Audiences Of All Musical Tastes Will Enjoy Enjoy Eagle Rock Entertainment’s New Dylan Documentary

Courtesy: Eagle Rock Entertainment/Universal Music Group

Courtesy: Eagle Rock Entertainment/Universal Music Group

Eagle Rock Entertainment’s new music documentary Lost Songs: The Basement Tapes Continued is an interesting new presentation. Regardless of whether audiences are fans of Bob Dylan and his body of work or fans of the artists recruited to resurrect Dylan’s “long lost” there is plenty for audiences of all ages and tastes to like throughout the program beginning fittingly with its virtual music history lesson. The program’s very presentation style is another element of the documentary that audiences will appreciate. Despite essentially being a standard “making of” feature, it doesn’t come across like so many other guerilla style making of peices thrown together by so many other acts just to sell records. And then of course there is the bonus material. In the case of this Blu-ray, the bonus material lives up to its name as it brings the whole presentation full circle. It doesn’t present the finished product of each song rehearsed in the main feature. But it does give audiences a look at the finished product of half of the noted songs. And that’s only the beginning of what makes the bonus material a true bonus. That will be discussed later. Taking into consideration everything noted here, Lost Songs: The Basement Tapes Continued proves itself a music documentary well worth the watch by audiences of any musical taste.

Eagle Rock Entertainment’s new music documentary Lost Songs: The Basement Tapes Continued is an interesting work that audiences of any musical taste should see. It should be noted right off the top that it is not a piece that audiences of any age should see. that is because there is some language older audiences might find questionable for some younger viewers. There is also one scene from some vintage 1960s film that shows a topless woman dancing with a group of other people. None of this seems to be noted anywhere on the documentariy’s casing. So it would be irresponsible if this critic didn’t note these issues right off the bat. Having gotten that out of the way, this program is still one that older audiences of any musical taste will want to see. The central reason for that is that it is within itself a virtual music history lesson. The lesson is centered on a group of previously “undiscovered” writings from none other than legendary singer/songwriter Bob Dylan. Audiences get a glimpse into where the writings came from, how they originally came into being so many decades ago and even their original intent. Some of this information is provided by Dylan himself even though the only time that Dylan actually appears on camera is in vintage footage of Dylan with his band mates collected for the documentary. Audiences will be surprised to learn that many of the writings if not all of them were never even intended for mass consumtion by fans. Audiences will be just as interested to learn why Dylan and company opted to record the original songs literally in the basement of a house instead of the sterility of a studio as they watch. That little factoid is in itself quite enlightening. there is even more information thrown out throughout the program that audiences will find interesting. So that will be left to viewers to discover for themselves. That information coupled with the information noted here shows clearly to be a history lesson that intended or not serves as one of the most important elements of Lost Songs: The Basement Tapes Continued in its enjoyment. It is only part of the program that makes it a joy for fans. The documentary’s overall shooting and presentation style make for their own enjoyment in this case, too.

The overall shooting style and manner of presentation in Lost Songs: The Basement Tapes Continued make for just as much reason for audiences to check out the program as its virtual music history lesson. “Making of documentaries” are all too commonplace in today’s music industry. The problem with all of the “documentaries” is that few prove to be memorable in any form or fashion. More often than not they are throwaway extras used to convince audiences to purchase already overpriced albums that are themselves forgettable. They are typically shot in guerilla, home-video style and presented as such, too. Thankfully none of this applies to Lost Songs: The Basement Tapes Continued. What audiences get in this program is a piece that fully lives up to the title of music documentary. It is an expertly shot and edited program that ties together music’s past and present and will in turn keep audiences engaged from beginning to end. There are no fast moving pans or tilts from the camera crew. And the music being rehearsed makes the presentation emotionally moving and powerful both as the recruited artists–who are themselves some of the music world’s biggest names today–work together and by themselves. There are no jump cuts. And while some special effects are used, they are used sparingly throughout, making the presentation all the more worth the watch.

