Journey To Release New Live Recording Next Month

Courtesy: Eagle Rock Entertainment

Journey is partnering with Eagle Rock Entertainment to release its next new live recording.

Live in Japan 2017Escape + Frontiers is scheduled for release on March 29.  It will be available on DVD+2CD and Blu-ray+2CD combo packs.

Originally recorded Feb. 7, 2017at Japan’s famed Budokan stage, the concert features the band performing songs from its landmark albums Escape (1981) and Frontiers (1983).  The two albums combined produced eight Top 40 singles and sold almost 20 million copies worldwide.  Among the songs featured in the concert’s expansive 26-song, 2-hour set are the timeless classic ‘Don’t Stop Believin’,’ ‘Edge of the Blade,’ and ‘Faithfully.

The concert’s complete set list is noted below.

TRACK LISTING:

DVD portion:
1. Don’t Stop Believin’ Intro
2. Don’t Stop Believin’
3. Stone In Love
4. Who’s Crying Now
5. Keep On Runnin’
6. Still They Ride
7. Escape
8. Lay It Down
9. Dead Or Alive
10. Neal Schon Guitar Solo
11. Mother, Father
12. Jonathan Cain Piano Solo
13. Open Arms
14. Separate Ways Intro
15. Separate Ways (Worlds Apart)
16. Send Her My Love
17. Chain Reaction
18. After The Fall
19. Faithfully
20. Edge Of The Blade
21. Steve Smith Drum Solo
22. Back Talk
23. Frontiers
24. Rubicon
25. La Raza del Sol
26. Lovin’, Touchin’, Squeezin’

2CD:
CD1: Escape
1. Don’t Stop Believin’ Intro
2. Don’t Stop Believin’
3. Stone In Love
4. Who’s Crying Now
5. Keep On Runnin’
6. Still They Ride
7. Escape
8. Lay It Down
9. Dead Or Alive
10. Neal Schon Guitar Solo
11. Mother, Father
12. Jonathan Cain Piano Solo
13. Open Arms

CD2: Frontiers
14. Separate Ways Intro
15. Separate Ways (Worlds Apart)
16. Send Her My Love
17. Chain Reaction
18. After The Fall
19. Faithfully
20. Edge Of The Blade
21. Steve Smith Drum Solo
22. Back Talk
23. Frontiers
24. Rubicon
25. La Raza del Sol
26. Lovin’, Touchin’, Squeezin’

A trailer for the recording is streaming online now herePre-orders are open now.

More information on Live in Japan 2017Escape + Frontiers is available along with all of Journey’s latest news and more at:

 

Website: http://www.journeymusic.com

Facebook: http://www.facebook.com/journey

Twitter: http://twitter.com/journeyofficial

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Advertisements

Foreigner Announces New Live Recording

Courtesy: Eagle Rock Entertainment

Veteran rock act Foreigner will release a new live recording next month.

Live at the Rainbow ’78 is scheduled for release on March 15 via Eagle Rock Entertainment.  It will be available on DVD, Blu-ray and digital.

The concert featured in the recording was captured Apr. 27, 1978 at London’s Rainbow Theatre.  It features the classic Foreigner lineup of Mick Jones (lead guitar, keyboards, backing vocals), Lou Gramm (lead vocals, percussion), Ian McDonald (guitars, keyboard, sax, flute, backing vocals), Al Greenwood (keyboards, synthesizers), Ed Gagliardi (bass, backing vocals) and Dennis Elliott (drums, backing vocals) performing songs, such as ‘Long, Long Way From Home,’ ‘Cold As Ice’ and ‘Feels Like The First Time.’  The concert’s full set list is noted below.

Tracklisting
01. Long, Long Way From Home
02. I Need You
03. Woman Oh Woman
04. Hot Blooded
05. The Damage Is Done
06. Cold As Ice
07. Starrider
08. Double Vision
09. Feels Like The First Time
10. Fool For You Anyway
11. At War With The World
12. Headknocker

Jones talked about the band’s performance featured in Live at the Rainbow ’78 in a recent interview.

