The Rolling Stones To Release New Tour Doc This Spring

Courtesy: Eagle Rock Entertainment

The Rolling Stones will give fans a first-hand look at its 2016 Latin American tour this spring when it releases its new tour documentary Ole! Ole! Ole!

Eagle Rock Entertainment will release the new documentary, from Paul Dugdale, on Friday, May 26 on separate standalone DVD and Blu-ray platforms.  Audiences can view a trailer for the documentary online now here.

It made its original theatrical run in theaters across Europe in September 2016.  A broadcast on Channel 4 followed in December 2016.

The band’s 2016 Latin America tour took the band through 10 Latin American cities, including Havana, Cuba—the site of the band’s landmark Havana Moon concert, which was released last year by Eagle Rock Entertainment, too.

The band’s tour is the main focus of its upcoming documentary, but is not all that will engage and entertain audiences.  Also included in the documentary is a handful of performances by the band taken from three of the stops on the band’s tour–Buenos Aires, Argentina; Sao Paulo, Brazil and Lima, Peru.  A handful of bonus features is included with the performances as part of the recording’s whole, too.

The full performance list included in the documentary is noted below.

1) Out Of Control (Buenos Aires, Argentina)

2) Paint It Black (Buenos Aires, Argentina)

3) Honky Tonk Women (Sao Paulo, Brazil)

4) Sympathy For The Devil (Sao Paulo, Brazil)

5) You Got The Silver (Lima, Peru)

6) Midnight Rambler (Lima, Peru)

7) Miss You (Lima, Peru)

Ole! Ole! Ole! will retail for MSRP of $26.98 on Blu-ray and $21.98 on DVD.  More information on Ole! Ole Ole! is available online now along with all of The Rolling Stones’ latest news and more at:

 

 

 

Website: http://www.rollingstones.com

Facebook: http://www.facebook.com/therollingstones

Twitter: http://twitter.com/RollingStones

 

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

The Who To Release New Live Recording

Courtesy: Eagle Rock Entertainment

Legendary rock band The Who is getting a jump start on the annual summer concert festival season with a new live recording this June.

The band will release its new live recording Live at the Isle of Wight Festival 2004 on Friday, June 2.  The recording will be released on DVD + 2CD, Blu-Ray + 2CD, and digital formats. Audiences can see a clip of the band performing ‘Naked Eye’ here.

The band’s 2004 performance at the festival marked the first time since 1970 that the band had performed at the festival.  The band’s performance was especially important because it was part of the band’s first live UK tour since the death of bassist and founding member John Entwhistle.  Pino Palladino handled bass duties during the performance and the band’s other 2004 UK dates.

The concert’s 21-song set features a variety of The Who’s greatest hits including but not limited to: ‘Baba O’Reily,’ ‘Substitute,’ ‘Won’t Get Fooled Again,’ ‘You Better You Bet,’ ‘I Can’t Explain,’ ‘Pinball Wizard,’ ‘Who Are You,’ ‘My Generation,’ and ‘Magic Bus.’  The concert’s full set list is noted below.

 

TRACK LISTING

  • 1) I Can’t Explain
  • 2) Substitute

    3) Anyway, Anyhow, Anywhere

    4) Who Are You

    5) Behind Blue Eyes

    6) Bargain

    7) Baba O’Riley

    8) The Punk And The Godfather

    9) 5:15

    10) Love, Reign O’er Me

    11) Eminence Front

    12) Drowned

    13) Naked Eye

    14) Real Good Looking Boy

    15) You Better You Bet

    16) My Generation

    17) Old Red Wine

    18) Won’t Get Fooled Again

    19) Medley: Pinball Wizard / Amazing Journey / Sparks

    20) Medley: See Me, Feel Me / Listening To You

    21) Magic Bus

Live at the Isle of Wight Festival 2004 Blu-ray + 2CD combo pack will retail for MSRP of $29.98 and the DVD + 2CD combo pack for $24.98.  More information on Live at the Isle of Wight Festival is available online now along with all of the band’s latest news and more at:

 

Website: http://www.thewho.com

Facebook: http://www.facebook.com/thewho

Twitter: http://twitter.com/thewho

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

Website: http://www.eagle-rock.com

Facebook: http://www.EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Def Leppard Fans Will Enjoy Band’s New Live Recording “Time” And Again