Lost Songs: The Basement Tapes Continued more than lives up to the title of music documentary. It is the total antithesis of the largely forgettable throwaway pieces out there that masquerade as making of documentaries. This includes the standalone pieces and the ones that are thrown in with albums that are themselves largely forgettable. It stands out from those presentations thanks in large part to its professional production values and its virtual music history lesson. Both elements play their own important part in the success and enjoyment of Lost Songs: The Basement Tapes Continued. As important as each element proves in the long run, there is one more element to note that brings the presentation full circle. That element is the documentary’s collective bonus material. The bonus material in this case is a presentation of some of the songs featured in the main feature in their entirety. While not all twelve of the featured songs are included as bonus material. No fewer than half of the songs are featured, though. Having gone through the rehersals and creative process presented in the program’s main feature, the half dozen songs featured as bonus material are essentially a reward for audiences that watched the creative process that led to the songs. Again, while not all twelve songs presented in the main feature are included with the bonus material, the half dozen that are featured bring the presentation in whole full circle.

The full song “performances” featured in the bonus features of Lost Songs: The Basement Tapes Continued are themselves bonus for audiences. They are bonuses in large part because they finally let audiences hear at least some of the presented songs in their identity. That isn’t the only reason that they are bonuses, though. They are bonuses also because of the fact that each song features one of the recruited artists leading the given songs in his or her own style. Because each of the recruited artists gets to lead at least one song included in the bonus features, not one of the noted songs sounds like the other. Each comopsition has a sound and style completely separate from the others. It shows each artist’s own musical roots and influences thus deepening the program in whole even more. It is within itself a bonus of the bonus material and one more reason that audiences will want to watch Lost Songs: The Basement Tapes Continued.

Lost Songs: The Basement Tapes Continued is one of the more interesting music documentaries that has been released so far this year. For that matter, it is one of the only presentations released so far this year that rightfully deserves to be called a documentary. That is thanks in large part to its virtual music history lesson. Whether or not the history lesson was intended, it is there. The program’s production values set it apart from all of thoe throwaway pieces that try to pretend to be documentaries, too. And the bonus material rewards audiences that stayed and watched Bob Dylan’s “long lost” slowly come to life in more than one way. All three elements together show why audiences of all musical tastes, if not ages, will want to watch this documentary. Together, they show that while Eagle Rock is known largely as the leader in live recordings, it holds its own in the world of music documentaries, too. Lost Songs: The Basement Tapes Continued will be available in stores and online Tuesday, May 26th. More information on this and other titles from Eagle Rock Entertainment is available online at:

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment Releasing Classic All-Star Benefit Concert This Spring

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment will release what is one of its biggest recordings to date this spring when it releases on SD Blu-ray Live at Knebworth.

Billed as “The Best British Concert Of All Time,” Live at Knebworth will be released Tuesday, March 17th on SD Blu-ray. It is presented in upscaled standard definition with uncompressed stereo and DTS-HD Master Audio. The concert was originally recorded on June 30th, 1990. It was held as a benefit concert for Nordoff-Robbins Music Therapy and The Brit School for Performing Arts. Its lineup included some of the most well-known and respected musicians and acts from the UK. Many if not all of the acts in question had each themselves received the Nordoff-Robbins Silver Clef Award. They included: Eric Clapton, Paul McCartney, Pink Floyd, Robert Plant, Elton John, Phil Collins, Genesis, Dire Straits, Tears for Fears, Cliff Richards and the Shadows, and Status Quo. Most incredible of all was that of these performers, each one performed free of charge to support the cause.

McCartney offered up renditions of ‘Hey Jude,’ ‘Birthday,’ and ‘Can’t Buy Me Love’ for his performance. When Clapton took to the stage, he gave audiences ‘Tearin’ Us Apart’ and ‘before You Accuse Me.’ Elton John moved audiences in his own way with performances of ‘Sad Songs (Say So Much’ and ‘Sacrifice.’ Genesis gave one of the most interesting performances of the concert with a medley of ‘Somebody to Love,’ ‘Pinball Wizard,’ and ‘Turn It On Again.’ Robert Plant was joined on-stage by his Led Zeppelin band mate Jimmy Page for performances of ‘Wearin’ and Tearin,’ and ‘Rock and Roll.’ Pink Floyd’s performances of ‘Shine On You Crazy Diamond’ and ‘Run Like Hell’ were some of the concert’s most memorable moments. And they were just some of the key moments that make up the concert’s thirty-two song concert. The concert’s complete track listing is noted below.

