become the first piece recorded for the band’s new album.  Audiences can get an instant download of the song now when they pre-order 11 Songs of Pain & Glory online via iTunes.  Limited edition CD and vinyl pressings of the album can be pre-ordered via the band’s official webstore.  Audiences can stream the band’s cover of ‘You’ll Never Walk Alone’ online now here.

Courtesy: Born & Bred Records

Courtesy: Born & Bred Records

Dropkick Murphys will launch a tour in support of its new album beginning February 21, 2017.  The tour currently runs through March 19, 2017 and includes a string of hometown shows from March 15 – 19 at Boston’s St. Patrick’s Day Week.  Audiences can get tickets for the band’s shows now here.  More information on Dropkick Murphys’ new single, album, tour and more is available online now along with all of the band’s latest news and more is available online at:

 

 

 

Website: http://www.dropkickmurphys.com

Facebook: http://www.facebook.com/DropkickMurphys

Twitter: http://twitter.com/DropkickMurphys

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Dropkick Murphys To Open 2017 With New Album, Tour

Courtesy: Dropkick Murphys

Courtesy: Dropkick Murphys

Dropkick Murphys will kick off the new year with a new album and tour.

The veteran Massachusetts-based punk outfit announced recently that it will release its full-length studio recording 11 Short Stories of Pain and Glory on January 6th.  Unlike each of its previous recordings, this offering was recorded in El Paso, TX.  Founding member and bassist Ken Casey explained the band’s reasoning for the change in a recent interview.

“To me, the whole story starts with the fact we actually agreed to go – and then went – to Texas.  Because we’ve never left home to make a record,” Casey said.  “As everyone’s lives have become crazier and busier with kids and families, it’s gotten harder to buckle down at home.  We decided to leave Boston, go down literally to the middle of nowhere and lock ourselves in a room.”

11 Short Stories of Pain and Glory was influenced in part by the band’s experience working with The Claddagh Fund, a charity that the band established in 2009.  The charity helps support addiction recovery as well as children’s and veterans’ organizations.  The band’s experiences working with that charity are reflected in the album’s songs including ‘Rebels With A Cause,’ which focuses on children who have been “given up on, left behind by a system that has written them off as hopeless.”  ‘Paying My Way’ is another one of the album’s standout works.  This song focuses on overcoming addiction and the positives that come from overcoming addiction.

Along with its songs focused on its experiences with the Claddagh Fund, the band also pays tribute to the victims of the Boston bombings in ‘4-15-13,’ a deeply emotional piece.  The band members personally visited victims of the 2013 bombing and got to know the victims. Casey explained the writing process that stemmed from those visits.

“Since that day, we felt like not taking the challenge to write a song about what we all went through would be taking the coward’s way out,” he said.  We put more importance on writing that piece of music than anything we’ve ever done, because if your’e going to touch that day, it has to be done right.  We went through so many emotions with that whole experience, as did everyone in Boston.  It changed the city forever.”

Audiences can pre-order 11 Short Stories of Pain and Glory online now via iTunes and get an instant download of the album’s first single ‘Blood’ now.  Audiences can also stream the song now via Apple Music, Spotify, Amazon and Google Play.  The song’s lyric video is streaming online now here.

Audiences can also pre-order the album on limited edition CDs and vinyl via the band’s online store now.

Along with the announcement of its new album, the band also recently announced that it will launch a tour in support of its new album beginning February 21st in Bethlehem, PA.  The tour currently spans 22 dates and includes hometown shows in Arkansas, Minnesota, South Carolina, and hometown shows in Boston along with lots of other dates.  The band’s current tour schedule is noted below.

11 Short Stories of Pain & Glory Tour dates are as follows with The Interrupters and Blood or Whiskey opening except where noted below.