Courtesy: Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Def Leppard is one of the biggest bands from rock’s big hair era.  While so many bands from that age have gone by the wayside, this hard-working band has continued to make new music and tour the globe year after year; its 11th album being released in 2015.  The self-titled record proved to be a big hit for the band around the world, reaching #10 on Billboard’s Top 200 New Albums Chart and reaching the top spot on the magazine’s Top Rock Albums Chart, Top Hard Rock Albums Chart, and Top Independent Albums Chart.  It also led to a hugely successful global tour in support of the record.  That tour included a performance in Detroit in 2016 that this week was released by Eagle Rock Entertainment on multiple formats.  Releasing the recording on multiple formats is standard practice for Eagle Rock Entertainment, so there is little point to noting this as part of its overall presentation.  The concert’s set list sits at the center of the recording’s presentation.  It will be discussed shortly.  The band’s performance is just as important to note as the show’s set list.  The concert’s companion booklet rounds out its most important elements.  Each element is important in its own right.  All things considered, the recording in whole proves to be a presentation that Def Leppard’s most devout fans will enjoy.

Def Leppard’s new live recording And There Will Be A Next Time is a recording that the band’s most devout fans will enjoy “time and again.”  Yes, that awful pun was entirely intended.  While it obviously is not the band’s first ever live recording, it is still a recording that those fans will enjoy.  That is due at least in part to the recording’s set list.  The 17-song set is not wholly career-defining.  That is because it doesn’t pull from every one of the band’s albums.  The most heavily represented album in this concert is the band’s 1987 album Hysteria.  The band pulled six songs from the record. They include the hit songs ‘Love Bites,’ ‘Pour Some Sugar On Me,’ and the record’s title track.  High and Dry (1981) and Pyromania (1983) are the next most prominent records featured in this set with three songs each.  Adrenalize (1992), Yeah (2006) and the band’s 2015 self-titled record are all included in the show’s set list with songs from each record, too.  While X, Euphoria, Slang and Songs From The Sparkle Lounge are all absent from the set list, that doesn’t necessarily take away too much from the concert.  The band might have been limited by time constraints set by the DTE Energy Music Theatre staff.  There are a lot of venues that have time constraints in place.  Considering that, it likely limited the band’s ability to include songs from every one of its albums.  If that was the case, then what the band was able to present will no doubt impress audiences and the band’s most devout fans.  It is just one of the elements of this concert that audiences will appreciate.  The band’s performance of the featured set list is just as worth noting as the songs themselves.

The set list featured in Def Leppard’s new live recording is in itself a key piece of the recording’s presentation.  That is because while not necessarily career-defining, it does still present a respectable cross-section of the band’s body of work.  That is just one of the recording’s most important elements.  The band’s performance of that set list is just as important to note as the set list itself.  Audiences will note in watching this performance that the stage at the DTE Energy Music Theatre is not overly large.  It is not one of those massive arena stages on which the band made its name during its heyday.  It is, in fact, about the same size as most outdoor amphitheatre’s stage.  That being the case, the front man Joe Elliot and company don’t have a lot of room to move around.  The band made up for that lack of space with its own enthusiasm in each song’s performance.  The passion put in by each band member in each song makes it clear why this band is still a fan favorite for such a long time.  From Elliot’s still strong vocal delivery and guitarists Phil Collen and Vivian Campbell’s concrete playing, the band makes the best of what is clearly a tough situation, making for a performance that is still enjoyable regardless.  Of course one can’t ignore the work of longtime drummer Rick Allen and bassist Rick Savage here, either.  Between their work and that of their band mates, it is clear in watching the whole group that its collective performance will impress fans just as much as the show’s set list.  It is still not the last element to note in examining this recording, either.  The recording’s companion booklet rounds out its most important elements.

The set list at the center of Def Leppard’s new live recording and the band’s performance thereof are both key to the recording’s presentation.  Audiences—especially the band’s most devout fans—will appreciate both elements in their own way.  While those elements are both clearly important to the recording’s presentation, they are not its only important elements.  The companion booklet included with the recording rounds out its most important elements.  The booklet is so important to note because of the liner notes contained therein.  The liner notes, composed by Rolling Stone magazine writer David Fricke, offer a brief history on the band while also outlining the concert’s highlights and basing them against some of the band’s past performances that Fricke had experienced in its heyday.  It paints an interesting picture of the concert contained in the recording’s DVD (and Blu-ray) presentation.  That picture adds even more depth to the concert’s overall presentation; just enough that it puts the finishing touch on the recording’s presentation.  When it is set alongside the recording’s featured set list and the band’s performance thereof, the whole of those elements shows why this concert, again, is one that the band’s most devout fans will appreciate.