TRACK LISTING

Tears For Fears:

1) Change

2) Badman’s Song

3) Everybody Wants To Rule The World

Cliff Richard & The Shadows:

4) On The Beach

5) Good Golly Miss Molly

6) We Don’t Talk Anymore

Phil Collins & The Serious Band:

7) In The Air Tonight

8) Sussudio

Paul McCartney:

9) Coming Up

10) Birthday

11) Hey Jude

12) Can’t Buy Me Love

Status Quo:

13) Whatever You Want

14) Rockin’ All Over The World

15) Dirty Water

16) In The Army Now

Eric Clapton:

17) Before You Accuse Me

18) Tearin’ Us Apart

Dire Straits:

19) Solid Rock

20) Think I Love You Too Much

21) Money For Nothing

Elton John:

22) Sacrifice

23) Sad Songs (Say So Much)

Robert Plant:

24) Hurting Kind

25) Tall Cool One

26) Wearing And Tearing (with Jimmy Page)

27) Rock And Roll (with Jimmy Page)

Genesis:

28) Mama

29) Throwing It All Away

30) Turn It On Again Medley: Turn It On Again / Somebody To Love /  Reach Out, I’ll Be There / Pinball Wizard / In The Midnight Hour / Turn It On Again (reprise)

Pink Floyd:

31) Shine On You Crazy Diamond

32) Run Like Hell

 

Proceeds from the sale of Live at Knebworth will continue to raise funds for Nordoff-Robbins Therapy and the Brit School for Performing Arts. More information on this and other releases from Eagle Rock Entertainment is available online at:

 

Website: http://www.eagle-rock.com

Facebook: http://www.facebook.com/EagleRockEnt

Twitter: http://twitter.com/EagleRockNews

 

To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment To Release New Eric Clapton Tour Documentary

Courtesy:  Eagle Rock Entertainment

Courtesy: Eagle Rock Entertainment

Eagle Rock Entertainment will release Eric Clapton’s new tour documentary this fall.

Planes, Trains, And Eric will be released on DVD and Blu-ray on Tuesday, November 4th.  The film documents Clapton’s 2014 tour through the Middle East and Japan.  It features both documentation of his tour and thirteen full-length performances.  There are also interviews with Clapton and his band mates during rehearsal, soundcheck and even in the course of travelling from venue to venue.  On board for the ride on Clapton’s 2014 tour were: Paul Carrack (Hammond organ & vocals), Nathan East (bass/vocals), Chris Stainton (keyboards), Michelle Jordan (backing vocals), Shar White (backing vocals), and legendary drummer Steve Gadd (drums).  The complete listing of songs performed in this documentary is noted below.

TRACK LISTING:

1) Tell The Truth

2) Pretending

3) Crossroads

4) Driftin’

5) I Shot The Sherriff

6) Little Queen Of Spades

7) Layla

8) Wonderful Tonight

9) Key To The Highway

10) Before You Accuse Me

11) Tears In Heaven

12) Cocaine

13) Hoochie Coochie Man

14) High Time (Credits – Audio Only)

 

The documentary will retail for SRP of $19.98 on Blu-ray and $14.98 on DVD.  More information on this and other titles from Eagle Rock Entertainment is available online at http://www.eagle-rock.com and http://www.facebook.com/EagleRockEnt.  More news and updates from Eric Clapton is available online at http://ericclapton.com, http://www.myspace.com/ericclapton, and http://www.facebook.com/ericclapton.  To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it.  Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

