IFC Films Announces Domestic Release Date For ‘How To Build A Girl’

Courtesy: IFC Films

IFC Films has a new coming-of-age story on the way next month.

How To Build A Girl is scheduled for release Aug. 11 on DVD.  Starring Beanie Feldstein (Neighbors 2Sorority Rising, American Crime Story, What We Do In The Shadows) as 16 year-old Johanna Morrigan, the movie — based on the book by the same name by author Caitlin Moran — follows the young teen as she uses her imagination to escape her reality in Wolverhampton and live out her fantasies.

Things take a turn for the surprising when Johanna sends a music review to a group of self-important, hipster rock critics at a weekly music magazine.  She ends up reinventing herself as Dolly Wilde, who is apparently self-important in her own right, and who has a lust for fame, life and men.

The result of her change leads her to her own existential crisis.  She starts asking herself is the persona she has created the person she wants to be or does she need to start over again?

The movie also stars Emma Thompson (Nanny McPheeNanny McPhee ReturnsStranger Than Fiction), Alfie Allen (John WickGame of ThronesThe Other Boleyn Girl), Paddy Consindine (Hot FuzzDead Man’s ShoesIn America), and Chris O’Dowd (BridesmaidsThe Sapphires, Moone Boy).

How To Build A Girl will retail for MSRP of $24.98 (DVD) and $29.98 (Blu-ray).  Its run time is listed at 104 minutes (one hour, 44 minutes).  the movie is rated “R.”

More information on this and other titles from IFC Films is available at:


Website: http://www.ifcfilms.com

Facebook: http://www.facebook.com/IFCFilmsOfficial

Twitter: http://twitter.com/ifcfilms


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Saving Mr. Banks Has Few Saving Graces

Courtesy: Walt Disney Studios Home Entertainment

Courtesy: Walt Disney Studios Home Entertainment

Walt Disney Studios’ recently released full length picture Saving Mr. Banks is not the worst movie that the studio has ever released. It is also, hardly the best movie that WDS has ever released. The story presented in this movie is little more than another period piece that can be tossed into the ever-growing pile of movies that are “based on actual events” and forgotten over time. It tries to make up for this by throwing in an attempt at a serious story about Travers’ attempt to reconcile her past and present that ultimately falls flat. That is thanks in large part to the glut of flashbacks and the unevenness of those transitions between the flashbacks. For all of the negatives that weigh down the story, there is at least one positive to the whole presentation. That bright shining light is the acting on the part of the movie’s largely A-List cast. Other than that sole beacon, it’s difficult to ultimately say that there is anything that truly “saves” Saving Mr. Banks.

Saving Mr. Banks is anything but one of the best movies that Walt Disney Studios has ever released. There is very little that one can argue actually “saves” this period piece. That’s because ultimately, it’s just one more movie that is “based on actual events.” Co-writers Kelly Marcel and Sue Smith seemed to have gotten down Travers’ persona. And veteran actress Emma Thompson brought Travers even more to life with her expert depiction of the famed author. However, one cannot deny the fact that Disney likely took a certain amount of liberties with the story of how Travers’ beloved book Mary Poppins came to life. That is just the way of movies that are “based on actual events.” Marcel and Smith had to have known that there are those—like this critic—that would know this, too. So their answer to that was to throw in a personal drama story on the part of Travers that sees her trying to reconcile her troubled childhood as she worked with Walt Disney and his people on their adaptation of her book. It’s a bit much. Add in the glut of flashbacks and the unevenness of said flashbacks, and audiences get what is one more loose brick in this movie.