And There Will Be A Next Time, Def Leppard’s latest full-length live recording is a recording that the band’s most devout fans will appreciate just as much as its more casual fans.  As noted above, that is due to a set list that represents relatively well, the band’s body of work and a performance thereof that makes the best of a seemingly tight setting.  The companion booklet included in the recording’s packaging paints a clear picture of why the band is still such a fan favorite especially in a live setting so many decades after its formation.  Each element is important in its own way to this recording.  All things considered, they make this recording one that audiences will enjoy “time” and again.  It is available now in stores and online.  More information on this recording is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://www.DefLeppard.com

Facebook: http://www.facebook.com/defleppard

Twitter: http://twitter.com/defleppard

 

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockEnt

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Mumford & Sons’ New Live Recording Won’t Collect Any “Dust” In Audiences’ Collections

Courtesy: Eagle Rock Entertainment/Universal Music Group

Courtesy: Eagle Rock Entertainment/Universal Music Group

Mumford & Sons is one of the biggest bands in the world right now.  Ever since its inception in 2007, the London-based neo-folk outfit has released three albums, selling millions of copies of each along the way.  Even with only three records under its members’ collective belts, the band has gained just as many fans around the world as it has sold albums if not more. Now a decade after the band first formed, it has added to its already impressive resume with its latest full-length live recording–a recording that all audiences will appreciate—in the form of Live From South Africa: Dust and Thunder.  This latest live offering from Mumford & Sons—it’s last live recording was included in the 2010 re-issue of its 2009 debut album Sigh No More—will impress audiences first and foremost in its presented set list.  That will be discussed shortly.  The band’s performance of said set list is just as important to note in this recording as the set list itself.  It will be discussed later.  The concert’s collective cinematography and editing round out its most important elements.  That is not to say it isn’t the last element to note in examining its presentation.  The various platforms on which it has been made available can easily be examined, too.  When this is set alongside the concert’s collective cinematography and editing, the band’s performance, and the show’s set list, the whole of this recording proves to be a work that all audiences will appreciate.

Mumford & Sons’s new live recording Live From South Africa: Dust and Thunder is a recording that all audiences will appreciate.  This includes fans and fans in passing.  That is made evident through the time and effort that was clearly put into the recording’s presentation beginning with its set list.  The concert’s 17-song, 94-minute set list pulls from all three of the band’s albums almost equally. It pulls four songs from the band’s debut and sophomore record while its third record is only slightly more heavily represented with six songs.  There is also a pair of performances with veteran Senegalese artist Baaba Maal included in the set list.  One of that pair—that of ‘Lampenda’—pulls from Maal’s 2016 album Traveller.  The other song that the two acts perform together—‘Wonda’—comes from the groups’ 2016 collaborative record Johannesburg.  The five-song recording was released June 17, 2016 via Glassnote.  Keeping this in mind, it is clear that a lot of thought was put into this concert’s set list.  The set list does technically favor the band’s latest recording the most.  But even with that in mind, it doesn’t favor that album too much more than the band’s first two recordings.  The addition of the set’s additional songs from Baaba Maal adds even more depth to the set list.  All things considered, the songs that are featured in this recording’s set list make clear why the set list is so important to the recording’s presentation.  The set list is just one of the most important elements to note of the recording’s overall presentation, too.  The band’s performance of the set list is just as important to note as the set list itself in examining the recording’s presentation.