ZZ Top Live @ Montreux Is One Of 2014’s Top New Live Recordings

Courtesy:  Eagle Rock Entertainment/Eagle Vision

Courtesy: Eagle Rock Entertainment/Eagle Vision

Eagle Rock Entertainment has, over the years, earned the title from this critic of being the “Leader in Live Recordings.” Eagle Rock has long been the gold standard for live recordings with releases from the likes of Paul McCartney, The Raconteurs, Elton John, Stone Temple Pilots, Slipknot, and so many others across the board. Now yet again, Eagle Rock has proven yet again why it is that gold standard thanks to the brand new release of ZZ Top Live at Montreux 2013. This latest release in Eagle Rock’s ongoing partnership with Montreux Sounds is one more of this year’s top live recordings. It offers audiences a concert loaded with all of the Texas-based trio’s greatest hits and some lesser-known pieces, among which is a fitting tribute to the famed festival’s late founder Claude nobs. The concert’s combined audio and video mix make taking in each of those songs even more of a joy for audiences of all ages. And rounding out the whole thing is a pair of interviews that while relatively short, provide so much insight into the band’s respect for the Montreux festival, music in general and more. All three of these factors together show once again why Eagle Rock remains to this day, the “Leader in Live Recordings,” and why every classic rock and rock fan in general, will enjoy this concert.

The central point of enjoyment in ZZ Top Live at Montreux 2013 is the show’s set list, point blank. The veteran trio—Dusty Hill (bass), Billy Gibbons (guitar), and Frank Beard (drums)—churns out hit after hit throughout the course of the concert’s seventeen-song, eighty-minute show. Among those hits are the likes of ‘Sharp Dressed Man,’ ‘Gimme All your Lovin’,’ and ‘Tush’ just to name a few. As much as audiences will enjoy those favorites, they will also enjoy the band’s cover of Jimi Hendrix’s ‘Foxey Lady’ and the trio’s tribute to late Montreux Jazz Festival founder Claude Knobs in the bluesy/jazzy ‘Kiko.’ The band even brings in a pair of special guest musicians to join in on this number and one other song. The band’s live take of ‘I Gotsta Get Paid’ is another wonderful highlight from this concert. Throughout it all, the trio’s unassuming demeanor set against such solid, driving songs makes for such an interesting experience. It goes to show that a band doesn’t need pyro and loads of special effects and more to make a concert memorable. As long as the band can get the audience moving with its music, that’s the most important factor to the show. And that’s exactly what the members of ZZ Top do in this case. That factor alone makes this recording more than worth the watch.

The set list that makes up ZZ Top’s by itself more than makes this recording worth the watch. It makes it well worth buying for the band’s fans of all ages. Just as worth noting is the concert’s combined audio and video mix. The sound and video are both crystal clear throughout the show’s roughly eighty-minute run time. This is one of those standards that has for the longest time, made Eagle Rock the gold standard in live recordings. Those with home theater systems will especially appreciate the painstaking efforts that went in to bringing this concert to audiences. From the soaring shots above the crowd to the close ups of the band to those of the audience happily singing along, the camerawork in this concert is on par with every concert that Eagle Rock has released in recent years. And the audio mix is just as solid. Again, those with a home theater system will hear this for themselves. That expert audio and visual work together with the show’s set list pushes this recording even more to the top. Putting the recording at the top is the addition of a pair of interviews with Billy Gibbons and Dusty Hill in which the pair discuss what the Montreux Festival means to them, their thoughts on Claude Nobs and more.

The finishing touch to ZZ Top’s new live recording is the inclusion of a pair of backstage interviews with Billy Gibbons and Dusty Hill. The interviews are short. They run about three minutes or a little more each. But even within their short run times, the thoughts shared by the pair speak volumes. They discuss the festival itself and its history and how much it meant to have been invited to perform. They also discuss their relationship with the festival’s late founder Claude Nobs. They spoke very fondly of nobs and how those positive vibes led to the band’s musical tribute to the man. Just as eye and ear opening is the pair’s discussion on how the festival really brought together so many people of different musical backgrounds. It shows a love for music and respect for all different kinds of people. And that sentiment, as short as it may be, makes one look back through the concert once again, gaining a whole new appreciation not just for this recording, but for the members of ZZ Top as people. All things considered, this latest live recording from Eagle Rock Entertainment proves to be one more in this critic’s list of the year’s best new live recordings. It will be the favorite of any other music lover, too when they purchase the Blu-ray or DVD for themselves.

