Pre-Orders Now Open For Madonna’s ‘Rebel Heart Tour’ Recording

Courtesy: Eagle Vision/Eagle Rock Entertainment

Pre-orders are officially open for Madonna’s next new live recording Rebel Heart Tour.

The veteran pop performer’s latest live recording will be released Sept. 15 in stores and online on DVD, Blu-ray, CD, 2CD, and digital download.  The DVD and Blu-ray platforms also come with an audio CD featuring highlights from the tour.  It features performances recorded throughout the tour, which saw Madonna perform 82 shows in 55 cities worldwide on four continents over seven months.

The extensive set list varies from one platform to the next, though each platform includes performances of a number of Madonna’s hits including ‘Living For Love,’ ‘Burning Up,’ ‘Holiday’ and others.  The full track listing for each platform is noted below.  Those who pre-order the recording now will receive the recording with exclusive merchandise bundles.

DVD / Blu-ray Tracklisting CD Tracklisting
01. Rebel Heart Tour Intro 01. Rebel Heart Tour Intro
02. Iconic 02. Iconic
03. Bitch I’m Madonna 03. Bitch I’m Madonna
04. Burning Up 04. Burning Up
05. Holy Water / Vogue 05. Holy Water / Vogue
06. Devil Pray 06. Devil Pray
07. Messiah (Video Interlude) 07. Deeper and Deeper
08. Body Shop 08. HeartBreakCity
09. True Blue 09. Living For Love
10. Deeper and Deeper 10. La Isla Bonita
11. HeartBreakCity 11. Rebel Heart
12. Like A Virgin 12. Candy Shop
13. S.E.X. (Video Interlude) 13. Unapologetic Bitch
14. Living For Love 14. Holiday
15. La Isla Bonita
16. Dress You Up / Into The Groove
17. Rebel Heart
18. Illuminati (Video Interlude)
19. Music
20. Candy Shop
21. Material Girl
22. La Vie En Rose
23. Unapologetic Bitch
24. Holiday
EXTRAS
01. An Excerpt from “Tears Of A Clown”
02. Like A Prayer
DOUBLE CD / DIGITAL AUDIO
CD1 Tracklisting CD2 Tracklisting
01. Rebel Heart Tour Intro 01. Living For Love
02. Iconic 02. La Isla Bonita
03. Bitch I’m Madonna 03. Dress You Up / Into The Groove
04. Burning Up 04. Rebel Heart
05. Holy Water / Vogue 05. Music
06. Devil Pray 06. Candy Shop
07. Body Shop 07. Material Girl
08. True Blue 08. La Vie En Rose
09. Deeper and Deeper 09. Unapologetic Bitch
10. HeartBreakCity 10. Holiday
11. Like A Virgin 11. BONUS TRACK: Like A Prayer
DIGITAL VIDEO
Digital Tracklisting
01. Rebel Heart Tour Intro
02. Iconic
03. Bitch I’m Madonna
04. Burning Up
05. Holy Water / Vogue
06. Devil Pray
07. Messiah (Video Interlude)
08. Body Shop
09. True Blue
10. Deeper and Deeper
11. HeartBreakCity
12. Like A Virgin
13. S.E.X. (Video Interlude)
14. Living For Love
15. La Isla Bonita
16. Dress You Up / Into The Groove
17. Rebel Heart
18. Illuminati (Video Interlude)
19. Music
20. Candy Shop
21. Material Girl
22. La Vie En Rose
23. Unapologetic Bitch
24. Holiday
iTUNES ONLY EXTRAS
01. An Excerpt from “Tears Of A Clown”
02. Like A Prayer

Along with the extensive set lists, the DVD and Blu-ray platforms will also include exclusive behind-the-scenes footage and unreleased footage including a performance from her fan club show in Melbourne, Australia.  The show marked Madonna’s first time performing in Melbourne in 23 years.

The Rebel Heart Tour was produced by Live Nation Global Touring.  The upcoming live recording was directed by Jamie King with musical direction by Kevin Antunes (with band keyboardist Ric’key Pagot, drummer Brian Frasier-Moore, guitarist Monte Pittman and background vocalists Kiley Dean and Nicki Richards).  Choreography was directed by Megan Lawson.