The set list at the center of Mumford & Sons’ new live recording is in itself a pivotal piece of the recording’s presentation.  That is because it balances representation of each of the band’s albums so well.  While it is clearly an important part of the recording’s presentation, it is only one important part of that presentation.  The band’s performance of the featured set list is just as important to note in examining the recording’s presentation as the set list itself.  The most notable aspect of the band’s performance here is that it really lets the music do the talking for its members.  Front man Marcus Mumford spend the better part of the concert getting the audience worked into a frenzy with the energy and enthusiasm put into every one of the show’s songs.  Mumford and company give each performance its all, and the audience shows its appreciation for that effort with its own energy from start to finish.  It isn’t until late in the concert that Mumford starts to really get into the show and start interacting with the audience more actively.  When he does, that serves to work the audience even more into a frenzy.  That is especially noticeable late in the concert as Mumford joins the audience during one performance.  He doesn’t just walk the safe aisle areas of the audience, either.  He actually mixes in with the audience, becoming one with the concertgoers.  Between that moment and the overall performance put on by the band throughout the course of the 94-minute show, the band’s performance overall will keep audiences engaged and entertained just as much as the show’s set list if not more so.  The band members’ performances—both alone and collectively—display such energy and enthusiasm.  Those performances show that a band doesn’t always need pyro and other special effects to entertain audiences.  Sometimes all an act needs is talent and heart, and that is exactly what the band presents throughout its performance of each song, showing in whole why the band’s overall performance is just as important to note in examining this concert’s presentation as the show’s set list.  It still is not the recording’s last important element.  The recording’s collective cinematography and editing round out its most important elements.

Live From South Africa: Dust and Thunder’s set list and the band’s performance thereof are both key pieces of the recording’s overall presentation. As important as they are to the recording’s overall presentation, they are not its only key elements.  Its collective cinematography and editing are just as important as those elements to the recording’s presentation.  The recording’s cinematography and editing are so pivotal to the recording’s presentation because they make this concert feel like so much more than just another run-of-the-mill concert recording.  Audiences will note a very specific frame rate was used in capturing the concert.  The recording’s bonus insert (at least in its Blu-ray presentation) does not note the cameras’ frame rates in their shooting.  But it is obvious it was not a standard shooting rate.  The angles and shot transitions were just as expertly handled in post production.  The wide shots captured from high above the stage that expertly capture the immensity of the audience in attendance of the concert will leave audiences in awe.  The same can be said of the dolly shots from just below the stage and the wide shots from amidst the audience.  The transitions between these and so many other angles and shots add even more depth to the work of those behind the lens (and editing stations).  From one song to the next, the transitions just as expertly capture the songs’ energy, the energy in the band’s performance and the audience’s appreciation for the band’s efforts.  Between those expert transitions developed in the recording’s post production, the shots captured by the camera crew at the concert and even the concert’s sound engineers (speaking of which this concert’s audio is another that absolutely begs for a surround sound home theater system for optimum experience), the recording’s camera work and associated editing proves to be just as important to its presentation as its set list and the band’s performance thereof.  When all three elements are set alongside one another, they make this concert an experience that all audiences will appreciate.  That includes audiences who might just be casual fans.  Add in the multiple platforms on which the recording has been made available, and audiences have in this recording what is one of the year’s first great new live recordings.

Mumford & Sons’ new live recording Live From South Africa: Dust and Thunder is one of 2017’s first great new live recordings.  A thorough examination of the recording’s set list, the band’s performance thereof, the recording’s collective production values (both in production and in post production) and its platforms supports that statement.  That has already been noted above.  Each element is clearly important in its own right.  All things considered, Live From South Africa: Dust and Thunder proves to be one of this year’s first great live recordings.  It is available now in stores and online.  More information on Live From South Africa: Dust and Thunder is available online now along with all of Mumford & Sons’ latest news and more at:

 

 

 

Website: http://www.mumfordandsons.com

Facebook: http://www.facebook.com/mumfordandsons

 

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment Proves ‘Pet Sounds’ Classic Status In Recently Released Doc

Courtesy: Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

The Beach Boys is one of the most iconic acts in American popular music.  That goes without saying.  Through the group’s ups and downs in its career, the group has continued to entertain fans around the world with now 29 full-length studio recordings under its collective belt and shows in every corner of the globe.  In 2016, fans marked an important moment in the group’s history – the 50th anniversary of the release of its 1966 album Pet Sounds.  That album remains today one of the group’s most influential records both for audiences and the mainstream music industry.  Eagle Rock Entertainment joined in the celebration with the release of a documentary focused on Pet Sounds in the form of Classic Albums: Pet Sounds.  The “rock-umentary” is the latest addition to Eagle Rock Entertainment’s award-winning music documentary series.  Whether one is a casual listener or a more devout fan, audiences who haven’t yet seen this presentation will find it has plenty to appreciate beginning with its main feature.  This will be discussed shortly.  The program’s bonus material is just as important to note here as the discussed songs.  The information that is provided through both the main feature and bonus material rounds out the most important of the program’s most important elements.  Each element plays its own part in this program’s presentation.  All things considered, they make it a music documentary that audiophiles and devout Beach Boys fans will appreciate.