More information on this and other releases from Eagle Rock Entertainment is available online at http://www.facebook.com/EagleRockEnt and http://www.eagle-rock.com. And for the latest on ZZ Top’s updated tour schedule and more, fans can follow the band online at http://www.facebook.com/ZZTop and http://www.zztop.com. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

Eagle Rock Entertainment Releases Details Of Upcoming ZZ Top Live Release

Courtesy:  Eagle Rock Entertainment/Montreux Sounds

Courtesy: Eagle Rock Entertainment/Montreux Sounds

The partnership between Eagle Rock Entertainment and Montreux Sounds has led to the release of a number of archived shows from the festival’s decades-long history in recent years. Performances from the likes of Phil Collins, Carlos Santana, Etta James, and so many others have been released thanks to the companies’ partnership. Now another of music’s major names will see one of its Montreux Festival performances released this summer thanks to that partnership. The name in question is none other than classic rock trio ZZ Top.

ZZ Top: Live at Montreux 2013 will be released July 22, 2014 on DVD, Blu-ray, and digital formats. The new archived concert will be released alongside the brand new CD release of ZZ Top: The Very Baddest Of. That new CD release is a two-disc set containing forty of the band’s biggest hits. It will be released via Rhino Records. ZZ Top: Live at Montreux 2013 will see the band performing many of those hits live at the famed festival. Among the songs audiences can expect to hear are: ‘La Grange,’ ‘Gimme All Your Lovin’,’ ‘Pincushion,’ ‘Sharp Dressed Man,’ ‘Waitin’ For The Bus,’ ‘Legs,’ ‘Tube Snake Boogie,’ and ‘Tush’ just to name a handful of songs. Audiences can also expect to see the band’s performance of ‘Tres Hombres,’ ‘Fandango,’ ‘Eliminator,’ and ‘La Futura.’ Needless to say that this new archived performance is a definite career-spanning set. There is even a jazz-blues tribute to the late Claude Nobs, who founded the Montreux Jazz Festival decades ago. The performance features appearances by Mike Flanigin on Hammond organ and Van Wilks on guitar.

The concert’s DVD presentation will retail for SRP of $14.98. The Blu-ray will retail for $19.98. More information on this and other releases from Eagle Rock Entertainment and Montreux Sounds is available online at http://www.facebook.com/EagleRockEnt and http://www.eagle-rock.com. More information on ZZ Top and all of its upcoming releases and tour news is available online at http://www.zztop.com and http://www.facebook.com/zztop. To keep up with the latest sports and entertainment news and reviews, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment news and reviews in the Phil’s Picks blog at https://philspicks.wordpress.com.

Little Feat’s New Live Record One Big Feat

Courtesy:  Eagle Rock Entertainment/Eagle Vision/Eagle Records

Courtesy: Eagle Rock Entertainment/Eagle Vision/Eagle Records

Eagle Rock Entertainment is the leader in live releases.  The London based company has proven time and again in its near two decades in operation why it is more than deserving of that title.  Most recently, live recordings from the likes of The Rolling Stones, Dream Theater, and Sir Paul McCartney have shown just why Eagle Rock is the leader in live recordings.  Now with the release of Little Feat Live in Holland 1976, it continues to maintain that mantle.  This latest release, which hit stores and online outlets this week, is another success from Eagle Rock for a number of reasons.  One of those reasons is the performance itself.  It serves a number of ends in itself.  In direct relation, that Eagle Rock has provided the concert in an economic and ergonomic double-disc CD/DVD bundle makes this an even better release for audiences.  The quality of the sound and video in the presentation rounds out the whole package.  Considering that nearly four decades have passed since this performance was originally recorded, it sounds just as it did in the band’s performance back in 1976.  The efforts of those charged with transferring the recording from its original masters to CD and DVD along with the packaging and the show itself together make this record a definite candidate to be one of the first releases of 2014 to make this critic’s list of the year’s best new live recordings.

Nearly four decades have passed since Little Feat’s 1976 performance at the famed Pink Pop Festival in Holland.  That festival is still going strong today almost forty-five years after it started.  Countless bands and acts have performed at Pink Pop over the course of that time.  However, it would seem that very few performances from the festival’s storied history have ever been released in their entirety. That being the case, it makes this release all the more important for lovers of music with substance.   It becomes a piece of music history, so to speak. It will take older listeners back to their younger days and the joys of going to a concert truly worth one’s time and money. And for those that have become all too comfortable with today’s constant barrage of flash-in-the-pan artists, bands, and groups, it serves as an example of what was once right with not just rock music, but music in general. It shows that real music could (and still can) be made without down-tuned guitars and indecipherable vocals or any amount of foul language and references to drugs and sex. All it needs is heart as is evident throughout every song on this outstanding concert.