“1978 was an absolutely magical time for the band, and to come back over to the UK to play a headline show at the legendary Rainbow really was a dream come true,” Jones said.  “The audience was amazing that night.  We couldn’t have wished for a better show.”

A trailer for the recording’s forthcoming release is streaming online now herePre-orders are open now.

More information on Live at the Rainbow ’78 is available online now along with all of Foreigner’s latest news at:

 

Website: http://www.foreigneronline.com

Facebook: http://www.facebook.com/Foreigner

Twitter: http://twitter.com/ForeignerMusic

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Voodoo Lounge Uncut’ Re-Issue Is Another Success For Eagle Rock, The Rolling Stones

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment and The Rolling Stones have been quite busy in recent years, releasing a variety of live recordings from the veteran rock band.  The two sides together, have released no fewer than 10 live recordings from the band’s years on the road.  Late last month, the two sides partnered to release yet another live recording, this time from the band’s 1994 North American tour in support of its then brand new album Voodoo Lounge.  The second new live recording from the two sides so far this year, – the first was the band’s recording No Security: San Jose ’99Voodoo Lounge Uncut is yet another wonderful addition to the collection of any Rolling Stones fan and rock music lover in general.  This is proven in part through the concert’s set list (and the band’s performance thereof), which will be discussed shortly.  The concert’s production is also important to note in examining the recording, and will be addressed a little later.  The companion booklet that is included with the recording rounds out the set’s most important elements, and will also be discussed later.  Each item noted here is important in its own way to the whole of Voodoo Lounge Uncut.  All things considered, they make Voodoo Lounge Uncut yet another must have for any fan of The Rolling Stones fan.

Eagle Rock Entertainment’s recent re-issue of The Rolling Stones’ Voodoo Lounge, aptly titled Voodoo Lounge Uncut, is a welcome new pressing of the recording, which was previously released in edited fashion on laser disc, DVD and VHS.  That is due in no small part to the concert’s set list.  The extensive 27-song set list is the complete presentation of the band’s classic concert, performed at Joe Robbie Stadium in Miami, Florida.  As is noted on the rear of the set’s packaging and in its companion booklet (again, that booklet will be discussed later), this release marks the first time that the expansive set list has been presented in whole.  The concert’s previous pressings featured significantly shortened set lists, which removed a total of 10 songs from the recordings.  In other words, audiences get in this set, the band’s entire show for the first time ever.  While not necessarily career-spanning, the set list featured here still pulls from a respectable portion of The Rolling Stones’ catalog.  Specifically speaking, it pulls from no less than a dozen of the band’s releases, including the band’s 1964 U.S. debut record The Rolling Stones (England’s Newest Hit Makers), its then latest album Voodoo Lounge and other albums, such as 12 X 5, Out Of Our Heads and Exile on Main StreetExile on Main Street is the most heavily represented of the albums featured in the set list, with four nods.  The bonus five-song set, which was recorded at Giants Stadium in New Jersey as part of the Voodoo Lounge tour, features two more songs from that album, bringing the total count there to six songs. Voodoo Lounge got a grand total of five nods between the two sets while Let It Bleed was represented by three songs.  The numbers vary from here, but simply put, the band reaches well back into its back catalog for this show, which is well-deserving of applause.

While the set list itself does a respectable job of representing The Rolling Stones’ catalog, it is just one part of the set list that deserves to be noted.  The set list’s actual order is just as important to the concert experience here as the set list itself.  Audiences will note that the set’s first seven songs are high-energy pieces.  From there, the band slows things down gradually, starting with ‘Beast of Burden.’  The band goes from there, to a short acoustic set that helps relax the concert’s mood.  The band’s performances of ‘It’s All Over Now’ and ‘Who Do You Love?’ – which features the one and only Bo Diddley joining the band for the performance – gradually pick up the concert’s set list again.  The show’s energy gradually increases more and more from there until guitarist Keith Richards takes the lead with performances of ‘Before They Make Me Run’ and ‘The Worst.’  That pullback is only brief, as things gradually pick back up again starting with the laid back vibe of ‘Sympathy for the Devil.’  Each song from there sees the show’s energy rise yet again right to the bombastic finale of ‘Jumpin’ Jack Flash.’  Simply put, the energy in the show’s set shows that a lot of thought and time was put into its sequencing.  The band wanted to make sure that audiences got the most bang for their buck, and it goes without saying that they got that and more, over the course of more than two-and-a-half hours.