 

2/21/17 – Bethlehem, PA – Sands Bethlehem Event Center *+

2/22/17 – Columbus, OH – Express Live! *+

2/24/17 – Clive, IA – 7 Flags Event Center *+

2/25/17 – Hinckley, MN – The Grand Minnesota Taste Together *

2/26/17 – Sioux Falls, SD – The District *+

2/28/17 – Kansas City, MO – Uptown Theater *+

3/1/17 – Tulsa, OK – Cain’s Ballroom *+

3/2/17 – Little Rock, AR – Metroplex Live *+

3/3/17 – Robinsonville, MS – Horseshoe Tunica – Bluesville *+

3/4/17 – Birmingham, AL – Iron City *+

3/6/17 – St. Petersburg, FL – Janus Live *

3/7/17 – Ft. Lauderdale, FL – Revolution Live *

3/8/17 – Lake Buena Vista, FL – House of Blues *

3/10/17 – Myrtle Beach, SC – House of Blues *+

3/11/17 – Washington, DC – Shamrockfest Dropkick Murphys ONLY

3/12/17 – Huntington, NY – The Paramount *+

3/15/17 – Boston, MA – TBA

3/16/17 – Boston, MA – TBA

3/17/17 – Boston, MA – TBA

3/18/17 – Boston, MA – Agganis Arena

3/18/17 – Boston, MA – After Party @ House Of Blues with Pro Boxing

3/19/17 – Boston, MA – TBA

* w/ Blood or Whiskey

+ w/ The Interrupters

 

 

More information on 11 Short Stories of Pain and Glory is available online along with all of the band’s latest news and more at:

 

 

 

Website: http://www.dropkickmurphys.com

Facebook: http://www.facebook.com/DropkickMurphys

Twitter: http://twitter.com/DropkickMurphys

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Dead Daisies’ New LP Is A “Rock Solid” Record

Courtesy: SPV

Courtesy: SPV

It’s official.  There’s another new contender for the title of one of the year’s top new rock records.  The band’s name: The Dead Daisies.  The band’s album: Make Some Noise.  While the band’s name makes it sound like some dark, goth-rock act, the truth is that it is anything but.  It is a super group of sorts whose album, just as with Foghat’s new album Under The Influence, exhibits everything that is right with rock and roll.  It reminds listeners through both its musical arrangements and lyrical content that thankfully, there is still hope for real rock and roll even in the 21st century.  The album’s adrenaline-fueled opener ‘Long way To Go’ clearly exhibits that.  The same can be said of the album’s titles track and its cover of John Fogerty’s ‘Fortunate Son.’  All three songs show in their own way why this record gives hope for real rock and roll in the 21st century.  They are hardly the only songs presented in the album that could be cited in proving this.  There are nine other songs that could just as easily be used to prove that statement.  All things considered the album in whole is a *ahem* rock solid record that, again, gives full hope for the future of rock in the 21st century.

The Dead Daisies’ latest full length studio offering Make Some Noise is a record that will have listeners making noise of their own after hearing it.  That is because over the course of its twelve total tracks, it reminds listeners that thankfully there is still hope for the future of real rock in the 21st century.  The album’s opener is a clear example of why the album gives such strong hope.  That is exhibited both in the song’s musical arrangement and its lyrical content.  The song’s musical arrangement is a full-throttle, no-nonsense, guitar-driven rock and roll composition that conjures thoughts of AC/DC, and so many other pure rock and roll acts.  The catch is that even with those thoughts in mind, the song manages to maintain its own identity separate from those bands.  This makes the song all the more enjoyable.  It is just part of what makes the song stand out.  The song’s lyrical content is just as important to note here as its musical makeup.  The song’s lyrical content is a clearly socially conscious statement that addresses the unrest in the world today.  That is clear as front man John Corabi (ex-Motley Crue) sings, “There’s something going down on the streets right now/There’s hate in the air/We’re upside down/Guns and bombs/Blood on the floor/We’re killing ourselves and there ain’t no cure/Maybe tomorrow/Maybe today/No more enemies…Just more suffering.”  From here he and his band mates—Doug Aldrich (guitar), Marco Mendoza (bass), Bran Tichy (drums), and Davi Lowy (guitar)—drive home the song’s message in its chorus as they sing, “We’ve got a long way to go/And no time to get there/One step forward two steps back/There ain’t nobody to blame.”  The message is just as clear in the song’s second verse as Corabi sings, “Something’s going on/Times are changin’/Movin’ too fast/We’re all going crazy/Black man, white man…in the name of love open your eyes.”  The message is clear.  People have got to stand up and join together, not stand against one another.  We have got to overcome all of the violence and hate that are filling the world.  It is a wonderful message.  Given it’s hardly the first time that a band has ever presented that message.  The thing is that it is a message that the world needs to hear whether from The Dead Daisies or another band.  What’s more the fact that Corabi and company presented the message in such a straight-forward, blue-collar fashion makes it all the more important to note.  It isn’t presented in some overly philosophical fashion (as has been done by some bands) or even in any militant fashion either (as with certain other acts).  Audiences familiar with their music history will understand those references. It just puts the message out there: we have got to stand together against all of this negativity in the world.”  The band uses the same blue-collar rock and roll approach in the song’s musical arrangement, which adds even more to the message’s impact.  When the two elements are joined together as one, they work to show in whole just what makes the song (and the album in whole) such an impressive new offering from The Dead Daisies.  Audiences can see the song’s official video online now here.  It is just one of the songs presented in this album that makes the record so impressive.  The album’s title track is another clear example of what makes this record such a strong new offering from the band.