Andy LeCompte handled hair while Aaron Henrikson was in charge of makeup.  Arianne Phillips led the tour’s costume design department.

More information on Madonna’s Rebel Heart Tour recording is available online along with her latest news and more at:

 

 

 

Website: http://www.madonna.com

Facebook: http://www.facebook.com/madonna

Twitter: http://twitter.com/madonna

 

 

 

More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

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Fall Out Boy Fans Will Enjoy Band’s Latest Live Recording In Every Season

fall-out-boy-the-boys-of-zummer-live-in-chicago-bd-cover-art

Courtesy: Eagle Vision/Eagle Rock Entertainment/Universal Music Group/Crush Music/DCD2/Island Records

Late last summer pop punk outfit Fall Out Boy hit the road in support of its latest album American Beauty/American Psycho.  As part of its tour, the band performed a hometown show that was recorded for release.  That recording was released this past October via Eagle Rock Entertainment, the leading name in live recordings.  For fans of this recording, there is plenty to appreciate beginning with the concert’s set list.  That will be discussed shortly.  The band’s performance of said set list is just as important to note here as the show’s set list.  It will be discussed later.  The concert’s packaging might not seem all that important in the grand scheme of things, but even it plays an important part in its presentation. It is hardly the last element that can be noted, too.  The concert’s cinematography and combined video and sound mixing can also be discussed, too, as could the band’s simplistic stage setup.  Each element is important in its own right to the recording’s overall presentation.  That goes without saying.  All things considered, The Boys of Zummer Tour: Live in Chicago proves to be, again, a recording that will appeal to any of Fall Out Boy’s fans.

Fall Out Boy’s new live recording The Boys of Zummer Tour: Live in Chicago is a work that will appeal to any of the veteran pop punk band’s fans.  It is not the band’s first live recording by any means.  Regardless, it will appeal to said fans.  That is due in part to the concert’s set list.  The 17-song set list pulls from all six of the band’s current albums.  American Beauty/American Psycho receives the most nods with five songs.  The band’s 2013 album Save Rock and Roll comes in second with four of its songs featured in the show’s set list.  Infinity on High (2007) comes in third with three songs featured.  From Under A Cork Tree also sees three of its songs included in the set list while Folie a Deux is represented by two songs and Take This To Your Grave with one song.  Needless to say, the fact that the band pulled from each of its current albums makes this concert a career-spanning show for the band.  That being the case, it becomes clear why the concert’s set list is so important to its overall presentation.

The set list presented in Fall Out Boy’s latest live recording is in itself a key piece of the recording’s presentation.  The set list features songs from each of the band’s current albums.  That makes it for all intents and purposes a career-spanning performance, even with the band’s career being far from over.  While the show’s set list is clearly an important piece of its presentation, it is just one of the elements that should be noted in examining the concert’s presentation.  The band’s performance of the show’s set list is just as important to note in examining the recording’s overall presentation.  The band’s members—Pete Went (bass, vocals), Patrick Stump (guitar, vocals), Joseph Trohman (guitar, vocals) and Andrew Hurley (drums)—have full run of the massive stage.  While they do make use of its wide open space at times, it seems that they opt to use their energies for their performances rather than running around the stage.  Audiences will appreciate that attention to the performance.  That is because it shows through in each song.  The band gives its all in each song.  The end result is that it will pull in home viewers just as much as it did the concert’s attendees.  It should be noted that even in the concert’s semi-acoustic section the band spends plenty of time interacting with the audience between songs in a sort of Storytellers (for anyone who remembers that VH1 program) setting.  It serves to strengthen the band’s connection with audiences even more.  That includes audiences at home, too.  The solid connection that is made between Fall Out Boy’s band members and the band’s audiences translates very well to audiences.  It makes the viewing experience all the more enjoyable for the band’s fans at home, and is still not the last of the recording’s key elements.  The concert’s packaging is just as important to note as its set list and the band’s performance thereof.