While the expansive set list featured in Voodoo Lounge Uncut gives audiences to enjoy and appreciate from this recording, it is only one part of what makes the recording so enjoyable.  The band’s performance – including that of the touring musicians – builds on the foundation formed through the set list to make the recording even more enjoyable.  Front man Mick Jagger has all of the swagger in his performance here that he has had at every other moment in his career while drummer Charlie Watts’ time keeping is just as solid as ever.  Guitarists Keith Richards and Ronnie Wood show throughout the course of the show that, like Jagger, they can still hold their own easily against their younger counterparts, working through every single riff and every single song with ease.  At the same time, the pair’s smiles and swagger as they make their way across the stage from song to song exude their own share of energy on which audiences will feed. Touring bassist Darryl Jones, who according to the recording’s notes joined the band for the first time in the Voodoo Lounge tour, adds his own interest as he shares some light-hearted moments with his fellow musicians as do touring vocalists Lisa Fischer and Bernard Fowler.  Horn players Kent Smith, Bobby Keys, Andy Snitzer and Michael Davis join with keyboardist Chuck Leavell to give each song even more energy thanks to the energy that they put into each performance.  Between their performances and those of the rest of the group, the whole of the musicians’ performances proves just as entertaining as any other performance that The Rolling Stones has presented to audiences in its previous live recordings because of the energy and effort put into entertaining the group’s audiences.  When the collective’s performance is considered along with the set recording’s featured set list the two related items come together to give audiences quite a bit to appreciate in this set.  They are only a portion of what makes Voodoo Lounge Uncut so enjoyable, too.  The concert’s production is just as important to examine as the show’s set and the band’s performance thereof.

The production involved with this recording is important to examine because of its general effect for home viewers.  It is noted in the recording’s companion booklet that this recording was originally presented on pay-per-view in its very first presentation almost 25 years ago.  Taking in the recording here, the production is impressive.  Given there are some shots that are perhaps a little too short, leading to some feelings of dizziness.  Those shots are not enough to make the concert unwatchable, though.  The aerial shots at the concert’s end and the overhead shots from the crane cams give viewers a full sense of just how many people attended the concert.  The various angles from the stage and the crowd do just as much to keep audiences engaged and entertained as they make audiences feel as if they are right there with the rest of the audience.  At times, those behind the cameras even take viewers into the crowd, giving audiences a glimpse into what the audience saw and heard.  On yet another level, the timing of many of the shots even timed almost perfectly with the songs themselves, adding even more impact to each performance, and in turn ensuring even more, audiences’ engagement and entertainment.  Adding even more interest is the attention given to the concert’s audio mix.  The Joe Robbie stadium is a massively open venue, as any National Football League fan knows.  That means that a lot of work had to have been done and time taken to balance every single line.  That work and attention clearly paid off, as did the work and time put in by those who edited down the concert for its presentation here.  No one line overpowers that other at any point throughout the show.  Kudos are in order for all involved, considering this.  This positive joins with the positives in the show’s set and the band’s performance to strengthen the recording’s presentation even more.  It is still not the last of the recording’s most important elements.  The companion booklet, which has previously been noted rounds out the set’s most important items.