It’s been noted that one of the key impacts of this recording is that it will take more experienced audiences happily back to a day when concerts were nowhere near as expensive as they are today, and were far more worth the time, too. On the other side of the coin, it shows younger audiences what once made music and concerts great and still does today especially in a live setting. Eagle Rock has presented the performance in an affordable and ergonomic package including both the audio and video portion of the band’s performance that anyone can afford. On average, the double-disc set retails for about $20. Such a price for a concert that can be enjoyed time and again instead of just once is quite the bonus. That the concert can be enjoyed both on CD and DVD is even better. And that both are presented in a space saving case makes this so much more worth one’s time and money. This is especially the case being that this concert likely isn’t currently available on vinyl. Maybe the good people at Eagle Rock should look into putting it to vinyl for those that really want the full old school concert experience. Yes, that is a hint for anyone at Eagle Rock that might read this. Getting back on topic, audiences should see quite clearly by now what makes Little Feat Live in Holland yet another example of why Eagle Rock Entertainment is the leader in live releases.

Those that have yet to still see what makes Little Feat Live in Holland another example of why Eagle Rock Entertainment is the leader in live releases, will be convinced after hearing and seeing the quality of the recording’s audio and video. Nearly four decades have passed since this concert was originally recorded. Both the audio and video from this recording have stood the test of time quite well. And those charged with transferring both from their original masters onto CD and DVD have obviously taken quite painstaking efforts to present the concert as it should be presented. For that, those individuals are to be highly commended. It’s thanks to their efforts that the ever-growing generation gap in this country will be closed a little more after audiences take the time to take in this latest live release from Eagle Rock Entertainment. The efforts of those charged with bringing this classic concert back to life sits alongside the recording’s packaging and its collective historical and cultural value to make it effectively one of the year’s definitive best new live recordings.

Little Feat Live in Holland 1976 is available now in stores and online. It can be ordered online via Amazon at http://www.amazon.com/Live-Holland-1976-Little-Feat/dp/B00IPL2BCQ/ref=sr_1_1?s=music&ie=UTF8&qid=1398299812&sr=1-1&keywords=little+feat. More information on Little Feat and its new release is available online at http://www.facebook.com/LittleFeat, http://www.littlefeat.net and http://www.featbase.net. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.

May & Ellis’ Candlelight Concerts Recording Another Huge Hit For Eagle Rock

Courtesy:  Eagle Rock Entertainment/Eagle Vision/Eagle Records

Courtesy: Eagle Rock Entertainment/Eagle Vision/Eagle Records

Eagle Rock Entertainment and its visual division, Eagle Vision, have been at the front of the line in live recordings in recent years thanks to releasing so many big, bombastic concerts on DVD and Blu-ray. So it goes without saying that Brian May & Kerry Ellis: The Candlelight Concerts is quite the departure for Eagle Rock and Eagle Vision. That’s not a bad thing, either. While it features Queen guitarist Brian May alongside one of the most powerful voices in Broadway’s modern history, the references to Queen are kept to a minimum throughout the course of the concert. That is the most important factor in what makes this latest release from Eagle Rock and Eagle Vision so worth the time. Another reason that audiences will appreciate this new recording is its audio and video mix. The high quality video and audio mix (both on the Blu-ray and CD) maintain Eagle Rock and Eagle Vision’s long-held standard of releasing only the best quality concerts to audiences. And making everything complete for this latest recording is its packaging. Brian May & Kerry Ellis: The Candlelight Concerts has been made available to consumers in a double-disc Blu-ray/CD combo pack in a single package. This allows audiences to take in the performance in whole without having to choose which one they would want more. It may be a slightly higher price. But in the long-term, it’s more cost effective for those wanting the full concert experience. All of the factors noted here make Brian May & Kerry Ellis: The Candlelight Concerts yet another huge success from the leader in live recordings.