The career-spanning set list presented in Fall Out Boy’s new live recording and the band’s performance thereof are both key the this recording’s overall presentation.  They are not its only important elements.  The recording’s packaging is an important piece of the recording’s overall presentation, too.  Much like so many of Eagle Rock Entertainment’s other live recordings released this year, this recording has been released in a standard package that will allow it to fit on any fan’s CD rack.  That is even with the recording being presented on separate DVD and Blu-ray platform.  This is important to note because of its ergonomic value.  The concert being packaged in a standard CD packaging—despite being presented on DVD and Blu-ray—saves space on fans’ DVD and BD racks.  Being a very thin package, it also saves space on CD racks, too.  So that end, the recording’s packaging may not seem important on the surface, but ultimately proves to be just as important as the recording’s set list and the band’s performance thereof.  It is just important in a different way.  Interestingly enough, it still is not the last of the recording’s key elements.  The concert’s video and sound mix (its production values) and the band’s simple stage setup could also be discussed in examining this recording’s overall presentation.  Each element is clearly important in its own right.  All things considered, they show in whole why The Boys Of Zummer Tour: Live in Chicago is a recording that any of Fall Out Boy’s fans will appreciate.

Fall Out Boy’s latest live recording The Boys of Zummer Tour: Live in Chicago is a recording that any Fall Out Boy fan will appreciate.  Fans will appreciate this recording for a number of reasons beginning with the concert’s set list.  The set list features songs from each of the band’s current albums.  While the band’s career is likely far from over, this approach still technically makes the set list a career-spanning set.  The band’s performance is just as important to note as the concert’s set list.  That is due to the fact that the band’s members don’t run around the stage unnecessarily.  Rather, they use their performances of the show’s set list to entertain audiences.  That attention to its performance of each song improves the band members’ endurance and thus enhances each song’s performance even more.  Those enhanced performances in turn make the band’s performance that much more engaging for fans.  The recording’s packaging, production values and the band’s simple stage setup combine to round out the recording’s most important elements. Each element is obviously important in its own right to the recording’s overall presentation.  All things considered, they show why The Boys of Zummer Tour: Live in Chicago is, once more, a recording that any Fall Out Boy fan will appreciate.  It is available now in stores and online.  More information on this recording is available online now along with all of the band’s latest news and more at:

 

 

 

Website: http://falloutboy.com

Facebook: http://www.facebook.com/falloutboy

Twitter: http://twitter.com/falloutboy

 

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

‘Paco And John’ Is Another Impressive Entry In Eagle Rock’s Montreux Live Series

Courtesy:  Eagle Rock Entertainment/Montreux Sounds/Universal Music Group

Courtesy: Eagle Rock Entertainment/Montreux Sounds/Universal Music Group

Fans of John McLaughlin have new reason to be excited this week.  That is because Eagle Rock Entertainment and Montreux Sounds have released a new archived performance by the veteran guitarist.  Paco An John Live at Montreux 1987 was released this Friday, June 24th.  The triple-disc set is not the first of McLaughlin’s Montreux performances to be released by the companies.  Five years ago, they released McLaughlin’s performance alongside fellow guitar virtuoso Carlos Santana at the 2011 Montreux Festival on Blu-ray.  This latest recording takes fans even farther back in time and presents him with another guitarist—Paco de Lucia.  There is plenty for fans of both musicians to appreciate in this new recording beginning with its set list.  This will be discussed shortly.  The duo’s stage presence is just as important to note.  It will be discussed later.  Last and most definitely not least of note in this set’s presentation is its companion booklet.  It brings everything full circle with this presentation and shows together with the previously noted elements why this recording is one more must have for any John McLaughlin fan.