The recording’s companion booklet is important in part because of its liner notes.  Composed by Paul Sexton, the liner notes point out that the Voodoo Lounge tour marked the first time that Darryl Jones joined The Rolling Stones as the band’s bassist.  This is important to note because as previously noted, this concert took place almost 25 years ago.  That is a long time for him to have been with the band.  Sexton’s liner notes also point out Jagger’s interest in artist Santiago Calatrava played a part in the look of the set for the band’s show.  As if these notes are not enough, Sexton also highlights thoughts from Sheryl Crow, who joins the band on-stage for one of the show’s three guest appearances.  He quotes Crow as saying how frightened she was to perform with the band because of her respect for the band.  There is even mention of Richard’s time in the limelight and much more.  Between all of that extra and the items noted here, Sexton’s liner notes give audiences a solid, clear introduction to this concert, setting the scene for the performance quite well.  It offers its own enlightenment and entertainment for audiences.  When this positive is considered along with the positives exhibited in the recording’s set list, the band’s performance thereof and the recording’s production, the whole of the recording proves to be yet another standout live offering from The Rolling Stones and Eagle Rock Entertainment.  It continues that positive tradition that was started so long ago from the two sides, ensuring once again that audiences and Rolling Stones fans alike will have plenty to appreciate from beginning to end.

Eagle Rock Entertainment and The Rolling Stones’ latest live recording Voodoo Lounge Uncut is another successful live offering from the two sides in what is a long-running partnership between the two groups.  It is an offering that fans of The Rolling Stones will enjoy just as much as rock fans in general.  This is proven in part through the recording’s extensive 27-song (technically 32-song) set that lifts from a healthy section of the band’s catalog.  The band’s performance of said set list builds on the foundation formed via that list as does the show’s production.  The companion booklet that comes with the recording puts the finishing touch to its presentation, cementing its positive presentation.  Each element is important in its own way to the whole of Voodoo Lounge Uncut.  All things considered, they make this recording yet another wonderful addition to the collection of any Rolling Stones fan.  More information on Voodoo Lounge Uncut is available online now along with all of the Rolling Stones’ latest news and more at:

 

 

 

Website: http://www.rollingstones.com

Facebook: http://www.facebook.com/therollingstones

Twitter: http://twitter.com/RollingStones

 

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock’s New Joni Mitchell Concert/Doc Is An Engaging New Profile Of The Veteran Singer-Songwriter

Courtesy: Eagle Rock Entertainment

Famed singer-songwriter Joni Mitchell marked a major milestone this week as she marked her 75th birthday, and she celebrated in style with a star-studded event to mark the occasion.  Thanks to Eagle Rock Entertainment, fans of the veteran singer-songwriter can celebrate Mitchell and her legacy in their own way with a recently released live recording.  Both Sides Now: Live at the Isle of Wight Festival 1970 is a memorable presentation that Mitchell’s most devoted audiences will appreciate.  That is due in part to the recording’s set list.  This will be discussed shortly.  The documentary film that is woven into the concert adds just as much interest for audiences as the set list.  It will be discussed a little bit later.  The recording’s average price point rounds out is most important elements, and will also be discussed later.  Each item is important in its own way to the whole of Both Sides Now: Live at the Isle of Wight Festival 1970.  All things considered, they make this recording a piece that will appeal largely to the most devout fans of Mitchell and her work.

Both Sides Now: Live at the Isle of Wight Festival 1970 is an interesting presentation from Eagle Rock Entertainment and veteran singer-songwriter Joni Mitchell.  That is because the recording, released Sept. 14 via Eagle Rock Entertainment, presents a very interesting portrait of the then very young and still up-and-coming performer.  At the time of her performance, Mitchell had only released four full-length studio recordings – Song to a Seagull (1968), Clouds (1969), Ladies of the Canyon (1970) and Blue (1971) – making her still a very young performer, despite her experience.  Her 11-song set list featured in this performance lifts liberally from the latter trio of albums.  Clouds gets four nods while Ladies of the Canyon and Blue each get three nods.  ‘Hunter,’ which apparently was a b-side from Blue that never made the album’s final cut, is also included in here.  Interestingly enough, her 1968 debut record Song to a Seagull is nowhere to be seen in this set list.  Either way, audiences at the time still got a relatively well-balanced representation of her catalog at that point due to that clear focus that was put on the set list.  What’s more, a whole new generation of audiences now get a glimpse into who Joni Mitchell was at that time thanks to this new recording.  To that end, the set list proves itself to be a critical part of the recording’s whole.  It is just one of the important pieces of the presentation’s whole.  The documentary that is interwoven into the concert adds even more interest to the recording’s overall presentation.