The attempt on the part of Marcel and Smith to craft a dual-pronged story in Saving Mr. Banks is a major part of the movie’s downfall. It isn’t the end of the movie’s problems, either. The glut of flashbacks that Marcel and Smith toss into the story and their unevenness hurts the script even more. One doesn’t even fully realize that the pair is using flashbacks as part of the story until after about the fifth time that the transition happens. The primary reason for this is that there is little to indicate the separation of the scenes. The story constantly jumps from Travers’ present day life to her childhood growing up in Australia. And because there is no clear indicator of the jump back and forth in time, audiences are left scratching their heads at who the little girl is until again, after about the fifth or sixth time that the transition happens. There is perhaps one clear transition that finally makes it clear for audiences that they are looking into what is supposed to be Travers’ childhood. While Marcel and Smith do finally make it clear what audiences are seeing in the scene transitions, things don’t get much better. That’s because it actually starts to feel like the flashbacks in question tend to happen at an increasing pace. Even in that increased frequency of flashbacks, the transitions between past and present are still not entirely clear. They just seem to happen at random points without any clear separation. It only serves to hurt the movie even more. Thankfully for all of the problems with Saving Mr. Banks, it does have one saving grace. That saving grace is the acting on the part of the movie’s largely A-List cast.

If not for the acting on the part of Saving Mr. Banks’ cast, this movie would possibly be classified as one of the least of Disney’s movies in recent years. That being the case, Casting Director Ronna Kress deserves a standing ovation. Kress pulled in some of the biggest names in Hollywood for this movie. Actress Emma Thompson (Stranger Than Fiction, Nanny McPhee, Nanny McPhee Returns) was an obvious choice considering her time in the role of another literary nanny named Nanny McPhee. McPhee’s character was based on the literary Nurse Matilda. Nurse Matilda’s books came years after Mary Poppins was published. But her stories are arguably far more enjoyable than that of Mary Poppins or even this semi-historical look at how the book was adapted to the big screen. Ironically enough, Thompson’s depiction of author P.L. Travers was just as spot on as that of Nanny McPhee. One can’t help but laugh at the obvious cultural differences between herself and her American hosts. And while he is in a supporting role in this movie, fellow veteran actor Paul Giamatti (The Illusionist, The Amazing Spiderman 2, Duets) is incredible as Travers’ personal driver Ralph. Ralph’s innocence makes him such a lovable character. Jason Scwartzman (Moonrise Kingdom, The Darjeerling Limited, Rushmore) and B.J. Novak (The Amazing Spiderman 2, Inglourious Basterds, The Smurfs 2) are just as entertaining as the famed Sherman Brothers. Anyone that knows the history of Walt Disney Studios knows that the Sherman Brothers are responsible for some of the greatest musical numbers to ever grace the big screen in Disney’s golden age. And their drive to get the songs right despite Travers’ constant refusal makes them such sympathetic characters. Not once did they ever get mad at her for her stubbornness. And their playful nature in playing their songs makes them even more lovable. Tom Hanks can’t be ignored here either, as the one and only Walt Disney. Those in the makeup department got the look of Walt Disney pretty close with Hanks. And one must agree that he expertly channels Disney, too. He worked so hard to get the part down that he even tried to get down Walt Disney’s accent for the role. It’s subtle. But it’s there. And it makes his depiction all the more enjoyable to watch. It’s one more piece of the whole of this movie that makes Saving Mr. Banks at least somewhat bearable.

The acting on the part of Saving Mr. Banks’ cast is the one shining light that makes this movie bearable. The sad reality of this movie is that despite the entertaining portrayals on the part of the cast, there is little to nothing else positive that can be noted of the film. The transitions between Travers’ childhood and adult life are far too many and nowhere near clear enough. And the dual-pronged story crafted by co-writers Kelly Marcel and Sue Smith ultimately combines with those scene transition issues to make Saving Mr. Banks anything but memorable. Sadly these issues together prove that other than the cast’s acting, there is little to anything else that “saves” Saving Mr. Banks.

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Diney Pixar’s New Princess Movie Is A “Brave” New Effort

Courtesy: Disney/Pixar

Disney Pixar’s new cg based feature, Brave is a classic coming-of-age story for the twenty-first century.  This princess tory (yes, despite what Disney execs said about Tangled, this is another princess movie) isn’t just another princess story, though.  Rather, it’s both a coming-of-age story and a story that incorporates an element that has been standard to Disney features for ages.  That element is the element of family.  There is no denying the movie’s similarity to a certain much older story with a similar plot.  But that similarity is loose at best.  This movie took the former movie’s plot and altered it for a movie that the entire family will enjoy.  And now that it has been released to DVD, Blu-ray and Blu-ray/DVD combo pack, families will get even more enjoyment and appreciation for this twenty first century princess movie.