Eagle Rock Entertainment and Montreux Sounds’ new archived concert recording Paco and John Live at Montreux 1987 is a new must have for any fan of Paco de Lucia.  It is just as much of a must have for any fan of John McLaughlin.  It is not the first of McLaughlin’s Montreux performances to be released by Eagle Rock and Montreux Sounds.  But it is unlike his previous released performances.  That is evident in the first of the set’s most important elements—its set list.  This concert’s set list features a mix of Mclaughlin and de Lucia’s own originals, and a number of covers, too.  McLaughlin makes note of this in the set’s companion booklet.  That will be discussed at more length later.  In all, the nine songs (technically ten since the set’s opener is a two-song medley of sorts) that make up the body of the concert total ninety-one minutes.  What’s important to note is that while nine (or ten) songs might not seem like much, each song’s arrangement is so in depth that each one must be truly experienced in order to be fully understood and appreciated.  In other words, the set list presented here is not one that one can just have on in the background when experiencing it.  It is one that requires full attention from one song to the next in order to be fully appreciated.  It is just one of the recording’s most important elements.  McLaughlin and de Lucia’s stage presence is just as important to note here as the show’s set list.

The set list featured in Paco de Lucia and John McLaughlin’s new live recording is an important part of the recording’s presentation in its own right.  That is made clear simply by listening through the entirety of its ninety-one minute run time.  It is just one of the recording’s most important elements.  McLaughlin and de Lucia’s stage presence is just as important to note in this recording as the concert’s set list.  The duo’s stage presence is so important to note because of how little the pair does throughout the course of its performance.  Both men spend the length of their performance sitting down while they perform.  There’s no walking around on stage, pacing back and forth.  Even with this being the case, both men still manage to keep audiences entertained and engaged.  That is done primarily through each musician’s display of musical talents.  The precision and expertise exhibited in each man’s performance is impressive to say the very least.  Actually getting to see that expertise in the set’s DVD reveals just how impressive their talents are.  The pair’s facial gestures do just as much for their stage presence as their performance of the set’s featured songs.  This includes the moments when each is alone on stage and when the pair is performing together.  The sly little smiles that the pair share with one another as they perform speak volumes.  Those motions do just as much to entertain as do those of any performer’s more active behavior on stage.  That is a true testament to the power of the simplicity in the pair’s stage presence.  It shows that just as the old adage states, big things sometimes do indeed come in small packages.  Now, keeping this in mind, it should be clear why de Lucia an McLaughlin’s stage presence is so important to note in the overall presentation of this recording.  Their stage presence is so simple.  Yet it does so much for the experience even in (and perhaps thanks to) its simplicity.  When that simple and so entertaining stage presence is set against the recording’s set list, both elements prove even more their importance to this recording.  They are not its only important elements, either.  The companion booklet that is included in the recording is just as important to its presentation as the recording’s set list and its performers’ stage presence.

The set list featured in Paco and John Live at Montreux 1987 is its own important element in the set’s overall presentation.  The same can be said of de Lucia and McLaughlin’s stage presence.  Both elements are each important in their own way to the recording’s presentation.  They are, however, not its only important elements.  The companion booklet that comes with the set is just as important to the set’s presentation as those other noted elements.  The companion booklet should be noted in large part because of its liner notes.  The notes in question were written by John McLaughlin.  McLaughlin discusses in the notes the show’s set list and his friendship with de Lucia.  There is even a very small music theory lesson of sorts in the liner notes as he discusses Bulerias, which he states are “one of the pillars of the Flamenco musical traditions.”  The liner notes are brief, but also concise.  In the end, it brings the presentation full circle.  It rounds out the recording’s overall experience, proving once and for all why Paco and John Live at Montreux 1987 is one more must have for fans of both de Lucia and McLaughlin.

Paco and John Live at Montreux 1987 is a must have for any fan of Paco de Lucia and John McLaughlin.  It is one of those rare presentations that does so much with so little.  This is evident in the show’s set list, which runs a total of ninety-one minutes.  It features compositions from McLaughlin and de Lucia but from their counterparts, too.  Those that listen closely will note the difference in sound and style between each song, too.  The duo’s performance on stage is so simple throughout.  As odd as it may seem, that simplicity actually makes a big impact on the experience.  The show’s liner notes are just as simple yet add their own depth to the experience, too.  Each element proves in the end to be important in its own right to the whole of this recording.  Altogether they make Paco and John Live at Montreux 1987, again, a live recording (and recording in general) that every one of de Lucia and McLaughlin’s fans should have in their own home music collections.  It is available now in stores and online.  More information on this and other titles from Eagle Rock Entertainment is available online now at:

 

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

 

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks, and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Audiences Of All Musical Tastes Will Enjoy Enjoy Eagle Rock Entertainment’s New Dylan Documentary

Courtesy: Eagle Rock Entertainment/Universal Music Group

Courtesy: Eagle Rock Entertainment/Universal Music Group

Eagle Rock Entertainment’s new music documentary Lost Songs: The Basement Tapes Continued is an interesting new presentation. Regardless of whether audiences are fans of Bob Dylan and his body of work or fans of the artists recruited to resurrect Dylan’s “long lost” there is plenty for audiences of all ages and tastes to like throughout the program beginning fittingly with its virtual music history lesson. The program’s very presentation style is another element of the documentary that audiences will appreciate. Despite essentially being a standard “making of” feature, it doesn’t come across like so many other guerilla style making of peices thrown together by so many other acts just to sell records. And then of course there is the bonus material. In the case of this Blu-ray, the bonus material lives up to its name as it brings the whole presentation full circle. It doesn’t present the finished product of each song rehearsed in the main feature. But it does give audiences a look at the finished product of half of the noted songs. And that’s only the beginning of what makes the bonus material a true bonus. That will be discussed later. Taking into consideration everything noted here, Lost Songs: The Basement Tapes Continued proves itself a music documentary well worth the watch by audiences of any musical taste.

Eagle Rock Entertainment’s new music documentary Lost Songs: The Basement Tapes Continued is an interesting work that audiences of any musical taste should see. It should be noted right off the top that it is not a piece that audiences of any age should see. that is because there is some language older audiences might find questionable for some younger viewers. There is also one scene from some vintage 1960s film that shows a topless woman dancing with a group of other people. None of this seems to be noted anywhere on the documentariy’s casing. So it would be irresponsible if this critic didn’t note these issues right off the bat. Having gotten that out of the way, this program is still one that older audiences of any musical taste will want to see. The central reason for that is that it is within itself a virtual music history lesson. The lesson is centered on a group of previously “undiscovered” writings from none other than legendary singer/songwriter Bob Dylan. Audiences get a glimpse into where the writings came from, how they originally came into being so many decades ago and even their original intent. Some of this information is provided by Dylan himself even though the only time that Dylan actually appears on camera is in vintage footage of Dylan with his band mates collected for the documentary. Audiences will be surprised to learn that many of the writings if not all of them were never even intended for mass consumtion by fans. Audiences will be just as interested to learn why Dylan and company opted to record the original songs literally in the basement of a house instead of the sterility of a studio as they watch. That little factoid is in itself quite enlightening. there is even more information thrown out throughout the program that audiences will find interesting. So that will be left to viewers to discover for themselves. That information coupled with the information noted here shows clearly to be a history lesson that intended or not serves as one of the most important elements of Lost Songs: The Basement Tapes Continued in its enjoyment. It is only part of the program that makes it a joy for fans. The documentary’s overall shooting and presentation style make for their own enjoyment in this case, too.

The overall shooting style and manner of presentation in Lost Songs: The Basement Tapes Continued make for just as much reason for audiences to check out the program as its virtual music history lesson. “Making of documentaries” are all too commonplace in today’s music industry. The problem with all of the “documentaries” is that few prove to be memorable in any form or fashion. More often than not they are throwaway extras used to convince audiences to purchase already overpriced albums that are themselves forgettable. They are typically shot in guerilla, home-video style and presented as such, too. Thankfully none of this applies to Lost Songs: The Basement Tapes Continued. What audiences get in this program is a piece that fully lives up to the title of music documentary. It is an expertly shot and edited program that ties together music’s past and present and will in turn keep audiences engaged from beginning to end. There are no fast moving pans or tilts from the camera crew. And the music being rehearsed makes the presentation emotionally moving and powerful both as the recruited artists–who are themselves some of the music world’s biggest names today–work together and by themselves. There are no jump cuts. And while some special effects are used, they are used sparingly throughout, making the presentation all the more worth the watch.