The documentary that is coupled with Mitchell’s performance is important to note because it is really a dual story line of sorts.  On one side, the story shows Mitchell growing both as a person and as an artist, as she is forced to face a crowd that was not expecting her so early; a crowd that was likely expecting a more lively act than her.  Over the course of her rescheduled performance, audiences see the crowd slowly turn and accept her, almost making her an underdog figure of sorts.  Mitchell’s interviews, originally recorded in 2003, add their own depth to this story, making her even more of an endearing figure.

The other story included in the documentary is that of the unrest throughout the festival.  Audiences are introduced to a group of people within the audience that was protesting the festival and its managers.  That is because they were not being allowed inside the venue.  That led to some unexpected moments in which some of those protestors actually made their way on stage to make their protests heard loud and clear.  Simply put, the protestors were people who were a little bit too enthusiastic about the festival. Interestingly enough, this ties back into Mitchell’s story because it was her performance and her music that seemed to help quell the problems with the protestors.  That ability to calm the crowd – and win over the audience in the process – helped her overcome the nerves that she noted having in her 2003 interview segments.  The result is a performance that audiences will agree improved with each song.  Keeping all of this in mind, the combined performance and documentary presentation of Both Sides Now: Live at the Isle of Wight Festival 1970 makes for a work that Mitchell’s most devoted audiences will appreciate just as much as those perhaps less familiar with her and her work.  Staying on that note, the Blu-ray offers audiences the choice to watch the concert by itself and to watch it coupled with the doc.  This critic’s own interpretation is to watch the two presentations as one.  It makes for a much richer experience than watching the concert by itself.  Having noted all of this, the content that makes up the whole of Both Sides Now: Live at the Isle of Wight gives audiences plenty to appreciate here.  Even with that in mind, there is still one more item for audiences to appreciate.  That item is the Blu-ray’s average price point.

Using prices listed at Amazon, Best Buy and Barnes & Noble, the set’s average price point comes to $18.79.  Research on the set finds that it is not listed at the websites of Walmart, Target or at Books-A-Million.  Considering the depth of the recording’s overall presentation and the pacing of the more than two-hour program (the exact run time is listed at two hours, 12 minutes), that average price of less than $20 is relatively affordable and money well-spent.  When this is all considered together, it makes Both Sides Now: Live at the Isle of Wight Festival 1970 another positive offering from Eagle Rock Entertainment, and one that any of Joni Mitchell’s fans will appreciate.

Both Sides Now:  Live at the Isle of Wight Festival 1970 is a good addition to the collections of Joni Mitchell’s most devoted fans.  It is also a welcome watch for today’s younger audiences who might be getting their first taste of the veteran singer-songwriter.  As noted above, that is due in part to the recording’s set list.  It shows Mitchell at a point in which she was growing in popularity, but still young enough that she was showing her personal and artistic development.  The documentary that is tied into the doc adds to that story while also presenting an equally interesting story about the festival itself.  The Blu-ray’s average price point is relatively affordable.  When it is considered along with the recording’s overall content, it proves the Blu-ray to be money well-spent, and a recording that, again, Mitchell’s most devoted audiences will appreciate as much as a whole new generation of audiences.  Both Sides Now: Live at the Isle of Wight Festival 1970 is available now.  More information on this recording is available online along with all of Joni Mitchell’s latest news and more at:

 

 

 

Website: http://jonimitchell.com

Facebook: http://www.facebook.com/jonimitchellcom

Twitter: http://twitter.com/JoniMitchellcom

 

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment’s New Lennon, ‘Imagine’ Retrospective Will Appeal To Lennon, Beatles Fans Alike