Eagle Rock Entertainment’s recently released Beach Boys “rock-umentary” Classic Albums: Pet Sounds is a work that audiophiles and devout Beach Boys fans alike will appreciate.  That is due in part to the program’s main feature.  The main feature presents the original 94-minute broadcast version of the program in its entirety.  That means those who might not have been lucky enough to see it when it originally aired on the British Broadcasting Corporation last year finally get to see it any time that they want in this new home release on DVD and Blu-ray.  The main feature includes discussions on a handful of the songs featured on the band’s now landmark 1966 album as well as personal accounts from the band’s members. The discussion on the information shared through those discussions will be touched on later.  Getting back on the subject at hand, this program aired originally overseas, so its release via Eagle Rock Entertainment late last year marks the first time that American audiences got the chance to see it for themselves.  Its availability on separate DVD and Blu-ray platforms adds even more reason for audiophiles and the band’s more devout fans to see it at least once.  It is just one part of what makes this program such a worthwhile watch for said audiences.  The bonus material that is included in the program’s recent home release makes it even more worth the watch.

Classic Albums: Pet Sounds’ 94-minute main feature is in itself plenty of reason for audiophiles and The Beach Boys’ more devout fans to watch this program.  That is thanks to the in-depth discussions on the album’s songs and the band’s own personal experiences that are shared throughout the course of that time.  They will be discussed at more length later.  The program’s availability on both DVD and Blu-ray doesn’t hurt its overall presentation, either.  While all of this is important to note to this program’s presentation, it is only a portion of what makes the program worth the watch.  The bonus material included with the program makes it even more worth the watch.  The bonus material in question is half an hour of interviews that were not included in the program’s original BBC broadcast.  In other words, it gives audiences even more information—enhancing the viewing experience even more. Simply put, having that previously unreleased material included here presents audiences with two separate programs in one.  If they want, audiences could also argue they make one whole program split into two parts for a total of two-hours and four minutes.  That’s all sans commercials, too.  Whether audiences consider the combination of the bonus material and main feature one version or two, the combination of the two elements does plenty to make the program all the more enjoyable for audiophiles and the band’s more devout fans.  Of course as important as having the program available in whole is to its presentation, that means nothing without discussions and information to keep viewers entertained and engaged.  Said discussions and information are plentiful to say the very least.

Having Classic Albums: Pet Sounds available both in its original 94-minute broadcast presentation and its full 124-minute presentation in one setting both on DVD and Blu-ray is in itself quite important to this recording’s presentation.  That is because it provides audiences the program in whole and then some.  While this does plenty to make the program worth the watch, the inclusion of discussions and information that will keep audiences thoroughly engaged and entertained adds even more depth to the program’s presentation, too.  The discussions featured in the program’s main feature don’t cover the whole of Pet Sounds’ 13-song body.  Though, they do paint a relatively vivid picture of what makes the now landmark 1966 recording so important.  The songs that are covered include ‘I Know There’s An Answer,’ ‘Wouldn’t It Be Nice,’ ‘I Just Wasn’t Made For These Times’ and others. Audiences will be interested to learn of the time that Brian Wilson took arranging the songs so that they wouldn’t be just another group of hot rod and surfing songs.  Wilson explains himself that he wanted to branch out into new territory both lyrically and musically on the album.  It shows, too in the discussions on the songs’ instrumentations and their compositions.  For those who might wonder, the band even touches on the rumor of Wilson’s drug use in the discussion on ‘I Know There’s An Answer.’  It isn’t an in-depth discussion, but the band does touch on the matter.  In terms of the program’s bonus material, audiences will be just as interested to learn of the band members’ desire to have another song included in the album and why they wanted to have it included.  The discussion on said song’s (the song won’t be revealed here for the sake of those who haven’t yet seen this program) instrumentation explains why they wanted it include in the album.  The song includes the standard band instrumentation plus banjo (yes, banjo), electro-theramin, and much more.  The balance of that instrumentation illustrates clearly how much thought went into the song’s creation.  It is just one more of so many discussions and pieces of information that makes this program—both in regards to its main feature and bonus material—such an enjoyable watch.  When the information presented in the program’s main feature and bonus material is included with the very presentation of the program’s 94-minute broadcast and its bonus segments, the whole of the program proves once more why it is a work that audiophiles and the band’s more devout fans alike will appreciate.