Lost Songs: The Basement Tapes Continued more than lives up to the title of music documentary. It is the total antithesis of the largely forgettable throwaway pieces out there that masquerade as making of documentaries. This includes the standalone pieces and the ones that are thrown in with albums that are themselves largely forgettable. It stands out from those presentations thanks in large part to its professional production values and its virtual music history lesson. Both elements play their own important part in the success and enjoyment of Lost Songs: The Basement Tapes Continued. As important as each element proves in the long run, there is one more element to note that brings the presentation full circle. That element is the documentary’s collective bonus material. The bonus material in this case is a presentation of some of the songs featured in the main feature in their entirety. While not all twelve of the featured songs are included as bonus material. No fewer than half of the songs are featured, though. Having gone through the rehersals and creative process presented in the program’s main feature, the half dozen songs featured as bonus material are essentially a reward for audiences that watched the creative process that led to the songs. Again, while not all twelve songs presented in the main feature are included with the bonus material, the half dozen that are featured bring the presentation in whole full circle.

The full song “performances” featured in the bonus features of Lost Songs: The Basement Tapes Continued are themselves bonus for audiences. They are bonuses in large part because they finally let audiences hear at least some of the presented songs in their identity. That isn’t the only reason that they are bonuses, though. They are bonuses also because of the fact that each song features one of the recruited artists leading the given songs in his or her own style. Because each of the recruited artists gets to lead at least one song included in the bonus features, not one of the noted songs sounds like the other. Each comopsition has a sound and style completely separate from the others. It shows each artist’s own musical roots and influences thus deepening the program in whole even more. It is within itself a bonus of the bonus material and one more reason that audiences will want to watch Lost Songs: The Basement Tapes Continued.

Lost Songs: The Basement Tapes Continued is one of the more interesting music documentaries that has been released so far this year. For that matter, it is one of the only presentations released so far this year that rightfully deserves to be called a documentary. That is thanks in large part to its virtual music history lesson. Whether or not the history lesson was intended, it is there. The program’s production values set it apart from all of thoe throwaway pieces that try to pretend to be documentaries, too. And the bonus material rewards audiences that stayed and watched Bob Dylan’s “long lost” slowly come to life in more than one way. All three elements together show why audiences of all musical tastes, if not ages, will want to watch this documentary. Together, they show that while Eagle Rock is known largely as the leader in live recordings, it holds its own in the world of music documentaries, too. Lost Songs: The Basement Tapes Continued will be available in stores and online Tuesday, May 26th. More information on this and other titles from Eagle Rock Entertainment is available online at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment Releasing Classic All-Star Benefit Concert This Spring

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment will release what is one of its biggest recordings to date this spring when it releases on SD Blu-ray Live at Knebworth.

Billed as “The Best British Concert Of All Time,” Live at Knebworth will be released Tuesday, March 17th on SD Blu-ray. It is presented in upscaled standard definition with uncompressed stereo and DTS-HD Master Audio. The concert was originally recorded on June 30th, 1990. It was held as a benefit concert for Nordoff-Robbins Music Therapy and The Brit School for Performing Arts. Its lineup included some of the most well-known and respected musicians and acts from the UK. Many if not all of the acts in question had each themselves received the Nordoff-Robbins Silver Clef Award. They included: Eric Clapton, Paul McCartney, Pink Floyd, Robert Plant, Elton John, Phil Collins, Genesis, Dire Straits, Tears for Fears, Cliff Richards and the Shadows, and Status Quo. Most incredible of all was that of these performers, each one performed free of charge to support the cause.

McCartney offered up renditions of ‘Hey Jude,’ ‘Birthday,’ and ‘Can’t Buy Me Love’ for his performance. When Clapton took to the stage, he gave audiences ‘Tearin’ Us Apart’ and ‘before You Accuse Me.’ Elton John moved audiences in his own way with performances of ‘Sad Songs (Say So Much’ and ‘Sacrifice.’ Genesis gave one of the most interesting performances of the concert with a medley of ‘Somebody to Love,’ ‘Pinball Wizard,’ and ‘Turn It On Again.’ Robert Plant was joined on-stage by his Led Zeppelin band mate Jimmy Page for performances of ‘Wearin’ and Tearin,’ and ‘Rock and Roll.’ Pink Floyd’s performances of ‘Shine On You Crazy Diamond’ and ‘Run Like Hell’ were some of the concert’s most memorable moments. And they were just some of the key moments that make up the concert’s thirty-two song concert. The concert’s complete track listing is noted below.