Courtesy: Eagle Rock Entertainment

John Lennon’s Imagine is one of the most important albums in music history.  Whether one is a fan of Lennon, The Beatles or just an audiophile in general, the stylistic change in this record from his work with Lennon’s former Beatles band mates showed a dramatic change of pace for the late, great musician. Now thanks to Eagle Rock Entertainment, the most devout Beatles and Lennon fans finally get to see for themselves how Imagine was created while also taking in the album complete with visualizations in the form of the recently released presentation, Imagine & Gimme Some Truth.  The two-part presentation offers plenty for the noted audiences to appreciate, beginning with that noted dual presentation.  This will be discussed shortly.  The companion booklet that comes with the presentation is just as important to discuss in examining the Blu-ray’s presentation as the primary content.  It will be discussed a little later.  The bonus content included in the Blu-ray rounds out its most important elements, and will also be discussed later.  All things considered, Imagine & Gimme Some Truth proves to be a presentation that the most devoted fans of John Lennon and The Beatles will find appealing.

Eagle Rock Entertainment’s recently released John Lennon doc Imagine & Gimme Some Truth is a presentation that the most devoted fans of Lennon and The Beatles will find appealing.  As noted already, that is due in part to the primary content presented in the program.  Eagle Rock Entertainment has presented here a vintage presentation that follows the creation of his landmark album Imagine as well as a full presentation of the album complete with home videos of Lennon and his widow Yoko Ono.  The doc presents the original in-studio footage of Lennon and his then band mates at work figuring out how to make each song the best that it can be as part of the presentation.  What makes this interesting is that audiences get to see Lennon not just as a performer, but as an artist and a real person.  It’s not always the smiling John Lennon that so many people might remember.  Audiences see that happy guy, but also someone who was human and got frustrated at times, too.  Some might ask why is this important, especially considering that John Lennon is no longer with us.  What is important is that it serves as another reminder that celebrities are not super humans.  They are ordinary people, just like everyone else.  What’s more, audiences get to hear some raw mixes of the songs that would end up on the record while also getting that fly on the wall vantage point of the creative process.  Getting to hear a raw, demo session of ‘Imagine’ itself presents a completely different vocal approach from Lennon than what is heard on record, for example, as well as a slightly different arrangement.  Audiences also get to take in the in-studio recording of ‘Gimme Some Truth,’ which stylistically harkens back to the likes of ‘Helter Skelter.’  Again, here is another important point for the documentary portion of the presentation.  Between all of this and so much more, the documentary proves to be a work that will please, again, the most devoted fans of John Lennon and The Beatles.

The full musical presentation of ‘Imagine’ is a bonus for those fans as it is the original presentation recorded by Yoko Ono and John Lennon together.  The companion booklet that comes with this presentation explains the history behind the film, which is interesting, even for those who might not be as devout as others in their fandom.  As is noted in the booklet, making the film was alien territory for Lennon, but apparently not so much for Ono, which led to some of its more intriguing moments.  Audiences get in the film, home video footage of Lennon and Ono, as well as more artsy type of footage, such as Lennon and Ono sitting at an art display with human-like figures at a table, and the couple walking around in a forest apparently looking for one another just to note a couple of instances.  The home video footage includes footage of the couple at their home together, and with a number of celebs, such as Miles Davis, Andy Warhol and Jack Palance.  Again, the most devout fans of The Beatles and John Lennon will find it all appealing.  Those who might be more casual listeners will at least appreciate getting to hear Imagine in its whole after going through the making of documentary that itself is vintage footage.  That vintage footage in both presentations adds even more appeal for fans as it wasn’t tweaked for the presentation here.  It is exactly the same footage presented in its original presentation.  To that end, the two-part presentation that forms the foundation of Imagine & Gimme Some Truth makes that foundation strong to say the least.  The companion booklet that came with that primary content strengthens that foundation even more.

As noted already, the companion booklet that joins the Blu-ray’s primary content is so important because of what it adds to the Blu-ray’s presentation.  It presents the words of Lennon and Ono themselves instead of the typical liner notes written by a journalist, biographer or other personality.  The notes, obviously written around the same time as the Imagine film, clearly show the time and thought put into the film’s creation so many years ago.  Ono discusses Charlie Chaplin and Buster Keaton movies in her notes as inspiration for the film’s stylistic approach at one point.  At another point, Lennon talks about the cameras following him and his fellow musicians around the studio as the album was being made.  He also writes jokingly about the man in the bag who walked around London in one point of Imagine.  At yet another point, Lennon talks about Ono’s apparent talent with film making, how that led to the film’s outcome and his feeling on the outcome.  It’s just one more commentary that, again, truly devout fans of Lennon and the Beatles will appreciate.  Between all of this and the rest of the commentary featured throughout the booklet, the whole of that content builds on the foundation formed by the program’s two-part primary content to give the noted audiences even more reason to view this presentation.  Even as much as this content offers audiences, it is not all that audiences have to appreciate here.  The bonus material included in the program rounds out its most important elements.