Classic Albums: Pet Sounds is a work that audiophiles and The Beach Boys’ more devout fans will appreciate.  That is due in part to the presentation of the program’s original 94-minute BBC broadcast as its main feature.  The inclusion of half an hour of extra material not included in the program’s original broadcast adds to its enjoyment even more.  That is because it provides audiences what is essentially two programs in one (or one program split into two segments).  The information shared in the program’s featured discussions rounds out its most important elements.  The discussions don’t touch on every one of the album’s 13 songs.  But they still paint a rich, vivid picture of why the album is so important both for the band and the music industry in whole even more than half a century after its initial release.  Each element is important in its own right to the program’s presentation.  All things considered, they make Classic Albums: Pet Sounds a program that audiophiles and truly devout Beach Boys fans will appreciate.  It is available now in stores and online.  More information on this and other titles from Eagle Rock Entertainment is available online at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

More information on Classic Albums: Pet Sounds is available online now along with all of The Beach Boys’ latest news and more at:

 

 

 

Website: http://www.thebeachboys.com

Facebook: http://www.facebook.com/thebeachboys

Twitter: http://twitter.com/TheBeachBoys

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

“Facing The Music” Is Easy With Townshend’s ‘Face The Face’ Live

pete-townshends-deep-end-face-the-face-live-cover-art

Courtesy: Eagle Rock Entertainment/Universal Music Group

Guitarist Pete Townshend is best known for his role in the legendary rock band The Who.  The British band is one of its country’s greatest rock acts next to The Beatles, Deep Purple, Judas Priest and a select group of others.  While Townshend is best known for his work as a member of The Who, he also had a relatively successful solo career.  This past September Eagle Rock Entertainment released a rare performance from Townshend’s solo career in the form of Face The Face.  This recording is an important artifact of sorts from Townshend’s career, and thus, a piece that fans of The Who will appreciate just as much as Townshend’s fans.  That is due in part to the recording’s companion booklet.  It will be discussed shortly.  The recording’s set list is just as important to note in examining its presentation as its set list.  It will be discussed later.  The concert’s production values round out its most important elements.  Each element is important in its own right to the recording’s overall presentation.  All things considered, Face the Face proves in the end to be, again, a recording that The Who’s fans will appreciate just as much as Townshend’s fans.

Eagle Rock Entertainment’s recently released performance from classic performance from Pete Townshend and Deep End is a recording that fans of The Who will appreciate just as much as Pete Townshend fans.  It is a very rare live recording from the two acts, as audiences will learn in the recording’s companion booklet.  Speaking of the booklet, it sits at the center of the recording’s presentation.  The booklet presents an in-depth history of how Townshend and Deep End came to work together thanks to writer Matt Kent.  It also notes that the concert presented here almost didn’t happen yet somehow miraculously did happen.  That story in itself makes the recording’s companion booklet well worth the read.  As if that isn’t enough, audiences will also learn that Prince’s beloved album Purple Rain was at least one influence behind Townshend’s solo record White City: A Novel.  Townshend was touring in support of that record when this concert was recorded. That, too is noted in the booklet along with a thorough outlining of the concert’s set list, another of the recording’s key elements. Before touching on that subject, one would be remiss to ignore all of the other key information that Kent includes in the recording’s liner notes.  Between the material noted here and that material not noted here, the information Kent provides audiences in the recording’s companion booklet will engage audiences just as much as the concert’s set list.  Speaking, again, of the show’s set list, it is the next most important piece of the recording’s overall presentation to discuss.

The booklet included in Eagle Rock Entertainment’s Pete Townshend/Deep End live recording Face The Face is a key piece of the recording’s overall presentation.  It isn’t the first time that a live recording’s booklet has proven to be the recording’s most important element.  At the same time, though, it is very rare for any recording’s booklet, live or otherwise, to be so critical to its presentation.  Face The Face’s companion booklet is undeniably important to its presentation, but it is also not the recording’s only key element.  The concert’s set list is just as important to note in examining its overall presentation as its companion booklet.  The show’s set list features classics from The Who, songs from White City and hits from other Townshend solo records and even some covers among other songs.  Kent outlines the concert’s set list in relative depth, again, in the recording’s companion booklet.  This, again, shows the importance of the recording’s companion booklet.  That relatively thorough outline also serves as a solid starting point for a musical history lesson of sorts; not just a history lesson on Townshend’s arrangements but in music history overall.  Getting back on the subject at hand, the set list presented in Face to Face presents a wide swath of material and talent on the part of both Townshend and the members of Deep End, among whom included Pink Floyd guitarist David Gilmour.  Considering the breadth of material and talent presented throughout the concert’s set list, it becomes clear why the set list is just as important to Face The Face’s overall presentation as the recording’s companion booklet.  It still is not the last element to note in examining this recording.  The concert’s production values round out its most important elements.