When Disney stated in 2011 that its CG based feature, Tangled would be the last of its princess movies for the foreseeable future, that statement was obviously met with quite a bit of resentment from audiences.  So rather than fight its audiences, Disney (along with Pixar) gave audiences what they wanted.  The final product is BraveBrave is at its most basic level, a princess movie.  But it’s not Disney’s standard princess movie.  There’s no romance subplot holding the story down.  Rather, it’s a new classic coming-of-age story for young viewers everywhere.  The whole story focuses on young princess Merida, who is very much the stereotypical Tomboy.  Yes she’s feminine.  And she’s also very headstrong and not like the other girls out there.  This is something to which so many female audiences can relate even now in the new era of movies.  She rides horses and shots arrows.  But she still has a certain level of femininity in that she is the classic daddy’s girl.  It is her inability to balance the two that leads to her conflicting relationship with her mother and eventually her self-realization and coming-of-age.  That coming-of-age and self-realization make for a story that the entire family will enjoy and appreciate just as much with every watch.

Anyone who has already seen Brave in theaters understands how entertaining this new movie is for the whole family.  Now that it has been released on multiple home formats, that enjoyment is increased thanks to the abundance of bonus features on the first pair of discs in the Ultimate Collector’s Edition of the movie.  Audiences see that not only do Disney and Pixar stick to Walt Disney’s emphasis on family in Brave, but it also sticks to the tradition of maintaining the story’s believability.  The bonus features included in the first disc of the set take viewers behind the scenes of the movie’s creation.  Audiences will discover that yet again, rather than just make up some fantastical world, the people behind the story went into full depth to make it as believable a story as possible.  They even went as far as to go to Scotland and take in the region, drawing regions that they toured so as to best present the world of Brave.  This is nothing new for Disney or Pixar.  And that this tradition of sustaining belief for audiences makes the movie that much more worthy of respect.

Along with going to Scotland to document it firsthand, the crew behind the movie also got a first hand sword fighting demonstration so as to best present believable action on screen.  There is also a point in which the crew discusses details as minute as making the tapestry which Merida rips with her sword look as real as possible.  Yet again, audiences see the dedication to believability by those involved in the creation of this movie.  These are just some of the bonus features that make this new home release of Brave that much more enjoyment and worth a second watch.  There are even more features that audiences will enjoy as they go through each one.  Audiences will see just how much dedication went into making this movie the best that it could be for everyone to see.

The special features are just one part of what makes this brand new Ultimate Collector’s Edition of Brave enjoyable and a welcome gift under the tree this holiday season.  This five disc set includes not only the movie in Blu-ray format complete with bonus features, but also in standard def DVD format and 3D Blu-ray format.  There is even an extra digital disc that will allow users with mobile devices such as tablets to watch the movie anywhere they go without having to actually take the movie with them.  Or for those without tablets, the DVD option allows viewers with in vehicle DVD monitors and players to play the DVD for kids on those long family trips.  That’s especially helpful now in the holiday season as families are making their annual pilgrimages to see family.  And even when families get to their destinations, it can still be viewed on any of the formats included in this set.  So while it may be the most expensive of the presentations, it also presents the most value for families.

The overall value of the Ultimate Collector’s Edition of Brave alone makes this a set worth checking out for any fan of the movie.  Add in solid writing and bonus features that make for even more appreciation and enjoyment of the story, and audiences get a set that really is the Ultimate Collector’s Set for this new modern classic princess flick from Disney and Pixar.  Brave is available in stores and online now.  It can be ordered online direct via the Disney store at http://www.disneystore.com/brave-5-disc-set-ultimate-collectors-edition/mp/1323109/1000316/.

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