‘Long Way To Go’ is in itself an impressive inclusion in The Dead Daisies’ new album.  It is an impressive composition in itself.  That is evident both in its musical arrangement and its socially conscious lyrical content.  The band’s blue-collar approach to both makes the song both a strong start for the band on its new album and a clear example of what makes the album in whole stand out.  It is just one of the songs included in the album that makes it stand out.  The album’s title track is yet another of the album’s most notable compositions.  It stands out because it is, plain and simple, a hard rocking, fist-pumping, arena rock song.  It is the polar opposite of the album’s opener.  The song’s musical arrangement is much slower in terms of its tempo than that of ‘Long Way To Go.’  And even despite that it still hits hard thanks to the work of Tichy and Aldrich.  Tichy forms the song’s musical foundation with his work behind the kit and Aldrich builds on that solid foundation with his simple yet so fun guitar line.  Mendoza’s low end expertly compliments their work.  All three lines join together to instantly make the song’s musical arrangement infectious and a song that is sure to be a fan favorite at the band’s live shows, even as short as it is (it clocks in at just under three-minutes).  The song’s lyrical content shows even more why the song stands out so clearly among the album’s other offerings.  That is because of its simplicity.  Corabi sings here, “Everybody stand/Get outta your chair/Lemme hear your sound/Put your hands in the air/Everybody on the left/Everybody on the right/Don’t hold back/Get crazy all night/Make some noise/Make it louder/Make some noise/Everybody now.”  Corabi goes on in similar fashion throughout the rest of the song, encouraging audiences to turn up the volume and just let loose.  No doubt they will, too.  That is regardless of whether audiences are listening in their cars, at home, or at the band’s live show.  It will leave listeners pumping their firsts in the air (and their horns) all the while with a wide smile on their faces.  Between that and the song’s musical arrangement, the song gives listeners plenty to enjoy.  When the pair is coupled it shows with full clarity why it is another important addition to the album’s whole and why the album in whole is an impressive new effort from The Dead Daisies.  It still is not the album’s only remaining standout composition either.  The band’s take on John Fogerty’s famed protest song ‘Fortunate Son’ is just as notable as the album’s title song and its opener.

‘Long Way To Go’ and ‘Make Some Noise’ are both key inclusions in The Dead Daisies’ new album Make Some Noise.  That is made clear both in the songs’ musical arrangements and their lyrical content.  The songs’ musical arrangements are both pure rock and roll compositions.  There’s pretense to either arrangement.  Nor does either one aim low.  Rather each song presents the band giving its best and its all.  The songs’ lyrical content shows just as much thought put into the record.  One song presents an important message about unity that, just as with the songs’ musical arrangements, lacks any pretense in doing so.  The other is the polar opposite, giving listeners a clear taste of a live Dead Daisies show.  Its approach is just as simple as that used in the message in ‘Long Way To Go.’  Both songs show in their own way what makes them stand out among their counterparts.  They also serve to show (both by themselves and together) what makes the album in whole such an impressive new effort from the band.  They are not the only songs that serve this end.  The band’s cover of John Fogerty’s famed protest song ‘Fortunate Son’ stands out just as much as those songs and the rest of the album’s compositions.  The band’s take is hardly the first time that a band has tackled the song.  What is important to note is that despite that, it is one of the better renditions of said song.  That is due in large part to the band’s approach to the song’s musical arrangement.  The band maintains the song’s original identity in its take on the song at the same time given the song its own extra touch.  The band does that through the use of its familiar no-nonsense rock and roll approach.  In essence the band takes Fogerty’s original tune and steps it up even more here with its own take on the song.  The end result is a song that is right up there with Dave Grohl’s take on the song (which was included in Fogerty’s 2013 album Wrote A Song For Everyone and Dropkick Murphy’s take on the song included in its 2005 compilation Singles Collection: Volume 2.  Keeping this in mind, it is just one more song that exemplifies what makes Make Some Noise another impressive effort from The Dead Daisies.  It is, again, not the only remaining song included in this record that could be used to show what makes the album so enjoyable.  ‘Song and a Prayer’ will take listeners back to the late 80s ad early 90s, when guitar rock was still king. ‘Last Time I Saw The Sun’ is a work that Buckcherry fans will appreciate. And ‘All The Same’ conjures thoughts of Sammy Hagar (both as a solo artist and with Van Halen).  They are just a few more songs include in this record that make it so enjoyable.  Whether for those songs, the songs more directly addressed here, or any of the album’s other compositions, listeners will agree that the album in whole is a *ahem* rock solid record and yet another clear candidate for a spot on any critic’s list of the year’s top new rock records.