Brian May & Kerry Ellis: The Candlelight Concerts is not a Queen concert. That’s not to say that there are no Queen songs featured throughout the course of the set’s CD and Blu-ray. As a matter of fact, some of Queen’s biggest hits including ‘We Will Rock You’, ‘Somebody To Love’, ‘Crazy Little Thing Called Love’ and ‘No-One But You (Only The Good Die Young)’ are part of the performance. But by and large, this performance features covers of other songs, and even a couple original tunes. One of the most powerful of the performance’s moments comes in Ellis’ cover of ‘The Way We Were.’ The song, made popular by singer/actress Barbara Streisand in the 1973 movie by the same name. As Ellis notes before performing her take on the song, it’s more commonly performed with a full orchestral backing, even in the movie’s soundtrack. It gains a whole new identity in this completely stripped down setting. On the other end of the spectrum, May and Ellis presented a stripped down song in ‘The Kissing Me Song’ that absolutely cries out for a full band setting. Any drummers and percussionists out there will agree with this drummer that there is a stunning polyrhythmic drum track just waiting to come out in this piece. One can even hear a tambourine part echoing in the background. Making the song even more interesting is that it is an original piece, instead of a cover. It would be interesting to see if the pair ever re-works the tune for a full band setting. Moving on, there is at least one more high point in this performance in terms of the show’s set list that audiences will appreciate. That last high point is the duo’s take on ‘Crazy Little Thing Called Love.’ Despite being in a stripped down setting, it is just as enjoyable in this setting as on record. And experiencing the audience’s enthusiastic reaction to the song makes it all the more enjoyable for viewers watching it in their homes. It has just as much energy here as in any other setting. As enjoyable as this moment is, it isn’t the last of the show’s many high points. There are plenty more moments from which audiences will get to choose when they purchase or order the combo pack for themselves.

The set list chosen for this penultimate performance of May and Ellis’ “By Candlelight Tour” is central to the enjoyment of this recording. Those hoping for a stripped down Queen set will be sadly disappointed since it isn’t a Queen set. For those more open-minded, they will deeply appreciate the variety of songs included in the show. The songs would be nothing without the expert work of those behind the cameras and soundboard. Eagle Rock Entertainment and Eagle Vision have maintained a high standard for their live recordings for some time. And this recording is no exception to that rule. The picture and sound are both crystal clear. And the angles used in the camera work expertly capture the emotion of both performers in the rather intimate setting. It adds so much depth to the overall presentation, making it even more worth checking out.

The set list and overall production values of Brian May & Kerry Ellis: The Candlelight Concerts are both pivotal elements to the overall presentation of this recording. Both go hand in hand in making the whole thing worth the time and money. There is still at least one more element worth noting about this set. That aspect is the recording’s packaging itself. Eagle Rock, Eagle Vision, and Eagle Records have come together to make the set available to the masses not as separate release, but as one entire package. On the surface, this might drive up the price of the set a bit. But in the long run, it actually saves money and the time trying to decide which is more important. Eagle Rock is actually serving its customers by combining the CD and Blu-ray into a full double-disc set. What’s more, each of the two discs gets its own spot on either side of the Blu-ray’s case. That saves space and in turn, helps to keep the cost of the set down. And that combined with the show’s outstanding production values, and equally outstanding set list makes it one more huge success from the company that more than deserves the title of being the leader in live recordings.

Brian May & Kerry Ellis: The Candlelight Concerts is available now in stores and online. It can be ordered online via Amazon at http://www.amazon.com/Candelight-Concerts-Live-Montreux-Blu-ray/dp/B00I60VY56/ref=sr_1_1?s=music&ie=UTF8&qid=1396512611&sr=1-1&keywords=brian+may+kerry+ellis. More information on this and other releases from Eagle Rock Entertainment, Eagle Vision, and Eagle Records is available online at http://www.facebook.com/EagleRockEnt and http://www.eagle-rock.com. To keep up with the latest sports and entertainment reviews and news, go online to http://www.facebook.com/philspicks and “Like” it. Fans can always keep up with the latest sports and entertainment reviews and news in the Phil’s Picks blog at https://philspicks.wordpress.com.