TRACK LISTING

Tears For Fears:

1) Change

2) Badman’s Song

3) Everybody Wants To Rule The World

Cliff Richard & The Shadows:

4) On The Beach

5) Good Golly Miss Molly

6) We Don’t Talk Anymore

Phil Collins & The Serious Band:

7) In The Air Tonight

8) Sussudio

Paul McCartney:

9) Coming Up

10) Birthday

11) Hey Jude

12) Can’t Buy Me Love

Status Quo:

13) Whatever You Want

14) Rockin’ All Over The World

15) Dirty Water

16) In The Army Now

Eric Clapton:

17) Before You Accuse Me

18) Tearin’ Us Apart

Dire Straits:

19) Solid Rock

20) Think I Love You Too Much

21) Money For Nothing

Elton John:

22) Sacrifice

23) Sad Songs (Say So Much)

Robert Plant:

24) Hurting Kind

25) Tall Cool One

26) Wearing And Tearing (with Jimmy Page)

27) Rock And Roll (with Jimmy Page)

Genesis:

28) Mama

29) Throwing It All Away

30) Turn It On Again Medley: Turn It On Again / Somebody To Love /  Reach Out, I’ll Be There / Pinball Wizard / In The Midnight Hour / Turn It On Again (reprise)

Pink Floyd:

31) Shine On You Crazy Diamond

32) Run Like Hell

 

Proceeds from the sale of Live at Knebworth will continue to raise funds for Nordoff-Robbins Therapy and the Brit School for Performing Arts. More information on this and other releases from Eagle Rock Entertainment is available online at:

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment To Release New Eric Clapton Tour Documentary

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment will release Eric Clapton’s new tour documentary this fall.

Planes, Trains, And Eric will be released on DVD and Blu-ray on Tuesday, November 4th.  The film documents Clapton’s 2014 tour through the Middle East and Japan.  It features both documentation of his tour and thirteen full-length performances.  There are also interviews with Clapton and his band mates during rehearsal, soundcheck and even in the course of travelling from venue to venue.  On board for the ride on Clapton’s 2014 tour were: Paul Carrack (Hammond organ & vocals), Nathan East (bass/vocals), Chris Stainton (keyboards), Michelle Jordan (backing vocals), Shar White (backing vocals), and legendary drummer Steve Gadd (drums).  The complete listing of songs performed in this documentary is noted below.

TRACK LISTING:

1) Tell The Truth

2) Pretending

3) Crossroads

4) Driftin’

5) I Shot The Sherriff

6) Little Queen Of Spades

7) Layla

8) Wonderful Tonight

9) Key To The Highway

10) Before You Accuse Me

11) Tears In Heaven

12) Cocaine

13) Hoochie Coochie Man

14) High Time (Credits – Audio Only)

 

The documentary will retail for SRP of $19.98 on Blu-ray and $14.98 on DVD.  More information on this and other titles from Eagle Rock Entertainment is available online at http://www.eagle-rock.com and http://www.facebook.com/EagleRockEnt.  More news and updates from Eric Clapton is available online at http://ericclapton.com, http://www.myspace.com/ericclapton, and http://www.facebook.com/ericclapton.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