The Dead Daisies’ new album Make Some Noise is a record that is certain to leave listeners making their own noise about it after listening through each of its twelve total songs.  That is because collectively they reassure listeners that even in the 21st century there is still hope for real, guitar-driven rock and roll.  The album’s socially conscious yet blue-collar opener clearly proves this. The confident arena rocker that is the album’s title track proves it just as much.  The same can be said of the band’s cover of John Fogerty’s ‘Fortnute Son.’  The song maintains the original song’s identity while adding a great additional touch through the band’s arrangement of the timeless tune.  These are just a few of the songs that show why Make Some Noise will leave listeners making their own noise about the record.  When they are set against the rest of the album’s songs, the album in whole proves, again, to be a “rock solid” record and another clear candidate for a spot on any critic’s list of the year’s top new rock records.  It is available now in stores and online.  More information on Make Some Noise is available online along with all of the band’s latest news and more at:

 

 

 

Website: http://thedeaddaisies.com

Facebook: http://www.facebook.com/TheDeadDaisies

Twitter: http://twitter.com/TheDeadDaisies

 

 

 

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Tales From Wisconsin Is One Of Teenage Bottlerocket’s Best Records Yet

Courtesy:  Rise Records

Courtesy: Rise Records

Teenage Bottlerocket is one of the best punk rock bands that audiences have never heard. For almost fifteen years, this Laramie, Wyoming-based band has been making its own brand of punk rock and building its audience base. All the while, it has remained just under the mainstream radar. This is actually a good thing. That is because it has kept the band from becoming just another cookie cutter pop punk rock band a la Sum 41, Blink 182, Newfound Glory, etc. Remaining just under that mainstream radar has allowed the band to continue crafting its own brand of music more akin to its counterparts in The Lillingtons, Bowling For Soup, and others of that ilk, all the while building its legions of fans around the world. The band’s latest album Tales From Wisconsin is proof of that. It is a fourteen track, thirty-five minute record that is just as certain to have listeners singing along happily just as much as any of the band’s previous releases. This has already been proven thanks to the album’s lead single, the light-hearted ‘Nothing Else Matters (When I’m With You),’ and its follow-up ‘They Call Me Steve.’ Both songs clearly show that nearly fifteen years after it first formed and roughly thirteen years after the release of its debut album Another Way, Teenage Bottlerocket has not lost a single step. The album’s gentle, acoustic closer ‘First Time’ shows this just as much. What’s more, it shows a certain growth from the members of Teenage Bottlerocket. Sure, the comparison to Dropkick Murphys and Green Day are inescapable here. But considering TBR’s body of work up to this point, it shows a turning point for the band and just as with the album’s first two singles shows yet again why this album is one more success from what is one of the punk realm’s best kept secrets.