The bonus material features bonus outtakes of performances from Gimme Some Truth not included in the final presentation of that studio presentation.  Audiences get as bonuses, outtakes of the sessions for ‘Jealous Guy,’ ‘How?’ and ‘Gimme Some Truth.’  Again, the bonus features show Lennon and company hard at work in a setting that audiences might not be so commonly seen in other Lennon and Beatles presentations.  As an additional bonus, audiences also get to see a photoshoot of Lennon in studio that is used to create pictures to promote Imagine.  Again, it’s one more display of the creative process for the record.  It’s one more item for Beatles and John Lennon fans to appreciate.  When it is considered along with the bonus studio outtakes, the breadth of information shared by Ono and Lennon themselves in the presentation’s companion booklet and the primary two-part program that forms the program’s foundation, the whole proves to be a work that the most devout Lennon and The Beatles fans will find appealing.

Eagle Rock Entertainment’s recently released profile of John Lennon’s landmark album Imagine is a work that the most devout fans of The Beatles and John Lennon will find appealing.  That is due in part to the two-part primary content that forms the presentation’s foundation.  The rich background that is provided through the Blu-ray’s companion booklet strengthens that foundation even more.  The bonus studio outtakes put the finishing touch to the Blu-ray’s presentation.  Each element is important in its own right to the whole of this Blu-ray.  All things considered, they make this a work that, once again, the most devout fans of The Beatles and John Lennon will appreciate.  It is available now.  More information on this and other titles from Eagle Rock Entertainment is available online at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Steven Wilson Partners With Eagle Rock Entertainment For New Live Recording

Courtesy: Eagle Rock Entertainment

Steven Wilson will release his latest live recording this fall.

The Porcupine Tree front man’s new live recording, Home InvasionIn Concert at the Royal Albert Hall is scheduled to be released Nov. 2 via Eagle Rock Entertainment. It will be available on separate DVD/2CD, Blu-ray/2CD, digital video and audio platforms. A separate limited edition deluxe vinyl pressing of the recording is currently scheduled to be released March 22, 2019.

Home InvasionIn Concert at the Royal Albert Hall was originally captured late in March as Wilson was touring in support of his most recent solo recording, To The Bone, and was recorded at London’s famed Royal Albert Hall. The concert presented in Wilson’s new recording captures the last night of a three-night residency by Wilson and his band at the Royal Albert Hall and features a 21-song set that pulls from To The Bone and other favorites from Wilson.

The forthcoming recording also features a trio of songs recorded during the band’s sound check as part of the recordings’ bonus material. The recording’s full track listing is noted below.

Tracklisting: 
1. Intro “Truth” 
2. Nowhere Now 
3. Pariah 
4. Home Invasion / Regret #9 
5. The Creator Has A Mastertape 
6. Refuge 
7. People Who Eat Darkness 
8. Ancestral 
9. Arriving Somewhere But Not Here 
10. Permanating 
11. Song Of I 
12. Lazarus 
13. Detonation 
14. The Same Asylum As Before 
15. Song Of Unborn 
16. Vermillioncore 
17. Sleep Together 
18. Even Less 
19. Blank Tapes 
20. The Sound Of Muzak 
21. The Raven That Refused to Sing

Bonus material: 
• Interview with Steven recorded during the run of shows. 
• Three tracks recorded in rehearsal at the Royal Albert Hall:

1. Routine
2. Hand Cannot Erase
3. Heartattack In A Layby

Pre-orders are open now. A trailer for the recording is streaming online now. Along with releasing his new recording next month, Wilson will also launch the Canadian/North American leg of his tour in support of To The Bone starting Nov. 15 in Vancouver, British Columbia. The current schedule for the tour is noted below.