Matt Kent’s liner notes included in Face The Face’s companion booklet and the recording’s set list are both key pieces of the recording’s overall presentation.  The booklet expertly sets up the concert experience, preparing audiences for the concert.  The set list is just as important to the recording as its booklet because of the wide array of sources for the featured songs.  Kent outlines the show’s set list in relative depth in his liner notes, adding even more to the concert’s viewing experience.  Keeping all of that in mind, both elements are clearly important pieces to the recording’s whole.  They are only two-thirds of the recording’s whole that should be noted.  Its production values are just as important to note here as its companion booklet and set list. The concert looks and sounds far different than concerts recorded today.  For lack of better wording, the concert’s video and audio are rough.  The thing is that said rough presentation creates a certain appreciation for how far recording technology has come since 1986 (the year when this concert was originally recorded).  Between the sometimes airy sound in the audio mix and the at times equally uneasy cuts between cameras, watching the concert is an interesting experience, especially for those who grew up in the 1980s.  Again, it reminds audiences of how far recording tech has come since the days when this concert was captured. So really, it presents its own history lesson of sorts, too.  Keeping that in mind, the recording’s production values are just as important to its presentation as its companion booklet and set list.  Each element is important in its own way to the recording’s presentation.  All things considered, Face The Face proves in the end to be a recording that, again, Pete Townshend’s fans will appreciate just as much as fans of The Who.  It supports even more this critic’s statement that Eagle Rock Entertainment is the leading name in live recordings.

Eagle Rock Entertainment’s recently released rare performance from Pete Townshend and Deep End is a rare piece that fans of The Who will appreciate just as much as Pete Townshend’s fans.  It proves once again why Eagle Rock Entertainment is the leading name in live recordings.  Those statements are supported in part through the recording’s companion booklet.  The booklet features in-depth liner notes by Matt Kent that will engage readers just as much as the recording’s featured concert if not more so.  Speaking of the concert, its set list is just as important to the recording’s presentation as its booklet.  The concert’s production values play their own key part in its overall presentation, too.  Each element is important in its own right to the concert’s overall presentation.  All things considered, Face The Face proves, once more, to be a recording that The Who fans will appreciate just as much as Pete Townshend’s fans.  Considering the concert’s rarity and everything else noted here, it proves once again why Eagle Rock Entertainment remains to this day the leading name in live recordings.  Face The Face is available now in stores and online.  More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

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Fall Out Boy Fans Will Enjoy Band’s Latest Live Recording In Every Season

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Courtesy: Eagle Vision/Eagle Rock Entertainment/Universal Music Group/Crush Music/DCD2/Island Records

Late last summer pop punk outfit Fall Out Boy hit the road in support of its latest album American Beauty/American Psycho.  As part of its tour, the band performed a hometown show that was recorded for release.  That recording was released this past October via Eagle Rock Entertainment, the leading name in live recordings.  For fans of this recording, there is plenty to appreciate beginning with the concert’s set list.  That will be discussed shortly.  The band’s performance of said set list is just as important to note here as the show’s set list.  It will be discussed later.  The concert’s packaging might not seem all that important in the grand scheme of things, but even it plays an important part in its presentation. It is hardly the last element that can be noted, too.  The concert’s cinematography and combined video and sound mixing can also be discussed, too, as could the band’s simplistic stage setup.  Each element is important in its own right to the recording’s overall presentation.  That goes without saying.  All things considered, The Boys of Zummer Tour: Live in Chicago proves to be, again, a recording that will appeal to any of Fall Out Boy’s fans.