TBR’s new album Tales From Wisconsin comes some thirteen years after the release of its debut record Another Way. One would think that considering how long TBR has been making music together, it would have broken through into the mainstream a long time ago when MTV and VH1 were still airing music videos and when they, along with the nation’s mainstream radio stations, were thirsting for the next big name in punk rock. Interestingly enough that never happened. Yet considering what those outlets did to the reputation of punk rock, maybe it’s a good thing that TBR never did break through. It allowed TBR to continue making its own music rather than give in to some A&R rep and other label exec along the way. Because it has manage to avoid those trappings, the band has manage to craft an album in Tales From Wisconsin–its sixth full-length studio effort–that is just as enjoyable as any of its previous recordings. That is evident early on in the record courtesy of its lead single ‘Nothing Else Matters (When I’m With You).’ This fully tongue-in-cheek song pays homage to veteran hard rock/metal act Metallica all while presenting a story of a man who has met a woman who is just as much a fan of the band as him. The song’s standard, melodic punk sound will itself have audiences on their feet, dancing in time as Brandon Carlisle keeps time alongside brother Ray Carlisle and fellow guitarist Kody Templeman. The song’s lyrical side is just as apt to put a smile on audiences faces as Templeman makes reference after reference to Metallica’s body of work throughout the song, singing, “That guy was such a d*******/When we were sticking up for Jason Newstead/That’s when you said you loved …And Justice For All/I didn’t make up with the creeps that night/they were looking for a fight/I was totally right on/The frayed ends of sanity/The shortest straw has been pulled for me/I’ll probably fade to black someday/Unless you hit the lights and escape with me.” The references to Metallica’s extensive catalogue don’t stop here. There is also a reference to ‘The Unforgiven’ and ‘Nothing Else Matters.’ The song’s very title is itself a reference to ‘Nothing Else Matters.’ Such playful use of references coupled with the standard theme of a love found make this one of the most original compositions of its kind to be churned out by a musical act in any genre. Such originality makes clear why this song was chosen as the lead single for TFW. It also makes clear by itself what makes TFW one more wonderful release from one of the rock world’s best kept secrets. Audiences can check out the song’s lyric video online now via YouTube at https://www.youtube.com/watch?v=YdRrN4xQ8zk.

‘Nothing Else Matters (When I’m With You) is one of the most original compositions about a relationship that has ever been crafted by any act in any of the music world’s many genres. The playful references to Metallica’s biggest hits as the basis for the song’s story coupled with the song’s catchy hooks and chorus makes it obvious why the song was chosen as TFW’s lead single. It also stands as just one clear example of why TBR remains today one of the best kept secrets in both the world of punk and rock in general. The song’s follow-up ‘They Call Me Steve’ shows just as clearly how much TBR has to offer on its latest release. The song’s musical side boasts even more infectious hooks and choruses throughout its two-minute, twenty-one second run time. Looking at the song from a lyrical standpoint, it is just as intriguing as Templeman sings, “I knocked down a tree with my bare hands/And I’ve been to all four corners of this land/I killed a giant spider with an iron sword/And I ran ten miles being chased by a zombie horde/They call me Steve/I’ll do anything you want me to/They call me Steve/I’ll dig a hole to Hell and back for you.” If not for the song’s companion video, which can be viewed online now, the song alone would definitely have had audiences talking. The song’s companion video is a Minecraft themed creation that perfectly complements the song’s lyrical content. It’s a love story in a video game world. The video can be viewed online via YouTube at https://www.youtube.com/watch?v=IqLAkjRyiJU. In viewing the video, audiences will agree that it perfectly illustrates the story presented in the song and in turn makes the song even more enjoyable than it is on its own musical merits. The combination of the song’s musical and lyrical sides, and its companion video makes clear once again why TBR remains one of the best names in the punk realm and one of rock’s best kept secrets. Alongside ‘Nothing Else Matters (Without You),’ it shows even more clearly whyTFW is such an enjoyable record.