STEVEN WILSON US / CANADIAN TOUR DATES:

11/15 – Vancouver, BC – The Vogue

11/17 – Spokane, WA – Bing Crosby Theater

11/18 – Edmonton, ALB – Union Hall

11/19 – Calgary, ALB – The Palace Theatre

11/22 – Toronto, ON – Phoenix Theatre

11/24 – Hamilton, ON – The Studio @ 1st Ontario

11/25 – London, ON – London Music Hall

11/27 – Buffalo, NY – Town Ballroom

11/28 – Boston, MA – House of Blues

11/30 – Philadelphia, PA – The Fillmore

12/1 – Sayreville, NJ – Starland Ballroom

12/2 – Port Chester, NY – Capitol Theatre

12/4 – Huntington, NY – The Paramount

12/5 – Baltimore, MD – Rams Head Live

12/7 – Carrboro, NC – Cat’s Cradle

12/8 – Asheville, NC – Orange Peel

12/9 – Atlanta, GA – Variety Playhouse

12/10 – Nashville, TN – Cannery Ballroom

12/11 – Pensacola, FL – Vinyl Music Hall

12/13 – Tampa, FL – The Ritz

12/14 – Fort Lauderdale, FL – Culture Room

12/15 – Fort Lauderdale, FL – Culture Room

12/16 – Ponte Vedra, FL – Ponte Vedra Concert Hall

12/19 – Dallas, TX – House Of Blues

12/20 – Houston, TX – House of Blues

12/21 – San Antonio, TX – The Aztec Theatre

More information on Steven Wilson’s new live recording is available online now at:

 

Website: http://www.stevenwilsonhq.com

Facebook: http://www.facebook.com/StevenWilsonHQ

Twitter: http://twitter.com/stevenwilsonhq

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

 

 

 

Eagle Rock Releasing Another Rolling Stones Live Recording This Fall

Courtesy: Eagle Rock Entertainment

The Rolling Stones has another live recording on the way.

Eagle Rock Entertainment announced Tuesday that it will release Voodoo Lounge Uncut Nov. 16.  Originally filmed November 25, 1994 at Joe Robbie Stadium in Miami, Florida during the band’s Voodoo Lounge Tour, the extensive performance featured guest performances from Sheryl Crow, Robert Cray and Bo Diddley.

It will be available on DVD/2CD, Blu-ray/2CD, 3LP vinyl, digital video, digital audio, HD digital audio and limited edition triple red vinyl combo pack with Voodoo Lounge Uncut t-shirt. The recording’s a/v presentations feature five extra performances originally recorded at Giants Stadium in New Jersey as bonuses. The extra performances were not included in the band’s Miami show.

Pre-orders for the standard platforms are open here. Pre-orders for the limited edition release are open here.  A trailer for the recording is streaming online now via YouTube.

Many of the band’s biggest hits are featured throughout the recording. They are joined by songs, such as ‘Rocks Off,’ ‘Sparks Will Fly’ and ‘Before They Make Me Run,’ that are much rarer to previous Rolling Stones recordings.  The recording’s full track listing is noted below.

Screen Shot 2018-09-24 at 6.10.57 PM

The Rolling Stones’ year-long “Voodoo Lounge Tour’ launched in Aug. 1994 and featured 134 shows spread across six of the world’s seven continents. The tour was the biggest grossing tour ever at the time.  6.5 million people saw the band over the course of the tour.

The band’s tour help make Voodoo Lounge a #1 record for The Rolling Stones.  It went on to win the Grammy award in 1995 for “Best Rock Album.”  The album (and its associated tour) was also the band’s first without Bill Wyman.

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

More information on Voodoo Lounge Uncut is available online along with all of The Rolling Stones’ latest news and more at:

 

Website: http://www.rollingstones.com

Facebook: http://www.facebook.com/therollingstones

Twitter: http://twitter.com/RollingStones

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.