ZZ Top Live @ Montreux Is One Of 2014’s Top New Live Recordings

Courtesy:  Eagle Rock Entertainment/Eagle Vision

Courtesy: Eagle Rock Entertainment/Eagle Vision

Eagle Rock Entertainment has, over the years, earned the title from this critic of being the “Leader in Live Recordings.” Eagle Rock has long been the gold standard for live recordings with releases from the likes of Paul McCartney, The Raconteurs, Elton John, Stone Temple Pilots, Slipknot, and so many others across the board. Now yet again, Eagle Rock has proven yet again why it is that gold standard thanks to the brand new release of ZZ Top Live at Montreux 2013. This latest release in Eagle Rock’s ongoing partnership with Montreux Sounds is one more of this year’s top live recordings. It offers audiences a concert loaded with all of the Texas-based trio’s greatest hits and some lesser-known pieces, among which is a fitting tribute to the famed festival’s late founder Claude nobs. The concert’s combined audio and video mix make taking in each of those songs even more of a joy for audiences of all ages. And rounding out the whole thing is a pair of interviews that while relatively short, provide so much insight into the band’s respect for the Montreux festival, music in general and more. All three of these factors together show once again why Eagle Rock remains to this day, the “Leader in Live Recordings,” and why every classic rock and rock fan in general, will enjoy this concert.

The central point of enjoyment in ZZ Top Live at Montreux 2013 is the show’s set list, point blank. The veteran trio—Dusty Hill (bass), Billy Gibbons (guitar), and Frank Beard (drums)—churns out hit after hit throughout the course of the concert’s seventeen-song, eighty-minute show. Among those hits are the likes of ‘Sharp Dressed Man,’ ‘Gimme All your Lovin’,’ and ‘Tush’ just to name a few. As much as audiences will enjoy those favorites, they will also enjoy the band’s cover of Jimi Hendrix’s ‘Foxey Lady’ and the trio’s tribute to late Montreux Jazz Festival founder Claude Knobs in the bluesy/jazzy ‘Kiko.’ The band even brings in a pair of special guest musicians to join in on this number and one other song. The band’s live take of ‘I Gotsta Get Paid’ is another wonderful highlight from this concert. Throughout it all, the trio’s unassuming demeanor set against such solid, driving songs makes for such an interesting experience. It goes to show that a band doesn’t need pyro and loads of special effects and more to make a concert memorable. As long as the band can get the audience moving with its music, that’s the most important factor to the show. And that’s exactly what the members of ZZ Top do in this case. That factor alone makes this recording more than worth the watch.

The set list that makes up ZZ Top’s by itself more than makes this recording worth the watch. It makes it well worth buying for the band’s fans of all ages. Just as worth noting is the concert’s combined audio and video mix. The sound and video are both crystal clear throughout the show’s roughly eighty-minute run time. This is one of those standards that has for the longest time, made Eagle Rock the gold standard in live recordings. Those with home theater systems will especially appreciate the painstaking efforts that went in to bringing this concert to audiences. From the soaring shots above the crowd to the close ups of the band to those of the audience happily singing along, the camerawork in this concert is on par with every concert that Eagle Rock has released in recent years. And the audio mix is just as solid. Again, those with a home theater system will hear this for themselves. That expert audio and visual work together with the show’s set list pushes this recording even more to the top. Putting the recording at the top is the addition of a pair of interviews with Billy Gibbons and Dusty Hill in which the pair discuss what the Montreux Festival means to them, their thoughts on Claude Nobs and more.

The finishing touch to ZZ Top’s new live recording is the inclusion of a pair of backstage interviews with Billy Gibbons and Dusty Hill. The interviews are short. They run about three minutes or a little more each. But even within their short run times, the thoughts shared by the pair speak volumes. They discuss the festival itself and its history and how much it meant to have been invited to perform. They also discuss their relationship with the festival’s late founder Claude Nobs. They spoke very fondly of nobs and how those positive vibes led to the band’s musical tribute to the man. Just as eye and ear opening is the pair’s discussion on how the festival really brought together so many people of different musical backgrounds. It shows a love for music and respect for all different kinds of people. And that sentiment, as short as it may be, makes one look back through the concert once again, gaining a whole new appreciation not just for this recording, but for the members of ZZ Top as people. All things considered, this latest live recording from Eagle Rock Entertainment proves to be one more in this critic’s list of the year’s best new live recordings. It will be the favorite of any other music lover, too when they purchase the Blu-ray or DVD for themselves.

More information on this and other releases from Eagle Rock Entertainment is available online at http://www.facebook.com/EagleRockEnt and http://www.eagle-rock.com. And for the latest on ZZ Top’s updated tour schedule and more, fans can follow the band online at http://www.facebook.com/ZZTop and http://www.zztop.com. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.