‘Nothing Else Matters (Without You)’ and ‘They Call Me Steve’ are both clear examples of what makes TFW such an enjoyable record both for fans that are new to the band’s material and to those that are more familiar with the band’s body of work. As much enjoyment as those songs offer audiences, there is one more song on this record that stands out even more than them as one of the album’s highest of points. That song is the album’s string-laden acoustic closer ‘First Time.’ Both musically and lyrically it presents the band’s much more rarely exhibited softer side. The comparison to Green Day and Dropkick Murphys among others is inescapable here because of that combination of music and lyrics. But being one of those truly rare times that the band has gotten to display its softer side, it makes this moment something special. It shows the band a little more willing to grow and show a more mature side from the band in comparison to what audiences have become accustomed to hearing. There is almost a certain desperation in Templeman’s voice as he sings I’m falling apart with a broken heart for the first time/I’m starting to doubt what this feeling’s about/For the first time/I stare at the wall/I’m beginning to fall…For the first time/spinning out of control/With nowhere left to go.” It’s not the standard oh, woe is me sort of delivery musically or lyrically that audiences have become all too familiar with from so many punk and emo bands. It has its own identity. Because of that, it proves yet again what makes TFW just as enjoyable as TBR’s previous records and why this veteran punk rock band remains today one of the best kept secrets of the rock world in whole. Together with ‘Nothing Else Matters (When I’m With You)’ and ‘They Call Me Steve,’ all three songs together exhibit why this record is just as enjoyable for first time listeners and for those that are more familiar with the band’s body of work. That is not to discount the other dozen tracks that make up this record, either. Each of those tracks not noted here makes its own argument in favor of TFW, too. The whole of those tracks and those more fully noted here show clearly why every punk rock fan should hear this record regardless of their familiarity with TBR.

TBR is currently out on tour in support of its new album. It will wrap up the U.S. leg of its tour this Sunday, April 19th in Denver, Colorado before taking a few days off to recharge and prep for the European leg of its tour. That leg kicks off next Thursday, April 24th in Lindau, Germany. Fans will be able to pick up TFW at either of those shows or any of its upcoming shows, too. Fans that can’t make it to the band’s shows can also pick up TFWin stores and online. Fans can check out TBR’s latest tour dates and get more information on TFW, and where they can purchase it online now at:

Website: http://www.teenagebottlerocket.com

Facebook: http://www.facebook.com/teenagebottlerocketofficial

Twitter: http://twitter.com/teenbottlerock

Instagram: http://instagram.com/teenagebottlerocket

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Me First And The Gimme Gimmes Coming To The 2015 Punk Rock Bowling And Music Festival

Courtesy:  BSG PR

Courtesy: BSG PR

Veteran punk rock band Me First and the Gimme Gimmes will perform at this year’s annual Punk Rock Bowling an Music Festival.

Festival organizers announced today that the San Francisco-based band has been added to the Club Show lineup for this year’s festival. Also announced as special guests are: Manic Hispanic and The All Brights, which features members of The Loved Ones and Good Riddance. The All Brights’ performance at this year’s festival marks the band’s debut. Tickets for the show, which will be on Friday, May 22nd, go on sale this Saturday, April 11th at 4pm ET/1pm PST. Doors open at 9pm PST/12am ET.

This year’s Club Show schedule consists of seventeen shows and kicks off Friday, May 22nd. It will feature more than sixty bands through the course of the weekend-long schedule. All shows are 21 and over with valid ID. Some of the other bands tapped for the club show schedule at this year’s festival are: Frank Turner (performing solo), GBH, The Rezillos, Laura Jane Grace, 7 Seconds, Hagfish, 88 Fingers Louie, Icons of Filth, Aggrocats (featuring members of Aggrolites and Hepcat), Street Dogs, English Beat among others. The festival’s three main stages will be headlined by Rancid, Dropkick Murphys, and Refused. Also scheduled to appear this year are: The Mighty Mighty Bosstones, Murder City Devils, Conflict, Turbonegro, Bad Manners, and Sick Of It All, Jello Biafra and the Guantanamo School of Medicine, Anti-Flag, Swingin’ Utters, A Wilhelm Scream, The Business, Bombshell Rocks, The Muffs, Mahones, Sniper 66, PEARS, I.R.A., Success!, Get Dead, Avenue Rockers, Eliza Battle, Sounds of Threat, and Battle Born.

The festival in whole is an all-ages, all-day event that will include food, drink, and clothing vendors. Along with all of the vendors and bands expected at this year’s festival, fans can take part in the festival’s bowling tournament, pool parties, poker tournament, and music and comedy shows.

Audiences can get more information on the 2015 Punk Rock Bowling and Music Festival and purchase tickets online at:

Website: http://www.punkrockbowling.com

Facebook: http://www.facebook.com/pages/Punk-Rock-Bowling-and-Music-Festival/288077407910557

Twitter: http://twitter.com/PRBCCommittee

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Courtesy:  BSG PR

Courtesy: BSG PR