Fall Out Boy’s new live recording The Boys of Zummer Tour: Live in Chicago is a work that will appeal to any of the veteran pop punk band’s fans.  It is not the band’s first live recording by any means.  Regardless, it will appeal to said fans.  That is due in part to the concert’s set list.  The 17-song set list pulls from all six of the band’s current albums.  American Beauty/American Psycho receives the most nods with five songs.  The band’s 2013 album Save Rock and Roll comes in second with four of its songs featured in the show’s set list.  Infinity on High (2007) comes in third with three songs featured.  From Under A Cork Tree also sees three of its songs included in the set list while Folie a Deux is represented by two songs and Take This To Your Grave with one song.  Needless to say, the fact that the band pulled from each of its current albums makes this concert a career-spanning show for the band.  That being the case, it becomes clear why the concert’s set list is so important to its overall presentation.

The set list presented in Fall Out Boy’s latest live recording is in itself a key piece of the recording’s presentation.  The set list features songs from each of the band’s current albums.  That makes it for all intents and purposes a career-spanning performance, even with the band’s career being far from over.  While the show’s set list is clearly an important piece of its presentation, it is just one of the elements that should be noted in examining the concert’s presentation.  The band’s performance of the show’s set list is just as important to note in examining the recording’s overall presentation.  The band’s members—Pete Went (bass, vocals), Patrick Stump (guitar, vocals), Joseph Trohman (guitar, vocals) and Andrew Hurley (drums)—have full run of the massive stage.  While they do make use of its wide open space at times, it seems that they opt to use their energies for their performances rather than running around the stage.  Audiences will appreciate that attention to the performance.  That is because it shows through in each song.  The band gives its all in each song.  The end result is that it will pull in home viewers just as much as it did the concert’s attendees.  It should be noted that even in the concert’s semi-acoustic section the band spends plenty of time interacting with the audience between songs in a sort of Storytellers (for anyone who remembers that VH1 program) setting.  It serves to strengthen the band’s connection with audiences even more.  That includes audiences at home, too.  The solid connection that is made between Fall Out Boy’s band members and the band’s audiences translates very well to audiences.  It makes the viewing experience all the more enjoyable for the band’s fans at home, and is still not the last of the recording’s key elements.  The concert’s packaging is just as important to note as its set list and the band’s performance thereof.

The career-spanning set list presented in Fall Out Boy’s new live recording and the band’s performance thereof are both key the this recording’s overall presentation.  They are not its only important elements.  The recording’s packaging is an important piece of the recording’s overall presentation, too.  Much like so many of Eagle Rock Entertainment’s other live recordings released this year, this recording has been released in a standard package that will allow it to fit on any fan’s CD rack.  That is even with the recording being presented on separate DVD and Blu-ray platform.  This is important to note because of its ergonomic value.  The concert being packaged in a standard CD packaging—despite being presented on DVD and Blu-ray—saves space on fans’ DVD and BD racks.  Being a very thin package, it also saves space on CD racks, too.  So that end, the recording’s packaging may not seem important on the surface, but ultimately proves to be just as important as the recording’s set list and the band’s performance thereof.  It is just important in a different way.  Interestingly enough, it still is not the last of the recording’s key elements.  The concert’s video and sound mix (its production values) and the band’s simple stage setup could also be discussed in examining this recording’s overall presentation.  Each element is clearly important in its own right.  All things considered, they show in whole why The Boys Of Zummer Tour: Live in Chicago is a recording that any of Fall Out Boy’s fans will appreciate.

Fall Out Boy’s latest live recording The Boys of Zummer Tour: Live in Chicago is a recording that any Fall Out Boy fan will appreciate.  Fans will appreciate this recording for a number of reasons beginning with the concert’s set list.  The set list features songs from each of the band’s current albums.  While the band’s career is likely far from over, this approach still technically makes the set list a career-spanning set.  The band’s performance is just as important to note as the concert’s set list.  That is due to the fact that the band’s members don’t run around the stage unnecessarily.  Rather, they use their performances of the show’s set list to entertain audiences.  That attention to its performance of each song improves the band members’ endurance and thus enhances each song’s performance even more.  Those enhanced performances in turn make the band’s performance that much more engaging for fans.  The recording’s packaging, production values and the band’s simple stage setup combine to round out the recording’s most important elements. Each element is obviously important in its own right to the recording’s overall presentation.  All things considered, they show why The Boys of Zummer Tour: Live in Chicago is, once more, a recording that any Fall Out Boy fan will appreciate.  It is available now in stores and online.  More information on this recording is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://falloutboy.com

Facebook: http://www.facebook.com/falloutboy

Twitter: http://twitter.com/falloutboy

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.